Tongue Pierced Quotes

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My new knight mistress is famed for wielding sharp edges: Sword, Knife and Tongue!
Tamora Pierce (Squire (Protector of the Small, #3))
My head is full of fire and grief and my tongue runs wild, pierced with shards of glass.
Federico García Lorca (Three Tragedies: Blood Wedding, Yerma, Bernarda Alba)
Faster than lightening, his hand shot out and she gagged, jolting as he grabbed her tongue between his fingers...He released her tongue, and she gasped for breath. She swore at him, a filthy, foul name, and spat at his feet. And that's when he bit her. She cried out as those canines pierced the spot between her neck and shoulder, a primal act of aggression--the bite so strong and claiming that she was too stunned to move. He had her pinned against the tree and clamped down harder, his canines digging deep, her blood spilling onto her shirt. Pinned, like some weakling. But that was what she'd become, wasn't it? Useless, pathetic. She growled, more animal than sentient being. And shoved. Rowan staggered back a step, teeth ripping her skin and she struck his chest. She didn't feel the pain, didn't care about the blood or flash of light. No, she wanted to rip his throat out--rip it out with the elongated canines she bared at him as she finished shifting and roared. Rowan grinned. "There you are.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
But you don't get the wolf by the tongue without reaching through its teeth.
Pierce Brown (Dark Age (Red Rising Saga, #5))
What's wrong?" His voice was loud, so sharp that he sounded angry. I knew I should be careful, keep the secret, but I was too far gone to talk around it. My chest was working in huge spasms and I could barely breathe. "I kissed her." "And then you went into anaphylactic shock?" I closed my eyes and let the rain patter against my face through the open window "She has her tongue pierced.
Brenna Yovanoff (The Replacement)
And with a great pull, I rip out the tongue of the Jackal.
Pierce Brown (Morning Star (Red Rising, #3))
what do you say when a seven-and-a-half-foot-tall woman walks into a room with a battle axe and tongues on a hook? Absolutely nothing.
Pierce Brown (Morning Star (Red Rising, #3))
His demanding tongue tasted so damn good, and his piercing bit deliciously against her lip from the aggressive way he pursued her over and over. His hands tugged and massaged at her hair and neck. He just surrounded her. The difference in their height made Caden lean down over her. The way he forced her head back commanded her to open up to him. With the metal handle of the door pressing into her back, she felt completely enveloped in him, in his ardor, his scent. The world dropped away. There was just Caden.
Laura Kaye (Hearts in Darkness (Hearts in Darkness, #1))
This is for all my dark romance girls who dream of being chased, choked, and eaten out by a tattooed biker with a vibrating tongue piercing. Jax is waiting to show you the five ways to ride a biker…
Luna Mason (Chaos (Beneath the Secrets, #1))
After all, isn't that the foremost commandment in the scripture of horror? They who are queer, deviant, tattooed, tongue-pierced or other must always die first
Cassandra Khaw (Nothing But Blackened Teeth)
Be careful, Scarlet. Stick your tongue out again and I might be inclined to find something it can lick. Especially with that tongue piercing. What a nice little surprise that is.
Dana Isaly (Scars (The Triad, #1))
I know her by her angry air, Her brightblack eyes, her brightblack hair, Her rapid laughters wild and shrill, As laughter of the woodpecker From the bosom of a hill. 'Tis Kate--she sayeth what she will; For Kate hath an unbridled tongue, Clear as the twanging of a harp. Her heart is like a throbbing star. Kate hath a spirit ever strung Like a new bow, and bright and sharp As edges of the scymetar. Whence shall she take a fitting mate? For Kate no common love will feel; My woman-soldier, gallant Kate, As pure and true as blades of steel. Kate saith "the world is void of might". Kate saith "the men are gilded flies". Kate snaps her fingers at my vows; Kate will not hear of lover's sighs. I would I were an armèd knight, Far famed for wellwon enterprise, And wearing on my swarthy brows The garland of new-wreathed emprise: For in a moment I would pierce The blackest files of clanging fight, And strongly strike to left and right, In dreaming of my lady's eyes. Oh! Kate loves well the bold and fierce; But none are bold enough for Kate, She cannot find a fitting mate.
Alfred Tennyson
She suddenly remembered studying the brain in science class- how a steel rod pierced a man's skull, and he opened his mouth to speak Portuguese, a language he'd never studied. Maybe it would be like this, now, for Josie. Maybe her native tongue, from here on in, would be a string of lies.
Jodi Picoult (Nineteen Minutes)
A needle is such a small brittle thing. It is easily broken. It can hold but one fragile thread. But if the needle is sharp, it can pierce the coarsest cloth. Ply the needle in and out of a canvas and with a great length of thread one can make a sail to move a ship across the ocean. In such a way can a sharp glossy tongue, with the thinnest of thread of a rumor, stitch together a story to flap in the breeze. Hoist that story upon the pillar of superstitious belief and a whole town can be pulled along with the wind of fear.
Kathleen Kent (The Heretic's Daughter)
I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice that the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body--flesh and bone--and from the Earth's body--stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices.
Gloria E. Anzaldúa (Borderlands/La Frontera: The New Mestiza)
He pierced her with a look. “I thought we had an agreement. I keep my men away from your ladies, and you keep your distance from me. You’re not holding your end of the bargain.” “It’s but a momentary interruption. Just this once.” “Just this once?” He made a dismissive noise, rifling through papers. “What about just now in the church?” “Very well, twice.” “Try again.” He stacked his papers and looked up, devouring her with his intent green gaze. “You invaded my dreams at least a half-dozen times last night. When I’m awake, you keep traipsing through my thoughts. Sometimes you’re barely clothed. What excuse can you make for that?” She stammered to form a response, her tongue tripping against her teeth. “I . . . I would never traipse.” Idiotic reply. “Hm.” He tilted his head and regarded her thoughtfully. “Would you saunter?
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Society has three stages: Savagery, Ascendance, Decadence. The great rise because of Savagery. They rule in Ascendance. They fall because of their own Decadence." He tells how the Persians were felled, how the Romans collapsed because their rulers forgot how their parents gained them an empire. He prattles about Muslim dynasties and European effeminacy and Chinese regionalism and American self-loathing and self-neutering. All the ancient names. "Our Savagery began when our capital, Luna, rebelled against the tyranny of Earth and freed herself from the shackles of Demokracy, from the Noble Lie - the idea that men are brothers and are created equal." Augustus weaves lies of his own with that golden tongue of his. He tells of the Goldens' suffering. The Masses sat on the wagon and expected the great to pull, he reminds. They sat whipping the great until we could no longer take it. I remember a different whipping. "Men are not created equal; we all know this. There are averages. There are outliers. There are the ugly. There are the beautiful. This would not be if we were all equal. A Red can no more command a starship than a Green can serve as a doctor!" There's more laughter across the square as he tells us to look at pathetic Athens, the birthplace of the cancer they call Demokracy. Look how it fell to Sparta. The Noble Lie made Athens weak. It made their citizens turn on their best general, Alcibiades, because of jealousy. "Even the nations of Earth grew jealous of one another. The United States of America exacted this idea of equality through force. And when the nations united, the Americans were surprised to find that they were disliked! The Masses are jealous! How wonderful a dream it would be if all men were created equal! But we are not. It is against the Noble Lie that we fight. But as I said before, as I say to you now, there is another evil against which we war. It is a more pernicious evil. It is a subversive, slow evil. It is not a wildfire. It is a cancer. And that cancer is Decadence. Our society has passed from Savagery to Ascendance. But like our spiritual ancestors, the Romans, we too can fall into Decadence.
