Tissue Box Quotes

God Layken. How do you do it? she says. She blows her nose and grabs another tissue out of the box. How do I do what? I sniff as I continue to wipe the tears from my eyes. How do you not fall in love with him? The tears begin flowing just as quickly as they had ceased. I grab yet another tissue. I don't not fall in love with him. I don't not fall in love with him a lot!

Perhaps they were looking for passion; perhaps they delved into this book as into a mysterious parcel - a gift box at the bottom of which, hidden in layers of rustling tissue paper, lay something they'd always longed for but couldn't ever grasp.

Liz looks at the tissue box, which is decorated with drawings of snowmen engaged in various holiday activities. One of the snowmen is happily placing a smiling rack of gingerbread men in an oven. Baking gingerbread men, or any cooking for that matter, is probably close to suicide for a snowman, Liz thinks. Why would a snowman voluntarily engage in an activity that would in all likelihood melt him? Can snowmen even eat? Liz glares at the box.

While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.” I looked at him, quizzical. Again, it was a strange enough concept to hold my attention. “There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face. My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?” “Sad things,” Beck said. “Do you have a lot of sad things in your head?” “No,” I said. Beck sucked in his lower lip and released it slowly. “Well, I do.” This was shocking. I didn’t ask a question, but I tilted toward him. “And these things would make me cry,” Beck continued. “They used to make me cry all day long.” I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable. “You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.” “Brain tape?” I suggested, with a little smirk. I was eight, after all. Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.” “How did you use the brain tape?” “You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?” I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open. “Mom,” I whispered. I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow. “What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars. Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken. “Me,” I said.

his hands out wide in a gesture that I’m assuming represents “anywhere”—and knocks over a tissue box in the process. He pauses, flustered. Picks it up. Then, unbelievably, continues right where he left off.

Do you have everything you need?" No. She needed blinders to keep from staring at him, and a box of tissue to wipe the drool. Throw in some steel armour for her heart and a fail-safe chastity belt, and then she'd be good to go.

The newcomer struck him as an enterprising sort of man. The kind that would slit your throat for a box of tissues in your bag while you slept.

When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.

I’ll bring you a special tea . . . to soothe your nerves, my dear. Is that fine?” Nyx spoke softly to Andy. Andy nodded, “Yes, thank you.” Galen handed Andy a box of tissues. “I think she needs something stronger; vodka, perhaps?

He yanked his t-shirt out of his jeans, pulled a penknife out of his pocket, cut away the hem and pressed it against my temple. This must have meant he didn’t have tissues in the glove box.” Excerpt From: Ashley, Kristen. “Rock Chick Rescue.” Kristen Ashley. iBooks. This material may be protected by copyright.

I have a lock of his hair, a handful of his ashes, a box of his letters, a goatskin tambourine. And in the folds of faded violet tissue a necklace, two violet plaques etched in Arabic, strung with black and silver threads, given to me by the boy who loved Michelangelo.

He took the box but did not avail himself of a tissue. She understood. Sometimes it was comforting to feel the wetness of grief's tears on your face.

Restoring order of my personal universe suddenly seemed imperative, as I refolded my T-shirts, stuffed the toes of my shoes with tissue paper, and arranged all the bills in my secret stash box facing the same way, instead of tossed in sloppy and wild, as if by my evil twin. All week, I kept making lists and crossing things off them, ending each day with a sense of great accomplishment eclipsed only by complete and total exhaustion.

For my twenty-seventh birthday, I was really looking forward to your father's gift...But there was no box. There was no bag with tissue sticking out of the top. We sat down on his bed, in his closet room, as he gave me an envelope...Instead, there was a blank card with these instructions: 'Write down all of your goals.' Then he had me recite them back to him. And after every goal I read out loud to him, he replied, 'So it shall be. '... And despite having put anal beads up another grown man's ass in a previous relationship, I had never experienced and activity that was so intimate. And straight up free.

The siblings crowd us as Jamie and I each open a box. I lift the lid and push some tissue paper aside. Then I pull out a gorgeous hand-thrown coffee mug. It says “HIS” on the side. I hear laughter and look over at Jamie’s gift. Another mug reading “HIS.

Dicky and Maude lived within familiar confines: the Ivy League, the Junior League, The Social Register, Emily Post, Lilly Pulitzer, the Daughters of the American Revolution, Windsor knots, cummerbunds, needlepointed tissue box covers, L.L. Bean, Memorial Day, Labor Day, waterfowl-based décor.

a body is skin wrapped around stories, is tissue filled with veins that the truth runs through, is a box of bones with a voice inside. i don't want to be a volcano. i want to be a garden full of flowers bursting open toward life, all of them singing, i'm here. i mean something. i want to live.

It was a box of tissues.

I open the little red box and push the tissue paper away. Inside, I find a silver necklace with a little tiny fork charm hanging off it.

It was the ultimate jilted ex-girlfriend moment. Empty boxes and wrappers of Tastykakes littered the bedroom floor while Celine Dion's "All By Myself" blasted away for the 100th time. Tears streamed down my face as I devoured the last cupcake. There was no point getting out of bed. I had Celine, a box of tissues, and was moving on to the Butterscotch Krimpets next.

Grasping the handle, I turn the mug upside down to see if she’s signed it. Sure enough, there’s something etched into the unglazed bottom. I have to squint to read the tiny letters. Dear Ryan. Thank you for making Jamie so happy. He loves you and so do we. Welcome to the Canning clan. Oh boy. There’s a burn at the back of my throat, and I concentrate hard on settling the mug back into the box. I spend more time than necessary tucking the tissue paper around it with the care of someone performing neurosurgery. When I’m finally ready to look up again, Jamie’s mom is waiting for me. The warm look in her eye makes the sting in my throat even worse.

