Tool Box Quotes

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I should have known that every time I open the door of my room I am literally opening a Pandora's Box.
John Kennedy Toole (A Confederacy of Dunces)
Like two figures in the medieval Morality play, Pragmatism and Morality spar in the boxing ring of my brain.
John Kennedy Toole (A Confederacy of Dunces)
As the statistician George E. P. Box wrote, "All models are wrong, but some models are useful." What he meant by that is that all models are simplifications of the universe, as they must necessarily be. As another mathematician said, "The best model of a cat is a cat." ... The key is in remembering that a model is a tool to help us understand the complexities of the universe, and never a substitute for the universe itself.
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail—But Some Don't)
At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die. You never stop waiting for the real story to start, because the only real story, in the end, is that you die.
Jonathan Franzen (The Discomfort Zone: A Personal History)
...     'How old is he?' the policeman asked Mrs. Reilly.     'I am thirty,' Ignatius said condescendingly.     'You got a job?'     'Ignatius hasta help me at home,' Mrs. Reilly said. Her initial courage was failing a little, and she began to twist the lute string with the cord on the cake boxes. 'I got terrible arthuritis.'     'I dust a bit,' Ignatius told the policeman. 'In addition, I am at the moment writing a lengthy indictment against our century. When my brain begins to reel from my literary labors, I make an occasional cheese dip.' ...
John Kennedy Toole (A Confederacy of Dunces)
Somewhere outside the hospital, in a motel room full of bloody towels with his tool box of knives and needles, or driving down the highway to his next victim, or kneeling over a dog, drugged and cut up in a dirty bathtub, is the man a million dogs must hate.
Chuck Palahniuk (Invisible Monsters)
Like a soldier, the carpenter sharpens his own tools. He carries his equipment in his tool box, and works under the direction of his foreman. He makes columns and girders with an axe, shapes floorboards and shelves with a plane, cuts fine openwork and bas reliefs accurately, giving as excellent a finish as his skill will allow. This is the craft of the carpenters. When the carpenter becomes skilled, he works efficiently and according to correct measures. When he has developed practical knowledge of all the skills of the craft, he can become a foreman himself.
Miyamoto Musashi (A Book of Five Rings: The Classic Guide to Strategy)
The key to all of your behaviors is hidden in a box that you can’t open using normal tools, your subconscious needs a different recipe than the one you’ve been using.
Gerard Armond Powell
Street rods have a Chevy in front and a can of wax in the back; Hot Rods have a flathead in front and a box of tools in the back.
Fred Offenhauser
Normally for Gabrielle, diplomacy was a tool best left in the box.
Bruce Rousseau (French Tango)
What we want, of course, what lies in the cupboard marked 'important,' is connection, love: If the deepest source of human hunger had a name, that would be it; if the boxes of constraint in which so many women live could be smashed to bits, that would be the tool, the sledgehammer that shatters emptiness and uncovers the hope buried beneath it.
Caroline Knapp (Appetites: Why Women Want)
A mission-minded family will serve together. Look for needs in your community and brainstorm with your spouse about how you can partner together to meet those needs in a way that works for you. My husband is handy, and I love to cook. My casserole dish and his tool box work well together. Is there a single mom who could use some help with yard work? Is there an elderly couple who needs help hanging their Christmas lights? Look for creative ways you can serve side by side and connect with each other and your neighbors.
Lyli Dunbar (Missional Life; A Practical Guide to Living in Light of Eternity)
Belatedly it occurs to me that some members of your HR committee, a few skeptical souls, may be clutching a double strand of worry beads and wondering aloud about the practicality or usefulness of a degree in English rather than, let’s say, computers. Be reassured: the literature student has learned to inquire, to question, to interpret, to critique, to compare, to research, to argue, to sift, to analyze, to shape, to express. His intellect can be put to broad use. The computer major, by contrast, is a technician—a plumber clutching a single, albeit shining, box of tools.
Julie Schumacher (Dear Committee Members)
So I got a great reputation for doing integrals, only because my box of tools was different from everybody else’s, and they had tried all their tools on it before giving the problem to me.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
Science was all about curiosity. It was a world where the kids who touched hot stoves and poked sticks down mysterious holes in their backyards could get better tools, protective gear, and bigger holes to poke at. Asking scientists not to look into an open box was like asking cats not to saunter through an open door. It simply wasn’t practical.
Mira Grant (Into the Drowning Deep (Rolling in the Deep, #1))
The old white man didn't look into your eyes, he looked clear through your eyes, and straight to the inside of the back of your head. 'Instead of runnin from pain, which is the natural thing in life, in boxing you step to it, get me?
F.X. Toole
Mortimer had maxed three credit cards stocking the cave with canned goods and medical supplies and tools and everything a man needed to live through the end of the world. There were more than a thousand books along shelves in the driest part of the cave. There used to be several boxes of pornography until Mortimer realized that he'd spent nearly ten days in a row sitting in the cave masturbating. He burned the dirty magazines to keep from doing some terrible whacking injury to himself.
Victor Gischler (Go-Go Girls of the Apocalypse)
Think of a globe, a revolving globe on a stand. Think of a contour globe, whose mountain ranges cast shadows, whose continents rise in bas-relief above the oceans. But then: think of how it really is. These heights are just suggested; they’re there….when I think of walking across a continent I think of all the neighborhood hills, the tiny grades up which children drag their sleds. It is all so sculptured, three-dimensional, casting a shadow. What if you had an enormous globe that was so huge it showed roads and houses- a geological survey globe, a quarter of a mile to an inch- of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about in earth, the molding of one face? The relief globe couldn’t begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live our their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.
Annie Dillard (Pilgrim at Tinker Creek)
Facing and embracing grief allows us to experience the shock, anger, disappointment, and other feelings that need to be processed before we can move through this transition.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
Some of your most powerful intentions are born in your moments of greatest contrast.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
Change is difficult, but it can be managed when you stay aware of the power of your choices, even if it’s simply your attitude.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
Robert lay on the bed and checked the remote to see the time on the television screen. Other than that function, the black box was completely useless, another tool of control.
Kenneth Eade (An Evil Trade (Paladine Political Thriller))
I would like my books to be a kind of tool-box which others can rummage through to find a tool which they can use however they wish in their own area.
Michel Foucault
For work: I bought some pens. Normally, I used makeshift pens, the kind of unsatisfactory implements that somehow materialized in my bag or in a drawer. But one day, when I was standing in line to buy envelopes, I caught sight of a box of my favorite kind of pen: the Deluxe Uniball Micro. “Two ninety-nine for one pen!” I thought. “That’s ridiculous.” But after a fairly lengthy internal debate, I bought four. It’s such a joy to write with a good pen instead of making do with an underinked pharmaceutical promotional pen picked up from a doctor’s office. My new pens weren’t cheap, but when I think of all the time I spend using pens and how much I appreciate a good pen, I realize it was money well spent. Finely made tools help make work a pleasure.
Gretchen Rubin (The Happiness Project)
AS A HUNTER I am looked down upon in Western society. I am portrayed as a brute. I am denigrated and spat upon, and thought of as a slow-witted anachronism, the dregs of a discredited culture. This happened quickly when one looks at human history. The skills I possess—the ability to track, hunt, kill, and dress out my prey so it can be served at a table to feed others—were prized for tens of thousands of years. Hunters fed those in the tribe and family who could not hunt well or did not hunt because they weren’t physically able to. The success of the hunter produced not only healthy food and clothing, tools, medicine, and amenities, but a direct hot-blooded connection with God and the natural world. The hunter was the provider, and exalted as such.
C.J. Box (Blood Trail (Joe Pickett, #8))
Now, the typical way to measure your potential is to compare the size of the problem to your natural gifts and your track record so far. No, it’s not irrational to measure your potential this way, but for the believer in Christ Jesus, it simply isn’t enough. By grace, God doesn’t leave you on your own. He doesn’t leave you with the tool box of your own strength, righteousness, and wisdom. No, he invades you with his presence, power, wisdom, and grace. Paul captures this reality with these life-altering words: “It is no longer I who live, but Christ who lives in me” (Gal. 2:20).