Pierce Brown (Red Rising (Red Rising Saga, #1))
I let my hands fall to the bed. Her mouth crafts a warm path to mine. There we share the taste of my tears as her top lip slides between my own and her tongue warms the inside of my mouth. Her hand slides up my neck, nails grazing the skin, till she finds purchase in my hair, tugging slightly at the tangle. Shivers lance my body. Gone is any semblance of resistance. All the guilt that kept me from betraying Eo with Mustang is swept away in the chaos inside me. All the guilt I have for knowing she is a Gold and I am a Red vanishes. I'm a man, and she's the woman I want.
Pierce Brown (Golden Son (Red Rising Saga, #2))
My candle was a little tongue of light in its vastness, that failed to pierce the opposite end of the room, and left an ocean of mystery and suggestion beyond its island of light.
E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
Well, no, but everyone says they do.” Someday I must read this scholar Everyone, she thought as she bit her tongue to keep from giving a rude answer. He seems to have written so much—all of it wrong.
Tamora Pierce (Emperor Mage (Immortals, #3))
For even now, decades after I first adopted it, English does not pierce my heart the same way that my mother tongue does. The word division weighs less than bundan, and war is easier to say than junjeng.
Suki Kim (Without You, There Is No Us: My Time with the Sons of North Korea's Elite)
Hear this now. Nothing, not even death, will keep me from loving you. Though this body may wither and become a dry shell, my spirit will pursue you until the end of time. We will never be apart.” He covered her mouth with his and tasted her blood. Trailing tender kisses across her cheek and jawline, he nestled against her neck. “Eternally yours,” he whispered. She clutched his head and offered her throat. “Together forever,” she responded. Broderick hesitated, her erratic pulse beating against his tongue. “Give me peace,” she whispered in a tortured breath. “Do this for me.” “I will love you forever, Davina.” His fangs pierced her cool skin and Broderick drank the life from his wife, granting her wish…and tormenting his already damned soul.
Arial Burnz (Midnight Captive (Bonded By Blood Vampire Chronicles, #2))
words of the reckless pierce like swords,             but the tongue of the wise brings healing. (Proverbs 12:18, NIV)
Lisa Bevere (Girls with Swords: How to Carry Your Cross Like a Hero)
From sunset she appeared, Her cloak pierced by a bloom Of unfamiliar climes. She summoned me somewhere Into the northern gloom And aimless winter ice. And bonfire burned 'mid night, And with its tongues the blaze Did lick the very skies. The eyes flashed fiery light, And falling as black snakes The tresses were released. And then the snakes encircled My mind and lofty spirit Lay spread upon the cross. And in the snowdust's swirl To black eyes I am true, To beauty of the coils. (untitled: "From sunset she appeared")
Alexandr Blok (Silver Age of Russian Culture (An Anthology))
he did not drink or do drugs or smoke cigarettes or wear black eyeliner or stay out late or get bad grades or pierce his tongue or have the words "KATHERINE LUVA 4 LIFE" tattoed across his back.
John Green (An Abundance of Katherines)
Hardly had the light been extinguished, when a peculiar trembling began to affect the netting under which the three children lay. It consisted of a multitude of dull scratches which produced a metallic sound, as if claws and teeth were gnawing at the copper wire. This was accompanied by all sorts of little piercing cries. The little five-year-old boy, on hearing this hubbub overhead, and chilled with terror, jogged his brother's elbow; but the elder brother had already shut his peepers, as Gavroche had ordered. Then the little one, who could no longer control his terror, questioned Gavroche, but in a very low tone, and with bated breath:-- "Sir?" "Hey?" said Gavroche, who had just closed his eyes. "What is that?" "It's the rats," replied Gavroche. And he laid his head down on the mat again. The rats, in fact, who swarmed by thousands in the carcass of the elephant, and who were the living black spots which we have already mentioned, had been held in awe by the flame of the candle, so long as it had been lighted; but as soon as the cavern, which was the same as their city, had returned to darkness, scenting what the good story-teller Perrault calls "fresh meat," they had hurled themselves in throngs on Gavroche's tent, had climbed to the top of it, and had begun to bite the meshes as though seeking to pierce this new-fangled trap. Still the little one could not sleep. "Sir?" he began again. "Hey?" said Gavroche. "What are rats?" "They are mice." This explanation reassured the child a little. He had seen white mice in the course of his life, and he was not afraid of them. Nevertheless, he lifted up his voice once more. "Sir?" "Hey?" said Gavroche again. "Why don't you have a cat?" "I did have one," replied Gavroche, "I brought one here, but they ate her." This second explanation undid the work of the first, and the little fellow began to tremble again. The dialogue between him and Gavroche began again for the fourth time:-- "Monsieur?" "Hey?" "Who was it that was eaten?" "The cat." "And who ate the cat?" "The rats." "The mice?" "Yes, the rats." The child, in consternation, dismayed at the thought of mice which ate cats, pursued:-- "Sir, would those mice eat us?" "Wouldn't they just!" ejaculated Gavroche. The child's terror had reached its climax. But Gavroche added:-- "Don't be afraid. They can't get in. And besides, I'm here! Here, catch hold of my hand. Hold your tongue and shut your peepers!
Victor Hugo (Les Misérables)
Swift is her walk, more swift her winged haste: A monstrous phantom, horrible and vast. As many plumes as raise her lofty flight, So many piercing eyes inlarge her sight; Millions of opening mouths to Fame belong, And ev'ry mouth is furnish'd with a tongue, And round with list'ning ears the flying plague is hung. She fills the peaceful universe with cries; No slumbers ever close her wakeful eyes; By day, from lofty tow'rs her head she shews, And spreads thro' trembling crowds disastrous news; With court informers haunts, and royal spies; Things done relates, not done she feigns, and mingles truth with lies. Talk is her business, and her chief delight To tell of prodigies and cause affright.
Virgil (The Aeneid English)
I'm sorry Donatella wounded you so badly,' Evangeline said. And she meant it. She imagined Jacks was probably leaving a few things out, but she believed his hurt was genuine. 'Maybe the stories have it wrong and there's another true love waiting for you.' Jacks laughed derisively. 'Are you saying this because you think you can be her?' He eyed Evangeline through the bars, gaze bordering on indecent. 'Do you want to kiss me, Little Fox?' Something new and terrible knotted up inside her. 'No, that's not what I'm saying.' 'You don't sound too sure about that. You might not like me, but I bet you'd like it if I kissed you.' His eyes went to her lips, and the heat that swept across her mouth felt like the beginning of a kiss. 'Jacks, stop it,' she demanded. He didn't really want to kiss her. He was just teasing her to deflect the pain. 'I know what you're doing.' 'I doubt it.' He smiled, flashing his dimples as he ran his tongue over the tip of a very sharp and long incisor, looking suddenly thoughtful. 'Maybe it wouldn't be so bad to stay like this. I rather like these.' 'You also like daylight.' Evangeline reminded him. 'I could probably live without the sun if I could trade it for other things.' He cocked his head. 'I wonder... if I were to become a true vampire, perhaps my kiss wouldn't be fatal anymore.' His fangs lengthened. 'You could let me bite you and we could try it out.' Another piercing lick of heat, this time right beneath her jaw, then her wrist, and a few other intimate places she'd have never thought anyone would bite. Evangeline blushed from her neck down to her collarbone. 'We're not talking about biting,' she said hotly.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
You don't get the wolf by the tongue without reaching through it's teeth.
Pierce Brown (Dark Age (Red Rising Saga, #5))
The woman's face was like a stone tablet, as if the president of the chess club had wandered over to the Goth corner of the schoolyard and asked to touch a tongue piercing.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
Which would you fear more, Virginia au Augustus, a god? Or a mortal with the power of a god?” The question hangs between them, creating a rift words cannot mend. “A god cannot die. So a god has no fear. But mortal men…” She clucks her tongue behind her stained teeth. “How frightened they are that the darkness will come. How horribly they will fight to stay in the light.
