Toni Storm Quotes

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Pain. I seem to have an affection, a kind of sweettooth for it. Bolts of lightning, little rivulets of thunder. And I the eye of the storm.
Toni Morrison (Jazz)
And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
Toni Morrison (Song of Solomon)
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
He could tell a storm was coming, he smelt it in the air and saw it in the way the clouds moved. He relished the rain to come; it had a purity about it as if it could wash away all his doubts, all his intentions and quell his sense of guilt when hard choices had to be made.
Tony Debajo (In the Shadow of Ruin)
Pain. I seem to have an affection, a kind of sweettooth for it. Bolts of lightning, little rivulets of thunder. And I the eye of the storm. Mourning the split trees, hens starving on rooftops. Figuring out what can be done to save them since they cannot save themselves without me because- well, its my storm, isn’t it? I break lives to prove I can mend them back again. And although the pain is theirs, I share it, don’t I? Of course. Of course. I wouldn't have it any other way. But it is another way. I am uneasy now. Feeling a bit false. What, I wonder, what would I be without a few brilliant spots of blood to ponder? Without aching words that set, then miss, the mark?
Toni Morrison (Jazz (Beloved Trilogy, #2))
Clint stared down at him. He was wearing what appeared to be a massive, lopsided and jewel-encrusted crown, holding a scepter and surrounded by a floating mass of Roombas. “Welcome to the sovereign nation of Bartonia,” he said, with a straight face. “My subjects, the Roombas, the drones and one random mechanical bird thing that I found, and I welcome you, and ask you what the fuck you think you're doing here, you are seriously a fucking moron.” “I'm here,” Tony gritted out, “to rescue you, and what kind of fucking attitude is that?.” “A little short for a storm trooper, aren't you?” Clint said, arching an eyebrow. He offered Tony a hand. “Are you wearing a crown? Seriously? Where did you get a- Why are you wearing a crown?” Tony asked, taking it and allowing Clint to help lever him back to his feet. “Listen, dude, I have learned something about myself today. Mostly, I have learned that if I end up in some sort of alien rubbish dump surrounded by neurotic robots and without a clue as to if I'm ever going to make it home, if I find a crown, I'm putting that bad boy on. There should never be a time when you do not wear a crown. Find a crown, you wear it and declare sovereignty over the vast mechanical wastes.” Clint waved his scepter around a bit, making the Roombas dodge. “Thus, Bartonia.
Scifigrl47 (Ordinary Workplace Hazards, Or SHIELD and OSHA Aren't On Speaking Terms (In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury), #2))
un·shake·able An unwavering and undisputed confidence; a steadfast commitment to the truth; presence, peace of mind, and a calm amidst the storm
Tony Robbins (Unshakeable: Your Financial Freedom Playbook)
A well lived life means weathering a few storms. Our lessons don't come from sunny days on the beach, they come from copping a few waves on the head.
Tony Curl
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
The Christian lives “a strange mysterious life” that seems to swing daily from darkness into light, from peace into strife. Time and time again, our Friend breaks into this strange and mysterious riddle of life and empowers us for a sweet and stable life in the storm.
Tony Reinke (Newton on the Christian Life: To Live Is Christ)
You think dark is just one color, but it ain’t. There’re five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don’t stay still. It moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
Toni Morrison (Song of Solomon)
This may be hard to accept, but your problems and difficulties have a purpose. God wants you to learn something. Every storm is a school. Every trial is a teacher. Every experience is an education. Every difficulty is for your development.
Tony Warrick
Pain. I seem to have an affection, a kind of sweettooth for it. Bolts of lightning, little rivulets of thunder. And I the eye of the storm. Mourning the split trees, hens starving on rooftops. Figuring out what can be done to save them since they cannot save themselves without me because—well, it’s my storm, isn’t it? I break lives to prove I can mend them back again. And although the pain is theirs, I share it, don’t I? Of course. Of course. I wouldn’t have it any other way. But it is another way. I am uneasy now. Feeling a bit false. What, I wonder, what would I be without a few brilliant spots of blood to ponder? Without aching words that set, then miss, the mark?