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
...the literature student has learned to inquire, to question, to interpret, to critique, to compare, to research, to argue, to sift, to analyze, to shape, to express. His intellect can be put to broad use. The computer major, by contrast, is a technician - a plumber clutching a single, albeit shining, box of tools.
Julie Schumacher
The dominance panacea is so out of proportion that entire schools of training are based on the premise that if you can just exert adequate dominance over the dog, everything else will fall into place. Not only does it mean that incredible amounts of abuse are going to be perpetrated against any given dog, probably exacerbating problems like unreliable recalls and biting, but the real issues, like well-executed conditioning and the provision of an adequate environment, are going to go unaddressed, resulting in a still-untrained dog, perpetuating the pointless dominance program. None of this is to say that dogs aren’t one of those species whose social life appears to lend itself to beloved hierarchy constructs. But, they also see well at night, and no one is proposing retinal surgery to address their non-compliance or biting behavior. Pack theory is simply not the most elegant model for explaining or, especially, for treating problems like disobedience, misbehavior or aggression. People who use aversives to train with a dominance model in mind would get a better result with less wear and tear on the dog by using aversives with a more thorough understanding of learning theory, or, better yet, forgoing aversives altogether and going with the other tools in the learning theory tool box. The dominance concept is simply unnecessary.
Jean Donaldson (Culture Clash: A New Way Of Understanding The Relationship Between Humans And Domestic Dogs)
Expressing our feelings out loud, especially to someone else, can bring a sense of relief. There is power in proclamation.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
The gunnery sergeant didn’t crack a smile at the radio intercept of Faith’s concept of a backup plan, an intercept that had caused Commander Bradburn, skipper of the Dallas, to literally fall out of his command chair laughing. Sands managed to watch the video stone-faced as she boarded the Voyage and began her “fifteen minutes of mayhem,” set in the video to the tune of Chumbawamba’s Tubthumping. He managed to keep a straight face the third time she popped back up like a jack-in-the-box after being dogpiled by zombies. He held it in during her overheard running commentary as the rest of the Marines, even the NCOs, started rolling on the deck. It was when she got the Halligan tool stuck in a zombie’s head and overbalanced that he snorted. When she unstuck her bent machete and it caught a male zombie in the groin he started laughing out loud. When the, admittedly not petite, girl stuck a boot knife in a zombie’s eye then threw him over the side, tears started running down his face and he completely lost his composure as a senior NCO of the United States Marine Corps.
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
Artemus Ward: Respected Sir—My wife was afflicted with the pipsywipsy in the head for nearly eight years. The doctors all gave her up. But in a fortunate moment she went to one of your lectures, and commenced recovering very rapidly. She is now in perfect health. We like your lectures very much. Please send me a box of them. They are purely vegetable. Send me another five dollar bill and I’ll write you another certificate twice as long as this. Yours,
Garson O'Toole (Hemingway Didn't Say That: The Truth Behind Familiar Quotations)
there’s no way I can sleep in any position with so much still unwritten about the glory of basements, where, with all the promise in crock pot boxes, small animals go to die, piles of laundry hide the machines, rusted tools fall into other rusted tools giving way to unsung sculpture, soiled playing cards and unmatched socks strewn atop a punched-out screen door make a shaggy parquet; and a famished, leggy fluorescent tube barely winks on the entire scene.
Kristen Henderson (Drum Machine)
There is a possibly apocryphal story that in Southeast Asia, people catch monkeys by placing a banana in a box with a hole in the bottom and hanging the box from a tree. The monkey reaches in and grabs the banana but is unable to withdraw its hand. The clenched fist holding the banana is too big to fit through the hole. To escape, all the monkey has to do is release the banana. Sometimes, the monkeys hold on for a long time and are then captured. People, too, often give up their freedom by holding on to things too long.
Carl Greer (Change Your Story, Change Your Life: Using Shamanic and Jungian Tools to Achieve Personal Transformation)
I am thirty,” Ignatius said condescendingly. “You got a job?” “Ignatius hasta help me at home,” Mrs. Reilly said. Her initial courage was failing a little, and she began to twist the lute string with the cord on the cake boxes. “I got terrible arthuritis.” “I dust a bit,” Ignatius told the policeman. “In addition, I am at the moment writing a lengthy indictment against our century. When my brain begins to reel from my literary labors, I make an occasional cheese dip.” “Ignatius makes delicious cheese dips,” Mrs. Reilly said.
John Kennedy Toole (A Confederacy of Dunces)
Since stone tools were the only technology that survived archaeologically for millions of years and across several hominin species, it was assumed that they were male technology. It said so on the box: man the toolmaker, man the hunter. Women gave birth, cowered in the backs of caves, posed as the model for a Venus figurine occasionally so that Palaeolithic ‘man’ could get his other rocks off, and maybe collected a worthless vegetable from time to time when the mammoth chops were running low. The sometimes openly stated and mostly implicit assumption was that human physical and cultural evolution was driven by male hunting. Was this the best we could do?
Alice Gorman (Dr Space Junk vs the Universe: Archaeology and the Future)
But what is power? she wondered. Was it the weapons and tools to act, or the ability to think? Was it talking to someone, or doing something? If you have only a small amount of power, and you're able to do only the tiniest, most insignificant things, does that mean you're powerless? Or with that tiny power, do you have all the power in the world?
Robert Beatty (Serafina Boxed Set [4Book Hardcover Boxed Set])
Like genetic algorithms, ANNs are “black box” systems. That is, the inputs—the network weights and neuron activations—are transparent. And what they output is understandable. But what happens in between? Nobody understands. The output of “black box” artificial intelligence tools can’t ever be predicted. So they can never be truly and verifiably “safe.
James Barrat (Our Final Invention: Artificial Intelligence and the End of the Human Era)
There is comfort in such accumulations, layers of lives, of years. Gardening tools, wheelbarrow, arousal cans, old bicycles, recycling bins, battered trash cans, cardboard boxes stacked in a corner, cracked clay pots, exiled kitchenware & furniture, antique television, dog food bowls. You could do an inventory of a household by all that has been worn out or excluded, exiled from it. You could do an inventory of a life.
Joyce Carol Oates
That’s just the way life is. It can be exquisite, cruel, frequently wacky, but above all utterly, utterly random. Those twin imposters in the bell-fringed jester hats, Justice and Fairness—they aren’t constants of the natural order like entropy or the periodic table. They’re completely alien notions to the way things happen out there in the human rain forest. Justice and Fairness are the things we’re supposed to contribute back to the world for giving us the gift of life—not birthrights we should expect and demand every second of the day. What do you say we drop the intellectual cowardice? There is no fate, and there is no safety net. I’m not saying God doesn’t exist. I believe in God. But he’s not a micromanager, so stop asking Him to drop the crisis in Rwanda and help you find your wallet. Life is a long, lonely journey down a day-in-day-out lard-trail of dropped tacos. Mop it up, not for yourself, but for the guy behind you who’s too busy trying not to drop his own tacos to make sure he doesn’t slip and fall on your mistakes. So don’t speed and weave in traffic; other people have babies in their cars. Don’t litter. Don’t begrudge the poor because they have a fucking food stamp. Don’t be rude to overwhelmed minimum-wage sales clerks, especially teenagers—they have that job because they don’t have a clue. You didn’t either at that age. Be understanding with them. Share your clues. Remember that your sense of humor is inversely proportional to your intolerance. Stop and think on Veterans Day. And don’t forget to vote. That is, unless you send money to TV preachers, have more than a passing interest in alien abduction or recentlypurchased a fish on a wall plaque that sings ‘Don’t Worry, Be Happy.’ In that case, the polls are a scary place! Under every ballot box is a trapdoor chute to an extraterrestrial escape pod filled with dental tools and squeaking, masturbating little green men from the Devil Star. In conclusion, Class of Ninety-seven, keep your chins up, grab your mops and get in the game. You don’t have to make a pile of money or change society. Just clean up after yourselves without complaining. And, above all, please stop and appreciate the days when the tacos don’t fall, and give heartfelt thanks to whomever you pray to….
