Toe Heels Quotes

We've searched our database for all the quotes and captions related to Toe Heels. Here they are! All 100 of them:

But lately,' she said, wiggling her bare toes, 'I find all men to be very much like wearing high-heeled shoes -- I love how pretty they make me feel, but by the end of the night I can't wait to get rid of them.
Beth Hoffman (Saving CeeCee Honeycutt)
Hey ! Mr Tambourine Man, play a song for me I'm not sleepy and there is no place I'm going to Hey ! Mr Tambourine Man, play a song for me In the jingle jangle morning I'll come followin' you. Take me on a trip upon your magic swirlin' ship My senses have been stripped, my hands can't feel to grip My toes too numb to step, wait only for my boot heels To be wanderin' I'm ready to go anywhere, I'm ready for to fade Into my own parade, cast your dancing spell my way I promise to go under it.
Bob Dylan
We would’ve told her that all together, we got centuries on her. If we laid all our lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more. —
Brit Bennett (The Mothers)
Sometimes you have to favor your heel, even if it means you're hurting your toe.
Katherine Paterson
Ik ga naar hem toe, kruip tegen hem aan, pak hem stevig vast, en heel even laat ik nooit meer los.
Griet Op de Beeck (Kom hier dat ik u kus)
I grazed her from head to toe: black high heels, dark red lipstick, sleek brown pony and those tyrannical yellow-green eyes, burning holes into the glass. I was sharing an elevator with a tempestuous, electric storm that I refused to calm. I always wished to be swept into madness, if only for a moment, to truncate the mundane, ordinary moments of my existence.
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
there's a tether connecting us. it moves under city streets & mid-American fields; from the tips of my toes to your leaving heel.
J.R. Rogue (La Douleur Exquise)
These were strange caricatures of human beings, weirdly inflated, their breasts enormous spheres, held in place by string bikinis with cups the size of fourteen-meter yacht spinnakers. Their legs were elongated too, their toes pointed straight downward into high-heeled shoes steeper than double black-diamond ski runs.
Peter Sagal (The Book of Vice: Very Naughty Things (and How to Do Them))
Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour--landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard... But after life. The slow pulling down of thick green stalks so that the cup of the flower, as it turns over, deluges one with purple and red light. Why, after all, should one not be born there as one is born here, helpless, speechless, unable to focus one's eyesight, groping at the roots of the grass, at the toes of the Giants?
Virginia Woolf
Dat ze iemand blij kon maken met zoiets als een glas limonade bracht haar een gevoel van heel simpel geluk. Het soort geluk dat nergens van afhing, dat er gewoon altijd wel was en je af en toe terloops even aanraakte.
Yorick Goldewijk (Films die nergens draaien)
Come unto me. Come unto me, you say. All right then, dear my Lord. I will try in my own absurd way. In my own absurd way I will try to come unto you, a project which is in itself by no means unabsurd. Because I do not know the time or place where you are. And if by some glad accident my feet should stumble on it, I do not know that I would know that I had stumbled on it. And even if I did know, I do not know for sure that I would find you there. … And if you are there, I do not know that I would recognize you. And if I recognized you, I do not know what that would mean or even what I would like it to mean. I do not even well know who it is you summon, myself. For who am I? I know only that heel and toe, memory and metatarsal, I am everything that turns, all of a piece, unthinking, at the sound of my name. … Come unto me, you say. I, … all of me, unknowing and finally unknowable even to myself, turn. O Lord and lover, I come if I can to you down through the litter of any day, through sleeping and waking and eating and saying goodbye and going away and coming back again. Laboring and laden with endless histories heavy on my back.
Frederick Buechner (The Alphabet of Grace)
De maan heeft onze wereld langer dan wie ook gadegeslagen en van heel dichtbij. Alles wat er ooit op deze aarde is gebeurd, alle handelingen die er zijn verricht heeft de maan waarschijnlijk gezien. Maar hij houdt er zijn mond over dicht. Koud en correct als altijd draagt hij dat zware verleden met zich mee. Op de maan is geen lucht en ook geen wind. Een vacuüm leent zich er uitstekend toe herinneringen onbeschadigd te bewaren. Niemand is in staat om het hart van de maan te verzachten. Aomame pakte haar glas en dronk de maan toe.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
There's a reason why your toes are forward and your heels backward. It means, step on your past with your heels and approach your furute with your toes.
Nomthandazo Tsembeni
(no heels or steel toes, so I can’t use them as weapons)
Marie Lu (Prodigy (Legend, #2))
Without warning, I stomped my heel down on Detective Hawke’s toe. Hard. He squealed and did a one-footed jig. I debated on clapping along.
Ann Charles (An Ex to Grind in Deadwood (Deadwood, #5))
Most shoes are shaped as if feet were made for shoes.
Mokokoma Mokhonoana
Vroeger blikte ik in een chaotische toekomst, omdat ik het moment, dat vlak voor me lag, niet wilde beleven. (...) Ik had soms het zekere, doch zeer vage gevoel, dat ik "iets zou kunnen worden" in de toekomst, iets "geweldigs" zou kunnen doen en dan af en toe weer die chaotische angst dat ik "toch wel naar de bliksem zou gaan". Ik begin te begrijpen hoe dat komt. Ik weigerde de vlak voor me liggende taken te doen. Ik weigerde van trede tot trede voort te klimmen voor die toekomst. (...) Vroeger leefde ik altijd in een voorbereidend stadium, ik had het gevoel dat alles wat ik deed toch niet het "echte" was, maar voorbereiding tot iets anders, iets "groots", iets echts. Maar dat is nu volkomen van me afgevallen. Nu, vandaag, deze minuut leef ik en leef ik volop en is het leven waard geleefd te worden en wanneer ik zou weten, dat ik morgen zou sterven, dan zou ik zeggen: ik vind het heel jammer, maar het is goed geweest, zoals het geweest is.
Etty Hillesum (Etty: de nagelaten geschriften van Etty Hillesum 1941-1943)
The heels of the glittering monstrosities are nearly five inches tall, and the toes are so pointed that a normal human foot could never fill its proportions. “Am I supposed to wear those?” I ask. “Obviously,” my mother says. I’m reminded that this isn’t about what I want or what I like. It’s about what everyone else thinks is best, and I’m not sure how much more of this I can take.
Kalynn Bayron (Cinderella Is Dead)
Natasha, with a vigorous turn from her heel on to her toe, walked over to the middle of the room and stood still... Natasha took the first note, her throat swelled, her bosom heaved, a serious expression came into her face. She was thinking of no one and of nothing at that moment, and from her smiling mouth poured forth notes, those notes that anyone can produce at the same intervals, and hold for the same length of time, yet a thousand times leave us cold, and the thousand and first time they set us thrilling and weeping.
Leo Tolstoy (War and Peace)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
In your footwork, you should tread strongly on your heels while allowing some leeway in your toes. Although your stride may be long or short, slow or fast, according to the situation, it is to be as normal. Flighty steps, unsteady steps, and stomping steps are to be avoided.
Miyamoto Musashi (The Book of Five Rings: A Classic Text on the Japanese Way of the Sword (Shambhala Library))
Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps. That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.
Toni Morrison (Jazz (Beloved Trilogy, #2))
Another group tried putting a new type of protective boot onto the hind leg of a mule deer for testing. Given that deer lack toes and heels and people lack hooves, and that no country I know of employs mule deer in land mine clearance, it is hard—though mildly entertaining—to try to imagine what the value of such a study could have been.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Now, from the crown of my head to the curve of my toe-nails, there was an unguent for every part of me - oil for my eyebrows and cream for my lashes; a jar of tooth-powder, a box of blanc-de-perle; polish for my fingernails and a scarlet stick to redden my mouth; tweezers for drawing the hairs from my nipples, and a stone to take the hard flesh from my heels.
Sarah Waters (Tipping the Velvet)
It happen’d one Day about Noon going towards my Boat, I was exceedingly surpriz’d with the Print of a Man’s naked Foot on the Shore, which was very plain to be seen in the Sand: I stood like one Thunder-struck, or as if I had seen an Apparition; I listen’d, I look’d round me, I could hear nothing, nor see any Thing, I went up to a rising Ground to look farther, I went up the Shore and down the Shore, but it was all one, I could see no other Impression but that one, I went to it again to see if there were any more, and to observe if it might not be my Fancy; but there was no Room for that, for there was exactly the very Print of a Foot, Toes, Heel, and every Part of a Foot; how it came thither, I knew not, nor could in the least imagine. But
Daniel Defoe (Robinson Crusoe)
Second of all, those fairy tales that you hear over and over and over again aren't even the REAL fairy tales. Has your teacher ever said to you, "Today, children, we're going to read a Cinderella story where the stepsisters cut off their toes and their heels with a butcher's knife! And then they get their eyes pecked out by birds! Ready? Is everyone sitting crisscross-applesauce?
Adam Gidwitz (In a Glass Grimmly (A Tale Dark & Grimm, #2))
It was only when she sat and the hem of her dress lifted that I noticed the blood pooling in her glass slippers, the fine crack along one side. Indigo removed the shoes carefully. Two of her toes were blue. Later, we would discover they were broken. Later, I would cradle her ankles and tell her I loved her and insist on carrying her up the stairs and all throughout the house. I had always found the rejected stepsisters of Cinderella far more captivating than the story’s namesake, and now I knew why. When the shoe did not fit, they cut off their toes, sliced off their heels, squeezed their feet into glass, and lowered their skirts to cover the pain. Perhaps, in the end, the prince made the wrong choice. Such devotion is hard to come by, after all. Look how I will carve myself to fit into your life. Who will not do less? In Indigo’s blue toes and ruined skin, I saw a love letter. Gruesome, yes, but for all that it became in the end, it must be said that it was always true.
