Toni Morrison Best Quotes

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You are your best thing
Toni Morrison (Beloved (Beloved Trilogy, #1))
He leans over and takes her hand. With the other he touches her face. ‘You your best thing, Sethe. You are.’ His holding fingers are holding hers. ‘Me? Me?
Toni Morrison (Beloved (Beloved Trilogy, #1))
You your best thing, Sethe. You are.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit, so when they broke its back, or shoved it in a croaker sack, well, maybe you'd have a little love left over for the next one.
Toni Morrison (Beloved (Beloved Trilogy, #1))
You your own best thing, Sethe. You are.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Nothing could be taken for granted. Women who loved you tried to cut your throat, while women who didn't even know your name scrubbed your back. Witches could sound like Katharine Hepburn and your best friend could try to strangle you. Smack in the middle of an orchid there might be a blob of jello and inside a Mickey Mouse doll, a fixed and radiant star.
Toni Morrison (Song of Solomon)
This is the time for every artist in every genre to do what he or she does loudly and consistently. It doesn't matter to me what your position is. You've got to keep asserting the complexity and the originality of life, and the multiplicity of it, and the facets of it. This is about being a complex human being in the world, not about finding a villain. This is no time for anything else than the best that you've got.
Toni Morrison
The best thing she was, was her children.
Toni Morrison (Beloved (Beloved Trilogy, #1))
The best art is political and you ought to be able to make it unquestionably political and irrevocably beautiful at the same time.
Toni Morrison
She needed what most colored girls needed: a chorus of mamas, grandmamas, aunts, cousins, sisters, neighbors, Sunday school teachers, best girl friends, and what all to give her the strength life demanded of her—and the humor with which to live it.
Toni Morrison (Song of Solomon: A Novel (Vintage International))
Sethe, he says, "me and you, we got more yesterday than anybody. We need some kind of tomorrow." He leans over and takes her hand. With the other he touches her face. "You your best thing, Sethe, You are." His holding fingers are holding hers. "Me? Me?
Toni Morrison (Beloved (Beloved Trilogy, #1))
You your own best thing." -Paul D.
Toni Morrison
You your best thing, Sethe.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit; everything, just a little bit, so when they brok its back, or shoved it in a croaker sack, well, maybe you'd have a little love left over for the next one.
Toni Morrison (Beloved (Beloved Trilogy, #1))
You your best thing.
Toni Morrison (The Bluest Eye)
What do you know about somebody not being good enough for somebody else? And since when did you care whether Corinthians stood up or fell down? You've been laughing at us all your life. Corinthians. Mama. Me. Using us, ordering us, and judging us: how we cook your food; how we keep your house. But now, all of a sudden, you have Corinthians' welfare at heart and break her up from a man you don't approve of. Who are you to approve or disapprove anybody or anything? I was breathing air in the world thirteen years before your lungs were even formed. Corinthians, twelve. . . . but now you know what's best for the very woman who wiped the dribble from your chin because you were too young to know how to spit. Our girlhood was spent like a found nickel on you. When you slept, we were quiet; when you were hungry, we cooked; when you wanted to play, we entertained you; and when you got grown enough to know the difference between a woman and a two-toned Ford, everything in this house stopped for you. You have yet to . . . move a fleck of your dirt from one place to another. And to this day, you have never asked one of us if we were tired, or sad, or wanted a cup of coffee. . . . Where do you get the RIGHT to decide our lives? . . . I'll tell you where. From that hog's gut that hangs down between your legs. . . . I didn't go to college because of him. Because I was afraid of what he might do to Mama. You think because you hit him once that we all believe you were protecting her. Taking her side. It's a lie. You were taking over, letting us know you had the right to tell her and all of us what to do. . . . I don't make roses anymore, and you have pissed your last in this house.
Toni Morrison (Song of Solomon)
The best thing, he knew, was to love just a little bit; everything, just a little bit, so when they broke its back, or shoved it in a croaker sack, well, maybe you’d have a little love left over for the next one.
Toni Morrison (Beloved (Beloved Trilogy, #1))
If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic....Authors arrive at text and subtext in thousands of ways, learning each time they begin anew how to recognize a valuable idea and how to reader the texture that accompanies, reveals or displays it to its best advantage.
Toni Morrison
Probably best, he thought. If a Negro got legs he ought to use them. Sit down too long, somebody will figure out a way to tie them up. Still
Toni Morrison (Beloved (Beloved Trilogy, #1))
The best hiding place was love. Thus the conversion from pristine sadism to fabricated hatred, to fraudulent love.
Toni Morrison (The Bluest Eye)
He leans over and takes her hand. With the other he touches her face. “You your best thing, Sethe. You are.” His holding fingers are holding hers. “Me? Me?
Toni Morrison (Beloved (Beloved Trilogy, #1))
The Nobel Prize is the best thing that can happen to a writer in terms of how it affects your contracts, the publishers, and the seriousness with which your work is taken. On the other hand, it does interfere with your private life, or it can if you let it, and it has zero effect on the writing.It doesn't help you write better and if you let it, it will intimidate you about future projects.