Pierce Brown (Morning Star (Red Rising, #3))
Poetry is the wailing of a broken heart―the etched sorrows of despairing souls.  These artful words are an exclamation in rare colors expressed noiselessly on parchment.   Poetry is the unheard cry of a flower, wilting.  It is a humble, lucent tear shed with meaning.  It is the lovely portrayal of ugliness and the bitter edge of sweet.   Poetry speaks to the spirit by piercing understanding. It interprets all senseless truths―beauty, love, emotion―into sensible scrawl.   Poetry is vague affirmation and bewildering clarification. Like the most poignant of emotions, we understand the essence but cannot adequately do it verbal justice, crippled by inherently weak tongues.  A spiritual soothsayer, poetry is the closest thing to expression of feelings unutterable.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
He thinks men like me weak. He thinks me dumb, feeble, subhuman. I was not raised in palaces. I did not ride horses through meadows and eat meals of hummingbird tongues. I was forged in the bowels of this hard world. Sharpened by hate. Strengthened by love. He is wrong. None of them will survive.
Pierce Brown (Red Rising (Red Rising Saga, #1))
The Witch's knife like nails drummed the crystal of the windowsill, chipping and scoring it. They sounded like death beatles clicking in the walls.'Taste it,' the pearl was telling her, 'That I may know my daughter's heart.' Almost without a thought, Ariel touched a few grains of the Witch's dust to her tongue, and a sharp sensation went through her like a pinprick. It was the bitterest thing she has ever known. it tasted like despair.
Meredith Ann Pierce (The Pearl of the Soul of the World (Darkangel Trilogy, #3))
Onward, Valkyrie!” I scream as wind pulls my lips back from my teeth. My gravBoots accelerate with a twist of my toes, and I dive toward the vanguard, streaking past Sefi and Valdir, filled with righteous glory as I tear toward the burning mouth of an open mine, unscathed through tongues of fire, and pierce the crust of the world to land amongst towering behemoths of metal. They turn their glowing evil red eyes toward me, and I laugh when they do not fire, for I am a spirit warrior and I point my rifle at them, pull the trigger, and shit down my leg, because I am alone amongst a pack of hunterkiller robots and it is no rifle in my hand, it is only a mop. Then Sefi and Valdir land, and the world goes mad.
Pierce Brown (Dark Age (Red Rising Saga #5))
I am not, I regret to say, a discreet and fetching sleeper. Most people when they nod off look as if they could do with a blanket; I look as if I could do with medical attention. I sleep as if injected with a powerful experimental muscle relaxant. My legs fall open in a grotesque come-hither manner; my knuckles brush the floor. Whatever is inside—tongue, uvula, moist bubbles of intestinal air—decides to leak out. From time to time, like one of those nodding-duck toys, my head tips forward to empty a quart or so of viscous drool onto my lap, then falls back to begin loading again with a noise like a toilet cistern filling. And I snore, hugely and helplessly, like a cartoon character, with rubbery flapping lips and prolonged steam-valve exhalations. For long periods I grow unnaturally still, in a way that inclines onlookers to exchange glances and lean forward in concern, then dramatically I stiffen and, after a tantalizing pause, begin to bounce and jostle in a series of whole-body spasms of the sort that bring to mind an electric chair when the switch is thrown. Then I shriek once or twice in a piercing and effeminate manner and wake up to find that all motion within five hundred feet has stopped and all children under eight are clutching their mothers’ hems. It is a terrible burden to bear.
Bill Bryson (In a Sunburned Country)
Let your mistress’s birthday be one of great terror to you: that’s a black day when anything has to be given. However much you avoid it, she’ll still win: it’s a woman’s skill, to strip wealth from an ardent lover. A loose-robed pedlar comes to your lady: she likes to buy: and explains his prices while you’re sitting there. She’ll ask you to look, because you know what to look for: then kiss you: then ask you to buy her something there. She swears that she’ll be happy with it, for years, but she needs it now, now the price is right. If you say you haven’t the money in the house, she’ll ask for a note of hand – and you’re sorry you learnt to write. Why - she asks doesn’t she for money as if it’s her birthday, just for the cake, and how often it is her birthday, if she’s in need? Why - she weeps doesn’t she, mournfully, for a sham loss, that imaginary gem that fell from her pierced ear? They many times ask for gifts, they never give in return: you lose, and you’ll get no thanks for your loss. And ten mouths with as many tongues wouldn’t be enough for me to describe the wicked tricks of whores.
Ovid (The Art of Love)
Gargoyles sat on the battlements- lean they were and the same hideous damp grey as the stone. They looked at her with hollow eyes and rattled their silver chains. They had wings of bats or wings or birds, most of them, and licked their beaks or teeth with forked or double tongues. Two paced restlessly before their platforms; others whined or picked their claws or groomed their mangy fur or feathers or lizard skin or scales.
Meredith Ann Pierce (The Darkangel (Darkangel Trilogy, #1))
The pain makes my thoughts of Eo seem like silly things. It gives false perspective. I want to like the pain, but I can only handle so much. The mixture of water and blood pools at my pale feet. The thought of Eo’s feet dangling makes me fall sobbing to the floor. I push my back into the side of the shower till the pain stops my thinking and I bite my tongue bloody. I’m not as tough as I thought I was. No Helldiver really is. No man really is.
Pierce Brown (Red Rising (Red Rising Saga, #1))
But the main thing I've learned, I learned all by myself, no help needed. I learned not to get my tongue pierced. Because if you're getting it pierced for the reason why I think you're getting it pierced and you're not good at that thing to begin with, no little piece of jewelry is going to save the day.
Carrie Fisher (Wishful Drinking)
O thou well skill'd in curses, stay awhile And teach me how to curse mine enemies! QUEEN MARGARET. Forbear to sleep the nights, and fast the days; Compare dead happiness with living woe; Think that thy babes were sweeter than they were, And he that slew them fouler than he is. Bett'ring thy loss makes the bad-causer worse; Revolving this will teach thee how to curse. QUEEN ELIZABETH. My words are dull; O, quicken them with thine! QUEEN MARGARET. Thy woes will make them sharp and pierce like mine. DUCHESS. Why should calamity be fun of words? QUEEN ELIZABETH. Windy attorneys to their client woes, Airy succeeders of intestate joys, Poor breathing orators of miseries, Let them have scope; though what they will impart Help nothing else, yet do they case the heart. DUCHESS. If so, then be not tongue-tied. Go with me, And in the breath of bitter words let's smother My damned son that thy two sweet sons smother'd. The trumpet sounds; be copious in exclaims.
William Shakespeare (Richard III)
Going somewhere?” Tamlin asked. His voice was not entirely of this world. I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him. His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff. I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.” He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone. “Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild. “You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.” I couldn’t escape. I wasn’t entirely sure that I wanted to. “She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly. He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal. “Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck. I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight … His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips. He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The quality of your life is determined by the quality of your words.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
My gaze was solely focused on his mouth now, realizing with a rush of heat that his tongue was pierced.
Juliette Cross (Don't Hex and Drive (Stay a Spell, #2))
Reckless words pierce like a sword, but the tongue of the wise brings healing.” —Proverbs 12:18
Annie F. Downs (Speak Love: Making Your Words Matter)
Occasionally, in the stillness of a taxi or an airplane, she would catalog the pleasures she had lost. Cigarettes. Chewing gum. Strong mint toothpaste. Any food with hard edges or sharp corners that could pierce or abrade the inside of her mouth: potato chips, croutons, crunchy peanut butter. Any food that was more than infinitesimally, protozoically, spicy or tangy or salty or acidic: pesto or Worcestershire sauce, wasabi or anchovies, tomato juice or movie-theater popcorn. Certain pamphlets and magazines whose paper carried a caustic wafting chemical scent she could taste as she turned the pages. Perfume. Incense. Library books. Long hours of easy conversation. The ability to lick an envelope without worrying that the glue had irritated her mouth. The knowledge that if she heard a song she liked, she could sing along to it in all her dreadful jubilant tunelessness. The faith that if she bit her tongue, she would soon feel better rather than worse.