At that, Marty howled great big, messy sobs, and Elanor, the little lady in the yellow suit, who organized the weddings at the church, came running with a box of tissue. Oz appeared in the vestibule, looking alarmed. “Is everything all right? I thought someone was strangling a duck.” “Do you mind?” Marty snapped. “Me and the bride, here, we’re having a moment.

I can go barefoot.” He chuckles. “You could. But have you looked under the camera box?” “Under?” I go back to the table and pull out the box. Sure enough, there’s something else there, wrapped in blue tissue paper. I look at him, but his expression gives nothing away. Slowly, I pull out the tissue paper. Whatever’s hidden is flat and firm. I peel back the paper until I reveal a pair of black flip-flops. I look up at Damien and grin. “For walking on the beach,” he says. “Thank you.” “Anything you want. Anything you need.

Packing up. The nagging worry of departure. Lost keys, unwritten labels, tissue paper lying on the floor. I hate it all. Even now, when I have done so much of it, when I live, as the saying goes, in my boxes. Even to-day, when shutting drawers and flinging wide a hotel wardrobe, or the impersonal shelves of a furnished villa, is a methodical matter of routine, I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood.

Josh? Can you come to my room?” My wolfish grin broke some of the tension on her face. “Oh, stop. There’s a spider. I need you to kill it. Please. Before it disappears and I have to burn my whole house down.” I laughed. “Should I get my gun or…?” She bounced nervously. “Josh, I’m serious. I hate them. Please help me.” I pulled a few tissues from the box on my nightstand. “You know, you seem too fearless to be afraid of spiders.” “A black widow killed my schnauzer when I was a kid. Embracing a lifelong debilitating fear of spiders is cheaper than therapy.” She stopped in the doorway of her room like there was an invisible force field, and I almost bumped into her back.

When you give me art—give me something that reaches inside of my core and twists, taking the very breath that sustains me away. Give me something that wakens me from my lethargy. Give me something that causes me to ponder and question all that I have come to know; due to my circumstances that I have been allotted in this life. Give me something that causes me to question my pride and arrogance of knowing that I am right in my thoughts, beliefs and perceptions. Shake me: as if you had grabbed me and pushed me against the wall—shattering all of my preconceived notions; causing me to break out of the box that I have put others in. Give me something that scraped over the scar tissue of wounds that you carry within, opening them afresh and causing you pain—real core pain—pain that you had pushed down; pain that now resides in your closet of skeletons. When you give me art, give me you, or give me nothing at all… ©2014 Suzanne Steele

You shouldn’t call me crazy. They don’t like that.” Scarlet faced her again, her gaze dragging down the raised scar tissue on her cheek. “But you are crazy.” “I know.” She lifted a small box from the basket. “Do you know how I know?” Scarlet didn’t answer. “Because the palace walls have been bleeding for years, and no one else sees it.

Abby wouldn't want you to suffer because of some jerk that kidnapped her. She would want you to go on your trip so that she would have fun torturing you for not being a puddle on the ground with a box of tissues and an empty gallon of ice cream by your side. Then afterwards to hit you for thinking she was seriously hoping you would be doing that.

Right," I said, nodding energetically and trying to determine whether any of the rectangles in my peripheral vision was a box of tissues. Unfortunately, they were all books. The professor was talking about the differences between creative and academic writing. I kept nodding. I was thinking about the structural equivalences between a tissue box and a book: both consisted of slips of white paper in a cardboard case; and yet-- and this was ironic-- there was veery little functional equivalence, especially if the book wasn't yours. These were the kinds of things I thought about all the time, even though they were neither pleasant or useful. I had no idea what you were supposed to be thinking about.

I decided to go for the honest answer. “My guess is I’m going to bed with a mental image of you, some lube and a box of tissues.

I used to keep a box of tissues in my office in case of tears. Then a person I worked with made a habit of coming into my office and crying every Friday afternoon.

I looked around my office. But I was a man. I didn’t keep a box of tissues handy.

My own hair reposes in a cardboard box in a steamer trunk in my mother’s cellar, where I picture it becoming duller and more brittle with each passing year, and possibly moth-eaten; by now it will look like the faced wreaths of hair in Victorian funeral jewelry. Or it may have developed a dry mildew; inside its tissue-paper wrappings it glows faintly, in the darkness of the trunk.

That’s ridiculous!” I said, and with such genuine indignation that Al chuckled. The chuckles tried to morph into a coughing fit and he stifled them. Here in the privacy of his own home, he wasn’t using tissues, handkerchiefs, or napkins to deal with that cough; there was a box of maxi pads on the table beside his chair. My eyes kept straying to them. I’d urge them away, perhaps to look at the photo on the wall of Al with his arm around a good-looking woman, then find them straying back. Here is one of the great truths of the human condition: when you need Stayfree Maxi Pads to absorb the expectorants produced by your insulted body, you are in serious fucking trouble.

Why can’t I write something that would awake the dead? That pursuit is what burns most deeply. I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés. Yet I have a lock of his hair, a handful of his ashes, a box of his letters, a goatskin tambourine. And in the folds of faded violet tissue a necklace, two violet plaques etched in Arabic, strung with black and silver threads, given to me by the boy who loved Michelangelo.

Hey Kells, Miss you. Come home soon. I figured you'd like something more girlish to go with my amulet. There's also an extra gift in the box, just in case you need it. - Kishan" I set the necklace aside and dug through the box. A small cylinder was wrapped in tissue paper. Unrolling it, a cold, metal canister fell into my palm. It was a can of pepper-spray. On it, Kishan had taped a picture of a tiger with a circle and a slash across its face. At the top were the words "Tiger Repellant" in big black letters.

Wes’s big hand pulls back the tissue. He squints at the thing inside. Then he carries the box over to the window to see it better. “It’s…made of purple Skittles?” “Yeah.” My voice is like gravel. He picks it up in two fingers, the one-inch circular shape outlined against the city lights. “It’s a…?” He bites off the question, as if afraid to guess wrong. “Ring,” I croak. “You…I…” My mouth is like sandpaper. “In that interview, you said you wanted…” Deep breaths. “To get married some day. And I think that’s something we should do.

