Tooth Ache Quotes

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Mental pain is less dramatic than physical pain, but it is more common and also more hard to bear. The frequent attempt to conceal mental pain increases the burden: it is easier to say “My tooth is aching” than to say “My heart is broken.
C.S. Lewis (The Problem of Pain)
A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it.
L.M. Montgomery
It struck him that in moments of crisis one is never fighting against an external enemy, but always against one’s own body... On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
The thought of her gave me such a continual anguish that I could no more forget her than an aching tooth. It was involuntary, hopeless, compulsive. For years she had been the first thing I remembered when I woke up, the last thing that drifted through my mind as I went to sleep, and during the day she came to me obtrusively, obsessively, always with a painful shock.
Donna Tartt (The Goldfinch)
...the air so still it aches like the place where the tooth was on the morning after you’ve been to the dentist or aches like your heart in the bosom when you stand on the street corner waiting for the light to change and happen to recollect how things once were and how they might have been yet if what happened had not happened.
Robert Penn Warren (All the King's Men)
Are you in pain, Frodo?' said Gandalf quietly as he rode by Frodo's side. 'Well, yes I am,' said Frodo. 'It is my shoulder. The wound aches, and the memory of darkness is heavy on me. It was a year ago today.' 'Alas! there are some wounds that cannot be wholly cured,' said Gandalf. 'I fear it may be so with mine,' said Frodo. 'There is no real going back. Though I may come to the Shire, it will not seem the same; for I shall not be the same. I am wounded with knife, sting, and tooth, and a long burden. Where shall I find rest?' Gandalf did not answer.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
She still loves him. This is the fact she wakes up to each morning. She checks it, sometimes, a tongue probing an aching tooth, making sure it still hurts.
Hala Alyan (Salt Houses)
Life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
But mostly I wondered why the head could move so swiftly while the heart dragged its feet. I still loved him. It felt like anything else permanent that has gone missing; a lost tooth, a severed leg. You might know better, but that doesn’t keep your tongue from poling at the hole in your gum, or your phantom limb from aching.
Jodi Picoult (Handle with Care)
Meg was going to have to learn for herself what Laurie had figured out over the summer — that it was better to leave well enough alone, to avoid unnecessary encounters with people you’d left behind, to not keep poking at that sore tooth with the tip of your tongue. Not because you didn’t love them anymore, but because you did, and because that love was useless now, just another dull ache in your phantom limb.
Tom Perrotta (The Leftovers)
There's no room for anything else. You forget that you're tired or cold or hungry. You forget that banged-up knee and your aching tooth. You forget the past, and you forget that there's such a thing as a future.
John Marsden (A Killing Frost (Tomorrow, #3))
Certain memories, certain trains of thought are like the aching tooth one must always be touching just to make sure it still hurts.
Aldous Huxley (Eyeless in Gaza)
Mental pain is less dramatic than physical pain, but it is more common and also more hard to bear. The frequent attempt to conceal mental pain increases the burden: it is easier to say 'My tooth is aching' than to say 'My heart is broken'. Yet if the cause is accepted and faced, the conflict will strengthen and purify the character and in time the pain will usually pass. Sometimes, however, it persists and the effect is devastating; if the cause is not faced or not recognised, it produces the dreary state of the chronic neurotic. But some by heroism overcome even chronic mental pain. They often produce brilliant work and strengthen, harden, and sharpen their characters till they become like tempered steel.
C.S. Lewis (The Problem of Pain)
A poet should be as sensitive as an aching tooth.
Anna Świrszczyńska
The frequent attempt to conceal mental pain increases the burden: it is easier to say 'My tooth is aching' than to say 'My heart is broken.'"[21]
J.S. Park (How Hard It Really Is: A Short, Honest Book About Depression)
It comes from a deep-rooted conviction that if there is anything worthwhile doing for the sake of culture, then it is touching on subject matters and situations which link people, and not those that divide people. There are too many things in the world which divide people, such as religion, politics, history, and nationalism. If culture is capable of anything, then it is finding that which unites us all. And there are so many things which unite people. It doesn’t matter who you are or who I am, if your tooth aches or mine, it’s still the same pain. Feelings are what link people together, because the word ‘love’ has the same meaning for everybody. Or ‘fear’, or ‘suffering’. We all fear the same way and the same things. And we all love in the same way. That’s why I tell about these things, because in all other things I immediately find division.
Krzysztof Kieślowski
I didn’t see what he was doing,” Beth said, picturing the move where his queen took her pawn. It was like putting your tongue against an aching tooth.