Tim Dorsey (Triggerfish Twist (Serge Storms, #4))
The expensive act of planning on late When you’re late, there’s not a lot of room for choice or decision or initiative. When you’re late, the path is well lit, and the choices are clear. Run! Run down the path you’ve run down before. Late is a tool for people unable to find the guts to stand for their acts. Late gives us cover; it permits us to trample forward, without creativity or panache. “Can’t you see I’m late!” we shout, as we do what we have to do, without even pausing to think about what we could do instead. Late might be useful, except that late is incredibly expensive. This strategy, the one we choose so we can avoid the fear of choice, costs us in so many ways. It degrades quality, misses airplanes, charges overtime, and shuts down those around us. It’s also exhausting. The alternative to planning on late is to initiate before it’s required, to ship before deadline, to put the idea out there before the crisis hits. This act of bravery actually gives you influence, leverage, and control in a way that planning on late never can.
Seth Godin (Poke the Box)
Do not use Tupperware to store cereal and other packaged goods. When used in a way that creates unnecessary extra steps, Tupperware becomes your enemy. For example, transferring your Cheerios to Tupperware containers when it already comes in a perfectly good box is a waste of time and energy. Do you really have all this extra attention to spend on repackaging all of your groceries? And are you planning to label each Tupperware with the appropriate expiration date every time you make this transfer? For heaven’s sake, I’m exhausted just thinking about it!
Susan C. Pinsky (Organizing Solutions for People with ADHD, 2nd Edition-Revised and Updated: Tips and Tools to Help You Take Charge of Your Life and Get Organized)
For instance, when it came to developing his art of jeet kune do, he delved not just into standard martial arts for inspiration and information; he looked at Western boxing, fencing, biomechanics, and philosophy. He admired the simplicity of boxing, incorporating its ideas into his footwork and his upper-body tools (jab, cross, hook, bob, weave, etc.). And from fencing, he began by looking at the footwork, range, and timing of the stop hit and the riposte, both techniques that meet attacks and defenses with preemptive moves. From biomechanics, he studied movement as a whole,
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
OPTIONS FOR REDUCING While thrift stores such as Goodwill or the Salvation Army can be a convenient way to initially let go, many other outlets exist and are often more appropriate for usable items. Here are some examples: • Amazon.com • Antiques shops • Auction houses • Churches • Consignment shops (quality items) • Craigslist.org (large items, moving boxes, free items) • Crossroads Trading Co. (trendy clothes) • Diggerslist.com (home improvement) • Dress for Success (workplace attire) • Ebay.com (small items of value) • Flea markets • Food banks (food) • Freecycle.org (free items) • Friends • Garage and yard sales • Habitat for Humanity (building materials, furniture, and/or appliances) • Homeless and women’s shelters • Laundromats (magazines and laundry supplies) • Library (books, CDs and DVDs) • Local SPCA (towels and sheets) • Nurseries and preschools (blankets, toys) • Operation Christmas Child (new items in a shoe box) • Optometrists (eyeglasses) • Regifting • Rummage sales for a cause • Salvage yards (building materials) • Schools (art supplies, magazines, dishes to eliminate class party disposables) • Tool co-ops (tools) • Waiting rooms (magazines) • Your curb with a “Free” sign
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste)
The humans. He found them beautiful, too. These people seemed to be attracted to him, too. They peered at him intently. They leaned in close enough for him to see the tears caught in their eyelashes or hear the intake of their breath. He was held in the palm of this hand. He was kissed chastely by those lips. This cheek leaned against him appreciatively. That heart beat against him. He was watched, he was embraced, he was carried, he was bartered, he was strung around necks and wrists, he was worn, he was put in drawers, he was hidden in boxes, he was dropped in growing pools of warm blood, he was gifted, he was stolen, he was wanted, he was wanted, he was wanted. Eventually, he understood that people weren’t seeing him. They were seeing the objects he was looking out of: sweetmetals. To them, he was the painting in a marble hall, the locket against a breastbone, the hound sculpture hugged by generations of children, the broken clock displayed on the mantel. He was the ring on the finger and he was the tool that carved it, but more than that, he was what was inside the sweetmetal, too; he was the love, he was the hate, he was the life, he was the death, he was everything that made a sweetmetal a sweetmetal.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
AFTER DINNER, WITH A GREAT FLOURISH, my friend Andrew brought out a lovely leather box. “Open it,” he said, proudly, “and tell me what you think.” I opened the box. Inside was a gleaming stainless-steel set of old mechanical drawing instruments: dividers, compasses, extension arms for the compasses, an assortment of points, lead holders, and pens that could be fitted onto the dividers and compasses. All that was missing was the T square, the triangles, and the table. And the ink, the black India ink. “Lovely,” I said. “Those were the good old days, when we drew by hand, not by computer.” Our eyes misted as we fondled the metal pieces. “But you know,” I went on, “I hated it. My tools always slipped, the point moved before I could finish the circle, and the India ink—ugh, the India ink—it always blotted before I could finish a diagram. Ruined it! I used to curse and scream at it. I once spilled the whole bottle all over the drawing, my books, and the table. India ink doesn’t wash off. I hated it. Hated it!” “Yeah,” said Andrew, laughing, “you’re right. I forgot how much I hated it. Worst of all was too much ink on the nibs! But the instruments are nice, aren’t they?” “Very nice,” I said, “as long as we don’t have to use them.
Donald A. Norman (Emotional Design: Why We Love (or Hate) Everyday Things)
You learn more about how to use the desktop environment in Chapter 4. For now, double-click the Wi-Fi Config icon on the desktop to open the tool. Click the Scan button to search for available Wi-Fi networks. Double-click the one you’d like to use, and it will prompt you to enter your security information by completing the white (unshaded) boxes (see Figure 3-10). The SSID box is used for the name of the network and will be completed automatically for you. You most likely have a WPA network, so the PSK box is where you type in your Wi-Fi password. You can ignore the optional boxes. Finally, click the Add button to connect to the network.
Sean McManus (Raspberry Pi For Dummies)
Stanford University’s John Koza, who pioneered genetic programming in 1986, has used genetic algorithms to invent an antenna for NASA, create computer programs for identifying proteins, and invent general purpose electrical controllers. Twenty-three times Koza’s genetic algorithms have independently invented electronic components already patented by humans, simply by targeting the engineering specifications of the finished devices—the “fitness” criteria. For example, Koza’s algorithms invented a voltage-current conversion circuit (a device used for testing electronic equipment) that worked more accurately than the human-invented circuit designed to meet the same specs. Mysteriously, however, no one can describe how it works better—it appears to have redundant and even superfluous parts. But that’s the curious thing about genetic programming (and “evolutionary programming,” the programming family it belongs to). The code is inscrutable. The program “evolves” solutions that computer scientists cannot readily reproduce. What’s more, they can’t understand the process genetic programming followed to achieve a finished solution. A computational tool in which you understand the input and the output but not the underlying procedure is called a “black box” system. And their unknowability is a big downside for any system that uses evolutionary components. Every step toward inscrutability is a step away from accountability, or fond hopes like programming in friendliness toward humans. That doesn’t mean scientists routinely lose control of black box systems. But if cognitive architectures use them in achieving AGI, as they almost certainly will, then layers of unknowability will be at the heart of the system. Unknowability might be an unavoidable consequence of self-aware, self-improving software.
