Tool Box Quotes

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I should have known that every time I open the door of my room I am literally opening a Pandora's Box.
John Kennedy Toole (A Confederacy of Dunces)
Like two figures in the medieval Morality play, Pragmatism and Morality spar in the boxing ring of my brain.
John Kennedy Toole (A Confederacy of Dunces)
At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die. You never stop waiting for the real story to start, because the only real story, in the end, is that you die.
Jonathan Franzen (The Discomfort Zone: A Personal History)
As the statistician George E. P. Box wrote, "All models are wrong, but some models are useful." What he meant by that is that all models are simplifications of the universe, as they must necessarily be. As another mathematician said, "The best model of a cat is a cat." ... The key is in remembering that a model is a tool to help us understand the complexities of the universe, and never a substitute for the universe itself.
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail—But Some Don't)
...     'How old is he?' the policeman asked Mrs. Reilly.     'I am thirty,' Ignatius said condescendingly.     'You got a job?'     'Ignatius hasta help me at home,' Mrs. Reilly said. Her initial courage was failing a little, and she began to twist the lute string with the cord on the cake boxes. 'I got terrible arthuritis.'     'I dust a bit,' Ignatius told the policeman. 'In addition, I am at the moment writing a lengthy indictment against our century. When my brain begins to reel from my literary labors, I make an occasional cheese dip.' ...
John Kennedy Toole (A Confederacy of Dunces)
Somewhere outside the hospital, in a motel room full of bloody towels with his tool box of knives and needles, or driving down the highway to his next victim, or kneeling over a dog, drugged and cut up in a dirty bathtub, is the man a million dogs must hate.
Chuck Palahniuk (Invisible Monsters)
Like a soldier, the carpenter sharpens his own tools. He carries his equipment in his tool box, and works under the direction of his foreman. He makes columns and girders with an axe, shapes floorboards and shelves with a plane, cuts fine openwork and bas reliefs accurately, giving as excellent a finish as his skill will allow. This is the craft of the carpenters. When the carpenter becomes skilled, he works efficiently and according to correct measures. When he has developed practical knowledge of all the skills of the craft, he can become a foreman himself.
Miyamoto Musashi (A Book of Five Rings: The Classic Guide to Strategy)
The key to all of your behaviors is hidden in a box that you can’t open using normal tools, your subconscious needs a different recipe than the one you’ve been using.
Gerard Armond Powell
Street rods have a Chevy in front and a can of wax in the back; Hot Rods have a flathead in front and a box of tools in the back.
Fred Offenhauser
Normally for Gabrielle, diplomacy was a tool best left in the box.
Bruce Rousseau (French Tango)
So I got a great reputation for doing integrals, only because my box of tools was different from everybody else’s, and they had tried all their tools on it before giving the problem to me.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
What we want, of course, what lies in the cupboard marked 'important,' is connection, love: If the deepest source of human hunger had a name, that would be it; if the boxes of constraint in which so many women live could be smashed to bits, that would be the tool, the sledgehammer that shatters emptiness and uncovers the hope buried beneath it.
Caroline Knapp (Appetites: Why Women Want)
Science was all about curiosity. It was a world where the kids who touched hot stoves and poked sticks down mysterious holes in their backyards could get better tools, protective gear, and bigger holes to poke at. Asking scientists not to look into an open box was like asking cats not to saunter through an open door. It simply wasn’t practical.
Mira Grant (Into the Drowning Deep (Rolling in the Deep, #1))
A mission-minded family will serve together. Look for needs in your community and brainstorm with your spouse about how you can partner together to meet those needs in a way that works for you. My husband is handy, and I love to cook. My casserole dish and his tool box work well together. Is there a single mom who could use some help with yard work? Is there an elderly couple who needs help hanging their Christmas lights? Look for creative ways you can serve side by side and connect with each other and your neighbors.
Lyli Dunbar (Missional Life; A Practical Guide to Living in Light of Eternity)
Belatedly it occurs to me that some members of your HR committee, a few skeptical souls, may be clutching a double strand of worry beads and wondering aloud about the practicality or usefulness of a degree in English rather than, let’s say, computers. Be reassured: the literature student has learned to inquire, to question, to interpret, to critique, to compare, to research, to argue, to sift, to analyze, to shape, to express. His intellect can be put to broad use. The computer major, by contrast, is a technician—a plumber clutching a single, albeit shining, box of tools.
Julie Schumacher (Dear Committee Members)
The old white man didn't look into your eyes, he looked clear through your eyes, and straight to the inside of the back of your head. 'Instead of runnin from pain, which is the natural thing in life, in boxing you step to it, get me?
F.X. Toole
Think of a globe, a revolving globe on a stand. Think of a contour globe, whose mountain ranges cast shadows, whose continents rise in bas-relief above the oceans. But then: think of how it really is. These heights are just suggested; they’re there….when I think of walking across a continent I think of all the neighborhood hills, the tiny grades up which children drag their sleds. It is all so sculptured, three-dimensional, casting a shadow. What if you had an enormous globe that was so huge it showed roads and houses- a geological survey globe, a quarter of a mile to an inch- of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about in earth, the molding of one face? The relief globe couldn’t begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live our their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.
Annie Dillard (Pilgrim at Tinker Creek)
Mortimer had maxed three credit cards stocking the cave with canned goods and medical supplies and tools and everything a man needed to live through the end of the world. There were more than a thousand books along shelves in the driest part of the cave. There used to be several boxes of pornography until Mortimer realized that he'd spent nearly ten days in a row sitting in the cave masturbating. He burned the dirty magazines to keep from doing some terrible whacking injury to himself.
Victor Gischler (Go-Go Girls of the Apocalypse)
Facing and embracing grief allows us to experience the shock, anger, disappointment, and other feelings that need to be processed before we can move through this transition.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
Change is difficult, but it can be managed when you stay aware of the power of your choices, even if it’s simply your attitude.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
Some of your most powerful intentions are born in your moments of greatest contrast.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
I would like my books to be a kind of tool-box which others can rummage through to find a tool which they can use however they wish in their own area.
Michel Foucault
Robert lay on the bed and checked the remote to see the time on the television screen. Other than that function, the black box was completely useless, another tool of control.
Kenneth Eade (An Evil Trade (Paladine Political Thriller))
For work: I bought some pens. Normally, I used makeshift pens, the kind of unsatisfactory implements that somehow materialized in my bag or in a drawer. But one day, when I was standing in line to buy envelopes, I caught sight of a box of my favorite kind of pen: the Deluxe Uniball Micro. “Two ninety-nine for one pen!” I thought. “That’s ridiculous.” But after a fairly lengthy internal debate, I bought four. It’s such a joy to write with a good pen instead of making do with an underinked pharmaceutical promotional pen picked up from a doctor’s office. My new pens weren’t cheap, but when I think of all the time I spend using pens and how much I appreciate a good pen, I realize it was money well spent. Finely made tools help make work a pleasure.
Gretchen Rubin (The Happiness Project)
AS A HUNTER I am looked down upon in Western society. I am portrayed as a brute. I am denigrated and spat upon, and thought of as a slow-witted anachronism, the dregs of a discredited culture. This happened quickly when one looks at human history. The skills I possess—the ability to track, hunt, kill, and dress out my prey so it can be served at a table to feed others—were prized for tens of thousands of years. Hunters fed those in the tribe and family who could not hunt well or did not hunt because they weren’t physically able to. The success of the hunter produced not only healthy food and clothing, tools, medicine, and amenities, but a direct hot-blooded connection with God and the natural world. The hunter was the provider, and exalted as such.
C.J. Box (Blood Trail)
Now, the typical way to measure your potential is to compare the size of the problem to your natural gifts and your track record so far. No, it’s not irrational to measure your potential this way, but for the believer in Christ Jesus, it simply isn’t enough. By grace, God doesn’t leave you on your own. He doesn’t leave you with the tool box of your own strength, righteousness, and wisdom. No, he invades you with his presence, power, wisdom, and grace. Paul captures this reality with these life-altering words: “It is no longer I who live, but Christ who lives in me” (Gal. 2:20).
