“
I want to tear myself from this place, from this reality, rise up like a cloud and float away, melt into this humid summer night and dissolve somewhere far, over the hills. But I am here, my legs blocks of concrete, my lungs empty of air, my throat burning. There will be no floating away.
”
”
Khaled Hosseini (The Kite Runner)
“
Because she is dead!" She screamed the last word so loudly it burned in her throat. "Because she is dead, and I am left with my worthless life!
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Kat tipped her head back, meeting my stare. Her throat worked on her next words. "I think I might love you."
Air punched out of my lungs. I held her tight, and I knew right then I would burn down the whole universe for her if I had to.
I would do anything to keep her safe. Kill. Heal. Die. Anything. Because she was my everything.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
Her scent blazed in my throat and I was glad. It was a pain that meant she was alive. As long as I burned, she was safe.
”
”
Stephenie Meyer
“
He leaned forward to inspect her closer. "Is that all hair?"
... Sudden, overwhelming panic clawed up Cress's throat. With a squeak, she ducked out of view of the camera and scrambled beneath the desk. Her back struck the wall with a thud that rattled her teeth. She crouched there, skin burning hot and pulse thundering as she took in the room before her— the room that he was now seeing too, with the rumpled bedcovers and the mustached man on all the screens telling her to grab her imaginary partner and swing them around.
"Wha—where'd she go?" Thorne's voice came to her through the screen.
"Honestly, Thorne." A girl. Linh Cinder? "Do you ever think before you speak?"
"What? What did I say?"
"'Is that all hair?'"
"Did you see it? It was like a cross between a magpie nest and ball of yarn after it's been mauled by a cheetah."
A beat. Then, "A cheetah?"
"It was the first big cat that came to mind.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
The Angel blade burns you, just as God's name chokes you," said Valentine, his cool voice sharp as crystal. "They say that those who die upon its point will achieve the gates of heaven. In which case, revenant, I am doing you a favor." He lowered the blade so that the tip touched Simon's throat. Valentine's eyes were the color of black water and there was nothing in them: no anger, no compassion, not even any hate. They were empty as a hollowed-out grave. "Any last words?"
Simon knew what he was supposed to say. Sh'ma Yisrael, adonai elohanu, adonai echod. Hear, oh Israel, the Lord our God, the Lord is One. He tried to speak the words, but a searing pain burned his throat.
"Clary," he whispered instead.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
His breath caught, harsh enough that she looked over her shoulder.
But his eyes weren't on her face. Or the water. They were on her bare back.
Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?"
It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier."
He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage.
"A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once.
"You were a slave."
She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved.
He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Hey, Mikey? You get her hurt and I'll end you.'
'You let anything happen to Eve and I'll do the same,' Michael said. He'd just finished kissing Eve, too. 'While you're at it, don't get yourself killed, either, bro.'
'Ditto. And don't kiss me.'
Claire cocked her head at him, exasperated. 'Seriously, Shane? Ditto? That's the best you can do?'
Shane and Michael exchanged identical looks and shrugs. Guys.
'Let me show you idiots how it's done,' Eve said, and hugged Claire fiercely. She kissed her on the cheek. 'I love you, CB. Please take care of yourself, okay?'
'I love you, too,' Claire said, and suddenly her throat felt tight and her eyes burned with tears. 'I really do.'
Shane and Michael watched them with identical expressions of blank bemusement, and finally Shane said, 'So basically, it's what I said. Ditto.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
I want to learn how to speak to anyone at any time and make us both feel a little bit better, lighter, richer, with no commitments of ever meeting again. I want to learn how to stand wherever with whoever and still feel stable. I want to learn how to unlock the locks to our minds, my mind, so that when I hear opinions or views that don’t match up with mine, I can still listen and understand. I want to burn up lifeless habits of following maps and to-do lists, concentrated liquids to burn my mind and throat
and I want to go back to the way nature shaped me. I want to learn to go on well with whatever I have in my hands at the moment
in a natural state of mind,
certain like the sea.
I will find comfort in the rhythm of the sea.
”
”
Charlotte Eriksson
“
And you,” Ty continued, his voice breaking. “You’re a
phoenix, Zane. Rising from the ashes. And all I do is make
you burn.”
Zane’s throat was too tight to swallow past, and his next
breath came out a choked sob. He had never imagined that
was how Ty saw him, and hearing it now made him want to
take back every harsh word they’d ever shared, every thrust
and parry of their relationship.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
The Cutter leaned toward me, resting his forehead against mine. 'Fool me once,' he whispered, 'shame on you.' He pressed the bridge of his nose against mine, his breath burning the back of my throat. His voice was rough and furious. 'Fool me twice, and I will cut out your fucking throat.
”
”
Brenna Yovanoff (The Replacement)
“
Seriously, Shane? Ditto? That's the best you can do?"
Shane and Michael exchanged identical looks and shrugs. Guys.
"Let me show you idiots how it's done," Eve said, and hugged Claire fiercely. She kissed her on the cheek. "I love you, CB. Please take care of yourself, okay?"
"I love you, too," Claire said, and suddenly her throat felt tight and her eyes burned with tears. "I really do."
Shane and Michael watched them with identical expressions of blank bemusement, and finally Shane said, "So basically, it's what I said. Ditto.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
I'd forgotten that human minds are easy to shatter as eggshells," Rhysand said, and ran a finger across the base of my throat. I shuddered, my eyes burning. "Look at how delightful she is - look how she's trying not to cry out in terror. It would be quick, I promise.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Annabelle’s eyes stung as she stared at him, while need and inexhaustible tenderness gathered like an ache in her body. “I realized something,” she said huskily, “when I was standing outside the foundry, watching it burn and knowing you were inside.” She swallowed hard against the thickness in her throat. “I would rather have died in your arms, Simon, than face a lifetime without you. All those endless years… all those winters, summers… a hundred seasons of wanting you and never having you. Growing old, while you stayed eternally young in my memories.” She bit her lip and shook her head, while her eyes flooded. “I was wrong when I told you that I didn’t know where I belonged. I do. With you, Simon. Nothing matters except being with you. You’re stuck with me forever, and I’ll never listen when you tell me to go.” She managed a tremulous smile. “So you may as well stop complaining and resign yourself to it.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
What if I can't forget you?
I'll burn your name into my throat,
I'll be the fire that'll catch you.
What's so good about picking up the pieces?
What if I don't even want to?
”
”
Caraphernelia by Pierce The Veil
“
Some might think of him as a strong draught, burning the back of one’s throat, but invigorating all the same. You might beg to differ. So long as you’re begging, he doesn’t mind a bit.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
Youth is an intoxication without wine, someone says. Life is an intoxication. The only sober man is the melancholiac, who, disenchanted, looks at life, sees it as it really is, and cuts his throat. If this be so, I want to be very drunk. The great thing is to live, to clutch at our existence and race away with it in some great and enthralling pursuit. Above all, I must beware of all ultimate questions- they are too maddeningly unanswerable- let me eschew philosophy and burn Omar.
”
”
W.N.P. Barbellion (The Journal of a Disappointed Man)
“
Embarrassment felt a lot like eating chili peppers. It burned in the back of your throat and there was nothing you could do to make it go away. You just had to take it, suffer from it, until it eased off.
”
”
Sarah Addison Allen (The Sugar Queen)
“
His own voice was older than he was. Ancient, unearthed from some mystical subterranean place...The voice seemed to make his whole body ache. Maybe it made him bleed inside. I wondered if it hurt, if it burned in his throat.
”
”
Francesca Lia Block
“
It was a queer, sultry summer, the summer they executed the Rosenbergs, and I didn't know what I was doing in New York. I'm stupid about executions. The idea of being electrocuted makes me sick, and that's all there was to read about in the papers -- goggle-eyed headlines staring up at me at every street corner and at the fusty, peanut-smelling mouth of every subway. It had nothing to do with me, but I couldn't help wondering what it would be like, being burned alive all along your nerves.
I thought it must be the worst thing in the world.
New York was bad enough. By nine in the morning the fake, country-wet freshness that somehow seeped in overnight evaporated like the tail end of a sweet dream. Mirage-gray at the bottom of their granite canyons, the hot streets wavered in the sun, the car tops sizzled and glittered, and the dry, cindery dust blew into my eyes and down my throat.
”
”
Sylvia Plath (The Bell Jar)
“
All the way back, she had imagined him gloating and taunting, rubbing her face in her own broken pride. Instead, he knelt before her and washed her dirty, blistered feet. Throat burning, she looked down at his dark head and struggled with the feelings rising in her. She waited for them to die away, but they wouldn’t.
”
”
Francine Rivers (Redeeming Love)
“
They’ve kept the truth
about Persephone a secret,
burying it deep below
Hercules’s murdered wife
and all of Zeus’s affairs.
It’s dangerous, you see,
a spark threatening to
ignite a long dead flame.
Power.
She loved her power,
the Queen of the Dead,
to forever reign
in the fires of hell.
She wore her crown
like a beacon;
a beautiful queen,
plotting against her king.
They never wanted you
to know the hunger of Persephone,
how she starved for something
other than pomegranates.
Control.
The primal thirst
that burns all women’s throats,
denied by eons of men.
Listen closely to the voice from hell, sweetheart.
“You are a queen;
don’t wait for a king.
”
”
E.P. .
“
One day you will meet someone who crashes into your bones like a wildfire, setting your heart ablaze, and together you will burn and spark and love until you wake up one morning beside the ashes of what was. However, it won’t end there – for just as wood still holds an ember long after a blaze, you will always taste forest fires in the back of your throat whenever you hear their name.
”
”
Bianca Sparacino (Seeds Planted in Concrete)
“
The days will rally, wreathing
Their crazy tarantelle;
And you must go on breathing,
But I'll be safe in hell.
Like January weather,
The years will bite and smart,
And pull your bones together
To wrap your chattering heart.
The pretty stuff you're made of
Will crack and crease and dry.
The thing you are afraid of
Will look from every eye.
You will go faltering after
The bright, imperious line,
And split your throat on laughter,
And burn your eyes with brine.
You will be frail and musty
With peering, furtive head,
Whilst I am young and lusty
Among the roaring dead.
”
”
Dorothy Parker
“
I didn’t want to hide the memory from you. I wanted to cram it down your goddamn throat. I wanted to force you to face it, to want it, to want me, to be willing to fight for what was possible between us with the same single-minded devotion as you fucked. Well, Ms. Lane, you’ve got your precious memory back. Will you throw me away now?
”
”
Karen Marie Moning (Burned (Fever, #7))
“
His mouth twisted into a perceptive, sexy smile.
"Hmm."
"Hmm?" I looked away, flustered, automatically using irritation to cover my discomfort up. "What does 'hmm' have to do with anything? Could you ever use more than five words? All this grunting and miced words make you come across--primal."
His smile tipped higher. "Primal."
"You're impossible."
"Me Jev, you Nora."
"Stop it." But I nearly smiled in spite of myself.
"Since we're keeping it primal, you smell good," he observed. Hw moved closer, makin me acutely aware of his size, the rise and fall of his chest, the warm burn of his skin on mine. Electricity tingled along my scalp, and I shuddered with pleasure.
"It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought.
"Naked. I know the drill," Jev said, something unreadable passing over his eyes.
Unsure how to proceed, I attempted to wash away the moment with an airy laugh. "Are you flirting with me, Jev?"
"Does it feel that way to you?"
"I don't know you well enough to say either way." I tried to keep my voice level, neutral even.
"Then we'll have to change that."
Still uncertain of his motives, I cleared my throat. Two could play this game. "Running from bad guys together is your idea of playing getting-to-know-you?"
"No. This is." He dipped my body backward, drawing me up in a slow arc until he raised me flush against him. In his arms, my joints loosened, my defenses melting as he led me through the sultry steps.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
I am Outcast."
"The kids behind me laugh so loud I know they’re laughing about me. I can’t help myself. I turn around. It’s Rachel, surrounded by a bunch of kids wearing clothes that most definitely did not come from the EastSide Mall. Rachel Bruin, my ex-best friend. She stares at something above my left ear. Words climb up my throat. This was the girl who suffered through Brownies with me, who taught me how to swim, who understood about my parents, who didn’t make fun of my bedroom. If there is anyone in the entire galaxy I am dying to tell what really happened, it’s Rachel. My throat burns."
"Her eyes meet mine for a second. “I hate you,” she mouths silently.
”
”
Laurie Halse Anderson (Speak)
“
Love is all that other stuff, but love is also heart-ripping, reality-checking, mad-like-crazy, hurt-like-impossible, throat-clenching, eye-burning, soul-taking, mean, torturous, spiteful, conditional—so, so conditional. It's scratches-from-another, and it's a secret-so-does-any-of-this-even-matter?
”
”
YellowBella (Dusty)
“
Burn, baby, burn,” she muttered in a hard, satisfied voice.
I cleared my throat. “As much as I hate to interrupt the supreme satisfaction you’re taking in watching the mansion blaze to the ground, I’d really
like to get out of here before the whole house collapses on top of us.
”
”
Jennifer Estep (By a Thread (Elemental Assassin, #6))
“
My mouth is a fire escape.
The words coming out
don't care that they are naked.
There is something burning in here.
When it burns I hold my own shell to my ear,
listen for the parade from when I was seven,
when the man who played the bagpipes
wore a skirt.
He was from Scotland.
I wanted to move there.
Wanted my spine to be the spine
of an unpublished book,
my faith the first and last page.
The day my ribcage became monkey bars
for a girl hanging on my every word
they said, "You are not allowed to love her."
Tried to take me by the throat
to teach me, "You are not a boy."
I had to unlearn their prison speak,
refusing to make wishes on the star
on the sheriff's chest.
I started taking to the stars in the sky instead.
I said, "Tell me about the big bang."
The stars said, "It hurts to become.
”
”
Andrea Gibson (The Madness Vase)
“
Because I made a promise. A promise to my friend that I would see her kingdom freed.” She shoved her scarred palm into his face. “I made an unbreakable vow. And you and Maeve—all you gods-damned bastards—are getting in the way of that.” She went off down the hillside again. He followed.
“And what of your own people? What of your own kingdom?”
“They are better off without me, just as you said.”
His tattoo scrunched as he snarled. “So you'd save another land, but not yours. Why can't your friend save her own kingdom?”
“Because she is dead!” She screamed the last word so loudly it burned in her throat. “Because she is dead, and I am left with my worthless life!”
He merely stared at her with that animal stillness. When she walked away, he didn't come after her.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
The fiery tickle of outrage burned up her throat. “How the hell would you know that when you never gave me a chance?”
Something dark and scorching flickered behind his eyes. “Because no other girl has ever made me want to forget all my own rules for them.
”
”
Airicka Phoenix (Games of Fire)
“
D-Dorothy—” My throat burns. It’s the only way I know the words are leaving it. “Guess we…shouldn’t have left Oz.…
”
”
Alexandra Bracken (In Time (The Darkest Minds, #1.5))
“
You didn't think I really liked you? Do you think I really like you now?"
He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but... I don't want to read too much of what I hope into that."
Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?"
He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat.
And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them.
You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that."
She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep
”
”
Holly Black (Valiant (Modern Faerie Tales, #2))
“
I can't swallow another drop of soda by this point because the carbonation is burning my throat.
"Oh really? Well..." I trail off as I feel bubbling at the base of my throat. This is not good.
Before I can stop myself, I let out the biggest burp I've ever, ever, ever had. I slap a hand over my mouth and stare at Logan whose eyebrows have reached astronomical heights.
"Dude! So not smooth, man! Girls cannot stand rudeness," Dan yells from the back room.
”
”
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
My throat burned with the tears I wanted to cry but wouldn't. I knew she loved me. She just didn’t believe me. I understood why, but it hurt like hell just the same.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
I want you, godammit!" I scream at him. "The thought of you leaving and never seeing you again tears-me-up-Inside!" My throat burns like fire. "I can't fucking breathe withough you!"
"SAY IT! Son-of-a-bitch," he says, exasperated, "just say it!"
"I want you to own me!" I can hardly stand on my own anymore. Sobs rock my entire body. My eyes sting and my heart hurts like i never has before.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
My name...my name is Mary. I'm here with a friend.'
Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered.
'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.'
Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly.
He closed his eyes. 'Say something else.'
'What?' she asked, baffled.
'Talk. Talk to me. I want to hear your voice.'
She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?'
He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin.
'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better.
'Could you... could you please let go of me?'
'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.'
She started to struggle. 'You're crowding me.'
'I know. Talk.'
'Oh for God's sake, what do you want me to say?'
Even exasperated, her voice was beautiful. 'Anything.'
'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.'
He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft.
'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon.
When she pushed against him, he leaned his full weight into her. Her breath came out in a rush.
'Please,' he murmured.
Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.'
He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.'
'What?'
'Nothing. Say nothing. Over and over and over again. Do it.'
She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.'
"Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
Charity liked brandy. She liked the way it burned her throat while soothing the ache in her heart.
”
”
Elizabeth Jane Howard (Mr. Wrong)
“
Halt?" he said diffidently. He heard a deep sigh from the short, slightly built man riding beside him. Mentally he kicked himself.
I thought you must be coming down with some illness for a moment there," Halt said straight faced. "It must be two or three minutes since you've asked a question." Commited now, Horace continued.
One of those girls," he began, and immediately felt the Ranger's eyes on him. "She was wearing a very short skirt."
There was the slightest pause.
Yes?" Halt prompted, not sure where this conversation was leading. Horace shrugged uncomfortably. The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again.
Well," he said uncertainly, "I just wondered if that was normal over, that's all." Halt considered the serious young face beside him. He cleared his throat several times.
I believe that sometimes Gallican girls take jobs as couriers.
he said.
Couriers. They carry messages from one person to another. Or from one buisness to another, in towns and cities." Halt checked to see if Horace seemed to believe him so far. There seemed no reason to think otherwise, so he added: "Urgent messages."
Urgent messages," Horace replied, still not seeing the connection. But he seemed inclined to believe what Halt was saying, so the older man continued.
And I suppose for a really urgent message, one would have to run."
Now he saw a glimmer of understanding in the boy's eyes. Horace nodded several times as he made the connection.
So, the short skirts...they'd be to help them run more easily?" he suggested. Halt nodded in his turn.
It would be more sensible for of dress than long skirts, if you wanted to do a lot of runnig." He shot a quick look at Horace to see if his gentle teasing was not being turned back on himself-to see if, in fact, the boy realized Halt was talking nosense and was simply leading him on. Horace's face, however, was open and believing.
I suppose so," Horace replied finally, then added in a softer voice, "They certainly look a lot better that way too.
”
”
John Flanagan (The Icebound Land (Ranger's Apprentice, #3))
“
She'll never understand. The realization washes all the fight out of me, leaving behind only heartache. I gently pull my wrist from her grip. "Because," I say, my voice so soft it's nearly swallowed up by the trees, "I'm standing here, telling you how much you hurt me, and you can't hear it." Tears fill my eyes. I've lost the strength to hide them. "You broke my heart, and you didn't even notice. How can I ..." My throat closes up, I look away. "How could I ever trust you to put the pieces back together?
”
”
Isabel Sterling (These Witches Don't Burn (These Witches Don't Burn, #1))
“
A teakettle screamed inside Azalea, burning her fingers, making her throat tight and her head dizzy.
