To The Manor Born Quotes

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And you, my Sassenach? What were you born for? To be lady of a manor, or to sleep in the fields like a gypsy? To be a healer, or a don's wife, or an outlaw's lady?" "I was born for you," I said simply, and held out my arms to him.
Diana Gabaldon (Outlander (Outlander, #1))
Can you imagine anything more tragic?' Rose asked. 'To be born a princess --native and to the manor born-- and then to forget who you are and settle for being something horrible like an--an accountant!
Regina Doman (The Shadow of the Bear (A Fairy Tale Retold #1))
When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another. Her father had held a position under the English Government and had always been busy and ill himself, and her mother had been a great beauty who cared only to go to parties and amuse herself with gay people.
Frances Hodgson Burnett (The Secret Garden)
When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been
Frances Hodgson Burnett (The Secret Garden)
When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another. Her father had held a position under the English Government and had always been busy and ill himself, and her mother had been a great beauty who cared only to go to parties and amuse herself
Frances Hodgson Burnett (The Secret Garden)
When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another. Her father had held a position under the English Government and had always been busy and ill himself, and her mother had been a great beauty who cared only to go to parties and amuse herself with gay people. She
Frances Hodgson Burnett (The Secret Garden)
When an atheist is born, a kitten kills a god.
C.P. McClennan (YMMV (Skelly Manor #2))
A Republican, then?” Jack asked, after a moment. “Oh, for God’s sake.” Olive stopped walking, looked at him through her sunglasses. “I didn’t say moron. You mean because we have a cowboy for a president? Or before that an actor who played a cowboy? Let me tell you, that idiot ex-cocaine-addict was never a cowboy. He can wear all the cowboy hats he wants. He’s a spoiled brat to the manor born. And he makes me puke.
Elizabeth Strout (Olive Kitteridge)
You have no reason to be sorry for anything, ma petite." Her clenched fist lay over his heart, the three diamonds in her palm. "You think I can't read your body? Feel the heaviness in your mind as you try to shield me? I can't change who I am, not even for you. I know I'm failing you, causing you discomfort." A slow smile curved his mouth. Discomfort. Now,there was a word for it. His hand crushed her hair, ran it through his fingers. "I have never asked you to change, nor would I want you to. You seem to forget that I know you better than anyone. I can handle you." She turned her head so that he could see the silver stars flashing in her blue eyes, a smoldering warning. "You are so arrogant,Gregori, it makes me want to throw things.Do you hear yourself? Handle me? Ha! I try to say I'm sorry for failing you, and you act the lord of the manor. Being born centuries ago when women were chattel does not give you an excuse.
Christine Feehan (Dark Magic (Dark, #4))
He thought that appeasing his curiosity would be enough to make him willing to forget her, but the opposite was happening. Every answer unearthed three more questions about a girl born into his world, yet different than any other woman he’d ever met.
Kristi Ann Hunter (A Defense of Honor (Haven Manor, #1))
Merit has replaced the old system of inherited privilege, in which parents to the manner born handed down the manor to their children. But merit, it turns out, is at least partly class-based. Parents with money, education, and connections cultivate in their children the habits that the meritocracy rewards. When their children then succeed, their success is seen as earned.
The New York Times (Class Matters)
Bolsover Priory was founded in the reign of Henry the Sixth, about the beginning of the eleventh century. Hugh de Bolsover had accompanied that monarch to the Holy Land, in the expedition undertaken by way of penance for the murder of his young nephews in the Tower. Upon the dissolution of the monasteries, the veteran was enfeoffed in the lands and manor, to which be gave his own name of Bowlsover, or Bee-owls-over, (by corruption Bolsover) — a Bee in chief, over three Owls, all proper, being the armorial ensigns borne by this distinguished crusader at the siege of Acre.
Thomas Ingoldsby (The Ingoldsby Legends (illustrated))
When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another. Her father had held a position under the English Government and had always been busy and ill himself, and her mother had been a great beauty who cared only to go to parties and amuse herself with gay people. She had not wanted a little girl at all, and when Mary was born she handed her over to the care of an Ayah, who was made to understand that if she wished to please the Mem Sahib she must keep the child out of sight as much as possible. So when she was a sickly, fretful, ugly little baby she was kept out of the way, and when she became a sickly, fretful, toddling thing she was kept out of the way also.