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
...the literature student has learned to inquire, to question, to interpret, to critique, to compare, to research, to argue, to sift, to analyze, to shape, to express. His intellect can be put to broad use. The computer major, by contrast, is a technician - a plumber clutching a single, albeit shining, box of tools.
Julie Schumacher
The dominance panacea is so out of proportion that entire schools of training are based on the premise that if you can just exert adequate dominance over the dog, everything else will fall into place. Not only does it mean that incredible amounts of abuse are going to be perpetrated against any given dog, probably exacerbating problems like unreliable recalls and biting, but the real issues, like well-executed conditioning and the provision of an adequate environment, are going to go unaddressed, resulting in a still-untrained dog, perpetuating the pointless dominance program. None of this is to say that dogs aren’t one of those species whose social life appears to lend itself to beloved hierarchy constructs. But, they also see well at night, and no one is proposing retinal surgery to address their non-compliance or biting behavior. Pack theory is simply not the most elegant model for explaining or, especially, for treating problems like disobedience, misbehavior or aggression. People who use aversives to train with a dominance model in mind would get a better result with less wear and tear on the dog by using aversives with a more thorough understanding of learning theory, or, better yet, forgoing aversives altogether and going with the other tools in the learning theory tool box. The dominance concept is simply unnecessary.
Jean Donaldson (The Culture Clash: A Revolutionary New Way to Understanding the Relationship Between Humans and Domestic Dogs)
I am thirty,” Ignatius said condescendingly. “You got a job?” “Ignatius hasta help me at home,” Mrs. Reilly said. Her initial courage was failing a little, and she began to twist the lute string with the cord on the cake boxes. “I got terrible arthuritis.” “I dust a bit,” Ignatius told the policeman. “In addition, I am at the moment writing a lengthy indictment against our century. When my brain begins to reel from my literary labors, I make an occasional cheese dip.” “Ignatius makes delicious cheese dips,” Mrs. Reilly said.
John Kennedy Toole (A Confederacy of Dunces)
Expressing our feelings out loud, especially to someone else, can bring a sense of relief. There is power in proclamation.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
He was bored by everything normal but lacked the tools to survive excursions into the dangerous and exotic.
Jason Pargin (I'm Starting to Worry About This Black Box of Doom)
The gunnery sergeant didn’t crack a smile at the radio intercept of Faith’s concept of a backup plan, an intercept that had caused Commander Bradburn, skipper of the Dallas, to literally fall out of his command chair laughing. Sands managed to watch the video stone-faced as she boarded the Voyage and began her “fifteen minutes of mayhem,” set in the video to the tune of Chumbawamba’s Tubthumping. He managed to keep a straight face the third time she popped back up like a jack-in-the-box after being dogpiled by zombies. He held it in during her overheard running commentary as the rest of the Marines, even the NCOs, started rolling on the deck. It was when she got the Halligan tool stuck in a zombie’s head and overbalanced that he snorted. When she unstuck her bent machete and it caught a male zombie in the groin he started laughing out loud. When the, admittedly not petite, girl stuck a boot knife in a zombie’s eye then threw him over the side, tears started running down his face and he completely lost his composure as a senior NCO of the United States Marine Corps.
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
there’s no way I can sleep in any position with so much still unwritten about the glory of basements, where, with all the promise in crock pot boxes, small animals go to die, piles of laundry hide the machines, rusted tools fall into other rusted tools giving way to unsung sculpture, soiled playing cards and unmatched socks strewn atop a punched-out screen door make a shaggy parquet; and a famished, leggy fluorescent tube barely winks on the entire scene.
Kristen Henderson (Drum Machine)
There is a possibly apocryphal story that in Southeast Asia, people catch monkeys by placing a banana in a box with a hole in the bottom and hanging the box from a tree. The monkey reaches in and grabs the banana but is unable to withdraw its hand. The clenched fist holding the banana is too big to fit through the hole. To escape, all the monkey has to do is release the banana. Sometimes, the monkeys hold on for a long time and are then captured. People, too, often give up their freedom by holding on to things too long.
Carl Greer (Change Your Story, Change Your Life: Using Shamanic and Jungian Tools to Achieve Personal Transformation)
The expensive act of planning on late When you’re late, there’s not a lot of room for choice or decision or initiative. When you’re late, the path is well lit, and the choices are clear. Run! Run down the path you’ve run down before. Late is a tool for people unable to find the guts to stand for their acts. Late gives us cover; it permits us to trample forward, without creativity or panache. “Can’t you see I’m late!” we shout, as we do what we have to do, without even pausing to think about what we could do instead. Late might be useful, except that late is incredibly expensive. This strategy, the one we choose so we can avoid the fear of choice, costs us in so many ways. It degrades quality, misses airplanes, charges overtime, and shuts down those around us. It’s also exhausting. The alternative to planning on late is to initiate before it’s required, to ship before deadline, to put the idea out there before the crisis hits. This act of bravery actually gives you influence, leverage, and control in a way that planning on late never can.
Seth Godin (Poke the Box)
She offered Patrolman Mancuso a torn and oily cake box that looked as if it had been subjected to unusual abuse during someone's attempt to take all of the doughnuts at once. At the bottom of the box Patrolman Mancuso found two withered pieces of doughnut out of which, judging by their moist edges, the jelly had been sucked.
John Kennedy Toole (A Confederacy of Dunces)
She offered Patrolman Mancuso a torn and oily cake box that looked as if it had been subjected to unusual abuse during someone’s attempt to take all of the doughnuts at once. At the bottom of the box Patrolman Mancuso found two withered pieces of doughnut out of which, judging by their moist edges, the jelly had been sucked.
John Kennedy Toole (A Confederacy of Dunces)
Since stone tools were the only technology that survived archaeologically for millions of years and across several hominin species, it was assumed that they were male technology. It said so on the box: man the toolmaker, man the hunter. Women gave birth, cowered in the backs of caves, posed as the model for a Venus figurine occasionally so that Palaeolithic ‘man’ could get his other rocks off, and maybe collected a worthless vegetable from time to time when the mammoth chops were running low. The sometimes openly stated and mostly implicit assumption was that human physical and cultural evolution was driven by male hunting. Was this the best we could do?
Alice Gorman (Dr Space Junk vs the Universe: Archaeology and the Future)
But what is power? she wondered. Was it the weapons and tools to act, or the ability to think? Was it talking to someone, or doing something? If you have only a small amount of power, and you're able to do only the tiniest, most insignificant things, does that mean you're powerless? Or with that tiny power, do you have all the power in the world?
Robert Beatty (Serafina Boxed Set [4Book Hardcover Boxed Set])
Like genetic algorithms, ANNs are “black box” systems. That is, the inputs—the network weights and neuron activations—are transparent. And what they output is understandable. But what happens in between? Nobody understands. The output of “black box” artificial intelligence tools can’t ever be predicted. So they can never be truly and verifiably “safe.
James Barrat (Our Final Invention: Artificial Intelligence and the End of the Human Era)
There is comfort in such accumulations, layers of lives, of years. Gardening tools, wheelbarrow, arousal cans, old bicycles, recycling bins, battered trash cans, cardboard boxes stacked in a corner, cracked clay pots, exiled kitchenware & furniture, antique television, dog food bowls. You could do an inventory of a household by all that has been worn out or excluded, exiled from it. You could do an inventory of a life.
