Too Many Fakes Quotes

Friends are like orgasms: you can never have too many, but just try to watch out for the fake ones.

What I'm sure of is that you can't be happy without money. That's all. I don't like superficiality and I don't like romanticism. I like to be conscious. And what I've noticed is that there's a kind of spiritual snobbism in certain 'superior beings' who think that money isn't necessary for happiness. Which is stupid, which is false, and to a certain degree cowardly.... For a man who is well born, being happy is never complicated. It's enough to take up the general fate, only not with the will for renunciation like so many fake great men, but with the will for happiness. Only it takes time to be happy. A lot of time. Happiness, too, is a long patience. And in almost every case, we use up our lives making money, when we should be using our money to gain time. That's the only problem that's ever interested me.... To have money is to have time. That's my main point. Time can be bought. Everything can be bought. To be or to become rich is to have time to be happy, if you deserve it.... Everything for happiness, against the world which surrounds us with its violence and its stupidity.... All the cruelty of our civilization can be measured by this one axiom: happy nations have no history.

The media represents world that is more real than reality that we can experience. People lose the ability to distinguish between reality and fantasy. They also begin to engage with the fantasy without realizing what it really is. They seek happiness and fulfilment through the simulacra of reality, e.g. media and avoid the contact/interaction with the real world. (Note: This quote is fake and does not appear in Simulacra and Simulation. I tried to delete it, but the system doesn't allow that because this quote has "too many fans" lol.)

He looks like an angry bouncer who’s seen way too many fake IDs,” Darcy whispered in my ear and I couldn’t help but smirk.

And while there's nothing wrong with good business, the problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck about more; it's giving a fuck about less, giving a fuck about only what is true and immediate and important.

How ... how fragile situations are. But not tenuous. Delicate, but not flimsy, not indulgent. Delicate, that's why they keep breaking, they must break and you must get the pieces together and show it before it breaks again, or put them aside for a moment when something else breaks and turn to that, and all this keeps going on. That's why most writing now, if you read it they go on one two three four and tell you what happened like newspaper accounts, no adjectives, no long sentences, no tricks they pretend, and they finally believe that they really believe that the way they saw it is the way it is ... it never takes your breath away, telling you things you already know, laying everything out flat, as though the terms and the time, and the nature and the movement of everything were secrets of the same magnitude. They write for people who read with the surface of their minds, people with reading habits that make the smallest demands on them, people brought up reading for facts, who know what's going to come next and want to know what's coming next, and get angry at surprises. Clarity's essential, and detail, no fake mysticism, the facts are bad enough. But we're embarrassed for people who tell too much, and tell it without surprise. How does he know what happened? unless it's one unshaven man alone in a boat, changing I to he, and how often do you get a man alone in a boat, in all this ... all this ... Listen, there are so many delicate fixtures, moving toward you, you'll see. Like a man going into a dark room, holding his hands down guarding his parts for fear of a table corner, and ... Why, all this around us is for people who can keep their balance only in the light, where they move as though nothing were fragile, nothing tempered by possibility, and all of a sudden bang! something breaks. Then you have to stop and put the pieces together again. But you never can put them back together quite the same way. You stop when you can and expose things, and leave them within reach, and others come on by themselves, and they break, and even then you may put the pieces aside just out of reach until you can bring them back and show them, put together slightly different, maybe a little more enduring, until you've broken it and picked up the pieces enough times, and you have the whole thing in all its dimensions. But the discipline, the detail, it's just ... sometimes the accumulation is too much to bear.

If there's something I'm not good at, it's usually because I just organically despise it. I can't help that. I'm fabulous at too many other things to waste my time faking it.

This too to remember. If a man writes clearly enough any one can see if he fakes. If he mystifies to avoid a straight statement, which is very different from breaking so-called rules of syntax or grammar to make an efffect which can be obtained in no other way, the writer takes a longer time to be known as a fake and other writers who are afflicted by the same necessity will praise him in their own defense. True mysticism should not be confused with incompetence in writing which seeks to mystify where there is no mystery but is really only the necessity to fake to cover lack of knowledge or the inability to state clearly. Mysticism implies a mystery and there are many mysteries; but incompetence is not one of them; nor is overwritten journalism made literature by the injection of a false epic qulaity. Remember this too: all bad writers are in love with the epic.

Far too many churches are believing the notion that if it looks good, it must be good. Nowhere does fake billboard living work with more efficiency than in a church environment.

It is important to keep one foot in front of the other. As a woman, you have to fake it until you make it. There will be a lot of twists and turns. There will mountains that are steep and seem to be too high to climb. However, where there’s a will, there’s a way. Giving up isn’t an option. Never-ending obstacles pile up one after another. The process seems to repeat itself over and over again without a solution. You’ve been here before. Where does it end? When does it end? Things seem to stay the same or they become worse than before. How many times do you have to compromise? You cannot continue to carry everyone’s burdens and their side effects as if everything is just fine

Without deception, sexual attraction isn’t possible. Men deceive women in many ways, and women deceive men on a whole different, god-like level. It’s not just makeup. It’s something far much greater. Many women try to play dumb, lest the man get scared of their intellectual abilities. Many women fake flexibility when it comes to opinions, as they know many men aren’t accepting of a highly opinionated woman. It’s a multitude of things with women. Whereas with men, things are quite simple. They just have to portray that they are the most sorted out guys, will be good providers, and know what they are doing in their lives. Putting it in a nutshell, both men and women deceive each other. But after a few months of marriage, the veil of deception is lifted. The woman who once seemed timid suddenly begins to voice her concerns. The woman who once seemed flexible suddenly begins to assert her unpopular opinions and impose her will. Men disappoint too. The woman realizes her guy isn’t as sorted out as he pretended to be. All in all, only when people start living together do they come to know of their partners for real. No wonder why so many love marriages end up in divorce within a year.

How can so many (white, male) writers narratively justify restricting the agency of their female characters on the grounds of sexism = authenticity while simultaneously writing male characters with conveniently modern values? The habit of authors writing Sexism Without Sexists in genre novels is seemingly pathological. Women are stuffed in the fridge under cover of "authenticity" by secondary characters and villains because too many authors flinch from the "authenticity" of sexist male protagonists. Which means the yardstick for "authenticity" in such novels almost always ends up being "how much do the women suffer", instead of - as might also be the case - "how sexist are the heroes". And this bugs me; because if authors can stretch their imaginations far enough to envisage the presence of modern-minded men in the fake Middle Ages, then why can't they stretch them that little bit further to put in modern-minded women, or modern-minded social values? It strikes me as being extremely convenient that the one universally permitted exception to this species of "authenticity" is one that makes the male heroes look noble while still mandating that the women be downtrodden and in need of rescuing. -Comment at Staffer's Book Review 4/18/2012 to "Michael J. Sullivan on Character Agency

I have that old sinking feeling. I've been overly available, sickeningly sweet and forever enabling all in the name of being 'liked.' I've compromised myself. I've suffered fools, idiots and dullards. I've gone on far too many dates with men because I felt guilty that they liked me more than I liked them. I've fallen deeply and madly I'm love with men I've never met just because I thought they looked 'deep.' I've built whole futures with men I hardly knew; I've planned weddings and named invisible children based on a side glance. I've made chemistry where there was none. I've forced intimacy while building higher Walls. I've been alone in a two year relationship. I've faked more orgasms than I can count while being comfortable with no affection at all. I realise I have to make a decision right here and now. Do I go back to the sliver of a person I was before or do I, despite whatever bullshit happened tonight, hold on to this... This authenticity? If I go back to the the way I was before tonight, I'll have to compromise myself, follow rules with men who have none, hold my tongue, be quiet and laugh at shitty jokes. I have to never be challenged, yet be called challenging when I have an opinion or, really, speak at all. I'll never be torched by someone and get goosebumps again. I'll never be outside of myself. I'll never let go. I'll never lose myself. I'll never know what real love is - both for someone else and for me. I'll look back on this life and wish I could do it all over again. I finally see the consequences of that life. The path more travelled only led to someone else's life: an idealised, saturated world of White picket fences and gingham tablecloths. A life where the real me is locked away. Sure i had a plus-one but at what price? No. No matter how awkward and painful this gets, I can't go back.