Walter Tevis (The Queen's Gambit)
But, as C.S. Lewis once put it, ‘The frequent attempt to conceal mental pain increases the burden: it is easier to say “My tooth is aching” than to say “My heart is broken”.
Matt Haig (Notes on a Nervous Planet)
There are things in this world you can’t do a damn thing about.” “Like what?” “Like a rotten tooth, for example. One day it just starts aching. No one can ease the pain, no matter how hard they try to comfort you. It makes you furious with yourself. Next thing you know you’re furious with them because they aren’t pissed off with themselves. See how it escalates?
Haruki Murakami (Wind/ Pinball: Two Novels)
Those were the ones which would turn loose their grip on the branch before long-- not in any breeze, the fibers would just relax, in the middle of the day maybe with the sunshine bright and the air so still it aches like the place where the tooth was on the morning after you've been to the dentist or aches like your heart in the bosom when you stand on the street corner waiting for the light to change and happen to recollect how things once were and how they might have been yet if what happened had not happened.
Robert Penn Warren (All the King's Men)
He thought with a kind of astonishment of the biological uselessness of pain and fear, the treachery of the human body which always freezes into inertia at exactly the moment when a special effort is needed. He might have silenced the dark-haired girl if only he had acted quickly enough; but precisely because of the extremity of danger he had lost the power to act. It struck him that in moments of crisis one is never fighting against an external enemy but always against one's own body. Even now, in spite of the gin, the dull ache in his belly made consecutive thought impossible. And it is the same, he percieved, in all seemingly heroic or tragic situatuions. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
My moods were a slingshot; after being locked-down and anesthetized for years my heart was zinging and slamming itself around like a bee under a glass, everything bright, sharp, confusing, wrong-but it was a clean pain as opposed to the dull misery that had plagued me for years under the drugs like a rotten tooth, the sick dirty ache of something spoiled.
Donna Tartt (The Goldfinch)
So immutably does a human being surrender to the mist of the Motherland! Just as a tooth will not stop aching until the nerve is killed, so is it with us; we shall probably not stop responding to the call of the the Motherland until we swallow arsenic.
Alexander Solzhenitsyn (Архипелаг ГУЛАГ: 1918-1956: опыт художественного исследования)
Blind loving wrestling touch, sheath'd hooded sharp-tooth'd touch! Did it make you ache so, leaving me?
Walt Whitman (Leaves of Grass)
And that made my heart ache, too—the thought of how much happiness lay scattered across the universe, unrealized, in fragments, waiting for the right twist of fate to bring it together.
Leah Raeder (Unteachable)
This woman controls my heartbeats. Every love lyric I sing each night is made for her. Every melody chases her heartbeat, and every chorus begs for her love. It has been brought to my attention that a few people on my management team have chosen to approach the love of my life and tell her that she wasn't good for my image. Due to her looks and the past she had no say in creating, they said she wasn't good enough. It's true, we grew up in the same town, but that didn't mean our home lives were built on the same steady foundation. I was blessed enough to never know struggle. This girl had to fight tooth and nail for everything she was given. She sacrificed her own youth, because she didn't want her little sister to go into the foster system. She gave up love, in order for me to go chase my dreams. She gives and gives in order to make others happy, because that's the person she is. She's the most beautiful human being alive, and for anyone--especially people who are supposed to be in my corner--to say differently disgusts me to my core. I am not a robot. I hurt, I ache, I love, and I cry. And it breaks me to live in a world where I have to be afraid of showing who I really am in order to gain followers. So if you don't like this fact--that I am not single and that I am hopelessly in love--then that's fine. If I lose fans over this, I'm okay with that. I will make every sacrifice in the world from this point on in order to give my love fully to the woman who has given more than she ever should've had to give. I love you, Haze. From the new moon to the fullest. From now until forever.
Brittainy C. Cherry (The Wreckage of Us)
What! sigh for the tooth-ache? Leon.  Where is but a humour or a worm?   15 Bene.  Well, every one can master a grief but he that has it.
William Shakespeare
And that made my heart ache, too—the thought of how much happiness lay scattered across the universe, unrealized, in fragments, waiting for the right twist of fate to bring it together.
Elliot Wake (Unteachable)
Reminding him of when he was young and he’d stuff packets of gummies into his pockets, sucking on sweet licorice candy until his jaw ached. Yet, there was still never anything as tooth-rotting as Blossom James.