Toni Morrison (Jazz (Beloved Trilogy, #2))
If a sailor escapes with his life in a storm on the open sea, he will be grateful but soon forget his deliverance, Newton writes (no doubt looking back to the storm that nearly took his life). But even more permanently thankful will be the sailor who escapes storm after storm, swell after swell, near-death experience after near-death experience, and then after such an odyssey finally finds his way to safe harbor.
Tony Reinke (Newton on the Christian Life: To Live Is Christ)
People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from green to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people on the weather channel leaning into the wind while lawmen shout in megaphones: “Get moving!
Toni Morrison (Love)
We were lost then. And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still. It moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
Toni Morrison (Song of Solomon)
Sergeant Tony Aubrey of 8 Column recalled how one soldier, ‘whose feet were in a very bad state, made up his mind he could go no further. He lay down. His mates, worn out as they were, tried to carry him. But he wouldn’t allow them to. All he wanted was to be left alone with as many hand grenades as we could spare. So we gave him the hand grenades and left him. There wasn’t anything else to do.’ Stragglers got back as best they could. ‘At first we worried about him,’ Aubrey said of one such. ‘ “How’s so-and-so making out?” we asked each other. But after a time we forgot him. He was just another piece of landscape. This may sound like man’s inhumanity to man, but it wasn’t you know. We were just too tired to care.
Andrew Roberts (The Storm of War: A New History of the Second World War)
In perpetual state of exigency life is merely sown with thorns of inspiration and survival as we struggle with storms of fate.
Dr. Tony Beizaee
Abateram-se mil tormentas para lavar o toque das tuas mãos na minha pele e eliminar o odor da tua pele nas minhas mãos.
Tony Sandoval (1000 Storms)
Life will continue to be a rush, and you will face storms, obstacles, and hardships, but do not let your outward circumstances dictate your inner peace. As long as your heart is connected to God's authority and His love, His peace will surround you.
Tony Warrick
Finally—the key to our courtship—he invited me on a trip to Europe: Paris, Vienna, Budapest, a hair-raising drive over the Simplon Pass in a storm (I drove—he had migraines). We took trains, and I watched him pouring over timetables, clocking departures and arrivals like a kid in a candy store: Zermatt, Brig, Florence, Venice.
Tony Judt (When the Facts Change: Essays, 1995-2010)
worst storm surges—maybe even a tsunami. Brent Carver had obviously done very well for himself with his paintings. She’d known he was private, almost
Toni Anderson (Dark Waters (Barkley Sound, #2))
chickened out. They had had a big argument. Marguerite’s lips turned down in a pout when she thought
Tony Dunbar (Shelter From The Storm (Tubby Dubonnet, #4))
lagniappe.
Tony Dunbar (Shelter From The Storm (Tubby Dubonnet, #4))
when it’s sunny, it’s great. But it’s how you weather the storm. So enjoy the good now, because there’s no telling when the storm will come thundering through your life, and you’ll be left holding on with everything inside of you,
Toni Aleo (Overtime (Assassins, #10))
What precipitated this argument, cousin?" René walked into Gavin's hotel room after Lissa stormed angrily out the door. He'd heard the entire argument from his and Tony's adjoining suite. "Wlodek," Gavin sighed. "She didn't know that young vampires are not allowed to earn money. Wlodek informed me that the reward money for Richter would be deposited in my account. Lissa overheard and now she is upset." "She captured him, cousin. You just relieved him of his head." René slapped Gavin on the back. Gavin growled low. "How much was it, anyway?" "Fifteen million pounds," Gavin grumbled. "I think you owe Lissa,
Connie Suttle (Blood Royal (Blood Destiny #5))
5:30am is a fairly magical time the world over; almost everything is quiet, like the calm before the storm; nothing seems the same, caught in the half-light of dawn, and devoid of the chaos normally associated with the waking world. But I’ve seen all that shit. And I’d still rather be in bed.