James Barrat (Our Final Invention: Artificial Intelligence and the End of the Human Era)
More Activities to Develop Sensory-Motor Skills Sensory processing is the foundation for fine-motor skills, motor planning, and bilateral coordination. All these skills improve as the child tries the following activities that integrate the sensations. FINE-MOTOR SKILLS Flour Sifting—Spread newspaper on the kitchen floor and provide flour, scoop, and sifter. (A turn handle is easier to manipulate than a squeeze handle, but both develop fine-motor muscles in the hands.) Let the child scoop and sift. Stringing and Lacing—Provide shoelaces, lengths of yarn on plastic needles, or pipe cleaners, and buttons, macaroni, cereal “Os,” beads, spools, paper clips, and jingle bells. Making bracelets and necklaces develops eye-hand coordination, tactile discrimination, and bilateral coordination. Egg Carton Collections—The child may enjoy sorting shells, pinecones, pebbles, nuts, beans, beads, buttons, bottle caps, and other found objects and organizing them in the individual egg compartments. Household Tools—Picking up cereal pieces with tweezers; stretching rubber bands over a box to make a “guitar”; hanging napkins, doll clothes, and paper towels with clothespins; and smashing egg cartons with a mallet are activities that strengthen many skills.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. … Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’ As reported by Gambon, their conversation went like this: Olivier: ‘What are you going to do for me?’ Gambon: ‘Richard the Third.’ Olivier: ‘Is that so. Which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, I understand that, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’ Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’ Olivier: ‘What, the King? Richard?’ Gambon: ‘ — the Third, yeah.’ Olivier: “You’ve got a fucking cheek, haven’t you?’ Gambon: ‘Beg your pardon?’ Olivier: ‘Never mind, which part are you going to do?’ Gambon: ‘Richard the Third.’ Olivier: ‘Don’t start that again. Which speech?’ Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘ Olivier: ‘Right. Whenever you’re ready.’ Gambon: ‘ “Was ever woman in this humour woo’d –” ‘ Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’ Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘ Olivier: ‘Wait. Stop. What’s the blood?’ Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’ A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done. Gambon: ‘Shall I start again?’ Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’ Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic. ‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning.
Antony Sher (Year of the King: An Actor's Diary and Sketchbook)
One way to try to answer the question “What makes us human?” is to ask “What makes us different from great apes?” or, to be more precise, from nonhuman apes, since, of course, humans are apes. As just about every human by now knows—and as the experiments with Dokana once again confirm—nonhuman apes are extremely clever. They’re capable of making inferences, of solving complex puzzles, and of understanding what other apes are (and are not) likely to know. When researchers from Leipzig performed a battery of tests on chimpanzees, orangutans, and two-and-a-half-year-old children, they found that the chimps, the orangutans, and the kids performed comparably on a wide range of tasks that involved understanding of the physical world. For example, if an experimenter placed a reward inside one of three cups, and then moved the cups around, the apes found the goody just as often as the kids—indeed, in the case of chimps, more often. The apes seemed to grasp quantity as well as the kids did—they consistently chose the dish containing more treats, even when the choice involved using what might loosely be called math—and also seemed to have just as good a grasp of causality. (The apes, for instance, understood that a cup that rattled when shaken was more likely to contain food than one that did not.) And they were equally skillful at manipulating simple tools. Where the kids routinely outscored the apes was in tasks that involved reading social cues. When the children were given a hint about where to find a reward—someone pointing to or looking at the right container—they took it. The apes either didn’t understand that they were being offered help or couldn’t follow the cue. Similarly, when the children were shown how to obtain a reward, by, say, ripping open a box, they had no trouble grasping the point and imitating the behavior. The apes, once again, were flummoxed. Admittedly, the kids had a big advantage in the social realm, since the experimenters belonged to their own species. But, in general, apes seem to lack the impulse toward collective problem-solving that’s so central to human society. “Chimps do a lot of incredibly smart things,” Michael Tomasello, who heads the institute’s department of developmental and comparative psychology, told me. “But the main difference we’ve seen is 'putting our heads together.' If you were at the zoo today, you would never have seen two chimps carry something heavy together. They don’t have this kind of collaborative project.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do. Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges. You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding. But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before. It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago. It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago. Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh. Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete. I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing. But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind. Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter. I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves. One good thing: For now at least, I was done being scared.
K.A. Applegate
I was relieved when I counted my shoes that there were less than 100 pairs. I lined them in three squadrons, ready for combat. The kamikazes in the vanguard were ready for the Oxfam shop. In the second chevron were the old favourites with heels worn down, their future in the balance. In the rear, with medal ribbons and fancy tooling, the Jimmy Choos and Manolo Blahniks went back in the velvet bags and boxes they had come in.
Chloe Thurlow (Trespass)
What we need to consider about the computer has nothing to do with its efficiency as a teaching tool. We need to know in what ways it is altering our conception of learning, and how, in conjunction with television, it undermines the old idea of school. Who cares how many boxes of cereal can be sold via television? We need to know if television changes our conception of reality, the relationship of the rich to the poor, the idea of happiness itself. A preacher who confines himself to considering how a medium can increase his audience will miss the significant question: In what sense do new media alter what is meant by religion, by church, even by God? And if the politician cannot think beyond the next election, then we must wonder about what new media do to the idea of political organization and to the conception of citizenship.
Neil Postman (Technopoly: The Surrender of Culture to Technology)
The sharpest tools in the box are not always the best tools for the job.
Craig Stone (Life Knocks)
Were these slides the visual support for a live oral presentation? If so, I sympathized with the audience. Since when can an audience read and listen to someone talk at the same time (even if they could actually see the 12-point text on the screen well enough to read it)? Were the slides used merely as a kind of document printed in PowerPoint? If so, I pitied both the author and the reader because PowerPoint is not a tool for document creation. Boxes of bullet points and logos do not make for a good handout or report.
Garr Reynolds (Presentation Zen: Simple Ideas on Presentation Design and Delivery (Voices That Matter))
Still on speaking terms with the Toilet Paper People, they consented to a box full of Legos that overnight manifested itself into a recording studio. I quickly remembered the power of my hands, my imagination, my will, and my conscience. These were tools I would never let myself get bored with. I would find myself in Blue Ocean Strategy and in other defining ways.
Cherry Tigris (Toilet Paper People: no ONE is perfect)
different from 3.5. However, it is different from larger values, such as 4.0 (t = 2.89, df = 9, p = .019). Another example of this is provided in the Box 12.2. Finally, note that the one-sample t-test is identical to the paired-samples t-test for testing whether the mean D = 0. Indeed, the one-sample t-test for D = 0 produces the same results (t = 2.43, df = 9, p = .038). In Greater Depth … Box 12.2 Use of the T-Test in Performance Management: An Example Performance benchmarking is an increasingly popular tool in performance management. Public and nonprofit officials compare the performance of their agencies with performance benchmarks and draw lessons from the comparison. Let us say that a city government requires its fire and medical response unit to maintain an average response time of 360 seconds (6 minutes) to emergency requests. The city manager has suspected that the growth in population and demands for the services have slowed down the responses recently. He draws a sample of 10 response times in the most recent month: 230, 450, 378, 430, 270, 470, 390, 300, 470, and 530 seconds, for a sample mean of 392 seconds. He performs a one-sample t-test to compare the mean of this sample with the performance benchmark of 360 seconds. The null hypothesis of this test is that the sample mean is equal to 360 seconds, and the alternate hypothesis is that they are different. The result (t = 1.030, df = 9, p = .330) shows a failure to reject the null hypothesis at the 5 percent level, which means that we don’t have sufficient evidence to say that the average response time is different from the benchmark 360 seconds. We cannot say that current performance of 392 seconds is significantly different from the 360-second benchmark. Perhaps more data (samples) are needed to reach such a conclusion, or perhaps too much variability exists for such a conclusion to be reached. NONPARAMETRIC ALTERNATIVES TO T-TESTS The tests described in the preceding sections have nonparametric alternatives. The chief advantage of these tests is that they do not require continuous variables to be normally distributed. The chief disadvantage is that they are less likely to reject the null hypothesis. A further, minor disadvantage is that these tests do not provide descriptive information about variable means; separate analysis is required for that. Nonparametric alternatives to the independent-samples test are the Mann-Whitney and Wilcoxon tests. The Mann-Whitney and Wilcoxon tests are equivalent and are thus discussed jointly. Both are simplifications of the more general Kruskal-Wallis’ H test, discussed in Chapter 11.19 The Mann-Whitney and Wilcoxon tests assign ranks to the testing variable in the exact manner shown in Table 12.4. The sum of the ranks of each group is computed, shown in the table. Then a test is performed to determine the statistical significance of the difference between the sums, 22.5 and 32.5. Although the Mann-Whitney U and Wilcoxon W test statistics are calculated differently, they both have the same level of statistical significance: p = .295. Technically, this is not a test of different means but of different distributions; the lack of significance implies that groups 1 and 2 can be regarded as coming from the same population.20 Table 12.4 Rankings of