Kate Winborne (Blossom (The Wolf's Den Anthology Book 1))
A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth…It takes spells of aching and gives you a sleepless night now and then, but between times, it lets you enjoy life, and dreams, and echoes, and peanut candy as if there were nothing the matter with it
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
Prizes were announced for any superhero that could take down the Evil, and more people showed up with weapons, bombs, fumes, and other inventions to kill the giant bugs and clean the land, the air and the waters. But none succeeded. All they succeeded was to harm the planet even more, make the Evil Snake, the Evil Scientist and his superbugs become more Evil. Prizes were getting bigger and bigger with no one to collect them, just as the bugs were getting bigger and more numerous, sweets were everywhere and people were eating them, getting sicker and complaining about tooth and tummy aches. The future looked grim.
Adrian Cristian Proca (The Story of Evil)
Let me explain a little: Certain things are bad so far as they go, such as pain, and no one, not even a lunatic, calls a tooth-ache good in itself; but a knife which cuts clumsily and with difficulty is called a bad knife, which it certainly is not. It is only not so good as other knives to which men have grown accustomed. A knife is never bad except on such rare occasions as that in which it is neatly and scientifically planted in the middle of one's back. The coarsest and bluntest knife which ever broke a pencil into pieces instead of sharpening it is a good thing in so far as it is a knife. It would have appeared a miracle in the Stone Age. What we call a bad knife is a good knife not good enough for us; what we call a bad hat is a good hat not good enough for us; what we call bad cookery is good cookery not good enough for us; what we call a bad civilization is a good civilization not good enough for us. We choose to call the great mass of the history of mankind bad, not because it is bad, but because we are better. This is palpably an unfair principle. Ivory may not be so white as snow, but the whole Arctic continent does not make ivory black.
G.K. Chesterton (The Defendant)
The crown was the only offering she’d kept. The rest she sold, to gather the wealth she had wasted on the Pureborn. Xaro would have sold the crown too—the Thirteen would see that she had a much finer one, he swore—but Dany forbade it. “Viserys sold my mother’s crown, and men called him a beggar. I shall keep this one, so men will call me a queen.” And so she did, though the weight of it made her neck ache.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
after being locked-down and anesthetized for years my heart was zinging and slamming itself around like a bee under a glass, everything bright, sharp, confusing, wrong—but it was a clean pain as opposed to the dull misery that had plagued me for years under the drugs like a rotten tooth, the sick dirty ache of something spoiled. The clarity was exhilarating; it was as if I’d removed a pair of smudged-up glasses that fuzzed everything I saw.
Donna Tartt (The Goldfinch)
And it is the same, he perceived, in all seemingly heroic or tragic situations. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
Who knew it was in my power to make anyone so happy? Or that I could ever be so happy myself? My moods were a slingshot; after being locked-down and anesthetized for years my heart was zinging and slamming itself around like a bee under a glass, everything bright, sharp, confusing, wrong - but it was a clean pain as opposed to the dull misery that had plagued me for years under the drugs like a rotten tooth, the sick dirty ache of something spoiled. The clarity was exhilarating; it was as if I'd removed a pair of smudged-up glasses that fuzzed everything I saw. All summer long I had been practically delirious: tingling, daffy, energized, running on gin and shrimp cocktail and the invigorating whock of tennis balls. And all I could think was Kitsey, Kitsey, Kitsey!
Donna Tartt (The Goldfinch)
Consider, in this connection, the case of the ardent socialist. He finds that there is very much wrong with our world, and we all probably agree with him. His enthusiastic conclusion will be that "Capitalism" must be replaced by "Socialism." But it is safe to say that, in most cases, the socialist will find it very hard to define the one as well as the other. The idea uppermost in his mind will be that now there is "anarchy" and "jungle" and that afterwards there will be order, justice, and planning. His opponent, defending not "Capitalism" but the market economy, will explain that both theory and ample experience prove that socialism is most likely to be a bitter disappointment. All the time it is quite probable that they will talk at cross purposes because the socialist has in mind quite different problems to be solved whereas his opponent never meant the market economy to be the answer to all these problems but only to one of them, i.e., our special problem of economic order. He will say with Shaw that "no sane person refuses to wear spectacles because they do not cure a tooth-ache.
Wilhelm Röpke (Welfare, Freedom and Inflation)
Her whole body felt like the empty place where a tooth used to be, a phantom ache that she had to keep investigating.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Every time we were at Billy's, AJ got the banana cupcake with cream cheese frosting, a house specialty. I usually felt it my duty to try something new- like the Hello Dolly, a graham-cracker-crusted bar, layered with a tooth-achingly sweet mélange of chocolate chips, pecans, butterscotch, and coconut, perhaps a big old slice of German chocolate cake, or just a modest sugar-dusted snickerdoodle. But today- out of alliance or nervousness, I wasn't sure- I had also ordered a banana cupcake: a wise choice, as it was especially spongy and fresh.