Kevin Brockmeier (The Illumination)
The left-liberalism that considers itself the true faith (but which eschews the name it appropriated and ruined and now calls itself progressivisn) ... is an ideology of self-styled saints, a philosophy of determined perversity. Its animating impulse is to marginalize itself and then enjoy its own company. And to make itself as unattractive to as many people as possible: If it were a person, it would pierce its tongue.
Michael Kelly
The moment we walk into the suite, Tommy descends on us. “The Queen’s on the line. On Skype, Your Grace.” Anxiety rings in his voice like the ping of a tapped crystal glass. “She’s been waiting. She does’na like to be kept waiting.” I nod briskly. “Have David bring me a scotch.” “Oh, me too!” Henry pipes up. “He’ll have coffee,” I tell Tommy. And I think Henry sticks his tongue out at me behind my back. I head into the library and he follows, seeming marginally closer to sober—at least he’s walking straight and unassisted now. I sit behind the desk and open the laptop. On the screen, my grandmother looks back at me, wearing a pale pink robe, hair in rollers and a hairnet, gray eyes piercing, her expression as friendly as the grim reaper’s. This should be fun. “Nicholas.” She greets me without emotion. “Grandmother,” I return, just as flat. “Granny!” Henry calls, like a child, coming around the desk into view. Then he proceeds to hug the computer and kiss the screen. “Mwah! Mwah!” “Henry, oh, Hen—” My grandmother swats the air with her hands, like he’s actually there kissing her. And I do my damnedest not to laugh at them. “Mwah!” “Henry! Remember yourself! My gracious!” “Mmmmmwah!” He perches, grinning like a fool, on the arm of my chair, forcing me to shift over. “I’m sorry, Grandmother—it’s just so good to see you
Emma Chase (Royally Screwed (Royally, #1))
Writing is a clarifying exercise. Seeing the words that have been swirling in your head captured and pinned to a piece of paper or a screen often brings a new perspective. As Flannery O’Connor famously said, “I write because I don’t know what I think until I read what I say.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
She stared at him, her heart in her throat. ‘Robert…” “Ah. fuck it,” he growled. blue eyes piercing her in the garden’s muted light. 1 can’t wait anymore.” He grabbed her wrist and, nostrils flaring. yanked her to his body and crushed her mouth with his. His tongue plunged past her lips, stroking over her tongue in a kiss that was far more forceful than the one they’d shared in his hospital room fifteen days ago. That kiss had been gentle in its molten hunger. It had filled her with aching desire. This kiss, however.. .there was nothing gentle about it. He took complete possession of her mouth, invading it with not just hunger but ravenous greed. Its ferocity flooded her sex with damp pressure and made her head swim.
Lexxie Couper (Dare Me)
The first change is a realization that I am no longer alone. Even when I'm lying in the dark by myself, I now sense other beings hovering near me. It isn't just me living in this house, but unfinished love and my dejection and anger and dead Paulie, and their miraculous presence feels as real as my fingernails digging into my hand. The second change is that I'm not more obsessed with cooking, like the Roman gourmets and their cherished chefs, who wanted to put all things wonderful or special or new or majestic or strange or scary-looking on the table. The cooks back then knew only how to bake or boil, but I understand how a few drops of pomegranate juice can transform a dish. The third change is that with these first two revelations, my sense of taste has become ever more sensitive and sharp, my imagination richer. When I got my ears pierced and walked into the street in the middle of winter, I become one large ear. All sensation and pain were concentrated in my ears. It's that same feeling. Everything about me disappears and I'm only a pink tongue. This is the time to grow into a truly good chef.
Kyung-ran Jo (Tongue)
You examine me, Miss Eyre," said he: "do you think me handsome?" I should, if I had deliberated, have replied to this question by something conventionally vague and polite; but the answer somehow slipped from my tongue before I was aware:-"No, sir." "Ah! By my word! there is something singular about," said he: "you have the air of a little nonnette; quaint, quiet, grave, and simple, as you sit with your hands before you, and your eyes generally bent on the carpet (except, by-the-by, when they are directed piercingly to my face; as just now, for instance); and when one asks you a question, or makes a remark to which you are obliged to reply, you rap out a round rejoinder, which, if not blunt, is at least brusque. What do you mean by it?
Charlotte Brontë (Jane Eyre)
While both men were very helpful and informative, they were evasive whenever I probed too deeply into certain areas. I suppose this is not surprising, given that Masons are sworn to secrecy under blood oaths of horrific repercussion, including having their throats slit, eyeballs pierced, tongues torn out, feet flayed, bodies hacked into pieces, and so on if they give up the wrong information. Perhaps this is why at one point, one of the men I conferred with became visibly nervous as soon as I started asking specific questions about Masonic religious practices, which would include secret rituals that are performed in the Temple Room on the third floor at the House of the Temple, and the hidden meaning behind the name of their deity—the Great Architect of the Universe.
Thomas Horn
As though he’s reading my mind, he grits out a pained, irritated “Fuck, it should be me.” I squeeze my thighs together to relieve the pressure between my legs. Sorry. Better luck next time. The pulse only grows stronger, and I know there is no stopping my unraveling. “Why the fuck isn’t it me, L?” His voice has this carnal edge to it. “Why am I not the one touching you right now? Fucking why?” I visualize it. Imagine it. See his tongue teasing my pierced nipple, and a soft moan shoots out of my mouth before I can stop it. This seems to trigger him because he groans a low, desperate “Christ, just tell me who you are. Fuck the pact. Fuck the secrets. Fuck it all. Just tell me who are you, L. Please. Let this be real.” The sentiment fractures my heart into a billion tiny pieces. I want it to be real, too.
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
The two boys lead the way down the hall. There are windows in this corridor, and the skyscrapers of New York City are visible in the distance—man-made mountains of steel and glass piercing a blue sky. Jane and Bruce can’t help but locate the spot where the Twin Towers used to be, the same way the tongue finds the hole where a tooth was pulled. Their sons, who were both toddlers when the towers fell, accept the skyline as it is.
Ann Napolitano (Dear Edward)
I’m speechless. But my dick has plenty to say. I’m already hard at the idea of Wes being prepped and ready for me. I drop my mouth onto his and he moans again. My tongue glides across his piercing and we’re off to the horny dog races. We kiss as if there’s a meteor heading straight for the Toronto metropolitan area. Wes’s eager hands roam my ass while I suck on his tongue. His eagerness is like a drug, and I want hit after hit. I can feel how hard he is, even through all of our clothes. He wants me to fuck him, and he’s all primed and ready? “Mmm,” I moan into his mouth. Sexiest fucking thing I ever heard. That’s when the doorbell rings. “Hold that thought,” I say, pushing up on one arm. “Nooooo!” Wes lifts both his legs to trap me in them. “No.” Kiss. “No.” Kiss. “Don’t even think about it.” Pinning his hands to the quilt is easy, because he’s horny to the point of distraction. “Stop it, baby. It’s the couch delivery. We’re paying seventy-five bucks for them to show up on a Saturday.
Sarina Bowen (Him (Him, #1))
Connor felt the bed shift. He could feel the steady stare, but he didn’t open his own eyes—he barely breathed, not wanting to give away the fact that he was awake. He wondered how long it’d take until she gave up on him and left the bed. He was too hung over to deal with it. A wet tongue dragged across his face. The bark that followed was so loud it made his ears ring. Then came more licking. He shoved his dog’s face away, groaning as the bright light pierced his eyeballs. “Fine, I’m up. I’m up.