Roshani Chokshi (The Last Tale of the Flower Bride)
Weet je wat het is - de natuur is heel precies, het doet precies zoveel pijn als het waard is, dus beleef je in zekere zin, denk ik, genoegen aan de pijn. Als het er niet toe deed, zou het er niet toe doen.
Julian Barnes (The Sense of an Ending)
Het spreekwoord luidt: een Vlaming wordt geboren met een baksteen in de maag. Ik voeg daar altijd aan toe: en met een gazon in zijn hoofd. De millimetrering van de geest is schrikbarend. Alles wat boven het niveau van de doorsnee haag dreigt uit te steken, dat moet genivelleerd worden. In Vlaanderen is het een compliment als men van je zegt dat je een makkelijke jongen bent. Of een propere jongen. Dat betekent dan waarschijnlijk dat je niet op het tapijt plast en de wilskracht hebt van een dweil. Je mag vooral de scherpe kantjes van je persoonlijkheid niet laten zien, dan ben je meteen een moeilijke jongen of een arrogante klootzak. Het is allemaal heel parochiaal. Soms wordt het gedoogd. Als schrijvers wel zeggen waar het op staat, wordt direct gezegd: ‘Ah ja, da’s een kunstenaar.’ En daarmee is het meteen geneutraliseerd.
Erwin Mortier
When she picked up her skirt to climb them, I saw her little feet, arched and slender, and softly rouged on the toes and heel. All the great ladies of the Labyrinth go barefoot. They never go outside, unless they are carried.
Mary Renault (The King Must Die (Theseus, #1))
I have always found the rejected stepsisters of Cinderella far more captivating than the story's namesake, and now I knew why. When the shoe did not fit, they cut off their toes, sliced off their heels, squeezed their feet into glass, and lowered their skirts to cover the pain. Perhaps, in the end, the prince made the wrong choice. Such devotion is hard to come by, after all. Look how I will carve myself to fit into your life. Who will not do less?
Roshani Chokshi (The Last Tale of the Flower Bride)
We would've told her that all together, we got centuries on her. If we laid out all lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. The littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more.
Brit Bennett (The Mothers)
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to. “Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?” “Please just go,” I begged. “I need to be alone.” He kept coming straight at me. “Please,” I shouted, “go away!” “I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?” I looked away. “Nothing I didn’t ask for.” Liam’s only response was to move back a few paces back. Giving me space. “I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.” “I don’t want you here.” He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.” I caught it with one hand and pressed it to my chest. It was still warm. He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?” I couldn’t bring myself to answer. “Ruby, you’re scaring the hell out of me.” “Good.” I balled up his sweater and threw it into the darkness as hard as I could. He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?” I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead. “I can’t do this anymore,” I cried. “Why won’t you just leave me alone?” “Because you would never leave me.” His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him. His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled. “Ruby—” I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it. Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…” I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
From the managerial perspective, Sir Oliver Humperdink, a heinous sort for most of his career, said the release of pentup emotions might even have been healthy for mind and soul. "As heels, we were able to be as annoying and politically incorrect’ as possible.We were able to say and do what everyone probably wanted to say and do, but, for one reason or another, could never, ever get away with. And, by being able to do so, I generally found that my fellow heels were much more 'easygoing' than our babyface counterparts who had to 'toe the line.
Greg Oliver (The Pro Wrestling Hall of Fame: The Heels (3))
Take me on a trip upon your magic swirling ship My senses have been stripped My hands can't feel to grip My toes too numb to step Wait only for my boot heels to be wandering I'm ready to go anywhere, I'm ready for to fade Into my own parade Cast your dancing spell my way, I promise to go under it.
Bob Dylan
Stance is a highly individual thing and will vary with hip width, hip ligament tightness, femur and tibia length and proportion, adductor and hamstring flexibility, knee joint alignment, and ankle flexibility. Everybody’s stance will be slightly different, but shoulder-width heels, with toes at 30 degrees, is a good place to start.
Mark Rippetoe (Starting Strength)
Girl Snouts.” “We are not,” contradicted Sarah. “We’re Girl Scouts.” “Hup, two, three, four. Hup, two, three, four,” counted Mrs. Collins, who was the jolly type and did not understand how parents sometimes embarrass their children. Down the hill marched the class. Mitchell felt Bernadette’s toe on his heel again and jumped in time.
Beverly Cleary (Mitch and Amy)
Deep time’ is the chronology of the underland. Deep time is the dizzying expanses of Earth history that stretch away from the present moment. Deep time is measured in units that humble the human instant: epochs and aeons, instead of minutes and years. Deep time is kept by stone, ice, stalactites, seabed sediments and the drift of tectonic plates. Deep time opens into the future as well as the past. The Earth will fall dark when the sun exhausts its fuel in around 5 billion years. We stand with our toes, as well as our heels, on a brink. There is dangerous comfort to be drawn from deep time. An ethical lotus-eating beckons. What does our behaviour matter, when Homo
Robert Macfarlane (Underland: A Deep Time Journey)
I believe in the basics: attention to, and perfection of, tiny details that might be commonly overlooked. They may seem trivial, perhaps even laughable to those who don’t understand, but they aren’t. They are fundamental to your progress in basketball, business, and life. They are the difference between champions and near champions. For example, at the first squad meeting each season, held two weeks before our first actual practice, I personally demonstrated how I wanted players to put on their socks each and every time: Carefully roll the socks down over the toes, ball of the foot, arch and around the heel, then pull the sock up snug so there will be no wrinkles of any kind.
John Wooden (Wooden: A Lifetime of Observations and Reflections On and Off the Court)
His feet went banging down some stairs. He closed his eyes. They went through cinders and dirt, his heels gathering small windrows of trash. A dim world receded above his upturned toes, shapes of skewed shacks erupted bluely in the niggard lamplight. The rusting carcass of an automobile passed slowly on his right. Dim scenes pooling in the summer night, wan ink wash of junks tilting against a paper sky, rorschach boatmen poling mutely over a mooncobbled sea. He lay with his head on the moldy upholstery of an old car seat among packingcrates and broken shoes and suncrazed rubber toys in the dark. Something warm was running on his chest. He put up a hand. I am bleeding. Unto my death.
Cormac McCarthy (Suttree)
From my heel to my toe is a measured space of 29.7 centimetres or 11.7 inches. This is a unit of progress and it is also a unit of thought. 'I can only meditate when I am walking,' wrote Jean-Jacques Rousseau in the fourth book of his 'Confessions', 'when I stop I cease to think; my mind only works with my legs.' Søren Kierkegaard speculated that the mind might function optimally at the pedestrian pace of three miles per hour, and in a journal entry describes going out for a wander and finding himself 'so overwhelmed with ideas' that he 'could scarcely walk'. Christopher Morley wrote of Wordsworth as 'employ[ing] his legs as an instrument of philosophy' and Wordsworth of his own 'feeling intellect'. Nietzsche was typically absolute on the subject - 'Only those thoughts which come from 'walking' have a value' - and Wallace Stevens typically tentative: 'Perhaps / The truth depends on a walk around the lake.' In all of these accounts, walking is not the action by which one arrives at knowledge; it is itself the means of knowing.
Robert Macfarlane (The Old Ways: A Journey on Foot)
Her heels grind uselessly into the carpet. Her toes curl at the fibers. She stands in the quiet womb of the room, waiting for a signal from the root brain, the ancient network from which the invader has been exiled. She lifts her arms until they are fully extended, her fingers turned outward. Her ears prick up like sharp leaves, alert for moisture.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
Leven met hoop is ‘s avonds opstappen naar het oosten toe, de nacht heel zwart tegemoet; omdat je zeker bent dat je door de nacht het licht in het oosten opnieuw zult ontmoeten. Leven met hoop is de ondergaande zon niet achterna lopen uit vrees het licht te verliezen, maar in zichzelf zoveel licht bezitten dat de donkerste nacht de bode van de nieuwe morgen wordt.
Wim
En trouwens, alleen al hoe ze elkaar begroetten! Ze pakten elkaars handen vast. Is dat normaal? Het moet onhygiënisch zijn en bovendien zo intiem dat het beschamend is. Ekaars lichamen zo aan te raken, opzettelijk! Ze beweerden dat het een heel oude begroeting was, die ze nieuw leven hadden ingeblazen, maar je hoefde het niet te doen als je niet wilde, je werd nergens toe gedwongen.
Karin Boye (Kallocain)
Karsen rounded my car staring at me in disbelief. “Since when do you dress like that?” She pointed at my red tank top and shorts. “Somebody is close to exposing some toe.” I looked down at my closed toed heels. “Of the camel variety,” Karsen explained pointing at my girl parts. I tried to slap her but she took off. And I wasn’t in the mood for running. I knew I’d break an ankle in the heels I wore.