Evan M. Berman (Essential Statistics for Public Managers and Policy Analysts)
Knowing yourself means being aware of your potential and trusting that you are always growing into it.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
How we respond to something is just as important—if not more important—than our initial reaction.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
With the increasing speed of business in today’s economy, transparency isn’t just desirable—it’s essential.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
Soon, I found myself criss-crossing the country with Steve, in what we called our “dog and pony show,” trying to drum up interest in our initial public offering. As we traveled from one investment house to another, Steve (in a costume he rarely wore: suit and tie) pushed to secure early commitments, while I added a professorial presence by donning, at Steve’s insistence, a tweed jacket with elbow patches. I was supposed to embody the image of what a “technical genius” looks like—though, frankly, I don’t know anyone in computer science who dresses that way. Steve, as pitch man, was on fire. Pixar was a movie studio the likes of which no one had ever seen, he said, built on a foundation of cutting-edge technology and original storytelling. We would go public one week after Toy Story opened, when no one would question that Pixar was for real. Steve turned out to be right. As our first movie broke records at the box office and as all our dreams seemed to be coming true, our initial public offering raised nearly $140 million for the company—the biggest IPO of 1995. And a few months later, as if on cue, Eisner called, saying that he wanted to renegotiate the deal and keep us as a partner. He accepted Steve’s offer of a 50/50 split. I was amazed; Steve had called this exactly right. His clarity and execution were stunning. For me, this moment was the culmination of such a lengthy series of pursuits, it was almost impossible to take in. I had spent twenty years inventing new technological tools, helping to found a company, and working hard to make all the facets of this company communicate and work well together. All of this had been in the service of a single goal: making a computer-animated feature film. And now, we’d not only done it; thanks to Steve, we were on steadier financial ground than we’d ever been before. For the first time since our founding, our jobs were safe. I
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Perhaps because of the special nature of the TIA, or perhaps because of the limitless human capacity for technical fascination, programmers have continued to hack at and develop original VCS games. There is a thriving hobbyist community that has picked up the Atari VCS, using and refining emulators, writing disassemblers and development tools, and even manufacturing cartridges and selling them, complete with boxes and manuals. This “homebrew” scene could be seen, strictly speaking, as continuing the commercial life of the Atari VCS, but the community is not very corporate. It operates on the scale of zines and unsigned bands, with most recent ROMs offered for free online—even if they are also sold in limited releases of a few hundred copies in cartridge form.
Nick Montfort (Racing the Beam: The Atari Video Computer System (Platform Studies))
She was sitting on a bench, her skirts bunched up on her thighs and her elbows resting on her knees as she tried to slow her breathing, when she heard a male voice. “Um, I think I should tell you I’m here.” Jane sat upright, quickly pulling her skirts back down to her ankles. She had been wearing drawers, of course, but it still felt absurdly immodest to sit that way in 1816 attire. She looked around, seeing no one. “Where are you?” she asked. Theodore, her dance partner of late, stood from behind the bush directly in front of her. His impressive height made it seem that he was slowly expanding while standing up, like stretched taffy. “What were you doing back there?” “I’m a gardener,” he said, raising the shovel and pick like a show of evidence. “I was just working here, I wasn’t trying to spy.” “You, uh, caught me there at an unladylike moment. Mrs. Wattlesbrook would probably box my ears.” “That’s why I spoke. I wanted to let you know you were not alone before you did something--something worse.” “Like what?” “Whatever women do when they think they’re alone.” He laughed. “I don’t know. I don’t know what I’m talking about, you surprised me and I’m just--” His smile dropped. “Sorry, I shouldn’t talk…I’m not supposed to talk to you.” “Well, you already have. We may as well meet for real this time, without old Wattlesbrook spying. I’m Jane.” “Theodore the gardener,” he said, wiping off his hand and then offering it to her. She shook it, wondered if they should be bowing and curtsying, but is that what you do with a gardener? The entire conversation felt forbidden, like a secret Austen chapter that she discovered longhand in some forgotten file. “The gardens look lovely.” “Thank you, ma’am.” Ma’am? she thought. “So,” he said, his eyes taking in everything but her face, “you’re from the former colonies?” She looked hard at him to detect if he was serious. He glanced at her, then down again, and sort of bowed. She laughed. He tossed his pick into the ground. “I can’t play this. I sound completely daft.” “Why would you have to play anything?” “I’m supposed to be invisible. You don’t know all the lectures we heard on the matter--stay out of the way, look down, don’t bother the guests. I shouldn’t have said a word, but I was afraid of getting stuck behind that shrub all day trying not to make a peep. Or worse, you discovering me after a time and thinking I was a lecherous lunatic trying to peek up your skirt. So, anyhow, how do you do, the name’s Martin Jasper, originally from Bristol, raised in Sheffield, enjoy seventies rock and walks in the rain, and please don’t tell Mrs. Wattlesbrook. I need this job.” “I didn’t exactly find Mrs. Wattlesbrook the kind of lady I’d be tempted to confide in. Don’t worry, Martin.” “Thanks. Guess I should leave you to your lady stuff.” He picked up his tools and walked away.
Shannon Hale (Austenland (Austenland, #1))
I needed to grab another box of screws, but, when I got to the truck, I realized I’d left my wallet in my tool bucket. When I went back ground the house to get it, she had my plans open and was double-checking all my measurements.” Emma’s cheeks burned when Gram laughed at Sean’s story, but, since she couldn’t deny it, she stuck her last bite of the fabulous steak he’d grilled into her mouth. “That’s my Emma,” Gram said. “I think her first words were ‘If you want something done right, do it yourself.’” “In my defense,” she said when she’d swallowed, pointing her fork at Sean for emphasis, “my name is on the truck, and being able to pound nails doesn’t make you a builder. I have a responsibility to my clients to make sure they get quality work.” “I do quality work.” “I know you build a quality deck, but stairs are tricky.” She smiled sweetly at him. “I had to double-check.” “It’s all done but the seating now and it’s good work, even though I practically had to duct tape you to a tree in order to work in peace.” She might have taken offense at his words if not for the fact he was playing footsie with her under the table. And when he nudged her foot to get her to look at him, he winked in that way that—along with the grin—made it almost impossible for her to be mad at him. “It’s Sean’s turn to wash tonight. Emma, you dry and I’ll put away.” “I’ll wash, Gram. Sean can dry.” “I can wash,” Sean told her. “The world won’t come to an end if I wash the silverware before the cups.” “It makes me twitch.” “I know it does. That’s why I do it.” He leaned over and kissed her before she could protest. “That new undercover-cop show I like is on tonight,” Gram said as they cleared the table. “Maybe Sean won’t snort his way through this episode.” He laughed and started filling the sink with hot, soapy water. “I’m sorry, but if he keeps shoving his gun in his waistband like that, he’s going to shoot his…he’s going to shoot himself in a place men don’t want to be shot.” Emma watched him dump the plates and silverware into the water—while three coffee mugs sat on the counter waiting to be washed—but forced herself to ignore it. “Can’t be worse than the movie the other night.” “That was just stupid,” Sean said while Gram laughed. They’d tried to watch a military-action movie and by the time they were fifteen minutes in, she thought they were going to have to medicate Sean if they wanted to see the end. After a particularly heated lecture about what helicopters could and couldn’t do, Emma had hushed him, but he’d still snorted so often in derision she was surprised he hadn’t done permanent damage to his sinuses. “I don’t want you to think that’s real life,” he told them. “I promise,” Gram said, “if I ever want to use a tank to break somebody out of a federal prison, I’ll ask you how to do it correctly first.” Sean kissed the top of her head. “Thanks, Cat. At least you appreciate me, unlike Emma, who just tells me to shut up.” “I’d appreciate you more if there wasn’t salad dressing floating in the dishwater you’re about to wash my coffee cup in.” “According to the official guy’s handbook, if I keep doing it wrong, you’re supposed to let me watch SportsCenter while you do it yourself.” “Did the official guy’s handbook also tell you that if that happens, you’ll also be free to watch the late-night sports show while I do other things myself?
