Tone Indicator For Quotes

Nell," the Constable continued, indicating through his tone of voice that the lesson was concluding, "the difference between ignorant and educated people is that the latter know more facts. But that has nothing to do with whether they are stupid or intelligent. The difference between stupid and intelligent people—and this is true whether or not they are well-educated—is that intelligent people can handle subtlety. They are not baffled by ambiguous or even contradictory situations—in fact, they expect them and are apt to become suspicious when things seem overly straightforward.

One thing is certain: Yelling at someone who is already out of control can only lead to further dysregulation. Just as your dog cowers if you shout and wags his tail when you speak in a high singsong, we humans respond to harsh voices with fear, anger, or shutdown and to playful tones by opening up and relaxing. We simply cannot help but respond to these indicators of safety or danger.

How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing. “Great, thanks, Big Josh. How You Doing?” “Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug. I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.” We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives. “Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.” We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?” Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force. “Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.” “It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.

When my now-adult daughter was a child, another child once hit her on the head with a metal toy truck. I watched that same child, one year later, viciously push his younger sister backwards over a fragile glass-surfaced coffee table. His mother picked him up, immediately afterward (but not her frightened daughter), and told him in hushed tones not to do such things, while she patted him comfortingly in a manner clearly indicative of approval. She was out to produce a little God-Emperor of the Universe. That’s the unstated goal of many a mother, including many who consider themselves advocates for full gender equality. Such women will object vociferously to any command uttered by an adult male, but will trot off in seconds to make their progeny a peanut-butter sandwich if he demands it while immersed self-importantly in a video game. The future mates of such boys have every reason to hate their mothers-in-law. Respect for women? That’s for other boys, other men—not for their dear sons.

both you and paintings are layered… first, ephemera and notations on the back of the canvas. Labels indicate gallery shows, museum shows, footprints in the snow, so to speak. Then pencil scribbles on the stretcher, usually by the artist, usually a title or date. Next the stretcher itself. Pine or something. Wooden triangles in the corners so the picture can be tapped tighter when the canvas becomes loose. Nails in the wood securing the picture to the stretcher. Next, a canvas: linen, muslin, sometimes a panel; then the gesso - a primary coat, always white. A layer of underpaint, usually a pastel color, then, the miracle, where the secrets are: the paint itself, swished around, roughly, gently, layer on layer, thick or thin, not more than a quarter of an inch ever -- God can happen in that quarter of an inch -- the occasional brush hair left embedded, colors mixed over each other, tones showing through, sometimes the weave of the linen revealing itself. The signature on top of the entire goulash. Then varnish is swabbed over the whole. Finally, the frame, translucent gilt or carved wood. The whole thing is done.

His eyes search mine, more serious than his tone would indicate, and I know he’s looking to see whether or not I’m falling apart. He doesn’t need to.

It's morning.' His attention flicked to hers, amusement lacing his tone. 'I do comprehend what the sun indicates, pet.

You risked your life for me." He took my shoulders into his hands. "When are you going to learn, Dutch: No one matters but you and the baby. You keep risking your life--" He threw one hand out to indicate our surroundings. "--on things that are not the least bit important." He stepped even closer. "On people who committed suicide and crazy chicks in cemeteries and--" He stopped and dropped a heated gaze on me. His voice cracked when he said in a hushed tone, "I can't lose you." "And I can lose you?" I asked, almost screaming at him. He lowered his head and pinched the bridge of his nose with his thumb and index finger. Then he admitted what was probably his greatest fear. "I don't know how to win. I don't have the faintest idea of how to kill the Twelve. And when I saw your name on that wall." His breath hitched in his chest. Then he focused his coffee-colored gaze on me. "If you die," he said with a savage vehemence in his voice, "I will go straight to hell and kill every demon there. Or I'll perish in the attempt.

Kiyo, what would you do if all of a sudden I weren't here any more?' Satoko asked, her words coming in a rushed whisper. This was a long-standing trick of Satoko's for disconcerting people. Perhaps she achieved her effects without conscious effort, but she never allowed the slightest hint of mischief into her tone to put her victim at ease. Her voice would be heavy with pathos at such times, as though confiding the gravest of secrets. Although he should have been inured to this by now, Kiyoaki could not help asking: 'Not here any more? Why?' Despite all his efforts to indicate a studied disinterest, Kiyoaki's reply betrayed his uneasiness. It was what Satoko wanted. 'I can't tell you why,' she answered, deftly dropping ink into the clear waters of Kiyoaki's heart...

These happenings had occupied an incredibly short time, yet the youth felt that in them he had been made aged. New eyes were given to him. And the most startling thing was to learn suddenly that he was very insignificant. The officer spoke of the regiment as if he referred to a broom. Some part of the woods needed sweeping, perhaps, and he merely indicated a broom in a tone properly indifferent to its fate. It was war, no doubt, but it appeared strange.

The sweetness and fine expression of her voice attracted his attention to her figure, which had a distinguished air of delicacy and grace; but her face was concealed in her veil. So much indeed was he fascinated by the voice, that a most painful curiosity was excited as to her countenance, which he fancied must express all the sensibility of character that the modulation of her tones indicated.

I’ve never had occasion to use one magnificent tip from a well-known author, but I pass it on anyway: “Keep an eye on the trade press. When an editor moves on, immediately send your precious MS to his or her office, with a covering letter addressed to said departed editor. Say, in the tones of one engaged in a cooperative effort, something like this: ‘Dear X, I was very pleased to receive your encouraging letter indicating your interest in my book, and I have made all the changes you asked for.…’ Of course they won’t find the letter. Publishers can never find anything. But at least someone might panic enough to read the MS.

The women we become after children, she typed, then stopped to adjust the angle of the paper....We change shape, she continued, we buy low-heeled shoes, we cut off our long hair, We begin to carry in our bags half-eaten rusks, a small tractor, a shred of beloved fabric, a plastic doll. We lose muscle tone, sleep, reason, persoective. Our hearts begin to live outside our bodies. They breathe, they eat, they crawl and-look!-they walk, they begin to speak to us. We learn that we must sometimes walk an inch at a time, to stop and examine every stick, every stone, every squashed tin along the way. We get used to not getting where we were going. We learn to darn, perhaps to cook, to patch knees of dungarees. We get used to living with a love that suffuses us, suffocates us, blinds us, controls us. We live, We contemplate our bodies, our stretched skin, those threads of silver around our brows, our strangely enlarged feet. We learn to look less in the mirror. We put our dry-clean-only clothes to the back of the wardrobe. Eventually we throw them away. We school ourselves to stop saying 'shit' and 'damn' and learn to say 'my goodness' and 'heavens above.' We give up smoking, we color our hair, we search the vistas of parks, swimming-pools, libraries, cafes for others of our kind. We know each other by our pushchairs, our sleepless gazes, the beakers we carry. We learn how to cool a fever, ease a cough, the four indicators of meningitis, that one must sometimes push a swing for two hours. We buy biscuit cutters, washable paints, aprons, plastic bowls. We no longer tolerate delayed buses, fighting in the street, smoking in restaurants, sex after midnight, inconsistency, laziness, being cold. We contemplate younger women as they pass us in the street, with their cigarettes, their makeup, their tight-seamed dresses, their tiny handbags, their smooth washed hair, and we turn away, we put down our heads, we keep on pushing the pram up the hill.

Perhaps in the process of reconstructing its corporeal form, this new and wholly original entity achieved a complete mastery of all matter; able to shape reality by the manipulation of its basic building blocks. When news of this being's phenomenal genesis was first released to the world, a certain phrase was used that has--at varying times--been attributed both to me and to others. On the newsflashes coming over our tvs on that fateful night, one sentence was repeated over and over again: 'The superman exists and he's American.' I never said that, although I do recall saying something similar to a persistent reporter who would not leave without a quote. I presume the remark was edited or toned down so as not to offend public sensibilities; in any event, I never said 'The superman exists and he's American.' What I said was 'God exists and he's American.' If that statement starts to chill you after a couple of moments' consideration, then don't be alarmed. A feeling of intense and crushing religious terror at the concept indicates only that you are still sane.

the invocation was uttered in such a tone as to indicate a rooted antipathy to anything so commonplace,

Studies have indicated that the tone of voice may be more important than any other element in our response.

You’ve survived much worse.”  His tone is unapologetic, indicating that he’s confident in my ability to survive him. My stomach clenches around the anxious butterflies within.

A rush of sensation pulsed through her, lingering long after his touch. The towel quickly fell free. He caught it before it slipped to the ground and slung it over his shoulder. “Consider this your first time,” he said, his tone low and sultry. Good Lord... Paige could hardly blink. If this was any indication of the doc’s bedside manner, she could only hope for long-term, intensive treatment.

When an animal dies, another of the same species may cling to the body, eat the body, or look bored. Bees expel dead bodies from the hive or, if that is impossible, embalm them in honey. Elephants "say" a ritualistic good-bye, and touch their dead before slowly walking away. Corvids often accept the death of a companion without much fuss, but they at times have “funerals,” where scores of birds lament over the corpse of a deceased crow. But it is a bit odd that people should investigate whether animals “comprehend death,” as if human beings understood what it means to die. Is death a prelude to reincarnation? A portal to Heaven or Hell? Complete extinction? Union with all life? Or something else? All of these views can at times be comforting, yet people usually fear death, quite regardless of what they claim to believe. In the natural world, killing seems a casual affair. Human beings, of course, kill on a massive scale, but most of us can only kill, if at all, by softening the impact of the deed through rituals such as drink or prayer. The strike of a spider, a heron, or a cat is swift and, seemingly, without inhibition or remorse. They pounce with a confidence that could indicate ignorance, indifference, or else profound knowledge. Could this be, perhaps, because animals cannot conceive of killing, since they are not aware of death? Could it be because they understand death well, far better than do human beings? If animals envision the world not in terms of abstract concepts but sensuous images, the soul might appear as a unique scent, a rhythmic motion, or a tone of voice. Death would be the absence of these, though without that absolute finality that we find so severe. Perhaps the heron that snaps a fish thinks his meal lives on, as he one day will, in the form of currents in the pond.

There are many, many things that are difficult in this life, but one thing that isn't difficult at all is figuring out whether someone is excited or not when they open a present. If someone is excited, they will often put exclamation points at the end of their sentences to indicate their excited tone of voice. If they say "Oh!" for instance, the exclamation point would indicate that the person is saying "Oh!" in an excited way, rather than simply saying "Oh," with a comma after it, which would indicate that the present is somewhat disappointing. "Oh," Violet said, as she opened her present. "Oh," Klaus said, as he opened his. "Oh," Sunny said, as she tore open her shopping bag with her teeth.

She had streaked blonde hair, long and straight, parted in the middle framing high cheek bones, an aquiline nose and beautiful deep blue eyes. She was young, around 30, tall and lithe with a good body, athletic, not skinny. She wore a sleeveless black dress that exposed her toned arms and shoulders, indicating regular workouts or yoga. There was a hint of vein running the length of her lean muscle. This girl stood out like an arabian in a corral full of draft horses.

