Finished Project Quotes

As long as we feel safely held in the hearts and minds of the people who love us, we will climb mountains and cross deserts and stay up all night to finish projects.

The sad truth is, if you push hard enough, and if you’re so stubborn that you must have things your way, God will sometimes allow you to undertake a project without His blessing or at the wrong time. The problem with that, of course, is when you start something in your own strength and in your own timing, you’re going to have to finish it and maintain it in your own strength.

There is a specific feeling that comes about during the dying embers of a relationship. Different from the Monday morning quarrels before work because you two are tired, different from the “I’m not going to talk to you for a while because I am mad at you” silences. Breaks ups happen instantly, yet the process occurs over a gradual period of time, with tear by tear until what was once whole, rips into two. Breakups are the disappointment we feel when we wanted our lover to finish the story with an exclamation mark, but instead are left with a question mark.

What initially began as a couple of pieces that fitted together from first dates, slowly expands with time and for a moment the puzzle actually looks like it will be realized. Heartbreak is when the puzzle is nearly finished and you suddenly realize that pieces are missing. Perhaps they were never in the box in the first place or perhaps they went missing along the way; regardless, the puzzle remains undone. You frantically search the box and your surroundings, desperately trying to find the missing pieces, anxiously looking to fill the void, but you search for what cannot be found.

Lots of my dying patients say they grow in bounds and leaps, and finish all the unfinished business. But assisting a suicide is cheating them of these lessons, like taking a student out of school before final exams. That's not love, it's projecting your own unfinished business

Perfectionism makes essential projects hard to start, self-doubt makes them hard to finish, and trying to do too much, too fast, makes it hard to sustain momentum.

I recognized him then; that is, I finally comprehended what I had known but had never been able to formulate: he had always been complete. He had finished the work of becoming himself, long before any of us could even imagine such a feat was possible.

Start small. Start now. Start everything. And don’t bother to finish any of it.

Remember, the things with which we choose to surround ourselves tell our story. Let’s hope it’s not “I choose to live in the past,” or “I can’t finish the projects I start.” Instead, let’s aim for something like, “I live lightly and gracefully, with only the objects I find functional or beautiful.

The computer finishes its boot process and brings up a screen I’ve never seen before. I can tell it means trouble, because the word “TROUBLE” is in large type across the top.

Reading is the way mankind delays the inevitable. Reading is the way we shake our fist at the sky. As long as we have these epic, improbable reading projects arrayed before us, we cannot breathe our last: Tell the Angel of Death to come back later; I haven't quite finished Villette.

There are a few people who are able to know of their death and use the time wisely. But when you start planning for the end, most people instinctually stop living for tomorrow. Living for the day is beautiful-too many of us don't do it enough-but to live fully, we must live for today and tomorrow. Think about it, if you knew you were going to die in six months, would you start a project you knew that you couldn't finish? Would you go to school to learn to be a doctor? Would you have a child, knowing you would leave it alone too soon? People miss out on so muchif they stop living for tomorrow." - Holiday Brandon

The indolence I love is not that of a lazy fellow who sits with his arms across in total inaction, and thinks no more than he acts, but that of a child which is incessantly in motion doing nothing, and that of a dotard who wanders from his subject. I love to amuse myself with trifles, by beginning a hundred things and never finishing one of them, by going or coming as I take either into my head, by changing my project at every instant, by following a fly through all its windings, in wishing to overturn a rock to see what is under it, by undertaking with ardor the work of ten years, and abandoning it without regret at the end of ten minutes; finally, in musing from morning until night without order or coherence, and in following in everything the caprice of a moment.

When they say Don't I know you? say no. When they invite you to the party remember what parties are like before answering. Someone telling you in a loud voice they once wrote a poem. Greasy sausage balls on a paper plate. Then reply. If they say we should get together. say why? It's not that you don't love them any more. You're trying to remember something too important to forget. Trees. The monastery bell at twilight. Tell them you have a new project. It will never be finished. When someone recognizes you in a grocery store nod briefly and become a cabbage. When someone you haven't seen in ten years appears at the door, don't start singing him all your new songs. You will never catch up. Walk around feeling like a leaf. Know you could tumble any second. Then decide what to do with your time.

The best thing about knitting is its slowness," says Murphy. "It is so slow that we see the beauty inherent in every tiny act that makes up a sweater. So slow that we know the project is not going to get finished today--it may not get finished for many months or longer--and that allows us to make our peace with the unresolved nature of life. We slow down as we knit.

Every project you finish has value.

There are two fatal errors that keep great projects from coming to life: 1) Not finishing 2) Not starting

Love is a lifelong project, a story that we can’t skip to the end of. How lucky are we, to know we will never finish it? Because there is never a final page, only a series of beginnings.

Time passes and I am still not through it. Grief isn't something you get over. You live with it. You go on on with it lodged in you. Sometimes I feel like I have swallowed a pile of stones. Grief makes me heavy. It makes me slow. Even on days when I laugh a lot, or dance, or finish a project, or meet a deadline, or celebrate, or make love, it is there. Lodged deep inside of me.

Defining the time frame helps in finishing the project on time.

I think there’s a special saint who protects unfinished projects. Unfinished projects are just as valuable to us as the projects we finish.

One of the vital things for a writer who’s writing a book, which is a lengthy project and is going to take about a year, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you are writing it for a year, you go away and you have to come back. I never come back to a blank page; I always finish about halfway through. To be confronted with a blank page is not very nice. But Hemingway, a great American writer, taught me the finest trick when you are doing a long book, which is, he simply said in his own words, “When you are going good, stop writing.” And that means that if everything’s going well and you know exactly where the end of the chapter’s going to go and you know just what the people are going to do, you don’t go on writing and writing until you come to the end of it, because when you do, then you say, well, where am I going to go next? And you get up and you walk away and you don’t want to come back because you don’t know where you want to go. But if you stop when you are going good, as Hemingway said…then you know what you are going to say next. You make yourself stop, put your pencil down and everything, and you walk away. And you can’t wait to get back because you know what you want to say next and that’s lovely and you have to try and do that. Every time, every day all the way through the year. If you stop when you are stuck, then you are in trouble!

...nature starts many more projects than she can ever finish.