Holly Hood (Black Moon (Ink, #3))
It is a wondrous thing, the human foot—like the human hand; even more so, perhaps; but, unlike the hand, with which we are so familiar, it is seldom a thing of beauty in civilized adults who go about in leather boots or shoes. So that it is hidden away in disgrace, a thing to be thrust out of sight and forgotten. It can sometimes be very ugly indeed—the ugliest thing there is, even in the fairest and highest and most gifted of her sex; and then it is of an ugliness to chill and kill romance, and scatter love’s young dream, and almost break the heart. And all for the sake of a high heel and a ridiculously pointed toe—mean things, at the best! Conversely, when Mother Nature has taken extra pains in the building of it, and proper care or happy chance has kept it free of lamentable deformations, indurations, and discolorations—all those gruesome boot-begotten abominations which have made it so generally unpopular—the sudden sight of it, uncovered, comes as a very rare and singularly pleasing surprise to the eye that has learned how to see! Nothing else that Mother Nature has to show, not even the human face divine, has more subtle power to suggest high physical distinction, happy evolution, and supreme development; the lordship of man over beast, the lordship of man over man, the lordship of woman over all!
George du Maurier (Trilby)
The truth is that running in shoes is high impact, heel-centric, promotes bad form, is relatively unstable and inflexible, tends to weaken rather than strengthen your feet, and dampens your connection to the world around you. In contrast, barefoot running is low-impact, toe-centric, promotes good form, enhances stability and adaptability, strengthens your feet in miraculous ways, and provides delightful sensory and spiritual connections to the earth.
Michael Sandler (Barefoot Running: How to Run Light and Free by Getting in Touch with the Earth)
Instructions Before Reading Chapter 1. Find a piece of cloth 10 feet long and 2 inches wide 2. Find a pair of children’s shoes 3. Bend all toes except the big one under and into the sole of the foot. Wrap the cloth around these toes and then around the heel. Bring the heel and toes as close together as possible. Wrap the full length of the cloth as tightly as possible 4. Squeeze foot into children’s shoes 5. Walk 6. Imagine that you are 5 years old 7. Imagine being like this for the rest of your life
Andrea Dworkin (Woman Hating)
About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine. I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize. No cop was ever born who isn't a sucker for a finely-executed hi-speed Controlled Drift all the way around one of those cloverleaf freeway interchanges. Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him ... and then he will start apologizing, begging for mercy. This is wrong. It arouses contempt in the cop-heart. The thing to do – when you're running along about 100 or so and you suddenly find a red-flashing CHP-tracker on your tail – what you want to do then is accelerate. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to 120 all the way to the next exit. He will follow. But he won't know what to make of your blinker-signal that says you're about to turn right. This is to let him know you're looking for a proper place to pull off and talk ... keep signaling and hope for an off-ramp, one of those uphill side-loops with a sign saying "Max Speed 25" ... and the trick, at this point, is to suddenly leave the freeway and take him into the chute at no less than 100 miles an hour. He will lock his brakes about the same time you lock yours, but it will take him a moment to realize that he's about to make a 180-degree turn at this speed ... but you will be ready for it, braced for the Gs and the fast heel-toe work, and with any luck at all you will have come to a complete stop off the road at the top of the turn and be standing beside your automobile by the time he catches up. He will not be reasonable at first ... but no matter. Let him calm down. He will want the first word. Let him have it. His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle – while he lost control of everything.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Let’s go to town,” Jo said. “Take me to eat dinner at the hotel.” I sucked in a breath and stared at her for a minute. Here she sat, her hair still wet although neatly braided, wearing an old Kiss sweatshirt, the one with the red mouth and tongue, red sweatpants, and ridiculous red pumps with black scuffs on the toes and heels. And she wanted me to take her to the Hotel Wyoming, where the rich tourists hung out. I smiled. Because it was possibly the greatest thing I’d ever heard. “Yeah, let’s go to the hotel. Grab your purse and I’ll find your coat.
Laura Anderson Kurk (Perfect Glass)
You’ve been shot,” she tells Rachel. “You shot me, you crazy bit—“ “We don’t have time for the ER protocol crap, Mom,” I cut in. “She knows she’s been shot. She’s alert. Help. Her.” Mom nods. She looks at Rachel’s clenched fist where it’s balled against her lower stomach. “I’m sorry I shot you. I need to look at that. Please.” Rachel gives her The Stank Eye. Rachel is very good at The Stank Eye. “I’m a nurse, remember?” Mom says, her voice dripping with impatience. “I can help you.” Rachel inhales and eases her hand away from her stomach, but I can’t bring myself to look at it so I just watch Mom’s face to maybe gauge how bad the wound is. I imagine dark blood and entrails and… “What the…?” Mom gasps. As an ER nurse, Mom’s seen a lot of things. But by her expression, she’s never seen this. I’m thinking it must be way serious. Also, I’m thinking I might throw up. Until Rachel slaps a handcuff around Mom’s wrist. “I’m sorry, Nalia. I hope you understand.” Then she clinks the other end of the cuff around her own wrist. I steal a glance at Rachel’s very clean, very intact, very non-bloody-entrails T-shirt. Rachel is a smart woman. Mom lunges for her, hands aiming for her throat. Rachel pulls some karate-chop-move thing and slams Mom against the door behind her. “Knock it off, hon. I don’t want to really hurt you.” “You…you told Galen you’d been shot,” I stammer. “I heard you tell him that. Why would you lie to him?” Rachel shrugs. “I was shot.” She glances down at her feet. There’s a good-sized hole near the big toe of her boot, and bit of red staining the edges of it. “And I’d better be able to wear high heels after this, or one of you is going to swim with the fishes.” Then she laughs at her own stupid Mob joke. Mom plops down beside Rachel and leans against the car, too, in obvious surrender. She looks up at me. It’s a look brimming with “I told you so.” And I already know what she’s going to say next. We won’t make it very far before someone notices two women handcuffed together. Bathroom breaks will be impossible. Any public place will be impossible. I’m guessing Mom didn’t anticipate needing a hacksaw on this vacation of ours. But I know what she expects from me now. And that’s just too freaking bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
By the Lord, Horatio, these three years I have taken note of it; the age has grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.” There can easily be too much liberty, according to Shakespeare — “too much liberty, my Lucio, liberty” (Measure for Measure, Act 1, Sc. 3), but the idea of too much authority is foreign to him. Claudio, himself under arrest, sings its praises: “Thus can the demi-god, Authority, Make us pay down for our offense by weight, — The words of Heaven; — on whom it will, it will; On whom it will not, so; yet still ’tis just.
William Shakespeare (Complete Works of William Shakespeare)
1. Whenever you walk through a doorway at home, stop, press the palms of your hands flat against the top of the door frame, get up on your toes, then push up with your arms and try to get your heels back on the floor. But don't let them budge - you're pushing against the calf muscles and recontouring them. Hold it for few seconds and then go on about you chores. 2. Sit on a straight chair, point your toes out straight, and kick up as high as you can with each leg. You'll feel a healthy pull in the calf muscles. 3. After a few kicks, stand up on your toes and lower yourself very slowly to a squatting position, still keeping your weight on the balls of your feet. Then pull slowly up again. It’s fair to balance yourself lightly with your hands on the back of a chair if you have to. 4. Put a book on the floor and place the balls of your feet on the book and your heels on the floor. Raise yourself slowly until you’re on tiptoe on the book. Then lower yourself just as slowly. The thicker the book, the better the results/ These four exercises will slim down fat calves and build up thin ones. The point is that the muscles are being firmed, and no matter what your problem the result is lovelier legs.
Joan Crawford (My Way of Life)
Checking out shoes when looking for Lesbians is an elimination device, a negative marker. Lesbians wear sensible shoes whenever possible. Irene and I have learned to pass right by a woman who looks like a Lesbian from head to ankle, but wears flimsy shoes with pointed toes and heels. She is sure to mention a husband by her second sentence. So, what does a Lesbian look like? Well, we saw two old women drive into a campground in a large motorhome. One dog and no men accompanied them. These are Lesbian-positive clues. We seldom see old women in campgrounds unless they are accompanied by old men. They walked the dog, each wearing a long “ladies” winter coat and lipstick. We casually intercepted them. “Nice dog,” says Irene. The dog growled. We mentioned the movie about nuclear war on TV the night before. “They should go to Russia. Show it to the Communists,” they angrily replied. We walked on. If they were Lesbians, I did not want to know. “Not Lesbians,” pronounced my expert. “There are Lesbians who wear ‘ladies’ coats and Lesbians who wear lipstick. There are even Lesbians who prefer nuclear war to “Godless Communism”; but Lesbians would not let their dog growl at a woman without correcting it.