Joyce Carol Oates
That’s just the way life is. It can be exquisite, cruel, frequently wacky, but above all utterly, utterly random. Those twin imposters in the bell-fringed jester hats, Justice and Fairness—they aren’t constants of the natural order like entropy or the periodic table. They’re completely alien notions to the way things happen out there in the human rain forest. Justice and Fairness are the things we’re supposed to contribute back to the world for giving us the gift of life—not birthrights we should expect and demand every second of the day. What do you say we drop the intellectual cowardice? There is no fate, and there is no safety net. I’m not saying God doesn’t exist. I believe in God. But he’s not a micromanager, so stop asking Him to drop the crisis in Rwanda and help you find your wallet. Life is a long, lonely journey down a day-in-day-out lard-trail of dropped tacos. Mop it up, not for yourself, but for the guy behind you who’s too busy trying not to drop his own tacos to make sure he doesn’t slip and fall on your mistakes. So don’t speed and weave in traffic; other people have babies in their cars. Don’t litter. Don’t begrudge the poor because they have a fucking food stamp. Don’t be rude to overwhelmed minimum-wage sales clerks, especially teenagers—they have that job because they don’t have a clue. You didn’t either at that age. Be understanding with them. Share your clues. Remember that your sense of humor is inversely proportional to your intolerance. Stop and think on Veterans Day. And don’t forget to vote. That is, unless you send money to TV preachers, have more than a passing interest in alien abduction or recentlypurchased a fish on a wall plaque that sings ‘Don’t Worry, Be Happy.’ In that case, the polls are a scary place! Under every ballot box is a trapdoor chute to an extraterrestrial escape pod filled with dental tools and squeaking, masturbating little green men from the Devil Star. In conclusion, Class of Ninety-seven, keep your chins up, grab your mops and get in the game. You don’t have to make a pile of money or change society. Just clean up after yourselves without complaining. And, above all, please stop and appreciate the days when the tacos don’t fall, and give heartfelt thanks to whomever you pray to….
Tim Dorsey (Triggerfish Twist (Serge Storms, #4))
Artemus Ward: Respected Sir—My wife was afflicted with the pipsywipsy in the head for nearly eight years. The doctors all gave her up. But in a fortunate moment she went to one of your lectures, and commenced recovering very rapidly. She is now in perfect health. We like your lectures very much. Please send me a box of them. They are purely vegetable. Send me another five dollar bill and I’ll write you another certificate twice as long as this. Yours,
Garson O'Toole (Hemingway Didn't Say That: The Truth Behind Familiar Quotations)
Do not use Tupperware to store cereal and other packaged goods. When used in a way that creates unnecessary extra steps, Tupperware becomes your enemy. For example, transferring your Cheerios to Tupperware containers when it already comes in a perfectly good box is a waste of time and energy. Do you really have all this extra attention to spend on repackaging all of your groceries? And are you planning to label each Tupperware with the appropriate expiration date every time you make this transfer? For heaven’s sake, I’m exhausted just thinking about it!
Susan C. Pinsky (Organizing Solutions for People with ADHD, 2nd Edition-Revised and Updated: Tips and Tools to Help You Take Charge of Your Life and Get Organized)
For instance, when it came to developing his art of jeet kune do, he delved not just into standard martial arts for inspiration and information; he looked at Western boxing, fencing, biomechanics, and philosophy. He admired the simplicity of boxing, incorporating its ideas into his footwork and his upper-body tools (jab, cross, hook, bob, weave, etc.). And from fencing, he began by looking at the footwork, range, and timing of the stop hit and the riposte, both techniques that meet attacks and defenses with preemptive moves. From biomechanics, he studied movement as a whole,
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
OPTIONS FOR REDUCING While thrift stores such as Goodwill or the Salvation Army can be a convenient way to initially let go, many other outlets exist and are often more appropriate for usable items. Here are some examples: • Amazon.com • Antiques shops • Auction houses • Churches • Consignment shops (quality items) • Craigslist.org (large items, moving boxes, free items) • Crossroads Trading Co. (trendy clothes) • Diggerslist.com (home improvement) • Dress for Success (workplace attire) • Ebay.com (small items of value) • Flea markets • Food banks (food) • Freecycle.org (free items) • Friends • Garage and yard sales • Habitat for Humanity (building materials, furniture, and/or appliances) • Homeless and women’s shelters • Laundromats (magazines and laundry supplies) • Library (books, CDs and DVDs) • Local SPCA (towels and sheets) • Nurseries and preschools (blankets, toys) • Operation Christmas Child (new items in a shoe box) • Optometrists (eyeglasses) • Regifting • Rummage sales for a cause • Salvage yards (building materials) • Schools (art supplies, magazines, dishes to eliminate class party disposables) • Tool co-ops (tools) • Waiting rooms (magazines) • Your curb with a “Free” sign
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
The humans. He found them beautiful, too. These people seemed to be attracted to him, too. They peered at him intently. They leaned in close enough for him to see the tears caught in their eyelashes or hear the intake of their breath. He was held in the palm of this hand. He was kissed chastely by those lips. This cheek leaned against him appreciatively. That heart beat against him. He was watched, he was embraced, he was carried, he was bartered, he was strung around necks and wrists, he was worn, he was put in drawers, he was hidden in boxes, he was dropped in growing pools of warm blood, he was gifted, he was stolen, he was wanted, he was wanted, he was wanted. Eventually, he understood that people weren’t seeing him. They were seeing the objects he was looking out of: sweetmetals. To them, he was the painting in a marble hall, the locket against a breastbone, the hound sculpture hugged by generations of children, the broken clock displayed on the mantel. He was the ring on the finger and he was the tool that carved it, but more than that, he was what was inside the sweetmetal, too; he was the love, he was the hate, he was the life, he was the death, he was everything that made a sweetmetal a sweetmetal.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
AFTER DINNER, WITH A GREAT FLOURISH, my friend Andrew brought out a lovely leather box. “Open it,” he said, proudly, “and tell me what you think.” I opened the box. Inside was a gleaming stainless-steel set of old mechanical drawing instruments: dividers, compasses, extension arms for the compasses, an assortment of points, lead holders, and pens that could be fitted onto the dividers and compasses. All that was missing was the T square, the triangles, and the table. And the ink, the black India ink. “Lovely,” I said. “Those were the good old days, when we drew by hand, not by computer.” Our eyes misted as we fondled the metal pieces. “But you know,” I went on, “I hated it. My tools always slipped, the point moved before I could finish the circle, and the India ink—ugh, the India ink—it always blotted before I could finish a diagram. Ruined it! I used to curse and scream at it. I once spilled the whole bottle all over the drawing, my books, and the table. India ink doesn’t wash off. I hated it. Hated it!” “Yeah,” said Andrew, laughing, “you’re right. I forgot how much I hated it. Worst of all was too much ink on the nibs! But the instruments are nice, aren’t they?” “Very nice,” I said, “as long as we don’t have to use them.
Donald A. Norman (Emotional Design: Why We Love (or Hate) Everyday Things)
You learn more about how to use the desktop environment in Chapter 4. For now, double-click the Wi-Fi Config icon on the desktop to open the tool. Click the Scan button to search for available Wi-Fi networks. Double-click the one you’d like to use, and it will prompt you to enter your security information by completing the white (unshaded) boxes (see Figure 3-10). The SSID box is used for the name of the network and will be completed automatically for you. You most likely have a WPA network, so the PSK box is where you type in your Wi-Fi password. You can ignore the optional boxes. Finally, click the Add button to connect to the network.
Sean McManus (Raspberry Pi For Dummies)
I promised to listen without rebutting or disagreeing, but from my point of view, you’re painting me and all women as sly, evil schemers, when the reality is that we spend every second of our lives tearing ourselves apart with insecurity. And, yeah, even before I’d bought my first bra, I was taught that the wrong encounter with an angry man could get me killed. Not that I had to be told—I think every girl remembers the first time she was wrestling with a boy, just playing, and suddenly realized how incredibly strong he was in comparison, that almost every man is stronger than almost every woman—that bell curve barely overlaps. So from then on, yeah, we live our lives in fear of making a man angry, and yes, we develop tools to keep it at bay. You can call it manipulation, but, Abbott, so much of it is just self-preservation.