I heard other people speaking in the name of freedom, and the more they defended this unique right, the more enslaved they seemed to be to their parents' wishes, to a marriage in which they had promised to stay with the other person "for the rest of their lives", to the bathroom scales, to their diet, to half-finished projects, to lovers to whom they were incapable of saying "no" or "it's over", to weekends when they were obliged to have lunch with people they didn't even like. Slaves to luxury, to the appearance of luxury, to the appearance of the appearance of luxury. Slaves to a life they had not chosen, but which they had decided to live because someone had managed to convince them that it was all for the best. And so their identical days and nights passed, days and nights in which adventure was just a word in a book or an image o the television that was always on, and whenever a door opened, they would say “I’m not interested. I’m not in the mood.” How could they possibly know if they were in the mood or not if they had never tried? But there was no point in asking; the truth was they were afraid of any change that would upset the world they had grown used to.

The three habits most important to your Second Brain include: Project Checklists: Ensure you start and finish your projects in a consistent way, making use of past work. Weekly and Monthly Reviews: Periodically review your work and life and decide if you want to change anything. Noticing Habits: Notice small opportunities to edit, highlight, or move notes to make them more discoverable for your future self.

All of us, but especially children, need such confidence—confidence that others will know, affirm, and cherish us. Without that we can’t develop a sense of agency that will enable us to assert: “This is what I believe in; this is what I stand for; this is what I will devote myself to.” As long as we feel safely held in the hearts and minds of the people who love us, we will climb mountains and cross deserts and stay up all night to finish projects. Children and adults will do anything for people they trust and whose opinion they value.

An idea is a gift, a finished project is turning that gift into a book by making yourself write even when you don't want to. There is no such thing as a block of time to write. You have to carve time from a busy day. Elaine L. Orr

When you think of your options—getting things done versus quitting jobs, rarely finishing projects, always feeling guilty and sad, and in general not believing in your own abilities—the choice is clear. You want to get things done.

It doesn't matter where you start but how you finish that matters!

He was inefficient in the old sense of the word; not incapable, but unwilling to be seduced by work--unwilling to be singleminded. Those things that needed to be done were constantly put off for those things that needed to be thought about. And unfinished projects did not pester him to be completed, but represented, in themselves, thoughts he had not finished thinking....

The more I write, the more I've come to realize that books have a different place in our society than other media. Books are different from television or film because they ask you to finish the project. You have to be actively engaged to read a book. It's more like a blueprint. What it really is, is an opportunity... A book is a place where you're forced to use your imagination. I find it disappointing that you're not being asked to imagine more.

Our lack of focus is our primary problem and the source of many of our difficulties, like procrastination, trouble setting priorities, trouble dealing with time, trouble finishing projects, perfectionism, and the inevitable demoralization.

Perfectionism always makes things harder and more complicated. Finishers make things easier and simpler. The next time you work on a goal, I dare you to ask the following questions during the middle of the project: Could things be easier? Could things be simpler?

Although it may not seem finished to anyone else, it’s finished to you. It’s your project. You did it by choice. You have the right to decide when you’re done.

The only purpose of starting is to finish, and while the projects we do are never really finished, they must ship.

If you blink and find yourself working on something besides your real goal, you’ve probably retreated to the first kind of hiding place: the obvious time waster. You will never accidentally end up doing a difficult project. The work you’re trying to avoid is not something you’ll stumble upon one day unexpectedly.

No, let me finish. There isn’t beauty in perfection. It’s as fake as the image the word projects. Beauty is found in imperfection, Willow, because to admit you’re not perfect means you’re admitting you’re not whole and absolute. When I think of myself, I see someone willing to admit he’s as far from complete as it gets because, in order to get to that perfection, I need to find the other part of me who will make my life better. To take all the faults I have and fill them, and only then will I be there. You see, the way I see it, the only way to become perfect is to find that perfectly imperfect person who brings it out of you.

And let’s debunk one bit of writer myth while we’re here: Doing a seventeenth revision on a project does not make a writer an artist or move him above the writer hoi polloi any more than dressing entirely in black or wearing tweed jackets with leather elbow patches or big, black drover coats. These are all affectations, and smack of dilettantism. Real writers, and real artists, finish books and move on to the next project.

If Mrs. Child's ghost was planting, my father's was building. Half finished, nearly finished, and just started projects which waited throughout the house. In Evie's room, the closet he built swung open with a bang, impatient for a latch. The closet without a door in Rene's room just stared - day and night - like someone gone mad. The garage let in birds that left a mess where planks had been pried off for a second car to rest. Worst of all, the hole that he dug for my mother's patio filled with rainwater and grew grass as tall as in the marsh. Instead of a place to entertain in summer, it became a nature reserve which she could not close down. A holiday park for mosquitos. A rest home for caterpillars and other things that she loathed that squirmed.

Hundreds of experiments show that encounters with rude, insulting, and demeaning people undermine others’ performance—including their decision-making skills, productivity, creativity, and willingness to work a little harder and stay a little later to finish projects and to help coworkers who need their advice, skills, or emotional support.

The only purpose of starting is to finish, and while the projects we do are never really finished, they must ship. Shipping means hitting the publish button on your blog, showing a presentation to the sales team, answering the phone, selling the muffins, sending out your references. Shipping is the collision between your work and the outside world.

The photographer from the magazine, Masao Kageyama, would ride along in the van that accompanied me. He’d take pictures as they drove along. It wasn’t a real race, and there weren’t any water stations, so I’d occasionally stop to get water from the van. The Greek summer is truly brutal, and I knew I’d have to be careful not to get dehydrated. “Mr. Murakami,” Mr. Kageyama said, surprised as he saw me getting ready to run, “you’re not really thinking of running the whole route, are you?” “Of course I am. That’s why I came here.” “Really? But when we do these kinds of projects most people don’t go all the way. We just take some photos, and most of them don’t finish the whole route. So you really are going to run the entire thing?” Sometimes the world baffles me. I can’t believe that people would really do things like that.

write whatever comes into your head, as fast as you can type, without reference to outlines, notes, data, books or any other aids. The object is to find out what you would like to say, what all your earlier work on the topic or project has already led you to believe.

However we resolve the issue in our individual homes, the moral challenge is, put simply, to make work visible again: not only the scrubbing and vacuuming, but all the hoeing, stacking, hammering, drilling, bending, and lifting that goes into creating and maintaining a livable habitat. In an ever more economically unequal world, where so many of the affluent devote their lives to ghostly pursuits like stock trading, image making, and opinion polling, real work, in the old-fashioned sense of labor that engages hand as well as eye, that tires the body and directly alters the physical world tends to vanish from sight. The feminists of my generation tried to bring some of it into the light of day, but, like busy professional women fleeing the house in the morning, they left the project unfinished, the debate broken off in mid-sentence, the noble intentions unfulfilled. Sooner or later, someone else will have to finish the job.