I think that a lot of the time, people are generous towards those whom they pity; but only find fault in those whom they see as better than themselves. There is a fake kind of goodness; and that is the goodness that is only good towards other people that make the givers feel better about themselves. Would you be good to someone you think is so much better than you are? Or who has so much more than you have? Or is your goodness only reserved for those who make you feel like a god because you give to them? Too often, there are shining, beautiful people, who suffer so much in this world, because there would be so many others willing to snuff out their flames! Goodness of a person is not measured by sympathy or compassion; rather, goodness is measured by empathy. Empathy goes beyond all the physical things you see with your two eyes. It’s easy to be good to those you pity; much harder to be good to those whom you envy!

The Bible said the devil may come in many forms. Some time he may appear as a friend, celebrity or even a pretty girl or well built young man. A well paying job, easy money opportunity or simply a chance at something too good to be true. More the often it probably is.

In childhood, he declared, the word-rich get richer and the word-poor get poorer, a phenomenon he called the “Matthew Effect”41 after a passage in the New Testament. There is also a Matthew-Emerson Effect for background knowledge: those who have read widely and well will have many resources to apply to what they read; those who do not will have less to bring, which, in turn, gives them less basis for inference, deduction, and analogical thought and makes them ripe for falling prey to unadjudicated information, whether fake news or complete fabrications. Our young will not know what they do not know. Others, too. Without sufficient background

The only thing we can do now,” said Benjy, crouching and stroking his whiskers in thought, “is to try and fake a question, invent one that will sound plausible.” “Difficult,” said Frankie. He thought. “How about, What's yellow and dangerous?” Benjy considered this for a moment. “No, no good,” he said. “Doesn't fit the answer.” They sank into silence for a few seconds. “All right,” said Benjy. “What do you get if you multiply six by seven?” “No, no, too literal, too factual,” said Frankie, “wouldn't sustain the punter's interest.” Again they thought. Then Frankie said: “Here's a thought. How many roads must a man walk down?” “Ah!” said Benjy. “Aha, now that does sound promising!” He rolled the phrase around a little. “Yes,” he said, “that's excellent! Sounds very significant without actually tying you down to meaning anything at all. How many roads must a man walk down? Forty-two. Excellent, excellent, that'll fox 'em. Frankie, baby, we are made!

This too to remember. If a man writes clearly enough any one can see if he fakes. If he mystifies to avoid a straight statement, which is very different from breaking so-called rules of syntax or grammar to make an effect which can be obtained in no other way, the writer takes a longer time to be known as a fake and other writers who are afflicted by the same necessity will praise him in their own defense. True mysticism should not be confused with incompetence in writing which seeks to mystify where there is no mystery but is really only the necessity to fake to cover lack of knowledge or the inability to state clearly. Mysticism implies a mystery and there are many mysteries; but incompetence is not one of them; nor is overwritten journalism made literature by the injection of a false epic quality. Remember this too: all bad writers are in love with the epic.

In many advanced democracies there is now no common debate, let alone a common narrative. People have always had different opinions. Now they have different facts. At the same time, in an information sphere without authorities--political, cultural, moral--and no trusted sources, there is no easy way to distinguish between conspiracy theories and true stories. False, partisan, and often deliberately misleading narratives now spread in digital wildfires, cascades of falsehood that move too fast for fact checkers to keep up. And even if they could, it no longer matters: a part of the public will never read or see fact-checking websites, and if they do they won't believe them.

It’s strange,” Rick said. “I had the absolute, utter, completely real illusion that I had become Mercer and people were lobbing rocks at me. But not the way you experience it when you hold the handles of an empathy box. When you use an empathy box you feel you’re with Mercer. The difference is I wasn’t with anyone; I was alone.” “They’re saying now that Mercer is a fake.” “Mercer isn’t a fake,” he said. “Unless reality is a fake.” This hill, he thought. This dust and these many stones, each one different from all the others. “I’m afraid,” he said, “that I can’t stop being Mercer. Once you start it’s too late to back off.” Will I have to climb the hill again? he wondered. Forever, as Mercer does…trapped by eternity. “Good-bye,” he said.

Absenteeism runs rife, with too many unethical doctors willing to supply fake illness certificates. "My dentist was flummoxed when he was asked by a Finanza major to provide his wife with a (false) certificate claiming he’d been performing oral surgery on her on a day she had skipped work. But he did it. “What else could I do? I mean, I might need the guy for a favor sometime.

What I'm sure of," he began, "is that you can't be happy without money. That's all. I don't like superficiality and I don't like romanticism. I like to be conscious. And what I've noticed is that there's a kind of spiritual snobbism in certain 'superior beings' who think that money isn't necessary for happiness. Which is stupid, which is false, and to a certain degree cowardly. You see, Mersault, for a man who is well born, being happy is never complicated. It's enough to take up the general fate, only not with the will for renunciation like so many fake great men, but with the will for happiness. Only it takes time to be happy. A lot of time. Happiness, too, is a long patience. And in almost every case, we use up our lives making money, when we should be using our money to gain time. That's the only problem that's ever interested me. Very specific. Very clear." (...) "Oh, I know perfectly well that most rich men have no sense of happiness. But that's not the question. To have money is to have time. That's my main point. Time can be bought. Everything can be bought. To be or to become rich is to have time to be happy, if you deserve it.

Most of the crime-ridden minority neighborhoods in New York City, especially areas like East New York, where many of the characters in Eric Garner’s story grew up, had been artificially created by a series of criminal real estate scams. One of the most infamous had involved a company called the Eastern Service Corporation, which in the sixties ran a huge predatory lending operation all over the city, but particularly in Brooklyn. Scam artists like ESC would first clear white residents out of certain neighborhoods with scare campaigns. They’d slip leaflets through mail slots warning of an incoming black plague, with messages like, “Don’t wait until it’s too late!” Investors would then come in and buy their houses at depressed rates. Once this “blockbusting” technique cleared the properties, a company like ESC would bring in a new set of homeowners, often minorities, and often with bad credit and shaky job profiles. They bribed officials in the FHA to approve mortgages for anyone and everyone. Appraisals would be inflated. Loans would be approved for repairs, but repairs would never be done. The typical target homeowner in the con was a black family moving to New York to escape racism in the South. The family would be shown a house in a place like East New York that in reality was only worth about $15,000. But the appraisal would be faked and a loan would be approved for $17,000. The family would move in and instantly find themselves in a house worth $2,000 less than its purchase price, and maybe with faulty toilets, lighting, heat, and (ironically) broken windows besides. Meanwhile, the government-backed loan created by a lender like Eastern Service by then had been sold off to some sucker on the secondary market: a savings bank, a pension fund, or perhaps to Fannie Mae, the government-sponsored mortgage corporation. Before long, the family would default and be foreclosed upon. Investors would swoop in and buy the property at a distressed price one more time. Next, the one-family home would be converted into a three- or four-family rental property, which would of course quickly fall into even greater disrepair. This process created ghettos almost instantly. Racial blockbusting is how East New York went from 90 percent white in 1960 to 80 percent black and Hispanic in 1966.