Cindi Madsen (Resisting the Hero (Accidentally in Love, #3))
They are all slaves now. Mustang is making them as we speak. But ohhh, she’s in an odd mood.” He spits out a bone. “Ha! This him then? The Jackal? He looks pale as a Red’s ass.” He peers closer. “Shit. You nailed him down!” “I think you’ve taken bigger shits than him, Pax,” Sevro adds. “Prime have. More colorful ones too. He’s drab as a Brown.” “Guard your tongue, fool,” the Jackal tells Pax. “It may not always be there.” “Neither will your prick if you keep sassin’! Ha! Is it as small as you?” Pax booms. The
Pierce Brown (Red Rising (Red Rising Saga, #1))
Unbidden, a growl escaped him just as his lips brushed that heavenly skin and with one bite he pierced right through it. When her blood hit his tongue, he shook. It was nectar, hot and wild and sweet, like the fiery kiss of a demon. His fingers twisted up into the glossy knot of hair at her nape, pulling it free, wrapping his fist in that silky skein. Forcing her up as his mouth came down harder, his fangs sliding deeper. Rissa made a soft sound; whether of pleasure, encouragement or pain, it didn't matter. Nothing fucking mattered.
Heather R. Blair (Phoenix Fallen (Phoenix Inc. #2))
Dancer finds me the next day as I practice my Aureate accent in the penthouse’s holomirror. I can see a three-dimensional depiction of my head in front of me. The teeth move strangely, catching my tongue as I try to roll my words. I am still becoming used to my body, even months after the last of the surgeries. My teeth are larger than I initially thought them. It also doesn’t help that the Goldbrows speak as though they’ve had golden shovels stuck up their bloodydamn stinkholes. So I find it easier to speak like one if I see that I am one. The arrogance comes easier.
Pierce Brown (Red Rising (Red Rising Saga, #1))
In Translation My mouth cannot write you a white flag, it will never be a Bible verse. My mouth cannot be shaped into the apology you say both you and God deserve. And you want to make it seem it's my mouth's entire fault. Because it was hungry, and silent, but what about your mouth? How your lips are staples that pierce me quick and hard. And the words I never say are better left on my tongue since they would only have slammed against the closed door of your back. Your silence furnishes a dark house. But even at the risk of burning, the moth always seeks the light.
Elizabeth Acevedo (The Poet X)
As the kiss deepened, his tongue brushed against mine. Images blazed in my mind—of a night sky over a desert, the moon hanging like a jewel, and the rush of wind over my body. The feel of his soft lips was transporting me. With a nip of my lower lip, he let out a low noise from deep in his throat—a sound of pleasure and agony in one. Then, he pulled away from the kiss, his black eyes piercing me. I stared at him, catching my breath. “Tell me. Do angels have a weakness?” Specifically, how did an angel end up murdered in a river? “Of course we do. Everyone has a weakness.” He leaned down, his mouth close to my ear as he whispered, “mortal women.
C.N. Crawford (The Fallen (Hades Castle Trilogy, #1))
He would be of blood to us: not only come to the sick, and to our bed-side, but would lie down and be sick, taking on him sick clay, and be, in that condition of clay, a worm and not a man, that he might pay our debts; and would borrow a man’s heart and bowels to sigh for us, man’s eyes to weep for us, his spouse’s body, legs, and arms, to be pierced for us; our earth, our breath, our life, and soul, that he might breathe out his life for us; a man’s tongue and soul to pray for us: and yet, he would remain God, that he might perfume the obedience of a High Priest with heaven, and give to justice blood that chambered in the veins and body of God, in whom God had a personal lodging.
Samuel Rutherford (The Trial and Triumph of Faith)
You.” Hard thrust. “Go.” Another thrust directly to my spot, my pussy walls clenching and holding his fingers but he doesn’t let me. “When. I. Say. So.” He fucks me with his fingers so hard and I come just as hard, so loud with a scream that pierces my ears. I literally hear a buzz and see color behind my eyes. Maybe it’s the bitter taste of the truth on my tongue, or the answering silent, yet volcanic anger from Ace. Maybe it’s the grief that slices the room into uneven dimensions of breathless agony—but for whatever reason, my orgasm is hard and intense. It’s the type of climax that I knew Ace could easily give me, but we both knew it was heightened by misery and grief. A kind of grief that we both refused to face. Grief heightened by orgasm. Orgasm heightened by grief. . . My entire body shakes, Ace flips me over to my side and somehow in the darkness of my room, our gazes connect and I can see the blues like I do in my nightmares and my dreams. I see them as much as they see me. I know these eyes belong to the devil, the spawn of my hate. But they still see me. It’s all I’ve ever wanted. To be seen and he has, since the very first day we met. “You will fucking die when I say so.” He growls, like a solemn vow. “You will fade away like the kind of nothing that you think you are, when I say so. But for now, you fucking stay here and you fight that shit for me. I fucking need you to fight it.
Thandiwe Mpofu (Reckless Hate (Westbrook Blues, #1))
This is the best idea you’ve had all day. And you’ve had a ton of good ones. You are so the idea girl. Quitting your job? Great idea. Getting Lay to give you the latex replica of yourself? Stellar. Just gotta follow through. The excessive drinking? Also masterful. And now we’re going to kick ass in person. I love it. Let’s dress you up, though. We’ll make Hudson’s balls cry big, girly tears when he thinks of all the anal he could have had with you tonight.” “Did I tell you he has his tongue pierced? And his dick pierced?” Verity asked, holding Angie by her face. “Do you know what that means to a vagina? Are you aware of the commitment he’s made to my vagina’s happiness? He slapped his man meat out somewhere…” She waved a boozy hand at the city. “Thought about pleasure, and took a stab in his pee hole. Do you even understand that?” “You did mention that already. And the tongue one is hard to miss.” Angie nodded seriously. “Let’s find the hottest thing you own and pour your boobs in it. Have I told you you have great tits? Your tits are the sweetest friends with my tits.” They proceeded to bump their boobs together. “Okay, let’s go.” Angie dragged Verity to her closet.   Verity Michaels @VerityPics03 I’ve never thunk Fireball was a bad idea. #RageDrinking   Verity Michaels @VerityPics03 Angie made me sexlicious. #GreatTitBuddies   Verity Michaels @VerityPics03 Pierced dicks are fucktacular. #PoundTown
Helena Hunting (Felony Ever After)
Actually, I was thinking more about cutting off that ruby,” Keefe told him, pointing to a large stone pierced through the skin on Cadfael’s stomach, right above the dip of his spiked metal diaper. “I could keep it with the jewel I sliced out of Dimitar’s ear when I beat him at sparring. And I’d be doing you a favor, ’cause, dude, that is not a good look.” Bad idea to anger the scary ogre, Sophie transmitted. See, and I think it sounds like a whole lot of fun, Keefe countered. He didn’t even blink when Cadfael drew a dagger from a sheath hidden in one of his bracers and said, “I bet Ro likes that smart mouth of yours. So maybe I should cut out your tongue.” Keefe smirked. “I’m pretty sure she’d thank you for that.” “I would,” Ro agreed.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