Imagine the case of someone supervising an exceptional team of workers, all of them striving towards a collectively held goal; imagine them hardworking, brilliant, creative and unified. But the person supervising is also responsible for someone troubled, who is performing poorly, elsewhere. In a fit of inspiration, the well-meaning manager moves that problematic person into the midst of his stellar team, hoping to improve him by example. What happens?—and the psychological literature is clear on this point.64 Does the errant interloper immediately straighten up and fly right? No. Instead, the entire team degenerates. The newcomer remains cynical, arrogant and neurotic. He complains. He shirks. He misses important meetings. His low-quality work causes delays, and must be redone by others. He still gets paid, however, just like his teammates. The hard workers who surround him start to feel betrayed. “Why am I breaking myself into pieces striving to finish this project,” each thinks, “when my new team member never breaks a sweat?” The same thing happens when well-meaning counsellors place a delinquent teen among comparatively civilized peers. The delinquency spreads, not the stability.65 Down is a lot easier than up.

I had time to finish my sandwich while Ganymede circulated through the cafeteria, refilling the students’ drinks without asking permission. Some kids looked at him funny, but most didn’t even notice. This was weird, since Ganymede was wearing a Greek chiton and strap-up sandals and not much else. Thank the Mist for obscuring mortal minds, I guess, or maybe the students just figured he was doing a project for drama class

While she was saying this, I was thinking, We just finished the freakin’ Egypt project, now we have to start a whole new thing? And then in my head I was going, Oh noooooo! like that kid in Home Alone with his mouth hanging open and his hands on his face. That was the face I was making on the inside. And then I thought of those pictures of melting ghost faces I’ve seen somewhere, where the mouths are open wide and they’re screaming.

The most important part of finishing anything is saying no. If I’m working on an idea, I say “no” to almost everything: new projects, new clients, social engagements—basically anything that would take my focus away from what I’m doing. I take breaks, but there’s a difference between breaks and things that cut into my ability to get the work done. I say no so I can say yes to what I’m currently doing – or I say yes to what I want to pursue.

Imagine that a writer has to finish a novel in three months. The objective is clear; the problem is that the writer can't stop obsessing over it. Every day she wakes up thinking, "I have to write that novel," and every day she sets about reading the newspaper and cleaning the house. Every evening she feels frustrated and promises she'll get to work the next day. Days, weeks, and months pass, and the writer still has't gotten anything down on the page, when all it would have taken was to sit down and get that first word out, then the second . . . to flow with the project, expressing their ikigai. As soon as you take these first small steps, your anxiety will disappear and you will achieve a pleasant flow in the activity you're doing.

That’s what high school’s for. You make plans and you don’t follow through. You dream and you can be brave when you’re dreaming, brave enough to imagine that there’s actually a yourself to find, brave enough to finish projects even though you were never born with endings, brave enough to plan volunteer trips even though you’d probably be dead of asphyxiation by the time you’re there because you’re always holding your breath as if that can keep you together.

The second principle is to limit your work in progress. Perhaps the most appealing way to resist the truth about your finite time is to initiate a large number of projects at once; that way, you get to feel as though you’re keeping plenty of irons in the fire and making progress on all fronts. Instead, what usually ends up happening is that you make progress on no fronts—because each time a project starts to feel difficult, or frightening, or boring, you can bounce off to a different one instead. You get to preserve your sense of being in control of things, but at the cost of never finishing anything important.

Thoughts and habits not conducive to the work: Believing you’re not good enough. Feeling you don’t have the energy it takes. Mistaking adopted rules for absolute truths. Not wanting to do the work (laziness). Not taking the work to its highest expression (settling). Having goals so ambitious that you can’t begin. Thinking you can only do your best work in certain conditions. Requiring specific tools or equipment to do the work. Abandoning a project as soon as it gets difficult. Feeling like you need permission to start or move forward. Letting a perceived need for funding, equipment, or support get in the way. Having too many ideas and not knowing where to start. Never finishing projects. Blaming circumstances or other people for interfering with your process. Romanticizing negative behaviors or addictions. Believing a certain mood or state is necessary to do your best work. Prioritizing other activities and responsibilities over your commitment to making art. Distractibility and procrastination. Impatience. Thinking anything that’s out of your control is in your way.

The desertion of Rwanda by the UN force was Hutu Power’s greatest diplomatic victory to date, and it can be credited almost single-handedly to the United States. With the memory of the Somalia debacle still very fresh, the White House had just finished drafting a document called Presidential Decision Directive 25, which amounted to a checklist of reasons to avoid American involvement in UN peacekeeping missions. It hardly mattered that Dallaire’s call for an expanded force and mandate would not have required American troops, or that the mission was not properly peacekeeping, but genocide prevention. PDD 25 also contained what Washington policymakers call “language” urging that the United States should persuade others not to undertake the missions that it wished to avoid. In fact, the Clinton administration’s ambassador to the UN, Madeleine Albright, opposed leaving even the skeleton crew of two hundred seventy in Rwanda. Albright went on to become Secretary of State, largely because of her reputation as a “daughter of Munich,” a Czech refugee from Nazism with no tolerance for appeasement and with a taste for projecting U.S. force abroad to bring rogue dictators and criminal states to heel. Her name is rarely associated with Rwanda, but ducking and pressuring others to duck, as the death toll leapt from thousands to tens of thousands to hundreds of thousands, was the absolute low point in her career as a stateswoman.

Since the 1980s, Attention Deficit Disorder (ADD) has been on the rise, not just among children, but now among the adult population as well. The sudden rise of adult ADD, while it may have genetic components, certainly receives a major boost from our kinetic, hyper-speed, information-bombarded society. Victims of adult ADD are likely to initiate more tasks and projects that they'll ever finish, get bored easily, seek thrills readily, have a propensity to be late while loathing having to wait, and not be averse to taking foolish risks.

Hiding places are tricky like that. They make you feel like you’re doing well when in reality you’re not getting anywhere on your most important projects.

These half-baked, right-in-the-middle-of-something-else new ideas lead to half-finished, abandoned projects that litter the landscape and zap morale.

Perfectionism is an enemy to finishing your first project, and finishing your first project is the key to finishing multiple projects.

This assignment could damn well project all the words across my face and the ink stain my hands a gory mess before I finished it.