”
”
Heather Dixon Wallwork (Entwined)
“
I used to be free spirited, now I'm just free of sleep. I got a burning passion in my throat. I got a burning passion inside me.
”
”
Tegan Quin
“
I first started liking you when we went to talk to the rulers of the low Courts,” I say. “You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you’d been the one to get us out of the brugh after Dain’s coronation, right before I put that knife to your throat.”
He doesn’t try to interrupt, so I have no choice but to barrel on.
“After I tricked you into being the High King,” I say. “I thought once you hated me, I could go back to hating you. But I didn’t. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile—” I take a ragged breath. “I hid a lot, I guess. I thought if I didn’t, if I let myself love you, I would burn up like a match. Like the whole matchbook.”
“But now you’ve explained it,” he says. “And you do love me.”
“I love you,” I confirm.
“Because I am clever and funny,” he says, smiling. “You didn’t mention my handsomeness.”
“Or your deliciousness,” I say. “Although those are both good qualities.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
With painstaking rumination, the tips of his fingers grazed over my neck, a deafening silence. I didn't move as his hand paused at the base of my throat. He listened to the arrhythmic beating of my heart, my pulse thumping beneath his fingers. He kissed me along my neckline and throat. I almost burst apart from the longing. My blood burned for him.
”
”
Rae Hachton
“
Shall I kill her now? Shall I not even investigate, but kill her and burn her?
His throat moved. Such thoughts were a hideous testimony to the world he had accepted; a world in which murder was easier than hope.
”
”
Richard Matheson (I Am Legend)
“
Alex sat playing with the remote, turning it over in his hand. A long moment passed, and then he cleared his throat."Look... I'm sorry," he said.
"What I said i that first night- " He stopped and sighed, tossing the remote onto the bed. Scraping his hand through his hair, he said, "When I first found out, it just threw me,OK? For a lot of reasons. I don't-I don't think you're like the angels. And I've been acting like a jerk. I'm sorry."
A smile grew slowley across my face. "Yes you have," I said "But apology accepted.
”
”
L.A. Weatherly (Angel Burn (Angel, #1))
“
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string I wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laughed the blue eyes without a stain.
And I untightened the next tress
About her neck; her cheek once more
Blushed bright beneath my burning kiss . . .
”
”
Robert Browning
“
It was high time, for I now began to be tortured with thirst. The glow of the sun from above, its thousandfold reflection from the waves, the sea-water that fell and dried upon me, caking my very lips with salt, combined to make my throat burn and my brain ache.
”
”
Robert Louis Stevenson (Treasure Island)
“
He saw blurry white forms. Why they all are wearing white? Langdon decided he was either in an asylum or heaven. From the burning in his throat, Langdon decided it could not be heaven.
”
”
Dan Brown (Angels & Demons (Robert Langdon, #1))
“
I am not alone in this. I only let him do to me what men have ever done to women: march off to empty glory and hollow acclaim and leave us behind to pick up the pieces. The broken cities, the burned barns, the innocent injured beasts, the ruined bodies of the boys we bore and the men we lay with.
The waste of it. I sit here, and I look at him, and it is as if a hundred women sit beside me: the revolutionary farm wife, the English peasant woman, the Spartan mother-'Come back with your shield or on it,' she cried, because that was what she was expected to cry. And then she leaned across the broken body of her son and the words turned to dust in her throat.
”
”
Geraldine Brooks (March)
“
This morning the secret has claws. And it's climbing the walls of my stomach, twisting my gut, quivering and rolling and burning. Red-hot acid in the back of my throat. Ready to explode.
”
”
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
“
Aiden smirked. "Wonder what this one is called?"
The hellhound's ears twitched as the massive body lowered preparing for attack. I slid my hand to the middle of the blade, feeling my heart pound and the adrenaline kick my system into overdrive. In the pit of my stomach, the cord started to unravel.
I swallowed. "Let's call this one... Toto."
Three mouths opened in a growl that sent a cold chill down my spine, and a wave of hot, fetid breath smacked into us. Bile burned the back of my throat.
"I guess it doesn't like the name," I said, moving slowly to the right.
Aiden's powerful body tensed. "Here, Toto..." One head snapped in his direction. "That's a good Toto."
I slipped around the ancient cross, creeping up on the hellhound from the right. The middle and left head focused on me, snapping and growlying.
Aiden clucked his tongue. "Come on, Toto, I'm pretty tasty.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
When I rest I feel utterly lifeless except that my throat burns when I draw breath... I can scarcely go on. No despair, no happiness, no anxiety. I have not lost the mastery of my feelings, there are actually no more feelings. I consist only of will. After each few metres this too fizzles out in unending tiredness. Then I think nothing. I let myself fall, just lie there. For an indefinite time I remain completely irresolute. Then I make a few steps again.
”
”
Reinhold Messner (The Crystal Horizon: Everest-The First Solo Ascent)
“
We, the stumbling prophets
screaming ourselves raw,
wondering if Atlas will ever take
the world from our shoulders.
We, the impossible.
We, the unyielding.
We, the unrelenting heretics
burning alive for truths
the old world will never
be ready to hear.
We, the nuclear.
We, the radioactive.
We, the unwilling angels
choking on the innocence
shoved down our throats,
ripping these unforgiving
linens to shreds.
We, the celestial.
We, the hungry.
We, the courageous damned
kissing revolution in the moonlight,
crushing fate between our teeth.
We, the unholy.
We, the light.
”
”
E.P. .
“
Her heart kicked and an itchy burning in her throat made her swallow all her saliva away. She didn't know which way to go.
”
”
Toni Morrison
“
You think being called a whore shames me? You think you haven't bartered your body for your own ends? What do you think pouring death down your throat is?
”
”
Tasha Suri (The Jasmine Throne (The Burning Kingdoms, #1))
“
The first building she reached appeared to be an old barn. Only one young guard stood before its bolted door, staring at her with wide eyes, holding up his sword in defense, She heated his sword and he dropped it, his expression barely changing, as if he had been expecting that. She held up her two swords to his throat, but they were two heavy, so she dropped one and held the other with both hands. "Where are the two Bayern boys kept?" The soldier shook his head. BURN HIM, prompted the fire. The excitement of burning was simmering in her, heating her up for more action.
”
”
Shannon Hale (Enna Burning (The Books of Bayern, #2))
“
You taste like the last drop of whiskey
at 3 am
after a lousy day
like the first gulp of coffee on a Monday sipped behind a desk
hot and bitter
like the burning at the back of the throat
after the first cigarette
You taste, boy oh boy, like my next mistake.
”
”
Malak El Halabi
“
When I rest I feel utterly lifeless except that my throat burns when I draw breath.… I can scarcely go on. No despair, no happiness, no anxiety. I have not lost the mastery of my feelings, there are actually no more feelings. I consist only of will. After each few metres this too fizzles out in unending tiredness. Then I think nothing. I let myself fall, just lie there. For an indefinite time I remain completely irresolute. Then I make a few steps again.
”
”
Jon Krakauer (Into Thin Air)
“
Auggie said you were too sentimental for your own good sometimes."
Out loud he said, "Perhaps, but you have taught me that sentiment is not always a bad thing."
I stared up at that impossibly beautiful face, and felt love swell up inside me like a physical force. It filled my body, swelling upward until it made my chest ache, my throat tighten, and my eyes burn. It sounded so stupid. But I loved him. Loved all of him, but loved him more because loving me had made him better. That he would say that I had taught him about being sentimental made me want to cry. Richard reminded me at every turn that I was bloodthirsty and cold. If that were true, then I couldn't have taught Jean-Claude about sentimentality. You can't learn, if you don't have it to teach.
He kissed me. He kissed me softly, with one hand lost in the hair to the side of my face. He drew back and whispered, "I never thought to see that look upon your face, not for me."
"I love you," I said, and touched his hand where it lay against my face.
”
”
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
“
My tears fall backward, burning as they singe their way down my throat.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
And though she could scarcely even feel them, her lips formed the words, and sound emerged, sounding frayed, and small and cracked, forged in her somehow before she was born, since before time, words meant only for him.
“I love you.”
Three of the most powerful words in the world offered to one of the most powerful men in London in such a small voice.
And at first she thought nothing at all had happened. He didn’t blink. But then she realized she’d somehow set him . . . softly ablaze. Emotion burned from him, and his eyes . . . she would never forget his eyes in this moment.
His hands remained at his sides.
Which is when she noticed they were trembling.
God help her, that’s when she felt tears begin to burn at the back of her eyes.
One got away. And she brushed her hand roughly against it.
And the man who never cleared his throat . . . cleared his throat. And his voice, in truth, wasn’t a good deal louder than hers.
“Then it’s just as well that I love you, Genevieve.
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
Please,’ Hannah cries, sitting up on her knees and sobbing to the sky. She chokes, shudders, blinks away the tears. ‘Please, either help me or take this away from me. I don’t want this anymore.’
But her stormy heart does not settle. Her muscles do not relax. She looks at the stars and wonders why God made them so good, so brilliant, but made her so wrong and broken. Her eyes spill over with tears and her throat burns. She pounds her fists into the earth, into the grass and soil, and emits an animal-like cry from the depths of her body.
‘Please,’ she sobs, digging her hands into the soil. ‘Please.
”
”
Kelly Quindlen (Her Name in the Sky)
“
Once Smith had you, he would most likely have tried to negotiate for the lamp."
Everything inside her warmed gently. "You'd give up the lamp if you thought my life depended on it?"
"Without a second thought."
"Oh, Griffin, I'm truly touched. I know how important the lamp is to you."
"And then I'd slit the bastard's throat."
She groaned and rested her forehead on her knees. "Two birds with one lamp. Who says a crime lord can't be a romantic at heart?
”
”
Amanda Quick (Burning Lamp (Arcane Society, #8; Dreamlight Trilogy, #2))
“
If a man is only as good as his word,
then I want to marry a man with a vocabulary like yours.
The way you say dicey and delectable and octogenarian
in the same sentence — that really turns me on.
The way you describe the oranges in your backyard
using anarchistic and intimate in the same breath.
I would follow the legato and staccato of your tongue
wrapping around your diction
until listening become more like dreaming
and dreaming became more like kissing you.
I want to jump off the cliff of your voice
into the suicide of your stream of consciousness.
I want to visit the place in your heart where the wrong words die.
I want to map it out with a dictionary and points
of brilliant light until it looks more like a star chart
than a strategy for communication.
I want to see where your words are born.
I want to find a pattern in the astrology.
I want to memorize the scripts of your seductions.
I want to live in the long-winded epics of your disappointments,
in the haiku of your epiphanies.
I want to know all the names you’ve given your desires.
I want to find my name among them,
‘cause there is nothing more wrecking sexy than the right word.
I want to thank whoever told you
there was no such thing as a synonym.
I want to throw a party for the heartbreak
that turned you into a poet.
And if it is true that a man is only as good as his word
then, sweet jesus, let me be there
the first time you are speechless,
and all your explosive wisdom becomes
a burning ball of sun in your throat,
and all you can bring yourself to utter is, oh god, oh god.
”
”
Mindy Nettifee
“
I love you,” he says gently, running his fingers along my hairline. “Never going to stop loving you, baby.”
“Ev,” I breathe, feeling tears burn my throat.
“I’ll wait for you to find it again. I’d wait forever for you.
”
”
Aurora Rose Reynolds (Until June (Until Her/Him, #3))
“
He was a grim. An unknown. And his aura made me want to be very, very naughty. With him. My desire was so blood-burning, throat-choking intense that I feared what would be left after that kind of love affair was all over.
”
”
Juliette Cross (Always Practice Safe Hex (Stay a Spell, #4))
“
The rancid, acerbic smell of burning flesh rasped in the throats of the shocked onlookers, an odour once breathed never forgotten.
”
”
Stanley Goldyn (The Cavalier's Commission (#2))
“
Bad news is, they've figured out I'm alive. Worse news, I can't be sure about them. Their decomposing stench burns my throat. They don't sound very big. Maybe they're pygmy zombies.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
What I feel for him doesn't even skim the surface in comparison to you. You've always been it for me. Always. No one can hurt me like you do. No one can love me like you do. No one can handle my bitchiness like you do. But one day in and we're already at each others throats.
”
”
R.J. Lewis (Burn (Ignite, #2))
“
What do you want from me Duncan?” My breath caught in my throat when he licked his lips and swallowed hard. “I don’t know everything and nothing. I feel like you’re this giant flame that I can’t get away from. I fight the pull; I try as hard as I can to move in the other direction but something keeps bringing me back. I left town hoping I’d never come back here, but here I am. I guess I’m sick of fighting it. I’m willing to take the chance of burning up the question is, are you?”
Duncan-The Wild Hunt
”
”
Ashley Jeffery
“
HOME
no one leaves home unless
home is the mouth of a shark
you only run for the border
when you see the whole city running as well
your neighbors running faster than you
breath bloody in their throats
the boy you went to school with
who kissed you dizzy behind the old tin factory
is holding a gun bigger than his body
you only leave home
when home won’t let you stay.
no one leaves home unless home chases you
fire under feet
hot blood in your belly
it’s not something you ever thought of doing
until the blade burnt threats into
your neck
and even then you carried the anthem under
your breath
only tearing up your passport in an airport toilets
sobbing as each mouthful of paper
made it clear that you wouldn’t be going back.
you have to understand,
that no one puts their children in a boat
unless the water is safer than the land
no one burns their palms
under trains
beneath carriages
no one spends days and nights in the stomach of a truck
feeding on newspaper unless the miles travelled
means something more than journey.
no one crawls under fences
no one wants to be beaten
pitied
no one chooses refugee camps
or strip searches where your
body is left aching
or prison,
because prison is safer
than a city of fire
and one prison guard
in the night
is better than a truckload
of men who look like your father
no one could take it
no one could stomach it
no one skin would be tough enough
the
go home blacks
refugees
dirty immigrants
asylum seekers
sucking our country dry
niggers with their hands out
they smell strange
savage
messed up their country and now they want
to mess ours up
how do the words
the dirty looks
roll off your backs
maybe because the blow is softer
than a limb torn off
or the words are more tender
than fourteen men between
your legs
or the insults are easier
to swallow
than rubble
than bone
than your child body
in pieces.
i want to go home,
but home is the mouth of a shark
home is the barrel of the gun
and no one would leave home
unless home chased you to the shore
unless home told you
to quicken your legs
leave your clothes behind
crawl through the desert
wade through the oceans
drown
save
be hunger
beg
forget pride
your survival is more important
no one leaves home until home is a sweaty voice in your ear
saying-
leave,
run away from me now
i dont know what i’ve become
but i know that anywhere
is safer than here
”
”
Warsan Shire
“
You’ll have champagne. All girls like champagne.”
All girls didn’t like champagne. I preferred root beer. Willie preferred anything that smelled like gasoline and burned her throat. She could hold her liquor better than any man, and I wished she was there to help me navigate John Lockwell.
”
”
Ruta Sepetys (Out of the Easy)
“
I drag the body out into the snowdrifts, as far away from our shack as I can muster. I put her in a thicket of trees, where the green seems to still have a voice in the branches, and try not to think about the beasts that’ll soon be gathering. There’s no way of burying her; the ground is a solid rock of ice beneath us.
I kneel beside her and want desperately to weep. My throat tightens and my head aches. Everything hurts inside. But I have no way of releasing it. I’m locked up and hard as stone.
“I’m sorry, Mamma,” I whisper to the shell in front of me. I take her hand. It could belong to a glass doll. There’s no life there anymore.
So I gather rocks, one by one, and set them over her, trying my best to protect her from the birds, the beasts, keep her safe as much as I can now. I pile the dark stones gently on her stomach, her arms, and over her face, until she becomes one with the mountain.
I stand and study my work, feeling like the rocks are on me instead, then I leave the body for the forest and ice.
”
”
Rachel A. Marks (Winter Rose)
“
My cheeks were burning. “Why didn’t you say something?”
“What could I say? And when? I barely see you anymore.”
“I thought you wanted to go.”
“I wanted you to ask me to stay.”
My throat felt tight.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
In the naivete of their youth, they believed Fate to be a kind mistress. None of them were prepared for the beast that was about to pick them up by the throats and shake them until their teeth rattled.
”
”
Melodie Ramone (Burning Down Rome)
“
Take the Cup, Sophia Collins,"she said, and the room was breathlessly silent. The Council chamber was not full, but the row Tessa sat at the end was:Gideon and Gabriel, Cecily and Henry, and her and Will, all leaning forward eagerly, waiting for Sophie to Ascend. At each end of the dais stood a Silent Brother, their heads bent, their parchment robes looking as if they had been carved out of marble. Charlotte lowered the Cup, and held it out to Sophie, who took it carefully. "Do you swear, Sophia Collins, to forsake the mundane world and follow the path of the Shadowhunter? Will you take into yourself the blood of the Angel Raziel and honor that blood? Do you swear to serve the Clave, to follow the Law as set forth by the Covernant, and to obey the word of the Council? Will you defend that which is human and mortal, knowing that for your service there will be no recompense and no thanks but honor?"I swear,"said Sophie, her voice very steady. "Can you be a shield for the weak, a light in the dark, a truth among falsehoods, a tower in the flood, an eye to see when all others are blind?" I can." "And when you are dead, will you give up your body to the Nephilim to be burned, that your ashes may be used to build the City of Bones?" "I will." "The drink,"said Charlotte. Tessa heard Gideon draw in his breath. This was the dangerous part of the ritual. This was the part that would kill the untrained and unworthy. Sophie bent her dark head and set the Cup to her lips. Tessa sat forward, her chest tight with aprehension. She felt Will's hand slide over hers, a warm, comforting weight. Sophie's throat moved as she swallowed. The circle that surrounded her and Charlotte flared up once with a cold, blue-white light, obscuring them both. When it faded, Tessa was left blinking stars from her eyes as the light dwindled. She blinked hastily, and saw Sophie hold up the Cup. there was a glow about the Cup she held as she handed it back to Charlotte, who smiled broadly. "You are Nehilim now,"she said. "I name you Sophia Shadowhunter, of the blood of Jonathan Shadowhunter, child of the Nehilim. Arise, Sophia.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Tipping my head back, I looked into his bottle-green eyes. This…this was more than okay. And it took me several tries to speak, because my throat was burning with emotion. “I think I might love you.”
Daemon’s arm tightened around me as he kissed my flushed cheek. “Told you.”
Not what I expected as a response.
He chuckled, rolling onto his side—onto me, really. “My bet—I won. I told you that you’d tell me you loved me on New Year’s Day.”
Looping my arms around his neck, I shook my head. “No. You lost.”
Daemon frowned. “How do you figure?”
“Look at the time.” I tipped my chin toward the clock. “It’s past midnight. It’s January second. You lost.”
For several moments he stared at the clock like it was an Arum he was about to blast into the next county, and then his eyes found mine. Daemon smiled. “No. I didn’t lose. I still won.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
I got you. It’s okay.”
I blink rapidly, my eyes burning, a lump in my throat that I’m struggling to swallow back.
“I got you,” he says for the third time, “but I’m telling you, if you start fucking crying on me right now, if you start boo-hoo’ing, there’s a chance I’ll just throw you over the side myself, so don’t do it.