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Candles and waterproof matches.” “Check.” “Weather radio, flashlight, batteries…” “Check, check, check…” “Hurricane-tracking chart, potable water, freeze-dried food, can opener, organic toilet paper, sensible clothes, upbeat reading material, baseball gloves, compass, whistle, signal mirror, first-aid kit, snake-bite kit, mess kit, malaria tablets, smelling salts, flints, splints, solar survival blanket, edible-wild-plant field almanac, trenching tool, semaphores, gas masks, Geiger counter, executive defibrillator, railroad flares, lemons in case of scurvy, Austrian gold coins in case paper money becomes scoffed at, laminated sixteen-language universal hostage-negotiation ‘Kwik-Guide’ (Miami-Dade edition), extra film, extra ammunition, firecrackers, handcuffs, Taser, pepper spray, throwing stars, Flipper lunch box, Eden Roc ashtray, Cypress Gardens felt pennant, alligator snow globe, miniature wooden crate of orange gumballs, acrylic seashell thermometer and pen holder, can of Florida sunshine…” “Check, check, check…. What about my inflatable woman?
Tim Dorsey (Hurricane Punch (Serge Storms, #9))
The next day we sat in Geir’s bedroom and wrote a love letter to Anne Lisbet. His parents’ house was identical to ours, it had exactly the same rooms, facing in exactly the same directions, but it was still unendingly different, because for them functionality reigned supreme, chairs were above all else comfortable to sit in, not attractive to look at, and the vacuumed, almost mathematically scrupulous, cleanliness that characterized our rooms was utterly absent in their house, with tables and the floor strewn with whatever they happened to be using at that moment. In a way, their lifestyle was integrated into the house. I suppose ours was, too, it was just that ours was different. For Geir’s father, sole control of his tools was unthinkable, quite the contrary, part of the point of how he brought up Geir and Gro was to involve them as much as possible in whatever he was doing. They had a workbench downstairs, where they hammered and planed, glued and sanded, and if we felt like making a soap-box cart, for example, or a go-kart, as we called it, he was our first port of call. Their garden wasn’t beautiful or symmetrical as ours had become after all the hours Dad had spent in it, but more haphazard, created on the functionality principle whereby the compost heap occupied a large space, despite its unappealing exterior, and likewise the stark, rather weed-like potato plants growing in a big patch behind the house where we had a ruler-straight lawn and curved beds of rhododendrons.
Karl Ove Knausgård (Min kamp 3 (Min kamp, #3))
Boxes and shapes are: A way to use the dyslexic strength in shape recognition to help with word recognition and spelling. Background:
Yvonna Graham (Dyslexia Tool Kit for Tutors and Parents: What to do when phonics isn't enough)
We came armed with a big box of Dunkin’ Donuts and some coffee, tools that the staff had said would be key to convincing the old folks to speak with us.
Aziz Ansari (Modern Romance: An Investigation)
Knowing that time is running down, and that you are working against the clock forces you to work with clarity and urgency. The alternative of working for an unspecified amount of time can lead to an unfocused kind of work, where the mind wanders and we don’t apply ourselves as well as we might. Time boxing is a powerful tool, so use it regularly.
John Connelly (How to Think Like a Genius (Powerful Techniques and Principles for Massive Success) (The Learning Development Book Series 11))
The completeness in me would not let this [missing of the lunchbox] stand. Once I caught the bug to fill out the frame of the 2001 Heywood Floyd tabloid that I have in my head, I couldn't shake off my desire, my need to obtain one of these lunch boxes. And if I could not buy it, well, then I would just going to build my own from scratch, which is what I need
Adam Savage (Every Tool's a Hammer: Life Is What You Make It)
Tools felt nothing.
Betta Ferrendelli (A Crime Collection - Boxed Set)
Tick All the Right Boxes Between the twenty-four checkboxes in the Daily Dozen and the thirty-seven new checkboxes in the Tweaks, you may feel a bit overwhelmed, but it’s easy to knock off a bunch at a time. For example, starting a meal with a tomato salad sprinkled with some black cumin, garlic powder, and balsamic vinegar hits five boxes right there, including the “Preload with ‘Negative Calorie’ Foods” tweak and the Daily Dozen box for “Other Vegetables.” And if that was one of your implementation intentions, make that six! Ten percent of your boxes nailed with a single appetizer. Of course, you don’t have to hit all the booster boxes every day. You don’t even have to hit any. A healthy diet, as encapsulated by the Daily Dozen, should be all you need to lose as much weight as you want, but the more of these extra tweaks you can hit, the more successful you may be. I’m working on an entire How Not to Diet Cookbook to try to fit as many of these combinations together into delicious recipes and hearty meal plans—but in the meanwhile, please feel free to download the free, updated Dr. Greger’s Daily Dozen app on your Android or iPhone. Start experimenting with a few of the Twenty-One Tweaks and see which ones work for you. My goal is to provide you with the broadest palette of tools to choose from. Remember, it’s not what you eat today that matters, or tomorrow, or next week, but rather what you eat over the next months, years, and decades, so you have to find lifestyle changes that fit into your lifestyle.
Michael Greger (How Not to Diet)
Chances are you have business cards lying around from people you have met that are doing what you want to be doing who can help you - if you ask. 
Germany Kent
You sure?” O’Toole asked. “I don’t want to shortchange you.” “I’m sure.” “Okay, then.” O’Toole began to walk away again when Bosch stopped him. “What was the other thing? You said a couple
Michael Connelly (The Black Box (Harry Bosch, #16; Harry Bosch Universe, #25))
The answer, of course, was that the stories had been written as well as could be expected given the tools I had when I wrote them. Every writer starts with the same toolbox, which at most might contain a screwdriver and a pair of rusty pliers, and there’s not much you can make with that. Each finished story adds a new tool to the box that assists in the construction of better stories going forward, and reveals the strengths and weaknesses of the prior work.
J. Michael Straczynski (Becoming Superman: My Journey from Poverty to Hollywood with Stops Along the Way at Murder, Madness, Mayhem, Movie Stars, Cults, Slums, Sociopaths, and War Crimes)
Parenting Tool Box How to Conduct a Family Evaluation Sit down by yourself or with your spouse and examine the family God has given you. Who is part of your home? What are the contributions, roles, strengths, weaknesses, struggles, giftings, and needs of each member? Write your answers down and include the thoughts and input of each person whenever possible. Now, consider your parenting. How does knowing these things begin to shape the way you should parent the children God has given you? Where does God speak very directly into the particulars of each person? Where are the places that feel tough to figure out, requiring extra wisdom, prayer, and perhaps outside input?
Julie Lowe (Child Proof: Parenting By Faith, Not Formula)
Successful people make life happen. Successful people make money work for them. Successful people are committed to growing their wealth. Successful people think outside of the box. Successful people turn what life hands to their advantage. Successful people fear no failure. Successful people draw lessons from mistakes. Successful people focus on opportunities. Successful people understand basic functions of money. Successful people look at the big picture. Successful people associate with people with similar status. Successful people do not back away from obstacles. Successful people use all tools available to grow their business. Successful people are problem-solvers, problems do not scare them. Successful people are active listeners and action takers. Successful people act on opportunities to get ahead. Successful people earn based on performance. Successful people think broad and consider all good ideas. Successful people get their strength from their net worth. Successful people make money work for them, no other way around. Successful people commit to lifetime learning. Successful people don’t let fear take control. Successful people get up and shake off the dust after the hardest fall.
John Taskinsoy
There’s an inherent dissonance to all this, a dialectic that becomes part of how we enact the informational appetite. We ping-pong between binge-watching television and swearing off new media for rustic retreats. We lament our overflowing in-boxes but strive for “in-box zero”—temporary mastery over tools that usually threaten to overwhelm us. We subscribe to RSS feeds so as to see every single update from our favorite sites—or from the sites we think we need to follow in order to be well-informed members of the digital commentariat—and when Google Reader is axed, we lament its loss as if a great library were burned. We maintain cascades of tabs of must-read articles, while knowing that we’ll never be able to read them all. We face a nagging sense that there’s always something new that should be read instead of what we’re reading now, which makes it all the more important to just get through the thing in front of us. We find a quotable line to share so that we can dismiss the article from view. And when, in a moment of exhaustion, we close all the browser tabs, this gesture feels both like a small defeat and a freeing act. Soon we’re back again, turning to aggregators, mailing lists, Longreads, and the essential recommendations of curators whose brains seem somehow piped into the social-media firehose. Surrounded by an abundance of content but willing to pay for little of it, we invite into our lives unceasing advertisements and like and follow brands so that they may offer us more.