I fully intend to say all this to Wendell as I get comfortable on the couch, but instead all that comes out is a torrent of tears. Through the blur, I see the tissue box soaring toward me. Once again, I miss the catch. (In addition to being dumped, I think, I’ve become uncoordinated.) I’m both surprised by and ashamed of my outburst—we haven’t even greeted each other yet—and every time I try to pull it together, I get in a quick “I’m sorry” before I lose it again. For about five minutes, my session goes like this: Cry. Try to stop. Say, I’m sorry. Cry. Try to stop. Say, I’m sorry. Cry. Try to stop. Say, Oh God, I’m really sorry.

I was climbing into bed one night, accompanied by all the usual paraphernalia – laptop, Kindle, box of tissues for my early morning nose – my nose will kill me one day – notebook and a couple of pens – because they all run out together – and a Terry Pratchett novel. The great man is probably most alarmed to find that death has not released him from the burden of having me take him to bed every night.

Multiple blows to the head, whether in football, soccer, boxing, hockey, or other activity, can sometimes cause permanent brain damage accompanied by changes in personality, memory, and thinking. Chronic traumatic encephalopathy, or CTE, is the medical term for the damage caused by these repeated concussions. Standard MRIs cannot detect it, so a diagnosis of CTE usually cannot be made with certainty until after a person has died. Only on autopsy can a pathologist see the damaged brain tissue.

Can I give you my gift now?” Blake reached in his pocket. “You gave me this already.” Livia wiggled her ring finger. He unfolded the music and held it open for her.“You wrote me a song,” she gasped. “I love it, though you know I can’t read music.” She kissed his lips and held the paper against her heart. “Wait! Oh my gosh. Let me get your gift.” She grabbed a gift bag Kyle had left by the steps. Just before she could hand it to him, she pulled it back. “But what if you hate it? It’s either perfect or horrible. Now I’m worried.” Blake tilted his head and squinted his eyes. “It’s perfect. I’m sure of it. Hand it over.” Livia looked sheepish as he moved the tissue paper out of the way. He unrolled the familiar-shaped cardboard and stared at the keyboard she had painstakingly drawn. Livia tried to cover her worry with words. “I’m not sure if I should have replaced it. I mean, I know nothing could replace it. I tried to get the keys right. I went through like ten boxes and—” Blake could move quickly when he wanted to, and she gasped as he kissed her mid-word. He finally stopped long enough to thank her. “Every time I think I couldn’t love you a bit more, you stretch my heart again.

Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper. Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut.

Mr. Freeman: "Time's up, Melinda. Are you ready?" I hand over the picture. He takes it in his hands and studies it. I sniff again and wipe my eyes on my arm. The bruises are vivid, but they will fade. Mr. Freeman: "No crying in my studio. It ruins the supplies. Salt, you know, saline. Etches like acid." he sits on the stool next to me and hands back my tree. "You get an A+. You worked hard at this." He hands me the box of tissues. "You've been through a lot, haven't you?" The tears dissolve the last block of ice in my throat. I feel the frozen stillness melt down through the inside of me, dripping shards of ice that vanish in a puddle of sunlight on the stained floor. Words float up. Me: "Let me tell you about it.

But then, as I’m leaving school, I see John parked out front. He’s standing in front of his car; he hasn’t seen me yet. In this bright afternoon light, the sun warms John’s blond head like a halo, and suddenly I’m struck with the visceral memory of loving him from afar, studiously, ardently. I so admired his slender hands, the slope of his cheekbones. Once upon a time I knew his face by heart. I had him memorized. My steps quicken. “Hi!” I say, waving. “How are you here right now? Don’t you have school today?” “I left early,” he says. “You? John Ambrose McClaren cut school?” He laughs. “I brought you something.” John pulls a box out of his coat pocket and thrusts it at me. “Here.” I take it from him, it’s heavy and substantial in my palm. “Should I…should I open it right now?” “If you want.” I can feel his eyes on me as I rip off the paper, open the white box. He’s anxious. I ready a smile on my face so he’ll know I like it, no matter what it is. Just the fact that he thought to buy me a present is so…dear. Nestled in white tissue paper is a snow globe the size of an orange, with a brass bottom. A boy and girl are ice-skating inside. She’s wearing a red sweater; she has on earmuffs. She’s making a figure eight, and he’s admiring her. It’s a moment caught in amber. One perfect moment, preserved under glass. Just like that night it snowed in April. “I love it,” I say, and I do, so much. Only a person who really knew me could give me this gift. To feel so known, so understood. It’s such a wonderful feeling, I could cry. It’s something I’ll keep forever. This moment, and this snow globe. I get on my tiptoes and hug him, and he wraps his arms around me tight and then tighter. “Happy birthday, Lara Jean.

Colonel Melchett silently marvelled at the amount of aids to beauty that women could use. Rows of jars of face cream, cleansing cream, vanishing cream, skin-feeding cream! Boxes of different shades of powder. An untidy heap of every variety of lipstick. Hair lotions and “brightening” applications. Eyelash black, mascara, blue stain for under the eyes, at least twelve different shades of nail varnish, face tissues, bits of cotton wool, dirty powder-puffs. Bottles of lotions—astringent, tonic, soothing, etc. “Do you mean to say,” he murmured feebly, “that women use all these things?” Inspector Slack, who always knew everything, kindly enlightened him. “In private life, sir, so to speak, a lady keeps to one or two distinct shades, one for evening, one for day. They know what suits them and they keep to it. But these professional girls, they have to ring a change, so to speak. They do exhibition dances, and one night it’s a tango and the next a crinoline Victorian dance and then a kind of Apache dance and then just ordinary ballroom, and, of course, the makeup varies a good bit.” “Good lord!” said the Colonel. “No wonder the people who turn out these creams and messes make a fortune.” “Easy money, that’s what it is,” said Slack. “Easy money. Got to spend a bit in advertisement, of course.” Colonel