”
”
J.M. Darhower (Menace (Scarlet Scars, #1))
“
Sooo, I'm tired of people thinking I'm a freak. I know you can't relate to that but -"
"Get over it already, will ya?" Candace stood. "You're not Smellody anymore. You're pretty. You can get hot guys now. Tanned ones with good vision. Not geeky hose jousters." She shut the window. "Don't you ever want to use your lips as something other than veneer protectors?"
Melody felt a familiar pinch behind her eyes. Her throat dried. Her eyes burned. And then they came. Like salty little paratroopers, tears descended en masse. She hated Candace thought she had never made out with a boy. But how could she convince a seventeen-year-old with more dates than a fruitcake that Randy the Starbucks cashier (aka Scarbucks, because of his acne scars) was a great kisser? She couldn't.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
This story is the most ridiculous thing I've ever heard.
"I could find another one," Basil says.
"No, I want to see if they'll I through with it," she says.
"I don't understand why they're throwing her in the volcano," I say.
"Because she's a virgin," Basil says, and clears his throat.
"We could throw Morgan into the volcano," Pen says.
”
”
Lauren DeStefano (Burning Kingdoms (The Internment Chronicles, #2))
“
As he spoke, the edges of the clay man began shimmering, like air does in intense heat, and the lumpen form gradually became more manlike. "Something's happening!" I cried. I was paralyzed by shock and hope. "Please let it work. Come back, Vincent. You have to come back, I whispered, pleading.
Red clay became olive-toned skin, and the bald head became waves of raven black hair. The face that Jules had carefully sculpted became a real nose and mouth and eyes, closed as if in sleep. But it lay there, still unmoving, until, focusing on the air just above, Bran yelled, "Come, bardia spirit, inhabit this body!" He made one final sweeping gesture, as if pulling the aura downward, and touching his fingers to the body's side.
The eyes flew open and Vincent took a great gulping gasp, as if trying to swallow all of the oxygen in the room.
"Vincent," I said, my heart in my throat.
His eyes flew to mine. He reached toward me, and I took his hand and pressed it to my cheek. His skin was burning hot, like with a fever. I kissed his fingers, and his skin smelled like fire and rain-soaked earth. Like the boy I thought I would never touch again.
”
”
Amy Plum (If I Should Die (Revenants, #3))
“
Keeping The City
"Unless the Lord keepeth the city, the watchman guardeth in vain" - John F. Kennedy's unspoken words in Dallas on November 23, 1963.
Once,
in August,
head on your chest,
I heard wings
battering up the place,
something inside trying to fly out
and I was silent
and attentive,
the watchman.
I was your small public,
your small audience
but it was you that was clapping,
it was you untying the snarls and knots,
the webs, all bloody and gluey;
you with your twelve tongues and twelve wings
beating, wresting, beating, beating
your way out of childhood,
that airless net that fastened you down.
Since then I was more silent
though you had gone miles away,
tearing down, rebuilding the fortress.
I was there
but could do nothing
but guard the city
lest it break.
I was silent.
I had a strange idea I could overhear
but that your voice, tongue, wing
belonged solely to you.
The Lord was silent too.
I did not know if he could keep you whole,
where I, miles away, yet head on your chest,
could do nothing. Not a single thing.
The wings of the watchman,
if I spoke, would hurt the bird of your soul
as he nested, bit, sucked, flapped.
I wanted him to fly, burst like a missile from your throat,
burst from the spidery-mother-web,
burst from Woman herself
where too many had laid out lights
that stuck to you and left a burn
that smarted into your middle age.
The city
of my choice
that I guard
like a butterfly, useless, useless
in her yellow costume, swirling
swirling around the gates.
The city shifts, falls, rebuilds,
and I can do nothing.
A watchman
should be on the alert,
but never cocksure.
And The Lord -
who knows what he keepeth?
”
”
Anne Sexton (45 Mercy Street)
“
I had four blak arrows under my belt,
Four for the greefs that I have felt,
Four for the number of ill menne
That have oppressid me now and then.
One is gone; one is wele sped;
Old Apulyaird is dead.
One is for Maister Bennet Hatch,
That burned Grimstone, walls and thatch.
One for Sir Oliver Oates,
That cut Sir Harry Shelton’s throat.
Sir Daniel, ye shull have the fourt;
We shall think it fair sport.
Ye shull each have your own part,
A blak arrow in each blak heart.
Get ye to your knees for to pray;
Ye are ded theeves, by yea and nay!
JON AMEND-ALL
Of the Green Wood,
And his jolly fellaweship
”
”
Robert Louis Stevenson (The Black Arrow)
“
You want to know what I can do, pooch? I can shove my foot so far up your ass, you’ll feel it in your throat.
”
”
Suzanne Wright (Burn (Dark in You, #1))
“
Death does not come when the body is too exausted to live.Death comes because the brilliance inside of us can only be contained for so long.We do not die.We pass on.Pass on the life burning through our throats.When you leave me, I will not cry for you.I will run into the strongest wind I can find and welcome you home.
”
”
Michael Lee
“
I am the wind and the wind is invisible, all the leaves tremble but I am invisible, blackbird over the dark field but I am invisible, what fills the balloon and what it moves through, knot without rope, bloom without flower, galloping without the horse, the spirit of the thing without the thing, location without dimension, without a within, song without throat, word without ink, wingless flight, dark boat in the dark night, shine without light, pure velocity, as the hammer is a hammer when it hits the nail and the nail is a nail when it meets the wood and the invisible table begins to appear out of mind, pure mind, out of nothing, pure thinking, hand of the mind, hand of the emperor, arm of the empire, void and vessel, sheath and shear, and wider, and deeper, more vast, more sure, through silence, through darkness, a vector, a violence, and even farther, and even worse, between, before, behind, and under, and even stronger, and even further, beyond form, beyond number, I labor, I lumber, I fumble forward through the valley as winter, as water, a shift in the river, I mist and frost, flexible and elastic to the task, a fountain of gravity, space curves around me, I thirst, I hunger, I spark, I burn, force and field, force and counterforce, agent and agency, push to your pull, parabola of will, massless mass and formless form, dreamless dream and nameless name, intent and rapturous, rare and inevitable, I am the thing that is hurtling towards you…
”
”
Richard Siken
“
She is the woman that contradicts Simone de Beauvoir's saying "One is not born, but rather becomes, a woman." She is the woman that makes your tooth pain seem like a trivial matter in comparison to the heartaches she causes as she deliberately passes by your side. She is the woman that makes your throat feel swollen and your tie to suddenly seem too tight. She is the woman that is able to take you to the seven heavens with a whisper; straight to cloud number nine.. She is the woman that erases all other women unintentionally and becomes without demanding the despot of your heart. She is the woman that sends you back and forth to purgatory and resurrects you with each unintended touch. She is the woman that will ask of you to burn Rome just to collect for her a handful of dust.
”
”
Malak El Halabi
“
Here was intellectual life, he thought, and here was beauty, warm and wonderful as he had never dreamed it could be. He forgot himself and stared at her with hungry eyes. Here was something to live for, to win to, to fight for—ay, and die for. The books were true. There were such women in the world. She was one of them. She lent wings to his imagination, and great, luminous canvases spread themselves before him whereon loomed vague, gigantic figures of love and romance, and of heroic deeds for woman’s sake—for a pale woman, a flower of gold. And through the swaying, palpitant vision, as through a fairy mirage, he stared at the real woman, sitting there and talking of literature and art. He listened as well, but he stared, unconscious of the fixity of his gaze or of the fact that all that was essentially masculine in his nature was shining in his eyes. But she, who knew little of the world of men, being a woman, was keenly aware of his burning eyes. She had never had men look at her in such fashion, and it embarrassed her. She stumbled and halted in her utterance. The thread of argument slipped from her. He frightened her, and at the same time it was strangely pleasant to be so looked upon. Her training warned her of peril and of wrong, subtle, mysterious, luring; while her instincts rang clarion-voiced through her being, impelling her to hurdle caste and place and gain to this traveller from another world, to this uncouth young fellow with lacerated hands and a line of raw red caused by the unaccustomed linen at his throat, who, all too evidently, was soiled and tainted by ungracious existence. She was clean, and her cleanness revolted; but she was woman, and she was just beginning to learn the paradox of woman.
”
”
Jack London (Martin Eden)
“
My body was a Pandora’s box of aches and pains. When Grandpa died all the ailments came jumping out. I was forever twitching and shaking. I had a persistent sore throat and had difficulty swallowing except when I was taking nips from my illicit cocktail. I was constantly constipated, holding everything in — a disorder that had started when I was two years old. It burned when I passed urine, and my migraines were so severe it felt on occasions as if I were going blind.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
I've found something more exciting than blowing things up, something sweeter than an adrenaline rush. Something that is truly worth fighting for."
"What?"
"A beautiful woman who makes me laugh and feel more alive than I've ever felt in my life." He swallowed past the lump in his throat and the burning in his chest. "I've waited my whole life for you, even though I didn't know I was even waiting. You and I are different sides of the same coin, and you make me feel complete.
”
”
Rachel Gibson (Lola Carlyle Reveals All)
“
How can it not exist? What does that—” A tiny grey body shot in front of the Land Rover. “Squirrel!”
Mad Rogan swerved to the side, trying to avoid the suicidal beast. The SUV hit a curb and jumped. For a terrifying second, we almost flew, weightless. My heart leaped into my throat. The heavy vehicle landed back on the pavement with a thud. The squirrel leapt into the grass on the other side.
I remembered to breathe. “Thank you for not killing the squirrel.”
“You’re welcome, although now I want to go back and strangle it.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
Here. Tea.” Reagan hands me a steaming mug. One sip tells me it’s not just tea.
“You spiked the drink of an injured person,” I state flatly, the alcohol burning in my throat.
“Who does that?”
“It’s better than what a lame horse gets,
”
”
K.A. Tucker
“
He could still remember how breathtakingly beautiful Eleanor was that day. He'd have been content to gaze into her eyes for hours, trying to decide if they were green with gold flecks or gold with green flecks. She had high, finely sculpted cheekbones, soft, flawless skin he'd burned to touch, and lustrous dark braids entwined with gold-threaded ribbons he yearned to unfasten; he'd have bartered his chances of salvation to bury his face in that glossy, perfumed hair, to wind it around his throat and see it spread out on his pillow. He'd watched, mesmerized, as a crystal raindrop trickled toward the sultry curve of her mouth and wanted nothing in his life so much, before or since, as he wanted her.
”
”
Sharon Kay Penman (Devil's Brood (Plantagenets #3; Henry II & Eleanor of Aquitaine, #3))
“
He sat beside the window in the dark, with his eyes closed. Hearing to the sound of the rain. The whisky in his glass burnt his throat, while the smoke of his cigarette filled his lungs and the fire inside his heart consumed his soul slowly.
”
”
Akshay Vasu
“
People of civilized countenance made much of exposing the soft underbellies of their psyche - effete and sensitive were the brands of finer breeding. It was easy for them, safe, and that was the whole point, after all: a statement of coddled opulence that burned the throats of the poor more than any ostentatious show of wealth.
”
”
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
“
My eyes burned as my final, greatest truth scraped up my throat. “I love you. So fucking much.”
I thought saying those words for the first time would feel strange.
They didn’t.
They felt like they’d been waiting to find their home all these years and found it in her.
”
”
Ana Huang (Twisted Lies (Twisted, #4))
“
Most / of those he interviewed for the science project had to admit they did not hear the cries of the roses / being burned alive in the noonday sun. Like horses, Geryon would say helpfully, / like horses in war. No, they shook their heads./ Why is grass called blades? he asked them. Isn’t it because of the clicking? / They stared at him. You should be / interviewing roses not people, said the science teacher. Geryon liked this idea. / The last page of his project / was a photograph of his mother's rosebush under the kitchen window. / Four od the roses were on fire. / They stood up straight and pure on the stalk, gripping the dark like prophets / and howling colossal intimacies / from the back of their fused throats.
”
”
Anne Carson (Autobiography of Red)
“
His palm ran from my hip to my lower stomach. Heat curled inside me with the smallest amount of pressure from his hand. Each finger burned through the fabric while his lips brushed the nape of my neck. My insides were melting, dissolving into nothing but memory as he softly bit down and then licked the skin. I gripped the edge of the countertop, a moan crawling up my throat.
”
”
Danielle Lori (The Sweetest Oblivion (Made, #1))
“
Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off color of my own tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound, hers screeching, mine – I didn’t hear mine – only hears, probably counter-pointing mine, a high-pitched cry, then a whisper dropping unexpectedly to practically a bark, a grunt, whatever, no sense any more, and suddenly no more curves either, just the straight away, some line crossed, where every fractured sound already spoken finally compacts into one long agonizing word, easily exceeding a hundred letters, even thunder, anticipating the inevitable letting go, when the heat is ultimately too much to bear, threatening to burn, scar, tear it all apart, yet tempting enough to hold onto for even one second more, to extend it all, if we can, as if by getting that much closer to the heat, that much more enveloped, would prove … - which when we did clutch, hold, postpone, did in fact prove too much after all, seconds too much, and impossible to refuse, so blowing all of everything apart, shivers and shakes and deep in her throat a thousand letters crashing in a long unmodulated fall, resonating deep within my cochlea and down the cochlear nerve, a last fit of fury describing in lasting detail the shape of things already come.
Too bad dark languages rarely survive.
”
”
Mark Z. Danielewski (House of Leaves)
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won’t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
I want you,” he says with a gruff tenderness. “I want more of you. And I don’t care how I get it.”
I search his eyes, greener now than they have ever been. They’re bright and burning and I know he wants me. I can feel it in my bones, and the thrill is like a million bombs going off at once. How did this even happen? I’m absolutely spellbound by him.
I clear my throat, but even so my words are quiet. “You have me.
”
”
Karina Halle (The Play)
“
So, maybe we’re the
generation of the selfie,
but we’re also the generation
that grew up in a tainted,
Photoshopped world
with every impossible beauty standard
shoved down our throat
through a tube
because eating has become
a guilty pleasure
and condemning beauty ideals
won’t go straight to our thighs.
And if, by chance,
we are able to destroy the
demons that you’ve planted
inside of us with your
constant advertisements and rules
that play behind our eyelids and
take root in our brains,
then let us take our fucking pictures
and capture that moment when
we felt beautiful because all this world
has taught us is that
our beauty is the greatest
measure of our worth.
Scoff at our phones all you like,
these delicate extensions of
our fingers, but know that
through this technology
that you couldn’t even
begin to understand,
we have smudged the entire
world with our fingerprints.
We are the generation of knowledge,
and we are learning more than
any that came before us.
So, frown at my typing fingers;
I am using them to grasp power
by the throat.
Try to invalidate us,
but we’ve heard our
parents talking about
the world’s crashing and burning
since we had sprung from the womb.
We know you’ve fucked up,
and we’re angry about it-
the kind of anger that
fuels knowledge,
that I feel in my veins every time
I read the news from my phone
before school,
that sticks in my throat like honey
in a debate;
the kind of anger that simmers,
that sharpens teeth into daggers,
that makes this generation more dangerous
than you could have ever imagined.
We are the generation of change,
and goddammit, we’re coming.
”
”
E.P. .
“
I am no vampire.I am Carpathian, and you are my lifemate. I will protect you with my life. I will always see to your happiness."
She took a deep breath for control, then let it escape slowly. "We are not lifemates.I did not choose." She held on to that fact, her only hope.
"We can discuss this at a more opportune time."
She nodded warily. "I'll meet you tomorrow then."
His silent laughter filled her mind. Low. Amused. Frustratingly male. "You will come with me now." His voice lowered an octave, became warm honey, compelling, hypnotic, so mesmerizing it was impossible to fight.
Savannah dropped her forehead against the muscles of his chest. Tears were burning in her eyes and throat. "I'm afraid of you,Gregori," she admitted painfully. "I can't live the life of a Carpathian. I'm like my mother. I'm too independent, and I need my own life."
"I know of your fears, ma petite. I know your every thought. The bond between us is strong enough to cross oceans.We can deal with your fears together.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Something from out in the dark brushed her throat, damp
fingers smearing her with warm wetness. She started, raising a hand against it, but touched nothing.
A teasing whisper in her ear – no, more a thought. Come to me …
She glanced around to see if anyone else had heard, but those near her gazed eagerly ahead. Except the Riper; he watched her.
”
”
Marianne de Pierres (Burn Bright (Night Creatures, #1))
“
Pall-- Oh, yes, she could feel it/even though the bullet/had never stabbed her skin./ The bright white heat/ burned at her core/ where two lives/ beat, and if he'd aimed/ there and pulled the trigger,/red would have crested/ like a broken dam/ over her hands/ as her last word rushed/ up to her throat-- Paul-- / a sound that took no time and also lifetimes.
”
”
Jenny Hubbard (And We Stay)
“
He slouches,' DeeDee contributes.
'True--he needs to work on his posture,' Thelma says.
'You guys,' I say.
'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?'
'You guys. We are not getting married!'
'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?'
'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?'
I swat her. "I'm not having Mitchell's children!'
'I'm sorry--what?' Thelma says.
Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl!
But I don't care. If they're going to embarrass me, then I'll embarrass them right back.
'I said'--I raise my voice--'I am not having Mitchell Truman's children!'
Jolene turns beet red, and she and DeeDee dissolve into mad giggles.
'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous.
'Okaaay, I think maybe I won't turn around,' I announce.
A person of the male persuasion clears his throat.
'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me.
'If you change your mind, we might be able to work something out,' the person of the male persuasion says.
'About the children?' DeeDee asks. 'Or the turning around?'
'DeeDee!' Jolene says.
'Both,' says the male-persuasion person.
I shrink in my chair, but I raise my hand over my head and wave.
'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.'
Warm fingers clasp my own.
'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.'
'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!'
I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants.
Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter.
He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line.
Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder.
'Did you see!' Thelma gasps. 'Did you see how proud he was?'
'You improve his posture!' Jolene says.
'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.'
'I can't believe you waved at him,' DeeDee says.
'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.'
'It was a surrender flag. I was surrendering myself to abject humiliation.'
'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
”
”
Lauren Myracle (Bliss (Crestview Academy, #1))
“
Okay, just so we're clear," Piper said, "I'll show you where Jason and I entered the maze, but I'm not doing the stereotypical Native American tracker thing. I don't know tracking. I'm not your guide."
We all readily agreed, as one does when delivered an ultimatum by a friend with strong opinions and poison darts.
"Also," she continued, "if any of you find the need for spiritual guidance on this quest, I am not here to provide that service. I'm not going to dispense bits of ancient Cherokee wisdom."
"Very well," I aid. "Though as a former prophecy god, I enjoy bits of spiritual wisdom."
"Then you'll have to ask the satyr," Piper said.
Grover cleared his throat. "Um, recycling is good karma?"
"There you go," Piper said.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
I want to scream again, and I remember that last time I felt this way, riding with Baba in the tank of the fuel truck, buried in the dark with other refugees. I want to tear myself from this place, from this reality, rise up like a cloud and float away, melt into this this humid summer night and dissolve somewhere far, over the hills. But I am here, my leg blocks of concrete, my lungs empty of air, my throat burning. There will be no floating away. There will be no other reality tonight.