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
Irie stepped out into streets she’d known her whole life, along a route she’d walked a million times over. If someone asked her just then what memory was, what the purest definition of memory was, she would say this: the street you were on when you first jumped in a pile of dead leaves. She was walking it right now. With every fresh crunch came the memory of previous crunches. She was permeated by familiar smells: wet woodchip and gravel around the base of the tree, newly laid turd underneath the cover of soggy leaves. She was moved by these sensations. Despite opting for a life of dentistry, she had not yet lost all of the poetry in her soul, that is, she could still have the odd Proustian moment, note layers upon layers, though she often experienced them in periodontal terms. She got a twinge – as happens with a sensitive tooth, or in a ‘phantom tooth’, when the nerve is exposed – she felt a twinge walking past the garage, where she and Millat, aged thirteen, had passed one hundred and fifty pennies over the counter, stolen from an Iqbal jam-jar, in a desperate attempt to buy a packet of fags. She felt an ache (like a severe malocclusion, the pressure of one tooth upon another) when she passed the park where they had cycled as children, where they smoked their first joint, where he had kissed her once in the middle of a storm. Irie wished she could give herself over to these past-present fictions: wallow in them, make them sweeter, longer, particularly the kiss. But she had in her hand a cold key, and surrounding her lives that were stranger than fiction, funnier than fiction, crueller than fiction, and with consequences fiction can never have. She didn’t want to be involved in the long story of those lives, but she was, and she found herself dragged forward by the hair to their denouement, through the high road – Mali’s Kebabs, Mr Cheungs, Raj’s, Malkovich Bakeries – she could reel them off blindfold; and then down under pigeon-shit bridge and that long wide road that drops into Gladstone Park as if it’s falling into a green ocean. You could drown in memories like these, but she tried to swim free of them. She jumped over the small wall that fringed the Iqbal house, as she had a million times over, and rang the doorbell. Past tense, future imperfect.
Zadie Smith (White Teeth)
Irie stepped out into streets she’d known her whole life, along a route she’d walked a million times over. If someone asked her just then what memory was, what the purest definition of memory was, she would say this: the street you were on when you first jumped in a pile of dead leaves. She was walking it right now. With every fresh crunch came the memory of previous crunches. She was permeated by familiar smells: wet woodchip and gravel around the base of the tree, newly laid turd underneath the cover of soggy leaves. She was moved by these sensations. Despite opting for a life of dentistry, she had not yet lost all of the poetry in her soul, that is, she could still have the odd Proustian moment, note layers upon layers, though she often experienced them in periodontal terms. She got a twinge – as happens with a sensitive tooth, or in a ‘phantom tooth’, when the nerve is exposed – she felt a twinge walking past the garage, where she and Millat, aged thirteen, had passed one hundred and fifty pennies over the counter, stolen from an Iqbal jam-jar, in a desperate attempt to buy a packet of fags. She felt an ache (like a severe malocclusion, the pressure of one tooth upon another) when she passed the park where they had cycled as children, where they smoked their first joint, where he had kissed her once in the middle of a storm. Irie wished she could give herself over to these past-present fictions: wallow in them, make them sweeter, longer, particularly the kiss. But she had in her hand a cold key, and surrounding her lives that were stranger than fiction, funnier than fiction, crueller than fiction, and with consequences fiction can never have. She didn’t want to be involved in the long story of those lives, but she was, and she found herself dragged forward by the hair to their denouement, through the high road – Mali’s Kebabs, Mr Cheungs, Raj’s, Malkovich Bakeries – she could reel them off blindfold; and then down under pigeon-shit bridge and that long wide road that drops into Gladstone Park as if it’s falling into a green ocean. You could drown in memories like these, but she tried to swim free of them. She jumped over the small wall that fringed the Iqbal house, as she had a million times over, and rang the doorbell. Past tense, future imperfect.