That’s Xenophilius Lovegood, he’s the father of a friend of ours,’ said Ron. His pugnacious tone indicated that they were not about to laugh at Xenophilius, despite the clear provocation. ‘Come and dance,’ he added abruptly to Hermione.

He says he’s not popular, but he has all the makings of a popular high schooler: toned biceps that indicate his athleticism (i.e. he plays a sport), a face that’d be the lead in any CW show—or at least the little brother to the star (i.e. like Jeremy from The Vampire Diaries), and messy brown hair that sometimes touches his eyelashes—hair that says I could be in a boy band, but I’m too cool for that shit. Not to mention his tattoo. And his confident yet dark scowl…

We’ve met before you know?” I look at him a little perplexed and a little hurt that he hasn’t mentioned it. I nod my head indicating that, of course, I remember. Then with a low raspy voice I answer, “You remember meeting me and haven’t said anything up until now. Why?” With an equally low voice and the harshness seemingly gone in his tone, he says, “Why haven’t you, Dahlia?” He’s looking at me with his powerful green eyes and I know there’s no seeing the future in them right now.

I smiled as our hands pressed against one another in midair, as though we were pretending to touch through invisible glass. We managed a long stare before Jack finally blushed, retracting his hands. “How old are you, Jack Patrick?” “I turned fourteen this summer,” he said. I gave an impressed nod, indicating this was no small accomplishment. “Well you’re certainly old enough to know what you like.” Principal Deegan’s first-day speech came back to mind; I had to bite my lip not to jokingly add in, Am I right? “Here, let me give you some examples. Do you like it when girls wear lipstick?” He blushed and nodded. “Yeah.” His voice had an embarrassed tone, like he’d just made a vile confession. “Good—do you like lighter lipstick? Darker lipstick? Red?” I wanted to grab his hand again. It took every ounce of self-control I had not to slide my fingers beneath the desk and touch the bare skin of his leg. “Um,” he said. His hand began to scratch at his scalp. “Wait,” I said. “I have an idea.” I walked up to my desk and grabbed my purse and a box of Kleenex. “So what I’m wearing now is called fuchsia. Kind of a bright pink.” I sat and wiped it off, then took the fuchsia tube of lipstick out of my purse along with two others. “Okay, ready?” He nodded with sudden animation—we were about to play a game.

He looked up. I had seen him bare-chested before, but this was the first time I had really noticed that he had no navel. His sarx—the warm gold of brass— was taught and seamless over slabs of muscle, limned by the dim light from the lamp. “Paige,” he said, his tone questioning. I realized I was staring like a gamal at him. “Sorry,” I said, face warm. “You just don’t have—” I indicated my own abdomen. “But you wouldn’t, I suppose.” Rephaim were not born. He had never been tethered to a womb, nor grown inside someone else. When he had first emerged, alone, he had looked exactly as he did now. “You are curious about the other differences.” Arcturus closed his book. “There are none. Externally, at least.” “But Rephaim don’t reproduce,” I said thinking aloud. “So you probably don’t have a—

Ronny was ruffled. From his mother’s description he had thought the doctor might be young Muggins from over the Ganges, and had brought out all the comradely emotions. What a mix-up! Why hadn’t she indicated by the tone of her voice that she was talking about an Indian?

I don't think stand-up should really work on the page, so the very existence of this book is an indication of my ultimate failure as a comedian. The text of a stand-up set should be so dependent on performance and tone that it can't really work on the page, otherwise it's just funny writing.

There are many, many things that are difficult in this life, but one thing that isn't difficult at all is figuring out whether someone is excited or not when they open a present. If someone is excited, they will often put exclamation points at the end of their sentences to indicate their excited tone of voice. If they say "Oh!" for instance, the exclamation point would indicate that the person is saying "Oh!" in sn rxcited way, rather than simply saying "Oh," with a comma after it, which would indicate that the present is somewhat disappointing. "Oh," Violet said, as she opened her present. "Oh," Klaus said, as he opened his. "Oh," Sunny said, as she tore open her shopping bag with her teeth.

One of the sound guys approaches with Fizzy’s small mic in his hand. “Ready?” he asks. At her nod, he reaches for the front of her silk shirt and the words shove their way up my throat: “I’ve got it, mate.” He hands it over without any indication that he’s heard the edge in my tone. But Fizzy has. Her smirk is louder than her bursting laugh could ever be.

No, not 'Very well, Your Excellency', but simply 'Your Excellency'! I told you to watch your tone, Colonel! I also trust you will not be offended if I suggest you make a slight bow and at the same time incline your body forward, so as to indicate respect and also, as it were, readiness to dash off on an errand for him. I've been in the company of generals myself, so I know what I'm talking about ... So 'Your Excellency'.

Your dad told me what happened today . . . out in the woods. He told me that you tracked down the guy who’s been killing all the girls around here . . . that you put yourself in danger.” Violet couldn’t tell if he was angry or annoyed . . . or both. He ran his hand through his messy hair in an agitated gesture that indicated he was getting all worked up. “And it’s not like it was the first time you’ve done that. Trouble seems to follow you wherever you go, and you’re the only person I know who doesn’t seem to care. I don’t even want to think about what could have happened to you if I hadn’t shown up last night while Grady was . . . assaulting you.” He paused as if it really was too much to think about, and then he continued to rail at her. “You can’t even go to the mall safely. I made a promise to your parents, and you just wandered off without even telling me where you were going.” His voice was suddenly too abrasive, and it felt to Violet like he was scratching his nails across a chalkboard. She bristled against the accusation in his tone, and suddenly he wasn’t the only one who was upset. “And you didn’t speak to me for a week!” she lashed back at him. “What was that all about? I spent the entire week waiting for you to stop ignoring me. And all because I didn’t bother to check in with you? You don’t get to tell me what to do! You’re not my father, you know.” “Thanks for clarifying that, Violet,” he said sardonically. “It would be creepy if you got your boyfriend and your father confused.” Violet practically jumped when he said the word boyfriend. Obviously she’d noticed that they’d gone beyond just friendship, but she hadn’t been entirely sure what that meant for them. Apparently Jay had it all figured out.

We’re supposed to practice the Cruciatus Curse on people who’ve earned detentions--” “What?” Harry, Ron, and Hermione’s untied voices echoed up and down the passage. “Yeah,” said Neville. “That’s how I got this one,” he pointed at a particularly deep dash in his cheek, “I refused to do it. Some people are into it, though; Crabbe and Goyle love it. First time they’ve ever been top in anything, I expect. “Alecto, Amycus’s sister, teaches Muggle Studies, which is compulsory for everyone. We’ve all got to listen to her explain how Muggles are like animals, stupid and dirty, and how they drove wizards into hiding by being vicious toward them, and how the natural order is being reestablished. I got this one,” he indicated another slash to his face, “for asking her how much Muggle blood she and her brother have got.” “Blimey, Neville,” said Ron, “there’s a time and a place for getting a smart mouth.” “You didn’t hear her,” said Neville. “You wouldn’t have stood it either. The thing is, it helps when people stand up to them, it gives everyone hope. I used to notice that when you did it, Harry.” “But they’ve used you as a knife sharpener,” said Ron, wincing slightly as they passed a lamp and Neville’s injuries were thrown into even greater relief. Neville shrugged. “Doesn’t matter. They don’t want to spill too much pure blood, so they’ll torture us a bit if we’re mouthy but they won’t actually kill us.” Harry did not know what was worse, the things that Neville was saying or the matter-of-fact tone in which he said them.

She blushed softly as she viewed herself in the mirror, suddenly aware that he was once more behind her eyes, seeing her just as she did. “You could at least warn me,” she said aloud, cocking a scolding brow at her reflection. And deprive myself of this side of you? I would not dream of it. Legna smiled, moving closer to her looking glass. She gasped when she got a closer look at herself, her hand coming up to her cheek in shock as she looked into her eyes. “My eyes!” she exclaimed. My eyes, he said. He couldn’t have spoken a clearer truth. It was his mercury-colored irises that had become part of her reflection, the multicolored gray and green gone from their familiar place. She sighed with resignation, supposing to herself that since it wasn’t likely she could do anything about it, she would have to get used to it. “I do not suppose you will show up here suddenly sprouting coffee-colored hair?” she asked hopefully. No, sweet, that is not likely. “Well, this is a highly unfair situation!” she cried with exaggerated petulance. “An exchange historically indicates one thing being swapped for another. So far I only see you in me, but none of me in you. It feels terribly high-handed. How typical of you.” He did not respond, only a soft impression of laughter flitting through her mind. Odd, but she realized then that she had hardly ever heard him laugh before. She was surprised by how comfortable it sounded on him. He had always been so serious, so . . . Self-possessed. “If you do not mind, do refrain from editing my personal thoughts,” she scolded, her arching tone taunting and haughty.

Mrs. Atwater will see you now.” She spoke in a tone which conveyed her disappointment, but her smirk indicated the pleasure she’d derived from startling me. We stood there a second or two before I realized she wasn’t going to walk me down to Mrs. Atwater’s office. I said, “Don’t ever let the world dampen that bubbly personality of yours, Ellen, it’s what makes you so attractive.” I didn’t look back as I ambled toward the office but I could feel her eyes on the back of my neck; no doubt thinking about untraceable poisons and such, and long needles.

And if the history of pharmaceutical consumption is any indication, many buckled under such pressures. In 1955 a drug company named Carter-Wallace released the anti-anxiety drug Miltown, reframing anxiety as the natural product of a society that was both dog-eat-dog and relentlessly social. Miltown was marketed to men and immediately became the fastest-selling pharmaceutical in American history, according to the social historian Andrea Tone. By 1956 one of every twenty Americans had tried it; by 1960 a third of all prescriptions from U.S. doctors were for Miltown or a similar drug called Equanil.

The general, whom the boys knew as the commander of their division, looked at the other officer and spoke coolly, as if he were criticising his clothes. "Th' enemy's formin' over there for another charge," he said. "It'll be directed against Whiterside, an' I fear they'll break through there unless we work like thunder t' stop them." The other swore at his restive horse, and then cleared his throat. He made a gesture toward his cap. "It'll be hell t' pay stoppin' them," he said shortly. "I presume so," remarked the general. Then he began to talk rapidly and in a lower tone. He frequently illustrated his words with a pointing finger. The two infantrymen could hear nothing until finally he asked: "What troops can you spare?" The officer who rode like a cowboy reflected for an instant. "Well," he said, "I had to order in th' 12th to help th' 76th, an' I haven't really got any. But there's th' 304th. They fight like a lot 'a mule drivers. I can spare them best of any." The youth and his friend exchanged glances of astonishment. The general spoke sharply. "Get 'em ready, then. I'll watch developments from here, an' send you word when t' start them. It'll happen in five minutes." As the other officer tossed his fingers toward his cap and wheeling his horse, started away, the general called out to him in a sober voice: "I don't believe many of your mule drivers will get back." The other shouted something in reply. He smiled. With scared faces, the youth and his companion hurried back to the line. These happenings had occupied an incredibly short time, yet the youth felt that in them he had been made aged. New eyes were given to him. And the most startling thing was to learn suddenly that he was very insignificant. The officer spoke of the regiment as if he referred to a broom. Some part of the woods needed sweeping, perhaps, and he merely indicated a broom in a tone properly indifferent to its fate. It was war, no doubt, but it appeared strange.