There was only one thing in the room that was different. For a moment or so he couldn't see what the one thing that was different was, because it too was covered in a film of disgusting dust. Then his eyes caught it and stopped. It was next to a battered old television on which it was only possible to watch Open University Study Courses, because if it tried to show anything more exciting it would break down. It was a box. Arthur pushed himself up on his elbows and peered at it. It was a grey box, with a kind of dull lustre to it. It was a cubic grey box, just over a foot on a side. It was tied with a single grey ribbon, knotted into a neat bow on the top. He got up, walked over and touched it in surprise. Whatever it was was clearly gift-wrapped, neatly and beautifully, and was waiting for him to open it. Cautiously, he picked it up and carried it back to the bed. He brushed the dust off the top and loosened the ribbon. The top of the box was a lid, with a flap tucked into the body of the box. He untucked it and looked into the box. In it was a glass globe, nestling in fine grey tissue paper. He drew it out, carefully. It wasn't a proper globe because it was open at the bottom, or, as Arthur realized turning it over, at the top, with a thick rim. It was a bowl. A fish bowl. It was made of the most wonderful glass perfectly transparent, yet with an extraordinary silver-grey quality as if crystal and slate had gone into its making. Arthur slowly turned it over and over in his hands. It was one of the most beautiful objects he had ever seen, but he was entirely perplexed by it. He looked into the box, but other than the tissue paper there was nothing. On the outside of the box there was nothing. He turned the bowl round again. It was wonderful. It was exquisite. But it was a fish bowl. He tapped it with his thumbnail and it rang with a deep and glorious chime which was sustained for longer than seemed possible, and when at last it faded seemed not to die away but to drift off into other worlds, as into a deep sea dream. Entranced, Arthur turned it round yet again, and this time the light from the dusty little bedside lamp caught it at a different angle and glittered on some fine abrasions on the fish bowl's surface. He held it up, adjusting the angle to the light, and suddenly saw clearly the finely engraved shapes of words shadowed on the glass. "So Long," they said, "and Thanks ..." And that was all. He blinked, and understood nothing. For fully five more minutes he turned the object round and around, held it to the light at different angles, tapped it for its mesmerizing chime and pondered on the meaning of the shadowy letters but could find none. Finally he stood up, filled the bowl with water from the tap and put it back on the table next to the television. He shook the little Babel fish from his ear and dropped it, wriggling, into the bowl. He wouldn't be needing it any more, except for watching foreign movies

A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed? “You have a present.” “What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.” Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.” After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud. “‘To Mom and Zach. Have fun tonight. Bre.’” Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.” “My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.” “Would you like me to? It’s addressed to both of us.” “I’m even more afraid for you to open it.” “Go ahead. It can’t be that bad.” “You don’t know my daughter.” Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped. “Oh, my God. I can’t believe she did this!” She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.” “I am going to kill her, after I beat her.” Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.” Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.” She huffed out a breath. “Can we close the box now?” “Not yet. I like it when you blush.” Zach grinned when Jade scowled at him. “This is completely spoiling the mood.” “I won’t have any problem getting hard again.” “Zach!” Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.” Jade covered her eyes with one hand. “I don’t believe this,” she muttered. “Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.” “Okay, that’s enough.” Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.” “I don’t care what they are.” “You might care about one of them.” Zach held up a large box of condoms. “Oh.” He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.” “One hundred?” “All different types, sizes, and colors.” Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?” “Cherry-flavored lubricant. It looks like she thought of everything.” “You must think my daughter is crazy.” “I think your daughter loves you very much and wants you to be happy.” “That’s true. But we won’t use all this…stuff.” “Who says we won’t?

The last time I saw Collin was in 1917, at the foot of Mort-Homme. Before the great slaughter, Collin’d been an avid angler. On that day, he was standing at the hole, watching maggots swarm among blow flies on two boys that we couldn’t retrieve for burial without putting our own lives at risk. And there, at the loop hole, he thought of his bamboo rods, his flies and the new reel he hadn’t even tried out yet. Collin was imaging himself on the riverbank, wine cooling in the current his stash of worms in a little metal box and a maggot on his hook, writhing like… Holy shit. Were the corpses getting to him? Collin. The poor guy didn’t even have time to sort out his thoughts. In that split second, he was turned into a slab of bloody meat. A white hot hook drilled right through him and churned through his guts, which spilled out of a hole in his belly. He was cleared out of the first aid station. The major did triage. Stomach wounds weren’t worth the trouble. There were all going to die anyway, and besides, he wasn’t equipped to deal with them. Behind the aid station, next to a pile of wood crosses, there was a heap of body parts and shapeless, oozing human debris laid out on stretchers, stirred only be passing rats and clusters of large white maggots. But on their last run, the stretcher bearers carried him out after all… Old Collin was still alive. From the aid station to the ambulance and from the ambulance to the hospital, all he could remember was his fall into that pit, with maggots swarming over the open wound he had become from head to toe… Come to think of it, where was his head? And what about his feet? In the ambulance, the bumps were so awful and the pain so intense that it would have been a relief to pass out. But he didn’t. He was still alive, writhing on his hook. They carved up old Collin good. They fixed him as best they could, but his hands and legs were gone. So much for fishing. Later, they pinned a medal on him, right there in that putrid recovery room. And later still, they explained to him about gangrene and bandages packed with larvae that feed on death tissue. He owed them his life. From one amputation and operation to the next – thirty-eight in all – the docs finally got him “back on his feet”. But by then, the war was long over.