Julia Penelope (Finding the Lesbians: Personal Accounts from Around the World)
During a famine, the father and stepmother of Hansel and Gretel abandon them in a forest so that they will starve to death. The children stumble upon an edible house inhabited by a witch, who imprisons Hansel and fattens him up in preparation for eating him. Fortunately Gretel shoves the witch into a fiery oven, and “the godless witch burned to death in a horrible way.” 41 • Cinderella’s stepsisters, when trying to squeeze into her slippers, take their mother’s advice and cut off a toe or heel to make them fit. Doves notice the blood, and after Cinderella marries the prince, they peck out the stepsisters’ eyes, punishing them “for their wickedness and malice with blindness for the rest of their lives.” Snow White arouses the jealousy of her stepmother, the queen, so the queen orders a hunter to take her into the forest, kill her, and bring back her lungs and liver for the queen to eat. When the queen realizes that Snow White has escaped, she makes three more attempts on her life, two by poison, one by asphyxiation. After the prince has revived her, the queen crashes their wedding, but “iron slippers had already been heated up for her over a fire of coals.... She had to put on the red-hot iron shoes and dance in them until she dropped to the ground dead.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
The black water nipping at her thrashing heels was freezing. Not the bite of winter chill, or even the burn of solid ice, but something colder. Deeper. The cold of the gaps between stars, teh cold of a world before light. The cold of hell- true hell, she realised as she bucked against the strong hands trying to shove her into the Cauldron. True hell, because that was Elain lying on the stone floor with the red-haired, one-eyed Fae male hovering over her. Because those were pointed ears poking through her sister's sodden gold-brown hair, and an immortal glow radiating from Elain's fair skin. True hell- worse than the inky depths mere inches from her toes.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Soms, een heel enkele keer, dacht ik in de lucht een vage nadering te voelen, een aanraking licht als die van wimpers, warm als de binnenkant van een hand. En de schim van Patroklos verschijnt aan de zijde van Achilleus... Ik zal nooit weten of die warmte, die zoete gewaarwording niet eenvoudigweg uit mijn eigen diepste wezen voortvloeide, laatste pogingen van een man die vecht tegen de eenzaamheid en de kou van de nacht. Maar die vraag, die we ons ook stellen met betrekking tot onze levende geliefden, interesseert me niet meer: het doet er voor mij weinig toe of de door mij opgeroepen schimmen uit de voorhoven van mijn herinnering of uit die van een andere wereld komen.
Marguerite Yourcenar (Memoirs of Hadrian)
I had opened the obvious drawer, the top drawer of the room's only dresser, and found myself gazing into a masculine cache of compressed, crumpled things. Wash-worn Brooks Brothers white cotton shorts now a pale shade of gray. Snake-tangled, unpaired argyle socks, all in bright Easter colors like clover ad mauve which still showed fairly crisp near the tops, but down toward the heels were marred by thread pills and snags, and at the toes by the outright abjection of holes. To see laid bare in their entirety those socks, of which I'd heretofore glimpsed only brief merry stripes, when a pant cuff rose up from the rim of a shoe, was like seeing the man himself fully exposed to me--naked.
Susan Choi (My Education)
When Lauren returned from lunch there were two dozen breathtakingly gorgeous red roses in a vase on her desk. She removed the card from its envelope and stared at it in blank amazement. On it was written "Thank you, sweetheart," followed by the initial J. When Lauren looked up,Nick was standing in the doorway,his shoulder casually propped against the frame. But there was nothing casual about the rigid set of his jaw or the freezing look in his gray eyes. "From a secret admirer?" he asked sarcastically. It was the first personal comment he had addressed to her in four days. "Not a secret admirer exactly," she hedged. "Who is he?" Lauren tensed. He seemed so angry she didn't think it would be wise to mention Jim's name. "I'm not absolutely certain." "You aren't absolutely certain?" he bit out. "How many men with the inital J are you seeing? How many of them think you're worth more than a hundred dollars in roses as a way of saying thank you?" "A hundred dollars?" Lauren repeated, so appalled at the expense that she completely overlooked the fact that Nick had obviously opened the envelope and read the card. "You must be getting better at it," he mocked crudely. Inwardly Lauren flinched, but she lifted her chin. "I have much better teachers now!" With an icy glance that raked her from head to toe,Nick turned on his heel and strode back into his office. For the rest of the day he left her completely alone.
Judith McNaught (Double Standards)
Because there’s a silent, shrugging, stoical acceptance of all the things in the world we can never be part of: shorts, swimming pools, strappy dresses, country walks, roller-skating, ra-ra skirts, vest tops, high heels, rope climbing, sitting on a high stool, walking past building sites, flirting, being kissed, feeling confident. And ever losing weight, ever. The idea of suggesting we don’t have to be fat –that things could change –is the most distant and alien prospect of all. We’re fat now and we’ll be fat forever and we must never, ever mention it, and that is the end of it. It’s like Harry Potter’s Sorting Hat. We were pulled from the hat marked ‘Fat’ and that is what we must now remain, until we die. Fat is our race. Our species. Our mode. As a result, there is very little of the outside world –and very little of the year –we can enjoy. Summer is sweaty under self-conscious layers. On stormy days, wind flattens skirts against thighs, and alarms both us and, we think, onlookers and passers-by. Winter is the only time we feel truly comfortable: covered head to toe in jumpers, coats, boots and hat. I develop a crush on Father Christmas. If I married him, not only would I be expected to stay fat, but I’d look thin standing next to him, in comparison. Perspective would be my friend. We all dream of moving to Norway, or Alaska, where we could wear massive padded coats all the time, and never reveal an inch of flesh. When it rains, we’re happiest of all. Then we can just stay in, away from everyone, in our pyjamas, and not worry about anything. The brains in jars can stay inside, nice and dry.
Caitlin Moran (How to Be a Woman)
Taking her left hand, he began to slide the moonstone onto her finger, and hesitated. "How did I propose the first time?" He had been nervous, steeling himself for a possible refusal; he could hardly remember a word he'd said. Amusement tugged at her lips. "You laid out the advantages on both sides, and explained the ways in which our future goals were compatible." Rhys absorbed that with chagrin. "No one has ever accused me of being a romantic," he said ruefully. "If you were, how would you propose?" He thought for a moment. "I would begin by teaching you a Welsh word. Hiraeth. There's no equivalent in English." "Hiraeth," she repeated, trying to pronounce it with a tapped R, as he had. "Aye. It's a longing for something that was lost, or never existed. You feel it for a person or a place, or a time in your life... it's a sadness of the soul. Hiraeth calls to a Welshman even when he's closest to happiness, reminding him that he's incomplete." Her brow knit with concern. "Do you feel that way?" "Since the day I was born." He looked down into her small, lovely face. "But not when I'm with you. That's why I want to marry you." Helen smiled. She reached up to curl her hand around the back of his neck, her caress as light as silk gauze being pulled across his skin. Standing on her toes, she drew his head down and kissed him. Her lips were smoother than petals, all clinging silk and tender dampness. He had the sensation of surrendering, some terrible soft sweetness evading him and rearranging his insides. Breaking the kiss, Helen lowered back to her heels. "Your proposals are improving," she told him, and extended her hand as he fumbled to slide the ring onto her finger.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Hunger became an ally. My metabolism changed and my understanding of this land changed with it. On the night the wind howled, our tents rattled like bones. We were camped by a string lake. Pans of ice made of bunched crystals floated by. Pale green on top, the clear sides looked like see-through rows of teeth. When the sun came, the bunched stalks disintegrated: deconstructed chandeliers. I heard music—not Dennis’s but candle-ice tinkling. The whole lake chimed. Lying on top of my sleeping bag by the water, I lost track of my body. I wasn’t floating—there was nothing mysterious going on—but something had let go inside me. The weight of my boots, my abraded heels, ankles, and toes ceased to hurt and no longer impeded my journey. I had entered a trance state. The equation was this: hunger + beauty = movement. I wanted only to keep going.
Gretel Ehrlich (Unsolaced: Along the Way to All That Is)
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
She nearly slipped on an icy rock, but he caught her, his shoepacks sure on the frozen ground. He led her up a shaded path to a limestone wall, where they squeezed through an opening like a loophole. On the other side, the earth fell away, and it seemed they stepped into open sky. She gave a little gasp, not of fear, but of awe. He turned to take her in, pressing his back against the cold cliff and drawing her in front of him. She looked down and found the toes of her boots in midair with only her heels on the ledge. But he had one hard arm around her, grounding her. His breath was warm against her cold cheek. “I wanted to show you Cherokee territory, not just tell you about it.” She followed the sweep of his arm south, his finger pointing to distant snow-dusted mountains and a wide opal river. Small puffs of smoke revealed few campfires or cabins. The land lay before them like a disheveled white coverlet, uninhabited and without end, broken by more mountains and wending waterways. The unspoiled beauty of it took her breath. For a moment he relaxed his hold on her. With a cry, she reached for him again, fearing she might fall into nothingness. “Careful,” he murmured, steadying her. “Trust me.” She shut her eyes tight as his arms settled around her, anchoring her to the side of the cliff. Frightened as she was, she felt a tingling from her bare head to her feet. ’Twas altogether bewildering and frightening . . . yet pleasing. Gingerly, as if doing a slow dance, he led her off the ledge onto safe ground, where he released her and turned toward the stallion grazing on a tuft of grass. His smile was tight. “We should return—soon, before your father thinks I took you captive.” Reluctantly she walked behind him, framing every part of him in her mind in those few, unguarded moments before he mounted.