”
”
Khaled Hosseini (The Kite Runner)
“
today, i am a black woman in a body of coal
i am always burning and no one knows my name
i am a nameless fury, i am a blues scratched from
the throat of ms. nina—i am always angry
i am always a bumble hive of hello
i love like this too loudly, my neighbors
think i am an unforgiving bitter
sometimes, i think my neighbors are right
most times i think my neighbors are nosey
”
”
Mahogany L. Browne
“
The light was crude. It made Artaud's eyes shrink into darkness, as they are deep-set. This brought into relief the intensity of his gestures. He looked tormented. His hair, rather long, fell at times over his forehead. He has the actor's nimbleness and quickness of gestures. His face is lean, as if ravaged by fevers. His eyes do not seem to see the people. They are the eyes of a visionary. His hands are long, long-fingered.
Beside him Allendy looks earthy, heavy, gray. He sits at the desk, massive, brooding. Artaud steps out on the platform, and begins to talk about " The Theatre and the Plague."
He asked me to sit in the front row. It seems to me that all he is asking for is intensity, a more heightened form of feeling and living. Is he trying to remind us that it was during the Plague that so many marvelous works of art and theater came to be, because, whipped by the fear of death, man seeks immortality, or to escape, or to surpass himself? But then, imperceptibly almost, he let go of the thread we were following and began to act out dying by plague. No one quite knew when it began. To illustrate his conference, he was acting out an agony. "La Peste" in French is so much more terrible than "The Plague" in English. But no word could describe what Artaud acted out on the platform of the Sorbonne. He forgot about his conference, the theatre, his ideas, Dr. Allendy sitting there, the public, the young students, his wife, professors, and directors.
His face was contorted with anguish, one could see the perspiration dampening his hair. His eyes dilated, his muscles became cramped, his fingers struggled to retain their flexibility. He made one feel the parched and burning throat, the pains, the fever, the fire in the guts. He was in agony. He was screaming. He was delirious. He was enacting his own death, his own crucifixion.
At first people gasped. And then they began to laugh. Everyone was laughing! They hissed. Then, one by one, they began to leave, noisily, talking, protesting. They banged the door as they left. The only ones who did not move were Allendy, his wife, the Lalous, Marguerite. More protestations. More jeering. But Artaud went on, until the last gasp. And stayed on the floor. Then when the hall had emptied of all but his small group of friends, he walked straight up to me and kissed my hand. He asked me to go to the cafe with him.
”
”
Anaïs Nin
“
But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell. See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…
”
”
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
“
The rain set early in tonight,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
I listened with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneeled and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
And, last, she sat down by my side
And called me. When no voice replied,
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there,
And spread, o'er all, her yellow hair,
Murmuring how she loved me — she
Too weak, for all her heart's endeavor,
To set its struggling passion free
From pride, and vainer ties dissever,
And give herself to me forever.
But passion sometimes would prevail,
Nor could tonight's gay feast restrain
A sudden thought of one so pale
For love of her, and all in vain:
So, she was come through wind and rain.
Be sure I looked up at her eyes
Happy and proud; at last l knew
Porphyria worshiped me: surprise
Made my heart swell, and still it grew
While I debated what to do.
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string l wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laughed the blue eyes without a stain.
And l untightened next the tress
About her neck; her cheek once more
Blushed bright beneath my burning kiss:
I propped her head up as before,
Only, this time my shoulder bore
Her head, which droops upon it still:
The smiling rosy little head,
So glad it has its utmost will,
That all it scorned at once is fled,
And I, its love, am gained instead!
Porphyria's love: she guessed not how
Her darling one wish would be heard.
And thus we sit together now,
And all night long we have not stirred,
And yet God has not said aword!
”
”
Robert Browning (Robert Browning's Poetry (Norton Critical Editions))
“
At the Sound of the Gunshot,
Leave A Message
That's what my friend spoke
into his grim machine the winter he first went mad
as we both did in our thirties with still
no hope of revenue, gravely inking
our poems on pages held fast by gyres
the color of lead.
Godless, our minds
did monster us, left us bobbing as in a swamp
until we sank. His eyes were burn holes
in a swollen face. His breath was a venom
he drank deep of. He called his own tongue
a scar, this poet
who can crowbar open
the most sealed heart, make ash flower,
and the cocked shotgun's double-zero mouths
(whose pellets had exploded star holes into plaster and porcelain
and not a few locked doors) never touched
my friend's throat. Praise
Him, whose earth is green.
(for Franz Wright)
”
”
Mary Karr (Sinners Welcome)
“
I have been seeing dragons again.
Last night, hunched on a beaver dam,
one held a body like a badly held cocktail;
his tail, keeping the beat of a waltz,
sent a morse of ripples to my canoe.
They are not richly bright
but muted like dawns
or the vague sheen on a fly's wing.
Their old flesh drags in folds
as they drop into grey pools,
strain behind a tree.
Finally the others saw one today, trapped,
tangled in our badminton net.
The minute eyes shuddered deep in the creased face
while his throat, strangely fierce, stretched
to release an extinct burning inside:
pathetic loud whispers as four of us
and the excited spaniel surrounded him.
”
”
Michael Ondaatje (The Dainty Monsters)
“
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.”
My ears burned. Oh great, am I the color of a tomato now?
“Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was.
“Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject.
“I got you Moby-Dick,” I blurted out. He gave me a sly smile.
“Mmmm, did you? How... interesting.”
“And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner.
“Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?”
I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.”
Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.”
“Was?” I squeaked. Then I cleared my throat and tried again. “I mean—”
“Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.”
His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me.
“It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain.
I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.”
“I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
”
”
Jessica Verday (The Haunted (The Hollow, #2))
“
All round me are words, and words and words,
They grow on me like leaves, they never
Seem to stop their slow growing
From within... But I tell my self, words
Are a nuisance, beware of them, they
Can be so many things, a
Chasm where running feet must pause, to
Look, a sea with paralyzing waves,
A blast of burning air or,
A knife most willing to cut your best
Friend's throat... Words are a nuisance, but.
They grow on me like leaves on a tree,
They never seem to stop their coming,
From a silence, somewhere deep within...
”
”
Kamala Suraiyya Das (Summer in Calcutta)
“
We walked into the forests which encircled the town. I have never liked them, their dark throat, their sullen height, their slump-shouldered gloom. But Evangeline walked steadily into their maw, and I followed her. She wanted to see the swathes which, years ago, the firebug had burned. The furnaced forest was green again, though here and there stood leafless trunks cindered to the core; on the scruffy dirt lay stiff black limbs tangled in morning-glory. Evangeline touched her palm to the charcoal, murmured, 'Poor things.
”
”
Sonya Hartnett (Surrender)
“
But suddenly something sharp was cutting me, my throat, my wrists, my ankles. I screamed in shock, thinking he'd brought me there to hurt me more. Then fire started burning through me, and I didn't care about anything else. I begged him to kill me. When Esme and Edward came home, I begged them to kill me too. Carlise sat with me. He held my hand and said that he was so sorry, promising that it would end. He told me everything, and sometimes I listened. He told me what he was, what I was becoming. I didn't believe him. He apologized each time I screamed. Edward wasn't happy. I remember hearing them discuss me. I stopped screaming sometimes. It did no good to scream.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
A split second later, Jacks had her pinned against the closest tree. Her back hit the wood, his fevered chest pressed to hers, and his hands went for her throat, burning fire hot against her skin.
'Jacks,' Evangeline gasped. 'Let me go.'
He moved away as quickly as he'd grabbed her.
She slumped against the tree from the force of his release. When she righted herself, he was talking toward the crypt.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
You’re going to tell me what you’ve blundered into.”
It wasn’t a question, but I determined to take it as such. “No.”
“No?”
“No.”
He crossed his arms on his chest, making his carved biceps bulge. I vividly remembered those steel-hard biceps flexing as he hoisted me up off the floor by my throat.
“You know what I like about you? You have no sense. You sit here in my house, you can barely hold a spoon, and you're telling me 'no.' You'd pull on Death's whiskers if you could reach them.”
Actually, Death wasn't that far out of reach. If I stretched my leg, I could kick him.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
If there is something, though, if there is...well, I believe in the things I love...the feel of a good horse under me, the blue along those mountains over yonder, the firm, confident feel of a good gunbutt in my hand, the way the red gold of your hair looks against your throat.
The creak of a saddle in the hot sun and the long riding, the way you feel when you come to the top of a ridge and look down across miles and miles of land you have never seen, or maybe no man has ever seen. I believe in the pleasant sound of running water, the way the leaves turn red in the fall. I believe in the smell of autumn leaves burning, and the crackle of a burning log. Sort of sounds like it was chuckling over the memories of a time when it was a tree.
I like the sound of rain on a roof, and the look of a fire in a fireplace, and the embers of a campfire and coffee in the morning. I believe in the solid, hearty, healthy feel of a of a fist landing, the feel of a girl in my arms, warm and close. Those are the things that matter.
”
”
Louis L'Amour (Westward the Tide)
“
There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm “the untidy badge;” scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd’s can only see those minute defects, and are blind to the full brightness of the orb.
”
”
Charlotte Brontë (Jane Eyre)
“
When I am alive and I am empress. When you have everything I've vowed to you and Ahiranya..." Silence, as Malini cupped Priya's waist with a hand; as she stretched her fingers wide, as if she could encompass it, hold Priya and keep her. "I've dreamt of garlanding you," Malini confessed. A small, secret thing. "Flowers around your throat, and you garlanding me in return. The two of us making our own promises to each other. I've dreamt of naming you my own. My heart. My wife.
”
”
Tasha Suri (The Oleander Sword (The Burning Kingdoms, #2))
“
His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood.
I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
”
”
Angela Carter (Burning Your Boats: The Collected Short Stories)
“
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
”
”
Gabby Rivera (Juliet Takes a Breath)
“
The children in my dreams
speak in Gujarati
turn their trusting faces to the sun
say to me
care for us nurture us
in my dreams I shudder and I run.
I am six
in a playground of white children
Darkie, sing us an Indian song!
Eight
in a roomful of elders
all mock my broken Gujarati
English girl!
Twelve, I tunnel into books
forge an armor of English words.
Eighteen, shaved head
combat boots -
shamed by masis
in white saris
neon judgments
singe my western head.
Mother tongue.
Matrubhasha
tongue of the mother
I murder in myself.
Through the years I watch Gujarati
swell the swaggering egos of men
mirror them over and over
at twice their natural size.
Through the years
I watch Gujarati dissolve
bones and teeth of women, break them
on anvils of duty and service, burn them
to skeletal ash.
Words that don't exist in Gujarati :
Self-expression.
Individual.
Lesbian.
English rises in my throat
rapier flashed at yuppie boys
who claim their people “civilized” mine.
Thunderbolt hurled
at cab drivers yelling
Dirty black bastard!
Force-field against teenage hoods
hissing
F****ing Paki bitch!
Their tongue - or mine?
Have I become the enemy?
Listen:
my father speaks Urdu
language of dancing peacocks
rosewater fountains
even its curses are beautiful.
He speaks Hindi
suave and melodic
earthy Punjabi
salty rich as saag paneer
coastal Kiswahili
laced with Arabic,
he speaks Gujarati
solid ancestral pride.
Five languages
five different worlds
yet English
shrinks
him
down
before white men
who think their flat cold spiky words
make the only reality.
Words that don't exist in English:
Najjar
Garba
Arati.
If we cannot name it
does it exist?
When we lose language
does culture die? What happens
to a tongue of milk-heavy
cows, earthen pots
jingling anklets, temple bells,
when its children
grow up in Silicon Valley
to become
programmers?
Then there's American:
Kin'uh get some service?
Dontcha have ice?
Not:
May I have please?
Ben, mane madhath karso?
Tafadhali nipe rafiki
Donnez-moi, s'il vous plait
Puedo tener…..
Hello, I said can I get some service?!
Like, where's the line for Ay-mericans
in this goddamn airport?
Words that atomized two hundred thousand Iraqis:
Didja see how we kicked some major ass in the Gulf?
Lit up Bagdad like the fourth a' July!
Whupped those sand-niggers into a parking lot!
The children in my dreams speak in Gujarati
bright as butter
succulent cherries
sounds I can paint on the air with my breath
dance through like a Sufi mystic
words I can weep and howl and devour
words I can kiss and taste and dream
this tongue
I take back.
”
”
Shailja Patel (Migritude)
“
Grey refused to shy away from the intensity heating in Sirus's eyes to charcoal. As he waited for the man to roll over, Grey watched, unwavering, challenging the fire burning hot in Sirus's gaze. Sirus lifted up to his elbows, but didn't make any effort to shift his position. In fact, he looked downright defiant, and Grey's pulse started to race.
"I want a nice view of my cock taking your sweet ass."
"You want me to flip you over and hold you down, fuck you that way?"
"Yeah, you want it." Grey said to Sirus. "But is it the fucking that has you leaking so damn hard, or is it the thought of force?"
"Don't try to overtake me," Sirus bit Grey's lower lip and tugged, letting it pull through his teeth until it released, "unless you're ready to be the one who ends up on the bottom, with my cock buried in your ass."
Grey wrapped his hand around Sirus's throat, yanked the man's head back and took his mouth in a hard, thrusting kiss, going deep and aggressive enough to make Sirus jerk and go compliant. An almost silent whimper escaped the man, begging without words for more. Knowing he was in charge fully once again, Grey reached between their bodies, positioned the head of his cock and drove his length home.
”
”
Cameron Dane (Grey's Awakening (Cabin Fever, #2))
“
We reached to shake hands, and as soon as we touched, it felt like a current ran between the two of us. My heart sped up. Our eyes met. Nathaniel cleared his throat, and I realized he was trying to take his hand back and I was holding on to it with a death grip. I dropped his hand like it was a burning log. Oh God, I was turning into a stepbrother groper. He was nice to me, and the next thing he knew, I was hanging off him like a parasite. He was most likely grateful I hadn't thrown myself at his face for a tongue kiss.
”
”
Eileen Cook (Unraveling Isobel)
“
Then Er Lang was looking at me ruefully. “You have taken at least fifty years of my life!”
I was stricken. “Take it back!”
“I can’t. But fortunately, my life span is many times yours.”
“How long can a dragon live?”
“A thousand years, if he is lucky. Not all of us are, of course.” He raised an eyebrow.
“I’m sorry.” I couldn’t look him in the eye. Instead, my gaze was drawn to the strong line of his throat. If he had given me blood, I would surely have killed him. But Er Lang was struggling to sit up.
“I should have stopped you sooner. Though I now understand why men succumb to ghosts.” He spoke lightly, but my ears blazed with mortification.
“You were the one who put your tongue in my mouth!” I blurted out, regretting it instantly. To talk about other people’s tongues was the worst, revealing the depths of my inexperience. And yet, the memory of his made me shiver and burn, as though I had a fever. It hadn’t been like this with Tian Bai; it was easy to understand where I stood with him. But he had been courting me, whereas Er Lang was an entirely different commodity. We did not have that sort of relationship, I reminded myself.
But he merely gave me a wry glance. “I was a little carried away.”
“Thank you,” I said at last. I realized it was the first time I had thanked him formally.
”
”
Yangsze Choo (The Ghost Bride)
“
You look … ,” Gavriel breathed, sinking into his chair. “You look so much like her.” Aedion knew Gavriel didn’t mean Aelin. Even Fenrys looked at the Lion now, at the grief rippling in those tawny eyes. But Aedion barely remembered his mother. Barely recalled anything more than her dying, wrecked face. So he said, “She died so your queen wouldn’t get her claws on me.” He wasn’t sure his father was breathing. Lysandra stepped closer, a solid rock in the thrashing sea of his rage. Aedion pinned his father with a look, not sure where the words came from, the wrath, but there they were, snapping from his lips like whips. “They could have cured her in the Fae compounds, but she wouldn’t go near them, wouldn’t let them come for fear of Maeve”—he spat the name—“knowing I existed. For fear I’d be enslaved to her as you were.” His father’s tan face had drained of all color. Whatever Gavriel had suspected until now, Aedion didn’t care. The Wolf snarled at the Lion, “She was twenty-three years old. She never married, and her family shunned her. She refused to tell anyone who’d sired me, and took their disdain, their humiliation, without an ounce of self-pity. She did it because she loved me, not you.” And he suddenly wished he’d asked Aelin to come, so he could tell her to burn this warrior into ashes like that commander in Ilium, because looking at the face—his face … he hated him. He hated him for the twenty-three-year-old his mother had been, younger than he now was when she’d died, alone and sorrowful. Aedion growled, “If your bitch of a queen tries to take me, I’ll slit her throat. If she hurts my family any more than she already has, I’ll slit yours, too.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw.
There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since.
My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes.
Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses.
My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs.
Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom.
My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over.
Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone.
My vagina. A live wet water village. My vagina my hometown.
Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish.
My vagina a live wet water village.
They invaded it. Butchered it and burned it
down.
I do not touch now.
Do not visit.
I live someplace else now.
I don't know where that is.
”
”
Eve Ensler (The Vagina Monologues)
“
My wakeup call wasn’t some light switch of empowerment. From as early as preschool I feared that if I didn’t grow up to be the pretty princess men fawned over, I was a failure. That mentality was my disease. It got me raped. It made me feel dirty and devalued because my cherry wasn’t popped on a bed of rose petals. It fueled an adolescence juggling starvation and vomiting until my throat bled out and my stomach acid burned through the plumbing. It made me snort coke, smoke meth, and routinely gulp down narcotic petri dishes in hopes of obtaining hallucinogenic intimacy with junkie boyfriends. But most of all, it made me waste my youth chasing, obsessing over, fighting for, worshipping, clinging to, and crying over one after another loser. At some point, I just quit giving a fuck.
”
”
Maggie Georgiana Young (Just Another Number)
“
JENNET:
They also say that I bring back the past;
For instance Helen comes
Brushing the maggots from her eyes,
And, clearing here throat of the dust of several thousand years
She says "I loved ..."; but cannot any longer
Remember names. Sad Helen. Or Alexander, wearing
His imperial cobwebs and breastplate of shining worms
Wakens and looks for his glasses, to find the empire
Which he knows he put beside his bed.
”
”
Christopher Fry (The Lady's Not for Burning)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Without a word, he walked over to the sideboard and grabbed one of the decanters and a crystal glass. He returned to his seat and poured two fingers’ worth of Scotch. He drank half of it in one swallow and thumped his glass down roughly. He waited for the burning sensation in his throat to abate. He waited for the liquid courage to adhere to his insides, fortifying him. But it would take much more Scotch to dull the ache in his heart.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
And you still hold on to Maven, a person who doesn’t exist.”
He might as well put a hand around my throat and squeeze. “You looked through my things?”