Why are you delivering my dress?” “I saw Lirah with it. I asked if I could bring it to you.” “And she let you, of course.” He lifted his brows at her tone. “She was busy. I thought she would be glad for one less thing to do.” “That was kind of you then,” Kestrel said, though she heard her voice indicate otherwise and was annoyed with herself. Slowly, he said, “What do you mean?” “I mean nothing.” “You asked me to be honest with you. Do you think I have been?” She remembered his harsh words during the storm. “Yes.” “Can I not ask the same thing of you?” The answer was no, no slave could ask anything of her. The answer was no, if he wanted her secret thoughts he could try to win them at Bite and Sting. But Kestrel swallowed a sudden flare of nervousness and admitted to herself that she valued his honesty--and her own, when she was around him. There was nothing wrong with speaking the truth. “I think that you are not fair to Lirah.” His brows drew together. “I don’t understand.” “It’s not fair for you to encourage Lirah when your heart is elsewhere.” He inhaled sharply. Kestrel thought that he might tell her it was no business of hers, for it was not, but then she saw that he wasn’t offended, only taken aback. He pulled up a chair in that possessive, natural way of his and sank into it, dropping the dress onto his knees. He studied her. She willed herself not to look away. “I hadn’t thought of Lirah like that.” Arin shook his head. “I’m not thinking clearly at all. I need to be more careful.” Kestrel supposed that she should feel reassured.

I thought you killed that boy", he finally grumbled. "I did kill him", Rags said. "Dead as doughnuts. Buried him too, just like you told me." "And you sprinkled the grave site with jalapenos and lemon peel?" "Lemon peel?", Rags stuttered. "I don't remember anything about lemon peel!". Dennis was silent for quite some time. Rags glanced nervously about him, wishing he was anywhere but there. He realized he'd screwed up, but the whole thing was a mystery to him. He was extremely superstitious, but even his ignorance had its limits. 'Lemon peel?' He thought to himself, 'come on, that is just ridiculous'. Dennis might have read his mind, because he spoke up in a slightly louder tone to indicate his maximum rage. "Jalapeno to burn his soul, of course. Lemon peel to keep him in the ground!

Lady Kestrel?” said an anxious voice. Kestrel opened her eyes to see a girl dressed in a Herrani serving uniform. “Yes?” “Will you please follow me? There is a problem with your escort.” Kestrel stood. “What’s wrong?” “He has stolen something.” Kestrel rushed from the room, wishing the girl would move more quickly down the villa’s halls. There must be some mistake. Arin was intelligent, far too canny to do something so dangerous. He must know what happened to Herrani thieves. The girl led Kestrel into the library. Several men were gathered there: two senators, who held Arin by his arms, and Irex, whose expression when he saw Kestrel was gloating, as if he had just drawn a high tile in Bite and Sting. “Lady Kestrel,” he said, “what exactly did you bring into my house?” Kestrel looked at Arin, who refused to return her gaze. “He wouldn’t steal.” She heard something desperate in her voice. Irex must have, too. He smiled. “We saw him,” said one of the senators. “He was slipping that inside his shirt.” He nodded at a book that had fallen to the floor. No. The accusation couldn’t be true. No slave would risk a flogging for theft, not for a book. Kestrel steadied herself. “May I?” she asked Irex, nodding at the fallen book. He swept a hand to indicate permission. Kestrel stooped to retrieve the book, and Arin’s eyes flashed to hers. Her heart failed. His face was twisted with misery. She considered the closed, leather-bound book in her hands. She recognized the title: it was a volume of Herrani poetry, a common one. There was a copy in her library as well. Kestrel held the book, not understanding, not seeing anything worth the risk of theft--at least not here, from Irex’s library, when her own could easily serve Arin’s purposes. A suspicion whispered in her mind. She recalled Arin’s odd question in the carriage. Where are we going? His tone had been incredulous. Yet he had known their destination. Now Kestrel wondered if he had recognized something in the passing landscape that she hadn’t, and if his question had been less a question than the automatic words of someone sickened by a sudden understanding. She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.

What else do you like?” She blew out a breath, her expression considering while Vim used the brush in long strokes from her crown to her hips. It was beautiful hair, thick, lustrous, and gleaming with an indication of basic health and sound living. “I like music,” she said, “and sweets. I am quite partial to sweets.” Vim took this answer for a deliberate and charming prevarication. “I meant, what do you like from your lovers? Shall I kiss you all over? Shall you bind my wrists and have your way with me?” He leaned down and nuzzled her neck, the braid he’d been fashioning forgotten. “Shall you put your mouth on me, Sophie, and make me forget myself utterly?” She sat very still while Vim slid a hand over her shoulder and let it rest there, just above her breast while he pressed his cheek to hers. “My love, are you blushing?” “You are very bold, Mr. Charpentier.” He straightened, feeling it imperative that he braid up her hair, so he might have the pleasure of unbraiding it once they’d gained the bed. “I like your hands on me,” he volunteered. “There’s a particular quality to your touch I can’t quite describe. There’s… meaning in it.” “Meaning?” She regarded him in the mirror, her blush fading. “That’s not the right word. Some people can calm a nervous horse with their touch. They communicate to the animal with hands, tone of voice, and posture in ways more substantial than words. Your hands on me feel that way—more substantial than words.” She turned and pressed her forehead to his midriff. “You must not say such things.” He stroked his palm over her crown, holding her half-finished braid with the other hand. “Why not, Sophie?” “You simply must not.

Hullo,” he said sleepily, rubbing a hand along his jaw. He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room- I came to life. “Get out!” He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face. “But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.” Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close. I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up… Armand shifted a bit, rearranging the pillows behind his shoulders. I wet my lips. “If this is about the kiss-“ “No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“ “You can’t be in here!” “And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.” Dark power. Compel him to leave. I was desperate enough to try. “You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.” Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor. “That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?” Blast. I tipped my head back against the wood of the door and clenched my teeth. “Do you have any idea the trouble I’ll be in if they should find you here? What people will think?” “Oh, yes. It rather gives me the advantage, doesn’t it?” “Mrs. Westcliffe will expel me!” “Nonsense.” He smiled. “All right, probably she will.” “Just tell me that you want, then!” His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh. “All I want,” he said quietly, “is to talk. “Then pay a call on me later this afternoon,” I hissed. “No.” “What, you don’t have the time to tear yourself away from your precious Chloe?” I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither. Reasonably certain.

It would seem that one can pursue any science with the intellect alone except psychology, whose subject—the psyche—has more than the two aspects mediated by sense-perception and thinking. The function of value—feeling—is an integral part of our conscious orientation and ought not to be missing in a psychological judgment of any scope, otherwise the model we are trying to build of the real process will be incomplete. Every psychic process has a value quality attached to it, namely its feeling-tone. This indicates the degree to which the subject is affected by the process or how much it means to him (in so far as the process reaches consciousness at all). It is through the “affect” that the subject becomes involved and so comes to feel the whole weight of reality. The difference amounts roughly to that between a severe illness which one reads about in a textbook and the real illness which one has. In psychology one possesses nothing unless one has experienced it in reality. Hence a purely intellectual insight is not enough, because one knows only the words and not the substance of the thing from inside.

Knowing one’s emotions. Self-awareness—recognizing a feeling as it happens—is the keystone of emotional intelligence. As we will see in Chapter 4, the ability to monitor feelings from moment to moment is crucial to psychological insight and self-understanding. An inability to notice our true feelings leaves us at their mercy. People with greater certainty about their feelings are better pilots of their lives, having a surer sense of how they really feel about personal decisions from whom to marry to what job to take. 2. Managing emotions. Handling feelings so they are appropriate is an ability that builds on self-awareness. Chapter 5 will examine the capacity to soothe oneself, to shake off rampant anxiety, gloom, or irritability—and the consequences of failure at this basic emotional skill. People who are poor in this ability are constantly battling feelings of distress, while those who excel in it can bounce back far more quickly from life’s setbacks and upsets. 3. Motivating oneself. As Chapter 6 will show, marshaling emotions in the service of a goal is essential for paying attention, for self-motivation and mastery, and for creativity. Emotional self-control—delaying gratification and stifling impulsiveness—underlies accomplishment of every sort. And being able to get into the “flow” state enables outstanding performance of all kinds. People who have this skill tend to be more highly productive and effective in whatever they undertake. 4. Recognizing emotions in others. Empathy, another ability that builds on emotional self-awareness, is the fundamental “people skill.” Chapter 7 will investigate the roots of empathy, the social cost of being emotionally tone-deaf, and the reason empathy kindles altruism. People who are empathic are more attuned to the subtle social signals that indicate what others need or want. This makes them better at callings such as the caring professions, teaching, sales, and management. 5. Handling relationships. The art of relationships is, in large part, skill in managing emotions in others. Chapter 8 looks at social competence and incompetence, and the specific skills involved. These are the abilities that undergird popularity, leadership, and interpersonal effectiveness. People who excel in these skills do well at anything that relies on interacting smoothly with others; they are social stars.

Tell me what you and my dad were talking about." Jay jerked away from her as if she'd just slapped him. And Violet realized that she might as well have. He sat up quickly, as if his mind had suddenly cleared from the sensuous haze, and abruptly the teasing grin was wiped clean from his face. "Never mind," she blurted, trying to backpedal. "Forget I said anything." She wanted to go back to where they just were. But it was too late. The determined set of his jaw told her that. "No," he said harshly. "I think we should talk about this, Violet." Even the way he said her name was suddenly hard and angry. "Your dad told me what happened today...out in the woods. He told me that you tracked down the guy who's been killing all the girls around here...that you put yourself in danger." Violet couldn't tell if he was angry or annoyed...or both. He ran his hand through his messy hair in an agitated gesture that indicated he was getting all worked up. "And it's not like it was the first time you've done that. Trouble seems to follow you wherever you go, and you're the only person I know who doesn't seem to care. I don't even want to think about what could have happened to you if I hadn't shown up last night while Grady was...assaulting you." He paused as if it really was too much to think about, and then he continued to rail at her. "You can't even go to the mall safely. I made a promise to your parents, and you just wandered off without even telling me where you were going." His voice was suddenly too abrasive, and it felt to Violet like he was scratching his nails across a chalkboard. She bristled against the accusation in his tone, and suddenly he wasn't the only one who was upset. "And you didn't speak to me for a week!" she lashed back at him. "What was that all about? I spent the entire week waiting for you to stop ignoring me. And all because I didn't bother to check in with you? You don't get to tell me what to do! You're not my father, you know." "Thanks for clarifying that, Violet," he said sardonically. "It would be creepy if you got your boyfriend and your father confused." Violet practically jumped when he said the word boyfriend. Obviously she'd noticed that they'd gone beyond just friendship, but she hadn't been entirely sure what that meant for them. Apparently Jay had it all figured out. But that didn't mean he could push her around.