I had tracked down a little cafe in the next village, with a television set that was going to show the World Cup Final on the Saturday. I arrived there mid-morning when it was still deserted, had a couple of beers, ordered a sensational conejo au Franco, and then sat, drinking coffee, and watching the room fill up. With Germans. I was expecting plenty of locals and a sprinkling of tourists, even in an obscure little outpost like this, but not half the population of Dortmund. In fact, I came to the slow realisation as they poured in and sat around me . . . that I was the only Englishman there. They were very friendly, but there were many of them, and all my exits were cut off. What strategy could I employ? It was too late to pretend that I was German. I’d greeted the early arrivals with ‘Guten Tag! Ich liebe Deutschland’, but within a few seconds found myself conversing in English, in which they were all fluent. Perhaps, I hoped, they would think that I was an English-speaker but not actually English. A Rhodesian, possibly, or a Canadian, there just out of curiosity, to try to pick up the rules of this so-called ‘Beautiful Game’. But I knew that I lacked the self-control to fake an attitude of benevolent detachment while watching what was arguably the most important event since the Crucifixion, so I plumped for the role of the ultra-sporting, frightfully decent Upper-Class Twit, and consequently found myself shouting ‘Oh, well played, Germany!’ when Helmut Haller opened the scoring in the twelfth minute, and managing to restrain myself, when Geoff Hurst equalised, to ‘Good show! Bit lucky though!’ My fixed grin and easy manner did not betray the writhing contortions of my hands and legs beneath the table, however, and when Martin Peters put us ahead twelve minutes from the end, I clapped a little too violently; I tried to compensate with ‘Come on Germany! Give us a game!’ but that seemed to strike the wrong note. The most testing moment, though, came in the last minute of normal time when Uwe Seeler fouled Jackie Charlton, and the pig-dog dolt of a Swiss referee, finally revealing his Nazi credentials, had the gall to penalise England, and then ignored Schnellinger’s blatant handball, allowing a Prussian swine named Weber to draw the game. I sat there applauding warmly, as a horde of fat, arrogant, sausage-eating Krauts capered around me, spilling beer and celebrating their racial superiority.

Too many relationships and marriages were working because they had parties to go to, weddings to attend, vacations to splurge on, other couples to compete with and people to impress. But now these couples have to sit in front of each other in a world that's ending and rebirthing as something entirely different, and they're realising, that when all those factors are taken away, the person in front of them is someone they don't even like. Friedrich Nietzsche once said, "Invisible threads are the strongest ties" and couples today are comprehending, that they don't have those threads. They only had the visible ones.

Georgia took once a creative-writing course, and what the instructor told her was: Too many things. Too many things going on at the same time; also too many people. Think, he told her. What is the important thing? What do you want us to pay attention to? Think. Eventually she wrote a story that was about her grandfather killing chickens, and the instructor seemed to be pleased with it. Georgia herself thought that it was a fake. She made a long list of all the things that had been left out and handed it in as an appendix to the story. The instructor said that she expected too much, of herself and of the process, and that she was wearing him out. The course was not a total loss, because Georgia and the instructor ended up living together.

But mostly, finally, ultimately, I'm here for the weather. As a result of the weather, ours is a landscape in a minor key, a sketchy panorama where objects, both organic and inorganic, lack well-defined edges and tent to melt together, creating a perpetual blurred effect, as if God, after creating Northwestern Washington, had second thoughts and tried unsuccessfully to erase it. Living here is not unlike living inside a classical Chinese painting before the intense wisps of mineral pigment had dried upon the silk - although, depending on the bite in the wind, they're times when it's more akin to being trapped in a bad Chinese restaurant; a dubious joint where gruff waiters slam chopsticks against the horizon, where service is haphazard, noodles soggy, wallpaper a tad too green, and considerable amounts of tea are spilt; but in each and every fortune cookie there's a line of poetry you can never forget. Invariably, the poems comment on the weather. In the deepest, darkest heart of winter, when the sky resembles bad banana baby food for months on end, and the witch measles that meteorologists call "drizzle" are a chronic gray rash on the skin of the land, folks all around me sink into a dismal funk. Many are depressed, a few actually suicidal. But I, I grow happier with each fresh storm, each thickening of the crinkly stratocumulus. "What's so hot about the sun?" I ask. Sunbeams are a lot like tourists: intruding where they don't belong, promoting noise and forced activity, faking a shallow cheerfulness, dumb little cameras slung around their necks. Raindrops, on the other hand, introverted, feral, buddhistically cool, behave as if they were locals. Which, of course, they are.

Today, democracy is being weakened by lies that come in waves and pound our senses the way a beach is assaulted by the surf. Leaders who play by the rules are having trouble staying ahead of a relentless news cycle and must devote too much effort trying to disprove stories that seem to come out of nowhere and have been invented solely to do them in. All this has consequences. Small "d" democrats riding to power on the promise of change often begin to lose popularity the day they take office. Globalization, which is not an ideological choice but a fact of life, has become for many an evil to be fought at all costs. Capitalism is considered a four-letter word by an increasing number of people who--if not for its fruits--would be without food, shelter, clothing, and smartphones. In a rising number of countries, citizens profess a lack of faith in every public institution and the official data they produce.

Not many of us will be able to go, because a crowd that large would draw too much attention. Evelyn won’t let us leave without a fight, so I thought it would be best to recruit people who I know to be experienced with surviving danger.” I glance at Tobias. We certainly are experienced with danger. “Christina, Tris, Tobias, Tori, Zeke, and Peter are my selections,” Cara says. “You have all proven your skills to me in one way or another, and it’s for that reason that I’d like to ask you to come with me outside the city. You are under no obligation to agree, of course.” “Peter?” I demand, without thinking. I can’t imagine what Peter could have done to “prove his skills” to Cara. “He kept the Erudite from killing you,” Cara says mildly. “Who do you think provided him with the technology to fake your death?” I raise my eyebrows. I had never thought about it before--too much happened after my failed execution for me to dwell on the details of my rescue. But of course, Cara was the only well-known defector from Erudite at that time, the only person Peter would have known to ask for help. Who else could have helped him? Who else would have known how? I don’t raise another objection. I don’t want to leave this city with Peter, but I’m too desperate to leave to make a fuss about it. “That’s a lot of Dauntless,” a girl at the side of the room says, looking skeptical. She has thick eyebrows that don’t stop growing in the middle, and pale skin. When she turns her head, I see black ink right behind her ear. A Dauntless transfer to Erudite, no doubt. “True,” Cara says. “But what we need right now are people with the skills to get out of the city unscathed, and I think Dauntless training makes them highly qualified for that task.” “I’m sorry, but I don’t think I can go,” Zeke says. “I couldn’t leave Shauna here. Not after her sister just…well, you know.” “I’ll go,” Uriah says, his hand popping up. “I’m Dauntless. I’m a good shot. And I provide much-needed eye candy.” I laugh. Cara does not seem to be amused, but she nods. “Thank you.

When you’re on the dance floor screaming louder than the amps and dancing to the pulse of the lights, you’re in the bubble. As soon as the bubble bursts, that it, you’re now outside it all. The swinging arms of the crowd become shutting barriers; the lights blind you and force you back; the deafening music becomes a solid wall of impenetrable sound. It’s like you stop being one of the actors and turn into one of the film crew behind the scenes. You just have to stand back and watch in silence; the fake set slides away from you on wheels and you’re left in the dark shadows, waiting for the director to shout, ‘Cut!’ just so you can move again. As soon as you step foot inside a club, you know that you have to keep in that bubble moment; keep drinking; keep dancing; keep mingling. Until one drink too many, exhausted from the dancing, you mingle beyond the last person in the club and fall outside the moment. Then it’s lost forever and you end up sitting next to a sleeping drunk or leaning against a pile of discarded coats.