Jacob Silverman (Terms of Service: Social Media and the Price of Constant Connection)
HE CALLED HIMSELF THE LIZARD King. The prostitutes known as lot lizards feared him. More precisely, they feared his legend, the idea of him. None of them who’d ever seen his face up close lived to describe it. He was parked in the back row of trucks with his diesel engine idling, his running lights muted, his hair slicked back, and a bundle of tools on the floorboard on the right side of his seat within easy reach. He was hunting but there was no need to go after his prey. The lot lizards would come to him.
C.J. Box (The Highway (Highway Quartet #2))
Only the Faustians are explorers and bold adventurers. The Faustians are fearless. It is their nature to push boundaries, to break barriers, to always exceed the norms. No box can hold them. Faustians seek to conquer not just the world, but the entire universe. The Faustians, when they are healthy, have the strongest will to power. They are not bound by space and time. They demand all knowledge. They will never rest until they have it. They will be as gods. They will never stop until they have the knowledge of the gods. The only fruit they eat is the forbidden fruit of the Tree of Knowledge. Which culture will bring an end to the tide of history? History will end when one Idea, one Culture, has totally prevailed. That is the Faustian Culture, the Faustian Idea, the Idea of the Unlimited, the Infinite. Mathematics is the tool for the exploration of the infinite.
Joe Dixon (The Prophet of War: The Downfall of the West)
Now, the typical way to measure your potential is to compare the size of the problem to your natural gifts and your track record so far. No, it’s not irrational to measure your potential this way, but for the believer in Christ Jesus, it simply isn’t enough. By grace, God doesn’t leave you on your own. He doesn’t leave you with the tool box of your own strength, righteousness, and wisdom. No, he invades you with his presence, power, wisdom, and grace. Paul captures this reality with these life-altering words: “It is no longer I who live, but Christ who lives in me” (Gal. 2:20). He’s obviously not saying that he’s dead, because if he was, he wouldn’t be writing those words. No, he’s reminding you and me of a very significant spiritual reality. Here it is: if you are God’s child, the life force that energizes your thoughts, desires, words, and actions is no longer you; it’s Christ! God didn’t just forgive you. No, he has come to live inside of you so you will have the power to desire and do what he calls you to do. And not only does he live inside of you, he rules all the situations, locations, and relationships that are out of your control. He is not only your indwelling Savior, he is your reigning King. He does in you what you could not do for yourself and he does outside of you what you have no power or authority to do. And he does all of this with your redemptive good in mind. Since this is true, why would you give way to fear? For further study and encouragement: Psalm 95
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
I pulled my knees in to my chest. As I did, I felt something small and jagged against my leg. A small shard of glass, I figured, or maybe a rough pebble. I looked down at the ground, and with mounting dread, I saw that it was neither. It was a tooth. My breath caught in my throat. I looked across and saw a hint of a smile on Otto’s model face. He opened the box, revealing a set of rusted tools. I saw a set of pliers, a hacksaw, a box cutter—and then I stopped looking. Bob: “Where is she?” “I already told you. I don’t know.” “That answer,” Bob said. I could see the back of his head shaking. “It’s very disappointing.” Otto remained impassive. He kept the gun aimed at me, but his gaze kept sneaking a loving look at his tools. The dead eyes would light up when they landed on the pliers, the hacksaw, the box cutter. Bob again: “Jake?” “What?” “Otto is going to cuff you now. You won’t do anything stupid. He has a gun, and hey, we can always drive back to campus and use your students for target practice. You understand me?” I swallowed again, my mind whirling. “I don’t know anything.” Bob gave an overdramatic sigh. “I didn’t ask you if you knew anything, Jake. Well, I mean, yes, I asked you that before, but right now, I’m asking if you understand what I said—about the handcuffs and the student target practice. Did you understand all that, Jake?” “Yes.” “Okay, so stay still.” Bob used his blinker and slid into the left lane. We were still on the highway. “Go ahead, Otto.” I didn’t have much time. I knew that. Seconds maybe. Once the handcuff was in place—once I was fastened to the van wall—I was finished. I looked down at the tooth. A good reminder of what was about to come. Otto came at me from near the back door. He still held the gun. I could rush him, I guess, but he’d be expecting that. I considered trying to open the side door and roll out, take my chances with this van moving more than sixty miles per hour on a highway. But the door locks were down. I’d never get one open in time. Otto
Harlan Coben (Six Years)
Get a large tarp, at least 16 × 16-feet, and open it near your garden where you have all your boxes built and located. Make sure you have them in their final resting place—check with the boss one more time and ask, “Are you sure this is where you want all the boxes, dear?” All of the three ingredients are dusty when dry, so do this when there is no wind. Don’t do it in the garage, or you’ll get dust all over your nice new car or workshop. Wear a painter’s mask and have a hose ready with a very fine spray. Don’t forget to have a few mixing tools ready like a snow shovel, a hoe, or a steel rake. Count out the bags and boxes, do the math one more time and start opening the bags and pouring the contents out on the tarp without walking on the ingredients. Roughly mix the three ingredients as best you can as you pour it. Then drag two corners of the tarp to the opposite two corners. You’ll see the material roll over, mixing itself. When you’ve pulled the tarp so that the mixture is almost to the edge, move 90 degrees and pull those two corners over. You just work your way around the tarp and repeat pulling corners together until your Mel’s Mix is uniformly mixed. It’s finished when you don’t see any single material or one color. Use the hose with a fine mist or spray to wet down any dust, but don’t spray so much you make puddles or wet the ingredients so the mixture becomes too heavy to move easily. Don’t let the kids play in the mixture, or they will crush the large particles of vermiculite. (By the way, I’d save a small plastic bag of vermiculite for seed starting. We’ll get to seed starting in the next chapter.) The next step is to fill the boxes, wetting down the mixed-in layers only as you fill it. Once the box is full and the top leveled off, don’t pack it down. It will settle just right by itself.
Mel Bartholomew (All New Square Foot Gardening: The Revolutionary Way to Grow More In Less Space)
But the fact is that it’s virtually impossible to stop criminals from obtaining the magazines they want. Magazines, large or small, are trivially easy to make. They are just boxes with springs, and can be made with the most simple tools. The advent of 3D printers has made them even easier to make. There’s no evidence that crime rates were affected by the 1994 federal ban on magazines holding more than ten bullets. Even the left-leaning Urban Institute, with funding from the Bill Clinton administration, was unable to find any such evidence.
John R. Lott Jr. (The War on Guns: Arming Yourself Against Gun Control Lies)
Outside. We’re going outside. I’m desperate to be in the first group, but we know better than to show desire before the conductors. Tools should not want to escape their box so obviously.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
Get a dog biscuit out of that cabinet there,” Mr. Jones told Denny. Denny found a box of Milk-Bones and took one out. Mr. Jones was picking up his tools. Denny held the bone out to him. “Give it to him, not me,” said Mr. Jones. “Do I look like I want a Milk-Bone?
Jackie French Koller (The Last Voyage of the Misty Day)
To put it another way, language is a tool box and swearing is a hammer. You can try to pound a nail into a piece of wood with the handle of your screwdriver, with your wrench, or with your pliers, but it's only your hammer that's perfectly designed for the job.
Melissa Mohr (Holy Sh*t: A Brief History of Swearing)
The majority of the current student-focused attention is targeted at those who have failed and what we need to add to their tool box of skills. We employ a deficiency model.