If you give me the name of the contraceptive shot you had, I will source for more of them. I am keen that nothing interrupts our enjoyment of each other.” His tone indicated the understatement of the millennium. “It’s called Depo-Provera. It’s supposed to last three months or so, and Paul has a few more doses.” When he’d injected me, I’d said, “The idea of living another three months feels far-fetched right now.” He’d replied, “Better safe than sorry, huh?” Aric nodded. “I will be on the lookout for it.” Aric raised a brow at that. Then, seeming to make a decision, he eased me aside to get out of the bed. “I have something for you.” As he strode to our closet, I gawked at the sight of his flawless body. The return view was even more rewarding. He sat beside me and handed me a small jewelry box. “I want you to have this.” I opened the box, finding a gorgeous gold ring, engraved with runes that called to mind his tattoos. An oval of amber adorned the band. Beautiful. The warm color reminded me of his eyes whenever he was pleased. “My homeland was famous for amber—from pine.” He slipped the ring on my finger, and it fit perfectly. Holding my gaze, he said, “We are wed now.” First priest I find, I’m goan to marry you. Jack’s words. I recalled the love blazing from his gray gaze before I stifled the memory. “Aric, th-this is so beautiful. Thank you.” The symbol of his parents’ marriage had been derived from trees. Another waypoint.

No. Knox got to his feet. I’ll go get her myself. He quickly ended the business call, uncaring that he’d been rude. Opening his office door, Knox indicated for Levi to follow him. “Tanner just contacted me,” said Knox. “Apparently Harper —” He cut off as a she-demon rounded the corner and came to a halt in front of him. Belinda smiled. “Oh, Knox, I was hoping to catch you.” For fuck’s sake. “What can I do for you, Miss Thacker?” Her smile dimmed at his impatient tone. “It’s about the appetizers for the event.” “I told you I want Harper to decide these things.” Belinda’s mouth flattened. “She doesn’t find any of my suggestions suitable.” “Then they’re not suitable.” Simple. “Knox —” “Miss Thacker, I didn’t invite you to call me by my first name.” Her cheeks reddened. “I gave you my orders when I hired you. They were not complicated. I specified all the details of the event that I wished to be left for Harper to decide.” “She wants steak and potato wedges on sticks!” Belinda took a deep breath and lowered her eyes. “I apologize for my outburst.” Steak and potato wedges on sticks? echoed Levi, a smile in his telepathic voice. That actually sounds pretty good. “Do you remember the all-important order I gave you before sending you Harper’s way, Miss Thacker?” She swallowed. “Yes.” “What was it?” Belinda met his gaze. “You told me to give her whatever she wants.” “Then do it. Now I have somewhere I need to be…” She straightened her blazer. “Thank you for your time, Mr Thorne,” she said stiffly.

When the dress for Irex’s dinner party arrived wrapped in muslin and tied with twine, it was Arin who brought the package to Kestrel. She hadn’t seen him since the first green storm. She didn’t like to think about that day. It was her grief, she decided, that she didn’t want to remember. She was learning to live around it. She had returned to her music, and let that outings and lessons flow around the fact of Enai’s death, smoothing its jagged edges. She spent little time at the villa. She sent no invitations to Arin for Bite and Sting. If she went into society, she chose other escorts. When Arin stepped into her sitting room that was really a writing room, Kestrel set her book next to her on the divan and turned its spine so that he wouldn’t see the title. “Hmm,” Arin said, turning the packaged dress over in his hands. “What could this be?” “I am sure you know.” He pressed it between his fingers. “A very soft kind of weapon, I think.” “Why are you delivering my dress?” “I saw Lirah with it. I asked if I could bring it to you.” “And she let you, of course.” He lifted his brows at her tone. “She was busy. I thought she would be glad for one less thing to do.” “That was kind of you then,” Kestrel said, though she heard her voice indicate otherwise and was annoyed with herself. Slowly, he said, “What do you mean?” “I mean nothing.” “You asked me to be honest with you. Do you think I have been?” She remembered his harsh words during the storm. “Yes.” “Can I not ask the same thing of you?” The answer was no, no slave could ask anything of her. The answer was no, if he wanted her secret thoughts he could try to win them at Bite and Sting. But Kestrel swallowed a sudden flare of nervousness and admitted to herself that she valued his honesty--and her own, when she was around him. There was nothing wrong with speaking the truth. “I think that you are not fair to Lirah.” His brows drew together. “I don’t understand.” “It’s not fair for you to encourage Lirah when your heart is elsewhere.” He inhaled sharply. Kestrel thought that he might tell her it was no business of hers, for it was not, but then she saw that he wasn’t offended, only taken aback. He pulled up a chair in that possessive, natural way of his and sank into it, dropping the dress onto his knees. He studied her. She willed herself not to look away. “I hadn’t thought of Lirah like that.” Arin shook his head. “I’m not thinking clearly at all. I need to be more careful.” Kestrel supposed that she should feel reassured. Arin set the package on the divan where she sat. “A new dress means an event on the horizon.” “Yes, a dinner party. Lord Irex is hosting.” He frowned. “And you’re going?” She shrugged. “Do you need an escort?” Kestrel intended to say no, but became distracted by the determined set to Arin’s mouth. He looked almost…protective. She was surprised that he should look that way. She was confused, and perhaps this made her say, “To be honest, I would be glad for your company.” His eyes held hers. Then his gaze fell to the book by Kestrel’s side. Before she could stop him, he took it with a nimble hand and read the title. It was a Valorian history of its empire and wars. Arin’s face changed. He returned the book and left.

Interactions with the world program our physiological and psychological development. Emotional contact is as important as physical contact. The two are quite analogous, as we recognize when we speak of the emotional experience of feeling touched. Our sensory organs and brains provide the interface through which relationships shape our evolution from infancy to adulthood. Social-emotional interactions decisively influence the development of the human brain. From the moment of birth, they regulate the tone, activity and development of the psychoneuroimmunoendocrine (PNI) super-system. Our characteristic modes of handling psychic and physical stress are set in our earliest years. Neuroscientists at Harvard University studied the cortisol levels of orphans who were raised in the dreadfully neglected child-care institutions established in Romania during the Ceausescu regime. In these facilities the caregiver/child ratio was one to twenty. Except for the rudiments of care, the children were seldom physically picked up or touched. They displayed the self-hugging motions and depressed demeanour typical of abandoned young, human or primate. On saliva tests, their cortisol levels were abnormal, indicating that their hypothalamic-pituitary-adrenal axes were already impaired. As we have seen, disruptions of the HPA axis have been noted in autoimmune disease, cancer and other conditions. It is intuitively easy to understand why abuse, trauma or extreme neglect in childhood would have negative consequences. But why do many people develop stress-related illness without having been abused or traumatized? These persons suffer not because something negative was inflicted on them but because something positive was withheld.

She found herself face-to-face with a goat. With a rude bleat, the goat snatched a sheet of paper from her grasp and crumpled it between its jaws. Sophia watched in confounded outrage as the goat casually masticated and swallowed her precious parchment. When the animal extended its long, narrow tongue in every indication of lunching on her second sheet, Sophia startled into action. She grabbed her drawing board with both hands and smacked the impertinent animal on the nose. “Easy there, sweetheart.” Mr. Grayson’s deep voice carried from somewhere above. “That’s my investment you’re bludgeoning.” Sophia started at the goat. She paused a half-second to imagine Mr. Grayson’s handsome features a superimposed on that furry, blunt-nosed visage. Then she whacked it over the head again. My, but that felt good. Evidently, the goat did not agree. It grasped the corner of Sophia’s board with its teeth and pulled. Sophia tugged back with all her strength. She lost her footing on the stair and tumbled backward into the cabin. The goat fell with her. Or rather, the goat fell on top of her. Drat. Bleating indignantly, the goat scrambled to its feet, its forelegs and hindlegs on either side of Sophia’s midsection. Sophie struggled to raise herself up on her elbows. Her serge skirt had flipped up, exposing her stockings. The powerful stench of farm animal smothered her like a goat-hide blanket. Two pendulous teats dangled before her eyes, swaying gently with every motion of the ship. “Well, well.” Mr. Grayson’s teasing tone carried down the staircase. The remaining sheet of paper fluttered to a rest near Sophia’s elbow. The goat ingested it with alacrity. “This is a very pretty picture. What a fetching dairymaid you make, Miss Turner.

A small figure in crimson stood before the bench, sleeves rolled to the elbow, muttering. Dumai cleared her throat. “Master Kiprun?” The alchemist whipped around. He wore round amber panes over his eyes, clipped to his nose, huge and misty with steam. “I did ask for duck feathers,” he said, in a tone of sincere annoyance. Dumai could only blink. His cheeks were flushed, threads of hair were stuck to his forehead, and he brandished a grey feather. “You brought me goose feathers. Goose,” he barked, making her jump. “You do know the difference between a duck and a goose, don’t you? One quacks and the other honks, not to mention the neck. The neck alone—” “Master Kiprun,” Kanifa interjected, “this is Noziken pa Dumai, Crown Princess of Seiiki.” The alchemist sleeved the fog from his eyeglasses. “Ah. Yes.” He interlocked his fingers. Each bore a ring of a different metal: gold, iron, copper. “Princess Dumai. I am Master Kiprun, who shines—well, flickers really—for the Munificent Empress. And you?” he said to Kanifa. “Who are you, the Prince of Seiiki?” “No.” Kanifa cleared his throat. “I’m just a guard, a friend to Princess Dumai. Not a noble.” “Is it not noble to be a guard?” Master Kiprun wafted a brown hand, webbed with scars from burns, like his arms. “No matter. I never understand these things. Yes, your message caught my interest, Princess Dumai of the Faraway Isle. You don’t look much like a princess,” he said, cocking his head. “Aren’t you suppose to wear a crown, or something?” Dumai reunited with her tongue. “Well,” she said, indicating her headpiece, “this is—” “Madam, that is a fish.” After a moment, Dumai decided not to kick against the current. “It is a fish,” she agreed, taking a step toward him. “My fish and I flew here to seek your help, Master Kiprun.” “Yes, I did fear as much. Last time, it was a king who disturbed my work. He found me in the mountains, just to annoy me.” The alchemist snorted. “Once, it was the poor who sought my services, asking me to turn grass to gold. They were, at least, polite, if wildly optimistic. Now I am summoned hither and thither, disturbed by everyone from Golümtan to Ginura.

