Tiv Quotes

We've searched our database for all the quotes and captions related to Tiv. Here they are! All 51 of them:

Verba volant, scripta manent. In Tiv you would say, ‘Spoken words fly away, written words remain.
Ted Chiang (The Truth of Fact, The Truth of Feeling (Exhalation))
Everyone knew Ava and her wives. They were the model household for the community, one every husband cited when his wives disagreed. Ava was a tall, rather light-skinned woman who was . . . the senior of five wives. . . . She saved up 40 or 50 shillings (about $55 to 67 in 2020 values) every few years, searched out an industrious girl of congenial character, and presented her to her husband: “Here is your new wife.” Ava’s husband always welcomed her additions to his household and he always set to work to pay the rest of the bridewealth, for he knew perfectly well that Ava always picked hard-working, healthy, handsome, steady women who wouldn’t run away. Many men envied him.
Elenore Smith Bowen (Return to Laughter: An Anthropological Novel (The Natural History Library))
2. Eye Contact: Maintain eye contact—not a hard gaze, which can be threatening, but look people in the eye. Avoid averting your gaze, which can be interpreted as an expression of fear, lack of interest, disregard, or rejection. 3. Facial Expression: Keep a relaxed face and a composed expression. A calm, attentive expression reduces hostility. Conversely, looking bored or disapproving could increase hostility. 4. Voice: Correct use of tone, inflection, and volume is essential to convey the right message of confidence or assertiveness as needed. Verbal Tactics When we interact with a friend or family member, we usually know their background and personal mannerisms and, therefore, we’re generally familiar with how they’ll respond in a given situation. When dealing with strangers, however, we don’t have this knowledge, so we never know when or why someone may turn on us. This is where the tactical use of our voice is necessary. By recognizing your situation and implementing the correct combination of your voice (TIV), words, and body language, the appropriate response can be communicated. It’s important to be able to set verbal boundaries to protect yourself. Be sure you’re sending the same message with all of your tools. For example, you’re approached by a coworker who asks you out to dinner. You respond by selecting all of the correct words, telling him that you’re very flattered but do not date people within your work environment. Y
Darren Levine (Krav Maga for Women: Your Ultimate Program for Self Defense)
Loretta snuggled deeply into silken furs, trying to escape the persistent hand that shook her shoulder and the voice that called to her. Not her name, anyway. Blue Eyes. What kind of name was that? “Blue Eyes, you will be awake now. Home…you wish for home?” Home. Amy and Aunt Rachel. The gray down quilt. Pork slab and eggs for breakfast. Coffee on the porch when the sun peeked over the horizon and streaked the sky with crimson. Home. To laughter and love and safety. Oh, yes, she wished for home. “Be awake, little one. This Comanche will take you back. Loh-rhett-ah? Wake up, Hoos-cho Soh-nips, Bird Bones, you must eat and grow strong so you can go home. To your people and your wooden walls.” Loretta opened her eyes. She rolled onto her back and blinked. A dark face swam above her. Funny, but blinking didn’t bring him into focus. She reached out, curious, then thought better of it. “You will make the honey talk with me? We will make a treaty between us, one with no tiv-ope, writing. You will eat and grow strong, and I will take you to your people.” Honey talk. All lies, according to Hunter. Loretta peered up. She ran her tongue across her lips and tried to swallow. “H-home?” she croaked. “Huh, yes, Blue Eyes. Home. But you must eat so you can live to go back. And drink. For three days. Until you are strong again.” His fingertips grazed her cheek and trailed lightly into her hair. “Then this Comanche will take you.” “You will?” she rasped. “It is a promise I make. You will eat and drink?” Loretta closed her eyes. She had to be dreaming. But oh, what a lovely dream it was. To go home. To have Hunter volunteer to take her there. No need to worry that his wrath would rain upon her family. “No tricks. You swear it?” “No tricks.” His voice echoed and reechoed inside her head, loud, then like a whisper. She fought to open her eyes. The darkness was surrounding her again. “Then I will eat.