Everyone and their TV commercial wants you to believe that the key to a good life is a nicer job, or a more rugged car, or a prettier girlfriend, or a hot tub with an inflatable pool for the kids. The world is constantly telling you that the path to a better life is more, more, more—buy more, own more, make more, fuck more, be more. You are constantly bombarded with messages to give a fuck about everything, all the time. Give a fuck about a new TV. Give a fuck about having a better vacation than your coworkers. Give a fuck about buying that new lawn ornament. Give a fuck about having the right kind of selfie stick. Why? My guess: because giving a fuck about more stuff is good for business. And while there’s nothing wrong with good business, the problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck about more; it’s giving a fuck about less, giving a fuck about only what is true and immediate and important.

Surely a one-and-a-half-year-old infant was unable to grasp what it meant for a man who was not his father to be sucking his mother’s breasts. That much was clear. So if this memory of Tengo’s was genuine, the scene must have been seared into his retinas as a pure image free of judgment—the way a camera records objects on film, mechanically, as a blend of light and shadow. And as his consciousness matured, the fixed image held in reserve would have been analyzed bit by bit, and meaning applied to it. But is such a thing even possible? Was the infant brain capable of preserving images like that? Or was this simply a false memory of Tengo’s? Was it just something that his mind had later decided—for whatever purpose or plan—to make up on its own? Tengo had given plenty of thought to the possibility that this memory might be a fabrication, but he had arrived at the conclusion that it probably was not. It was too vivid and too deeply compelling to be fake. The light, the smells, the beating of his heart: these felt overwhelmingly real, not like imitations. And besides, it explained many things—both logically and emotionally—to assume that the scene was real.

The issue is not merely one of false stories, incorrect facts, or even election campaigns and spin doctors: the social media algorithms themselves encourage false perceptions of the world. People click on the news they want to hear; Facebook, YouTube, and Google then show them more of whatever it is that they already favor, whether it is a certain brand of soap or a particular form of politics. The algorithms radicalize those who use them too. If you click on perfectly legitimate anti-immigration YouTube sites, for example, these can lead you quickly, in just a few more clicks, to white nationalist sites and then to violent xenophobic sites. Because they have been designed to keep you online, the algorithms also favor emotions, especially anger and fear. And because the sites are addictive, they affect people in ways they don't expect. Anger becomes a habit. Divisiveness becomes normal. Even if social media is not yet the primary news source for all Americans, it already helps shape how politicians and journalists interpret the world and portray it. Polarization has moved from the online world into reality. The result is a hyper-partisanship that adds to the distrust of "normal" politics, "establishment" politicians, derided "experts," and "mainstream" institutions--including courts, police, civil servants--and no wonder. As polarization increases, the employees of the state are invariably portrayed as having been "captured" by their opponents. It is not an accident that the Law and Justice Party in Poland, the Brexiteers in Britain, and the Trump administration in the United States have launched verbal assaults on civil servants and professional diplomats. It is not an accident that judges and courts are now the object of criticism, scrutiny, and anger in so many other places too. There can be no neutrality in a polarized world because there can be no nonpartisan or apolitical institutions.

How will I choose?” she finally muttered. “Pick something that doesn’t make you look like a slut. That’ll narrow it down,” Bailey said, now frowning at a headless mannequin wearing a tiny wedding dress with a long train. “Oh, and stay away from too much lace. Don’t want to look like someone’s grandma.” A wide-eyed Farah looked at me as I took her hand. “This is fun. We’re going to look at them all and pick our favorites. Then, you’ll try them on and narrow them down. With so many to choose from, you’re sure to find the perfect dress.” “I just don’t want to look like I’m trying too hard.” “You’re an idiot,” Bailey snorted. “Trying too hard to what?” “Look fancy.” “You’re wearing a fucking wedding dress. You’re supposed to look fancy. It’s not like you’re ever getting married again. If things don’t work out with Coop, he’ll never let you go. Nope, you’ll be heading for a shallow grave.” While Farah rolled her eyes, I stared at Bailey who shrugged. “Too honest? “Is that a real question?” Bailey grinned. “What I meant to say was Farah and Cooper are so fucking perfect for each other that they’ll never get divorced, so she should wear the fanciest damn dress she can find. It’s what I would do if I was once dirt poor and now had money.” “Great effort, but you lost a little bit of your fake niceness at the end.” Bailey grinned. “Great effort is still something.” “Yes, it is,” I said, taking Farah’s hand. “Let’s start narrowing things down. I’ll show you a dress and you decide if it’s too poofy or not poofy enough. We’ll eventually hit the right level of poofy.” Farah laughed. “I want a good amount of poofy. It’s rare that a girl can be poofy without looking stupid.” “Maddy will be poofy no matter what she wears,” Bailey said as Maddy entered with Jodi and Sawyer. “I don’t even know how she can get a bridesmaid dress if she’s going to swell up more before the wedding.” Everyone frowned at Bailey who glanced at me then back at Maddy and added, “You’re swelling with the gift of life.” Maddy laughed. “Was that you being nice?” “That was me trying, yes.

The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.

A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.

Miss Manners keeps urging people (to no avail whatsoever) not to make personal celebrations into office parties. These are not people who were drawn together voluntarily by mutual affection, but co-workers who are there to make their living. True, many of them may become friends and share one another's joys and sorrows, but others may find that a cordial working relationship is all they want or can manage to summon to conceal their distaste. It can become too much to expect these people to fake warmth, which is a good reason for not setting up office events that require this.

Snacks? What kind of snacks?” I asked. “Something called chips, which are made from potatoes, and different kinds of candies.” “Oh, you’re gonna sell candy, too?” “Yeah, but totally different from the candy shop.” “I see.” “I hope you’ll come by for the grand opening.” “When is it?” “Hopefully, next week. I’ll let you know.” I nodded. “Okay, I’ll try to make it, Tes.” “Cool. Thank you. Alright, I’m going to get some more food,” he said and left. A few minutes later, Maky got on the microphone and announced that the dancing portion of the night was going to start soon. “Woohoo! It’s dancing time,” said Arthur excitedly. “You know who I’m going to ask to dance with me?” “Who?” I asked. “Autumn,” answered Pierce. “Yup! Hopefully, she’ll agree.” “What about you, Pierce? Are you gonna ask anyone to dance?” “Um, I don’t know. Maybe I’ll just dance by myself or with a group of friends,” the knight answered. “Cool…” I said sadly because I felt a little bit left out. “Or you know, maybe I’ll just hang out with you.” “Naw, I’m fine. You don’t have to keep me company.” Then suddenly, music started playing from the speakers that were set up at all the four corners of the city square. “Oh, here we go! I’ll be back later,” said Arthur as he took off to find Autumn. As the music played, I looked around for Maky’s band, but they were nowhere in sight. “Hm. This music must be coming from the jukebox,” I said. “Yeah, I don’t think Maky is playing tonight,” said Pierce. “She’s not? Why not? They’re super good.” “I don’t know, Steve.” “Hm. Oh, look. People are starting to take to the dance floor.” Slowly, a couple of villagers made their way toward the center of the city square. They were nervous about being the first ones, but soon after, many others followed their lead. Before I knew it, there were a ton of villagers in the middle, jumping up and down and dancing to the music. “That looks like fun…” I said. “Yeah…” said Pierce. “You should go join them.” “N-nah. I like sitting here.” Right when Pierce said that, someone came by and grabbed his hand and pulled him to the dance floor. “Come on, Pierce, let’s show them how it’s done,” said Leila. “B-but I’m not that good!” said Pierce. I tried my best to smile and said, “Have fun…” With my fake smile on, I watched as Pierce was dragged into the middle. Leila had stolen my only company away from me, and that made me feel super left out. I sighed and thought to myself, I wish I was out of this chair already. But I knew I didn’t have a choice, so I just sat in my chair and nodded along to the music. A few minutes later, the first song ended and the next one came on. I just continued sitting there while watching my friends have fun. In the middle, I could see Arthur dancing with Autumn, Cindy dancing with Arceus, and Leila dancing with Pierce. Shortly after, someone came by to talk to me. “Hey, Steve! How ya doing?” Maky asked while breathing hard. “Maky? Why aren’t you playing tonight?” I asked. “Oh, because I wanted to dance and have fun tonight. I mean, playing my instrument is fun, too, but dancing is a different kind of fun.” “I see.” “So, what are you doing over here? You don’t want to join the fun?” “Uh, there’s not much fun to be had when I’m stuck in a wheel chair.” “Oh, that’s nonsense!” Then she ran behind my chair, tilted it slightly backwards and pushed me off toward the middle of the dance floor. “Whoa! What are you doing?!” “We’re going to dance!” “Huh?!

problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck about more; it’s giving a fuck about less, giving a fuck about only what is true and immediate and important.