Had she witnessed his swim? He didn’t see how she could have missed it if she’d indeed been lunching by the water. The more intriguing question was, had she liked what she’d seen? Ever the scientist, Darius couldn’t let the hypothesis go unchallenged. Ignoring his boots where they lay in the grass at the edge of the landing, he strode barefoot toward his quarry. “So I’m to understand that you lunch by the pond every day, Miss Greyson?” he asked as he stalked her through the shin-high grass. Her chin wobbled just a bit, and she took a nearly imperceptible step back. He’d probably not have noticed it if he hadn’t been observing her so closely. But what kind of scientist would he be if he didn’t attend to the tiniest of details? “Every day,” she confirmed, her voice impressively free of tremors. The lady knew how to put up a strong front. “After working indoors for several hours, it’s nice to have the benefits of fresh air and a change of scenery. The pond offers both.” He halted his advance about a foot away from her. “I imagine the scenery changed a little more than you were expecting today.” His lighthearted tone surprised him nearly as much as it did her. Her brow puckered as if he were an equation she couldn’t quite decipher. Well, that was only fair, since he didn’t have a clue about what he was trying to do, either. Surely not flirt with the woman. He didn’t have time for such vain endeavors. He needed to extricate himself from this situation. At once. Not knowing what else to do, Darius sketched a short bow and begged her pardon as if he were a gentleman in his mother’s drawing room instead of a soggy scientist dripping all over the vegetation. “I apologize for intruding on your solitude, Miss Greyson, and I hope I have not offended you with my . . . ah . . .” He glanced helplessly down at his wet clothing. “Dampness?” The amusement in his secretary’s voice brought his head up. “My father used to be a seaman, Mr. Thornton, and I grew up swimming in the Gulf. You aren’t the first man I’ve seen take a swim.” Though the way her gaze dipped again to his chest and the slow swallowing motion of her throat that followed seemed to indicate that she hadn’t been as unmoved by the sight as she would have him believe. That thought pleased him far more than it should have. “Be that as it may, I’ll take special care not to avail myself of the pond during the midday hours in the future.” He expected her to murmur some polite form of thanks for his consideration, but she didn’t. No, she stared at him instead. Long enough that he had to fight the urge to squirm under her perusal. “You know, Mr. Thornton,” she said with a cock of her head that gave him the distinct impression she was testing her own hypothesis. “I believe your . . . dampness has restored your ability to converse with genteel manners.” Her lips curved in a saucy grin that had his pulse leaping in response. “Perhaps you should swim more often.

But I had no need to suppose anything of the sort, she might well have disdained the use of her eyes to ascertain what her instinct must have adequately enough detected, for, throughout her service with me and my parents, fear, prudence, alertness and cunning had finally taught her that instinctive and almost divinatory knowledge of us that the sailor has of the sea, the quarry of the hunter, and if not the doctor then often the patient of the disease. All the knowledge she was in the habit of acquiring would have astounded anyone for as good a reason as the advanced state of certain areas of knowledge among the ancients, given the almost negligible means of information at their disposal (hers were no less so: a handful of chance remarks forming barely a twentieth part of our conversation at dinner, gleaned in passing by the butler and inaccurately transmitted to the staff quarters). Even her mistakes resulted, like theirs, like the fables in which Plato believed, from a false conception of the world and from preconceived ideas rather than from an inadequacy of material resources... But if the drawbacks of her position as a servant had not prevented her from acquiring the learning indispensable to the art which was its ultimate goal – the art of confounding us by communicating the results of her discoveries – the constraints on her time had been even more effective; here hindrance had not merely been content not to paralyse her enthusiasm, it had powerfully fired it. And of course Françoise neglected no auxiliary stimulant, like diction and attitude for instance. While she never believed anything we said to her when we wanted her to believe it, and since she accepted beyond a shadow of doubt the absurdest things anyone of her own status told her which might at the same time offend our views, in the same way that her manner of listening to our assertions pointed to her incredulity, so the tone she used to report (indirection enabling her to fling the most offensive insults at us with impunity) a cook’s account of threatening her employers and forcing any number of concessions out of them by treating them like dirt in public, indicated that she treated the story as gospel truth. Françoise even went so far as to add: ‘If I’d been the mistress, I’d have been very put out, I can tell you.’ However much, despite our initial dislike of the lady on the fourth floor, we might shrug our shoulders at this unedifying tale as if it were an unlikely fable, its teller knew just how to invest her tone with all the trenchant punch of the most unshakeable and infuriating confidence in what she was saying. But above all, just as writers, when their hands are tied by the tyranny of a monarch or of poetic convention, by the strict rules of prosody or state religion, often achieve a power of concentration they would not have done under a system of political freedom or literary anarchy, so Françoise, by not being free to respond to us in an explicit manner, spoke like Tiresias and would have written like Tacitus.5 She knew how to contain everything she could not express directly in a sentence we could not denounce without casting aspersions on ourselves, in less than a sentence in fact, in a silence, in the way she placed an object.

What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning* Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter. The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up. Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen. Under his breath, he mumbled, “Shit.” He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head. He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option. “Hey Baby.” “What the hell, Wayne!” Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller. “Babe, I was getting ready to call.” The excuse sounded lame, even to him. “Why the hell do I have to hear about this secondhand?” Wayne placed the phone to his chest, loudly he exclaimed; “F***!” The ER doc touched his arm, “I will give you privacy.” Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing. “...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!” “Honey...” She interrupts him before he can explain himself. “So what the hell happened?” Wisely he waited for silence to indicate it was his turn to speak. “Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.” Silence. The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call. “Lou, you still there?” There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.

I told Trent I had to be at work, and then he finally agreed to let me and some of the others go.” Agreed to let her go. Really? “You didn’t think to take Dixie home?” I asked, trying to hide my outrage. Her shoulders stiffened. “I was goin’ to, but Trent said he’d do it.” I really needed to have another talk with Trent. “How many other people were at the party? Who were they?” “About twelve or so.” She took a breath as if gathering her courage. “Monica and Blane Hyde. Rebecca Smelt. Matt Greenwood. And Amelia. Oh, and Rick Springfield.” She paused. “That’s it.” That lined up with the list Dixie had given me. Neither of them had mentioned Nash Jackson. “What about Rick’s cousin?” Her eyes narrowed in disbelief. “Why would Rick’s cousin show up at Trent’s party?” Her tone indicated she was talking about the bald one Amber had mentioned. “Not Herbert. Nash.” “Who’s Nash?” Why had no one heard of this guy? I shook my head. “Rick’s cousin, Nash Jackson, has been hanging around, and no one seems to know who he is. Could he have been there?” She shrugged. “Maybe . . . ? Rick didn’t stay long. He showed up early but left while Dixie was in the bathroom.” “Rick was in the house while Dixie was there?” “He may not have gone in the house. Most of us use the gate at the side of the house. The Dunbars added one of those fancy iron fences a few years back.” “But he could have gone inside.” And if Dixie had left her drink on a counter or table, he would have had access to drug her. But why drug her if he was leaving? So far I had more questions than answers. “Who was still there when you left?” “Amelia. And Gabby and Mark. Wait . . . ,” she said, her eyes widening. “Bruce showed up around the time I was leavin’.” “Bruce Jepper?” He wasn’t on Dixie’s list, but then he wouldn’t have been if he’d arrived after she lost consciousness. “Yeah. He looked pissed and drunk, but

Mehrabian’s second experiment was to have nine different words recorded in varying tones of voice. The words themselves had an association with either liking (‘ honey’, ‘dear’ and ‘thanks’); neutrality (‘ may’, ‘really’ and ‘oh’); or disliking (‘ don’t’ , ‘brute’ and ‘terrible’). It was found that the tone in which the words were said was a more reliable indicator of recognizing the emotion than the actual meaning of the words. These experiments led Mehrabian to construct an (in no way uncontroversial) formula: Total liking = 7% Verbal liking + 38% Vocal liking + 55% Facial liking 1 In other words, we make decisions as to whether someone likes us predominantly on the basis of their facial expression and the tone of their voice: what is actually said is accountable for only a small part of communicating liking.

To our question as to whether she could give us any details, any indications that might facilitate fresh inquiries, she remained silent for a moment, then resumed in that same almost inaudible, quiet, even-toned voice: “Yes, they were both so very pretty and very well-behaved …” That was all. The sight of this mother, indifferent to anything apart from her missing little girls; this almost instinctual grief; this total obliviousness to everything that surrounded her; this perfect unconcern for her own circumstances; the contrast between this steady voice and these drawn, almost hard features, at once calm and tragic, had something unbearable in it that left me, accustomed to such things as I am, speechless. I was unable to do anything except silently grip that unresponsive hand of hers and quickly signal to the driver to move on.1

No need to split my eardrums. I’m not going to hurt you.” Something familiar about the boy’s lilting tone made Cass stop screaming and flailing in his grip. She looked up just slightly, into his face. Even by the dim light of the moon, she recognized his dazzling blue eyes. “You,” she breathed. “Mourning girl?” The boy laughed, and steadied her on her feet. “So nice to run into you again.” She wrenched away from his grasp, pulling her cloak tight around her body. “What are you doing here?” The boy shrugged his broad shoulders. “I was just standing here enjoying the view when you almost ran me over.” “The view?” Her voice rang out shrilly. “In a graveyard? At this hour?” Her fear began to give way to irritation. He was clearly lying to her. The boy gestured around him. In the dark, a group of flowering weeds looked like a giant hairy spider crouched against the side of a crypt. “These flowers actually grow best in cemeteries. Did you know that? Something about the mix of soil and shade. Death and life, intertwined. One feeding off the other. It’s kind of magical, don’t you think?” He seemed distracted for a moment, like he really was fascinated by their surroundings. Just as Cass was about to respond, he turned to her again. “Plus the company here is much more agreeable than at la taverna. And much less likely to talk my ear off.” Cass felt dizzy. She took one more step back. “What’s on your face?” she demanded, pointing at his right cheekbone. “What?” He licked a finger and wiped haphazardly at the area Cass had indicated. His hand came away smudged with red. “Oh. Paint, probably. It gets all over everything.” His lips twitched as if he were trying not to smile. “It’s a wonder you aren’t the one being mourned, as accident prone as you seem to be.” “I hardly think you jumping on me earlier qualifies me as accident prone.” She was surprised by how quickly the response came to her. “Oh, if I had jumped on you, you’d know it,” he said with a wink. He reached toward Cass to dislodge a twig from her hair. “I’m Falco, by the way.” Cass narrowed her eyes. Now, since he was obviously laughing at her, she found his mischievous grin annoying. Still, it didn’t seem to be the deranged smile of a murderer.