Karen Gross (Breakaway Learners: Strategies for Post-Secondary Success with At-Risk Students)
If you could have a gigantic billboard anywhere with anything on it, what would it say and why? Are there any quotes you think of often or live your life by? The quote I live by is “By any means necessary.” It’s from Malcolm X. When I was in college, I read The Autobiography of Malcolm X and was blown away by the determination and commitment that Malcolm X had to his people and to fight against a system that was not designed to support or help him or his people. He really made strides in bringing civil rights to the forefront of the American people. It was a very moving book, and I remember reading it a few times. As I started my label, I wanted to create a slogan with this concept, and I wanted to use this idea of “by any means necessary” as a way of life. When we started [my label] Dim Mak back in 1996, I didn’t have any money to launch the label, as I only had $ 400 to my name. So I would find any way possible to make sure these records came out. I did whatever I could with the tools in front of me with no excuses and no complaining. You gotta find a way to get your project done; you gotta think outside the box. My team also lives and works by the mantra of “by any means necessary,” and because of that, we can get things done that others might not. I feel lucky to have such a great team that will share this way of life with me.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
I’m voting for him! He may not be the sharpest tool in the box, but at least he doesn’t walk around with a face like a slapped arse all day!
Paul Mathews (We Have Lost The President (We Have Lost #1))
I believe you need more than just one source of income so that your money can in turn work for you. Money isn't everything, it is just a tool. No one just has only one tool in their tool box, so get you a set of tools that will get the job done.
E.J. Williams (5 Easy Steps to Your First Rental Property: Real Estate Investing Guide for Beginners)
God’s love never changes. God is love. Love is the gift that God gave to humanity. Real love cannot be twisted into evil. Shame, fear, and power are the devil’s tools. Love never destroys. It only builds. Love never controls. It does not coerce. Love believes in choice above all else. For without free will, there is no love. That is its very nature. That is how you know.
Kyla Stone (Nuclear Dawn #1-5: The Post-Apocalyptic Box Set)
Knowing when to correct and train, when to overlook, and when to enjoy and praise is a constant balancing act for a parent, but I tried to err on the side of compassion and sympathy with Nathan. These seemed to be the tools that opened Nathan's heart to correction. And these gifts could only be given through personal time invested over and over again.
Sally Clarkson (Different: The Story of an Outside-the-Box Kid and the Mom Who Loved Him)
experimenter. For instance, when it came to developing his art of jeet kune do, he delved not just into standard martial arts for inspiration and information; he looked at Western boxing, fencing, biomechanics, and philosophy. He admired the simplicity of boxing, incorporating its ideas into his footwork and his upper-body tools (jab, cross, hook, bob, weave, etc.). And from fencing, he began by looking at the footwork, range, and timing of the stop hit and the riposte, both techniques that meet attacks and defenses with preemptive moves. From biomechanics, he studied movement as a whole,
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
experimenter. For instance, when it came to developing his art of jeet kune do, he delved not just into standard martial arts for inspiration and information; he looked at Western boxing, fencing, biomechanics, and philosophy. He admired the simplicity of boxing, incorporating its ideas into his footwork and his upper-body tools (jab, cross, hook, bob, weave, etc.). And from fencing, he began by looking at the footwork, range, and timing of the stop hit and the riposte, both techniques that meet attacks and defenses with preemptive moves. From biomechanics, he studied movement as a whole, seeking to understand the physical laws of motion while understanding biological efficiencies and strengths. And within philosophy, he read widely from both Eastern and Western writers, such as Lao Tzu, Alan Watts, and Krishnamurti, while also picking up popular self-help books of the day. He was open to all inspiration and all possibilities—his only limit being the limit of his own imagination and understanding.
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
This Home Depot employs several very small people, if I’m not mistaken, and they’re usually the most knowledgeable. Go right for the bearded dwarf with the tool belt if you want the best advice.
Nicholson Baker (A Box of Matches (Vintage Contemporaries))
All that preamble out of way, here’s what Big Dom eats. Keep in mind that he weighs roughly 100 kg (220 lbs), so scale as needed: Breakfast 4 eggs (cooked in a combo of butter and coconut oil) 1 can of sardines packed in olive oil (such as Wild Planet brand) ½ can oysters (Crown Prince brand. Note: Carbs on the label are from non-glycemic phytoplankton) Some asparagus or other vegetable TF: Both Dom and I travel with boxes of sardines, oysters, and bulk macadamia nuts. “Lunch” Instead of lunch, Dom will consume a lot of MCT throughout the day via Quest Nutrition MCT Oil Powder. He will also make a Thermos of coffee with a half stick of butter and 1 to 2 scoops of MCT powder, which he sips throughout the day, totaling about 3 cups of coffee. Dinner “One trick I’ve learned is that before dinner, which is my main meal of the day, I’ll have a bowl of soup, usually broccoli cream soup or cream of mushroom soup. I use concentrated coconut milk in place of the dairy cream. I thin it out [with a bit of water] so it’s not super dense in calories. After eating that, the amount of food that I want to consume is cut in half.” Dom’s dinner is always some kind of large salad, typically made up of: Mixed greens and spinach together Extra-virgin olive oil Artichokes Avocado MCT oil A little bit of Parmesan or feta cheese A moderate amount—about 50 g—of chicken, beef, or fish. He uses the fattiest versions he can get and increases the protein in the salad to 70 to 80 g if he had a workout that day. In addition to the salad, Dom will make some other vegetable like Brussels sprouts, asparagus, collard greens, etc., cooked in butter and coconut oil. He views vegetables as “fat delivery systems.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
My dad says fine tools always get fine care.
Gertrude Chandler Warner (The Boxcar Children Mysteries Boxed Set #13-16)
THE PLAN CREATES CLARITY Plans can take many shapes and forms, but all effective plans do one of two things: they either clarify how somebody can do business with us, or they remove the sense of risk somebody might have if they’re considering investing in our products or services. Remember the mantra “If you confuse, you lose”? Not having a plan is a guaranteed way to confuse your customers. After potential customers listen to us give a keynote or visit our webpage or read an e-mail blast we’ve sent, they’re all wondering the same thing: What do you want me to do now? If we don’t guide them, they experience a little bit of confusion, and because they can hear that waterfall downstream, they use that confusion as an excuse not to do business with us. The fact that we want them to place an order is not enough information to motivate them. If we’re selling a storage system a customer can install in their garage, they hover over that “Buy Now” button subconsciously wondering whether it will work for them, how hard it will be to install, and whether it will sit unopened in the garage in boxes like the last thing they bought. But when we spell out how easy this whole thing is and let them know they can get started in three easy steps, they are more likely to place an order. We must tell them to . . . 1.​Measure your space. 2.​Order the items that fit. 3.​Install it in minutes using basic tools. Even though these steps may seem obvious, they aren’t obvious to our customers. Placing stones in the creek greatly increases the chance they will cross the creek.
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
Movies are mixture of three things, 1) Real History or science or subject happened , 2) Imagination and Domination - To show that I am the king or I am the queen - So imagination along with showcasing or dominating attitude, 3) Mixture of lies and mysteries - Because no one knows the actual truth, All movies in all languages are under these 3 factors, And objectives for Movie/ Arts/ Entertainment Industries 1) Business i e Money, 2) Winning attitude - That my story or my written script should dominate the world and peoples mind for generations to come i e sublime message or sustainability goals through arts or in non sense / pseudo scientific manner - New world order, So if you are idiot consider movies as reality and live in fantasy, if you are moderate then comment or give opinion about movies such that it is a sustainability goal or new world order - So that you can make fun of the movie and producers will make fun of you by box office collections, If you are smart watch any movies or arts you like but do not comment much, but keep it in your mind - Use it as a tool to understand the producer, director, screenplay writer, casts mind and understand the situation why that movie or art was created or for what reason, what was the motive and all, so that definetley you can do a lot of research not only about art but also about business mind set, And finally if you are Intelligent, watch anything you like, comment anything as you wise and go and take a nap and wake up next morning as if nothing happened - Simply do not even care, But If you have mercy heart, use all of your intelligence and apply wherever you wish (For me Science), for you might be art, sport, politics, etc, so wherever you wish, apply there and reap the benefits - so that you will be example for millions and also have social dimension where your application also somehow benefits the common or society
Ganapathy K Siddharth Vijayaraghavan