What make you think that if you can't finish a project in 18 months, you will be able to do that 18 months later?

Unfortunately, the slow pace of transformation also makes it easy to let a bad habit slide. If you eat an unhealthy meal today, the scale doesn’t move much. If you work late tonight and ignore your family, they will forgive you. If you procrastinate and put your project off until tomorrow, there will usually be time to finish it later. A single decision is easy to dismiss.

Oh, you know…,” I start. In my head, I finish: Oh, you know, just the usual. I’ve slept in Otter’s bed two or three times now. Oh, don’t worry! We haven’t really done anything. Except tell stories about you. And me. And him. Did you know he’s wanted me for a long time? He really left because he needed me so bad that it hurt, and he thought he was projecting. Remember when I used to say that to you? That you’re projecting? Well, he thought it too. But his was so bad that he used it as an excuse and got the hell out of Dodge, but then he came back, and I still don’t completely understand why yet. Oh, and we may have made out. And I may have liked it. And this is after you and I broke up, like… what? Two days ago? Three days ago? After being together since like second grade? So you know, the usual.

Trying to get a Phoenix build going is like playing Legend of Zelda, if it were written by a sadist, forcing her to adventure far and wide to find hidden keys scattered across the kingdom and given only measly clues from uncaring NPCs. But when you finally finish the level, you can’t actually play the next level—you have to mail paper coupons to the manufacturer and wait weeks to get the activation codes.

So I’ve gotten used to not complaining, and I’ve gotten used to not bothering Mom and Dad with little stuff. I’ve gotten used to figuring things out on my own: how to put toys together, how to organize my life so I don’t miss friends’ birthday parties, how to stay on top of my schoolwork so I never fall behind in class. I’ve never asked for help with my homework. Never needed reminding to finish a project or study for a test. If I was having trouble with a subject in school, I’d go home and study it until I figured it out on my own. I taught myself how to convert fractions into decimal points by going online. I’ve done every school project pretty much by myself. When Mom or Dad ask me how things are going in school, I’ve always said “good”—even when it hasn’t always been so good. My worst day, worst fall, worst headache, worst bruise, worst cramp, worst mean thing anyone could say has always been nothing compared to what August has gone through. This isn’t me being noble, by the way: it’s just the way I know it is.

I heard a story once in the Orient about two architects who went to see the Buddha. They had run out of money on their projects and hoped the Buddha could do something about it. 'Well, I'll do what I can,' said the Buddha, and he went off to see their work. The first architect was building a bridge, and the Buddha was very impressed. 'That's a very good bridge,' he said, and he began to pray. Suddenly a great white bull appeared, carrying on its back enough gold to finish construction. 'Take it,' said the Buddha, 'and build even more bridges.' And so the first architect went away very happy. The second architect was building a wall, and when the Buddha saw it he was equally impressed. 'That's a very good wall,' he said solemnly, and began to pray. Suddenly the sacred bull appeared, walked over to the second architect, and sat on him.

Next came the drawing room and Abigail stared in surprise. It appeared as though the occupants had just been called away. A tea set sat on the round table, cups encrusted with dry tea. A book lay open over the arm of the sofa. A needlework project, nearly finished, lay trapped under an overturned chair. What had happened here? Why had the family left so abruptly, and why had the rooms been entombed for almost two decades?

we are going to experience joy in this lifetime, there’s only one possible way: We will have to choose it. We will have to choose it in spite of unbelievable circumstances. We will have to choose it in the middle of a situation that seems too hard to bear. We will have to choose it even if our worst nightmare comes true. This isn’t what we want to hear. We keep trying to line up all the little ducks in a row, to smooth out the rough spots, and to shore up all the wobbly places, still convinced that if we get our act together, we finish the huge project, our health clears up, we get a raise, or we can just get things right, we can finally be joyful.

And there’s nothing more enslaving than self-salvation projects. They never end because they never work. The story of David and Goliath is meant to point us to the one true hero, the one hero who is perfect at all times.

Many of us find numerous ways to avoid or put off altering the balance between nourishing and depleting activities in our lives; usually for very solid-sounding and altruistic reasons. Some may say, for example: “I’m balancing being a mom, a career woman, a wife and a homemaker. Where do I find the time for myself?” Others will point to the large projects at work or home, and say, “Not now, not yet; maybe some day—when this project is finished.” On the surface, this approach seems reasonable; but try to see if it is possible to take the long view. In time, if we don’t rebalance our lives, we will become less effective at everything we do. We will become joyless, sleepless and witless.

Count me in.” Jake put his things back in the rucksack, slung it over his shoulder, and stood up. “The kids can finish up this project.” “You’ve taught them how to make land mines?” “I wouldn’t be much of a grandfather if I didn’t.

Keep writing. Get to the end. Don’t allow yourself to abandon the project. You must finish what you write. But what, you ask, if I have a chaotic mess at the end? Celebrate. This is the way it usually is, even for veteran novelists.

My life now became an endless round of work with some breaks for sleep and food. Like the two days I had worked non-stop to finish my project on time while at M.I.T., I now worked almost as hard, and it was not for two days this time but for months together.

This book is, in a way, a scrapbook of my writing life. From shopping the cathedral flea market in Barcelona with David Sedaris to having drinks at Cognac with Nora Ephron just months before she died. To the years of sporadic correspondence I had with Thom Jones and Ira Levin. I’ve stalked my share of mentors, asking for advice. Therefore, if you came back another day and asked me to teach you, I’d tell you that becoming an author involves more than talent and skill. I’ve known fantastic writers who never finished a project. And writers who launched incredible ideas, then never fully executed them. And I’ve seen writers who sold a single book and became so disillusioned by the process that they never wrote another. I’d paraphrase the writer Joy Williams, who says that writers must be smart enough to hatch a brilliant idea—but dull enough to research it, keyboard it, edit and re-edit it, market the manuscript, revise it, revise it, re-revise it, review the copy edit, proofread the typeset galleys, slog through the interviews and write the essays to promote it, and finally to show up in a dozen cities and autograph copies for thousands or tens of thousands of people… And then I’d tell you, “Now get off my porch.” But if you came back to me a third time, I’d say, “Kid…” I’d say, “Don’t say I didn’t warn you.