Zadie Smith (White Teeth)
It was not like her to lose her senses. The ability to drift was beaten from her long ago. But Sorasa drifted now, pacing the beach. She did not hear the shift of sand, or the heavy scuff of boots over the loose stones. There was only the wind. Until a strand of gold blew across her vision, joined by a warm unyielding palm against her shoulder. Her body jolted as she turned, nose to nose with Domacridhan of Iona. His green eyes glittered, his mouth open as he shouted something again, his voice swallowed up by the droning in her own head. “Sorasa.” It came to her slowly, as if through deep water. Her own name, over and over again. She could only stare back into the verdant green, lost in the fields of his eyes. In her chest, her heart stumbled. She expected her body to follow. Instead, her fist closed and her knuckles met cheekbone. Dom was good enough to turn his head, letting the blow glance off. Begrudgingly, Sorasa knew he had spared her a broken hand on top of everything else. “How dare you,” she forced out, trembling. Whatever concern he wore burned away in an instant. “How dare I what? Save your life?” he snarled, letting her go Sorasa swayed without his support. She clenched her own jaw, fighting to maintain her balance lest she fall to pieces entirely. “Is that another Amhara lesson?” he raged on, throwing up both arms. “When given the choice between death or indignity, choose death?!” Hissing, Sorasa looked back to the spot where she woke up. Heat crept up her face as she realized her body left a trail through the sand when he dragged her up from the tide line. A blind man would have noticed it. But not Sorasa in her fury and grief. “Oh,” was all she could manage. Her mouth flapped open, her mind spinning. Only the truth came, and that was far too embarrassing. “I did not see. I—” Her head throbbed again and she pressed a hand to her temple, wincing away from his stern glare. “I will feel better if you sit,” Dom said stiffly. Despite the pain, Sorasa loosed a growl. She wanted to stand just to spite him, but thought better of it. With a huff, she sank, cross-legged on the cool sand. Dom was quick to follow, almost blurring. It made her head spin again. “So you saved me from the shipwreck just to abandon me here?” Sorasa muttered as Dom opened his mouth to protest. “I don’t blame you. Time is of the essence now. A wounded mortal will only slow you down.” She expected him to bluster and lie. Instead, his brow furrowed, lines creasing between his still vivid eyes. The light off the ocean suited him. “Are you? Wounded?” he asked gently, his gaze raking over her. His focus snagged on her temple, and the gash there. “Anywhere else, I mean?” For the first time since she woke, Sorasa tried to still herself. Her breath slowed as she assessed herself, feeling her own body from toes to scalp. As her awareness traveled, she noted every blooming bruise and cut, every dull ache and shooting pain. Bruises ribs. A sprained wrist. Her tongue flicked in her mouth. Scowling, she spit out a broken tooth. “No, I’m not wounded,” she said aloud. Dom’s desperate smile broke wide. He went slack against the sand for an instant, falling back on his elbows to tip his face to the sky. His eyes fluttered shut only for a moment. Sorasa knew his gods were too far. He had said so himself. The gods of Glorian could not hear their children in this realm. Even so, Sorasa saw it on his face. Dom prayed anyway. In his gratitude or anger, she did not know. “Good,” he finally said, sitting back up.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
It struck him that in moments of crisis one is never fighting against an external enemy but always against one’s own body. And it is the same, he perceived, in all seemingly heroic or tragic situations. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is A moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
Catholics do not enjoy Confession - heaven preserve us from those who do! - but they prefer it, humiliating as it is, to endless, dulling soul-ache and progressive demoralization of character and personality. Kneeling in a confessional to tell a shameful tale is almost as a attractive prospect as sitting in a dentist's chair; but it is sometimes even more necessary. Like a bad tooth, sin must be extended or the consequences are bound to be disastrous, as the average sinner instinctively recognizes. The instinct of spiritual self-preservation warns him of the need to find a safety-valve to enable him to "let off steam" safely. He feels a paramount need to obtain relief of mind, to unburden his misery and get it off his mind by telling someone about it. Instinctively he looks around for a prudent friend in whom he can confide.
Alfred Wilson (Pardon and peace)
But, Anne, a broken heart in real life isn’t half as dreadful as it is in books. It’s a good deal like a bad tooth … though you won’t think that a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut-candy as if there were nothing the matter with it.
Lucy Maud Montgomery (Anne Of Avonlea)
He thought with a kind of astonishment of the biological uselessness of pain and fear, the treachery of the human body which always freezes into inertia at exactly the moment when a special effort is needed. … It struck him that in moments of crisis one is never fighting against an external enemy, but always against one’s own body. … And it is the same, he perceived, in all seemingly heroic or tragic situations. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or aching tooth.