But I'm pretty sure Mom won't consent to a field trip across the country with my hot boyfriend. Especially not back to Florida." I clamp my mouth shut so fast my teeth should be chipped. He grins. "You think I'm hot?" "My mom thinks you are." Except, Mom's not the one blushing right now. "Hmm," he says, giving me a you're-busted look. "As hot as I am, I don't think she'd buy into my charm on this one. We'll have to call in a professional." Then that fish prince actually winks at me. "You mean Rachel," I say, toeing the sand. "I guess it's worth a shot. Don't expect much, though. I've already missed too much school." "We could fly down on the weekend. Be back before school on Monday." I nod. "She might go for that. If Rachel plays her cards right." Yeah, she might go for that. She might also pierce her tongue, dye her hair cherry red and spike it peacock-style. Ain't happening. I shrug. "I'll just keep practicing while you're gone. Maybe we don't have to go-" "No!" Galen and Toraf shout, startling me. "Why not? I won't go too deep-" "Out of the question," Galen says, standing. "You will not get in the water while I'm gone." I stomp a hole in the sand. "I already told you that you're not ordering me around, didn't I? Now you've pretty much guaranteed that I'm getting in the water, Your Highness." Galen runs a hand through his hair and utters a string of cuss words, courtesy of Rachel, no doubt. he paces in the sane a few seconds, pinching the bridge of his nose. Suddenly he stops. Relaxes. Smiles even. He walks over to his friend, slaps him on the back. "Toraf, I need a favor.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
He looked her face over, loving the strong features and the short hair and the piercing forest green eyes. “I never would have asked you, you know…to blow everything you have here away for me.” “That’s only one of the reasons I love you.” “Will you tell me the others later?” “Maybe.” She slipped her hand between his legs, shocking the shit out of him and making him gasp. “Might show you, too.” He covered her mouth with his and pushed his tongue into her as he backed her up against the wall. He didn’t care if Rhage waited on the front lawn for an extra— His phone went off. And kept ringing. V lifted his head and looked through the window by the front door. Rhage was on the front lawn, phone to his ear, staring back. The brother made a show of checking his watch, then flashing his middle finger at V. Vishous pounded a fist into the Sheetrock and stepped off from Jane. “I’m coming back at the end of the night. Be naked.” “Wouldn’t you rather undress me?” “No, because I’d shred that shirt, and I want you sleeping in it every night until you’re in my bed with me. Be. Naked.” “We’ll see.” His whole body throbbed at the disobedience. And she knew it, her stare level and erotic. “God, I love you,” he said. “I know. Now run along and kill something. I’ll be waiting for you.” He smiled at her. “Couldn’t love you more if I tried.” “Ditto.” He kissed her and dematerialized out front to Rhage’s side, making sure some mhis was in place. Oh, great. It was raining. Man, he’d so much rather be cozied up with Jane than out with his brother, and he couldn’t help but shoot a short-stack glare at Rhage. “Like another five minutes would kill you?” “Please. You start down that road with your female and I’ll be here until summer.” -Vishous, Jane, & Rhage
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
Mag Rogan and I stood on the edge of a cliff. Below us, the ground plunged so far down that it was as if the planet itself had ended at our feet. The wind tugged at my hair. He was wearing those dark pants again and nothing else. The hard muscle corded his torso, fueled by an overpowering, almost savage strength. Not the mindless brutality of a common thug or the cruel power of an animal, but an intelligent, stubborn, human strength. It was everywhere: in the set of his broad shoulders, in the turn of his head on a muscular neck, in the tilt of his square jaw. He turned to me and his whole body tightened, the muscles flexing and hardening, his hands ready to grip and crush, his eyes alert, missing nothing, and blazing with the brilliant electric blue of magic. I could picture him getting his sword and walking alone onto the drawbridge to defend his castle against a horde of invaders with that exact look on his face. He was terrifying, and I wanted to run my hands down that chest and feel the hard ridges of his abs. I was some special kind of idiot. Magic roiled about him, ferocious and alive, a pet monster with vicious teeth. He moved toward me, bringing it with him. “Tell me about Adam Pierce.” I reached over and put my hand on his chest. His skin was burning hot. The muscle tensed under my fingers. An eager electric shiver ran through me. I wanted to lean against that chest and kiss the underside of that jaw, tasting his sweat on my tongue. I wanted him to like it. “What happened to the boy?” I asked. “The one who destroyed a city in Mexico? Is he still inside?” “Nevada!” My mother’s voice cut through my dreams like a knife. I sat straight up in my bed. Okay. I was either way more messed up inside, or Mad Rogan was a strong projector and could shoot images straight into my mind. Either way was bad. What happened to the boy . . . I needed to have my head examined.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Clarisse would have ignored him if it were not for the fact that as she passed, he took something long, white and oddly familiar from his coat and proceeded to chew on it, as on a peppermint stick. Its end devoured, his extraordinary tongue darted within the white confection, sucking out the filling, making contented noises. He was still crunching his goody as she proceeded up the sidewalk to her house, turned the doorknob and walked in. "Darling?" she called, smiling around. "Darling, where are you?" She shut the door, walked down the hall and into the living room. "Darling. . ." She stared at the floor for twenty seconds, trying to understand. She screamed. Outside in the sycamore darkness, the little man pierced a long white stick with intermittent holes; then, softly, sighing, his lips puckered, played a little sad tune upon the improvised instrument to accompany the shrill and awful singing of Clarisse's voice as she stood in the living room. Many times as a little girl Clarisse had run on the beach sands, stepped on a jellyfish and screamed. It was not so bad, finding an intact, gelatin-skinned jellyfish in one's living room. One could step back from it. It was when the jellyfish called you by name . . .
Ray Bradbury (The October Country)
My sour cherry liqueur is especially popular, though I feel a little guilty that I cannot remember the cherry's name. The secret is to leave the stones in. Layer cherries and sugar one on the other in a widemouthed glass jar, covering each layer gradually with clear spirit (kirsch is best, but you can use vodka or even Armagnac) up to half the jar's capacity. Top up with spirit and wait. Every month, turn the jar carefully to release any accumulated sugar. In three years' time the spirit has bled the cherries white, itself stained deep red now, penetrating even to the stone and the tiny almond inside it, becoming pungent, evocative, a scent of autumn past. Serve in tiny liqueur glasses, with a spoon to scoop out the cherry, and leave it in the mouth until the macerated fruit dissolves under the tongue. Pierce the stone with the point of a tooth to release the liqueur trapped inside and leave it for along time in the mouth, playing it with the tip of the tongue, rolling it under, over, like a single prayer bead. Try to remember the time of its ripening, that summer, that hot autumn, the time the well ran dry, the time we had the wasp's nests, time past, lost, found again in the hard place at the heart of the fruit...
Joanne Harris (Five Quarters of the Orange)
This Is Not an Elegy At sixteen, I was illegal and brilliant, my fingernails chewed to half-moons. I took off my clothes in a late March field. I had secret car wrecks, secret hysteria. I opened my mouth to swallow stars. In backseats I learned the alchemy of guilt, lust, and distance. I was unformed and total. I swore like a sailor. But slowly the cops stopped coming around. The heat lifted its palms. The radio lost some teeth. Now I see the landscape behind me as through a Claude glass— tinted deeper, framed just so, bits of gilt edging the best parts. I see my unlined face, a thousand film stars behind the eyes. I was every murderess, every whip- thin alcoholic, every heroine with the silver tongue. Always young Paul Newman’s best girl. Always a lightning sky behind each kiss. Some days I watch myself in the third person, speak to her in the second. I say: I will meet you in sleep. I will know you by your stillness and your shaking. By your second-hand gown. By your bruises left by mouths since forgotten. This is not an elegy because I cannot bear for it to be. It is only a tree branch against the window. It is only a cherry tomato slowly reddening in the garden. I will put it in my mouth. It will be sweet, and you will swallow.