DISTRACTED with care For Phillis the fair, Since nothing could move her, Poor Damon, her lover, Resolves in despair No longer to languish Nor bear so much anguish; But, mad with his love, To a precipice goes, Where a leap from above Would soon finish his woes. When in rage he came there, Beholding how steep The sides did appear, And the bottom how deep; His torments projecting, And sadly reflecting That a lover forsaken A new love may get, But a neck when once broken can never be set: And that he could die Whenever he would, But that he could live But as long as he could: How grievous soever The torment might grow, He scorned to endeavour To finish it so; And bold, unconcerned At thoughts of the pain, He calmly returned To his cottage again.

novel excerpts rarely benefit from group critique. It’s one thing to get all those opinions when you’ve finished, but when you’re still in the middle of a project, it’s like having fifteen people give you conflicting directions as to how best to get to the interstate.) And

Really? But when we do these kinds of projects most people don’t go all the way. We just take some photos, and most of them don’t finish the whole route. So you really are going to run the entire thing?” Sometimes the world baffles me. I can’t believe that people would really do things like that.

It is better to lose health like a spendthrift than to waste it like a miser. It is better to live and be done with it, than to die daily in the sick-room. By all means begin your folio; even if the doctor does not give you a year, even if he hesitates about a month, make one brave push and see what can be accomplished in a week. It is not only in finished undertakings that we ought to honour useful labour. A spirit goes out of the man who means execution, which outlives the most untimely ending. All who have meant good work with their whole hearts, have done good work, although they may die before they have the time to sign it. Every heart that has beat strong and cheerfully has left a hopeful impulse behind it in the world, and bettered the tradition of mankind. And even if death catch people, like an open pitfall, and in mid-career, laying out vast projects, and planning monstrous foundations, flushed with hope, and their mouths full of boastful language, they should be at once tripped up and silenced: is there not something brave and spirited in such a termination? and does not life go down with a better grace, foaming in full body over a precipice, than miserably straggling to an end in sandy deltas? When the Greeks made their fine saying that those whom the gods love die young, I cannot help believing they had this sort of death also in their eye. For surely, at whatever age it overtake the man, this is to die young. Death has not been suffered to take so much as an illusion from his heart. In the hot-fit of life, a-tiptoe on the highest point of being, he passes at a bound on to the other side. The noise of the mallet and chisel is scarcely quenched, the trumpets are hardly done blowing, when, trailing with him clouds of glory, this happy-starred, full-blooded spirit shoots into the spiritual land.

Don't imagine you are in a worse place than you actually are. Things could have been far worse. So, seize the day, count your blessings and move on. You can survive a crisis only by dealing it with one day at a time. Don't add up all your problems in your mind and think you are finished. Compartmentalize your problems; put them in different buckets and project-manage them separately. This is how you live through uncertain times – making decisions when there are few or no options to choose from. You never see it this way when you are going through a crisis. But, unfailingly, every crisis leaves you stronger, wiser – and happy!

Perfectionism is an enemy of good time management. If you are one of those people who needs to finish every project with absolutely no imperfections, you are undoubtedly wasting a great deal of time. Learn to recognize what is "good enough" and which activities don't demand absolute precision, and revise your approach accordingly.

I suspect that self-deception is similar to its cousins, overconfidence and optimism, and as with these other biases, it has both benefits and disadvantages. On the positive side, an unjustifiably elevated belief in ourselves can increase our general well-being by helping us cope with stress; it can increase our persistence while doing difficult or tedious tasks; and it can get us to try new and different experiences. We persist in deceiving ourselves in part to maintain a positive self-image. We gloss over our failures, highlight our successes (even when they’re not entirely our own), and love to blame other people and outside circumstances when our failures are undeniable. Like our friend the crab, we can use self-deception to boost our confidence when we might not otherwise feel bold. Positioning ourselves on the basis of our finer points can help us snag a date, finish a big project, or land a job. (I am not suggesting that you puff up your résumé, of course, but a little extra confidence can often work in our favor.) On the negative side, to the extent that an overly optimistic view of ourselves can form the basis of our actions, we may wrongly assume that things will turn out for the best and as a consequence not actively make the best decisions. Self-deception can also cause us to “enhance” our life stories with, say, a degree from a prestigious university, which can lead us to suffer a great deal when the truth is ultimately revealed. And, of course, there is the general cost of deception. When we and those around us are dishonest, we start suspecting everyone, and without trust our lives become more difficult in almost every way.

--Gardens, not buildings-- Great projects start out feeling like buildings. There are architects, materials, staff, rigid timelines, permits, engineers, a structure. It works or it doesn't. Build something that doesn't fall down. On time. But in fact, great projects, like great careers and relationships that last, are gardens. They are tended, they shift, they grow. They endure over time, gaining a personality and reflecting their environment. When something dies or fades away, we prune, replant and grow again. Perfection and polish aren't nearly as important as good light, good drainage and a passionate gardener. By all means, build. But don't finish. Don't walk away. Here we grow.

When Dad wasn’t telling us about all the amazing things he had already done, he was telling us about the wondrous things he was going to do. Like build the Glass Castle. All of Dad’s engineering skills and mathematical genius were coming together in one special project: a great big house he was going to build for us in the desert. It would have a glass ceiling and thick glass walls and even a glass staircase. The Glass Castle would have solar cells on the top that would catch the sun’s rays and convert them into electricity for heating and cooling and running all the appliances. It would even have its own water-purification system. Dad had worked out the architecture and the floor plans and most of the mathematical calculations. He carried around the blueprints for the Glass Castle wherever we went, and sometimes he’d pull them out and let us work on the design for our rooms. All we had to do was find gold, Dad said, and we were on the verge of that. Once he finished the Prospector and we struck it rich, he’d start work on our Glass Castle.

You don't actually do a project; you can only do action steps related to it. When enough of the right action steps have been taken, some situation will have been created that matches your initial picture of the outcome closely enough that you can call it "done." The list of projects is the compilation of finish lines we put before us, to keep our next actions moving on all tracks appropriately

few hours after I finished The Multiversity: Pax Americana #1 by Grant Morrison and Frank Quitely, something happened: I got it. Now, I can’t shake the sense that I read the best superhero single issue of the year. Morrison’s Multiversity project (available digitally on comiXology and Kindle , and in our third party marketplace ) is a grand one for DC Comics: eight single issues--each a #1, and

Is my function to reach zero and leave nothing in the way of obstructing truth? Or to tender what’s still shapeless? The baggy fit of feelings before they’ve found their purpose. How can I present what’s, for now, finished, while also taking comfort in knowing it will evolve? That these words are only materials; provisions for keeping me observant and hopefully light-footed enough to plan my next project. My next many.