George Orwell (1984)
All my children would be--” Hunter rolled his eyes. “Can you see me, surrounded by White Eyes?” “Ah, that is the trouble. She is a White Eyes.” Many Horses nodded and, in a teasing voice, said, “I don’t blame you there. No man could be proud of a son with white blood. He’d be weak and cowardly, a shame to any who claimed him.” Hunter froze and glanced up. The white blood in his own veins was an unspoken truth between him and his father. Never before had Many Horses alluded to it. Many Horses sniffed and rubbed the ash from his nose. “Of course, there are the rare exceptions. I suppose a man could raise a child of mixed blood and teach him to be one of the true People. It would take work, though.” The stiffness eased from Hunter’s shoulders. “Did I test your patience, my father?” Many Horses seemed to ponder that question a moment. “I found myself short on patience the time you shot me in the thigh with your first bow and arrow. It wouldn’t have been so bad if I hadn’t been standing behind you.” Hunter laughed softly. “You weren’t when I let fly with the arrow. If I remember, I turned around to ask you a question.” “Which I never did answer. I always thanked the Great Ones that you were only knee high. If you’d been much taller, your brothers and sister never would have been born.” He sniffed again, then grinned. “Come to think of it, Warrior was even more dangerous with his first rifle. Remember the time he accidentally fired through my lodge and shot a hole in your mother’s cooking pot? She was boiling rabbit. The water hit the fire and filled the place with so much smoke, I nearly choked to death before I got everyone outside to safety.” Hunter threw back his head and roared with laughter. “I remember you pulling that rabbit out of the pot and telling Warrior it was a perfect shot, right through the heart. Except, of course, that it was gutted. And would he practice on live targets from then on?” “Speaking of pits in plum pudding, do you remember your sister’s first attempt? Your grandfather broke off his only remaining tooth trying to eat it.” “And swallowed tooth, pit and all, so he wouldn’t embarrass her in front of Gray Horse, who had come to court her.” Hunter placed a hand over his aching midriff and sighed. “It is good I came, my father. You have the gift. Already my heart is lighter.
Catherine Anderson (Comanche Moon (Comanche, #1))
Did I test your patience, my father?” Many Horses seemed to ponder that question a moment. “I found myself short on patience the time you shot me in the thigh with your first bow and arrow. It wouldn’t have been so bad if I hadn’t been standing behind you.” Hunter laughed softly. “You weren’t when I let fly with the arrow. If I remember, I turned around to ask you a question.” “Which I never did answer. I always thanked the Great Ones that you were only knee high. If you’d been much taller, your brothers and sister never would have been born.” He sniffed again, then grinned. “Come to think of it, Warrior was even more dangerous with his first rifle. Remember the time he accidentally fired through my lodge and shot a hole in your mother’s cooking pot? She was boiling rabbit. The water hit the fire and filled the place with so much smoke, I nearly choked to death before I got everyone outside to safety.” Hunter threw back his head and roared with laughter. “I remember you pulling that rabbit out of the pot and telling Warrior it was a perfect shot, right through the heart. Except, of course, that it was gutted. And would he practice on live targets from then on?” “Speaking of pits in plum pudding, do you remember your sister’s first attempt? Your grandfather broke off his only remaining tooth trying to eat it.” “And swallowed tooth, pit and all, so he wouldn’t embarrass her in front of Gray Horse, who had come to court her.” Hunter placed a hand over his aching midriff and sighed. “It is good I came, my father. You have the gift. Already my heart is lighter.
Catherine Anderson (Comanche Moon (Comanche, #1))
And it is the same, he perceived, in all seemingly heroic or tragic situations. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth. WAR IS PEACE FREEDOM IS SLAVERY IGNORANCE IS STRENGTH.
George Orwell (1984)
like an emotional tooth-ache, bearable much of the time but with a propensity to flare up without notice and cause agony.
Joanna Trollope (Daughters-in-Law)
Morning developed out the window. His right canine ached. He unreeled the long hair, beaded with saliva, tooth-tartar, mouth-breather’s morning fur, and stared at it. How’d it get here? Eerie, dearie.
Thomas Pynchon (Gravity's Rainbow)
When I was a piglet, the grass was much greener, Always looked as if it had just come from the cleaner, And life was much gayer, in so many ways. Ah, those were the days! Now I’m old, and my joints are increasingly creaky; My hearing is poor, and my memory’s leaky; And I weep as I put down these sad little rhymes. Ah, those were the times! In my youth, I was always prepared for a frolic; I never had pains, rheumatism or colic; I never had aches: head, stomach or tooth. Ah, the days of my youth! “Good land, Freddy, you sound as if you were about ninety years old,” Mrs. Wiggins said with a laugh.