Toni Morrison
Feminism is as old as sexual repression. In this country, women’s liberation flowered best in the soil prepared by black liberation the mid-19th century abolitionist movement yielded suffragettes. The mid-20th century civil rights movement yielded women’s liberation. Both movements were loudly championed by black men no white men so distinguished themselves. But both abandoned Black Civil Rights and regarded the shift away from the race problem as an inevitable and necessary development. An opportunity to concentrate on exclusively sexist issues. Each time that shift took place, it marked the first stage of divisiveness and heralded a future of splinter groups and self-sabotage.
Toni Morrison (The Source of Self-Regard: Selected Essays, Speeches, and Meditations)
You are your best thing.
Toni Morrison (Beloved (Beloved Trilogy, #1))
You your best thing, Sethe. You are.” His holding fingers are holding hers. “Me? Me?
Toni Morrison (Beloved (Beloved Trilogy, #1))
Probably best, he thought. If a Negro got legs he ought to use them. Sit down too long, somebody will figure out a way to tie them up. Still. . . if her boys were gone . . .
Toni Morrison (Beloved (Beloved Trilogy, #1))
The disc jockey announced the tunes as though they were made by his family or best friends: King Solomon, Brother Otis, Dinah baby, Ike and Tina girl, Sister Dakota, the Temps.
Toni Morrison (Paradise)
The best thing was to love just a little bit; everything, just a little bit, so when they broke its back, or shoved it in a croaker sack, well maybe you'd have a little love left over for the next one.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Sethe," he says, "me and you, we got more yesterday than anybody. We need some kind of tomorrow." He leans over and takes her hand. With the other he touches her face. "You your best thing, Sethe. You are." His holding fingers are holding hers. "Me? Me?
Toni Morrison (Beloved (Beloved Trilogy, #1))
That anybody white could take your whole self for anything that came to mind. Not just work, kill, or maim you, but dirty you. Dirty you so bad you couldn’t like yourself anymore. Dirty you so bad you forgot who you were and couldn’t think it up. And though she and others lived through and got over it, she could never let it happen to her own. The best thing she was, was her children. Whites might dirty her all right, but not her best thing, her beautiful, magical best thing—the part of her that was clean. No undreamable dreams about whether the headless, feetless torso hanging in the tree with a sign on it was her husband or Paul A; whether the bubbling-hot girls in the colored-school fire set by patriots included her daughter; whether a gang of whites invaded her daughter’s private parts, soiled her daughter’s thighs and threw her daughter out of the wagon. She might have to work the slaughterhouse yard, but not her daughter.
Toni Morrison (Beloved (Beloved Trilogy, #1))
For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit; everything, just a little bit, so when they broke its back, or shoved it in a croaker sack, well, maybe you'd have a little love left over for the next one.
Toni Morrison (Beloved (Beloved Trilogy, #1))
That anybody white could take your whole self for anything that came to mind. Not just work, kill, or maim you, but dirty you. Dirty you so bad you couldn’t like yourself anymore. Dirty you so bad you forgot who you were and couldn’t think it up. And though she and others lived through and got over it, she could never let it happen to her own. The best thing she was, was her children. Whites might dirty her all right, but not her best thing, her beautiful, magical best thing—the part of her that was clean.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Leave before Sethe could make her realize that worse than that - far worse - was what Baby Suggs died of, what Ella knew, what Stamp saw and what made Paul D tremble. That anybody white could take your whole self for anything that came to mind. Not just work, kill, or maim you, but dirty you. Dirty you so bad you forgot who you were and couldn't think it up. And though she and others lived through and got over it, she could never let it happen to her own. The best thing she was, was her children. Whites might dirty her all right, but not her best thing, her beautiful, magical best thing - the part of her that was clean.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, “What are these people? You tell me, Jesus. What are they?” When
Toni Morrison (Beloved (Beloved Trilogy, #1))
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved (Beloved Trilogy, #1))
When I learned how repulsive this disinterested violence was, that it was repulsive because it was disinterested, my floundered about for refuge. The best hiding place was love. Thus the conversion from pristine sadism to fabricated hatred, to fraudulent love.
Toni Morrison (The Bluest Eye)
After five years of a sad and disgruntled marriage BoyBoy took off. During the time they were together he was very much preoccupied with other women and not home much. He did whatever he could that he liked, and he liked womanizing best, drinking second, and abusing Eva third. When he left in November, Eva had $1.65, five eggs, three beets, and no idea of what or how to feel.
Toni Morrison (Sula)
The writing is — I’m free from pain. It’s the place where I live; it’s where I have control; it’s where nobody tells me what to do; it’s where my imagination is fecund and I am really at my best. Nothing matters more in the world or in my body or anywhere when I’m writing.