It is also one of its best anti-counterfeit measures because it is hard to fake with wood-based paper. The particular texture of cotton paper is something that bank machines monitor. Humans are very sensitive to it, too. If there is any doubt about a banknote, there is an easy chemical test that can confirm whether it’s cotton or not. This is done in many shops using an iodine pen. When used on cellulose-based paper, the iodine reacts with the starch in the cellulose to create a pigment and so appears black. When the same pen is used on cotton paper there is no starch for the iodine to react with, and no mark appears. This basic measure allows shops to protect themselves from counterfeits produced using color photocopiers.

Take the time to vet the source before you make it a resource. The influx of fake authority, false answers and fabricated tips, sprinkled with only motivation and inspiration has been leading too many entrepreneurs, start ups & beginners down some of the worst roads possible.

the problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck about more; it’s giving a fuck about less, giving a fuck about only what is true and immediate and important.

Meier is a Swiss farmer, whose story centres around his alleged contacts with aliens from the Pleiades and his production of literally hundreds of relatively clear, colour photos of UFOs. Many ufologists regard these photos as simply too good to be true, and believe them to be fakes. The sceptics point to

So let’s make room for more types of confidence beyond the sharpest-elbowed, loudest-voice-in-the-room style that has been the marker for leadership for so many years. We should not have to “fake it until we make it” and be performative about being confident. Let’s recognize all these other forms of confidence that have been undervalued for way too long, especially those more feminine strengths. Repeat after me: confidence is a plural, not a singular construct.

After that we had Math Class. Pencils ready! she yelled. If you’ve got a two thousand-piece puzzle of an Amish farm and you manage to add three pieces to the puzzle per day, how many more days will you need to stay alive to get it done? Math Class was interrupted by the doorbell. Ball Game! yelled Grandma. Who could it be? The doorbell ringer is set to “Take Me Out to the Ball Game,” which Grandma forces me to sing with her during the seventh-inning stretch even if we’re just watching the game in our living room. She makes me stand up for the anthem at the beginning, too. Mom doesn’t stand up for the anthem because Canada is a lie and a crime scene. It was Jay Gatsby. He wants to tear our house down. I went to the door and opened it and told him, It’s yours for twenty million dollars. He said, Listen, can I speak with your mother. You said the last time— Twenty-five million dollars, I said. Sorry, said Jay Gatsby, I’d like to speak with— Thirty million dollars, capitalist, do you understand English? I slammed the door shut. Grandma said that was a bit overkill. He’s afraid of death, said Grandma. She said it like an insult. He’s lost his way! Jay Gatsby wants to tear down our house and build an underground doomsday-proof luxury vault. Jay Gatsby bought a house on a tropical island once and then forced every other person living on the island to sell their house to him so that he had the whole island to himself to do ecstasy and yoga with ex-models. He forced all the models to take pills that made their shit gold and sparkly. Mom said he’s had fake muscles put into his calves. She knows this because one day she saw him on the sidewalk outside the bookstore and his calves were super skinny and three days later they were bulging and had seams on them. Mom said he went to a place in Cleveland, Ohio to get it done where you can also have your vag tightened up if you feel like it. Then you can just sit around with your S.O. vaping all day with your giant fake calves and stitched-up wazoo and be spied on by your modern thermostat which is a weapon of the state they just call “green” because of sales and Alexa and shit and practicing mindfulness hahahaha and just be really, really, really happy that you don’t have half a fucking brain between the two of you.

And while there’s nothing wrong with good business, the problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck about more; it’s giving a fuck about less, giving a fuck about only what is true and immediate and important.

Here was a man who, if he wanted, could spend every waling moment in self-pity, feeling his body for decay, counting his breaths. So many people with far smaller problems are so self-absorbed, their eyes glaze over if you speak for more than thirty seconds. They already have something else in mind- a friend to call, a fax to send, a lover they're daydreaming about. They only snap back to full attention when you finish talking, at which point they say "Uh-huh" or "Yeah, really" and fake their way back to the moment. "Part of the problem, Mitch, is that everyone is in such ahurry," Morrie said. "People haven't found meaning in their lives, so they're running all the time looking fo rit. They think the next car, the next house, the next job. Then they find those things are empty, too, and they keep running.

Ehsan Sehgal Quotes about Media — — — * Words matter and mirror if your head is a dictionary of insight and your feelings are alive. * Sure, fake news catches and succeeds attention, but for a while; however, it embraces disregard and unreliability forever. * Media rule the incompetent minds and pointless believers. * A real journalist only states, neither collaborates nor participates. * The majority of journalists and anchors have the information only but not the sense of knowledge. * When the media encourages and highlights the wrong ones, anti-democratic figures, criminals in uniform, and dictators in a supreme authority and brilliant context, sure, such a state never survives the breakdown of prosperity and civil rights, as well as human rights. Thus, the media is accountable and responsible for this as one of the democratic pillars. *Media cannot be a football ground or a tool for anyone. It penetrates the elementary pillar of a state, it forms and represents the language of entire humanity within its perception of love, peace, respect, justice, harmony, and human rights, far from enmity and distinctions. Accordingly, it demonstrates its credibility and neutrality. * When the non-Western wrongly criticizes and abuses its culture, religion, and values, the Western media highlights that often, appreciating in all dimensions. However, if the same one even points out only such subjects, as a question about Western distinctive attitude and role, the West flies and falls at its lowest level, contradicting its principles of neutrality and freedom of press and speech, which pictures, not only double standards but also double dishonesty with itself and readers. Despite that, Western media bother not to realize and feel ignominy and moral and professional stigma. * Social Media has become the global dustbin of idiocy and acuity. It stinks now. Anyone is there to separate and recycle that. Freedom of speech doesn’t mean to constitute insulting, abusing, and harming deliberately in a distinctive and discriminative feature and context, whereas supporting such notions and attempts is a universal crime. * Social media is a place where you share your favourite poetry, quotes, songs, news, social activities, and reports. You can like something, you can comment, and you can use humour in a civilised way. It is social media, but it is not a place to love or be loved. Any lover does not exist here, and no one is serious in this regard. Just enjoy yourself and do not try to fool anyone. If you do that, it means you are making yourself a fool; it is a waste of time, and it is your defeat too. * I use social media only to devote and denote my thoughts voluntarily for the motivation of knowledge, not to earn money as greedy-minded. * One should not take seriously the Social-Media fools and idiots. * Today, on social media, how many are on duty? * Journalists voluntarily fight for human rights and freedom of speech, whereas they stay silent for their rights and journalistic freedom on the will and restrictions of the boss of the media. Indeed, it verifies that The nearer the church, the farther from god. * The abuse, insult, humiliation, and discrimination against whatever subject is not freedom of expression and writing; it is a violation and denial of global harmony and peace. * Press freedom is one significant pillar of true democracy pillars, but such democracy stays deaf, dumb, and blind, which restricts or represses the media. * Press and speech that deliberately trigger hatred and violation fall not under the freedom of press and speech since restrictions for morale and peace apply to everyone without exemption. * Real press freedom is just a dream, which nowhere in the world becomes a reality; however, journalists stay dreaming that.