Jason Pargin (I'm Starting to Worry About This Black Box of Doom)
Stanford University’s John Koza, who pioneered genetic programming in 1986, has used genetic algorithms to invent an antenna for NASA, create computer programs for identifying proteins, and invent general purpose electrical controllers. Twenty-three times Koza’s genetic algorithms have independently invented electronic components already patented by humans, simply by targeting the engineering specifications of the finished devices—the “fitness” criteria. For example, Koza’s algorithms invented a voltage-current conversion circuit (a device used for testing electronic equipment) that worked more accurately than the human-invented circuit designed to meet the same specs. Mysteriously, however, no one can describe how it works better—it appears to have redundant and even superfluous parts. But that’s the curious thing about genetic programming (and “evolutionary programming,” the programming family it belongs to). The code is inscrutable. The program “evolves” solutions that computer scientists cannot readily reproduce. What’s more, they can’t understand the process genetic programming followed to achieve a finished solution. A computational tool in which you understand the input and the output but not the underlying procedure is called a “black box” system. And their unknowability is a big downside for any system that uses evolutionary components. Every step toward inscrutability is a step away from accountability, or fond hopes like programming in friendliness toward humans. That doesn’t mean scientists routinely lose control of black box systems. But if cognitive architectures use them in achieving AGI, as they almost certainly will, then layers of unknowability will be at the heart of the system. Unknowability might be an unavoidable consequence of self-aware, self-improving software.
James Barrat (Our Final Invention: Artificial Intelligence and the End of the Human Era)
More Activities to Develop Sensory-Motor Skills Sensory processing is the foundation for fine-motor skills, motor planning, and bilateral coordination. All these skills improve as the child tries the following activities that integrate the sensations. FINE-MOTOR SKILLS Flour Sifting—Spread newspaper on the kitchen floor and provide flour, scoop, and sifter. (A turn handle is easier to manipulate than a squeeze handle, but both develop fine-motor muscles in the hands.) Let the child scoop and sift. Stringing and Lacing—Provide shoelaces, lengths of yarn on plastic needles, or pipe cleaners, and buttons, macaroni, cereal “Os,” beads, spools, paper clips, and jingle bells. Making bracelets and necklaces develops eye-hand coordination, tactile discrimination, and bilateral coordination. Egg Carton Collections—The child may enjoy sorting shells, pinecones, pebbles, nuts, beans, beads, buttons, bottle caps, and other found objects and organizing them in the individual egg compartments. Household Tools—Picking up cereal pieces with tweezers; stretching rubber bands over a box to make a “guitar”; hanging napkins, doll clothes, and paper towels with clothespins; and smashing egg cartons with a mallet are activities that strengthen many skills.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
The Metaphor That Stuck In 1996, the Summer Olympic Games were held in my home city of Atlanta. As I watched athletes from all over the world perform in their respective events, I remember wondering what motivated them to compete at the highest levels. On the surface, it seemed logical to assume that these world-class athletes were driven by all the positive rewards that would go to the champion—fame, admiration, and of course, the gold medal. After training for most of their lives, who wouldn’t want to experience “the thrill of victory”? But as I watched the games unfold, it became obvious that while some athletes were motivated by positive rewards, many others were trying to avoid “the agony of defeat.” Rather than think about all the accolades that would come from success, some athletes were motivated to run even faster, and jump even higher, because they were trying to avoid an undesirable outcome. Carl Lewis, arguably one of the greatest track and field athletes of all time, and nine-time Olympic gold medalist, was an excellent example of this. After his last event in Atlanta, when he won the gold medal on his final attempt in the long jump, the sportscaster asked, “Mr. Lewis, what were you thinking about just before you jumped?” As it turned out, Carl Lewis wasn’t thinking about medals, money, or having his picture on a box of Wheaties. Instead, he said his primary motivation was that his family was in the stadium and he didn’t want to disappoint them by losing his final Olympic event.
Thomas Freese (Secrets of Question-Based Selling: How the Most Powerful Tool in Business Can Double Your Sales Results (Top Selling Books to Increase Profit, Money Books for Growth))
I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. … Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’ As reported by Gambon, their conversation went like this: Olivier: ‘What are you going to do for me?’ Gambon: ‘Richard the Third.’ Olivier: ‘Is that so. Which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, I understand that, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’ Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’ Olivier: ‘What, the King? Richard?’ Gambon: ‘ — the Third, yeah.’ Olivier: “You’ve got a fucking cheek, haven’t you?’ Gambon: ‘Beg your pardon?’ Olivier: ‘Never mind, which part are you going to do?’ Gambon: ‘Richard the Third.’ Olivier: ‘Don’t start that again. Which speech?’ Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘ Olivier: ‘Right. Whenever you’re ready.’ Gambon: ‘ “Was ever woman in this humour woo’d –” ‘ Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’ Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘ Olivier: ‘Wait. Stop. What’s the blood?’ Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’ A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done. Gambon: ‘Shall I start again?’ Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’ Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic. ‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning.
Antony Sher (Year Of The King)
One way to try to answer the question “What makes us human?” is to ask “What makes us different from great apes?” or, to be more precise, from nonhuman apes, since, of course, humans are apes. As just about every human by now knows—and as the experiments with Dokana once again confirm—nonhuman apes are extremely clever. They’re capable of making inferences, of solving complex puzzles, and of understanding what other apes are (and are not) likely to know. When researchers from Leipzig performed a battery of tests on chimpanzees, orangutans, and two-and-a-half-year-old children, they found that the chimps, the orangutans, and the kids performed comparably on a wide range of tasks that involved understanding of the physical world. For example, if an experimenter placed a reward inside one of three cups, and then moved the cups around, the apes found the goody just as often as the kids—indeed, in the case of chimps, more often. The apes seemed to grasp quantity as well as the kids did—they consistently chose the dish containing more treats, even when the choice involved using what might loosely be called math—and also seemed to have just as good a grasp of causality. (The apes, for instance, understood that a cup that rattled when shaken was more likely to contain food than one that did not.) And they were equally skillful at manipulating simple tools. Where the kids routinely outscored the apes was in tasks that involved reading social cues. When the children were given a hint about where to find a reward—someone pointing to or looking at the right container—they took it. The apes either didn’t understand that they were being offered help or couldn’t follow the cue. Similarly, when the children were shown how to obtain a reward, by, say, ripping open a box, they had no trouble grasping the point and imitating the behavior. The apes, once again, were flummoxed. Admittedly, the kids had a big advantage in the social realm, since the experimenters belonged to their own species. But, in general, apes seem to lack the impulse toward collective problem-solving that’s so central to human society. “Chimps do a lot of incredibly smart things,” Michael Tomasello, who heads the institute’s department of developmental and comparative psychology, told me. “But the main difference we’ve seen is 'putting our heads together.' If you were at the zoo today, you would never have seen two chimps carry something heavy together. They don’t have this kind of collaborative project.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do. Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges. You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding. But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before. It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago. It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago. Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh. Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete. I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing. But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind. Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter. I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves. One good thing: For now at least, I was done being scared.
K.A. Applegate
You sure?” O’Toole asked. “I don’t want to shortchange you.” “I’m sure.” “Okay, then.” O’Toole began to walk away again when Bosch stopped him. “What was the other thing? You said a couple
Michael Connelly (The Black Box (Harry Bosch, #16; Harry Bosch Universe, #25))
Only the Faustians are explorers and bold adventurers. The Faustians are fearless. It is their nature to push boundaries, to break barriers, to always exceed the norms. No box can hold them. Faustians seek to conquer not just the world, but the entire universe. The Faustians, when they are healthy, have the strongest will to power. They are not bound by space and time. They demand all knowledge. They will never rest until they have it. They will be as gods. They will never stop until they have the knowledge of the gods. The only fruit they eat is the forbidden fruit of the Tree of Knowledge. Which culture will bring an end to the tide of history? History will end when one Idea, one Culture, has totally prevailed. That is the Faustian Culture, the Faustian Idea, the Idea of the Unlimited, the Infinite. Mathematics is the tool for the exploration of the infinite.