“I’m not blind. I watched you take the notes off the bodies. I thought you’d rip them up. But when you didn’t - I suppose I wanted to see what you were going to do. Burn them, throw them away, send them back dipped in Silver blood - but not keep them. Not read them while I slept next to you.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
They killed us with traps. They killed us with poisons. They killed us with snares. They killed us with guns. They killed us with knives. They strangled us. They trampled us. They tore us apart with hounds. They baited steel-jawed traps. They starved us out. They burned us alive. They withheld water. They killed all our prey. They slit our throats. They filled in our burrows. They drowned us. They trampled us under horses’ hooves. They bred us for fur and bludgeoned us to death. They kept us in cages so small with so many we burst apart. They suffocated us with poison gas. They strangled us. They put us in sacks and beat us with clubs. They cut out our tongues so we bled to death. They skinned us alive. They detonated rock and stopped our hearts all unknowing. They swung us by our tails and smashed our skulls against stones. They murdered us in each and every year. They murdered us on each and every day.
”
”
Jeff VanderMeer (Dead Astronauts (Borne, #2))
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
Rachel's voice is fierce. The Commander will send out scouts. We should-"
"Oh, he sent out scouts," Willow says. "Five of them. And they were doing a good job of searching the city. Unfortunately for them, all they managed to find was me."
"You killed them?" Ian asks.
"No. I invited them over for dinner." She smacks his shoulder. "the sun is almost down. By the time the Commander realizes his scouts aren't coming back, it will be too dark to send more. He can't risk us seeing torchlight, and they can't search these ruins without light."
"You scare me a little," Ian says, but his voice is full of admiration.
Adam steps closer to Willow. "She's good at everything she does."
Quinn clears his throat." Maybe we should get back to the problem?"
"We can't travel at night," I say. "We need light as well. But we can leave at dawn, and-"
"They'll leave at dawn, too," Adam says. "And if they're that close already, there's no way we can outrun them. Not with children and elderly and the wagons."
"Which is why we're going to create a barrier between us," I say. "Something they can't cross."
Rachel meets my eyes, and her smile is cold and bright. "Fire."
I match her smile with one of my own. "Fire. And when the army finally gets past the blaze, we won't be where they expect, because we're leaving the main road behind."
"What are we waiting for?" Willow asks. "Let's go burn something down.
”
”
C.J. Redwine (Deception (Defiance, #2))
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Aiden made a deep sound in his throat. His hand slid up my back, leaving a trail of fire in its wake, and his lips moved across my cheek, stopping to hover above mine. I forgot how to breathe, and most importantly, how to think. He moved, ever so slightly, and his lips brushed across mine once, and then twice. It was such a soft, beautiful kiss, but when the kiss deepened, it wasn’t a shy one. This was one of dangerously pent-up need, a desire that’d been denied far too long. The kiss felt fierce, demanding, and soul burning. Aiden pulled me to him, pressing me right up against his body. And when he kissed me again, it left both of us breathless. Our hands tangled with each other’s bodies as we made it back to his bedroom. My hands found their way under his shirt and over the taut skin of his sides. We separated long enough for me to get the shirt off, and gods, each hard ripple was as breathtaking as I’d imagined. Easing me down on his bed, his hands glided from my face to my arms. Next his hand traveled over my stomach, then my hip, and under the hem of my dress. Somehow, the top of my dress ended up at my waist, and his mouth moved over my body. I melted into him, his kisses, and his touch.
”
”
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
“
One of my earliest memories was of a maze of pale green walls. The corridors never ended, no matter which way I turned. I was running, my feet bare, my paper-thin gown flapping around skinny foal-like legs, and the demons kept on coming. I’d run the maze before, because I always knew which way to turn to find the little clear plastic box. I’d run, and run. Lungs aching, throat burning, my feet slapping against the smooth floor, and the sound of scrabbling claws chased me down. I made it to the box, every time (I’d learned later, there were others who hadn’t) and once inside, I’d yank the clear door closed. The demons didn’t see the box. They saw only me, the wraith-like little half-blood girl. They would launch themselves—claws extended, jaws wide, eyes ablaze—and slam into my box, sending shudders rattling through my bones. They’d snap and snarl, hook their teeth into the box and gnaw at its edges, desperate to get to the feast huddling a few millimeters away.
Flooding, the Institute had called it.
At first I was afraid, and I learned how to run. Then I was angry, and I learned how to fight with my fists and my element. Then, I got even. I lured those demons into a corner and ambushed them, killing every last one. After countless visits to the maze, after weeks, years, I’d started liking it, and killing became as natural as breathing. It was what I was good at. What I was made for.
What I lived for.
© Copyright Pippa DaCosta 2016.
”
”
Pippa DaCosta (Chaos Rises (Chaos Rises, #1))
“
Pearls, because your skin is as smooth and luminescent as one, and because the first time my lips caressed your throat I thought your flesh as opulent and lush
as one. Gold,” he whispered, moving closer, “because it reminded me of how your hair looked in the dying
candlelight, how it burned and glistened, and how badly I want to lie in bed, in our chamber, and watch you at your dressing table, unpinning it for me. I will have that, Lucy, the
rights of a husband to enter his wife’s room, to see her at her toilette, to watch what no other man will ever be
granted. You do understand that? That I won’t settle for less?”
“You have made your line in the sand very clear.”
He grinned. “You can cross it anytime you wish, you know. You might even like it on my side.
”
”
Charlotte Featherstone (Pride & Passion (The Brethren Guardians, #2))
“
I like literature," I said. "We started watching the film version of Romeo and Juliet today."
I didn't tell them this, but the love story fascinated me. The way the lovers fell so deeply and irrevocably in love after their first meeting sparked a burning curiosity in me about what human love might feel like.
"How are you finding that?" Ivy asked.
"It's very powerful, but the teacher got really mad when one of the boys said something about Lady Capulet."
"What did he say?"
"He called her a MILF, which must be offensive because Miss Castle called him a thug and sent him out of the room. Gabe, what is a MILF?"
Ivy smothered her smile behind a napkin while Gabriel did something I'd never seen before. He blushed and shifted uncomfortably in his chair.
"Some acronym for a teenage obscnity, I imagine," he mumbled.
"Yes, but do you know what it means?"
He paused, trying to find the right words.
"It's a term used by adolescent males to describe a woman who is both attractive and a mother." He cleared his throat and got up quickly to refill the water jug.
"I'm sure it must stand for something," I pressed.
"It does," Gabriel said. "Ivy, can you remeber what it is?"
"I believe it stands for 'mother I'd like to...befriend'," said my sister.
"Is that all?" I exclaimed. "What a fuss over nothing. I really think Miss Castle needs to chill.
”
”
Alexandra Adornetto
“
The smile that curled his lips was as arrogant as it was beautiful.
“You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me.
“I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?”
Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—”
He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.”
“You said you would help me,” I whispered.
He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.”
I looked away.
“Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.”
His finger caught the stretched-out collar of my shirt and gave it a tug.
“Stop it.” I was proud of how steady my voice was.
As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine.
“I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…”
My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out.
“Ruby! Wait, I didn’t mean—!”
A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her.
“Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
It’s not like I could kill Curran now. Should. It’s not like I should kill Curran now. I could always try. Later.
The Beast Lord crossed his arms on his chest. His face looked placid. Calm before the storm . . .
The jaguar at my feet tensed and tried to look smaller. Nick needed a bit of a distraction while he rode like a bat out of hell on the horse commandeered from the Pack stables. I’d provided that distraction by leading Jim and his posse of pissy shapechangers on a merry chase through the countryside.
“Just so we’re clear,” Curran said. “You did understand that I didn’t wish you or the Crusader to leave Keep?”
“Yes.”
“That’s what I thought,” Curran said.
He grabbed me by the throat and slammed me against the wall. My feet felt no floor. His fingers crushed my neck.
I clasped the hand that held me and jammed a long silver needle into his palmar nerve between the index finger and thumb. Curran’s fingers trembled. His hand opened releasing me. I slid to the floor, dropped, and swiped at his legs. He fell. I rolled away and came to my feet. On the opposite side of the room Curran rose to a half crouch, his eyes burning gold.
The whole thing took maybe two seconds. The stunned audience never got a chance to react.
Curran reached for the needle, pulled it out, and dropped it to the floor, never taking his eyes off me.
“It’s okay,” I told him. “I have more.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
A dark, omnipresent pool of water.
It was probably always there, hidden away somewhere. But when the time comes it silently rushes out, chilling every cell in your body. You drown in that cruel flood, gasping for breath. You cling to a vent near the ceiling, struggling, but the air you manage to breathe is dry and burns your throat. Water and thirst, cold and heat – these supposedly opposite elements combine to assault you.
The world is a huge space, but the space that will take you in – and it doesn’t have to be very big - is nowhere to be found. You seek a voice, but what do you get? Silence. You look for silence, but guess what? All you hear over and over and over is the voice of this omen. And sometimes these prophetic voice pushes a secret switch hidden deep inside your brain.
Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still, the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.
”
”
Haruki Murakami
“
We pick up our shots and for the first time there's a total absence of sound in the room. From the ceiling, shy silver things blink and wait. Dennis doesn't sit, but hovers at the edge of the table, leaning in with a darkroom perfected slump. His hair hangs like its edges were dipped in lead. Thin spears pointing to the table. I'm looking at his face; we're both serious in a self-aware way, pretending not to notice.
"It doesn't even feel like I left. God, you look fucking terrible. But it's a terrible face that drinks tequila well. Down. And cheers."
We force a dull clash of cups and pour everything down at once. The hard tequila shudders that never happen in the movies. First your head feels light, then it starts receiving the distress signals from throat, lungs, belly. Your shoulders jerk to shake off the snake that wrapped around you and squeezed. It burns. The good burn.
”
”
Laurie Perez (Torpor: Though the Heart Is Warm)
“
THE COUNCIL WAS NOTHING LIKE Jason imagined. For one thing, it was in the Big House rec room, around a Ping-Pong table, and one of the satyrs was serving nachos and sodas. Somebody had brought Seymour the leopard head in from the living room and hung him on the wall. Every once in a while, a counselor would toss him a Snausage. Jason looked around the room and tried to remember everyone’s name. Thankfully, Leo and Piper were sitting next to him—it was their first meeting as senior counselors. Clarisse, leader of the Ares cabin, had her boots on the table, but nobody seemed to care. Clovis from Hypnos cabin was snoring in the corner while Butch from Iris cabin was seeing how many pencils he could fit in Clovis’s nostrils. Travis Stoll from Hermes was holding a lighter under a Ping-Pong ball to see if it would burn, and Will Solace from Apollo was absently wrapping and unwrapping an Ace bandage around his wrist. The counselor from Hecate cabin, Lou Ellen something-or-other, was playing “got-your-nose” with Miranda Gardiner from Demeter, except that Lou Ellen really had magically disconnected Miranda’s nose, and Miranda was trying to get it back. Jason had hoped Thalia would show. She’d promised, after all—but she was nowhere to be seen. Chiron had told him not to worry about it. Thalia often got sidetracked fighting monsters or running quests for Artemis, and she would probably arrive soon. But still, Jason worried. Rachel Dare, the oracle, sat next to Chiron at the head of the table. She was wearing her Clarion Academy school uniform dress, which seemed a bit odd, but she smiled at Jason. Annabeth didn’t look so relaxed. She wore armor over her camp clothes, with her knife at her side and her blond hair pulled back in a ponytail. As soon as Jason walked in, she fixed him with an expectant look, as if she were trying to extract information out of him by sheer willpower. “Let’s come to order,” Chiron said. “Lou Ellen, please give Miranda her nose back. Travis, if you’d kindly extinguish the flaming Ping-Pong ball, and Butch, I think twenty pencils is really too many for any human nostril. Thank you. Now, as you can see, Jason, Piper, and Leo have returned successfully…more or less. Some of you have heard parts of their story, but I will let them fill you in.” Everyone looked at Jason. He cleared his throat and began the story. Piper and Leo chimed in from time to time, filling in the details he forgot. It only took a few minutes, but it seemed like longer with everyone watching him. The silence was heavy, and for so many ADHD demigods to sit still listening for that long, Jason knew the story must have sounded pretty wild. He ended with Hera’s visit right before the meeting.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
He took up another long strip of towel in his right hand. He had to lean in to loop it behind her. He was so close now. His mind took in the shell of her ear, the hair tucked behind it, that rapid pulse fluttering in her throat. Alive, alive, alive.
It isn’t easy for me either.
He looped the bandage around again. The barest touches. Unavoidable. Shoulder, clavicle, once her knee. The water rose around him.
He secured the knot. Step back. He did not step back. He stood there, hearing his own breath, hers, the rhythm of them alone in this room.
The sickness was there, the need to run, the need for something else too. Kaz thought he knew the language of pain intimately, but this ache was new. It hurt to stand here like this, so close to the circle of her arms. It isn’t easy for me either. After all she’d endured, he was the weak one. But she would never know what it was like for him to see Nina pull her close, watch Jesper loop his arm through hers, what it was to stand in doorways and against walls and know he could never draw nearer. But I’m here now, he thought wildly. He had carried her, fought beside her, spent whole nights next to her, both of them on their bellies, peering through a long glass, watching some warehouse or merch’s mansion. This was nothing like that. He was sick and frightened, his body slick with sweat, but he was here. He watched that pulse, the evidence of her heart, matching his own beat for anxious beat. He saw the damp curve of her neck, the gleam of her brown skin. He wanted to … He wanted.
Before he even knew what he intended, he lowered his head. She drew in a sharp breath. His lips hovered just above the warm juncture between her shoulder and the column of her neck. He waited. Tell me to stop. Push me away.
She exhaled. “Go on,” she repeated. Finish the story.
The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?”
Ben snorted. “He deserved it.”
“I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.”
I pinched my nose. “Ugh, don’t remind me.”
Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.”
Then everyone had a story. Our funeral became a wake.
The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye.
I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.”
Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.”
The boys glanced at each other. Their smiles faded.
Something passed between them.
Abruptly, both looked at me.
I could see a question in their eyes. A resolve to see something through.
They talked. Oh God, they talked about me.
They’re going to make me choose.
In a flash of dread, I realized I could delay this no longer.
With another jolt, I realized I didn’t need to.
There was no point putting it off.
There was also no decision to make.
My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully.
I smiled. Even as my heart pounded.
Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall.
But my second foot successfully followed the first.
I walked over to Ben’s side.
Slipped my hand inside his.
Squeezed for dear life.
Ben’s eyes widened. He gasped quietly, his chest rising and falling.
I met his startled gaze. Smiled through my blushes.
A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine.
No decision to make.
Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips.
Chance nodded slightly.
Not one word spoken. Volumes exchanged.
The silence stretched, like a living breathing force.
Finally, Hi cleared his throat. “Um.”
My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace.
Still no one said a word.
This was the most painful moment of my life.
“So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
...in all the Kalahari Desert, only six true hunters remained. The renegades agreed to let Louis hang around, an offer he took to the extreme; once installed, Louis acted like an unemployed in-law, basically squatting with the Bushmen for the next four years...He learned to keep his campfire burning and tent zipped even on the most sweltering nights, since packs of hyenas were known to drag people from open shelters and tear out their throats. He leaned that if you stumble upon an angry lioness and her cubs, you stand tall and make her back down, but in the same situation with a rhino, you run like hell. (p. 234) Know why people run marathons? he said... Because running is rooted in our collective imagination, and our imagination is rooted in running. Language, art, science; space shuttles... intravascular surgery, they all had their roots in our ability to run. Running was the superpower that made us human- which means it's a superpower all humans possess. (p. 239)
”
”
Christopher McDougall
“
You’d better marry her before she reaches eighteen and the spell wears off,” I said.
“Spell?”
“Yes. The one that’s hiding her fangs and pincers from plain sight.”
“I don’t find them especially hidden,” he said mildly.
“Then perhaps you’re a pair.”
His brows lifted. “Now, that’s the cruelest thing you’ve said so far.”
Mrs. Fredericks cleared off, and Chloe took her place before the piano. A beam of sunlight was just beginning its slide into the chamber, capturing her in light. She was a glowing girl with a glowing face, and Joplin at her fingertips.
“Give me time,” I muttered, dropping my gaze to my plate. “I’ll come up with something worse.”
“No doubt.” Armand pulled a flask from his jacket and shook it in front of my nose. “Whiskey. Conveniently the same color as tea. Are you game, waif?” I glanced around, but no one was looking. I lifted my cup, drained it to the dregs, and set it before him.
He was right. It did look like tea. But it tasted like vile burning fire, all the way down my throat.
“Sip it,” he hissed, as I began to cough. His voice lifted over my sputtering. “Dear me, Miss Jones, I do beg your pardon. The tea’s rather hot; I should have mentioned it.”
“Quite all right,” I gasped, as the whiskey swirled an evil amber in my teacup.
Chloe’s song grew bouncier, with lyrics about a girl with strawberries in a wagon. Several of the men had begun to cluster near, drawn to her soprano or perchance her bosom. Two were vying to turn the pages of her music. She had to crane her head to keep Armand in view.
He sent her another smile from his chair, lifting his cup in salute.
“I’m going to kiss you, Eleanore,” he said quietly, still looking at her. “Not now. Later.” His eyes cut back to mine. “I thought it fair to tell you first.”
I stilled. “If you think you can do so without me biting your lip, feel free to try.”
His gaze shone wicked blue. “I don’t mind if you bite.”
“Biting your lip off, I should have said.”
“Ah. Let’s see how it goes, shall we?
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
“Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back.
“You’re safe,” he told me, in his usual soft, rumbling voice.
“Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…”
“I know, I believe you.”
At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket.
“Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger.
Any hope I had felt bubbling up inside me burst into a thousand tiny pieces.
“Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?”
I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself.
“You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—”
I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!”
“You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.”
“No!” I shrieked. “No!”
He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door.
I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them.
But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room.
“—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Mama, I said, and then the crying came. I had not cried since I was sentenced and I had humiliated myself before a judge who didn't care. On that horrible day, my snotty sobbing had merged with Celestial and Olive's morning accompaniment. Now I suffered a cappella; the weeping burned my throat like when you vomit strong liquor. That one word, Mama, was my only prayer as I phrased on the ground like I was feeling the Holy Ghost, only what I was going through wasn't rapture. I spasmed on that cold black earth in pain, physical pain. My joints hurt; I experienced what felt like a baton against the back of my head. It was like I relived every injury of my life.. The pain went on until it didn't. and I say up, dirty and spent.
”
”
Tayari Jones (An American Marriage)
“
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood."
He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest.
The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?"
I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always."
Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled.
"Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked.
"Yes," Rob said. "I will."
"You have the rings?" the priest asked Rob.
"I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him.
Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger.
He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you."
The priest coughed. "Say the words, my son, and you will marry her."
Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
”
”
A.C. Gaughen (Lion Heart (Scarlet, #3))
“
It should be illegal for a woman to look as good as you do.”
“Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.”
“I love it. I love you.” He dug in his pocket. “When I left today, it was for this.”
Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped.
“I wanted it to be a surprise.”
There were no words. Her eyes suddenly burned and her throat went tight.
Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right.
“Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.”
Sounding like a choked frog, Priss said, “All the things I never got to do growing up.”
“But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.”
“No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.”
Both still very attentive, Matt and Chris snickered. Trace just smiled at her.
Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.”
“Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.”
“You felt me up,” Priss reminded him. “But that was a first for me, too.”