Catherine Pierce (Famous Last Words)
For years now I have heard the word “Wait!” It rings in the ear of every Negro with piercing familiarity. This “Wait” has almost always meant “Never.” We must come to see, with one of our distinguished jurists, that “justice too long delayed is justice denied.” We have waited for more than 340 years for our constitutional and God-given rights. The nations of Asia and Africa are moving with jet-like speed toward gaining political independence, but we still creep at horse-and-buggy pace toward gaining a cup of coffee at a lunch counter. Perhaps it is easy for those who have never felt the stinging darts of segregation to say, “Wait.” But when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate-filled policemen curse, kick, and even kill your black brothers and sisters; when you see the vast majority of your twenty million Negro brothers smothering in an airtight cage of poverty in the midst of an affluent society; when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can’t go to the public amusement park that has just been advertised on television, and see tears welling up in her eyes when she is told that Funtown is closed to colored children, and see ominous clouds of inferiority beginning to form in her little mental sky, and see her beginning to distort her personality by developing an unconscious bitterness toward white people; when you have to concoct an answer for a five-year-old son who is asking: “Daddy, why do white people treat colored people so mean?”; when you take a cross-county drive and find it necessary to sleep night after night in the uncomfortable corners of your automobile because no motel will accept you; when you are humiliated day in and day out by nagging signs reading “white” and “colored”; when your first name becomes “nigger,” your middle names becomes “boy” (however old you are), and your last name becomes “John,” and your wife and mother are never given the respected title “Mrs.”; when you are harried by day and haunted by night by the fact that you are a Negro, living constantly at tiptoe stance, never quite knowing what to expect next, and are plagued with inner fears and outer resentments; when you are forever fighting a degenerating sense of “nobodiness”—then you will understand why we find it difficult to wait.
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
I tilted my head and kissed his cheek.  The whiskers abraded my lips, but I didn’t mind.  I moved lower, finding his lips.  He didn’t resist me, but didn’t join in as he had in the car.  I frowned slightly.  A stab of doubt pierced my heart.  This didn’t feel right, yet.  He still hid from me. Nudging his jaw with my nose, I made room to nuzzle his neck.  My lips skimmed his smooth skin.  His pulse jumped under my mouth.  Finally, he reacted.  Both his hands came up, holding my sides, kneading me, encouraging.  My breath quickened, and my heart hammered.  Yes!  This was right. Something took possession of me.  With one hand, I gripped his hair and tugged it.  He tilted his head to the side and exposed his neck, giving in willingly.  My eyes traced his neck where his pulse skipped erratically.  The beat matched my own.  I couldn’t look away from that clean-shaven spot.  I recalled when he had started shaving it.  He’d known I would need to see it.  For this.  I kissed it lightly and felt him shudder.  Before the shudder ended, I bit him hard on the same spot.  Hard enough to draw blood. The taste of his blood on my tongue broke the hold he had on me and created a new one somewhere deep inside.  I pulled back slightly to look at the small marks I’d left.  They had already begun to heal. The pull he had on me and the euphoria of the moment faded as the horror of what I’d just done washed over me. Clay stared at me in stunned silence...versus his everyday silence.  Behind me, someone moved and called attention to the fact that we still had an audience.  A Claiming typically occurred in private. A deep blush seized my cheeks, and embarrassed tears began to gather.  I wiped the blood from my mouth with a shaky hand.  I didn’t regret Claiming him, but wished we could have talked first.  I needed reassurance.  Would this mean I’d have to quit school?  Would he want me to live in the woods with him?  If he did, I owed it to him to try after everything he’d done for me. Then, a really ugly question floated to the surface.  Had I just forced him? Panic bloomed in my chest.  Before I could scramble off his lap, he reached up and gently stroked my hair.  I froze, hands braced on his chest for stability, ready to flee. “I’ve been waiting for that since the moment I saw you,” he said in a deep and husky voice.  He sounded like a midnight radio DJ. Hearing his perfect voice ignited my temper.  Now, he could talk?  I scowled at him.  The man had the audacity to laugh then scoop me up in his arms. The
Melissa Haag (Hope(less) (Judgement of the Six #1))
He watched her pace toward him. She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?” “Yes,” he whispered. “I remember lying with you on the lawn of the imperial palace’s spring garden.” He shifted. Lamplight pulsed over his face. He shook his head. “I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.” “That didn’t happen.” “I kissed you.” She touched the hollow at the base of his neck. His pulse was wild. “Not then,” he said finally. “But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.” His heart slammed against her palm. “Yes.” “A carriage.” “Yes.” “A balcony.” Breath escaped him like a laugh. “Almost.” “I remember falling asleep in your bed when you weren’t here.” He pulled back slightly, searched her face. “That didn’t happen.” “Yes it did.” His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins. “The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.” His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.” “I never said?” “No.” She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it. He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth. She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down. Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.
Walt Whitman
The words of the reckless pierce like swords, but the tongue of the wise brings healing. (PROV. 12:18)
Jenni Catron (Clout: Discover and Unleash Your God-Given Influence)
Your thoughts act as instructions to your brain; as soon as they come through, your brain goes to work to turn them into reality. Or in keeping with the analogy, when you plant seeds of thought—no matter what kind of seeds they are—your brain gets busy producing a corresponding crop.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
Watch your thoughts; they become words. Watch your words; they become actions. Watch your actions; they become habits. Watch your habits; they become character. Watch your character, for it becomes your destiny.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
One day you will be held accountable for the life you created and the influence you wielded with the words you chose to speak: “And I tell you this, you must give an account on judgment day for every idle word you speak. The words you say will either acquit you or condemn you” (Matt. 12:36–37). Every word that has ever left your tongue, and those yet to, will be judged for its merit. Every word of encouragement, praise, and love you’ve spoken will be revisited. Every negative, hurtful thing you’ve said to the people you love will come to light. You’ll see the effects of every lie you’ve told and every judgment you’ve passed. Between now and then, you have the opportunity to use your words in a way that brings life to the world around you; you have a chance to use your words to cooperate with God in creating your best future and reaching your full potential; you have the chance to use your words to show life-changing love to the people closest to you.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
This reality goes a long way toward proving an old maxim: You are the same today as you’ll be in five years except for two things—the people you associate with and the books you read.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
I recently came across a study conducted by linguistic researchers on a large cross section of violent prisoners.3 The researchers met with the prisoners and studied the range and type of vocabulary they used. They determined that these prisoners had about one-fifth the vocabulary of the average person in America, noting that one of the major contributing factors to the violent histories of the men was that they had no other way to express themselves.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
It is better in prayer to have a heart without words than words without a heart. Gandhi
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
The shifting pattern of willow frond shade and sunlight in her hair with shimmers of pure spun gold, delicate sharp pink tongue removing pudding from her front teeth, soft yet piercing green eyes with too much knowledge about the world and not enough of the mundane; and dark secrets hidden like treasures,
George Wier (The Last Call (Bill Travis Mysteries, #1))
A sharp mind will pierce through any problem; a sharp tongue will pierce through any heart.
Matshona Dhliwayo
All of their faces are cluttered with the shrapnel of rebellion, as if a grenade of alienation has exploded in their midst, piercing every possible soft point of flesh-from earlobes and nostrils to eyebrows, lips, and tongues-with metal studs and rings.
Jonathan Tropper
Justin Schmidt, an entomologist who studies venomous stings, created the Schmidt Sting Pain Index to quantify the pain inflicted by ants and other stinging creatures. His surprisingly poetic descriptions give some order to the hierarchy of ant stings as compared to those of bees and wasps: 1.0 Sweat bee: Light, ephemeral, almost fruity. A tiny spark has singed a single hair on your arm. 1.2 Fire ant: Sharp, sudden, mildly alarming. Like walking across a shag carpet & reaching for the light switch. 1.8 Bullhorn acacia ant: A rare, piercing, elevated sort of pain. Someone has fired a staple into your cheek. 2.0 Bald-faced hornet: Rich, hearty, slightly crunchy. Similar to getting your hand mashed in a revolving door. 2.0 Yellowjacket: Hot and smoky, almost irreverent. Imagine W. C. Fields extinguishing a cigar on tongue. 2.x Honey bee and European hornet: Like a matchhead that flips off and burns on your skin. 3.0 Red harvester ant: Bold and unrelenting. Somebody is using a drill to excavate your ingrown toenail. 3.0 Paper wasp: Caustic & burning. Distinctly bitter aftertaste. Like spilling a beaker of hydrochloric acid on a paper cut. 4.0 Tarantula hawk: Blinding, fierce, shockingly electric. A running hair drier has been dropped into your bubble bath. 4.0+ Bullet ant: Pure, intense, brilliant pain. Like fire-walking over flaming charcoal with a 3-inch rusty nail in your heel.