La Dicha He who embraces a woman is Adam. The woman is Eve. Everything happens for the first time. I have seen a white thing in the sky. They tell me it's the moon, but what can I do with a word and a mythology. The trees frighten me a bit. They are so beautiful. The calm animals come near for me to tell them their names. The books in the library have no letters. When I open them, they come up. When I peruse the atlas I project the shape of Sumatra. He who lights a match in the dark is inventing fire. In the mirror there's someone else lurking. He who looks at the sea sees England. He who utters a verse by Liliencron has entered the battle. I have dreamed Carthage and the legions that devastated Carthage. I have dreamed the sword and the scales. Praised be the love in which there is no possessor or possessed, but the two surrender themselves. Praised be the nightmare, which reveals to us that we can create hell. He who comes down to a river comes down to the Ganges. He who watches a sand clock sees the dissolution of an empire. He who plays with a knife foretells the death of Caesar. He who sleeps is all men. In the desert I saw the young Sphinx, that they just finished carving. There's nothing old under the sun. Everything happens for the first time, but in an eternal fashion. He who reads my words is inventing them.

You know, I understand the way that some people view manual labor. With a kind of sneer, looking down your nose at it, like it’s less. But I’ve never found anything more satisfying than going out and making a change with my own two hands. Seeing a project through from start to finish, knowing that what I did…that it changed something. The shape of an object, the landscape. When you’re fighting fires, that your hands helped put up the blockade that preserved the wilderness. That you dug those trenches, ran those fire lines that saved houses, trees, animals. Lives. There’s no shame in it.

Goldberg, the attorney who was often by Trump’s side during those years, said many of his client’s much-ballyhooed associations with famous women and top models were mere moments, staged for the cameras. “Give him a Hershey bar and let him watch television,” Goldberg said. “I only remember him finishing the day [by] going home, not necessarily with a woman but with a bag of candy. . . . He planned his next project, read the blueprints, met with the lawyers, never raising his voice, never showing off, never nasty to anybody in the office, a gentleman. . . . I never heard him speak romantically about a woman. I mean, I heard him speak romantically about his work.” Kate

member of the family recounted a few stories or read a poem. “His mind was never a captive of reality,” Laurene said. “He possessed an epic sense of possibility. He looked at things from the standpoint of perfection.” Mona Simpson, as befitting a novelist, had a finely crafted eulogy. “He was an intensely emotional man,” she recalled. “Even ill, his taste, his discrimination, and his judgment held. He went through sixty-seven nurses before finding kindred spirits.” She spoke of her brother’s love of work and noted that “even in the last year, he embarked upon projects and elicited promises from his friends at Apple to finish them.” She also, more personally, stressed his love of Laurene and all four of his children.

Communicate with your kids, and find out why they are so determined to be online at a certain time or what is worth arguing so strongly for. There may be people waiting for them to finish a project or go on a raid. They may have made a commitment to viewers wanting to watch them stream. They may have set a personal goal they want to meet. If you can get a sense of what their goals are, perhaps you can meet at a middle ground. I do not mean caving in to their demands, but if something is vitally important to your child, even if you can’t see it yourself, it still tells you a lot about them. It isn’t fair to use this information against them as punishment. Use the information to come up with a plan that will benefit everyone.

if you do not plan on speaking publicly, this communication secret can help ensure that others are hearing you clearly, and are listening to what you’re saying. It will also help you gain greater respect in your relationships with friends, coworkers, and life partners. In order to get comfortable with the volume of your voice and speaking with conviction, I highly recommend you find a private place to practice, whether in your car during your commute, in the shower, or sitting in your kitchen. Wherever you choose, make sure you are comfortable, and experiment with projecting your voice, concluding sentences with force, and finishing your statements with conviction. The more you practice, the more it will naturally emerge in conversations with others.

Jack coughed slightly and offered his hand. “Hi, uh. I’m Jack.” Kim took it. “Jack what?” “Huh?” “Your last name, silly.” “Jackson.” She blinked at him. “Your name is Jack Jackson?” He blushed. “No, uh, my first name’s Rhett, but I hate it, so…” He gestured to the chair and she sat. Her dress rode up several inches, exposing pleasing long lines of creamy skin. “Well, Jack, what’s your field of study?” “Biological Engineering, Genetics, and Microbiology. Post-doc. I’m working on a research project at the institute.” “Really? Oh, uh, my apple martini’s getting a little low.” “I’ve got that, one second.” He scurried to the bar and bought her a fresh one. She sipped and managed to make it look not only seductive but graceful as well. “What do you want to do after you’re done with the project?” Kim continued. “Depends on what I find.” She sent him a simmering smile. “What are you looking for?” Immediately, Jack’s eyes lit up and his posture straightened. “I started the project with the intention of learning how to increase the reproduction of certain endangered species. I had interest in the idea of cloning, but it proved too difficult based on the research I compiled, so I went into animal genetics and cellular biology. It turns out the animals with the best potential to combine genes were reptiles because their ability to lay eggs was a smoother transition into combining the cells to create a new species, or one with a similar ancestry that could hopefully lead to rebuilding extinct animals via surrogate birth or in-vitro fertilization. We’re on the edge of breaking that code, and if we do, it would mean that we could engineer all kinds of life and reverse what damage we’ve done to the planet’s ecosystem.” Kim stared. “Right. Would you excuse me for a second?” She wiggled off back to her pack of friends by the bar. Judging by the sniggering and the disgusted glances he was getting, she wasn’t coming back. Jack sighed and finished off his beer, massaging his forehead. “Yes, brilliant move. You blinded her with science. Genius, Jack.” He ordered a second one and finished it before he felt smallish hands on his shoulders and a pair of soft lips on his cheek. He turned to find Kamala had returned, her smile unnaturally bright in the black lights glowing over the room. “So…how did it go with Kim?” He shot her a flat look. “You notice the chair is empty.” Kamala groaned. “You talked about the research project, didn’t you?” “No!” She glared at him. “…maybe…” “You’re so useless, Jack.” She paused and then tousled his hair a bit. “Cheer up. The night’s still young. I’m not giving up on you.” He smiled in spite of himself. “Yet.” Her brown eyes flashed. “Never.