Tony James Slater (Kamikaze Kangaroos!: A trip around Oz in a van called Rusty)
Dan
Tony Dunbar (Shelter From The Storm (Tubby Dubonnet, #4))
Our fascination with change won’t, of itself, make it more likely or more rapid. Come 2020, I’m confident that Australia will still have one of the world’s strongest economies because the current yearning for magic-pudding economics will turn out to be short-lived. The United States will remain the world’s strongest country by far, and our partnership with America will still be the foundation of our security. We will still be a ‘crowned republic’ because we will have concluded (perhaps reluctantly) that it’s actually the least imperfect system of government. We will be more cosmopolitan than ever but perhaps less multicultural because there will be more stress on unity than on diversity. Some progress will have been made towards ‘closing the gap’ between Aboriginal and other Australians’ standards of living (largely because fewer Aboriginal people will live in welfare villages and more of them will have received a good general education). Families won’t break up any more often, because old-fashioned notions about making the most of imperfect situations will have made something of a comeback. Finally, there will have been bigger fires, more extensive floods and more ferocious storms because records are always being broken. But sea levels will be much the same, desert boundaries will not have changed much, and technology, rather than economic self-denial, will be starting to cut down atmospheric pollution.
Tony Abbott (Battlelines)
Lincoln glanced at Mich’s bronzed back turning red from the sun’s rays. “You’re looking a little overdone there. You might want to think about turning over or applying more tanning lotion.” “I don’t care if I look like a baboon’s ass. Don’t bother me.
Tony Reed (Storm Front)
She reached up again and pulled Lincoln’s head close to hers. “I’d like to tell you a secret, young Lincoln.” “What is it?” “I have all the money in the world.” “I gathered that.” “But do you know what’s more important in life than money? Fun. Have fun every moment you can.
Tony Reed (Storm Front)
The God who controls the winds, the God who speaks to storms, the God who restores, who heals, who pays you back for the injustice, is watching over you, protecting you, ordering your steps.
Tony Warrick
Exalted King who walks for two; Center of our worldly form; Grace above all other things; Guide in what I’m wont to do, Guide of hand and fire rod; Sword of Heaven ‘gaist the storm; Touched me in my mother’s tow; So I knew the Word of God. Give the blood of he who walks; Knowing of the word of God; Acting with the hand of God; Heaven’s grace in twenty drops. Penitent shall be the sheep; Savior of their women bled; Rest assured Golgotha grins; For the root of pain is dead.
Tony Del Degan (Rusthook)
Tubby flipped through the magazines stacked on
Tony Dunbar (Shelter From The Storm (Tubby Dubonnet, #4))
through. The eastern part of the city all the way to The Rigolets was bathed in a soft golden sunlight, almost like a beach at sunset. To the west, however, there was a wicked billowing black mass of clouds, an advancing stampede that blotted out both sky and earth. A seabird’s view of startling weather patterns was one of the major perks of this office: this sky looked not only scenic but particularly menacing. He could imagine the shock waves it was literally sending to all those boat captains out on the Lake trying to get back to the harbor, not to mention the fear in the hearts of all of the Carnival krewe captains who were trying to get their parades lined up and rolling. “Well, better to rain on Lundi Gras than Mardi Gras,” he thought. He heard noises in his outer office and stuck his head out to see if maybe he had a paying client after all. A short round lady with a distressed look was
Tony Dunbar (Shelter From The Storm (Tubby Dubonnet, #4))
You’re a slick son of a bitch, I’ll hand
Tony Dunbar (Shelter From The Storm (Tubby Dubonnet, #4))
And talking about dark! You think dark is just one color, but it ain’t. There’re five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don’t stay still. It moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
Toni Morrison (Song of Solomon)
It will take me awhile to understand these dynamics. Tony and Peter, for example, are the best of friends, and the worst of enemies. Tony is prone to losing his temper, but this only makes itself apparent later, with Peter and Tony taking it in turns to storm out of studios in a huff. Mike keeps a delicate balance between the two. But all three of them are what they are: ex–public school boys, with all the privilege and baggage that comes with that kind of background. Immaculately bred as officers and gentlemen for a bygone age—perhaps less obvious fodder for a rock group emerging from the tumult of the swinging sixties.
Phil Collins (Not Dead Yet: The Memoir)