I wanna tissue! I’ve got slug in my toes, I wanna tissue!” Annabel just carried on laughing as she dropped the glove box to

1. Give your toddler some large tubular pasta and a shoelace.  Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor.  Give him a small ball such as a Ping Pong ball to roll down the tube.   3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste.  Then let her have fun stacking them.     4. Wrap a small toy and discuss what might be inside it.  Give it to him to unwrap. Then rewrap as he watches.  Have him unwrap it again.    5. Cut  such fruits as strawberries and bananas into chunks.  Show her how to slide the chunks onto a long plastic straw.  Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it.   6. Place a paper towel over a water-filled glass.  Wrap a rubber band around the top of the glass to hold the towel in place.  Then place a penny on top of the paper towel in the centre of the glass.  Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass.   7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool.  Show him how to place these lengths of wool on the sandpaper and how the strands stick to it.   8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper.  Cut it into several pieces to create a puzzle.   9. Give her two glasses, one empty and one filled with water.  Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass.   10. Tie the ends/corners of several scarves together.  Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid.  Let your toddler enjoy pulling the scarf out of the container.   11. Give your child some magnets to put on a cookie sheet.  As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc.   12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern.  Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do.    13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters.  Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact.  See if your child can place the cookie cutters back into their appropriate holes.        14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish.   15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper.  Make sure you have several of the same colour.  Choose primary colours.  See if he can match the colours.  Initially, he may be just content to play with the colored chips stacking them or making patterns with them.

Some days, Rafe Sullivan hated his job. The elegantly dressed woman seated in front of him had tears streaming down her face, and her once-flawless makeup was running in black streams down her cheeks. He slid the box of tissues closer to her, but she was too busy sobbing and clutching

Terminology and classification Leukaemias are traditionally classified into four main groups: • acute lymphoblastic leukaemia (ALL) • acute myeloid leukaemia (AML) • chronic lymphocytic leukaemia (CLL) • chronic myeloid leukaemia (CML). In acute leukaemia there is proliferation of primitive stem cells leading to an accumulation of blasts, predominantly in the bone marrow, which causes bone marrow failure. In chronic leukaemia the malignant clone is able to differentiate, resulting in an accumulation of more mature cells. Lymphocytic and lymphoblastic cells are those derived from the lymphoid stem cell (B cells and T cells). Myeloid refers to the other lineages, i.e. precursors of red cells, granulocytes, monocytes and platelets (see Fig. 24.2, p. 989). The diagnosis of leukaemia is usually suspected from an abnormal blood count, often a raised white count, and is confirmed by examination of the bone marrow. This includes the morphology of the abnormal cells, analysis of cell surface markers (immunophenotyping), clone-specific chromosome abnormalities and molecular changes. These results are incorporated in the World Health Organization (WHO) classification of tumours of haematopoietic and lymphoid tissues; the subclassification of acute leukaemias is shown in Box 24.47. The features in the bone marrow not only provide an accurate diagnosis but also give valuable prognostic information, allowing therapy to be tailored to the patient’s disease.

Neutrophils Neutrophilia • Infection: bacterial, fungal • Trauma: surgery, burns • Infarction: myocardial infarct, pulmonary embolus, sickle-cell crisis • Inflammation: gout, rheumatoid arthritis, ulcerative colitis, Crohn’s disease • Malignancy: solid tumours, Hodgkin lymphoma • Myeloproliferative disease: polycythaemia, chronic myeloid leukaemia • Physiological: exercise, pregnancy Neutropenia • Infection: viral, bacterial (e.g. Salmonella), protozoal (e.g. malaria) • Drugs: see Box 24.11 • Autoimmune: connective tissue disease • Alcohol • Bone marrow infiltration: leukaemia, myelodysplasia • Congenital: Kostmann’s syndrome Eosinophils Eosinophilia • Allergy: hay fever, asthma, eczema • Infection: parasitic • Drug hypersensitivity: e.g. gold, sulphonamides • Skin disease • Connective tissue disease: polyarteritis nodosa • Malignancy: solid tumours, lymphomas • Primary bone marrow disorders: myeloproliferative disorders, hypereosinophilia syndrome (HES), acute myeloid leukaemia Basophils Basophilia • Myeloproliferative disease: polycythaemia, chronic myeloid leukaemia • Inflammation: acute hypersensitivity, ulcerative colitis, Crohn’s disease • Iron deficiency Monocytes Monocytosis • Infection: bacterial (e.g. tuberculosis) • Inflammation: connective tissue disease, ulcerative colitis, Crohn’s disease • Malignancy: solid tumours Lymphocytes Lymphocytosis • Infection: viral, bacterial (e.g. Bordetella pertussis) • Lymphoproliferative disease: chronic lymphocytic leukaemia, lymphoma • Post-splenectomy Lymphopenia • Inflammation: connective tissue disease • Lymphoma • Renal failure • Sarcoidosis • Drugs: corticosteroids, cytotoxics • Congenital: severe combined

Perhaps you could put a pin in this particular meltdown until later? We can all watch that movie about iron magnolias and weep over a communal box of tissues.

I ripped a tissue out of the box as if it had personally offended me, which it did. Fucking tissue.