Frances Hodgson Burnett (The Secret Garden)
You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to door. She tied her long hair away from her face, meticulously turning on specific track lights and not others, perhaps to highlight the beauty of her Scandinavian-style furniture choices or the incomparable city view. Then she poured herself a glass of wine from a previously opened bottle, joining Reina on the sofa with an air of hospitably withheld dread. “I was born here in Tokyo,” Reina commented. “Not far from here, actually. There was a fire the day I was born. People died. My grandmother always thought it meant something that I was—” She broke off. “What I was.” “People often search for meaning where there is none,” said Aiya placidly. Perhaps in a tone of sympathy, though Reina wasn’t sure what to think anymore. “Just because you can see two points does not mean anything exists between them.” “In other words, fate is a lie we tell ourselves?” asked Reina drolly. Aiya shrugged. Despite the careful curation of her lighting, she looked tired. “We tell ourselves many stories. But I don’t think you came here just to tell me yours.” No. Reina did not know why she was there, not really. She had simply wanted to go home, and when she realized home was an English manor house, she had railed against the idea so hard it brought her here, to the place she’d once done everything in her power to escape. “I want,” Reina began slowly, “to do good. Not because I love the world, but because I hate it. And not because I can,” she added. “But because everyone else won’t.” Aiya sighed, perhaps with amusement. “The Society doesn’t promise you a better world, Reina. It doesn’t because it can’t.” “Why not? I was promised everything I could ever dream of. I was offered power, and yet I have never felt so powerless.” The words left her like a kick to the chest, a hard stomp. She hadn’t realized that was the problem until now, sitting with a woman who so clearly lived alone. Who had everything, and yet at the same time, Reina did not see anything in Aiya Sato’s museum of a life that she would covet for her own. Aiya sipped her wine quietly, in a way that made Reina feel sure that Aiya saw her as a child, a lost little lamb. She was too polite to ask her to leave, of course. That wasn’t the way of things and Reina ought to know it. Until then, Aiya would simply hold the thought in her head. “So,” Aiya said with an air of teacherly patience. “You are disappointed in the world. Why should the Society be any better? It is part of the same world.” “But I should be able to fix things. Change things.” “Why?” “Because I should.” Reina felt restless. “Because if the world cannot be fixed by me, then how can it be fixed at all?” “These sound like questions for the Forum,” Aiya said with a shrug. “If you want to spend your life banging down doors that will never open, try their tactics instead, see how it goes. See if the mob can learn to love you, Reina Mori, without consuming or destroying you first.” Another reflective sip. “The Society is no democracy. In fact, it chose you because you are selfish.” She looked demurely at Reina. “It promised you glory, not salvation. They never said you could save others. Only yourself.” “And that is power to you?” Aiya’s smile was so polite that Reina felt it like the edge of a weapon. “You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to you, Reina Mori, you belong to it, and perhaps when it is ready for a revolution it will look to you for leadership.
Olivie Blake (The Atlas Complex (The Atlas, #3))
My mother and brother don’t need me to leave word to know where I am. And this is how things are between Cyra and me,” Akos said, defensive. “She plotted for weeks to send me away without telling me about it. How is this different?” “It is not particularly different,” Ara said. “But that doesn’t make it right, either time.” “Don’t scold him, Mom,” Jorek said. “He was basically born scolding himself.” “Scold me all you like,” Akos said. “Especially because I’m about to ask for something you won’t like.” Jorek’s arm snaked across the table, and he stole some meat from Akos’s plate. “I want you to let me into the back gate of Noavek manor,” Akos said. Jorek choked on the meat he was now chewing, prompting Ara to thump him on the back with her fist. “What are you going to do once you’re inside?” Ara said, narrowing her eyes. “It’s better if you don’t know,” Akos said. “Akos. Trust me. Even you, pupil of Cyra Noavek, are out of your depth with Lazmet,” Jorek said, after he had swallowed his bite. “There isn’t a single shred of decency in him. I don’t think he even has the capacity for it. If he finds you, he’ll turn you into a goddamn stew.” “He won’t kill me,” Akos said. “Why, because of your stunning good looks?” Jorek snorted. “Because I’m his son,” Akos said. Ara and Jorek stared at him in silence. Akos pushed his plate across the table, toward Jorek. “Want my roll?” he said.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
As Bevis and Randal, touched by its stillness as though it were a great wing that brushed over them, walked slower, and stopped, out of the darkness of the river woods below them rose one clear, perfect note of birdsong, long drawn and insistent, repeated again and again, then breaking into a shining spray of notes, a cascade of runs and phrases that seemed to shimmer on the ear. It was a song that the two young men standing up there among the bramble domes had heard often enough before; but surely it had never sounded quite like this, so that it was one with the white flood of moonlight and the smell of the elder flowers. ‘Oh, listen!’ Randal whispered, stupidly, for the whole night was already holding its breath to listen. ‘Listen, Bevis, it’s the nightingale.’ Bevis stood as though he were rooted, like the brambles and the elder scrub, into the hill beneath his feet. His head was up, his gaze not turned down to the dark woods below from which came the song but going out up the curving length of the dearly familiar valley to the long, low huddle of the Hall that he had been born in, under the steep stride of Long Down, and the Manor Mill by the ford. His thin face was remote and far off, as Randal glanced aside at him, as though he were hearing something else, something that was beyond the singing. In a little, he shook his head. ‘It’s a song spun from the moonlight. But if it were me up here in the hollow hill, and I were to wake tonight, it would not be the nightingale but the speckle-breasted thrush or our Wealden blackbird I’d be listening for, to tell me I was home again.