Joe Dixon (The Prophet of War: The Downfall of the West)
Now, the typical way to measure your potential is to compare the size of the problem to your natural gifts and your track record so far. No, it’s not irrational to measure your potential this way, but for the believer in Christ Jesus, it simply isn’t enough. By grace, God doesn’t leave you on your own. He doesn’t leave you with the tool box of your own strength, righteousness, and wisdom. No, he invades you with his presence, power, wisdom, and grace. Paul captures this reality with these life-altering words: “It is no longer I who live, but Christ who lives in me” (Gal. 2:20). He’s obviously not saying that he’s dead, because if he was, he wouldn’t be writing those words. No, he’s reminding you and me of a very significant spiritual reality. Here it is: if you are God’s child, the life force that energizes your thoughts, desires, words, and actions is no longer you; it’s Christ! God didn’t just forgive you. No, he has come to live inside of you so you will have the power to desire and do what he calls you to do. And not only does he live inside of you, he rules all the situations, locations, and relationships that are out of your control. He is not only your indwelling Savior, he is your reigning King. He does in you what you could not do for yourself and he does outside of you what you have no power or authority to do. And he does all of this with your redemptive good in mind. Since this is true, why would you give way to fear? For further study and encouragement: Psalm 95
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
The completeness in me would not let this [missing of the lunchbox] stand. Once I caught the bug to fill out the frame of the 2001 Heywood Floyd tabloid that I have in my head, I couldn't shake off my desire, my need to obtain one of these lunch boxes. And if I could not buy it, well, then I would just going to build my own from scratch, which is what I need
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
There are inevitably two kinds of slaves: the prisoners of addiction and the prisoners of envy. —Ivan Illich, Tools for Conviviality
C.J. Box (The Bitterroots (Highway Quartet #5))
[...] It is not transphobic, in my opinion, to believe that people cannot change sex, that women's oppression is based on our sex, and that gender is a hierarchy. Sex is the axis of sex-based oppression and gender is the biggest tool in the box. Feminism is ultimately optimistic and offers the hope of change and a better world.
Karen Ingala Smith (Defending Women's Spaces)
The concept of gender equality is an oxymoron. Gender is a hierarchy. Sex is the axis of sex-based oppression and gender is the biggest tool in the oppression box.
Karen Ingala Smith (Defending Women's Spaces)
experimenter. For instance, when it came to developing his art of jeet kune do, he delved not just into standard martial arts for inspiration and information; he looked at Western boxing, fencing, biomechanics, and philosophy. He admired the simplicity of boxing, incorporating its ideas into his footwork and his upper-body tools (jab, cross, hook, bob, weave, etc.). And from fencing, he began by looking at the footwork, range, and timing of the stop hit and the riposte, both techniques that meet attacks and defenses with preemptive moves. From biomechanics, he studied movement as a whole,
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
experimenter. For instance, when it came to developing his art of jeet kune do, he delved not just into standard martial arts for inspiration and information; he looked at Western boxing, fencing, biomechanics, and philosophy. He admired the simplicity of boxing, incorporating its ideas into his footwork and his upper-body tools (jab, cross, hook, bob, weave, etc.). And from fencing, he began by looking at the footwork, range, and timing of the stop hit and the riposte, both techniques that meet attacks and defenses with preemptive moves. From biomechanics, he studied movement as a whole, seeking to understand the physical laws of motion while understanding biological efficiencies and strengths. And within philosophy, he read widely from both Eastern and Western writers, such as Lao Tzu, Alan Watts, and Krishnamurti, while also picking up popular self-help books of the day. He was open to all inspiration and all possibilities—his only limit being the limit of his own imagination and understanding.
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
KPU读书挂科办KPU毕业证咨询【Q微202661 4433】如何办加拿大学历KPU毕业证、去哪购买昆特兰理工大学毕业证高仿成绩单、解决KPU毕业证不被颁发的情况、如何补办KPU文凭 SHJSHSSBSVSBSVSBSVBSNSNBSSNBSBVS\jkmnSSNSSBSHSBSBS bnvBNSVSNBVSNBSVSNB The second-generation Apple TV 4K pumps up the power with one of Apple’s aging CPUs (A12 Bionic), adding support for higher frame rates, better Wi-Fi, and an intriguing color balancing tool. But all I can think about is the new Siri remote. Forgive me if I’m not doing backflips over what is essentially a minor streaming-box update paired with a fundamental redesign of the most important element in your streaming experience. To understand my fixation with the new, bulkier, and more workmanlike Apple TV 4K Siri remote, you need to understand the enmity most people have toward the previous remote…
如何办加拿大学历KPU毕业证、去哪购买昆特兰理工大学毕业证高仿成绩单、解决KPU毕业证不被颁发的情况、如何补办KPU文凭
Even Mr. Masrani’s announcement of his plans to open a park had been shrouded in mystery. The man had a flair for drama. It started when packages containing amber-handled archaeological tools—the kind that paleontologists use to dig up bones—began arriving. At first, it was journalists, social media influencers, actors, pop stars, the leading professors and minds of the world. Then, as the buzz began to start, the tools began arriving at random people’s doorsteps across the world. Everyone starting talking about it because it was so weird—and the selection of people who got the tools was so broad and varied. The tools came with no note, just a simple card that had the profile of a T. rex skeleton stamped upon it. Two more packages arrived for the lucky recipients over the next few weeks. It became this status thing to post about them. Everyone was trying to trace the company that sent them, but no one could figure it out. The second package contained a compass; carved on the back was that same T. rex stamp. When the third and final package arrived, it caused a sensation. Each person’s box had three clues—a jagged tooth, a curled piece of parchment with the sketch of a gate in spidery ink, and an old-fashioned-looking key, one clearly not made to unlock anything. The speculation this caused throughout the world was unparalleled. What did these objects mean? Did they relate to each other? Was this just some elaborate prank? The first person to discover how to activate the boxes was a farmer’s son in Bolivia. After he disassembled the wooden box the trinkets were sent in, he noticed a strange indentation in the top of the lid and placed his key inside. Once he posted his discovery on YouTube, people across the globe were inserting their key in the notch, activating a hidden hologram chip embedded in the key’s handle. This beamed a message. Two silver words. One date. They’re coming. May 30, 2005 By the time Mr. Masrani held his press conference the next day, the entire world was buzzing about the possibility of a new park and a chance to get close to the dinosaurs. Both of the islands had been restricted for so long, it was the only thing anyone could talk about. It’s one of those things you compare notes on with other people: Where were you when Masrani announced Jurassic World?
Tess Sharpe (The Evolution of Claire)
This Home Depot employs several very small people, if I’m not mistaken, and they’re usually the most knowledgeable. Go right for the bearded dwarf with the tool belt if you want the best advice.