He crossed to the small guard station and foraged through its drawers until he found the first-aid box. He threw bottles over his shoulder and they shattered on the ground behind him. When he came to the procaine hydrochloride vial, he stopped. The Maingate physician had insisted it be present in case emergency oral surgery were ever necessary for the guards; in addition to being a contained security unit, the Tower had to be a self-sufficient medical station. Allander withdrew a needle from the small packet and fit it gently into a plastic syringe. He punched the needle through the rubber top of the vial and withdrew some of the liquid, then cleared the air from the syringe. A few drops squirted through, onto the floor. Taking a deep breath, Allander inserted the needle into the tip of the ring finger on his left hand. He waited for the numbness to spread and settle. After a few minutes, he removed a scalpel from its sterile package and dipped it in the container of alcohol. Then he made a neat incision, cutting diagonally through his fingerprint. Since the anesthetic had not fully taken effect, he felt a painful tingling in the pad of his finger, but feeling suddenly rushed for time, he continued. Using tweezers, he pried underneath the skin, grimacing as he saw his flesh rise along the straight line of the cut. The blood came and washed over the end of the tweezers until it obscured his view. Once, he felt the tweezers close on something hard and he pulled gently, but when the tweezers emerged from the bloody gash, they held only fleshy material that looked like gristle. Allander hadn’t anticipated that numbing the finger would have made it difficult for him to distinguish the location sensor from his own senseless tissue. Beginning to lose patience, he pressed the tweezers in until they hit the bone. He applied too much pressure and they slid around the side of his finger next to his nail, pulling the flesh around and stretching the cut open. He heard a soft, metallic clink as the tweezers struck something distinctly alien, and he bit his lip in a mixture of pain and delight. Finally, working the tweezers around the metal, he withdrew the sensor, which was the size of a large pea. The flesh around the cut strained and whitened at the edges as he pulled the bloody orb through. After pressing gauze to his wound, Allander wrapped it with medical tape, bandaging it thoroughly. Then he used the tape to affix the location sensor to the side of the Hole. It was close enough to its assigned location that the difference in position would not be detected from the mainland.

As I have mentioned, I am not a fan of Facebook. It seems to me like a kind of quiet and subtle virus that worms its way into every aspect of the living tissue of daily existence, until it is impossible to think about cereal without finding an ad for Raisin Bran in your in-box. I am sure the endless intrusive connections can be a great deal of fun for some people, but it really doesn’t make sense for Dexter.

there now sat a square package perhaps a cubit on a side, done up in a golden wrapping all spattered with ornamental sparks of brighter and darker gold. She went over to it, picked it up to test the weight: somewhat heavy. Arrhae shook the box, then smiled at herself. Nothing rattled. She wandered back into her chamber with it, pushed her clothes aside, and sat down on the couch. Carefully Arrhae unwrapped the paper without tearing it—the old habit of a household manager, not to waste anything that might be useful later—and set it aside, revealing a plain golden paperboard box inside. A seal held the closing-flap down. She slit the seal with one thumbnail, opened the box, and found inside it some white tissue spangled with more golden spots, all wrapped around something roughly spherical. Arrhae pushed the padding-tissue aside to reveal a smooth clear substance, a glassy dome. Reaching into the box, she brought out what revealed itself as a dish garden of clear glass: the bottom of it full of stripes of colored sand, and rooted in the sand, various small dry-climate plants, spiny or thick-leaved, one or two of them producing tiny, delicate, golden flowers. Attached to the upper dome, instead of a chip or tag, was a small, white, gold-edged printed card that said, FROM AN ADMIRER—WELCOME HOME. Arrhae

Within moments, they were through the sanctuary tunnel way and headed down into the cavern below the altar. But the gods were gone. “Deplorable,” said Uriel, gazing upon the dismembered body parts of his brother archangel on the wall. They carefully took down the arms, legs, torso and head of Mikael and reattached them like a human anatomy puzzle. Uriel said, “Why would they have left all of him here for us to find and heal?” Uriel remembered all too terribly when he had been decapitated by Anu in the primeval city of Uruk. Anu had kept Uriel’s head separated from his body so that the angel could not heal and fight them. Gabriel said, “They must have wanted us to find him.” Raphael said, “But they did not want us to follow them, as we would have, had they taken part of his body.” The angels had done so in the past when Ishtar had cut Gabriel in half and threw his legs into the Abyss. “Which means we should follow them,” said Uriel. “But where?” It would take some time for his organic tissue to reconnect, including his voice box. But Mikael could not wait for that healing. His hand wrote out on the sandy floor, “Ashkelon.

No.” I shook my head. “Your grandma was mommy. I was out chasing a dream, from when I was a little girl, and I looked at my mother’s awards, and said I want one of those mommy. I got one! And I got another. So it was time for me to step back from my dreams so I could be your mother full time, and help you find yours.” I wrapped my arms around Dawn’s shoulders and leaned down, pressing the side of my face to hers. “Look at where you are, sweetie. This is your time. All your hard work, all your dedication, listening to me cuss and fuss at you… this is the beginning of you reaching that dream. And I want you to understand, even though I’m hard on you – this feeling, this moment, about to watch you on stage… this is better than anything.” Dawn stared at me for a long time, and then shook her head, reaching to snatch a tissue from the box on the vanity. “Mama stop. You’re gonna make me mess up my makeup, and you know you’ll curse me out if I’m late getting on that stage.” We laughed, and then I hugged her a little tighter, closing my eyes when she brought her hands up to rub my arms. “I love you, Dawn.” She sniffled as she dabbed the corners of her eyes. “I love you too.” I nodded. “Okay. Now come on. It’s show time.

Trish had to tell her they were mine or her mother would probably have killed her.” Then she’s up again. “Do you know what I really wanted to show you? It’s here somewhere.” She’s pulling open drawers, humming to herself. Then she swings around. “Do you remember this?” A gold-and-lapis pendant, the size of a silver dollar. I’d forgotten how ’90s it looks, which I suppose is back in fashion. My niece has threaded it onto a gold chain, which she fastens around her neck. “I wish I had a picture of her wearing it.” Something to match the color of your eyes, our mom had said when she gave it to Emily for her sixteenth birthday. I found it just before Hannah left. Somehow it had made its way back into Mom’s jewelry box. They were always sharing things. Your mother wore it all the time when she was your age, I had told Hannah. And I remember there hadn’t been time to find a box, I had wrapped it in old tissue paper. “Isn’t this chain perfect?” my niece says, fingering it. “It’s eighteen karat.” The pendant glints in the light, and I’m reminded of all the times it flashed on my sister’s jean jacket or smock dresses. I feel a little light-headed. Something about seeing this young version of my sister—with her confidence, her mannerisms.