Rosemary Sutcliff (Knight's Fee)
But I did love Blackwood Manor, with the irrational and possessive love that only great houses can draw from us—houses that say, “I was here before you were born and I’ll be here after you”; houses that seem a responsibility as much as a haven of dreams.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
Noble born,” Roc fills in, as if he can read the questions on my face.  He spins us and I melt into his movements.  “Our family founded a society known as the Bone Society. Keepers of Time. Creators of Time. It was necessary, considering what we are. But beyond the beasts, we were the elite.” He laughs and the sound rumbles deeply through his chest. “Vane and I grew up in manor houses and castles, every whim catered to.”  I can’t imagine Vane being one of those wealthy spoiled assholes I came to know so well in my world. The kind of men who believed everything belonged to them, and if it didn’t, they would take it.
Nikki St. Crowe (The Fae Princes (Vicious Lost Boys, #4))
Beyond the possibility of disturbing the monks within the chapel, he said, “It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.
Diana Gabaldon (Outlander (Outlander, #1))
It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.
Diana Gabaldon (Outlander (Outlander, #1))
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd had to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- to the manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd have to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- tot he manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
In the village where I was born, most people were quite simple folk, as were my parents. There were only a few prominent residents: the mayor, the doctor, the notary and some members of the aristocracy who lived in manor houses on the edge of the village. The children of these prominent citizens were different. They didn’t run; they walked upright and bashed their knees in falls a lot less frequently. They had different toys as well. We had spinning tops, balls and elastic. They had a diabolo, walked with books on their heads and later they were given a horse. Our kind of children played from the age of ten in the brass band; they were given piano lessons at home and on Sundays they would listen to Peter and the Wolf. There were differences: you could see that instantly. But ours was the majority and from belonging to the majority we derived our pride and strength. Looking back, this strikes me as odd. At university, all the prominent children of the country had come together and now they formed the majority. They had walked about with books on their heads and they all knew >Peter and the Wolf backwards. Theirs were tales about the decline of the aristocracy – some of these were quite hilarious. It’s the way you tell ‘em.
Connie Palmen (De wetten)
In the village where I was born, most people were quite simple folk, as were my parents. There were only a few prominent residents: the mayor, the doctor, the notary and some members of the aristocracy who lived in manor houses on the edge of the village. the children of these prominent citizens were different. They didn’t run; they walked upright and bashed their knees in falls a lot less frequently. They had different toys as well. We had spinning tops, balls and elastic. They had a diabolo, walked with books on their heads and later they were given a horse. Our kind of children played from the age of ten in the brass band; they were given piano lessons at home and on Sundays they would listen to Peter and the Wolf. There were differences: you could see that instantly. But ours was the majority and from belonging to the majority we derived our pride and strength. Looking back, this strikes me as odd. At university, all the prominent children of the country had come together and now they formed the majority. They had walked about with books on their heads and they all knew Peter and the Wolf backwards. Theirs were tales about the decline of the aristocracy – some of these were quite hilarious. It’s the way you tell ‘em.
Connie Palmen (De wetten)
Southern Rhodesia who was reading geology. I tutored
Peter Rimmer (To the Manor Born (The Brigandshaw Chronicles #4))
I know I’ve been nothing but a pain to you ever since I came here.” “Not true,” I said, kissing her palm. “You’ve helped me and healed me. Fed me more bacon than any one man—or wolf—ought to eat in one sitting…” “Victor…” She laughed at that and I was glad to see the smile on her face. “Come on, it was only three packs.” “But now I got nothing to make BLTs with,” I complained. “So that’s what the lettuce and tomato in the fridge are for,” she said. “I thought maybe they were for salad.” “Salad? No fucking way.” I grinned at her. “I’m a wolf, baby—I can’t live on bunny food.” “How about a steak then?” She looked at the clock on the bedside table. “It’s almost dinnertime and I thought I saw one in there. Let me make you something to eat.” “The only thing I want to eat right now…” I started and saw her creamy cheeks flush red. “Victor…” “Is a big juicy medium rare steak,” I finished. Taylor slapped me on the chest. “Now stop that—you’re making me embarrassed.” “What?” I spread my hands innocently. “I was just saying how hungry I am. So yes, I’d love a steak. Uh, do you know how to cook though?” “I’ve only been a vampire for six years,” she reminded me. “I’m an excellent cook.” “Go to it, then, woman.” I pointed at the door. “Go make me a steak.” “Yes, sir!” She gave me a little salute and giggled, a soft sound that made me want to take her down to the bed and kiss her and tickle her until she made that sound again—as well as a lot of others.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
When she was a child, she'd often wondered about the old manor. Some said the place was haunted, but she thought it mysterious. Sometimes when she was a girl, she would wander through the wrought-iron gate along Ladenbrooke's stone wall. The fragrance from flowers on the other side captivated her along with the beauty of the gardens. The butterflies reminded her of the fairies she'd loved as a child and, when she was older, of the fairies dancing through the magical garden in 'A Midsummer Night's Dream.' Shakespeare was born forty miles from here. In Stratford-upon-Avon. Perhaps the gardens in the Cotswolds inspired him as they once inspired her.