Laura Frantz (Courting Morrow Little)
With Marlboro Man’s strong hands massaging my tired shoulders, I walked in front of him down the narrow porch toward the driveway, where my dusty car awaited me. But before I could take the step down he stopped me, grabbing a belt loop on the back of my Anne Kleins, and pulling me back toward him with rapid--almost shocking--force. “Woooo!” I exclaimed, startled at the jolt. My cry was so shrill, the coyotes answered back. I felt awkward. Marlboro Man moved in for the kill, pulling my back tightly against his chest and wrapping his arms slowly around my waist. As I rested my arms on top of his hands and leaned my head back toward his shoulder, he buried his face in my neck. Suddenly, September seemed entirely too far away. I had to have this man to myself 24/7, as soon as humanly possible. “I can’t wait to marry you,” he whispered, each word sending a thousand shivers to my toes. I knew exactly what he meant. He wasn’t talking about the wedding cake.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
With the nausea gone, evenings with Marlboro Man slowly began resembling the way they’d been before. We watched movies on the couch together--his head on one end, my head on the other, our legs in a tangled mess of coziness. He’d play with my toes. I’d rub his calves, which were rock hard and tough from day after day on horseback. After the purgatory of the previous weeks, things were officially delicious again. Marlboro Man was delicious again. After a love-drenched honeymoon in Australia, we’d returned home to a bitter reality that had put a screeching halt to what should have been the most romantic days of our lives together. Since my nausea had been so bad that the mere smell of skin made me sick, it had been difficult for me to lie in bed with him some nights--let alone entertain any other thoughts. It had been a cold, frigid autumn in more ways than one. If Marlboro Man hadn’t been so happy about his child developing in my body, I imagined he might have taken me back for a refund. I was so glad that this time had finally passed.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Mr. Grayson was just…explaining the workings of the ship.” She attempted to tug her hand from Gray’s grasp, shooting him a pained look when he refused to relinquish his prize. Gray said smoothly, “Actually, we were discussing debts. Miss Turner still owes me her fare, and I-“ “And I told you, you’ll have it today.” Beneath that abomination of a skirt wrapped about his leg, she planted her heel atop his booted toe and transferred all her weight onto it. Firmly. Once again, Gray regretted trading his old, sturdy boots for these foppish monstrosities. Her little pointed heel bit straight through the thin leather. With a tight grimace, Gray released her hand. He’d been about to say, and I have her handkerchief to return. But just for that, he wouldn’t. “Good afternoon, then.” A sweet smile graced her face as she stomped down on his foot again, harder. Then she turned and flounced away. He made an amused face at Jonas. “I think she likes me.” “In my cabin, Gray.” Gray gritted his teeth and followed Joss down the hatch. Whether he liked being Gray’s half brother or not, Joss was damn lucky right now that he was. Gray wouldn’t have suffered that supercilious command for any bond weaker than blood. “You gave me your word, Gray.” “Did I? And what word was that?” Joss tossed his hat on the wood-framed bed and stripped off his greatcoat with agitated movements. “You know damn well what I mean. You said you wouldn’t pursue Miss Turner. Now you’re kissing her hand and making a spectacle in front of the whole ship. Bailey’s already taking bets from the sailors as to how many days it’ll take you to bed her.” “Really?” Gray rubbed the back of his neck. “I hope he’s giving even odds on three. Two, if you’ll send young Davy up the mast again. That got her quite excited.” Joss glared at him. “Need I remind you that this was your idea? You wanted a respectable merchant vessel. I’m trying to command it as such, but that’ll be a bit difficult if you intend to stage a bawdy-house revue on deck every forenoon.” Gray smiled as Joss slung himself into the captain’s chair. “Be careful, Joss. I do believe you nearly made a joke. People might get the idea you have a sense of humor.” “I don’t see anything humorous about this. This isn’t a pleasure cruise around the Mediterranean.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
He was so tall that Lottie had to stand on her toes to reach his mouth, and even then she couldn’t quite manage it. Catching her waist in his hands, he compacted her gently against his body. Suddenly there was a strange, lost look in his eyes, as if he were drowning. Hesitantly Lottie slid her hand around the back of his neck, where the interlaced muscles had gone rigid. He let her tug his head lower, lower, until their breath mingled and their lips touched in a sweet, supple kiss. His mouth remained warm and still against hers, and then his lips began to move in soft brushes. Disoriented, Lottie swayed in his grasp, and his arm slid around her back to hold her securely. Instinctively she nudged upward, straining on her toes as she sought to deepen the tender pressure. But he was careful to keep his passion under tight rein, refusing to take any more. Gradually she eased away from him, sinking back to her heels. She dared to touch the side of his face, relishing the warmth of his skin against her palm. “I’ve paid the toll,” she whispered. “May I pass through the gate now?” He nodded gravely and moved away from the threshold. -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Wat er daarna gebeurde, doet misschien wat onwaarschijnlijk aan, maar de lezer moet maar van me aannemen, dat het werkelijk heeft plaatsgevonden. Ze bleef even staan, draaide zich weer om en keek me aan. Ik zette mijn voet op de onderste tree en greep haar ruw bij de arm. Toen trok ik haar omlaag naar me toe. Ze kwam struikelend naar beneden en een ogenblik stonden we samen onder aan het trapje; ik hijgde en hield haar arm in een knellende greep - zij was gespannen en keek me woedend aan. Toen ik me het hele geval later weer voor de geest haalde, had ik de zinsbegoocheling, dat haar gezicht toen en gedurende de volgende ogenblikken zwart was geworden. Plotseling maakte ze een heftig rukkende beweging en probeerde haar arm vrij te krijgen. Het was vreemd, dat ze er eigenlijk volstrekt niet verbaasd uitzag. Terwijl ze rukte, greep ik haar anders beet en draaide haar om, waarbij ik haar arm achter haar rug wrong. Daarop schopte ze me heel hard tegen mijn schenen. Ik duwde haar pols omhoog naar haar schouderblad en wist haar andere pols te grijpen. Ik hoorde, dat ze naar adem snakte van pijn. Ik stond nu achter haar en toen ik met meer kracht op haar arm drukte, kwam ze met haar volle gewicht achterover tegen me aan te hangen. Weer schopte ze me, wat bijzonder pijnlijk aankwam.
Iris Murdoch
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
She stared at him. Her head tipped to the side and she narrowed her eyes. “That’s the best you can come up with? What kind of platitude is that?” “Give me a second. I can do better.” He lifted her hand, then reached for her other one. He pulled her close so they stood toe to toe. She shivered a little. He didn’t think it had much to do with the cold. Her arms were bare, but the evening was warm. “Everything happens for a reason. God works in mysterious ways. There’s a light at the end of the tunnel.” “You suck at this.” But she was smiling. She was so achingly beautiful. He slid his hands up her arms to her elbows so they were closer still. And then she leaned against him, resting her head on his shoulder, and he forgot how to breathe. He stood in the shadows, holding her in his arms, wanting to do the right thing and afraid he’d screw it all up. Her hands nestled the small of his back, thumbs hooked through his belt. Her lips brushed against the sensitive base of his throat. Awareness burned through every single spot her body came in contact with his. This was Danni, all grown up. He wanted one little taste. Just a bit. So he kissed her. And, without a second’s hesitation, she kissed him back. The world around them rocked back on its heels. Then some small noise interrupted—the sound of footsteps, passing too close. He lifted his head, not wanting any intrusion, and the moment ended as fast as it had begun.
Paula Altenburg (I'll Love You Forever)
We did the dishes and talked--about the cattle business, about my job back in L.A., about his local small town, about family. Then we adjourned to the sofa to watch an action movie, pausing occasionally to remind each other once again of the reason God invented lips. Curiously, though, while sexy and smoldering, Marlboro Man kept his heavy breathing to a minimum. This surprised me. He was not only masculine and manly, he lived in the middle of nowhere--one might expect that because of the dearth of women within a twenty-mile range, he’d be more susceptible than most to getting lost in a heated moment. But he wasn’t. He was a gentleman through and through--a sizzling specimen of a gentleman who was singlehandedly introducing me to a whole new universe of animal attraction, but a gentleman, nonetheless. And though my mercury was rising rapidly, his didn’t seem to be in any hurry. He walked me to my car as the final credits rolled, offering to follow me all the way home if I wanted. “Oh, no,” I said. “I can get home, no problem.” I’d lived in L.A. for years; it’s not like driving alone at night bothered me. I started my car and watched him walk back toward his front door, admiring every last thing about him. He turned around and waved, and as he walked inside I felt, more than ever, that I was in big trouble. What was I doing? Why was I here? I was getting ready to move to Chicago--home of the Cubs and Michigan Avenue and the Elevated Train. Why had I allowed myself to stick my toe in this water? And why did the water have to feel so, so good?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
This has been a wonderful day!' said he, as the Rat shoved off and took to the sculls again. 'Do you know, I've never been in a boat before in all my life.' 'What?' cried the Rat, open-mouthed: 'Never been in a—you never—well I—what have you been doing, then?' 'Is it so nice as all that?' asked the Mole shyly, though he was quite prepared to believe it as he leant back in his seat and surveyed the cushions, the oars, the rowlocks, and all the fascinating fittings, and felt the boat sway lightly under him. 'Nice? It's the ONLY thing,' said the Water Rat solemnly, as he leant forward for his stroke. 'Believe me, my young friend, there is NOTHING—absolute nothing—half so much worth doing as simply messing about in boats. Simply messing,' he went on dreamily: 'messing—about—in—boats; messing——' 'Look ahead, Rat!' cried the Mole suddenly. It was too late. The boat struck the bank full tilt. The dreamer, the joyous oarsman, lay on his back at the bottom of the boat, his heels in the air. '—about in boats—or WITH boats,' the Rat went on composedly, picking himself up with a pleasant laugh. 'In or out of 'em, it doesn't matter. Nothing seems really to matter, that's the charm of it. Whether you get away, or whether you don't; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you're always busy, and you never do anything in particular; and when you've done it there's always something else to do, and you can do it if you like, but you'd much better not. Look here! If you've really nothing else on hand this morning, supposing we drop down the river together, and have a long day of it?' The Mole waggled his toes from sheer happiness, spread his chest with a sigh of full contentment, and leaned back blissfully into the soft cushions. 'WHAT a day I'm having!' he said. 'Let us start at once!