“I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
Isn’t that…
A lie? It’s okay. You can say it. Yes, they were lies and sometimes that’s not a bad thing. Lies are neither bad nor good. Like a fire they can either keep you warm or burn you to death, depending on how they’re used. The lies our government told us before the war, the ones that were supposed to keep us happy and blind, those were the ones that burned, because they prevented us from doing what had to be done. However, by the time I made Avalon, everyone was already doing everything they could possibly do to survive. The lies of the past were long gone and now the truth was everywhere, shambling down their streets, crashing through their doors, clawing at their throats. The truth was that no matter what we did, chances were most of us, if not all of us, were never going to see the future. The truth was that we were standing at what might be the twilight of our species and that truth was freezing a hundred people to death every night. They needed something to keep them warm. And so I lied, and so did the president, and every doctor and priest, every platoon leader and every parent. “We’re going to be okay.” That was our message.
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
[From Sid Vicious's letter to Nancy Spungen's mother Deborah]
P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone.
The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart.
Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write.
I love you.
I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me.
His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that?
I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength.
I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy.
NANCY
You were my little baby girl
And I shared all your fears.
Such joy to hold you in my arms
And kiss away your tears.
But now you’re gone there’s only pain
And nothing I can do.
And I don’t want to live this life
If I can’t live for you.
To my beautiful baby girl.
Our love will never die.
I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.
”
”
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
“
He paused, then, I behind him, arms locked around the powerful ribs, fingers caressing him. To lie with him, to lie with him, burning forgetful in the delicious animal fire. Locked first upright, thighs ground together, shuddering, mouth to mouth, breast to breast, legs enmeshed, then lying full length, with the good heavy weight of body upon body, arching, undulating, blind, growing together, force fighting force: to kill? To drive into burning dark of oblivion? To lose identity? Not love, this, quite. But something else rather. A refined hedonism. Hedonism: because of the blind sucking mouthing fingering quest for physical gratification. Refined: because of the desire to stimulate another in return, not being quite only concerned for self alone, but mostly so. An easy end to arguments on the mouth: a warm meeting of mouths, tongues quivering, licking, tasting. An easy substitute for bad slashing with angry hating teeth and nails and voice: the curious musical tempo of hands lifting under breasts, caressing throat, shoulders, knees, thighs. And giving up to the corrosive black whirlpool of mutual necessary destruction. - Once there is the first kiss, then the cycle becomes inevitable. Training, conditioning, make a hunger burn in breasts and secrete fluid in vagina, driving blindly for destruction. What is it but destruction? Some mystic desire to beat to sensual annihilation - to snuff out one’s identity on the identity of the other - a mingling and mangling of identities? A death of one? Or both? A devouring and subordination? No, no. A polarization rather - a balance of two integrities, changing, electrically, one with the other, yet with centers of coolness, like stars.
And there it is: when asked what role I will plan to fill, I say “What do you mean role? I plan not to step into a part on marrying - but to go on living as an intelligent mature human being, growing and learning as I always have. No shift, no radical change in life habits.” Never will there be a circle, signifying me and my operations, confined solely to home, other womenfolk, and community service, enclosed in the larger worldly circle of my mate, who brings home from his periphery of contact with the world the tales only of vicarious experience to me.
No, rather, there will be two over-lapping circles, with a certain strong riveted center of common ground, but both with separate arcs jutting out in the world. A balanced tension; adaptible to circumstances, in which there is an elasticity of pull, tension, yet firm unity. Two stars, polarized; in moments of communication that is complete, almost fusing onto one. But fusion is an undesirable impossibility - and quite non-durable. So there will be no illusion of that.
So he accuses me of “struggling for dominance”? Sorry, wrong number. Sure, I’m a little scared of being dominated. (Who isn’t? Just the submissive, docile, milky type of individual. And that is Not he, Not me.) But that doesn’t mean I, ipso facto, want to dominate. No, it is not a black-and-white choice or alternative like: “Either-I’m-victorious on-top-or-you-are.”
It is only balance that I ask for.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
What I can make people do . . . it’s not what they want to do. It may sound corny, but I want people to like me for me, not because I can force them to or because of who my mom is or who I am in the Family. You know?”
He raised his green gaze to my blue one. “That’s one of the things I like about you, Lila. You don’t care about any of that.”
“Just one of the things?” I teased, trying to make him laugh a little, just so he’d forget his guilt and grief, if only for a few moments.
“Just one.” His voice took on a low, husky note. “I could list all the others, if you want.”
My gaze locked with his and my soulsight kicked in, showing me all of his emotions. And I felt them, too—more intensely than I ever had before. His heart still ached with that soul-crushing guilt, and it always would. But that hot spark I’d seen inside him that first day at the Razzle Dazzle had finally ignited into a roaring fire, burning as hot and bright as my own emotions were right now.
Devon hesitated, then leaned in, just a little. My breath caught in my throat.
He inched forward a little more. I wet my lips.
He came even closer, so close that his warm breath brushed my cheek and his scent flooded my nose, that sharp, fresh tang of pine. Clean and crisp, just like he was, inside and out. I sighed. Suddenly, my hands itched to touch him, to trace my fingers over the sharp planes of his face, and then slide them lower, over all of his warm, delicious muscles . . .
“Lila,” he whispered.
I shivered, loving the sound of my name on his lips—lips that were heartbreakingly close to mine—
”
”
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
“
Your king is dead. Your prince lives. . . My name is Aelin Ashryver Galathynius, and I am the Queen of Terrasen. . . Your prince is in mourning. Until he is ready, this city is mine. . . If you loot, if you riot, if you cause one lick of trouble, I will find you, and I will burn you to ash." She lifted a hand, and flames danced at her fingertips. "If you revolt against your new king, if you try to take his castle, then this wall"--she gestured with her burning hand--"will turn to molten glass and flood your streets, your homes, your throats. . . I killed your king. His empire is over. Your slaves are now free people. If I catch you holding on to your slaves, if I hear of any household keeping them captive, you are dead. If I hear of you whipping a slave, or trying to sell one, you are dead. So I suggest that you tell your friends, and families, and neighbors. I suggest that you act like reasonable, intelligent people. And I suggest that you stay on your best behavior until your king is ready to greet you, at which time I swear on my crown that I will yield control of this city to him. If anyone has a problem with it, you can take it up with my court." She motioned behind her. Rowan, Aedion, and Lysandra--bloodied, battered, filthy--grinning like hellions. "Or," Aelin said, the flames winking out on her hand, "you can take it up with me."
Not a word. She wondered whether they were breathing.
But Aelin didn't care as she strode off the platform, back through the gate she'd made, and all the way up the barren hillside to the stone castle.
She was barely inside the oak doors before she collapsed to her knees and wept.
”
”
Sarah J. Maas
“
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.”
My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.”
She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.”
I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things.
“Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees.
It disappeared from our sight.
“Poppy—” I went to speak, but she cut me off.
“Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
Curran lunged through the window
He was huge, neither a man, nor a lion. Curran’s usual warrior form stood upright. This creature moved on all fours. Enormous, bulging with muscle under a gray pelt striped with whip marks of darker gray, six hundred pounds at least. His head was lion, his eyes were human, and his fangs were monster.
So that’s what the Beast Lord with no brakes looked like.
He landed on the floor of my living room. Muscles twisted and crawled, stretching and snapping. The gray fur melted, fading into human skin, and Curran stood on my carpet, nude and pissed off, his eyes glowing gold.
His voice was a deep snarl. “I know he’s here. I can smell him.”
I felt an irresistible urge to brain him with something heavy. “Did you lose your sense of smell? Saiman’s scent is two hours old.”
Golden eyes burned me. “Where is he?”
“Under my bed.”
The bed went airborne. It flew across the living room and slammed into the wall with a thud.
That was just about enough of that. “What the hell do you think you’re doing?”
“Saving you from whatever mess you got yourself into this time.”
Why me? “There is no mess! It’s a professional arrangement.”
“He’s paying you?” Curran snarled.
“No. I’m paying him.”
He roared. His mouth was human, but the blast of sound that shot out of it was like thunder.
“Ran out of words, Your Majesty?”
“Why him?” he growled. “Of all the men you could have, why would you hire him for that?”
“Because he has the best equipment in the city and he knows how to use it!”
As soon as I said it, I realized how he would take it.
The beginnings of another thundering roar died in Curran’s throat. He stared at me, mute.
Oh, this was too good. I threw my hands up. “The lab! I’m talking about his lab, not his dick, you idiot.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
Melisandre’s red lips curled into a smile. “I have seen you in my fires, Jon Snow.” “Is that a threat, my lady? Do you mean to burn me too?” “You mistake my meaning.” She gave him a searching look. “I fear that I make you uneasy, Lord Snow.” Jon did not deny it. “The Wall is no place for a woman.” “You are wrong. I have dreamed of your Wall, Jon Snow. Great was the lore that raised it, and great the spells locked beneath its ice. We walk beneath one of the hinges of the world.” Melisandre gazed up at it, her breath a warm moist cloud in the air. “This is my place as it is yours, and soon enough you may have grave need of me. Do not refuse my friendship, Jon. I have seen you in the storm, hard-pressed, with enemies on every side. You have so many enemies. Shall I tell you their names?” “I know their names.” “Do not be so certain.” The ruby at Melisandre’s throat gleamed red. “It is not the foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. You would do well to keep your wolf close beside you. Ice, I see, and daggers in the dark. Blood frozen red and hard, and naked steel. It was very cold.” “It is always cold on the Wall.” “You think so?” “I know so, my lady.” “Then you know nothing, Jon Snow,” she whispered.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
Steve Carver-the guy with the faux-surfer hair-and Amanda's best friend, Nicole,are chosen.Rashmi and I groan in a rare moment of camaraderie.Steve pumps a fist in the air.What a meathead.
The selecting begins,and Amanda is chosen first. Of course. And then Steve's best friend.Of course. Rashmi elbows me. "bet you five euros I'm picked last."
"I'll take that bet.Because it's totally me."
Amanda turns in her seat toward me and lowers her voice. "That's a safe bet, Skunk Girl. Who'd want you on their team?"
My jaw unhinges stupidly.
"St. Clair!" Steve's voice startles me. It figures that St. Clair would be picked early. Everyone looks at him, but he's staring down Amanda. "Me," he says, in answer to her question. "I want Anna on my team,and you'd be lucky to have her."
She flushes and quickly turns back around,but not before shooting me another dagger.What have I ever done to her?
More names are called. More names that are NOT mine. St. Clair goes to get my attention,but I pretend I don't notice. I can't bear to look at him.I'm too humiliated. Soon the selection is down to me, Rashmi,and a skinny dude who, for whatever reason,is called Cheeseburger. Cheeseburger is always wearing this expresion of surprise, like someone's just called his name, and he can't figure out where the voice is coming from.
"Rashmi," Nicole says without hestitation.
My heart sinks.Now it's between me and someone named Cheeseburger. I focus my attention down on my desk, at the picture of me that Josh drew earlier today in history. I'm dressed like a medieval peasant (we're studying the Black Plague), and I have a fierce scowl and a dead rat dangling from one hand.
Amanda whispers into Steve's ear. I feel her smirking at me,and my face burns.
Steve clears his throat. "Cheeseburger.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
She pulled the shawl closer as a tall, lithe figure cut across the parking lot and joined her at the passenger door.
“You’re already famous,” Colby Lane told her, his dark eyes twinkling in his lean, scarred face. “You’ll see yourself on the evening news, if you live long enough to watch it.” He jerked a thumb over his shoulder. “Tate’s on his way right now.”
“Unlock this thing and get me out of here!” she squeaked.
He chuckled. “Coward.”
He unlocked the door and let her climb in. By the time he got behind the wheel and took off, Tate was striding across the parking lot with blood in his eye.
Cecily blew him a kiss as Colby gunned the engine down the busy street.
“You’re living dangerously tonight,” Colby told her. “He knows where you live,” he added.
“He should. He paid for the apartment,” she added in a sharp, hurt tone. She wrapped her arms closer around her. “I don’t want to go home, Colby. Can I stay with you tonight?”
She knew, as few other people did, that Colby Lane was still passionately in love with his ex-wife, Maureen. He had nothing to do with other women even two years after his divorce was final. He drank to excess from time to time, but he wasn’t dangerous. Cecily trusted no one more. He’d been a good friend to her, as well as to Tate, over the years.
“He won’t like it,” he said.
She let out a long breath. “What does it matter now?” she asked wearily. “I’ve burned my bridges.”
“I don’t know why that socialite Audrey had to tell you,” he muttered irritably. “It was none of her business.”
“Maybe she wants a big diamond engagement ring, and Tate can’t afford it because he’s keeping me,” she said bitterly.
He glanced at her rigid profile. “He won’t marry her.”
She made a sound deep in her throat. “Why not? She’s got everything…money, power, position and beauty-and a degree from Vassar.”
“In psychology,” Colby mused.
“She’s been going around with Tate for several months.”
“He goes around with a lot of women. He won’t marry any of them.”
“Well, he certainly won’t marry me,” she assured him. “I’m white.”
“More of a nice, soft tan,” he told her. “You can marry me. I’ll take care of you.”
She made a face at him. “You’d call me Maureen in your sleep and I’d lay your head open with the lamp. It would never work.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book.
"It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest.
It's the boy from my dreams.
The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life.
I scold my heart to settle,but it doesn't obey.
I admonish myself to sit,to act normal, casual-and I just barely succeed.
Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade.
"You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it.
I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother.
I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me.
He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?"
I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too.
He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-"
"The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain.
Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people?
I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
”
”
Bram Stoker (Dracula (Annotated))
“
She touched his arm. “If you need anything, send word. It’ll be a few weeks before we reach Orynth, but—I suppose with magic returned, you can find a messenger to get word to me quickly.” “Thanks to you—and to your friends.” She glanced over her shoulder at them. They were all trying their best to look like they weren’t eavesdropping. “Thanks to all of us,” she said quietly. “And to you.” Dorian gazed toward the city horizon, the rolling green foothills beyond. “If you had asked me nine months ago if I thought …” He shook his head. “So much has changed.” “And will keep changing,” she said, squeezing his arm once. “But … There are things that won’t change. I will always be your friend.” His throat bobbed. “I wish I could see her, just one last time. To tell her … to say what was in my heart.” “She knows,” Aelin said, blinking against the burning in her eyes. “I’ll miss you,” Dorian said. “Though I doubt the next time we meet will be in such … civilized circumstances.” She tried not to think about it. He gestured over her shoulder to her court. “Don’t make them too miserable. They’re only trying to help you.” She smiled. To her surprise, a king smiled back. “Send me any good books that you read,” she said. “Only if you do the same.” She embraced him one last time. “Thank you—for everything,” she whispered. Dorian squeezed her, and then stepped away as Aelin mounted her horse and nudged it into a walk.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
There are three things you must remember about a woman. Never take her for granted. Never think you know what she is thinking. And never think you know what she will do in a given situation. A woman is like smoke. She will curl seductively around you one moment, burn your eyes the next, tickle your throat until you cough, and then poof! She is gone. She is a mirage. She is a thunderstorm. She is a sailboat on a sunny mirrored lake. She will run when you reach for her, and come to you when you wish her away. You can solve a problem. You can analyze logic. You can explain how vapor turns into water. But you cannot understand the mind of a woman. And do you know why? Because she does not understand herself."
"Then what do you do?"
"You love her and deal with her in all honesty. You earn her trust. And then you trust the Almighty, who made women the way they are, believing that He knew what He was doing."
"What if that doesn't help?"
"Blame Him.
”
”
Elaine Coffman (By Fire and by Sword (Graham-Lennox #3))
“
He looked at me, and I saw the knowledge in his eyes. The horror. “I didn’t know, Gideon. I swear to God, I didn’t know.”
My heart jerked in my chest, then began to pound. My mouth went dry.
“I, uh, went to see Terrence Lucas.” Chris’s voice grew hoarse. “ Barged into his office. He denied it, the lying son of a bitch, but I could see it on his face.”
The brandy sloshed in my glass. I set it down carefully, feeling the floor shift under my feet. Eva had confronted Lucas, but Chris..?
“I decked him, knocked him out could, but Good … I wanted to take one of those awards on his shelves and bash his head in.”
“Stop.” The word broke from my throat like slivers of glass.
“And the asshole who did … That asshole is dead. I can’t get to him. Goddamn it.” Chris dropped the tumbler onto the granite with a thud, but it was the sob that tore out of him that nearly shattered me. “Hell, Gideon. It was my job to protect you. And I failed.”
“Stop!” I pushed off the counter, my hands clenching. “Don’t fucking look at me like that!”
He trembled visibly, but didn’t back down. “I had to tell you –“
His wrinkled dress shirt was in my fist, his feet dangling above the floor. “Stop talking. Now!”
Tears lipped down his face. “I love you like my own. Always have.”
I shoved him away. Turned my back to him when he stumbled and hit the wall. I left, crossing the living room without seeing it.
“I’m not expecting your forgiveness,” he called after me, tears clogging his words. “I don’t deserve it. But you need to hear that I would’ve ripped him apart with my bare hands if I’d known.”
I rounded on him, feeling the sickness clawing up from my gut and burning my throat. “What the fuck do you want?”
Chris pulled his shoulders back. He faced me with reddened eyes and wet cheeks, shaking but too stupid to run. “I want you to know that you’re not alone.”
Alone. Yes. Far away from the pity and guilt and pain staring out at me through his tears. “Get out.”
Nodding, he headed toward the foyer. I stood immobile, my chest heaving, my eyes burning. Words backed up in my throat, violence pounded in the painful clench of my fists.
He stopped before he left the room, facing me. “I’m glad you told Eva.”
“Don’t talk about her.” I couldn’t bear to even think of her. Not now, when I was so close to losing it.
He left.
The weight of the day crashed onto my shoulders, dropping me to my knees.
I broke.
”
”
Sylvia Day (Captivated by You (Crossfire, #4))
“
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city.
At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
A moment later, as he pulls away from the curb, I’m assuming the ride to school will be awkward with my sister in the back. It’s confirmed when she asks, “So what’s the deal with you and my sister?”
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
“Tamra.” Clutching the dashboard, I turn and glare at her. “There is no deal.”
She snorts. “Well, we wouldn’t be sitting here if that was the case now, would we?”
I open my mouth to demand she end the interrogation when Will’s voice stops me.
“I like your sister. A lot.”
I look at him dumbly.
He looks at me, lowers his voice to say, “I like you.”
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can’t stop shivering. Can’t speak. My throat hurts too much.
“Jacinda,” he says.
“I think you’ve shocked her,” Tamra offers, then sighs. “Look, if you like her, you have to make it legit. I don’t want everyone at school whispering about her like she’s some toy you get your kicks with in a stairwell.”
Now I really can’t speak. My blood burns. I already have one mother doing her best to control my life. I don’t need my sister stepping in as mother number two.
I know,” he says. “That’s what I’m trying to do now—if she’ll let me.”
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He’s serious. But then he would have to be. If he’s willing to break free of his self-imposed solitude for me, especially when he suspects there’s more to me than I’m telling him . . . he means what he’s saying.
His thumb beats a staccato rhythm on the steering wheel as he drives. “I want to be with you, Jacinda.” He shakes his head. “I’m dong fighting it.”
“Jeez,” Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we’re only sixteen . . .
I start, jerk a little.