Catherine Anderson (Comanche Moon (Comanche, #1))
iv el y c al l i ng for t h e r e clamatio n of c o m m u n i s m a s t h e n ame for a rev o l u t i o n ary u n i ve r s a l egali t rui an i s m , B ad i o u i n s i s t s o n a c o m m u n i s m d i s c o n ne c te d from t h e " o u tmo d e d " forms of Party and St at e . Hardt a n d N egri l i kewi s e rej e c t Party and State: "Being commu­ nist means being aga i nst the State . "8 They emp h a s i z e i n s te a d t h e c o n s t i tu e n t p o w e r o f d e s i re a n d t h e affec ­ tiv e , c re ativ e p ro d u c ti v i ty o f t h e mu l t i tu d e a s the c o m m u n i s m u n de r p i n n i n g and e x c e ed i ng c ap itali s m . T h i s i s n o t m y v iew. I agree w i th Bo s t e e l s and Zi z e k t h a t a p o l i t ic s w i t h o u t t h e organi zatio n a l form o f t h e p arty i s a polit i c s wi t h o u t p o l i ti c
Anonymous
We were the Fon, the Ibo, the Hausa, the Ashanti, the Mandinka, the Ewe, the Tiv, and the Ga. We were the Fante, the Fulani, the Ijaw, the Mende, the Wolof, the Yoruba, the BaKongo, and the Mbundu. We were the Serere, the Akan, the Bambara and the Bassa. And we were proud. We knew our ancestors by name. They
Daniel Black (The Coming)
He had come to trust what was written on paper over what was said by people, and that wasn’t the Tiv way. The assessment report of the Europeans was vough; it was exact and precise, but that wasn’t enough to settle the question. The choice of which clan to join had to be right for the community; it had to be mimi. Only the elders could determine what was mimi; it was their responsibility to decide what was best for the Shangev clan. Asking Sabe to defer to the paper was asking him to act against what he considered right.
Ted Chiang (The Truth of Fact, The Truth of Feeling (Exhalation))
Why the fuck are you naked?" he demanded. "It's how I express my inner crea-tiv-it-ai," he said innocently. "I need to be free of clothes when I paint, it is my way, sir.
Caroline Peckham (Alpha Wolf (Darkmore Penitentiary, #2))
What were you doing? This lot said you were over there," he growled, pointing to the section of the library he'd just searched. Rosa batted her lashes. "I went to see how Plunger was getting on. He's slowing down our work by trying to use his dick as a paintbrush." Plunger shrugged like that wasn't unusual behaviour. "It is the way of my crea-tiv-it-ai." “It’s creativit- tee ,
Caroline Peckham (Alpha Wolf (Darkmore Penitentiary, #2))
Most often the ability to combine the correct tone, inflection, and volume (TIV) with your words is natural and easy in everyday life. But when we’re in an uncomfortable situation, our emotions can get the best of us and cause the combination to be off-balance. Although the words we choose are important, the way we say them can be more important. Our body language also plays a big part in the message we convey. A great example of how all of these pieces (voice [TIV], words, body language) play a role in our demeanor is to observe how a child responds to a situation. It’s so easy to tell when children are mad, sad, or happy. They absolutely wear their emotions on their sleeves. Your collective demeanor (body language, eye contact, facial expression, voice [TIV]) should match the message you want to convey in all situations. 1. Body Language: Posture should be relaxed, but alert and confident. Stand with your feet slightly staggered (one foot slightly ahead of the other) about shoulder-width apart, with your weight evenly distributed over both feet. Keep your back straight, your head up, and your hands up in front of you in some fashion. Avoid folding your arms or having your hands in your pockets. Also avoid shifting your weight from side to side or pacing because this conveys you’re nervous. 2. Eye Contact: Maintain eye contact—not a hard gaze, which can be threatening, but look people in the eye. Avoid averting your gaze, which can be interpreted as an expression of fear, lack of interest, disregard, or rejection. 3. Facial Expression: Keep a relaxed face and a composed expression. A calm, attentive expression reduces hostility. Conversely, looking bored or disapproving could increase hostility. 4. Voice: Correct use of tone, inflection, and volume is essential to convey the right message of confidence or assertiveness as needed.
Darren Levine (Krav Maga for Women: Your Ultimate Program for Self Defense)
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