Kenneth Grahame (The Wind in the Willows)
Hey…you okay?” Marlboro Man repeated. My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined. I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way. “You need anything?” Marlboro Man continued. A drop of sweat trickled down my upper lip. “Oh, no…I’m fine!” I answered. “I’ll be right out! You go on back to the party!” Go on, now. Run along. Please. I beg you. “I’ll be out here,” he replied. Dammit. I heard his boots travel a few steps down the hall and stop. I had to get dressed; this was getting ridiculous. Then, as I stuck my big toe into the drenched leg of my panty hose, I heard what I recognized as Marlboro Man’s brother Tim’s voice. “What’s she doing in there?” Tim whispered loudly, placing particularly uncomfortable emphasis on “doing.” I closed my eyes and prayed fervently. Lord, please take me now. I no longer want to be here. I want to be in Heaven with you, where there’s zero humidity and people aren’t punished for their poor fabric choices. “I’m not sure,” Marlboro Man answered. The geyser began spraying again. I had no choice but to surge on, to get dressed, to face the music in all my drippy, salty glory. It was better than staying in the upstairs bathroom of his grandmother’s house all night. God forbid Marlboro Man or Tim start to think I had some kind of feminine problem, or even worse, constipation or diarrhea! I’d sooner move to another country and never return than to have them think such thoughts about me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
With Marlboro Man’s strong hands massaging my tired shoulders, I walked in front of him down the narrow porch toward the driveway, where my dusty car awaited me. But before I could take the step down he stopped me, grabbing a belt loop on the back of my Anne Kleins, and pulling me back toward him with rapid--almost shocking--force. “Woooo!” I exclaimed, startled at the jolt. My cry was so shrill, the coyotes answered back. I felt awkward. Marlboro Man moved in for the kill, pulling my back tightly against his chest and wrapping his arms slowly around my waist. As I rested my arms on top of his hands and leaned my head back toward his shoulder, he buried his face in my neck. Suddenly, September seemed entirely too far away. I had to have this man to myself 24/7, as soon as humanly possible. “I can’t wait to marry you,” he whispered, each word sending a thousand shivers to my toes. I knew exactly what he meant. He wasn’t talking about the wedding cake. I was speechless, as usual. He had that effect on me. Because whatever he said, when it came to his feelings about me or his reflections on our relationship, made whatever I’d respond with sound ridiculously…lame…bumbling…awkward. If ever I said anything to him in return, it was something along the lines of “Yeah…me, too” or “I feel the same way” or the equally dumb “Aww, that’s nice.” So I’d learned to just soak up the moment and not try to match him…but to show him I felt the same way. This time was no different; I reached my arm backward, caressing the nape of his neck as he nuzzled his face into mine, then turned around suddenly and threw my arms around him with every ounce of passion in my body. Minutes later, we were back at the sliding glass door that led inside the house--me, leaning against the glass, Marlboro Man anchoring me there with his strong, convincing lips. I was a goner. My right leg hooked slowly around his calf. And then, the sound--the loud ringing of the rotary phone inside. Marlboro Man ignored it through three rings, but it was late, and curiosity took over. “I’d better get that,” he said, each word dripping with heat. He ran inside to answer the phone, leaving me alone in a sultry, smoky cloud. Saved by the bell, I thought. Damn. I was dizzy, unable to steady myself. Was it the wine? Wait…I hadn’t had any wine that night. I was drunk on his muscles. Wasted on his masculinity.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Carolina walked over to the private deck and turned on the Jacuzzi, the bubbles starting to bounce in the water. Enrique followed her and brushed his hand through the water. "That looks nice, but I don't have a swimsuit." "Neither do I," she said with a smile. She held his gaze as her sundress fell to her toes. She was standing there in nothing but the new bra and panties and heels he'd purchased at the store. The yellow lace barely covered her nipples, and the thong accentuated her perfect ass. Enrique wanted to fuck her against the hot tub until she screamed his name. But again, he reminded himself that he needed to go slow. "You sure? I can run down to the gift shop and buy us swimsuits." She shook her head. "No, Enrique. I just don't want to hold back anymore, I want you." She unhooked her bra and took off her panties, revealing dark curls between her legs. The sight of this beautiful naked woman caused his cock to spring to attention. She carefully slipped out of her shoes, stepped into the tub, and sat down. He'd assumed she would be shy, but apparently that girl was gone. Well then! Enrique stripped down, his cock at full attention. Her mouth opened at the sight of his naked body. He grinned and then slipped into the bubbles and sat next to her. Enrique was about to kiss her when she straddled his thighs. "Are you sure you want to do this?" he asked. She kissed him. "I'm sure." "Carolina... you're so beautiful." He kissed her neck, and she tossed back her hair. His cock was pressed up against her soft belly. He so desperately wanted to be inside of her. Her hands rubbed all over his body, and she hesitantly touched his throbbing cock underwater. Her delicate fingers felt incredible with the current from the jets. Her nipples were glistening from the water, and he sucked on one. She moaned as he touched her pussy, sliding a finger inside of her while thumbing her clit. God, she was tight. "Enrique. That feels so good." He smirked. "You haven't seen anything yet." He lifted her to sit on the edge of the tub, spreading her legs as he knelt on the seat inside. She shook her head and closed her legs. "Oh, I don't know if I'll like that." He laughed. "Yeah, you will." She bit her lower lip. "Do you like doing it?" "Babe, I've been dying to eat your pussy since I met you." Her jaw dropped and her cheeks seemed redder, but maybe that was from the heat of the spa. "Enrique! That mouth!" He grinned. "My dirty mouth speaks the truth. Now spread your legs and relax." She cautiously opened her legs.
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
Their eyes met. For a split second she caught a glimpse of heat in his eyes. Then Jake banked the flame and broke out of her embrace. Marnie felt a hot blush rise from her toes to her nose. It took a moment for her eyes to focus and her brain to function. Bewildered, she looked up to find him watching her. His heavy-lidded eyes held a strange desperation as he reached back and unhooked the vice of her ankles from around his wiast. Her legs dropped. Her heels thumped against the cabinet. Beneath his hawklike gaze she felt stripped bare and vulnerable. He studied her face, seeming to see more than her features. He seemed to delve into her mind, to touch things deep and frightening—parts of herself Marnie was still exploring. The muscles in his jaw knotted and unknotted. After a moment he stepped back and casually, but with difficulty, adjusted his jeans Heat flooded her cheeks. Legs splayed, nipples peaked to his clinical gaze, she’d never experienced such acute embarrassment in her life. Her breath hitched as she jumped off the counter, tugging her top down and her pants up. At a loss for hers, she half laughed. “I have absolutely no idea what to say.” Which was a reasonable start, she guessed. It was rare for her to be speechless. But then, this was a day of firsts. “I told you you weren’t my type.” The brass button on his jeans closed like the clasp of a miser’s purse. Other than a faint flush on the ridge of his cheekbones and what looked like a painful erection, he seemed totally unaffected by what had just happened. She stared at him. “Not your t—What do you call what just happened?” Marnie was confused. It was out of character for her to be sexually aggressive. But now that she’d done it, she wasn’t sorry. “What part of ‘I don’t want you’ didn’t you understand?” He’d wanted her. He might lie about it, but his body had been honest. He was as hard as petrified wood. “Then what”—she pointed—“is that?” He ignored the bulge in his jeans. “Just because I have it doesn’t mean I intend to use it.” Marnie stepped forward and touched his arm. He jerked away from her as if she’d used a cattle prod. “Was it something I said?” she asked quietly, dropping her hand to her side. “Look, I have a tendency to sort of speak without running the words through my brain first. But I know I didn’t give out mixed signals just now. I wanted to make love with you. It was very good. No, darn it, it was excellent. So if you have some sort of medical condition, let’s talk about i—” He moved backward, almost tripping over Duchess sprawled on the floor. The dog rose to hover anxiously between them. Jake’s eyes turned as he said, “I do not have a medical condition.” Marnie backed up—mentally as well as physically. Her hip bumped the counter. “Good.” He scowled and swore under his breath. “That is good, isn’t it?” she asked tentatively.