I think he’s sixteen.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
My throat raw with emotion, I said, “I thought love was supposed to be weak knees and butterflies in your stomach and a terrible longing that could never be quenched.” Eeny shook her head, chuckled, came over and embraced me. “No, child,” she said gently, patting my back. “That’s romance. Romance is built on doubt. Love is solid. Constant. If you’re not careful, you might mistake it for bein’ boring because it’s so reliable. Love is warm and deep and comfortable, just right, so you float in it peacefully without ever being scalded or frozen, like a perfect, relaxing bubble bath. “But it’s also fierce and strong and demands all the best parts of you, the parts that are giving and honest and true. Love makes you a better person. It makes you want to be a better person. You know it’s love when you feel comfortable just as you are, when you feel seen and understood, when you know you could tell all your darkest truths and they’d be accepted without judgement.” Eeny pulled away and gently smoothed a hand over my hair. “Love isn’t butterflies, boo. It isn’t weak knees. It’s a pride of lions. It’s a pack of wolves. It’s ‘I’ve got your back even if it costs me my own life,’ because unlike romance that fizzles at the first sign of trouble, love will fight to the death. When it’s love, you’ll go to war to avenge even the slightest offense. And you’ll be justified. “Because of all the marvelous and terrible things we can experience in this life, love is the only one that will last beyond it.
”
”
J.T. Geissinger (Burn for You (Slow Burn, #1))
“
When a man seats before his eyes the bronze face of his helmet and steps off from the line of departure, he divides himself, as he divides his ‘ticket,’ in two parts. One part he leaves behind. That part which takes delight in his children, which lifts his voice in the chorus, which clasps his wife to him in the sweet darkness of their bed. “That half of him, the best part, a man sets aside and leaves behind. He banishes from his heart all feelings of tenderness and mercy, all compassion and kindness, all thought or concept of the enemy as a man, a human being like himself. He marches into battle bearing only the second portion of himself, the baser measure, that half which knows slaughter and butchery and turns the blind eye to quarter. He could not fight at all if he did not do this.” The men listened, silent and solemn. Leonidas at that time was fifty-five years old. He had fought in more than two score battles, since he was twenty; wounds as ancient as thirty years stood forth, lurid upon his shoulders and calves, on his neck and across his steel-colored beard. “Then this man returns, alive, out of the slaughter. He hears his name called and comes forward to take his ticket. He reclaims that part of himself which he had earlier set aside. “This is a holy moment. A sacramental moment. A moment in which a man feels the gods as close as his own breath. “What unknowable mercy has spared us this day? What clemency of the divine has turned the enemy’s spear one handbreadth from our throat and driven it fatally into the breast of the beloved comrade at our side? Why are we still here above the earth, we who are no better, no braver, who reverenced heaven no more than these our brothers whom the gods have dispatched to hell? “When a man joins the two pieces of his ticket and sees them weld in union together, he feels that part of him, the part that knows love and mercy and compassion, come flooding back over him. This is what unstrings his knees. “What else can a man feel at that moment than the most grave and profound thanksgiving to the gods who, for reasons unknowable, have spared his life this day? Tomorrow their whim may alter. Next week, next year. But this day the sun still shines upon him, he feels its warmth upon his shoulders, he beholds about him the faces of his comrades whom he loves and he rejoices in their deliverance and his own.” Leonidas paused now, in the center of the space left open for him by the troops. “I have ordered pursuit of the foe ceased. I have commanded an end to the slaughter of these whom today we called our enemies. Let them return to their homes. Let them embrace their wives and children. Let them, like us, weep tears of salvation and burn thank-offerings to the gods. “Let no one of us forget or misapprehend the reason we fought other Greeks here today. Not to conquer or enslave them, our brothers, but to make them allies against a greater enemy. By persuasion, we hoped. By coercion, in the event. But no matter, they are our allies now and we will treat them as such from this moment. “The Persian!
”
”
Steven Pressfield (Gates of Fire)
“
His hand slid up my back, leaving a trail of fire in its wake, and his lips moved across my cheek, stopping to hover above mine. I forgot how to breathe, and most importantly, how to think. He moved, ever so slightly, and his lips brushed across mine once, and then twice. It was such a soft, beautiful kiss, but when the kiss deepened, it wasn’t a shy one. This was one of dangerously pent-up need, a desire that’d been denied far too long. The kiss felt fierce, demanding, and soul burning. Aiden pulled me to him, pressing me right up against his body. And when he kissed me again, it left both of us breathless. Our hands tangled with each other’s bodies as we made it back to his bedroom. My hands found their way under his shirt and over the taut skin of his sides. We separated long enough for me to get the shirt off, and gods, each hard ripple was as breathtaking as I’d imagined. Easing me down on his bed, his hands glided from my face to my arms. Next his hand traveled over my stomach, then my hip, and under the hem of my dress. Somehow, the top of my dress ended up at my waist, and his mouth moved over my body. I melted into him, his kisses, and his touch. My fingers dug into the tight skin of his arms, and my insides were in tight coils. Every place our bodies touched, sparks flew. Aiden pulled his lips away from mine, and I made a sound of protest, but then his mouth trailed across my throat and to the base of my neck. My skin burned and my thoughts were on fire. His name was barely a whisper, but I felt his lips curve against my skin.
”
”
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
“
To have a goddess like you in his arms and not appreciate it…”
He kissed her, unable to resist the lush, succulent mouth so close to his. He put everything he felt into it, so he could wipe out any hurt the Neds of the world had given her.
When he broke away, realizing he was treading dangerous ground, she said hoarsely, “You weren’t always so…appreciative. When I said that men enjoyed my company, you said you found that hard to believe.”
“What?” he retorted with a scowl. “I never said any such thing.”
“Yes, you did, the day that I asked you to investigate my suitors. I remember it clearly.”
“There’s no way in hell I ever…” The conversation came back to him suddenly, and he shook his head. “You’re remembering only part, sweeting. You said that men enjoyed your company and considered you easy to talk to. It was the last part I found hard to believe.”
“Oh.” She eyed him askance. “Why? You never seem to have trouble talking to me. Or rather, lecturing me.”
“It’s either lecture you or stop up your mouth with kisses,” he said dryly. “Talking to you isn’t easy, because every time I’m near you I burn to carry you off to some secluded spot and do any number of wicked things with you.”
She blinked, then gazed at him with such softness that at made his chest hurt. “Then why don’t you?”
“Because you’re a marquess’s daughter and my employer’s sister.”
“What does that signify? You’re an assistant magistrate and a famous Bow Street Runner-“
“And the bastard of nobody knows whom.”
“Which merely makes you a fitting companion for a hellion with a reputation for recklessness.”
The word companion resonated in his brain. What did she mean by it?
Then she pressed a kiss to his jaw, eroding his resistance and his reason, and he knew precisely what she meant.
He tried to set her off of him before he lost his mind entirely, but she looped her arms about his neck and wouldn’t let go. “Show me.”
“Show you what?”
“All the wicked things you want to do with me.”
Desire bolted in a fever through his vein. “My God, Celia-“
“I won’t believe a word you’ve said if you don’t.” Her gaze grew troubled. “I don’t think you know what you want. Yesterday you gave me such lovely kisses and caresses and then at the ball you acted like you’d never met me.”
“You were with your suitors,” he said hoarsely.
“You could have danced with me. You didn’t even ask me for one dance.”
Having her on his lap was rousing him to a painful hardness. “Because I knew if I did, I would want…I would need…”
She kissed a path down his throat, turning his blood to fire. “Show me,” she whispered, “Show me now what you want. What you need.”
“I refuse to ruin you,” he said, half as a caution to himself.
“You already have.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Using the dagger next to him on the nightstand, Dante scored a fresh line on his wrist. He pressed the bleeding cut to Tess’s lips, waiting to feel her respond, wanting to curse to the rafters when her mouth remained unmoving, his blood dripping down, useless, onto her chin.
“Come on, angel. Drink for me.” He stroked her cool cheek, brushed a tangle of her honey-blond hair from her forehead. “Please live, Tess . . . drink, and live.”
A throat cleared awkwardly from the area near the bedroom doorjamb. “I’m sorry, the uh . . . the door was open.”
Chase. Just fucking great. Dante couldn’t think of anyone he’d like to see less right now. He was too entrenched in what he was doing—in what he was feeling—to deal with another interruption, particularly one coming from the Darkhaven agent. He’d hoped the bastard was already long gone from the compound, back to where he came from—preferably with one of Lucan’s size-fourteens planted all the way up his ass. Then again, maybe Lucan was saving the privilege for Dante instead.
“Get out,” he growled.
“Is she drinking at all?”
Dante scoffed, low under his breath.
“What part of ‘get out’ did you fail to understand, Harvard? I don’t need an audience right now, and I sure as hell don’t need any more of your bullshit.”
He pressed his wrist to Tess’s lips again, parting them with the fingers of his blood by mild force. It wasn’t happening. Dante’s eyes stung as he stared down at her. He felt wetness streaking his cheeks. Tasted the salt of tears gathering at the corner of his mouth.
“Shit,” he muttered, wiping his face into his shoulder in a strange mix of confusion and despair.
He heard footsteps coming up near the bed. Felt the air around him stir as Chase reached out his hand. “It might work much better if you tilt her head, like th—”
“Don’t . . . touch her.” The words came out in a voice Dante hardly recognized as his own, it was so full of venom and deadly warning. He swiveled his head around and met the agent’s eyes, his vision burning and sharp, his fangs having stretched long in an instant.
The protective urge boiling through him was fierce, utterly lethal, and Chase evidently understood at once.
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
Spring Lane burned with a mythology of chipped slates, pale wash-water blue and flaking at the seam. The summer yellow glow of an impending dawn diffused, diluted in the million-gallon sky above the tannery that occupied this low end of the ancient gradient, across the narrow street from where Phyllis and Michael stood outside the alley-mouth. The tannery’s high walls of browning brick with rusted wire mess over its high windows didn’t have the brutal aura that the building had down in the domain of the living. Rather it was softly iridescent with a sheen of fond remembrance – the cloisters of some mediaeval craft since disappeared – and had the homely perfume of manure and boiled sweets. Past the peeling wooden gates that lolled skew-whiff were yards where puddles stained a vivid tangerine harboured reflected chimney stacks, lamp black and wavering. Heaped leather shavings tinted with corrosive sapphire stood between the fire-opal pools, an azure down mounded into fantastic nests by thunderbirds to hatch their legendary fledglings. Rainspouts eaten through by time had diamond dribble beading on their chapped tin lips, and every splinter and subsided cobble sang with endless being.
Michael Warren stood entranced and Phyllis Painter stood beside him, sharing his enchantment, looking at the heart-caressing vista through his eyes. The district’s summer sounds were, in her ears, reduced to a rich stock. The lengthy intervals between the bumbling drones of distant motorcars, the twittering filigree of birdsong strung along the guttered eaves, the silver gurgle of a buried torrent echoing deep in the night-throat of a drain, all these were boiled down to a single susurrus, the hissing tingling reverberation of a cymbal struck by a soft brush. The instant jingled in the breeze.
”
”
Alan Moore (Jerusalem)
“
The Universe is Made of Five Things' is how it starts. He thinks it's probably the title, but his fingers don't stop long enough to let him question it any more than that. He rubs his eyes, keeps typing with shaky, jerking fingers.
'The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away.
Small, smooth fingers pouring gold over gaping wounds.
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the craks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that nake incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes,
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won ' t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Draggd the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes,
And now you're back. And so is the Universe, And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
Has he invited you to dinner, dear? Gifts, flowers, the usual?”
I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.”
“He fed you?” Raphael stopped rubbing Andrea.
“How did this happen?” Aunt B stared at me. “Be very specific, this is important.”
“He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.”
“Did you accept?” Aunt B asked.
“Yes, I was starving. Why are the three of you looking at me like that?”
“For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.”
Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?”
“No. He chased everyone out.”
Raphael nodded. “At least he hasn’t gone public yet.”
“He might never,” Andrea said. “It would jeopardize her position with the Order.”
Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.”
“If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . .
“Food has a special significance,” Aunt D said.
I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.”
“There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.”
“In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.”
“If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.”
“But I didn’t know what it meant!”
Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.”
“You’re scaring me.”
“Scared might be too strong a word, but in your place, I would definitely be concerned.”
I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency.
As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire.
“Feel better?”
“It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Then the events leading up to her collapse came back to her in a flash. Her hands flew automatically to her belly and she was only partially reassured to feel the tight ball there. Was her baby okay? Was she herself okay?
She blinked harder to bring the room more into focus. There was light shining through a crack in the bathroom door. A glance at the blinds told her that it was dark outside.
Then her gaze fell on the chair beside her bed and she found Ryan staring at her, his gaze intense. She flinched away from the raw emotion shining in his blue eyes.
“Hey,” he said quietly. “How are you feeling?”
“Numb,” she answered before she could think better of it. “Kind of blank. My head doesn’t hurt anymore. Are my feet still swollen?”
He carefully picked up the sheet and pushed it over her feet. “Maybe a little. Not as bad as they were. They’ve been giving you meds and they’re monitoring the baby.”
“How is she?” Kelly asked, a knot of fear in her throat.
“For now, she’s doing fine. Your blood pressure stabilized, but they might have to do a C-section if it goes back up or if the baby starts showing signs of distress.”
Kelly closed her eyes and then suddenly Ryan was close to her, holding her, his lips pressed against her temple.
“Don’t worry, love,” he murmured. “You’re supposed to stay calm. You’re getting the best possible care. I’ve made sure of it. They’re monitoring you round-the-clock. And the doctor said the baby has an excellent prognosis at thirty-four weeks’ gestation.”
She sagged against the pillow and closed her eyes. Relief pulsed through her but she was so tired she couldn’t muster the energy to do anything more than lie there thanking God that her baby was okay.
“I’m going to take care of you, Kell,” Ryan said softly against her temple. “You and our baby. Nothing will ever hurt you again. I swear it.”
Tears burned her eyelids. She was emotionally and physically exhausted and didn’t have the strength to argue. Something inside her was broken and she had no idea how to fix it. She felt so…disconnected.
”
”
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
“
Chase grunts at that, shoving himself up and away. For a moment he looks down at me, flushed and open mouthed. “Suck me.” It’s a demand. “I want to feel your tongue on my cock.” He isn’t gentle. Once I take him in my mouth he twists his fingers in my hair, the hold burning as I tilt my face to see the drop of his head, his eyes closed, his mouth parted to an O. “Fuck.” He shudders, the word hardly a shaping of his heavy breath. “Like that.” He feels so good in my mouth. Hot and hard, too much for me to take into my throat without gagging a little over his length. That makes him grunt, the hard planes of his belly tensing. I can feel his twitching indecision in the movements of his fingers through my hair, torn between the need to hold me close and the need to be inside another part of me. He doesn’t stay indecisive for long. “You want me to fuck you?” His voice is ragged. Yes, yes. I try to tell him with the sweep of my tongue and the hollow of my cheeks, the enthusiastic bob of my head. When Chase grabs me he’s rough. His hands hold tight at my shoulders as he shoves me over, face down on the bed. One fist tugs my hip up as the other braces low over my spine. “Wait,” is a rasped order. I can feel the mattress move as he leans to the bedside drawer, and then there’s the ripping sound of a foil packet torn on his teeth. There’s no warning after that. Only his cock, buried inside of me in one savage thrust. I cry out his name, and everything splinters with too much and yes and the good-ache pain of being opened by him. “Brooke.” It’s grunted at my ear as Chase begins a slow, solid pound into me, each thrust shoving to full sink. It hurts a little. He’s too big. It’s too quick. But god, it’s amazing. “Your pussy feels so good wrapped around my cock. So fucking good.” His fingers find my clit, and it’s all I can do not to cry out with how good it feels. His hips slam against my raised ass as he pounds into me, all that muscle riding me as expertly as he rode the mountains today. “Come.” He bites it at my ear, grinding his cock into me, holding the deepest penetration all the way into my aching core. “Come for me.” He’s starting to pound me again, and where my face is smashed against the pillow I whimper out the too-much-good of it, each slam of his body into mine forcing the breath from my lungs and spiking pleasure along my spine. “Please—please—please—” “Beg me,” Chase growls. “Say you want me. Say you need me inside of you.” “Please. Make me come. Chase. Please. Fuck me.” It’s so much I’m almost sobbing with it. Chase pounds on, relentless, until as I begin to spasm with my orgasm he grunts out his own. My hips pinned in his fingers. His body slammed into mine. Both of us, breaking apart together.
”
”
Harper Dallas (Ride (The Wild Sequence, #1))
“
Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?”
“Agreed,” they said in unison.
“Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?”
“Well, we can’t use magic,” Archer said.
“And if we try to leave, we get eaten by Monster Fog,” Jenna added.
“Right. So no plans at all, then?”
Jenna frowned. “Other than rocking in the fetal position for a while?”
“Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered.
I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.”
“I think our best bet is to lie low for a while,” Archer said. “Let Mrs. Casnoff think we’re all too shocked and awed to do anything. Maybe this assembly tonight will give us some answers.”
“Answers,” I practically sighed. “About freaking time.”
Jenna gave me a funny look. “Soph, are you…grinning?”
I could feel my cheeks aching, so I knew that I was. “Look, you two have to admit: if we want to figure out just what the Casnoffs are plotting, this is pretty much the perfect place.”
“My girl has a point,” Archer said, smiling at me. Now my cheeks didn’t just ache, they burned.
Clearing her throat, Jenna said, “Okay, so we all go up to our rooms, then after the assembly tonight we can regroup and decide what to do next.”
“Deal,” I said as Archer nodded.
“Are we all going to high-five now?” Jenna asked after a pause.
“No, but I can make up some kind of secret handshake if you want,” Archer said, and for a second, they smiled at each other.
But just as quickly, the smile disappeared from Jenna’s face, and she said to me, “Let’s go. I want to see if our room is as freakified as the rest of this place.”
“Good idea,” I said. Archer reached out and brushed his fingers over mine.
“See you later, then?” he asked. His voice was casual, but my skin was hot where he touched me.
“Definitely,” I answered, figuring that even a girl who has to stop evil witches from taking over the world could make time for kissage in there somewhere.
He turned and walked away. As I watched him go, I could feel Jenna starting at me. “Fine,” she acknowledged with a dramatic roll of her eyes. “He’s a little dreamy.”
I elbowed her gently in the side. “Thanks.”
Jenna started to walk to the stairs. “You coming?”
“Yeah,” I said. “I’ll be right up. I just want to take a quick look around down here.”
“Why, so you can be even more depressed?”
Actually, I wanted to stay downstairs just a little longer to see if anyone else showed up. So far, I’d seen nearly everyone I remembered from last year at Hex Hall. Had Cal been dragged here, too? Technically he hadn’t been a student, but Mrs. Casnoff had used his powers a lot last year. Would she still want him here?
To Jenna, I just said, “Yeah, you know me. I like poking bruises.”
“Okay. Get your Nancy Drew on.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Softly, he said, “Why are you crying?”
His words made the tears flow faster.
“Kestrel.”
She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.”
There was a silence. “I don’t understand.”
Kestrel shrugged. She shouldn’t care whether he understood or not.
“You would give up your music?”
Yes. She would.
“But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.”