Immediately a large striped cat with no tail sauntered inside the office and surveyed the visitors with a speculative gaze. "Chopper," Cannon said in a warning tone that would have caused any other creature to slink into the nearest corner. Instead, Chopper flicked him a rebellious glance and jumped straight into Victoria's lap. Automatically Victoria handed her half-filled mug to Grant as the cat settled into a massive furry heap over her thighs. Muttering an apology, Cannon began to remove the creature, but Victoria shook her head with a smile. "It's all right," she said. "I like animals." Cannon's eyes glimmered with an answering smile. "Well, now you've met the real head of Bow Street," he remarked, indicating the smug feline, and returned to his chair.

What would you do if you were a goddess, Cotswold?" Her maid, who had been pulling Eleanor's covers up the bed, stilled her motion. Her expression drew together, as though she were considering it. "I suppose I would find the most handsome man in the world and make him my... my..." She waved her hand to indicate the word she shouldn't be saying. "Cotswold!" Eleanor exclaimed, delightedly. "That sounds scandalous!" "Wouldn't it be what you did?" Eleanor shrugged. "I was thinking more along the lines of being able to have and read all the books I wanted to." Cotswold returned to her task. "Choosing a book over a handsome man." She shook her head, mock ruefully. "And here you were wanting to do something scandalous." The honest part was, it would be scandalous. If it were possible to not be a duke's daughter and be someone else, she would choose to work in a bookshop. Not one that sold the material it seemed Lord Alexander wanted to purchase; one with fairy tales and mythological books and any kind of literature where it was just as likely a dragon would drag you off somewhere as a viscount. "I just might," Eleanor said in a defiant tone, making her maid snort.

Cassie’s voice held that soft, pleading tone that indicated she wanted the pettiness in Alice to edge down a notch to a bearable level.

Get your fucking hands off her, before I remove them myself,” Aiden clips, a darkness bleeding into his tone that indicates he isn’t messing around.

The two blind men were in downright earnest. The words which describe their appeal to Christ are crying out. This doesn’t mean simply speaking, because it says, crying out and saying. Crying out implies earnest, energetic, pathetic begging and pleading. Their tones and actions indicated that their desire was a deep, passionate craving.

Approaching target area," they heard the pilot say, "Ninety klicks to go, drop-off in one minute thirty-five seconds." However, there was nothing to be heard but the wind rattling against the plane traveling at high velocity across the stormy sky. The voice spoke directly into their heads. "OK, people, get ready," another disembodied voice said. To everyone in each of the three stealth combat aircraft, this voice was almost as familiar as their own. It belonged to Metatron, the commander. "Our scouting drones report no movement whatsoever and minimal security measures. Everyone is sound asleep. They have no idea what's coming at them. Exactly how we like it," he paused for a moment before continuing, and the condescending tone in his voice indicated that he would enjoy the things to come, "Stick to the routine, and this will be a walk in the park. I won't tolerate any casualties today." Nephilim prepared herself, running a final status check on her systems. Her neon-blue eyes were the shape of almonds. When she closed them for a moment, her delicate, pale face appeared to be that of a young woman in her early twenties. Anyone who assumed this, however, couldn't be more wrong. A second later, she was content. All systems were operating within specified parameters. She was ready. Opening her eyes again, she caught a look from Adriel sitting opposite to her. A slight grin flashed over his lips. His deep black skin contrasted with his unnaturally blue eyes, and they outright glowed in the half-dark. He, too, was prepared and agreed with the commander's words. This shouldn't be much more than routine.

Luther called his tractate An Admonition to Peace on the Twelve Articles of the Peasantry in The manuscript survives, and the editors of the Weimar edition note with some asperity that its punctuation conforms to no rules-perhaps an indication that Luther wrote in white-hot temper. The tone of the opening is surprisingly mild given Luther's penchant for fury when things did not go his way. He was obviously trying to be diplomatic. In their twelfth article the peasants expressed a desire to be instructed if their interpretations of scripture and fairness were incorrect. Luther was happy to give them the instruction they sought. The mildest of peasants could not have been pleased with his detailed response to their grievances. Luther began at the heart of the matter. Without doubt, he said, some among the peasants expressed their fine Christian sentiments only for "paint and show," since "it is not possible in such a great host that all should be true Christians and have good intentions."30 His abiding conviction that true Christians formed a tiny minority among those who professed faith would seemingly force him to conclude that even among his own disciples, most were damned. If true Christians were always an unknown few, no political order was possible that assumed all nominal Christians to be equal. The majority of professing Christians would always live by selfish principles, and any program with specific details that claimed to be Christian could be only be "color and shine," pretense and appearance.

Just as abruptly, a wall seemed to slam in place around him, cutting off everything from Kira, even the tingling wave of his aura. “You would be better served by concentrating on managing your strength and your blood consumption,” Mencheres said, cool detachment in his tone. She strode over, not caring that she felt the floors creak and bend beneath her feet. “No you don’t,” she flared. “You don’t get to wall yourself off from the only indicator I have of what you’re thinking. You killed me yesterday and brought me back into an existence where everything is different, especially me. But what’s almost as frightening is that I don’t know if this means anything to you aside from a big, boring inconvenience. So give me something. It can be words, an unguarded expression, a flash of your emotions, whatever, but do it now, because I need a hint as to where I stand with you.” If Kira could still have breathed, she would have been panting with the emotions swirling in her, but she was as still as the vampire across from her as she waited for his response. Mencheres didn’t lose his inscrutable mask, nor did that invisible wall around him collapse, but at last he inclined his head. “You were working late into the night, and as it was more than proven the day we met, it wasn’t safe for you to walk to and from your employment.

He was glancing at my butt when he said it, his tone indicating I got a lot of stuff stuck up there.

She stepped up to the door and knocked. The television voice cut off, replaced by the sound of pattering activity. “Just a moment,” said a male voice. The door opened. It was Martin, aka Theodore the gardener, in pajama pants and no top, a towel hanging around his neck. Unclothed, he had the kind of build that made her want to say, “Yow.” She was glad she was wearing her favorite dress. “Trick or treat?” she said. “What?” “Sorry to interrupt.” She indicated the towel. “You’re working out?” “Miss, uh, Erstwhile, right? Yes, hello. No, I just couldn’t find my shirt. Are you lost?” “No, I was walking and I…I don’t suppose you could give me the Knicks-Pacers score?” Martin stared blankly for a moment, then looking around as if trying to spy out eavesdroppers, pulled her inside and shut the door behind her. “You could hear that?” “The TV? Yes, a little, and I saw the light through your window.” “Blasted paper-thin curtains.” He grimaced and ran his fingers through his hair. “You are going to catch me at everything bad, aren’t you? Let’s hope you’re not her spy. She’ll have my balls for stew.” “Who, Mrs. Wattlesbrook?” “Yes, in whose presence I signed a dozen nondisclosure and proper-behavior and first-child and I don’t know what other kinds of promises, in one of which I swore to keep any modern thingies out of sight of the guests.” “Tell me that Wattlesbrook isn’t her real name.” “It is, actually.” “Oh, no,” she said with a laugh in her voice. “Oh, yes.” He sat on the edge of his bed. “I take it, then, you’re not spying for her? Good. Yes, dear Mrs. Wattlesbrook, descended from the noble water buffalo. It’s a decent job, though. Best pay for being a gardener I’ve ever had.” He met her eyes. “I’d hate to lose it, Miss Erstwhile.” “I’m not going to tattletale,” she said in tired big-sister tones. “And you can’t call me Miss Erstwhile when you have a towel around your neck. To real people I’m Jane.” “I’m still Martin.

I’m sorry you got dragged into this.” He waved a hand to indicate he meant the house, the entire situation. “Having to stay here, with me, when you should be home with your family.” A pang of homesickness hit her as she thought of her parents and how disappointed they’d been that her leave had been “cancelled”. That wasn’t his fault though. To ease his concern, she put on a smile. “Yeah, but hey, I could’ve done way worse in terms of roommates.” She gave his leg a playful nudge with her hand. His eyes warmed at her words and touch. The firelight brought out the deep bronze undertones in his hair, flickering in tones of gold and orange. She wanted to run her fingers through it to find out if it was as soft as it looked. He shook his head slightly at her, looking amused. “Why’d you have to be so sweet?” She shrugged and countered, “Why’d you have to be so damned good looking?

Motor testing on physical examination also helps identify which nerve root may be affected. If there is weakness in the biceps, this indicates C5 and C6, whereas triceps weakness is C7. If a patient also has upper motor neuron signs on examination (increased reflexes, increased tone, fasciculations, clonus), it indicates that not only the nerve root is affected but the spinal cord may be involved.

We’re going another way this time,” Denny explained. “There’s a cottage tucked deep in the forest there.” Shading his eyes with one hand, he indicated the direction with the other. “My gamekeeper uses it from time to time, and he found something suspicious there this morning.” “Not suspicious,” Portia objected, as the other group joined them at the trailhead. “Gothic and intriguing.” “Please,” said Brooke. “A discarded stocking is neither gothic nor intriguing. It’s laundry.” Luke’s eyes shot to Cecily. “He found the stocking?” He swallowed. “Your stocking?” “So it would seem.” She clasped her hands together. “It was . . . soiled.” “Crusted with blood, you mean.” Portia’s dark eyes widened as she touched Luke’s arm. “Werestag blood. It’s positively chilling. He truly must be the most fearsome, violent sort of creature. I tell you, Lord Merritt, if you could have seen the mincemeat he made of that boar . . .” She shuddered. “No one who witnessed that scene could doubt Cecily’s rescuer was half wild beast.” All eyes turned to Cecily. Denny laid a hand on her pale blue sleeve, and Luke felt a possessive fury surge through his veins. Let it go, he told himself. Let her go. “Portia, he saved my life.” Cecily’s voice was indignant, and she shrugged off Denny’s touch. “Unarmed and unaided, he killed a ferocious boar that would have gored and devoured me. Yes, it was messy. Battles to the death often are. Stop speaking as though he took pleasure in it.” “Your defense is most stirring, Miss Hale.” Luke deliberately adopted a formal, detached tone that he knew would only inflame her anger. “You seem to have developed a rather personal attachment to this man-beast.” Tears glittered in her eyes as she glared at him. Tears, and accusations. “He fought for me.

While we all grow and mature and change from that awkward little worm we were in high school, it is still a pretty consistent indicator of who we become as adult butterflies. High school sets a tone for how the next decade of your life plays out, good or bad. It is the first set of steps in your journey. If you want to know who you were as a person during this hormonal time, refer to your yearbook. You will find a theme and you will see a pattern. Most definitely, you will notice these themes and patterns carried on into your twenties and so on. Take those signatures serious.

In Cherokee shifts in tone are actually considered parts of words and can also be used to indicate things like “happened in the past” or “let it happen in the future”. ☞ The tones used in words or phrases can change their meaning, sometimes dramatically.