Her words did not add up to anything I could understand, but they were apparently all I was going to get. Did Rita really think that Lily Anne was growing into some kind of gigantic creature, like in Alice in Wonderland, and soon the house would be too small to contain her? Or was there some hidden message here, possibly in Aramaic, that would take me years of study to decipher? I have heard and read many suggestions about what it takes to make a marriage work, but at the moment what mine seemed to need most was a translator. “Rita, you’re not making any sense,” I said, with all the gentle patience I could fake. She

A study of advertising found that the average person in Shanghai saw three times as many advertisements in a typical day as a consumer in London. The market was flooded with new brands seeking to distinguish themselves, and Chinese consumers were relatively comfortable with bold efforts to get their attention. Ads were so abundant that fashion magazines ran up against physical constraints: editors of the Chinese edition of Cosmopolitan once had to split an issue into two volumes because a single magazine was too thick to handle. My cell phone was barraged by spam offering a vast range of consumption choices. “Attention aspiring horseback riders,” read a message from Beijing’s “largest indoor equestrian arena.” In a single morning, I received word of a “giant hundred-year-old building made with English craftsmanship” and a “palace-level baroque villa with fifty-four thousand square meters of private gardens.” Most of the messages sold counterfeit receipts to help people file false expense reports. I liked to imagine the archetypal Chinese man of the moment, waking each morning in a giant English building and mounting his horse to cross his private garden, on the way to buy some fake receipts.

So many women have cancer now. Do you think a new esthetic can develop? Cancer beauty? I mean, if there could be heroin chic, the esthetic of the death-wishing drug addict? Will non-cancerous women be begging their cosmetic surgeons to give them fake node implants under their chins and around their necks? Under their arms? In their groins? So sexy, that fullness. And it works so well as an anti-aging technique, to fill out that sagging turkey neck. Who wouldn't want it? And the jewelry, the titanium pellets piercing those tits. So S&M/bondage." Dunja kept talking in Nathan's head as he segued into a parallel inner dialogue with her about health and evolution, about the theory that concepts of beauty were not just concepts, but perceptions of indicators of reproductive potential and therefore of youth, about selfish genes using our bodies as vehicles only to perpetuate themselves, about how perhaps cancer genes could begin to make their own case for reproductive immortality as well, and so they too would put immense pressure on cultural acceptance of formerly taboo concepts of beauty, concepts which used to indicate disease and nearness to death but now mesmerized and seduced and mimicked youth and ripeness and health, and so her little fantasy of a culture forming around her own dire straits could theoretically... Nathan could only just manage to keep looking into her searching eyes, feeling at that moment very sentimental and ordinary, and therefore mute. Could he really say anything about classical concepts of art, and therefore beauty, based on harmony, as opposed to modern theories, post-industrial-revolution, post-psychoanalysis, based on sickness and dysfunction? Could he make a case for her new, diseased self as the most avant-garde form of womanly beauty? He didn't dare, but she did.

People have little importance to me because they are unconscious to their real self. And that self that I see in them, they can't see in themselves. They're only manifesting a very small portion of what they could be. Honesty and kindness could unlock many things in their spirit but most people are too afraid and trapped within themselves, their mind, their fake beliefs. And so, I observe everything in them that they may spend an entire lifetime never seeing. I know their wants, their qualities, their dreams, their needs, their spiritual lessons, their karma, their past lives. They only know what their friends, trapped by the same ignorance, believe that they are.

Marc Goodman is a cyber crime specialist with an impressive résumé. He has worked with the Los Angeles Police Department, Interpol, NATO, and the State Department. He is the chief cyber criminologist at the Cybercrime Research Institute, founder of the Future Crime Institute, and now head of the policy, law, and ethics track at SU. When breaking down this threat, Goodman sees four main categories of concern. The first issue is personal. “In many nations,” he says, “humanity is fully dependent on the Internet. Attacks against banks could destroy all records. Someone’s life savings could vanish in an instant. Hacking into hospitals could cost hundreds of lives if blood types were changed. And there are already 60,000 implantable medical devices connected to the Internet. As the integration of biology and information technology proceeds, pacemakers, cochlear implants, diabetic pumps, and so on, will all become the target of cyber attacks.” Equally alarming are threats against physical infrastructures that are now hooked up to the net and vulnerable to hackers (as was recently demonstrated with Iran’s Stuxnet incident), among them bridges, tunnels, air traffic control, and energy pipelines. We are heavily dependent on these systems, but Goodman feels that the technology being employed to manage them is no longer up to date, and the entire network is riddled with security threats. Robots are the next issue. In the not-too-distant future, these machines will be both commonplace and connected to the Internet. They will have superior strength and speed and may even be armed (as is the case with today’s military robots). But their Internet connection makes them vulnerable to attack, and very few security procedures have been implemented to prevent such incidents. Goodman’s last area of concern is that technology is constantly coming between us and reality. “We believe what the computer tells us,” says Goodman. “We read our email through computer screens; we speak to friends and family on Facebook; doctors administer medicines based upon what a computer tells them the medical lab results are; traffic tickets are issued based upon what cameras tell us a license plate says; we pay for items at stores based upon a total provided by a computer; we elect governments as a result of electronic voting systems. But the problem with all this intermediated life is that it can be spoofed. It’s really easy to falsify what is seen on our computer screens. The more we disconnect from the physical and drive toward the digital, the more we lose the ability to tell the real from the fake. Ultimately, bad actors (whether criminals, terrorists, or rogue governments) will have the ability to exploit this trust.

Many aspire to freedom and speak of it in resplendent terms. Yet, few achieve it. For freedom will demand sacrifices that the men who speak of it find themselves too frightened to make. Therefore, we must refuse to be a nation of fearful men, and in doing so we must leave those men to the fate of other causes other than our own.

As Helmut Koester observes, 'the vast variety of interpretations of the historical Jesus that the current quest has proposed is bewildering', [...] Among the many Jesuses imagined and defended by historians, currently the most popular is the view that Jesus was an apocalyptic prophet (a detail notably nowhere to be found in Chilton's account). But judging by the book of Daniel, Daniel was an apocalyptic prophet, too, yet we know that book is complete fiction. Thus, finding evidence that the character of Jesus depicted in the Gospels was an apocalyptic prophet is no more a guarantee of his historicity than it is of Daniel's. Which is to say, no guarantee at all. When we know many of Jesus' apocalyptic predictions were learned from (perhaps even faked) hallucinations of a bizarre and monstrous Jesus-double in heaven (written up as the book of Revelation), the idea that he 'must' have been historical in order to have issued apocalyptic prophecies simply goes out the window. [...] Why are we to assume that the sayings attributed to Jesus in the Gospels didn't come from the very same origin as the sayings attributed to Jesus in the book of Revelation? Yes, we cannot presume they did. But neither can we simply presume they didn't.

Life is rarely that cut-and-dried. It depends on so many different things. Should two people give up without trying? No. But what if they do try, what if they fight like hell to get back to where they were, but that road is closed? I think if you love someone, hell, even if you just care deeply for them, their happiness comes first. So does your own. Life is long enough to make the effort but too short not to let go if it’s just not there. You can’t force something you don’t feel. That’s not fair to anyone.

Consensus was the world was ending, or would begin to end soon, if not by exponential environmental catastrophe then by some combination of nuclear war, the American two-party system, patriarchy, white supremacy, gentrification, globalization, data breaches, and social media. People looked sad on the subway, in the bars; decisions were questioned, opinions rearranged. The same grave epiphany was dragged around everywhere: We were transitioning from an only retrospectively easy past to an inarguably more difficult future; we were, it could no longer be denied, unstoppably bad. Although the death of any hope for humanity had surely been decades in the making, the result of many intersecting systems described forbiddingly well, it was only that short period—between the election of a new president and his holding up a hand to swear to serve the people—that made clear what had happened, and showed that we were too late.