Walter Rollin Brooks (Freddy and the Popinjay (Freddy the Pig Book 12))
It was hard to imagine that one day I would be able to recall Larry with only a neutral kind of tenderness. Now the divorce brought back memories, and thinking of Larry was like touching a bruise, tender and aching at the edges, more so at the center of its blue-black heart. The hurt was less when I didn’t touch it, but time and again my mind moved back to go over it, like a tongue on a sore tooth. In
Mary MacCracken (The Lost Children)
And of course anyone who could see him here now, with his fever and his sleeping bags, his eyephones and his cellular data port and his bottle of cooling piss, would think he was crazy too. But he isn’t. He knows he isn’t, in spite of everything. He has the syndrome now, the thing that came after every test subject from that Gainesville orphanage, but he isn’t crazy. Just obsessed. And the obsession has its own shape in his head, its own texture, its own weight. He knows it from himself, can differentiate, so he goes back to it whenever he needs to and checks on it. Monitors it. Makes sure it still isn’t him. It reminds him of having a sore tooth, or the way he felt once when he was in love and didn’t want to be. How his tongue always found the tooth, or how he’d always find that ache, that absence in the shape of the beloved. But
William Gibson (All Tomorrow's Parties (Bridge, #3))
made Mika ache in a way that was as joyful as it was painful. She couldn’t fathom what it must be like to be so loved and to be so sure of that love that you would fight tooth and nail to protect it, but she was incredibly glad that these girls had that. And if it
Sangu Mandanna (The Very Secret Society of Irregular Witches)
Many disappearances were actually suicides. But it needed desperate courage to kill yourself in a world where firearms, or any quick and certain poison, were completely unprocurable. He thought with a kind of astonishment of the biological uselessness of pain and fear, the treachery of the human body which always freezes into inertia at exactly the moment when a special effort is needed. He might have silenced the dark-haired girl if only he had acted quickly enough; but precisely because of the extremity of his danger he had lost the power to act. It struck him that in moments of crisis one is never fighting against an external enemy but always against one's own body. Even now, in spite of the gin, the dull ache in his belly made consecutive thought impossible. And it is the same, he perceived in all seemingly heroic or tragic situations. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
as C. S. Lewis once put it, “The frequent attempt to conceal mental pain increases the burden: it is easier to say ‘My tooth is aching’ than to say ‘My heart is broken.
Matt Haig (Notes on a Nervous Planet)
The jealousy that had tormented him during the period of uncertainty had left him when his wife’s words had with great pain drawn that aching tooth. But another feeling had now taken the place of the jealousy: it was a wish that his wife’s guilt should meet with retribution. He did not acknowledge it to himself, but in the depths of his soul he wished her to suffer for impairing his peace of mind and his honour.
Leo Tolstoy (Anna Karenina)
I tried to avoid looking at the skull, but somehow I wanted to keep checking that it was still there. It’s like when you have a sore in your mouth or tooth ache – your tongue keeps going back to check it still hurts.
Jane Wilson-Howarth (Himalayan Kidnap: The First Alex and James Eco-Adventure in Nepal (The Alex and James Eco-Adventures in Nepal Book 1))
So frigid my legs and my arms and my face that I thought of opening the bottle to have a sip, but I didn't want to get to his house half drunk, breath stinking, I didn't want him to think that I'd been drinking, and I had been, every day a good excuse, and I was also thinking that he would think I was broke, arriving on foot in all that rain, and I was, stomach aching with hunger, and I didn't want him to think I hadn't been sleeping, and I hadn't, dark circles under my eyes, I would have to be careful with my lower lip when smiling, if I smiled, and I almost certainly would, when I saw him, so that he wouldn't see the broken tooth and think I'd been letting myself go, and I had been, avoiding the dentist, and I had been, and everything I'd done and been that I didn't want him to see or know, but thinking that gave me a heartache because I was realizing, in the rain, that maybe I didn't want him to know that I was me, and I was.
Caio Fernando Abreu (Morangos mofados)
But, Anne, a broken heart in real life isn’t half as dreadful as it is in books. It’s a good deal like a bad tooth . . . though you won’t think that a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it. And
L.M. Montgomery (Anne of Avonlea (Union Square Kids Unabridged Classics))
On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
Anonymous
For most of us professionals, class is self-assessment, like I said. Namely, what hurts? And, how do I feel? Do I feel okay? Do I need to worry about that twinge or will it go away once I'm warmed up? There's also a kind of zone. Some days you feel great right away. From the first couple of pliés you feel centered, you feel in control. It's going to be a good class, a good day. All is right in the world. And IN, IN, IN. Other days the zone eludes you. Nothing feels good. You look in the mirror and it does its funhouse thing and you feel sour and heavy. And there are days when it is possible to be fully engage in what you are doing and be completely, mind-numbingly, tooth-achingly bored. But you still have to do it. And IN, IN, IN. As a professional, class is a safe place presumably. No audience. If you look like hell, it's okay because who cares, it's just class. Theoretically. In practice, a terrible class can have you feeling almost as wretched as a terrible performance. If a ballerina falls in a forest and there's no one around to see her, does she make a noise? Yes, she does. It is the sound of the ballerina saying, "Oh fuck me.