KEY TAKEAWAYS – Sharpening Your Creative Mind PRACTICE UNNECESSARY CREATION Use personal creative projects to explore new obsessions, skills, or ways of working in a low-pressure environment. WANDER LONELY AS A CLOUD Make time for your mind—and body—to wander when you’re stuck. Disengaging from the problem allows your subconscious to do its work. DEFINE “FINISHED” FROM THE START Keep your inner perfectionist in check by defining what finished looks like at the beginning of a project. And when you get there, stop! DON’T GO ON AUTOPILOT Repetition is the enemy of insight. Take unorthodox—even wacky—approaches to solving your stickiest problems and see what happens. SEARCH FOR THE SOURCE When the well runs dry, don’t blame a lack of talent. Creative blocks frequently piggyback on other problems. See if you can identify them. LOVE YOUR LIMITATIONS Look at constraints as a benefit, rather than an impediment. They activate our creative thinking by upping the ante.

Predominantly inattentive type Perhaps the majority of girls with AD/HD fall into the primarily inattentive type, and are most likely to go undiagnosed. Generally, these girls are more compliant than disruptive and get by rather passively in the academic arena. They may be hypoactive or lethargic. In the extreme, they may even seem narcoleptic. Because they do not appear to stray from cultural norms, they will rarely come to the attention of their teacher. Early report cards of an inattentive type girl may read, "She is such a sweet little girl. She must try harder to speak up in class." She is often a shy daydreamer who avoids drawing attention to herself. Fearful of expressing herself in class, she is concerned that she will be ridiculed or wrong. She often feels awkward, and may nervously twirl the ends of her hair. Her preferred seating position is in the rear of the classroom. She may appear to be listening to the teacher, even when she has drifted off and her thoughts are far away. These girls avoid challenges, are easily discouraged, and tend to give up quickly. Their lack of confidence in themselves is reflected in their failure excuses, such as, "I can't," "It's too hard," or "I used to know it, but I can't remember it now." The inattentive girl is likely to be disorganized, forgetful, and often anxious about her school work. Teachers may be frustrated because she does not finish class work on time. She may mistakenly be judged as less bright than she really is. These girls are reluctant to volunteer for a project orjoin a group of peers at recess. They worry that other children will humiliate them if they make a mistake, which they are sure they will. Indeed, one of their greatest fears is being called on in class; they may stare down at their book to avoid eye contact with the teacher, hoping that the teacher will forget they exist for the moment. Because interactions with the teacher are often anxiety-ridden, these girls may have trouble expressing themselves, even when they know the answer. Sometimes, it is concluded that they have problems with central auditory processing or expressive language skills. More likely, their anxiety interferes with their concentration, temporarily reducing their capacity to both speak and listen. Generally, these girls don't experience this problem around family or close friends, where they are more relaxed. Inattentive type girls with a high IQ and no learning disabilities will be diagnosed with AD/HD very late, if ever. These bright girls have the ability and the resources to compensate for their cognitive challenges, but it's a mixed blessing. Their psychological distress is internalized, making it less obvious, but no less damaging. Some of these girls will go unnoticed until college or beyond, and many are never diagnosed they are left to live with chronic stress that may develop into anxiety and depression as their exhausting, hidden efforts to succeed take their toll. Issues

A large brand will typically spend between 10 and 20 percent of their media buy on creative,” DeJulio explains. “So if they have a $500 million media budget, there’s somewhere between $50 to $100 million going toward creating content. For that money they’ll get seven to ten pieces of content, but not right away. If you’re going to spend $1 million on one piece of content, it’s going to take a long time—six months, nine months, a year—to fully develop. With this budget and timeline, brands have no margin to take chances creatively.” By contrast, the Tongal process: If a brand wants to crowdsource a commercial, the first step is to put up a purse—anywhere from $50,000 to $200,000. Then, Tongal breaks the project into three phases: ideation, production, and distribution, allowing creatives with different specialties (writing, directing, animating, acting, social media promotion, and so on) to focus on what they do best. In the first competition—the ideation phase—a client creates a brief describing its objective. Tongal members read the brief and submit their best ideas in 500 characters (about three tweets). Customers then pick a small number of ideas they like and pay a small portion of the purse to these winners. Next up is production, where directors select one of the winning concepts and submit their take. Another round of winners are selected and these folks are given the time and money to crank out their vision. But this phase is not just limited to these few winning directors. Tongal also allows anyone to submit a wild card video. Finally, sponsors select their favorite video (or videos), the winning directors get paid, and the winning videos get released to the world. Compared to the seven to ten pieces of content the traditional process produces, Tongal competitions generate an average of 422 concepts in the idea phase, followed by an average of 20 to 100 finished video pieces in the video production phase. That is a huge return for the invested dollars and time.

I've gotten used to not complaining, and I've gotten used to not bothering Mom and Dad with little stuff. I've gotten used to figuring things out on my own: how to put toys together, how to organise my life so I don't miss friends' birthday parties, how to stay on top of my schoolwork so I never fall behind in class. I've never asked for help with my homework. Never needed reminding to finish a project or study for a test. If I was having trouble with a subject in school, I'd go home and study it until I figured it out on my own. I taught myself how to convert fractions into decimal points by going online. I've done every school project pretty much by myself. When Mom or Dad ask me how things are going in school, I've always said 'good' - even when it hasn't always been so good. My worst day, worst fall, worst headache, worst bruise, worst cramp, worst mean thing anyone could say has always been nothing compared to what August has gone through. This isn't me being noble, by the way: it's just the way I know it is.

You’ll recall from our trip to the Serengeti that a fight-or-flight stress response starts when you recognize an external threat. Your brain and body then go into the self-defense mode of attack or escape. The pause-and-plan response differs in one very crucial way: It starts with the perception of an internal conflict, not an external threat. You want to do one thing (smoke a cigarette, supersize your lunch, visit inappropriate websites at work), but know you shouldn’t. Or you know you should do something (file your taxes, finish a project, go to the gym), but you’d rather do nothing. This internal conflict is its own kind of threat: Your instincts are pushing you toward a potentially bad decision. What’s needed, therefore, is protection of yourself by yourself. This is what self-control is all about. The most helpful response will be to slow you down, not speed you up (as a fight-or-flight response does). And this is precisely what the pause-and-plan response does. The perception of an internal conflict triggers changes in the brain and body that help you slow down and control your impulses. THIS