In the murk ahead of them a pair of blazing torches indicated the entrance to the forum, with a pair of sentries standing guard in front of the high archway. Before the tribune had any chance to explain their presence to the surprised soldiers a legion centurion walked out of the courtyard beyond them, stopping with a start of surprise when he saw the newcomers. Staring with narrowed eyes at the three centurions’ unfamiliar armour and crested helmets, he was further taken aback when he realised who it was they were escorting. Scaurus allowed the silence to play out for a few seconds, watching the calculation in the legion officer’s face before speaking in an acerbic tone designed to communicate his status. ‘Yes, Centurion, this is a senior officer’s uniform, and yes, Centurion, you’re supposed to have your hand in the air some time about now.’ The other man saluted quickly, his face reddening with embarrassment, while the sentries worked hard but not entirely successfully at keeping the smirks off their faces. ‘I’m sorry, Prefect, it’s just that we weren’t expecting to receive any reinforcement.’ Marcus looked at Julius, wondering if his colleague was going to correct the legion man’s mistaken identification, but his questioning gaze was answered only by a slight shake of the big man’s head. Scaurus nodded to the centurion, looking over his shoulder at the dimly visible administrative building on the other side of the forum’s open courtyard. ‘That’s perfectly understandable, Centurion, because we’re not reinforcements. If you’ll show me to your tribune . . .?

Did you close these curtains to indicate I would not be welcome in there with you, Sophie?” He kept his voice just above a whisper, allowing her to feign sleep if she wanted to spare them both embarrassment. In the moment that followed, a procession of emotions tumbled through him: hope, anticipation, desire… and when Sophie made no reply, a disappointment that had precious little of relief in it. Perhaps he’d misread the situation, or perhaps Sophie wasn’t— The curtain moved, revealing Sophie sitting up in the shadowy interior. “You are welcome.” He couldn’t read her expression, and there was nothing particularly welcoming in her tone. “I’ll be right back, then.” He drew the curtain closed and moved as quickly as he could without making a sound.

Dr. Henderson taught me that the best clues come from reading body language. “Body signals are far better indicators of how he feels about you than anything he may actually say. The eyes are the biggest give-away when it comes to seduction. If he returns your gaze, and especially if he holds eye contact with you longer than usual, then chances are he's interested. Trust your instincts and you'll 'feel' whether he's interested or not. Look for small gestures and pay attention to the tone of voice. These will guide your understanding, about what another feels towards you." "Remember this, Young; two people who may have been attracted to each other visually may not have the right chemistry to move along the road of seduction. Once you've talked a little, does he still seem interested? Look for signs of acceptance or rejection. If you pick up on any signs of rejection, don't waste your time on something that is unlikely to happen, no matter how much you fancy him. The right man is out there just waiting to be seduced by you!" advised Professor Andrew.

Claire’s mug shot was taken against a white background with a ruler that was clearly off by an inch. She wondered aloud why she wasn’t asked to hold a sign with her name and inmate number. “Photoshop template,” the praying mantis said in a bored tone that indicated the question was not a new one.

I will not be surprised if he requests your services in his Household when you have completed your time at the Sekham. Aziz and I were hoping to keep the two of you for another term, in order for Young to complete “Sacred Sex In Sacred Places,” but it appears that won’t be the case, now that His Highness has shown interest in the both of you.” “His Highness hasn’t indicated that he will require our services at his Household,” I answered in a befogged tone. Amused by my naiveté, the Wazir commented, “You know very little about the Prince’s attributes. As charming and personable as His Highness is, he is a descendant of one of the wealthiest families in the Emirates, and whatever he sets his eyes on, he gets. My advice to you is, play your cards right and you’ll not be hurt. P was my classmate in school; we grew up together, and I know him and his family well.” “Thank You for your advice, Sir.” My Valet said with gratitude.

Ronowski looked scared when he asked God what he was doing. “You shouldn’t be alone tonight.” God's tone clearly indicated it was a command not a suggestion. “Hey,

Kat had expected Bork to be some fat cat with plump fingers, a tight collar, and a stroke-red flush in his skin. Wrong. Bork was short and wiry, almost like a bantamweight boxer, with olive-toned skin. She guessed his age at a youthful fifty. He wore funky designer glasses that would probably have worked better on a younger guy. There was a smoothness to his face that indicated some kind of cosmetic treatment, and a diamond stud in his left ear that traveled quickly from hip to desperate. Bork’s

is perfectly proper to say, in one logical tone of voice, that there exist minds and to say, in another logical tone of voice, that there exist bodies. But these expressions do not indicate two different species of existence, for 'existence' is not a generic word like 'coloured' or 'sexed'. They indicate two different senses of 'exist',

The violent injunctions of the Quran and the violent precedents set by Muhammad set the tone for the Islamic view of politics and of world history. Islamic scholarship divides the world into two spheres of influence, the House of Islam (dar al-Islam) and the House of War (dar al-harb). Islam means submission, and so the House of Islam includes those nations that have submitted to Islamic rule, which is to say those nations ruled by Sharia law. The rest of the world, which has not accepted Sharia law and so is not in a state of submission, exists in a state of rebellion or war with the will of Allah. It is incumbent on dar al-Islam to make war upon dar al-harb until such time that all nations submit to the will of Allah and accept Sharia law. Islam's message to the non-Muslim world is the same now as it was in the time of Muhammad and throughout history: submit or be conquered. The only times since Muhammad when dar al-Islam was not actively at war with dar alharb were when the Muslim world was too weak or divided to make war effectively. But the lulls in the ongoing war that the House of Islam has declared against the House of War do not indicate a forsaking of jihad as a principle but reflect a change in strategic factors. It is acceptable for Muslim nations to declare hudna, or truce, at times when the infidel nations are too powerful for open warfare to make sense. Jihad is not a collective suicide pact even while "killing and being killed" (Sura 9:111) is encouraged on an individual level. For the past few hundred years, the Muslim world has been too politically fragmented and technologically inferior to pose a major threat to the West. But that is changing.

Why did you choose that name for me?" "Why, it is who you are." Angharath's tone indicated that the answer was patently obvious. "There is no other name for you. I see you before me, and your Essence shines with that one. You could not be anything else.

An incandescent lamp is made with a wire filament enclosed in a bulb without oxygen and glows as the filament is heated. Less than 10 percent of the electrical power into an incandescent light bulb is converted into light, and the rest is converted into heat. Lamps of this type are still used, but they are being replaced with fluorescent lights or light emitting diodes. The incandescent lamp therefore is a resistor that just happens to give out light. But what type of light? White light is measured by its color temperature in degrees Kelvin (K). Typically, when we look outside on a sunny clear day, the Sun along with the blue sky provides a color temperature of about 4,500 to 5,500 degrees Kelvin. As the sun starts to go down in the afternoon, the color temperature drops to about 3,000 to 4,000 degrees Kelvin. Finally as the sun sets, we can clearly perceive the sunlight with a yellow to red tint, which means the sun’s color temperature has dropped below 3,000 degrees Kelvin. Human eyes adapt to the color temperature for the most part from about 3,000 to 5,000 degrees Kelvin and perceive light in this range as “white,” albeit at 3,000 degrees Kelvin, it has a warm tone. A standard incandescent bulb for room lighting such as a 100 watt bulb provides light at about 2,700 degrees Kelvin, which provides warm white light. For studio or movie lighting, generally the color temperature is a bit whiter (between 3,200 and 3,500 degrees Kelvin, and sometimes up to 4,000 degrees Kelvin). Halogen lamps or white photoflood lamps provide light in this color temperature range. Incandescent lamps exceeding 4,000 degrees usually are specially made and they are often coated in blue. For standard low-power lamps such as flashlight bulbs or indicator lights, the color temperature is somewhere between 2,000 and 3,000 degrees Kelvin.

The Green Paper outlined three alternatives for future regulation: build on the existing regulatory framework, develop new frameworks for new services, or create a whole new structure encompassing all media and communication activity. Although no clear preference was stated, the tone of the Green Paper indicated that the EU Commission leaned towards the third alternative

What are you doing here, Kiernan?” I asked dully. His eyes crinkled up for a second in surprise at my tone. “I came to see you. I know it’s been too long, that I took too long, but…” Two spots of color blossomed on his cheeks, like he didn’t want to go on, but then he forged ahead. “But there were all sorts of ceremonies and things, to welcome her. Everyone was called to court. They even made sure that the Baroness of Mossfeld came,” he added with a puff of laughter and a hopeful glance at me. The holdings of Mossfeld were in the most northern reaches of Thorvaldor and the woman who held them was so eccentric that she had not been seen in court since the crowning of the king. Kiernan and I had spent many hours lying on the grass of the palace gardens, wondering exactly what she was like and what she did with herself stuck out on the boggy, sodden land that was Mossfeld. But I didn’t smile, and I saw Kiernan swallow before he continued. “Anyway, I couldn’t leave. My father, he said that it would be an insult to--to Nalia--if I left to find you while they were still welcoming her. He finally gave me permission yesterday, and I started out this morning.” “I see that. But why?” I asked. There was a tone in my voice I didn’t recognize, as two-edged and keen as a sword blade. It would cut Kiernan, yes, but it would also cut me where I held it. I didn’t care. “This,” I said, throwing my arm out to indicate the cottage and the tub of dye, “isn’t exactly what you’re used to.” He glanced to where I had gestured, blinking and off balance. I shook my head. “No. You’re all fun, all froth and silliness and jokes.” He blanched, hurt, and I almost did myself. It wasn’t true; there was more to Kiernan than that, and we both knew it. Still, I didn’t stop. “There aren’t any pretty women to kiss here, Kiernan, or games to play or pranks to set. No plays to see, no music halls to go to. There aren’t even any libraries for you to run away from.” I laughed, and it was a high, shrill sound, one I didn’t recognize. “Oh, don’t worry. It’s not just you. Look around. There’s nothing here anyone sane would want anything to do with.” “There’s you,” he said quietly. “I came here to find you. I would have gone anywhere,” he added more stridently. “To Two Copper district in Vivaskari or the boggy reaches of Mossfeld or the Nameless God’s frozen hell. You’re my friend. I came to find you.

the only way a painter can keep their structure and values organized is to work within clearly defined zones. Within each of the zones indicated, there are only small variations of tone and color. If these variations become too great, they will stand out too much and disrupt the overall continuity of the zone.

This is the thing I hate most about having anxiety, it’s not just the presence of ruminating and overthinking, it’s the fact that in the process, it strips you piece by piece of all rational thought until you’re left with just a vicious cycle of negativity and loneliness. You assume that everyone is out to get you, you assume that you’re the reason for even the slightest change in someone’s tone or behaviour. I know it makes me sound selfish, but in my brain, the world does revolve around me because other people’s happiness is indicative of my own actions. It’s almost as if I have a thin piece of wire attached to the top of my head, running parallel with everyone I ever come across. One small deviation in my wire can cataclysmically affect whoever’s on the receiving end.