Meg Howrey
People have been worried about overpopulation ever since Malthus and his “Essay on the Principle of Population,” which was published in 1798 (and in which he said, amid an outpouring of dire forecasts: “I happen to have a very bad fit of the tooth-ache at the time I am writing this”). Thomas Malthus died in 1834 worried about the world population of 1 billion people doubling every three hundred years. Currently at 7 billion and doubling every forty-seven years, we are now well beyond the situation that worried him. But instead of the global starvation and misery he envisioned, we have seen rises in wealth, standard of living, health, personal hygiene, and life expectancy. There is a reason for this: as economist Julian Simon once explained, “Resources come out of people’s minds more than out of the ground or air. Minds matter economically as much as or more than hands or mouths. Human beings create more than they use, on average.
George M. Church (Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves)
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myswisscosmetics.com
On the battlefield, in the torture chamber, on a sinking ship the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
It struck him that in moments of crisis one is never fighting against an external enemy, but always against one’s own body. Even now, in spite of the gin, the dull ache in his belly made consecutive thought impossible. And it is the same, he perceived, in all seemingly heroic or tragic situations. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
Mental pain is less dramatic than physical pain, but it is more common and also more hard to bear. The frequent attempt to conceal mental pain increases the burden: it is easier to say ‘My tooth is aching’ than to say ‘My heart is broken.’” - C.S. Lewis
Ellen Rosenberger (Missionaries Are Real People: Surviving transitions, navigating relationships, overcoming burnout and depression, and finding joy in God.)
On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
Now, tell me, have you ever heard of upyr? Vampir? Shrtriga?" The words rolled and hissed in his mouth. They reminded me, for no clear reason, of the trip I'd taken with Mr. Locke to Vienna when I was twelve. It'd been February and the city was shadowed, wind-scoured, old. "Well, the name hardly matters. I'm sure you've heard of them in general outline: things that creep out of the black forests of the north and feast on the lifeblood of the living." He was removing the glove from his left hand as he spoke, tugging on each white fingertip. "Lies spread by superstitious peasants, in the main, repeated in story papers and sold to Victorian urchins." Now his hand was entirely free, fingers so pale I could see blue veins threading them. "Stoker should've been summarily executed, if you ask me." And he reached toward me. There was perhaps half a second before his fingertip touched me when all the fine hairs on my arm stood straight and my heart seized and I knew, in a scrabbling, animalish way, that I shouldn't let him touch me, that I should scream for help- but it was too late. His finger was cold against my skin. Beyond cold. An aching, burning, tooth-hurting absence of heat. My body warmth drained desperately toward it, but the cold was ravenous. My lips tried to form words but they felt numb and clumsy, as if I'd been out walking in freezing wind.
Alix E. Harrow (The Ten Thousand Doors of January)
May I meet him with one tooth and it aching, and one eye to be seeing seven and seventy devils in the twists of the road, and one old timber leg on him to limp into the scalding grave.
J.M. Synge (The Playboy of the Western World)
A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth.. though you won't find that very romantic a simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echos and peanut candy ad if there were nothing the matter with it. (...) That's the worst...or the best..of real life, Anne. It won't let you be miserable. It keep on trying to make you comfortable, even when you're determined to be unhappy and romantic." -Miss Lavander
L.M Montgomery
quick vodka tonic in the hotel bar and then I limp up to my suite to change. I'm tired, having flown in from Sydney late the previous night, jet-lagged, my brain and liver still struggling with the vast amounts of alcohol I consumed Down Under. My tooth aches, a dull throb threatening to take over my head, and my throat is sore from talking about myself nonstop for the last year and a half.
Anthony Bourdain (The Nasty Bits: Collected Varietal Cuts, Usable Trim, Scraps, and Bones)
Will Energy some day reach Earth like violent civilisation, smashing or hardening all? In his mind a chip of distant hardness, tugged at dully like a tooth, made him ache from top to toe. But the violence of all things had left him so far intact.
Wyndham Lewis
. . .The wound aches, and the memory of darkness is heavy in me—there are some wounds that cannot be wholly cured. . .There is no real going back. Though I may come to the Shire, it will not seem the same; for I shall not be the same. I am wounded with knife, sting, and tooth, and a long burden. Where shall I find rest?
J.R.R. Tolkien
It made Mika ache in a way that was as joyful as it was painful. She couldn’t fathom what it must be like to be so loved and to be so sure of that love that you would fight tooth and nail to protect it, but she was incredibly glad that these girls had that.
Sangu Mandanna (The Very Secret Society of Irregular Witches)