Nicholson Baker (A Box of Matches (Vintage Contemporaries))
Embrace Efficiency, Elevate Flavor: Smart Kitchen Tools for Culinary Adventurers The kitchen, once a realm of necessity, has morphed into a playground of possibility. Gone are the days of clunky appliances and tedious prep work. Enter the age of the smart kitchen tool, a revolution that whispers efficiency and shouts culinary liberation. For the modern gastronome, these tech-infused gadgets are not mere conveniences, but allies in crafting delectable adventures, freeing us to savor the journey as much as the destination. Imagine mornings when your smart coffee maker greets you with the perfect brew, prepped by the whispers of your phone while you dream. Your fridge, stocked like a digital oracle, suggests recipes based on its ever-evolving inventory, and even automatically orders groceries you've run low on. The multi-cooker, your multitasking superhero, whips up a gourmet chili while you conquer emails, and by dinnertime, your smart oven roasts a succulent chicken to golden perfection, its progress monitored remotely as you sip a glass of wine. But efficiency is merely the prologue. Smart kitchen tools unlock a pandora's box of culinary precision. Smart scales, meticulous to the milligram, banish recipe guesswork and ensure perfect balance in every dish. Food processors and blenders, armed with pre-programmed settings and self-cleaning prowess, transform tedious chopping into a mere blip on the culinary radar. And for the aspiring chef, a sous vide machine becomes a magic wand, coaxing impossible tenderness from the toughest cuts of meat. Yet, technology alone is not the recipe for culinary bliss. For those who yearn to paint with flavors, smart kitchen tools are the brushes on their canvas. A connected recipe platform becomes your digital sous chef, guiding you through each step with expert instructions and voice-activated ease. Spice racks, infused with artificial intelligence, suggest unexpected pairings, urging you to venture beyond the familiar. And for the ultimate expression of your inner master chef, a custom knife, forged from heirloom steel and lovingly honed, becomes an extension of your hand, slicing through ingredients with laser focus and lyrical grace. But amidst the symphony of gadgets and apps, let us not forget the heart of the kitchen: the human touch. Smart tools are not meant to replace our intuition but to augment it. They free us from the drudgery, allowing us to focus on the artistry, the love, the joy of creation. Imagine kneading dough, the rhythm of your hands mirroring the gentle whirring of a smart bread machine, then shaping a loaf that holds the warmth of both technology and your own spirit. Or picture yourself plating a dish, using smart portion scales for precision but garnishing with edible flowers chosen simply because they spark joy. This, my friends, is the symphony of the smart kitchen: a harmonious blend of tech and humanity, where efficiency becomes the brushstroke that illuminates the vibrant canvas of culinary passion. Of course, every adventure, even one fueled by smart tools, has its caveats. Interoperability between gadgets can be a tangled web, and data privacy concerns linger like unwanted guests. But these challenges are mere bumps on the culinary road, hurdles to be overcome by informed choices and responsible data management. After all, we wouldn't embark on a mountain trek without checking the weather, would we? So, embrace the smart kitchen, dear foodies! Let technology be your sous chef, your precision tool, your culinary muse. But never forget the magic of your own hands, the wisdom of your palate, and the joy of a meal shared with loved ones. For in the end, it's not about the gadgets, but the memories we create around them, the stories whispered over simmering pots, and the laughter echoing through a kitchen filled with the aroma of possibility.
Daniel Thomas
3.1 The Toolbox We need four tools: • Something to write with and something to write on (pen and paper will do) • A reference management system (Zotero, Citavi or whatever works best for you) • The slip-box (paper or digital). • An editor (Word, LaTeX, Google Docs or whatever works best for you). More is unnecessary, less is impossible.
Sönke Ahrens (How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking)
On the positive side, perhaps the best example of a creative and (potentially) helpful use of AI is Chat2024, an AI-powered chatbot that serves as a stand-in for each candidate. This gives any visitor to Chat2024.com the ability to ask any candidate any question you want. Through the site, you can carry on a conversation with each candidate just as you’d engage a friend over any other messaging app. The AI has been programmed with everything it needs to field any question, even answering in the voice, tone, and attitude of each candidate (mostly). The company behind Chat2024 is also developing a voice feature that will allow people to engage in a voice conversation with each candidate’s AI avatar, which will have a voice eerily close to the real thing. I tried Chat2024 soon after it launched, and the results were interesting, to say the least. I can see some real value here for voter education … but I can also see how tools like this could go horribly wrong. We’ve opened a Pandora’s Box, and there’s no going back. Obviously, the big potential danger with a tool like Chat2024 is that these answers are not actually coming from a candidate. The AI is using all the information at its disposal to approximate what it thinks the candidate would say in response to each question. But, as anyone who’s played around with ChatGPT and other AI-powered search engines knows, sometimes the AI is just … wrong. Sometimes, woefully so.
Craig Huey (The Great Deception: 10 Shocking Dangers and the Blueprint for Rescuing The American Dream)
The dusky-pink pollock roe she removed from its polystyrene packaging gleamed wetly and, for an instant, the image of Kaiji's puckered lips passed through her mind. Leaving its outer skin on, she broke up the roe with a fork and mixed it unfussily into the spaghetti. She sliced off a knob of the Calpis with a knife and perched it on top, then watched as the pale-yellow solid gently began to change color, spreading out to the sides and turning golden, mingling with the fish eggs. The full, milky aroma of the butter married with the salty marine tang of the roe as the scent of the dish went rising up to her face, and she breathed it deeply into her lungs. She garnished the pasta with a scattering of shiso leaves she'd torn up with her fingers, then moved the bowl of pasta over to her cardboard box. There was a rosy-cheeked frankness about the pink of the roe, and in combination with the oozing butter, it looked positively carefree. Rika tool up her fork and wound up the spaghetti, before lifting it to her mouth. Cloaked in a coating of minuscule fish eggs and butter, the spaghetti strands sprang around Rika's tongue as if in excitement. The dish was adequately salted, but there was a relaxed, mellow quality to its taste. What a wonderful combination pollock roe and butter made!
Asako Yuzuki (Butter)
What is Directed Energy Deposition in 3D Printing Directed Energy Deposition (DED) is a term that encompasses technologies involving semi-automated powder spraying and wire welding for manufacturing. When applied to 3D shapes, DED is considered an additive manufacturing process. It typically results in a rougher surface compared to Powder Bed Fusion, due to the larger bead sizes and coarser powder used, which often necessitates additional machining. DED systems generally fall into two categories: deposition systems and hybrid systems that combine a DED head with traditional machining equipment. The main advantages of DED include faster deposition compared to powder bed fusion 3D printing and the ability to create functionally graded material structures, especially when using powder. Additionally, since the feedstock and energy source move together, DED systems can manufacture very large structures, unrestricted by the size limitations of a build box. In some cases, DED can be more effective than traditional manufacturing methods or powder bed fusion. Most DED systems consist of a deposition head that uses either wire or powder and is mounted on a robot or CNC system. Common energy sources include Arc, Laser, or Electron Beam, with lasers being the most frequently used for powder feedstock. The process involves offline programming to generate a tool path from a sliced CAD file. The motion system then follows this path, depositing material in layers to build the desired shape. DED is compatible with a variety of weldable alloys, such as aluminum, steel, nickel, and titanium. Depending on the chosen alloy and process, shielding gas may be applied locally or within an enclosed environment.
Locanam 3D Printing
All that preamble out of way, here’s what Big Dom eats. Keep in mind that he weighs roughly 100 kg (220 lbs), so scale as needed: Breakfast 4 eggs (cooked in a combo of butter and coconut oil) 1 can of sardines packed in olive oil (such as Wild Planet brand) ½ can oysters (Crown Prince brand. Note: Carbs on the label are from non-glycemic phytoplankton) Some asparagus or other vegetable TF: Both Dom and I travel with boxes of sardines, oysters, and bulk macadamia nuts. “Lunch” Instead of lunch, Dom will consume a lot of MCT throughout the day via Quest Nutrition MCT Oil Powder. He will also make a Thermos of coffee with a half stick of butter and 1 to 2 scoops of MCT powder, which he sips throughout the day, totaling about 3 cups of coffee. Dinner “One trick I’ve learned is that before dinner, which is my main meal of the day, I’ll have a bowl of soup, usually broccoli cream soup or cream of mushroom soup. I use concentrated coconut milk in place of the dairy cream. I thin it out [with a bit of water] so it’s not super dense in calories. After eating that, the amount of food that I want to consume is cut in half.” Dom’s dinner is always some kind of large salad, typically made up of: Mixed greens and spinach together Extra-virgin olive oil Artichokes Avocado MCT oil A little bit of Parmesan or feta cheese A moderate amount—about 50 g—of chicken, beef, or fish. He uses the fattiest versions he can get and increases the protein in the salad to 70 to 80 g if he had a workout that day. In addition to the salad, Dom will make some other vegetable like Brussels sprouts, asparagus, collard greens, etc., cooked in butter and coconut oil. He views vegetables as “fat delivery systems.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Knowing when to correct and train, when to overlook, and when to enjoy and praise is a constant balancing act for a parent, but I tried to err on the side of compassion and sympathy with Nathan. These seemed to be the tools that opened Nathan's heart to correction. And these gifts could only be given through personal time invested over and over again.
Sally Clarkson (Different: The Story of an Outside-the-Box Kid and the Mom Who Loved Him)
My dad says fine tools always get fine care.