As I’ve said throughout this book, networked products tend to start from humble beginnings—rather than big splashy launches—and YouTube was no different. Jawed’s first video is a good example. Steve described the earliest days of content and how it grew: In the earliest days, there was very little content to organize. Getting to the first 1,000 videos was the hardest part of YouTube’s life, and we were just focused on that. Organizing the videos was an afterthought—we just had a list of recent videos that had been uploaded, and you could just browse through those. We had the idea that everyone who uploaded a video would share it with, say, 10 people, and then 5 of them would actually view it, and then at least one would upload another video. After we built some key features—video embedding and real-time transcoding—it started to work.75 In other words, the early days was just about solving the Cold Start Problem, not designing the fancy recommendations algorithms that YouTube is now known for. And even once there were more videos, the attempt at discoverability focused on relatively basic curation—just showing popular videos in different categories and countries. Steve described this to me: Once we got a lot more videos, we had to redesign YouTube to make it easier to discover the best videos. At first, we had a page on YouTube to see just the top 100 videos overall, sorted by day, week, or month. Eventually it was broken out by country. The homepage was the only place where YouTube as a company would have control of things, since we would choose the 10 videos. These were often documentaries, or semi-professionally produced content so that people—particularly advertisers—who came to the YouTube front page would think we had great content. Eventually it made sense to create a categorization system for videos, but in the early years everything was grouped in with each other. Even while the numbers of videos was rapidly growing, so too were all the other forms of content on the site. YouTube wasn’t just the videos, it was also the comments left by viewers: Early in we saw that there were 100x more viewers than creators. Every social product at that time had comments, so we added them to YouTube, which was a way for the viewers to participate, too. It seems naive now, but we were just thinking about raw growth at that time—the raw number of videos, the raw number of comments—so we didn’t think much about the quality. We weren’t thinking about fake news or anything like that. The thought was, just get as many comments as possible out there, and the more controversial the better! Keep in mind that the vast majority of videos had zero comments, so getting feedback for our creators usually made the experience better for them. Of course now we know that once you get to a certain level of engagement, you need a different solution over time.

giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction.

1776, when the Declaration of Independence was signed, there had already been several battles and many shots fired leading up to that moment. I find it amazing that people who claim to love America can know so little about American history. This fake version of the Revolution was relayed to me by multiple people and always in the context of telling me we should repeat it. I suspect, but I cannot prove, that this “no shots fired” version of 1776 was shared on online forums by people encouraging Trump supporters to break into the building. I think someone online was telling them, “Look! Just go down into the building and force them to resign. You can do it with no shots fired. That’s what George Washington did, so it’s OK for us to do it too.

One of the first lessons of marijuana: the world contains too many information bytes to fit into any one model. The second lesson: any model you create changes perceived information bytes until they fit it. Viewed through the eyes of paranoia, your best friend appears part of a conspiracy against you. Viewed through the eyes of a Shakespearean humanist like Orson Welles, a Hank Quinlan becomes, not just a redneck racist pig, but an enlarged and tormented image of the flaws in all of us. And this uniquely noir case of film noir also reminds us that fake evidence may support a true thesis: a paradox to ponder . . .

And then she kissed him. Because she realized life was too short for purgatory. And he was being completely honest with her. Love wasn’t always like the movies. There were many paths it took and not all of them were straightforward. Some were murky and dark with shadows and some had obstacles and secrets to be unearthed before people could find their way to each other. But whatever the path, it only required a person to carry three things to navigate it: a sense of humor, hope, and above all else forgiveness.

Outlandish feelings Outlandish worlds exist within us all, Because there are stars that rise and then they fall, Stars that belonged to a different world and now here in an alien world they are, Alienated from their native skies to be cast into worlds astoundingly too far, And in this outlandishness of rising feelings and many a belief, The mind with the heart seeks familiar trails of relief, But both lie mired in their unwillingness to accept forced retirement, Because loving her thoughts, believing in her brings wavers of excitement, That condition the mind to seek the heart that felt and knew her so well, In this outlandish emotional landscape where fate launches its ominous spell, To never let the mind find the heart that easily fell for her charms, Trapping the mind in new emotional storms, Where life is turned into this falling star, That gets thrown into a world of alien sentiments and a new emotional spar, Between the mind that seeks those known feelings and the heart that knew her so well, And deals with the hostile world of emotions where nothing feels like her and nothing bears her smell, And it is in these outlandish territories of life that few of us seek a domicile existence, Even if that means indulging in pretense and experience a few artificial moments of romance, Whatever the case maybe, the romantic mind always seeks the romantic heart, In these unknown landscapes where the fakeness of the alien feelings every sense does so easily outsmart, Until the mind learns to calm itself with the hope that fallen stars rise and shine again, And it forms a covenant of survival with the diabolic and ruthlessly crude spells of pain. And then life continues to wander in all directions seeking the heart that knew her, Until one day it resembles the life that hangs on the devil’s spur! But the aging mind is still rigid and unwilling to believe in the deceptive landscapes of this outlandish territory, Because it remembers all the heart beats of love and still believes in their fraternity, Finally one day the mind rises once again above the feelings of alienation, Because few minds believe in endlessly seeking her sequestered feelings of love with a God like determination!

Too many women are smeared just for occupying their [male] space. Particularly those whose space involves holding power. For women who venture into governance, the spreading of fake news and disinformation has been particularly pronounced. Research has found that female politicians are targeted far more than their male peers.

Giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck; it's giving a fuck about less, giving a fuck about only what is trye and immediate and important.

Giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck; it's giving a fuck about less, giving a fuck about only what is true and immediate and important.

Sabrina surely had one dead ex-boyfriend on her record. But did Martina have a deceased ex-boyfriend in her past too? Biggie’s words swirled in my head, mixing with the reality I faced: ’Sabrina reminding me of Lil Cease with her crocodile teeth, the warpath we rode apart and together, our laughter, our tears—my tears, their laughter—the player haters, the cocaine-snorting bitches, the cats with no dough, try to play me at my show, pull up and crack doors, short-change bitches with 5 to 20 euro notes not enough to powder their beak and nose. They still tickle me, Sabrina and them midgets cripple me, make me as hard as Martina's nipples be, I'm sour like a pickle be. You disobey the rules. Now the year’s new and I want my spot back; fake two, all the planes I flew, all the bitches I went through, mothersnuggers mad, cause I’m blue, bitches envy us, too many bitches in my club guard your dogs before I stick you for your re-up, maniacs put my name in raps, living by hugs from fake friends, your whole life you live sneaky, you burn when you creep me, you slipping try to break me, living by my love, hating me, they like to hustle backward, Acid rain, Cadillac Fleetwood look what you made me do, you made me and my girl Marine blue make you, open the safe too’ Della Reese had been on my mind since a while as if she wanted to tell me something a wisdom she wanted to share with me. The lyrics and the words the bad people played mindgames with me kept mixing up in my head. ’Maniacs put my name in raps; the club is dead without me they can hustle only backwards with all the beef against me. Blunt wraps and Dutchies, all the smoking accessories; they can't touch me. One third is on me. Martina's butt a public touchy-touchy. My enemies holding their cats shaky. Sabrina is dead or alive, her ghost is under me.

Ha ha ha ha!" This time, Ye Xiu laughed out loud. His laugh wasn't as fake as Sun Xiangs's. It was real laughter. Then he comcluded: :You're right. It wasn't necessary at all. Too many excessive movements will leave too many openeings." "Really? You just seem to be watching these openings pas by!" Sun Xiang replied, "Sorry, I wasn;t talking to you. Howeverm I have to express my thanks. You're extremely valuable teaching material! Keep up the good work!