A year after the gold lamé shoe, the gift basket I received from Donald and Ivana hit the trifecta: it was an obvious regift, it was useless, and it demonstrated Ivana’s penchant for cellophane. After unwrapping it, I noticed, among the tin of gourmet sardines, the box of table water crackers, the jar of vermouth-packed olives, and a salami, a circular indentation in the tissue paper that filled the bottom of the basket where another jar had once been. My cousin David walked by and, pointing at the empty space, asked, “What was that?” “I have no idea. Something that goes with these, I guess,” I said, holding up the box of crackers. “Probably caviar,” he said, laughing. I shrugged, having no idea what caviar was. I grabbed the basket handle and walked toward the pile of presents I’d stacked next to the stairs. I passed Ivana and my grandmother on the way, lifted the basket, said, “Thanks, Ivana,” and put it on the floor. “Is that yours?” At first I thought she was talking about the gift basket, but she was referring to the copy of Omni magazine that was sitting on top of the stack of gifts I’d already opened. Omni, a magazine of science and science fiction that had launched in October of that year, was my new obsession. I had just picked up the December issue and brought it with me to the House in the hope that between shrimp cocktail and dinner I’d have a chance to finish reading it. “Oh, yeah.” “Bob, the publisher, is a friend of mine.” “No way! I love this magazine.” “I’ll introduce you. You’ll come into the city and meet him.” It wasn’t quite as seismic as being told I was going to meet Isaac Asimov, but it was pretty close. “Wow. Thanks.” I filled a plate and went upstairs to my dad’s room, where he’d been all day, too sick to join us. He was sitting up, listening to his portable radio. I handed the plate to him, but he put it on the small bedside table, not interested. I told him about Ivana’s generous offer. “Wait a second; who does she want to introduce you to?” I would never forget the name. I’d looked at the magazine’s masthead right after speaking to Ivana, and there he was: Bob Guccione, Publisher. “You’re going to meet the guy who publishes Penthouse?” Even at thirteen I knew what Penthouse was. There was no way we could be talking about the same person. Dad chuckled and said, “I don’t think that’s such a good idea.” And all of a sudden, neither did I.

A woman's world has always revolved around children and other women. At least as long as I've been around, and I'm almost 60." she smoothed the sheet draped across Ellie as she talked, tucking it in around the sides of her body like a cocoon. "Don't get me wrong," she continued. "We love our men, and the idea of a husband is a good thing. What woman wouldn't want that?" Ellie thought of her brave, independent Aunt Nessa, teaching until she was seventy and dying in ehr sleep on a train bound for New Mexico. She'd never wanted to marry, and she was the happiest woman Ellie had ever known. Mrs Drake put the tissue from the box on Ellie's nightstand and blew her nose. "Men need us more than we need them," she said, and then lowered her voice. "Including the doctors around here. They walk around acting like God, but you should see the panic when one of them has to buy a birthday present for his wife. They have no idea what women want." She washed her hands in the small sink in the corner. "That's why we need our women friends. We're with each other from the beginning to the very end, and everything in between. We understand each other. It's instinctual.

My brain is a l l o v e r the place. Grief will do that to you. Today I sat in my car in my own driveway for twenty minutes staring blankly at my glove compartment. My mind d r i f t e d   o f f. Grief will do that to you. I found myself wondering why we still call this thing a “glove compartment” when no one keeps driving gloves, or any gloves for that matter, in there anymore. As a society, we are always talking about progression. We are renaming TV stations and street names—but can’t rename this storage box within our cars. Don’t fix what ain’t broken, I guess. Something broke me, and I need to be fixed. Grief will do that to you. What else would we call it? Crumpled tissue holder. Registration and insurance safe. I question everything now, even things that don’t matter. Grief will do that to you.

Harry’s other presents were much more satisfactory than Dobby’s odd socks — with the obvious exception of the Dursleys’, which consisted of a single tissue, an all-time low — Harry supposed they too were remembering the Ton-Tongue Toffee. Hermione had given Harry a book called Quidditch Teams of Britain and Ireland; Ron, a bulging bag of Dungbombs; Sirius, a handy penknife with attachments to unlock any lock and undo any knot; and Hagrid, a vast box of sweets including all Harry’s favorites: Bertie Bott’s Every Flavor Beans, Chocolate Frogs, Drooble’s Best Blowing Gum, and Fizzing Whizbees. There was also, of course, Mrs. Weasley’s usual package, including a new sweater (green, with a picture of a dragon on it — Harry supposed Charlie had told her all about the Horntail), and a large quantity of homemade mince pies.

Shannon vibrated with excitement, but didn’t say anything until they were settled around the kitchen table, cups in hand. Then without a word, she handed the pictures over to Duncan. He grabbed a pair of reading glasses from the counter, then returned to look down at the pictures. “Looks like Palmer has some swimmers.” John laughed, but Shannon sniffled. Duncan glanced at her. “What am I missing? Looks like you have a beautiful baby, here.” Alex drew the small pictures toward her, then looked at Shannon with dawning joy in her eyes. “Twins?” Shannon nodded, then burst into tears. The kitchen erupted into movement. Duncan reached for a box of tissues and Alex got up to circle the table to her side, giving her a huge hug. John rubbed her back, wondering yet again how in the hell they were going to manage two babies. Duncan pounded him on the back. “Congratulations, Palmer. What a nice surprise.” John glanced at him, wondering if it was a nice surprise. He was still too dazed to decide. Then he found himself grinning in spite of all the worry cluttering his head. “Not what I expected to hear today.” Alex stood and moved the few feet to give him a hug as well, and John was surprised into responding. Then she sat back down. “You two will be amazing parents. Heartfelt congratulations to you.” “Thank you,” he rumbled, throat tight. “Twins are so special.” The women leaned toward each other to have a conversation and Duncan gave him a look. “You okay, Gunny?” John nodded and drew in a deep breath. “Just a lot to think about. One kid was crazy enough, but I can’t wrap my head around two.” Duncan grinned at him. “Couldn’t have happened to a better guy.” “Fuck you, Wilde.” They laughed together and John felt a little of the tension of the day ease. Duncan Wilde was not his father by any means, but he had the type of personality that could calm him down. He considered Duncan his best friend in the world. Clearing