Gertrude Chandler Warner (The Boxcar Children Mysteries Boxed Set #13-16)
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Hell. I swallowed hard and traced a finger along one of the cuff bracelets. The color of platinum. “My God, Lee.” I picked one of them up and felt the weight of it in my hand. Such a simple design, straight lines, gleaming metal, about four or five millimeters wide, maybe two millimeters thick. Both had the same engraving. The Property and Love of Master Kingsley. Lee’s arms appeared under mine, and he placed a tiny screwdriver of sorts next to the box. It was the key, I realized. He was collaring me—permanently. Fuck. I wasn’t gonna cry, I wasn’t gonna cry. “Wear my collar,” he whispered in my ear. “For the rest of your life.” I nodded jerkily as my throat closed up. Holy shit, this was happening. “Always, Master.” He pressed himself closer to my back and took the first cuff from me. And he used the little screwdriver, in the same material, and unlocked the tiny lock. “Have you heard of cobalt chrome before?” he asked quietly. I shook my head, unable to stop staring at the cuffs. “Long before we started marketing it as an alternative for gold in wedding rings, we’ve used it for artificial joints, implants, and prosthetics because of how our bodies accept the metal.” He attached the first cuff around my left wrist, and it snapped into place with the faintest snick. Then he used the tool to secure the locking mechanism. “You’ll wear them day and night. You’ll shower with them. They’ll weather every storm, every fight-fuck in the woods, every flame from my Kevlar flogger, and any insecurity we might face together.” I sniffled and blinked past the sting in my eyes. “They’ll always be with you.” He moved on to the second cuff. “By default, I will always be with you too. They’re not just proof of my ownership—they’re a reminder that Master is one call away. And only he has the key.” My chest seized up, and the second both cuffs were locked into place, I spun in his embrace and threw my arms around his neck. I couldn’t fucking find my words. I just felt how full my heart was, how joy surged through me, how comfort threw a giant blanket over my existence. Lee tightened his arms around me and squeezed me so hard. “They’re never coming off.” “Good,” I croaked. “I love you so much.” Stronger than titanium. Like our love.
Cara Dee (Out of the Ashes (The Game, #5))
Sonny's race made her understand that government could be a tool to better people's lives instead of simply serving as a box to put half your money in.
Lawrence Wright (Mr. Texas)
Bill Eppridge’s photograph of the South of Market motorcycle bar the Tool Box was printed in Life magazine back in 1964, the opening spread of an article entitled ‘Homosexuality in America.’ (Subtitle: ‘A secret world grows open and bolder. Society is forced to look at it—and try to understand it.’)
Jeremy Atherton Lin (Gay Bar: Why We Went Out)
Older men never really did it for me. Not until Mick Weller. He checks all my boxes, and I’d love nothing more than for him to invade my box with that tool in his pants.
Melissa Ivers (Jingle Devil (Nashville Devils))
But that assumes I cared what anyone thought about the goals I wanted to achieve with my life. It assumes that I wanted or needed the approval of some group of people to go after my dreams. The only approval I ever sought was from the judges at bodybuilding competitions, moviegoers at the box office, and voters at the ballot box. And if I didn't get it, if I lost or failed, I didn't complain. Instead, I used it as a learning experience. I went back to the gym or to the drawing board or to the briefing books, and I did the work to get better and smarter and to come back stronger the next time.
Arnold Schwarzenegger (Be Useful: Seven Tools for Life)
The sharpest tools in the box are not always the best tools for the job.
Craig Stone (Life Knocks)
Were these slides the visual support for a live oral presentation? If so, I sympathized with the audience. Since when can an audience read and listen to someone talk at the same time (even if they could actually see the 12-point text on the screen well enough to read it)? Were the slides used merely as a kind of document printed in PowerPoint? If so, I pitied both the author and the reader because PowerPoint is not a tool for document creation. Boxes of bullet points and logos do not make for a good handout or report.
Garr Reynolds (Presentation Zen: Simple Ideas on Presentation Design and Delivery (Voices That Matter))
Get a dog biscuit out of that cabinet there,” Mr. Jones told Denny. Denny found a box of Milk-Bones and took one out. Mr. Jones was picking up his tools. Denny held the bone out to him. “Give it to him, not me,” said Mr. Jones. “Do I look like I want a Milk-Bone?
Jackie French Koller (The Last Voyage of the Misty Day)
Do you get where this is going? Ezra, your wife is in the same category as your cleaner’s guy, mechanic, your dentist, and me, a virtual stranger to you. Nothing or no one else is inside this box, not even your parents. Marriage doesn’t work this way. She needs to be in here with you. She’s your partner, not a tool sent for your one-sided pleasure.
Love Belvin (Bonded with Ezra (Love Unaccounted #3))
It was a curious box with rounded corners, made of a dark leather that had been beautifully tooled. On either side, done in gold leaf, was a striking design in the form of a double star, with each star having eight points.
Alexander Key (Escape to Witch Mountain)
BELIEVING IS SEEING what you want! Seeing, might be believing, what you don't want! Your inside eyes are your special sight, to create your life in every way, But the environment you see with your eyes creates your thoughts every day. The beliefs that come from outside of you will make more of the same; So to see a change you must think out of the box; this is how you play the game. What you think, see and feel all at once, is how you create your life; Be the observer in your heart and mind, not what will repeat your strife, This will promote a healthy brain, to focus on joy rather than pain, See what you want, as if it is happening NOW, the Little People just showed you how! Because, your imagination is your real tool, no matter what anybody else tells you! The Little People Journey into the Mystic Sea
Chris DiSano-Davenport (The Little People Journey into the Mystic Sea)
Outside. We’re going outside. I’m desperate to be in the first group, but we know better than to show desire before the conductors. Tools should not want to escape their box so obviously.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
Get a large tarp, at least 16 × 16-feet, and open it near your garden where you have all your boxes built and located. Make sure you have them in their final resting place—check with the boss one more time and ask, “Are you sure this is where you want all the boxes, dear?” All of the three ingredients are dusty when dry, so do this when there is no wind. Don’t do it in the garage, or you’ll get dust all over your nice new car or workshop. Wear a painter’s mask and have a hose ready with a very fine spray. Don’t forget to have a few mixing tools ready like a snow shovel, a hoe, or a steel rake. Count out the bags and boxes, do the math one more time and start opening the bags and pouring the contents out on the tarp without walking on the ingredients. Roughly mix the three ingredients as best you can as you pour it. Then drag two corners of the tarp to the opposite two corners. You’ll see the material roll over, mixing itself. When you’ve pulled the tarp so that the mixture is almost to the edge, move 90 degrees and pull those two corners over. You just work your way around the tarp and repeat pulling corners together until your Mel’s Mix is uniformly mixed. It’s finished when you don’t see any single material or one color. Use the hose with a fine mist or spray to wet down any dust, but don’t spray so much you make puddles or wet the ingredients so the mixture becomes too heavy to move easily. Don’t let the kids play in the mixture, or they will crush the large particles of vermiculite. (By the way, I’d save a small plastic bag of vermiculite for seed starting. We’ll get to seed starting in the next chapter.) The next step is to fill the boxes, wetting down the mixed-in layers only as you fill it. Once the box is full and the top leveled off, don’t pack it down. It will settle just right by itself.
Mel Bartholomew (All New Square Foot Gardening: The Revolutionary Way to Grow More In Less Space)
She slipped her hands into her apron pockets and stood very still, the sunlight warming her skin, glistening upon her bright, reddish-gold hair. She tensed her body tightly, trying to get rid of the well-hidden tension that plagued her, then forced her shoulders to relax and took deliberate pleasure in gazing upon the vase of dried hydrangeas that she had arranged just yesterday. The flowers graced the center of the table. Beside them lay the elegant silk purses she was sewing as Christmas gifts for a few of her London friends, and her delicate japanning tools, perched well out of Harry's reach. Her latest piece, an intricate jewel box, sat in a middle stage of completion. All of her hobbies ran in an artistic vein, but in her heart, she knew in a sense they were merely distractions, her way of trying to burn off her restlessness.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
But the fact is that it’s virtually impossible to stop criminals from obtaining the magazines they want. Magazines, large or small, are trivially easy to make. They are just boxes with springs, and can be made with the most simple tools. The advent of 3D printers has made them even easier to make. There’s no evidence that crime rates were affected by the 1994 federal ban on magazines holding more than ten bullets. Even the left-leaning Urban Institute, with funding from the Bill Clinton administration, was unable to find any such evidence.