Cherry Adair (Kiss and Tell (T-FLAC, #2; Wright Family, #1))
You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
„Zie zoo, nu zie ik ze niet meer. Jij weet niet wat handel is, Koekebakker, anders zou je der niet om lachen. Om te beginnen ga je tot je achtiende jaar op school. Heb jij ooit geweten hoeveel schapen er in Australië zijn en hoe diep ’t Suezkanaal is? Nou juist, daar heb je het. Ik heb dat geweten. Weet jij wat polarisatie is? Ik ook niet, maar ik heb ’t geweten. De raarste dingen heb ik moeten leeren. Vertaal in ’t Fransch: [80]„onder benefice van inventaris.” Ga der maar tegen aan staan. Je hebt er geen begrip van, Koekebakker. Dat duurt zoo jaren. Dan doet je ouwe heer je op een kantoor. Dan merk je, dat je al die dingen geleerd hebt om met een kwast papier nat te maken. Overigens is ’t ’t ouwe gedonderjaag, ’s morgens om negen uur present en urenlang stil zitten. Ik vond dat ik op die manier niet opschoot. Ik kwam altijd te laat, ik probeerde wel op tijd te komen, maar ’t wou niet meer, ik had ’t zooveel jaren gedaan. En taai. Ze zeiden dat ik alles verkeerd deed, daar zullen ze wel gelijk aan gehad hebben. Ik wilde wel, maar ik kon niet, ik ben geen kerel om te werken. Ze zeiden, dat ik de anderen van hun werk hield. Ook daarin zullen ze wel gelijk gehad hebben. Als ik klaagde, dat ik ’t niks lollig vond en vroeg of ik daarvoor nu op school al die wonderlijke dingen had geleerd, dan zei de oue boekhouder: „Ja jongetje, het leven is geen roman.” Bakken vertellen, dat kon ik en dat vonden ze leuk ook, maar ze waren er niet tevreden mee. De ouwe boekhouder wist al heel gauw niet wat hij met me doen moest. Als de baas er niet was maakte ik dierengeluiden, zong komieke liedjes, die ze nog nooit hadden gehoord. De zoon van den baas was een ingebeelde kwajongen; af en toe kwam i op kantoor om centen te halen. Hij sprak vreeselijk gemaakt en keek met een allerellendigst, door niets gemotiveerd vertoon van superioriteit naar de bedienden van zijn pa. De lui lachten zich een beroerte als ik dien jongeheer nadeed. Ik heb daar ook nog een schrijfmachine bedorven en een boek weggemaakt. Toen hebben ze me aan een toestel gezet, dat ze de „guillotine” noemden. Daar moest ik monsters mee knippen. Dagen lang heb ik daaraan gestaan: alle monsters werden scheef. De lui hadden ’t wel in de gaten, ze hadden niets [81]anders verwacht. Ze hadden me daar alleen maar aan gezet om erger te voorkomen. Die monsters werden weggegooid; die gingen nooit naar de klanten. Toch had ik in die dagen nog gelegenheid om een brief verkeerd in te sluiten. Natuurlijk was ’t erg; de man die den brief kreeg mocht niet weten, dat de baas zaken deed met den man waaraan i geschreven was. De boekhouder was totaal van streek. Toen begreep ik, dat ik maar liever heen moest gaan. Ik kreeg een poot van den baas. Ik was zelf ook blij dat ik wegging en heb hem hartelijk de hand geschud. Ik heb gezegd, dat ’t me speet, maar dat ik er niets aan doen kon en ik geloof, dat ’k ’t meende. Zie je, Koekebakker, dat is handel. Ik ben daarna nog drie weken volontair geweest op een effectenkantoortje, krantjes nakijken met een boek om te zien of de stukken van de klanten waren uitgeloot. Je ergste vijand zal er voor bewaard blijven. Ze moesten me wegdoen. Ik moest daar ook copieeren. Er was geen denken aan, dat ze uit ’t copieboek konden wijs worden. Ik zag wel in dat ’t zoo niet ging, ik kon er mijn hoofd niet bij houden.
Nescio (De Uitvreter, Titaantjes, Dichtertje, Mene Tekel)
I slipped my arm beneath Betsie’s shoulders and half-carried her the final quarter-mile. At last the path ended and we lined up facing the single track, over a thousand women standing toe to heel.
Corrie ten Boom (The Hiding Place)
Mensen die graag naar uitdragerijen gingen, die graag gedichten lazen, baatzuchtigheid verachtelijk vonden, van eer en liefde droomden, zag ze als een elite die boven de rest van het mensdom uitstak. Je hoefde zulke neigingen niet werkelijk te hebben, als ze maar werden verkondigd; van een man die haar bij een diner had toevertrouwd dat hij hield van rondslenteren in de stad, van vuile handen krijgen in oude winkeltjes, dat hij nooit goed bevonden zou worden in deze zakelijke eeuw want zijn eigen belangen konden hem niet schelen en dat hij daarom in een andere tijd thuishoorde, zei ze toen ze er vandaan kwam: 'Het is echt een aanbiddelijke man, een gevoelig wezen, ik had het nooit gedacht!' en vatte een acuut en overweldigend gevoel van vriendschap voor hem op. Mensen daarentegen die, zoals Swann, zulke neigingen hadden maar er niet over spraken, raakten haar niet. Zij moest weliswaar erkennen dat Swann niet om geld gaf, maar voegde er met een stuurs gezicht aan toe: 'Maar bij hem is het iets heel anders', en wat tot haar verbeelding sprak was dan ook niet de praktijk van belangeloosheid, maar de verwoording ervan.
Marcel Proust
A pair of worn shoes is a portrait of its wearer. Not just the scuffed toes and heels ground down by months or years of pavement, or the narratives told by damage and repair, but the form and function of them, their type. They are a part of our costume in both the quotidian and theatrical sense. And because the stories that shoes tell are invariably about public life, they must also be about status, and power, or the lack of it.
Summer Brennan (High Heel (Object Lessons))
She could hardly believe these were her shoes; she had to double-check the manufacturer label to see that they were. Where once the leather had been sagging and scuffed, it was now supple and flawless. Justy had cut the front down so that the cleavage of the toes could be seen. He had taken that sturdy but but rather chunky heel off completely and replaced it with a thin stiletto. Justy seemed to know the exact height to make the heel sexy, but not so terrifyingly high that Ellie would have to worry about tripping and breaking her neck. Along the front, just above the toe, was a black suede flower and a metal bud, making it look both modern and feminine. The shoes were gorgeous. They looked haute couture, although Ellie knew they had come from the village shoe shop.
Amy S. Foster (When Autumn Leaves)
She was also wearing brown high-heeled boots, the kind that don’t make sense. Boots are for working, for walking through wet mud, for keeping feet from getting shredded by brokenglass and falling machine parts.Boots with spiked heels were just as practical as sandals with steel toes
Penny Reid (Truth or Beard (Winston Brothers, #1))
The curtain billows gently in the breeze behind him as he steps out to meet me, his hair jet-black by contrast with the translucent white fabric. I jump, gasp, and nearly swallow the grip that I’m still holding between my lips; quickly, I pull it out before it goes down my throat and chokes me. It’s wet with drool. Lovely, Violet. Really attractive. I shove it into my hair, anywhere, praying it will stay and not fall on the floor, still dripping with spit. Luca’s smiling down at me. His face is half in light, half in shade, from the spots playing across the dance floor, his blue eyes gleaming. “You like to dance,” he observes conversationally. “Yes…” Safe question, safe answer. Well, at least I didn’t babble. But he doesn’t say anything else; he’s just looking me up and down, and I feel incredibly awkward under his scrutiny. I’m sweaty, catching my breath; my eyeliner’s probably running. I desperately need to escape into the dark night beyond the dance floor, where the breeze will cool me down and the shadows will hide my shiny face. “I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
The world is captivated by Hollywood superstars, music artists, and sports personalities. Hollywood is portrayed as the epitome of beauty and fashion capital of the world. Whatever the actors and actresses are wearing dictate the fashion trends and lifestyle being followed by fans in a global scale. The said movie and music characters never fail to amuse and amaze us with their clothes, shoes, bags, and hairstyles. The most popular shoes are the high heel booties studded with gems, gold, and anything sparkling in-between. You certainly wonder how they can perform dance and stage stunts with these booties heels. Women look so attractive donning high heel booties. They get few extra inches in height and look stunning from head to toe. If you are going for mall shopping or walking long distances, stay away from heeled bootiesas your feet will surely get hurt. However, if you are attending special occasions and corporate functions, heel bootiesis the perfect footwear.
John Rudy (The Great Chocolate Pyramid)
I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face. He’s following me. I can hear his leather-soled shoes on the stone. And I have no idea where I’m going. I feel ridiculous. Luckily, ahead of me I see a terrace with tables, and I walk toward it as if I’d planned to head there all along. “You want a drink?” he asks. He gestures over to the right, and I see the white gleam of the long bar, the translucent milky-white pillars shining as if we’re underwater. I don’t need to drink any more alcohol tonight. Especially in the company of Luca. “Maybe some water. I’m really thirsty.” He nods, turns, and walks toward the bar. I watch him go. Tall, lean, with a nice firm bum in his black jeans. Exactly what I like in a boy. And then I feel my face flaming, because this isn’t just some boy at an airport, or viewed from a car. This is real. He’s real. He’ll be back in just a few minutes, and I won’t have the faintest idea what to say to him…
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.” Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.” In that moment, what she felt for him went beyond hate, a black, churning ugliness that made her want to seize the lance he brandished and skewer him with it. I claim her. He planned to take her, then? Her gaze traveled from his woven wool belt of army blue to the muscular tracks that rippled in his belly. The hilt of his knife protruded from a leather scabbard on his hip. How many soldiers had he killed? One, a hundred, perhaps a thousand? Her hair hung from his belt, trailing in a spray of gold down the dark leather on his pants. She felt certain she had never seen him before. Yet he had her hair. The Indian down by the river must have given it to him, and he had come from God only knew where to get her. With a start, she noticed the warrior had stretched out a hand to her. A wide leather band encircled his wrist to protect him from his bowstring. Staring at his dark palm and strong fingers, she shook her head in denial. “Hi, tai,” he said in a low voice. Guiding his stallion closer, he bent to touch her chin. Her eyelid quivered when he brushed at a tear on her cheek. “Ka taikay, ka taikay, Tohobt Nabituh,” he whispered. The words made no sense. Puzzled, she met his gaze. “Tosa ehr-mahr.” Raising his hand, he showed her the glistening wetness on his fingertips. “Silver rain, tosa ehr-mahr.” He compared her tears to silver rain? She searched his eyes for some trace of humanity and found none. After a moment he straightened, raising his lance in what looked like a salute. “Suvate!” he yelled, his glittering eyes sweeping the line of encircling riders. A low rumble of answering voices replied, “Suvate!