“He has.”
Arin didn’t speak.
“But I can’t,” she said.
“Kestrel.”
“I can’t.”
“Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough.
“Why can’t you marry him?” he whispered.
She broke her word to herself and looked at him. “Because of you.”
Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak.
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Yet his hands held hers, and she could do nothing.
He said, “I want the same thing you want.”
Kestrel pulled back. It wasn’t possible his words could mean what they seemed.
“It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope.
“But you’ve already given your heart,” she said.
His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.”
This was cruel. “We both know why.”
He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.”
“She…doesn’t?”
“I lied.”
Kestrel blinked. “Then why did you go to the market?”
“Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall.
Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut.
She leaned forward, and kissed his temple.
Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat.
Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Worthy Andronicus, ill art thou repaid
For that good hand thou sent’st the Emperor.
Here are the heads of thy two noble sons,
And here’s thy hand in scorn to thee sent back.
Thy grief their sports! thy resolution mock'd,
That woe is me to think upon thy woes
More than remembrance of my father’s death. [Exit.]
Marc. Now let hot Aetna cool in Sicily,
And be my heart an ever-burning hell!
These miseries are more than may be borne.
To weep with them that weep doth ease some deal,
But sorrow flouted at is double death.
Luc. Ah, that this sight should make so deep a wound
And yet detested life not shrink thereat!
That ever death should let life bear his name,
Where life hath no more interest but to breathe.
[Lavinia kisses Titus.]
Marc. Alas, poor heart, that kiss is comfortless
As frozen water to a starvèd snake.
Tit. When will this fearful slumber have an end?
Marc. Now farewell, flatt’ry; die, Andronicus.
Thou dost not slumber. See thy two sons’ heads,
Thy warlike hand, thy mangled daughter here,
Thy other banished son with this dear sight
Struck pale and bloodless; and thy brother, I,
Even like a stony image cold and numb.
Ah, now no more will I control thy griefs.
Rent off thy silver hair, thy other hand,
Gnawing with thy teeth, and be this dismal sight
The closing up of our most wretched eyes.
Now is a time to storm. Why art thou still?
Tit. Ha, ha, ha!
Marc. Why dost thou laugh? It fits not with this hour.
Tit. Why, I have not another tear to shed.
Besides, this sorrow is an enemy
And would usurp upon my wat’ry eyes
And make them blind with tributary tears.
Then which way shall I find Revenge’s cave?
For these two heads do seem to speak to me
And threat me I shall never come to bliss
Till all these mischiefs be returned again
Even in their throats that hath committed them.
Come, let me see what task I have to do.
You heavy people, circle me about
That I may turn me to each one of you
And swear unto my soul to right your wrongs.
The vow is made. Come, brother, take a head,
And in this hand the other will I bear.
And, Lavinia, thou shalt be employed in these arms.
Bear thou my hand, sweet wench, between thy teeth.
As for thee, boy, go get thee from my sight.
Thou art an exile, and thou must not stay.
Hie to the Goths and raise an army there.
And if you love me, as I think you do,
Let’s kiss and part, for we have much to do.
Exeunt.
”
”
William Shakespeare (Titus Andronicus)
“
I Won’t Write Your Obituary
You asked if you could call to say goodbye if you were ever really gonna kill yourself.
Sure, but I won’t write your obituary.
I’ll commission it from some dead-end journalist who will say things like:
“At peace… Better place… Fought the good fight…”
Maybe reference the loving embrace of Capital-G-God at least 4 times.
Maybe quote Charles fucking Bukowski.
And I won’t stop them because I won’t write your obituary.
But if you call me, I will write you a new sky, one you can taste.
I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them.
I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs.
I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer.
I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink.
I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together.
And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you.
I won’t say “goodbye” or “I love you” one last time.
You won’t leave on good terms with me,
Because I will not forgive you.
I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead.
I will not hold your hand steady around a gun.
And after, I won’t come by to pick up the package of body parts you will have left specifically for me.
I’ll get a call like “Ma’am, what would you have us do with them?”
And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.”
I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one.
I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore.
I don’t want a jar of your teeth as a memento.
I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here.
You won’t be there.
There’s no blood there, there’s no life there, there’s no you there. I want you.
And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here.
So the answer to your question is “yes”.
If you’re ever really gonna kill yourself, yes, please, call me.
”
”
Nora Cooper
“
Katarina wasn’t afraid of Baden. Not anymore.
He took a step to the side, intending to move around her. Oh, no. She flattened her hands on his shoulders, keeping him in place.
“I want to know what’s wrong with you.” She said. “Tell me.”
He snapped his teeth at her in a show of dominance. “You think you want to know my problem. You’re wrong.”
Her tone dry, she said, “I’m so glad you know my mind better than I do.”
“Very well. I need sex.” He threw the words at her as if they were weapons. “Badly.”
Whoa. Blindside!
Heart pounding, she jerked her hands away from him. “Sex...from me?”
“Yesss.” A hiss. “Only from you.”
Only. Amazing how one little word could send pleasure soaring through her, warming her. “You told me never to touch you.” Which she’d just done, she realized. My bad.
“I’ve changed my mind.” His gaze dropped, lingered on her lips.
Burning her... “But you and I...we’re a different species.” As if that mattered to her body. Gimme!
He took a step closer, invading her personal space. “We’ll fit, I promise you.”
Tristo hrmenych! The raspy quality of his voice, all smoke and gravel...she shivered with longing. Must resist his allure.
But...but...why? Before she’d committed to Peter, she’d dated around, had made out in movie theaters, cars and on couches. She’d liked kissing and touching and “riding the belt buckle,” as her friends had called it. Then, after committing to Peter, she’d gifted him with her virginity. At first, he hadn’t known what to do with her—he’d been just as inexperienced—and she’d left each encounter disappointed. When finally she’d gathered the courage to tell him what she wanted, he’d satisfied her well.
She missed sex. But connection...intimacy...she thought she missed those more.
The dogs barked, jolting her from her thoughts. They’d cleaned their food bowls, and now wanted to play. She clasped Baden’s hand to lead him out of the kennel. He jerked away, severing contact.
One action. Tons of hurt.
“I’m allowed to touch you and you want to have sex with me, but you’re still disgusted by me.” She stomped outside the kennel, done with him. “Well, I’m leaving. Good riddance! Your do-what-I-say-or-else attitude was annoying, anyway.”
He darted in front of her, stopping her. Breath caught in her throat as sunlight streamed over him, paying his chiseled features absolute tribute, making his bronzed skin glimmer.
So beautiful. Too beautiful.
“I’m not disgusted by you. You need me. I’ve come to accept it,” he admitted, looking away from her. “But being skin-to-skin with another is painful for me. We’ll have to proceed carefully. And you’ll get over your annoyance.”
Another order! She would show him the error of his ways.
”
”
Gena Showalter (The Darkest Torment (Lords of the Underworld, #12))
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs. "Look, if you like her, you have to make it legit. I don't want everyone at school whispering about her like she's some toy you get your kicks with in a stairwell."
Now I really can't speak. My blood burns. I already have one mother doing her best to control my life. I don't need my sister stepping in as mother number two.
"I know," he says. "That's what I'm trying to do now-if she'll let me."
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He's serious. But then he would have to be. If he's willing to break free of his self-imposed solitude for me, especially when he suspects there's more to me than I'm telling him...he means what he's saying.
His thumbs beat a staccato rhythm on the steering wheel as he drives. "I want to be with you, Jacinda." He shakes his head. "I'm done fighting it."
"Jeez," Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we're only sixteen...
I start, jerk a little.
I think he's sixteen. I don't even know. I don't know anything about him other than his secret. That sort of eclipses everything else. But he has to be more. More than the secret. More than a hunter. More than a boy who doesn't want to be a force of destruction. More than the boy who saved my life. The boy I've built a fantasy around. I don't know the real him. Xander mentioned Will being sick, and I don't even know what happened to him.
But then I don't feel bad about that for long. Because he doesn't know the real me either. And yet he still wants to be with me. Maybe it's perfect because I want to be with him, too. And not just because I need to get close to him and use him for information. Although there is that. Something I would like to forget but can't let myself. Forgetting is resigning myself to a life here. Forever. As a ghost. A small voice whispers through me, a tempting thought...
Not if you have Will.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
She gives just enough hints about him to make you wonder why he became so villainous. And if he dies, I’ll never learnt the answer.”
Oliver eyes her closely. “Perhaps he was born villainous.”
“No one is born villainous.”
“Oh?” he said with raised eyebrow. “So we’re all born good?”
“Neither. We start as animals, with an animal’s needs and desires. It takes parents and teachers and other good examples to show us how to restrain those needs and desires, when necessary, for the greater good. But it’s still our choice whether to heed that education or to do as we please.”
“For a woman who loves murder and mayhem, you’re quite the philosopher.”
“I like to understand how things work. Why people behave as they do.”
He digested that for a moment. “I happen to think that some of us, like Rockton, are born with a wicked bent.”
She chose her words carefully. “That certainly provides Rockton with a convenient excuse for his behavior.”
His features turned stony. “What do you mean?”
“Being moral and disciplined is hard work. Being wicked requires no effort at all-one merely indulges every desire and impulse, no matter how hurtful or immoral. By claiming to be born wicked, Rockton ensures that he doesn’t have to struggle to be god. He can just protest that he can’t help himself.”
“Perhaps he can’t,” he clipped out.
“Or maybe he’s simply unwilling to fight his impulses. And I want to know the reason for that. That’s why I keep reading Minerva’s books.”
Did Oliver actually believe he’d been born irredeemably wicked? How tragic! It lent a hopelessness to his life that helped to explain his mindless pursuit of pleasure.
“I can tell you the reason for Rockton’s villainy.” Oliver rose to round the desk. Propping his hip on the edge near her, he reached out to tuck a tendril of hair behind her ear.
A sweet shudder swept over her. Why must he have this effect on her? It simply wasn’t fair. “Oh?” she managed.
“Rockton knows he can’t have everything he wants,” he said hoarsely, his hand drifting to her cheek. “He can’t have the heroine, for example. She would never tolerate his…wicked impulses. Yet he still wants her. And his wanting consumes him.”
Her breath lodged in her throat. It had been days since he’d touched her, and she hadn’t forgotten what it was like for one minute. To have him this near, saying such things…
She fought for control over her volatile emotions. “His wanting consumes him precisely because he can’t have her. If he thought he could, he wouldn’t want her after all.”
“Not true.” His voice deepening, he stroked the line of her jaw with a tenderness that roused an ache in her chest. “Even Rockton recognizes when a woman is unlike any other. Her very goodness in the face of his villainy bewitches him. He thinks if he can just possess that goodness, then the dark cloud lying on his soul will lift, and he’ll have something other than villainy to sustain him.”
“Then he’s mistaken.” Her pulse trebled as his finger swept the hollow of her throat. “The only person who can lift the dark cloud on his soul is himself.”
He paused in his caress. “So he’s doomed, then?”
“No!” Her gaze flew to his. “No one is doomed, and certainly not Rockton. There’s still hope for him. There is always hope.”
His eyes burned with a feverish light, and before she could look away, he bent to kiss her. It was soft, tender…delicious. Someone moaned, she wasn’t sure who. All she knew was that his mouth was on hers again, molding it, tasting it, making her hungry in the way that only he seemed able to do.
“Maria…” he breathed. Seizing her by the arms, he drew her up into his embrace. “My God, I’ve thought of nothing but you since that day in the carriage.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
James finished his curry and wandered off on his own. He noticed a girl leaning against a tree smoking. Long hair, baggy jeans. She was about James’s age, nice looking. He didn’t remember her from any of the intelligence files. “Hey, can I have a drag?” James said, trying to sound cool. “Sure,” the girl said. She passed James the cigarette. James had never tried one before and hoped he wasn’t about to make an idiot of himself. He gave it a little suck. It burned his throat, but he managed not to cough. “Not seen you here before,” the girl said. “I’m Ross,” James said. “Staying here with my aunt for a bit.” “Joanna,” the girl said. “I live in Craddogh.” “Haven’t been there yet,” James said. “It’s a dump, two shops and a post office. Where you from?” “London.” “I wish I was,” Joanna said. “You like it here?” “I’m always covered in mud. I want to go to bed, but there’s a guy playing guitar three meters from where I sleep. I wish I could go home, have a warm shower, and see my mates.” Joanna smiled. “So why are you staying with your aunt?” “Long story: Parents are getting divorced. Mum freaking out. Got expelled from school.” “So you’re good-looking and you’re a rebel,” Joanna said. James was glad it was quite dark because he felt himself blush. “You want the last puff, Ross?” “No, I’m cool,” James said. Joanna flicked the cigarette butt into the night. “So, I paid you a compliment,” Joanna said. “Yeah.” Joanna laughed. “So do I get one back?” she asked. “Oh, sure,” James said. “You’re really like . . . nice.” “Can’t I get any better than nice?” “Beautiful,” James said. “You’re beautiful.” “That’s more like it,” Joanna said. “Want to kiss me?” “Um, OK,” James said. James was nervous. He’d never had the courage to ask a girl out. Now he was about to kiss someone he’d known for three minutes. He pecked her on the cheek. Joanna shoved James against the tree and started kissing his face and neck. Her hand went in the back pocket of James’s jeans, then she jumped backwards.
”
”
Robert Muchamore (The Recruit (CHERUB, #1))
“
Ode to the Beloved’s Hips"
Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.
O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.
They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.
Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.
More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.
At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.
O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.
Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer.
”
”
Natalie Díaz
“
I know he’s had his problems in the past…
“He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!”
“I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.”
“What does he get for a reward?” he asked insolently.
She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.”
“Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!”
“You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why.
He searched her enthusiastic eyes. “You really do love Native American history, don’t you?”
She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.”
“Most whites never come close to understanding us, no matter how hard they try.”
“I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.”
He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before.
Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him.
He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard.
“Now, isn’t that interesting?” he said to himself in a low, deep whisper.
“Wh…what?” she stammered.
His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period.
He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her.
“Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
And there, until 1884, it was possible to gaze on the remains of a generally neglected monument, so-called Dagobert’s Tower, which included a ninth-century staircase set into the masonry, of which the thirty-foot handrail was fashioned out of the trunk of a gigantic oak tree. Here, according to tradition, lived a barber and a pastry-cook, who in the year 1335 plied their trade next door to each other. The reputation of the pastry-cook, whose products were among the most delicious that could be found, grew day by day. Members of the high-ranking clergy in particular were very fond of the extraordinary meat pies that, on the grounds of keeping to himself the secret of how the meats were seasoned, our man made all on his own, with the sole assistance of an apprentice who was responsible for the pastry.
His neighbor the barber had won favor with the public through his honesty, his skilled hairdressing and shaving, and the steam baths he offered. Now, thanks to a dog that insistently scratched at the ground in a certain place, the ghastly origins of the meat used by the pastry-cook became known, for the animal unearthed some human bones! It was established that every Saturday before shutting up shop the barber would offer to shave a foreign student for free. He would put the unsuspecting young man in a tip-back seat and then cut his throat. The victim was immediately rushed down to the cellar, where the pastry-cook took delivery of him, cut him up, and added the requisite seasoning. For which the pies were famed, ‘especially as human flesh is more delicate because of the diet,’ old Dubreuil comments facetiously.
The two wretched fellows were burned with their pies, the house was ordered to be demolished, and in its place was built a kind of expiatory pyramid, with the figure of the dog on one of its faces. The pyramid was there until 1861.
But this is where the story takes another turn and joins the very best of black comedy. For the considerable number of ecclesiastics who had unwittingly consumed human flesh were not only guilty before God of the very venial sin of greed; they were automatically excommunicated! A grand council was held under the aegis of several bishops and it was decided to send to Avignon, where Pope Clement VI resided, a delegation of prelates with a view to securing the rescindment if not of the Christian interdiction against cannibalism then at least of the torments of hell that faced the inadvertent cannibals. The delegation set off, with a tidy sum of money, bare-footed, bearing candles and singing psalms. But the roads of that time were not very safe and doubtless strewn with temptation. Anyway, the fact is that Clement VI never saw any sign of the penitents, and with good reason.
”
”
Jacques Yonnet (Paris Noir: The Secret History of a City)
“
Honestly, sir,” I said, “I don’t see why you’re making such a fuss.” We had excused ourselves to speak privately for a moment, leaving poor Charlie politely rocking on his heels in the foyer. The office was warm and smelled of sage and witch hazel, and the desk was littered with bits of twine and herbs where Jackaby had been preparing fresh wards. Douglas had burrowed into a nest of old receipts on the bookshelf behind us and was sound asleep with his bill tucked back into his wing. I had given up trying to get him to stop napping on the paperwork. “You’re the one who told me that I shouldn’t have to choose between profession and romance,” I said.
“I’m not the one making a fuss. I don’t care the least bit about your little foray into . . . romance.” Jackaby pushed the word out of his mouth as though it had been reluctantly clinging to the back of his throat. “If anything, I am concerned that you are choosing to make precisely the choice that I told you you should not make!”
“What? Wait a moment. Are you . . . jealous?”
“Don’t be asinine! I am not jealous! I am merely . . . protective. And perhaps troubled by your lack of fidelity to your position.”
“That is literally the definition of jealous, sir. Oh, for goodness’ sake. I’m not choosing Charlie over you! I’m not going to suddenly stop being your assistant just because I spend time working on another case!”
“You might!” he blurted out. He sank down into the chair at his desk. “You just might.”
“Why are you acting like this?”
He pinched the bridge of his nose. “Because things change. Because people change. Because . . . because Charlie Barker is going to propose,” he said. He let his hand drop and looked me in the eyes. “Marriage,” he added. “To you.”
I blinked.
“I miss a social cue or two from time to time, but even I’m not thick enough to believe all that was about analyzing bloodstains together. He has the ring. It’s in his breast pocket right now. He’s attached an absurd level of emotional investment to the thing—I’m surprised it hasn’t burned a hole right through the front of his jacket, the way its aura is glowing. He’s nervous about it. He’s going to propose. Soon, I would guess.”
I blinked.
The air in front of me wavered like a mirage, and in another moment Jenny had rematerialized. “And if he does,” she said softly, “it will be Abigail’s decision to face, not yours. There are worse fates than to receive a proposal from a handsome young suitor.” She added, turning to me with a grin, “Charlie is a good man.”
“Yes, fine! But she has such prodigious potential!” Jackaby lamented. “Having feelings is one thing—I can grudgingly tolerate feelings—but actually getting married? The next thing you know they’ll be wanting to do something rash, like live together ! Miss Rook, you have started something here that I am loath to see you leave unfinished. You’ve started becoming someone here whom I truly want to meet when she is done. Choosing to leave everything you have here to go be a good man’s wife would be such a wretched waste of that promise.” He faltered, looking to Jenny, and then to the floorboards. “On the other hand, you should never have chosen to work for me in the first place. It remains one of your most ill-conceived and reckless decisions to date—and that is saying something, because you also chose to blow up a dragon once.” He sighed. “Jenny is right. You could make a real life with that young man, and you shouldn’t throw that away just to hang about with a fractious bastard and a belligerent duck.” He sagged until his forehead was resting on his desk.
”
”
William Ritter (The Dire King (Jackaby, #4))