Toni Morrison
The political world was anathema; its activists, both retro and progressive, seemed wrongheaded and dreamy. The revolutionaries, armed or peaceful, had no notion of what should happen after they “won.” Who would rule? The “people”? Please. What did that mean? The best outcome would be to introduce a new idea into the population that perhaps a politician would act on. The rest was theater seeking an audience. Wealth alone explained humanity’s evil, and he was determined to live without deference to it.
Toni Morrison (God Help the Child)
She needed what most colored girls needed: a chorus of mamas, grandmamas, aunts, cousins, sisters, neighbors, Sunday school teachers, best girl friends, and what all to give her strength life demanded of her- and the humor with which to live it.
Toni Morrison
When I learned how repulsive this disinterested violence was, that it was repulsive because it was disinterested, my shame floundered about for refuge. The best hiding place was love. Thus the conversion from pristine sadism to fabricated hatred, to fraudulent love. It was a small step to Shirley Temple. I learned much later to worship her, just as I learned to delight in cleanliness, knowing, even as I learned, that the change was adjustment without improvement.
Toni Morrison (The Bluest Eye)
When I learned how repulsive this disinterested violence was, that it was repulsive because it was disinterested, my shame floundered about for refuge. The best hiding place was love. Thus the conversion from pristine sadism to fabricated hatred, to fraudulent love.
Toni Morrison (The Bluest Eye)
He read greedily but understood selectively, choosing the bits and pieces of other men’s ideas that supported whatever predilection he had at the moment. Thus he chose to remember Hamlet’s abuse of Ophelia, but not Christ’s love of Mary Magdalene; Hamlet’s frivolous politics, but not Christ’s serious anarchy. He noticed Gibbon’s acidity, but not his tolerance, Othello’s love for the fair Desdemona, but not Iago’s perverted love of Othello. The works he admired most were Dante’s; those he despised most were Dostoyevsky’s. For all his exposure to the best minds of the Western world, he allowed only the narrowest interpretation to touch him.
Toni Morrison (The Bluest Eye)
Memory is meant to be given. It isn’t held well alone. It is meant to be held in a collective and across generations. Memories that remain exclusive to a particular individual or even community are at risk of becoming false. The smell of lavender becomes the smell of grass. The abduction of Black bodies becomes their “migration.” When memory endures no scrutiny or curiosity or challenge from the exterior, it can lead to a profound loneliness at best; at worst, individual or collective delusion.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
This is a society that will very rarely demand justice in favour of the desperate but will always demand it in favour of the judge, the powerful. In the company of these tainted moral authorities, the most significant wrong will never be the one that caused all the others. This is a world that demonizes those who transgress the system but has great sympathy for the system itself. You can ask my father why he, who cradled the head of his best friend's father on the bathroom floor that day, lived to hustle. But will you also question the system, which demanded his hustle in order to live? His justice has been denied since birth, so before you fault him, you must first fault this.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
Central to the existence of racism is the politics of its denial. It is in the best interests of the right to assert the nonexistence of racism except as a manifestation of individual pathology—a matter simply of individuals with bad attitudes. But it is the shame of liberals who think of themselves as guardians and witnesses of corrective concern and conscience that they too have elected to treat racism as a problem of individual social relations and not the systematic operation of power at work throughout our political economy. These essays call into question and to account a liberal majority that trivializes racism by turning its attention to individual remedies, to attitude adjustment, to “color-blind” legal adjudication.
Wahneema Lubiano (The House That Race Built: Original Essays by Toni Morrison, Angela Y. Davis, Cornel West, and Others on Black Americans and Politics in America Today)
I love Toni Morrison’s Song of Solomon. Her writing style is incredibly poetic and complex. She doesn’t “allow” any laziness in reading her work; so beyond the incredible story, I learned to take my time to absorb the characters, and to reread passages when there was so much to unpack. It was also the book I asked my late husband to read when he dropped his pickup line to get to know me better. Our first date was a book review—and clearly he passed with flying colors. Two months later, he presented me with a painting of his interpretation of the book as a birthday gift. I knew then that I wanted to marry him. Anyone who could take his time to read, comprehend, and interpret Toni Morrison’s work, based on my recommendation, was someone I wanted to spend significant time with. That experience taught me that when people care, they’ll go beyond the extra mile to understand you. So Toni Morrison helped me set a high bar.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
He read greedily but understood selectively, choosing the bits and pieces of other men's ideas that supported whatever predilection he had at the moment. Thus he chose to remember Hamlet's abuse of Ophelia, but not Christ's love of Mary Magdalene; Hamlet's frivolous politics, but not Christ's serious anarchy. He noticed Gibbon's acidity, but not his tolerance, Othello's love for the fair Desdemona, but not Iago's perverted love of Othello. The works he admired most were Dante's; those he despised most were Dostoyevsky's. For all his exposure to the best minds of the Western world, he allowed only the narrowest interpretation to touch him.
Toni Morrison (The Bluest Eye)