If a mini-habit isn’t working, it’s probably just too big. Make it smaller and let it grow organically. Committing to one workout per day might not sound like much, but it can easily get lost in the whirlpool of daily living. Trim it down to something stupidly easy, quick, and unskippable: a couple of sets of body-weight exercises to failure or a 15-minute walk, for example. The mini-habit tool is incredibly versatile. You can apply it to just about any endeavor and immediately reap the benefits. For example… • Read five pages of the book you want to finish. • Write 50 words on your project. • Do 10 minutes of that exercise DVD. • Lift weights one day per week. • Practice your yoga poses for 5 minutes. • Follow your meal plan for one day. • Cook one new recipe per week. • Give one compliment per day. • Replace one cup of soda with water. You get the idea. So, what major, scary change do you want to make in your life? And what’s the stupidest, simplest action you can take every day to nudge the needle in that direction? There’s your breadcrumb of a mini-habit. Pick it up and see where the trail takes you.

overcome. Seth Godin calls these inevitable obstacles The Dip. In his brilliant little book of the same name, he describes the intricacies of knowing when to quit and when to stick—and why it’s so important to learn how to do this effectively. Seth gives a pertinent example of the entrepreneur-wannabe: Do you know an entrepreneur-wannabe who is on his sixth or twelfth new project? He jumps from one to another, and every time he hits an obstacle, he switches to a new, easier, better opportunity. And while he’s a seeker, he’s never going to get anywhere. He never gets anywhere because he’s always switching lines, never able to really run for it. While starting up is thrilling, it’s not until you get through the Dip that your efforts pay off. Countless entrepreneurs have perfected the starting part, but give up long before they finish paying their dues. The sad news is that when you start over, you get very little credit for how long you stood in line with your last great venture.[31] Quitting isn’t always bad, but it needs to be done for the right reasons, and never for the wrong ones. It’s never black and white, but it always comes back to passion. Read The Dip. It will help.

Two observations take us across the finish line. The Second Law ensures that entropy increases throughout the entire process, and so the information hidden within the hard drives, Kindles, old-fashioned paper books, and everything else you packed into the region is less than that hidden in the black hole. From the results of Bekenstein and Hawking, we know that the black hole's hidden information content is given by the area of its event horizon. Moreover, because you were careful not to overspill the original region of space, the black hole's event horizon coincides with the region's boundary, so the black hole's entropy equals the area of this surrounding surface. We thus learn an important lesson. The amount of information contained within a region of space, stored in any objects of any design, is always less than the area of the surface that surrounds the region (measured in square Planck units). This is the conclusion we've been chasing. Notice that although black holes are central to the reasoning, the analysis applies to any region of space, whether or not a black hole is actually present. If you max out a region's storage capacity, you'll create a black hole, but as long as you stay under the limit, no black hole will form. I hasten to add that in any practical sense, the information storage limit is of no concern. Compared with today's rudimentary storage devices, the potential storage capacity on the surface of a spatial region is humongous. A stack of five off-the-shelf terabyte hard drives fits comfortable within a sphere of radius 50 centimeters, whose surface is covered by about 10^70 Planck cells. The surface's storage capacity is thus about 10^70 bits, which is about a billion, trillion, trillion, trillion, trillion terabytes, and so enormously exceeds anything you can buy. No one in Silicon Valley cares much about these theoretical constraints. Yet as a guide to how the universe works, the storage limitations are telling. Think of any region of space, such as the room in which I'm writing or the one in which you're reading. Take a Wheelerian perspective and imagine that whatever happens in the region amounts to information processing-information regarding how things are right now is transformed by the laws of physics into information regarding how they will be in a second or a minute or an hour. Since the physical processes we witness, as well as those by which we're governed, seemingly take place within the region, it's natural to expect that the information those processes carry is also found within the region. But the results just derived suggest an alternative view. For black holes, we found that the link between information and surface area goes beyond mere numerical accounting; there's a concrete sense in which information is stored on their surfaces. Susskind and 'tHooft stressed that the lesson should be general: since the information required to describe physical phenomena within any given region of space can be fully encoded by data on a surface that surrounds the region, then there's reason to think that the surface is where the fundamental physical processes actually happen. Our familiar three-dimensional reality, these bold thinkers suggested, would then be likened to a holographic projection of those distant two-dimensional physical processes. If this line of reasoning is correct, then there are physical processes taking place on some distant surface that, much like a puppeteer pulls strings, are fully linked to the processes taking place in my fingers, arms, and brain as I type these words at my desk. Our experiences here, and that distant reality there, would form the most interlocked of parallel worlds. Phenomena in the two-I'll call them Holographic Parallel Universes-would be so fully joined that their respective evolutions would be as connected as me and my shadow.

went off, without waiting for serving men, and unsaddled my horse, and washed such portions of his ribs and his spine as projected through his hide, and when I came back, behold five stately circus tents were up—tents that were brilliant, within, with blue, and gold, and crimson, and all manner of splendid adornment! I was speechless. Then they brought eight little iron bedsteads, and set them up in the tents; they put a soft mattress and pillows and good blankets and two snow-white sheets on each bed. Next, they rigged a table about the centre-pole, and on it placed pewter pitchers, basins, soap, and the whitest of towels—one set for each man; they pointed to pockets in the tent, and said we could put our small trifles in them for convenience, and if we needed pins or such things, they were sticking every where. Then came the finishing touch—they spread carpets on the floor! I simply said, "If you call this camping out, all right—but it isn't the style I am used to; my little baggage that I brought along is at a discount." It grew dark, and they put candles on the tables—candles set in bright, new, brazen candlesticks. And soon the bell—a genuine, simon-pure bell—rang, and we were invited to "the saloon." I had thought before that we had a tent or so too many, but now here was one, at least, provided for; it was to be used for nothing but an eating-saloon. Like the others, it was high enough for a family of giraffes to live in, and was very handsome and clean and bright-colored within. It was a gem of a place. A table for eight, and eight canvas chairs; a table-cloth and napkins whose whiteness and whose fineness laughed to scorn the things we were used to in the great excursion steamer; knives and forks, soup-plates, dinner-plates—every thing, in the handsomest kind of style. It was wonderful! And they call this camping out. Those stately fellows in baggy trowsers and turbaned fezzes brought in a dinner which consisted of roast mutton, roast chicken, roast goose, potatoes, bread, tea, pudding, apples, and delicious grapes; the viands were better cooked than any we had eaten for weeks, and the table made a finer appearance, with its large German silver candlesticks and other finery, than any table we had sat down to for a good while, and yet that polite dragoman, Abraham, came bowing in and apologizing for the whole affair, on account of the unavoidable confusion of getting under way for a very long trip, and promising to do a great deal better in future! It is midnight, now, and we break camp at six in the morning. They call this camping out. At this rate it is a glorious privilege to be a pilgrim to the Holy Land.