John R. Lott Jr. (The War on Guns: Arming Yourself Against Gun Control Lies)
To put it another way, language is a tool box and swearing is a hammer. You can try to pound a nail into a piece of wood with the handle of your screwdriver, with your wrench, or with your pliers, but it's only your hammer that's perfectly designed for the job.
Melissa Mohr (Holy Sh*t: A Brief History of Swearing)
I pulled my knees in to my chest. As I did, I felt something small and jagged against my leg. A small shard of glass, I figured, or maybe a rough pebble. I looked down at the ground, and with mounting dread, I saw that it was neither. It was a tooth. My breath caught in my throat. I looked across and saw a hint of a smile on Otto’s model face. He opened the box, revealing a set of rusted tools. I saw a set of pliers, a hacksaw, a box cutter—and then I stopped looking. Bob: “Where is she?” “I already told you. I don’t know.” “That answer,” Bob said. I could see the back of his head shaking. “It’s very disappointing.” Otto remained impassive. He kept the gun aimed at me, but his gaze kept sneaking a loving look at his tools. The dead eyes would light up when they landed on the pliers, the hacksaw, the box cutter. Bob again: “Jake?” “What?” “Otto is going to cuff you now. You won’t do anything stupid. He has a gun, and hey, we can always drive back to campus and use your students for target practice. You understand me?” I swallowed again, my mind whirling. “I don’t know anything.” Bob gave an overdramatic sigh. “I didn’t ask you if you knew anything, Jake. Well, I mean, yes, I asked you that before, but right now, I’m asking if you understand what I said—about the handcuffs and the student target practice. Did you understand all that, Jake?” “Yes.” “Okay, so stay still.” Bob used his blinker and slid into the left lane. We were still on the highway. “Go ahead, Otto.” I didn’t have much time. I knew that. Seconds maybe. Once the handcuff was in place—once I was fastened to the van wall—I was finished. I looked down at the tooth. A good reminder of what was about to come. Otto came at me from near the back door. He still held the gun. I could rush him, I guess, but he’d be expecting that. I considered trying to open the side door and roll out, take my chances with this van moving more than sixty miles per hour on a highway. But the door locks were down. I’d never get one open in time. Otto
Harlan Coben (Six Years)
I’m voting for him! He may not be the sharpest tool in the box, but at least he doesn’t walk around with a face like a slapped arse all day!
Paul Mathews (We Have Lost The President (We Have Lost #1))
If you could have a gigantic billboard anywhere with anything on it, what would it say and why? Are there any quotes you think of often or live your life by? The quote I live by is “By any means necessary.” It’s from Malcolm X. When I was in college, I read The Autobiography of Malcolm X and was blown away by the determination and commitment that Malcolm X had to his people and to fight against a system that was not designed to support or help him or his people. He really made strides in bringing civil rights to the forefront of the American people. It was a very moving book, and I remember reading it a few times. As I started my label, I wanted to create a slogan with this concept, and I wanted to use this idea of “by any means necessary” as a way of life. When we started [my label] Dim Mak back in 1996, I didn’t have any money to launch the label, as I only had $ 400 to my name. So I would find any way possible to make sure these records came out. I did whatever I could with the tools in front of me with no excuses and no complaining. You gotta find a way to get your project done; you gotta think outside the box. My team also lives and works by the mantra of “by any means necessary,” and because of that, we can get things done that others might not. I feel lucky to have such a great team that will share this way of life with me.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
The majority of the current student-focused attention is targeted at those who have failed and what we need to add to their tool box of skills. We employ a deficiency model.
Karen Gross (Breakaway Learners: Strategies for Post-Secondary Success with At-Risk Students)
I was relieved when I counted my shoes that there were less than 100 pairs. I lined them in three squadrons, ready for combat. The kamikazes in the vanguard were ready for the Oxfam shop. In the second chevron were the old favourites with heels worn down, their future in the balance. In the rear, with medal ribbons and fancy tooling, the Jimmy Choos and Manolo Blahniks went back in the velvet bags and boxes they had come in.
Chloe Thurlow (Trespass)
What we need to consider about the computer has nothing to do with its efficiency as a teaching tool. We need to know in what ways it is altering our conception of learning, and how, in conjunction with television, it undermines the old idea of school. Who cares how many boxes of cereal can be sold via television? We need to know if television changes our conception of reality, the relationship of the rich to the poor, the idea of happiness itself. A preacher who confines himself to considering how a medium can increase his audience will miss the significant question: In what sense do new media alter what is meant by religion, by church, even by God? And if the politician cannot think beyond the next election, then we must wonder about what new media do to the idea of political organization and to the conception of citizenship.
Neil Postman (Technopoly: The Surrender of Culture to Technology)
I needed to grab another box of screws, but, when I got to the truck, I realized I’d left my wallet in my tool bucket. When I went back ground the house to get it, she had my plans open and was double-checking all my measurements.” Emma’s cheeks burned when Gram laughed at Sean’s story, but, since she couldn’t deny it, she stuck her last bite of the fabulous steak he’d grilled into her mouth. “That’s my Emma,” Gram said. “I think her first words were ‘If you want something done right, do it yourself.’” “In my defense,” she said when she’d swallowed, pointing her fork at Sean for emphasis, “my name is on the truck, and being able to pound nails doesn’t make you a builder. I have a responsibility to my clients to make sure they get quality work.” “I do quality work.” “I know you build a quality deck, but stairs are tricky.” She smiled sweetly at him. “I had to double-check.” “It’s all done but the seating now and it’s good work, even though I practically had to duct tape you to a tree in order to work in peace.” She might have taken offense at his words if not for the fact he was playing footsie with her under the table. And when he nudged her foot to get her to look at him, he winked in that way that—along with the grin—made it almost impossible for her to be mad at him. “It’s Sean’s turn to wash tonight. Emma, you dry and I’ll put away.” “I’ll wash, Gram. Sean can dry.” “I can wash,” Sean told her. “The world won’t come to an end if I wash the silverware before the cups.” “It makes me twitch.” “I know it does. That’s why I do it.” He leaned over and kissed her before she could protest. “That new undercover-cop show I like is on tonight,” Gram said as they cleared the table. “Maybe Sean won’t snort his way through this episode.” He laughed and started filling the sink with hot, soapy water. “I’m sorry, but if he keeps shoving his gun in his waistband like that, he’s going to shoot his…he’s going to shoot himself in a place men don’t want to be shot.” Emma watched him dump the plates and silverware into the water—while three coffee mugs sat on the counter waiting to be washed—but forced herself to ignore it. “Can’t be worse than the movie the other night.” “That was just stupid,” Sean said while Gram laughed. They’d tried to watch a military-action movie and by the time they were fifteen minutes in, she thought they were going to have to medicate Sean if they wanted to see the end. After a particularly heated lecture about what helicopters could and couldn’t do, Emma had hushed him, but he’d still snorted so often in derision she was surprised he hadn’t done permanent damage to his sinuses. “I don’t want you to think that’s real life,” he told them. “I promise,” Gram said, “if I ever want to use a tank to break somebody out of a federal prison, I’ll ask you how to do it correctly first.” Sean kissed the top of her head. “Thanks, Cat. At least you appreciate me, unlike Emma, who just tells me to shut up.” “I’d appreciate you more if there wasn’t salad dressing floating in the dishwater you’re about to wash my coffee cup in.” “According to the official guy’s handbook, if I keep doing it wrong, you’re supposed to let me watch SportsCenter while you do it yourself.” “Did the official guy’s handbook also tell you that if that happens, you’ll also be free to watch the late-night sports show while I do other things myself?
Shannon Stacey (Yours to Keep (Kowalski Family, #3))