Melanie Dobson (Shadows of Ladenbrooke Manor)
No chance of a ceremony inside the church,” he reported to Kev and Cam as they gathered in the main parlor. “It’s a sodding mess.” “We’ll get married on the church steps, then,” Kev said. “Impossible, I’m afraid.” Leo looked rueful. “According to the rubric of the church, it has to be inside a church or chapel that has been officially licensed. And neither the vicar nor the rector dare go against the laws. The consequences are so severe that they might receive three years’ suspension. When I asked where the nearest licensed chapel was, they looked in the records. As it happens, about fifty years ago our estate chapel was licensed for a family wedding, but it ran out since then.” “Can we renew it?” Cam asked. “Today?” “I asked that. The rector seemed to think it was an acceptable solution, and he agreed as long as Merripen and Win promised to privately solemnize the marriage at the church as soon as the roof is repaired.” “But the marriage would be legal starting today?” Kev demanded. “Yes, legal and registered, as long as it’s held before noon. The church won’t recognize a wedding if it’s held even one minute after twelve.” “Good,” Kev said curtly. “We’ll marry this morning at the estate chapel. Pay the rector whatever he demands.” “There’s only one problem with this plan,” Cam said. “We don’t have an estate chapel. At least, I’ve never seen one.” Leo looked blank. “What the bloody hell happened to it?” They both glanced at Kev, who had been in charge of the estate restoration for the past two years. He had taken down walls, razed small buildings, and made new additions to the original manor house. “What did you do with the chapel, phral?” Cam asked apprehensively. A scowl settled on Kev’s face. “No one was using it except some nesting birds. So we turned it into a granary and attached it to the barn.” In the face of their silence, he said defensively, “It still counts.” “You want to be married in a granary?” Leo asked incredulously. “Among bins of animal feed?” “I want to be married anywhere,” Kev said. “The granary’s as good a place as any.” Leo looked sardonic. “Someone may want to ask Win if she is willing to be married in a former chapel that now amounts to a shed attached to the barn. Forbearing as my sister is, even she has standards.” “I’m willing!” came Win’s voice from the stairs. Cam smothered a grin. Leo shook his head and spoke in his sister’s direction. “It’s a barn, Win.” “If our Lord didn’t mind being born in a stable,” she replied cheerfully, “I certainly have no objection to being married in a barn.” Briefly lifting his gaze heavenward, Leo muttered, “I’ll go take care of the renewal fee. I can hardly wait to see the vicar’s expression when I tell him we’ve turned the chapel into a granary. It doesn’t reflect well on this family’s piety, let me tell you.” “You’re concerned about appearing pious?” Kev asked. “Not yet. I’m still in the process of being led astray. But when I finally get around to repenting, I’ll have no damned chapel for it.” “You can repent in our officially licensed granary,” Cam said, shrugging into his coat. 
Lisa Kleypas (A Hathaway Wedding (The Hathaways, #2.5))
It would not be long before there were twice as many people in the world as there had been when he, Emory Frost, had been born in that quiet old manor house in Kent. And after that three times as many; and then four—and five… There would be more Restrictions, more Discipline, more Laws. And more Tyranny!…all the things he had rebelled against. There would be no escaping them, and he wondered if the world of the next century would be the better for them or the worse, and why he should never have realized before that what he had taken to be misfortune had, in reality, been luck in disguise. Incredible luck!
M.M. Kaye (Trade Wind)
The mornings were occupied with lessons. Father taught me himself and he made everything interesting. He was a born teacher, with ideas upon education greatly in advance of his time. I enjoyed my hours with him, they passed quickly—he led my mind from one point to another, so that I learned almost without knowing it. In the afternoon I took the path over the hill to the Manor stables to exercise Garth’s pony and his dog. It was a routine life, busy and useful. The days passed quickly.
D.E. Stevenson (The Young Clementina)