But Alfonso actually set out in his Siete Partidas the education which should be given to a prince, and to a princess. Interestingly, he considered that a princess should have the same tutors as a prince, thereby indicating that he considered that they should be as highly educated as their brothers. One can therefore (save as regards martial training) regard the rules for princes as being equally applicable to the princesses, and hence to Eleanor’s experience of education. Generally Alfonso’s list of the training which a prince should have, in Title VII of Part II of the Siete Partidas, may be likened to that to be expected of a well-behaved Victorian child. There is an extensive litany of behaviour and deportment issues. Those raising the children should pay careful attention to their rearing – the children should be very pure and refined in all their actions and kept in the company of pure and refined people only. Their tutors (of good family and judgment) should teach them to be elegant and clean and to eat tidily. They should be taught to speak properly and politely. They should not speak loudly, or in a very low tone, and they should not speak either very rapidly or very slowly. They should speak with no gesticulation and should use neither too many nor too few words. They should not listen with mouths open, and should walk gracefully, without dragging their feet or raising them too high. (It is interesting to see how universal are such preoccupations on the part of parents, even at a gap of several hundred years.) As for formal education, children should be taught to read and write, how to learn to know men and how to talk to those of all stations in life.31 For princesses there are special injunctions, doubtless to be attended to while their brothers gained proficiency in arms. They should be brought up with much greater supervision, to ensure they formed good habits as they would have a greater part in raising children in due course. ‘The most important thing in the world … is that for the sake of loyalty they should respect themselves and their husbands and consider carefully everything else which they have to do in order that they may have good habits and offer a good example to others.’ Interestingly, their supervisors ‘should especially prevent them from yielding to anger for … it is the one thing in the world which most quickly induces women to commit sin’.

His tone remains light and indicative of the calm facade he's perfected across decades.

Web? Did Swift come aboard with you? The boy we spoke of before?” He halted and turned to my question. “Yes. Why do you ask?” “You recall that he is the boy that I asked you to talk with, the one who is Witted?” “Of course. That was why I was so pleased when he came to me and offered to be my ‘page’ if I would take him on and teach him. As if I knew what a page is supposed to do!” He laughed at such nonsense, and then sobered at my serious face. “What is it?” “I had sent him home. I discovered that he did not have his parents’ permission to be at Buckkeep at all. They think that he has run away, and are greatly grieved by his disappearance.” Web stood still and silent, digesting this news, his face showing no expression. Then he shook his head regretfully. “It must be a terrible thing for someone you love to vanish, and leave you always wondering what became of him.” An image of Patience sprang into my mind; I wondered if he had intended that his words prick me. Perhaps not, but the possible criticism made me irritable all the same. “I told Swift to go home. He owes his parents his labor until he either reaches his majority or is released by them.” “So some say,” Web said, in a tone that indicated he might disagree. “But there are ways parents can betray a child, and then I think the youngster owes them nothing. I think that children who are mistreated are wise to leave as swiftly as they can.” “Mistreated? I knew Swift’s father for many years. Yes, he will give a lad a cuff or a sharp word, if the boy has earned it. But if Swift claims he was beaten or neglected at home, then I fear that he lies. That is not Burrich’s way.” My heart sank that the boy could have spoken so of his father. Web shook his head slowly. He glanced at Thick to assure himself that the man was still sleeping and spoke softly. “There are other types of neglect and deprivation. To deny what unfolds inside someone, to forbid the magic that comes unbidden, to impose ignorance in a way that invites danger, to say to a child, ‘You must not be what you are.’ That is wrong.” His voice was gentle but the condemnation was without compassion. “He raises his son as he was raised,” I replied stiffly. It felt odd to defend him, for I had so often railed against Burrich for what he had done to me. “And he learned nothing. Not from having to deal with his own ignorance, not from what it did to the first lad he treated so. I try to pity him, but when I consider all that could have been, had you been properly educated from the time you were small—” “He did well by me!” I snapped. “He took me to his side when no one else would have me, and I’ll not hear ill spoken of him.

At the Royal Vauxhall Tavern, there are mirrors but, because of the tone of the place, they seem more flirty than licentious. An attractive man glanced at me with a smile and said cutely, Now I can’t go. Soon after, I saw him on the dance floor, whispering to his friend and nodding at me. We all knew he still had to pee. Fleeting, gently pervy interactions like that may be the closest I get to experiencing a sense of gay community. It was last call at the RVT. Famous stole away to the toilets. ‘Family Affair’ by Mary J. Blige began to play—a song meant for the start of the night. I danced on my own by the door, near the shelf of condoms and literature. I recalled another time I’d been there recently. I’d given my coat check ticket to the most boyish and poised of the bartenders, the one who moves with a distinct admixture of flirtatiousness and efficiency. He brought my jacket from the cloakroom, the blue nylon I wear when I predict I’ll end up going out, because it promises to wipe clean easily. About to hand it to me over the bar, he said, You know what…and brought himself around the hatch, with shoulders alert like a pantomime butler. He held up my jacket with alacrity to indicate I should turn around so he could slip me into it. I momentarily forgot that I don’t smile in gay bars. He both served and took the upper hand: to get into the jacket, I had to turn my back to him, and yet into the sleeves it was I who inserted. I submitted, but he received. On this night, I glanced over and saw that the bartender was busy, holding someone else’s attention in a brief exchange. He fetched them their extraneous last drink. Famous bounced forth. I caught his eye and pointed my index finger to the speakers. This song, I mouthed. Famous tilted his head. We pushed through the doors into the wind. I’d put my jacket on myself this time, without ceremony. But leaving on a good song also makes a fine exit. Mary J. Blige sang at our backs about starting the party as we took long strides down the street.

Having uttered this pseudoscientific flim-flam, whose very incomprehensibility was intended to calm the commotion gripping the nation, the prime minister ended by stating that the government was prepared for all humanly imaginable eventualities, and determined to face with courage and with the vital support of the population the complex social, economic, political and moral problems that the definitive extinction of death would inevitably provoke, if, as everything seemed to indicate, this situation was confirmed. We will accept the challenge of the body’s immortality, he exclaimed in exalted tones, if that is the will of god, to whom we will always offer our grateful prayers for having chosen the good people of this country as his instrument.

Those are called inflection glyphs, and they mark the conjugation of verbs and declension of nouns, adjectives, and pronouns. In formal writing, they’re usually colored to make them easier to see—and also for aesthetics—but in calligraphy, they’re often omitted for a more elegant outline. Also, by changing the height or angle of the logograms, a writer can indicate tone, emphasis, and—but we’re now probably getting too advanced. You’ll pick these up in time.

Try it again,” Erica growled. Although she didn’t actually add “you idiots,” the tone of her voice indicated it was there. “Only this time, do it one at a time, and don’t stare. Act like you’re looking somewhere else.

The new prayer book, The Sunday Service for the Methodists in North America, was Wesley’s abridgement of the Book of Common Prayer. He had wished to improve the prayer book ever since his association with Thomas Deacon and the Manchester nonjurors during his Oxford days when they were trying to pattern liturgy and worship after the Early Church. Wesley’s diary indicates that he also experimented with the order of the service while in Georgia. And when quoting the Psalms, he had almost always used the language of the prayer book Psalter, derived from the early Coverdale text, rather than the Authorized Version (King James). His reverence for the traditional BCP is evident in the way he preserved the tone and much of the text of the work in the Sunday Service.

You will invariably face jobs that are associated with uncomfortable feelings, ranging from relatively minor annoyance (e.g., taking out the garbage in the rain) to more persistent and recurring feelings of stress and discomfort (e.g., dissertation, organizing income taxes) that activate your procrastination script. Even a minimal degree of stress or inconvenience (what we have come to describe as the feeling of “Ugh”) can be potent enough to make you delay action. Think about some of the mundane examples of procrastination, such as watching a boring television show because the remote control is out of reach (e.g., “It’s ALL THE WAY over there.”) or exercise (e.g., “I’m TOO TIRED to change into my workout clothes.”). The use of capital letters is meant to illustrate the tone of voice of your selftalk, which serves to exaggerate and convince you of the difficulty of what you want to do. You are capable to perform the action, but your thoughts and feelings (including feeling tired or “low energy”) makes you conclude that you are not at your best and therefore cannot and will not follow through (for seemingly justifiable reasons). You might think, “I have to be in the mood to do some things.” But, how often are any of us in the mood to do many of the tasks on which we end up procrastinating? The very fact that we have to plan them indicates that these tasks require some targeted planning and effort. When facing emotional discomfort, ADHD adults are particularly at risk for bolting to pleasant, easy, and yet often unsatisfying activities, such as eating junk food, watching television, social networking, surfing the Internet, etc. In fact, sometimes you may escape from stressful tasks by performing other, lower priority errands or chores. Thus, you rationalize violating your high-priority project plan in order to run out to fill your car with gas. This strategy can be seen as a form of “plea bargaining”—“I will do something productive in order to justify not doing the higher priority but less appealing task.” Moreover, these errands are often more discrete and time limited than the task you are putting off (i.e., “If I start mowing the lawn now, I will be done in 1 hour. I don’t know how long taxes will take me.”), which is often their appeal—even though they are low priority, you are more confident you will get them done. You need not be “in the mood” for a task in order to perform it. A useful reframe is the reminder that you have “enough” energy to get started and recall that once you get started on the first step, you usually feel better and more engaged. Breaking the task down into its discrete steps and setting an end time help you to reframe the plan (e.g., “I’m tired, but I have enough energy to do this task for 15 minutes.”). Rather than setting up the unrealistic expectation that you must be stress-free and 100% energized before you can do tasks, the notion of acceptance of discomfort is a useful mindset to adopt and practice.

Nautical blue? Nah.” Her best friend, Chantal, used her fingertip to reveal the next set of colors. “Back in Chicago, with Lake Michigan nearby, maybe. But out here?” Her tone indicated just what she thought of the rural Illinois town. She tapped another hue on the swatch. “What you want here is cornflower blue.” Grinning, Simone shook her head. She’d missed joking around with Chantal. And nothing could dim her pride in the town’s agriculture. Their corn fed the nation. Lake Michigan was picturesque but cold and forbidding half the time.

the mothers look at him slant-eyed. If my daughter were in heaven could she still watch the baby while I work in my manioc? Could she carry water for me? Would a son in heaven have wives to take care of me when I am old? Our Father takes their ironical and self-interested tone to indicate a lack of genuine grief. His scientific conclusion: the Congolese do not become attached to their children as we Americans do. Oh, a man of the world is Our Father. He is writing a learned article on this subject for the Baptist scholars back home.

The Lightning Round This is a quick, around-the-table reporting session in which everyone indicates their two or three priorities for the week. It should take each team member no more than one minute (yes, sixty seconds!) to quickly describe what is on their respective plates. So even a large team should be able to accomplish this in ten minutes or so. The lightning round is critical because it sets the tone for the rest of the meeting. By giving all participants a real sense of the actual activities taking place in the organization, it makes it easy for the team to identify potential redundancies, gaps, or other issues that require immediate attention.