Catherine Anderson (Comanche Moon (Comanche, #1))
The child bounded onto the bed, landing on all fours, her round face wreathed in a smile. “Hein nei nan-ne-i-cut?” “What is your name?” Hunter translated, tousling the imp’s hair as he hunkered beside the bed. “Loh-rhett-ah, eh? Tohobt Nabituh, Blue Eyes.” To Loretta, he said, “Warrior’s daughter, To-oh Hoos-cho, Blackbird.” Blackbird giggled and glanced at her grandmother, who stood watching from across the room. “Loh-rhett-ah!” Loretta scooted toward the head of the bed to press her back against the taut leather wall. The little girl followed, reaching out with a small brown hand to lightly touch the flounces on Loretta’s bloomers. Loretta stared at her. At last, a Comanche she didn’t detest on sight. She was tempted to grab hold of her and never let go. Loretta guessed her to be about three years old, possibly four. While Blackbird satisfied her curiosity about Loretta and examined her form head to toe, Hunter carried on an unintelligible conversation with his mother. From the gestures he made, Loretta guessed he was relating that his captive refused to eat or drink and that her voice had returned. A look of concern flashed across the older woman’s dark face. Hunter rose and thumped the heel of his hand against his forehead, rolling his eyes toward the smoke hole above the firepit. “Ai-ee!” Woman with Many Robes crossed the packed grass-and-dirt floor and leaned forward to peer at Loretta. After babbling shrilly for several seconds, all the while waving her spoon, she crooned, “Nei mi-pe mah-tao-yo,” and placed a gentle hand on Loretta’s hair. “My mother says the poor little one must have no fear.” Woman with Many Robes cast her son a suspicious glance. When it became apparent that he planned to say no more, she brandished her spoon at him. With great reluctance he cleared his throat, eyed the people crowding the doorway, and said, in a very low voice, “You will have no fear of me, eh? If I lift my hand against you, I will be a caum-mom-se, a bald head, and she will thump me with her spoon.” He hesitated and looked as if he found it difficult not to smile. “She will make the great na-ba-dah-kah, battle, with me. And in the end, she will win. She is one mean woman.
Catherine Anderson (Comanche Moon (Comanche, #1))
Can I have just a moment with the priest?” “For why?” “Just to ask him something.” Hunter’s grip on her arm relaxed. “Namiso, hurry.” Loretta cupped a hand over the priest’s ear and quickly whispered her request, then stepped back to Hunter’s side. The priest considered what she had said, then nodded. A moment later he blessed the young couple before him, and the ceremony began. The words bounced off the walls of Loretta’s mind, making no sense. Numbly she made her responses when she was instructed to. Then it came Hunter’s turn. The priest asked the usual question, adding at the end, “Forsaking all others, taking one wife and only one wife, forever with no horizon?” Hunter, eyes narrowed suspiciously, shot Loretta a knowing look. For several long seconds he made no response, and she held her breath, her gaze locked with his. Then, with solemn sincerity, he inclined his head and replied, “I have spoken it.” The priest, momentarily confused by the unusual response when he had expected an “I do,” sputtered a moment, seemed to consider, then nodded his assent and finished the ceremony. Loretta and Hunter were married, according to his beliefs and hers. Hunter instructed his friends to return the priest to his mission, stressing that he would have their heads if the man didn’t arrive there unharmed. Then he sent Amy to his mother’s lodge. When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter. “One wife and only one wife, forever with no horizon?” Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.” He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?
Catherine Anderson (Comanche Moon (Comanche, #1))
As he turned her face to study her, he said, “You have more courage than you have strength, Yellow Hair. It is not wise to fight when you cannot win.” Looking up at his carved features and the arrogant set of his mouth, she longed for the strength to jerk him off his horse. He wasn’t just taunting her, he was challenging her, mocking her. “You will yield. Look at me and know the face of your master. Remember it well.” Riding high on humiliation, Loretta forgot Amy, Aunt Rachel, everything. An image of her mother’s face flashed before her. Never, as long as she had life in her body, would she yield to him. She worked her parched mouth and spat. Nothing came out, but the message rang clear. “Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!” Loretta staggered, watching in numb disbelief as Hunter pranced his stallion in a circle around her. I claim her? Warily she turned, keeping him in sight, unsure of what he might do. He rode erect, his eyes touching on her dress, her face, her hair, as if everything about her were a curiosity. A taunting smile curved his mouth. His attention centered on her full skirt, and she could almost see the questions churning in his head. He repositioned his hand on the lance. The determination in his expression filled her with foreboding. He rode directly toward her, and she sidestepped. He turned his mount to come at her again. As he swept by he leaned forward, catching the hem of her skirt with his lance. Loretta whirled, striking out with her forearms, but the Indian moved expertly, his aim swift and sure, his horse precision-trained to the pressure of his legs. He was as bent on seeing her undergarments as she was on keeping them hidden. The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.” Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.
Catherine Anderson (Comanche Moon (Comanche, #1))
Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!” Loretta staggered, watching in numb disbelief as Hunter pranced his stallion in a circle around her. I claim her? Warily she turned, keeping him in sight, unsure of what he might do. He rode erect, his eyes touching on her dress, her face, her hair, as if everything about her were a curiosity. A taunting smile curved his mouth. His attention centered on her full skirt, and she could almost see the questions churning in his head. He repositioned his hand on the lance. The determination in his expression filled her with foreboding. He rode directly toward her, and she sidestepped. He turned his mount to come at her again. As he swept by he leaned forward, catching the hem of her skirt with his lance. Loretta whirled, striking out with her forearms, but the Indian moved expertly, his aim swift and sure, his horse precision-trained to the pressure of his legs. He was as bent on seeing her undergarments as she was on keeping them hidden. The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.
Catherine Anderson (Comanche Moon (Comanche, #1))
When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter. “One wife and only one wife, forever with no horizon?” Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.” He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?” “I--” Loretta’s mouth went as dry as dust as she tripped along beside him, her arm vised in his grip. “Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--” He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.” Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.” He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question. “Do you hunger for food?” he asked her softly.
Catherine Anderson (Comanche Moon (Comanche, #1))
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.” Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.” In that moment, what she felt for him went beyond hate, a black, churning ugliness that made her want to seize the lance he brandished and skewer him with it. I claim her. He planned to take her, then? Her gaze traveled from his woven wool belt of army blue to the muscular tracks that rippled in his belly. The hilt of his knife protruded from a leather scabbard on his hip. How many soldiers had he killed? One, a hundred, perhaps a thousand? Her hair hung from his belt, trailing in a spray of gold down the dark leather on his pants. She felt certain she had never seen him before. Yet he had her hair. The Indian down by the river must have given it to him, and he had come from God only knew where to get her.
Catherine Anderson (Comanche Moon (Comanche, #1))
Part 1: Readiness and Reminders Choose a place where you’ll feel comfortable and are unlikely to be disturbed. Get your props ready, shut the door, dim the lights, and turn off the phone or whatever else might be distracting. Relaxation Pose (Shavasana) Stretch yourself out on a thick blanket or mat on the floor. Either close your eyes or keep them slightly open… To help you relax your hips and legs, try letting your heels be about two feet apart. It’s fine to make your own adjustments so that your legs and hips feel comfortable and at ease… Allow your feet and toes to rest out to the sides, and let go… Now, bring your attention to your hips… Notice how the weight of your hips is resting on the ground… If it feels uneven, lift them up slightly, then settle back down until it feels even and balanced on both sides. Shift your attention to your shoulders. Feel the placement of your shoulders, exactly where they are… You’re invited to move your shoulders down from your ears and tuck your shoulder blades under for more support. Have your arms out to each side with your palms up. Settle the very back of your head on the floor or thin cushion and tuck your chin so that it’s slightly lower than your forehead. Adjust your hair if it’s in the way. Make sure that your head and neck are nicely aligned with your spine. Feel free to adjust your clothing and props, making sure that every part of your body feels as steady and comfortable as possible. Remind yourself to let the yoga nidra process happen naturally by being openly aware. It’s common to tune out while feeling deeply quiet and at ease while vaguely aware of what’s happening outside. Return your attention to the guiding instructions if you get distracted unnecessarily. Go ahead and add your own personal reminders for keeping on track and having a more meaningful time. Say it positively and in the present tense. Please take a big breath in through your nose and sigh it out through your mouth… Feel free to breathe in and sigh out a few more times.
Julie T. Lusk (Yoga Nidra for Complete Relaxation and Stress Relief)
When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter. “One wife and only one wife, forever with no horizon?” Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.
Catherine Anderson (Comanche Moon (Comanche, #1))
When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter. “One wife and only one wife, forever with no horizon?” Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.” He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?
Catherine Anderson (Comanche Moon (Comanche, #1))
Akos found the edge of the wall panel that would let him into the manor’s hidden passageways, and pulled it back. The familiar musty smell washed over him, sending him into memory. Terrified and desperately hopeful, with the toe of Eijeh’s shoe catching on his heel. And then, that little pool of heat in his gut as he followed a painted Cyra to the Sojourn Festival, the one that told him he liked her, no matter how hard he pretended otherwise. Liked her, then loved her. Then left her.
Veronica Roth (The Fates Divide (Carve the Mark, #2))