Amy Stewart (Wicked Bugs: The Louse That Conquered Napoleon's Army and Other Diabolical Insects)
Enoch spoke with barely a breath, “In the midst of piercing light is a structure of crystals, and between those crystals are tongues of fire, encircled by rivers of living fire, over which are the sleepless ones who guard the throne of Yahweh’s glory, the Seraphim, the Cherubim, and Ophanim, the archangels, Mikael, Raphael, Gabriel and Uriel and ten thousand times ten thousand of countless holy angels, all bowing before the Ancient of Days and the one to whom belongs the time before time, the Son of Man, with head as white as wool and an indescribable garment, to whom belongs righteousness and with whom righteousness dwells, the Lord of Spirits, who will remove kings and mighty ones from their comfortable thrones and shall loosen the reins of the strong and crush the teeth of sinners, who shall depose the kings from their kingdoms who do not extol and glorify him and neither do they obey him, the source of their kingship, and he says, ‘Behold, the Lord comes with ten thousands of his holy ones, to execute judgment on all and to convict all the ungodly of all their deeds of ungodliness that they have committed in such an ungodly way, and of all the harsh things that ungodly sinners have spoken against him.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
March 16 MORNING “I am a stranger with thee.” — Psalm 39:12 YES, O Lord, with Thee, but not to Thee. All my natural alienation from Thee, Thy grace has effectually removed; and now, in fellowship with Thyself, I walk through this sinful world as a pilgrim in a foreign country. Thou art a stranger in Thine own world. Man forgets Thee, dishonours Thee, sets up new laws and alien customs, and knows Thee not. When Thy dear Son came unto His own, His own received Him not. He was in the world, and the world was made by Him, and the world knew Him not. Never was foreigner so speckled a bird among the denizens of any land as Thy beloved Son among His mother’s brethren. It is no marvel, then, if I who live the life of Jesus, should be unknown and a stranger here below. Lord, I would not be a citizen where Jesus was an alien. His pierced hand has loosened the cords which once bound my soul to earth, and now I find myself a stranger in the land. My speech seems to these Babylonians among whom I dwell an outlandish tongue, my manners are singular, and my actions are strange. A Tartar would be more at home in Cheapside than I could ever be in the haunts of sinners. But here is the sweetness of my lot: I am a stranger with Thee. Thou art my fellow-sufferer, my fellowpilgrim. Oh, what joy to wander in such blessed society! My heart burns within me by the way when Thou dost speak to me, and though I be a sojourner, I am far more blest than those who sit on thrones, and far more at home than those who dwell in their ceiled houses. “To me remains nor place, nor time: My country is in every clime; I can be calm and free from care On any shore, since God is there.” “While place we seek, or place we shun, The soul finds happiness in none: But with a God to guide our way, ’Tis equal joy to go or stay.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
It’s impossible to gossip about someone else without being personally affected in a negative way.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
Gratitude deficiency is characterized by a tendency to forget God when life is going well.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
For example, statistics show that people who curse in the workplace don’t get promoted as often as those who don’t curse. As a contributor to Forbes.com recently noted, 64% of employers said that they’d think less of an employee who repeatedly uses curse words, and 57% would be less likely to promote that person.… A majority of hiring managers said they believe that the use of curse words brings the employee’s professionalism into question, while others are concerned with the lack of control and lack of maturity demonstrated by swearing at work. More than half said using dirty words at work makes an employee appear less intelligent.1
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
2. Think before you speak. Have you ever heard the story of the fly that lived on a cow farm in Indiana? One day the fly was particularly hungry. As he was buzzing around looking for some food, he saw his favorite meal—a big, fresh cow patty. Excited by his discovery, the little fly dove in and feasted until he could feast no more. But when he tried to fly away, he realized there was a problem. He had eaten so much that he was too heavy for his wings to lift him off the ground. What’s a fly to do? Well, this enterprising little sucker spotted a broom leaning against the wall of the barn. He came up with a plan. The fly decided to climb to the top of the broom and jump off, assuming that once he was in the air with his wings spread, he’d be able to fly. The little hero waddled over to the broom and grunted his way to the tip of the handle. Once as high as he could go, he catapulted himself off and flapped his wings with all his might. But he was still too heavy to fly. He fell to the ground with a splat—and that was the end of Mr. Fly. The moral of the story? Don’t fly off the handle when you’re full of crap. In other words, think before you speak.
Nelson Searcy (Tongue Pierced: How the Words You Speak Transform the Life You Live)
A sharp mind will pierce through any problem; a sharp tongue will pierce through any heart.
Matshona Dhliwayo
He’s beautiful, with his skin covered in lots of ink and piercings—eyebrow, septum, bottom lip, ears, tongue, nipples and genitals.
M.J. Marino (Chasing Simone (Mercy Ravens MC #5))
A god cannot die. So a god has no fear. But mortal men…” She clucks her tongue behind her stained teeth. “How frightened they are that the darkness will come. How horribly they will fight to stay in the light.
Pierce Brown (Morning Star (Red Rising Saga, #3))
The Albert Boxler Riesling, not from Germany, but from Alsace, one of the high-end pours at twenty-six dollars a glass. And I was drinking it. Nicky had served it to me. To thank me. I rolled it through my mouth the way Simone had taught me, pursing my lips and cupping my tongue and almost making an inward whistle. I thought it would be sweet. I thought I tasted honey, or something like peaches. But then it was so dry it felt like someone had pierced me.
Stephanie Danler (Sweetbitter)
MacRae drew closer and took her head in his hands. His thumbs caressed the edge of her jaw, the light rasp of calluses causing gooseflesh to rise everywhere. Holy Moses, he was really going to do it. She was about to be kissed by a stranger. Too late to make light of anything now. What have I done? She stared up at him with wide eyes, the dissonant notes of nerves and tension joining in a long, sweet chord of desire. The crescents of his lashes, dark with gold tips, lowered slightly as he looked down at her. There was no place to hide from that piercing gaze. She felt so terribly exposed, every bit as naked as he'd been a few minutes ago. His head bent, and his mouth found hers with a pressure as soft as snowfall. She'd thought he might be rough or impatient, maybe a bit clumsy... she'd expected anything but the gently teasing caress that coaxed her lips apart before she was even aware of it. He tasted her with the tip of his tongue, a sensation that went down to her knees and weakened them. She felt herself list like a ship unable to right itself, but he gathered her firmly against him, his supportive arms closing around her. The tender focus on her mouth deepened until it had gone on longer than any kiss in her life, and still she wanted more. He kissed her as if it were not the first time but the last, as if the world were about to end, and every second was worth a lifetime. He feasted on her with the craving of years. Blindly she caught at his mouth with hers, while her fingers tangled in his hair. The textures of him- plush velvet, rough bristle, wet silk- stimulated her beyond bearing. She'd never known desire like this, a swoon that kept deepening into more and more exquisite feeling.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Her playing was of the utmost sincerity. And Chopin, played simply, devastates the heart. Sometimes a pause between the piercing sorrows of minor notes made a sister scrubbing the floor weep into the bucket where she dipped her rag so that the convent’s boards, washed in tears, seemed to creak now in a human tongue. The air of the house thickened with sighs.
Louise Erdrich (The Last Report on the Miracles at Little No Horse)