Ha ha ha ha!" This time, Ye Xiu laughed out loud. His laugh wasn't as fake as Sun Xiangs's. It was real laughter. "You're right. It wasn't necessary at all. Too many excessive movements will leave too many openings." "Really? You just seem to be watching these openings pass by!" Sun Xiang replied, "Sorry, I wasn't talking to you. However, I have to express my thanks. You're extremely valuable teaching material! Keep up the good work!

Ha ha ha ha!" This time, Ye Xiu laughed out loud. His laugh wasn't as fake as Sun Xiangs'. It was real laughter. "You're right. It wasn't necessary at all. Too many excessive movements will leave too many openings." "Really? You just seem to be watching these openings pass by!" Sun Xiang replied, "Sorry, I wasn't talking to you. However, I have to express my thanks. You're extremely valuable teaching material! Keep up the good work!

the problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction.

We go to the parlor on Stormy’s floor to sit and thaw out. There’s only one reading light on, so it’s dim and quiet. All the residents are in their apartments for the night, it seems. It feels strange to be here without Stormy and everyone, like being at school at night. We sit on the fancy French-style couch, and I take off my boots so my feet can get warm. I wriggle my toes to get the feeling back. “Too bad we can’t start a fire,” John says, stretching his arms and looking at the fireplace. “Yeah, it’s fake,” I say. “There must be some sort of nursing-home law about fireplaces, I bet…” My voice trails off as I see Stormy, in her silky kimono, tiptoeing out of her apartment and down the hall. To Mr. Morales’s apartment. Oh my God. “What?” John asks, and I slap my hand over his mouth. I duck down low in my seat and slide all the way off the couch to the floor. I pull him down next to me. We stay down until I hear the door click closed. He whispers, “What is it? What did you see?” Sitting up, I whisper back, “I don’t know if you want to know.” “Dear God. What? Just tell me.” “I saw Stormy in her red kimono, sneaking into Mr. Morales’s apartment.” John chokes. “Oh my God. That’s…” I give him sympathetic eyes. “I know. Sorry.” Shaking his head, he leans back against the couch, his legs stretched out long in front of him. “Wow. This is rich. My great-grandmother has a way more active sex life than I do.” I can’t resist asking, “So then…I guess, have you not had sex with that many girls?” Hastily I say, “Sorry, I’m a very inquisitive person.” I scratch my cheek. “Some might say nosy. You don’t have to answer if you don’t want to.” “No, I’ll answer. I’ve never had sex with anybody.” “What!” I can’t believe it. How can that be? “Why are you so shocked?” “I don’t know, I guess I thought all guys were doing it.” “Well, I’ve only had one girlfriend, and she was religious, so we never did it, which was fine. Anyway, trust me, not all guys are having sex. I’d say the majority aren’t.” John pauses. “What about you?” “I’ve never done it either,” I say. He frowns, confused. “Wait, I thought you and Kavinsky…” “No. Why would you think that?” Oh. The video. I swallow. I thought maybe he was the one person who hadn’t seen it. “So you’ve seen the hot tub video, huh.” John hesitates and then, says, “Yeah. I didn’t know it was you at first, not until after the time capsule party when I figured out you guys were together. Some guy showed it to me in homeroom, but I didn’t look at it that closely.” “We were just kissing,” I say, ducking my head. “I wish you hadn’t seen it.” “Why? Honestly, it doesn’t matter to me at all.” “I guess I liked the thought of you looking at me a certain kind of way. I feel like people see me differently now, but you still thought of me as the old Lara Jean. Do you know what I mean?” “That is how I see you,” John says. “You’re still the same to me. I’ll always see you that way, Lara Jean.

Girlfriends are good as long as the relationship isn’t volatile. Don’t forget there are pesky little camera phones everywhere—so no public altercations, please. Careers have been ruined with video footage of players abusing their significant others.” I cringed. Fuck. I’d never hit Sunny. I’d never hit Bianca no matter how many times she’d egged me on. She continued. “I’ve quite enjoyed the pics you’ve posted of you and her. She looks good next to you—a tall blonde. Nice choice,” she said in a matter-of-fact tone as if I’d picked her out at the Girlfriend Store. Which wasn’t too far off from the truth.

giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck about more; it’s giving a fuck about less, giving a fuck about only what is true and immediate and important.

I'm hyptothetically confused. There're are too many fake people in this conversation.

The phrase “fake news” sounds too playful, too much like a schoolchild faking illness to get out of a test. These euphemisms obscure the fact that the sex-slave story is an out-and-out lie. The people who wrote it knew that it wasn’t true. There are not two sides to a story when one side is a lie. Journalists—and the rest of us—must stop giving equal time to things that don’t have a fact-based opposing side. Two sides to a story exist when evidence exists on both sides of a position. Then, reasonable people may disagree about how to weigh that evidence and what conclusion to form from it. Everyone, of course, is entitled to their own opinions. But they are not entitled to their own facts. Lies are an absence of facts and, in many cases, a direct contradiction of them.

because giving a fuck about more stuff is good for business. And while there’s nothing wrong with good business, the problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction.

I, too, had many boxes in my room that I didn't' want Cirrus to see. Only my boxes were the permanent kind.

And while there's nothing wrong with good business, the problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck about more; it's giving a fuck about less, giving a fuck about only what is true and immediate and important.

naturally occurring spore in these caves can be used, and there are many other requirements too. The milk can only come from three specific breeds of sheep, all of which have to be ranged in this area, where what they eat is natural and regulated. In addition, the time from milking to cheese making is tightly controlled. Every other step of the process, from maturation to cutting to packaging, must also occur here.

Six hundred years after it became protected, there are still only seven producers allowed to make all of the real Roquefort cheese. Today, the mold can be manufactured in a laboratory, but under French law, only mold produced from the naturally occurring spore in these caves can be used, and there are many other requirements too. The milk can only come from three specific breeds of sheep, all of which have to be ranged in this area, where what they eat is natural and regulated. In addition, the time from milking to cheese making is tightly controlled. Every other step of the process, from maturation to cutting to packaging, must also occur here.

A young guy walked up to him with an exaggerated swagger, his jeans riding low, his CK underwear showing - or fake ones, an a replacing the e in Klein. "You really the Baptist's cousin?" the guy said, squinting at him, giving Joshua a onceover like Malik had. If anything, he resembled both guards, just with a neck. He was also younger and skinnier, with a nose ring and a nest of short dreads flopping over his eyes, the back and sides closely cropped. "Yes," Joshua replied, glancing at the bullseye tattoo circling what looked like a tracheotomy scar. The guy touched the base of his throat, noticing the attention. "You're tall like him, got that crazy look too, like you've smoked too many Bible blunts." "Izzy!" Nico yelled, looking horrified. Izzy sniggered. "I mean no harm," he said, his smile saying otherwise.

When this book was written in the early 1950s, I was still quite impressed by the evidence for what is generally called the paranormal, and used it as a main theme of the story. Four decades later, after spending some millions of dollars of Yorkshire Television’s money researching my Mysterious World and Strange Powers programmes, I am an almost total skeptic. I have seen far too many claims dissolve into thin air, far too many demonstrations exposed as fakes.

I wake up the next morning with a headache behind my eyes and a pull in my gut that’s the result of one too many gummy worms, and probably a hasty decision to force my best friend into a fake relationship. Can you have a hangover from bad decisions? It seems likely.

Mediums, of course. A few psychics, too, though most of them are fakes. Also many geniuses, for reasons we don’t really understand, though it probably has something to do with their brain chemistry.” Claire adds, “Cats as well.” “Yes, that’s correct. Cats can see ghosts, too.” She pauses. “So can some gifted children.