donated skeletal collection; one more skull was just a final drop in the bucket. Megan and Todd Malone, a CT technician in the Radiology Department at UT Medical Center, ran skull 05-01 through the scanner, faceup, in a box that was packed with foam peanuts to hold it steady. Megan FedExed the scans to Quantico, where Diana and Phil Williams ran them through the experimental software. It was with high hopes, shortly after the scan, that I studied the computer screen showing the features ReFace had overlaid, with mathematical precision, atop the CT scan of Maybe-Leoma’s skull. Surely this image, I thought—the fruit of several years of collaboration by computer scientists, forensic artists, and anthropologists—would clearly settle the question of 05-01’s identity: Was she Leoma or was she Not-Leoma? Instead, the image merely amplified the question. The flesh-toned image on the screen—eyes closed, the features impassive—could have been a department-store mannequin, or a sphinx. There was nothing in the image, no matter how I rotated it in three dimensions, that said, “I am Leoma.” Nor was there anything that said, “I am not Leoma.” To borrow Winston Churchill’s famous description of Russia, the masklike face on the screen was “a riddle wrapped in a mystery inside an enigma.” Between the scan, the software, and the tissue-depth data that the software merged with the

She pursued his lips,' Zach laughs. 'Another one I misread! Pursued for "pursed." You know. She pursed her lips. So whenever you do that now, reach out and touch my lips to shut me up? I think, she pursued his lips.' 'That's so silly,' smiles Rachel. 'I know that. Now I'm pursuing your lips,' he adds. When Zach kisses her, Rachel is often aware of the pulse in his lower labial, a small heartbeat there. She is aware of a pulsing and a slight thickening of tissue. How many times has this boy bled from his mouth? How many times.

he constructed a robot using only tissue boxes, an old computer, and four batteries, but that didn’t go so well. All the robot did was laugh. He laughed particularly hard when he saw Fred’s new haircut. Fred took the batteries out after that.

Are you waiting for the other shoe to drop?” I ask. There’s a term for this irrational fear of joy: cherophobia (chero is the Greek word for “rejoice”). People with cherophobia are like Teflon pans in terms of pleasure—it doesn’t stick (though pain cakes on them as if to an ungreased surface). It’s common for people with traumatic histories to expect disaster just around the corner. Instead of leaning into the goodness that comes their way, they become hypervigilant, always waiting for something to go wrong. That might be why Rita still fumbled for tissues in her purse even though she knew a fresh box was beside her on the table. Better not to get used to a full box of tissues, or a surrogate family next door, or people purchasing your art, or the man you’re dreaming about giving you a big fat kiss in the parking lot. Don’t delude yourself, sister! The second you get too comfortable—whoosh!—it will all go away. For Rita, joy isn’t pleasure; it’s anticipatory pain.

Poor Runa has had to bring me a box of tissues and tend to me while I attempt to get it together. Spoiler alert, I haven’t gotten it together.

More than once, Rita has been on the verge of reading something negative into something Myron has said, of sabotaging her relationship so that she could punish herself for her happiness or retreat to the familiar safety of loneliness. But each time, she has worked hard to reflect before acting; she channels our conversations and tells herself, like on her tissue-box cover, "Don't blow it, girl." I've told her about the many relationships I've seen implode simply because one person was terrified of being abandoned and so did everything in his or her power to push the other person away. She is starting to see what makes self-sabotage so tricky is that it attempts to solve one problem (alleviate abandonment anxiety) by creating another (making her partner want to leave).

Reaching for a tissue from the box on the nightstand, she wiped her eyes, another wonderful facet of ageing against which she had not been pre-warned: the fact that her baggy eyelids, no longer fitting so neatly against her eyeball, could not contain her tears. She wouldn’t have minded so much if this were the only baggy,

On the floor at my feet, there’s a tray holding hot tea, a little plate of sugar cookies, and a box of tissues. It takes a moment for me to comprehend what I’m looking at. Is he trying to…comfort me?

Because there is a growing belief among the community of thinking beings that by 2050 men and women will be marrying human like robots. At that point, how Craig Raine will describe his experiences will be fascinating to know. And in my imagination I have already travelled with the Green Man into the future called 2075 and witnessed How humans will experience love in 2075. Because this science fiction novel navigates through the possibility of men and women falling in love with machines, without knowing they are robots imitating human emotions. Will you still dare to fall in love in 2075 or will you strive to tell the difference between a human lover and a robotic lover? Now it is your turn to join the Green Man on this exciting journey into 2075, where he will reveal to you what the world would look like in 2075, and take you on an excitingly epic journey with the protagonist, Saabir, who criss crosses the highways and all by ways of emotional trajectory in the midst of synthetic emotions and feelings that engulf him. To know more, travel with the Green Man via the science fiction titled, They Loved in 2075. With this anticipation I shall dream of you tonight and hope that you will be able to unlock the alien imagination within you, to realise the part of you that is from Heaven. If you have any doubts, here is the poem by ​​Craig Raine to make you a dreamer who while asleep is always awake in his/her subconscious state too. Because he/she has learned the art of having a rendezvous with the light that radiates through the universe, to eventually settle in a dreamer's eyes who dares to dream beyond the ordinary and the 3 dimensional reality. "A Martian Sends A Postcard Home” Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut. Dedicated to you, the Green Man and Saabir who hails from 2075 and dares to love a real woman in 2075 because he loves her a lot!

Some people underestimate him, but he's sharp, a razor blade hiding in a box of tissues.

I am officially forming our club, the Society of Psychos. I, Brooklyn Niall O’Brien-” “You only took my last name when ya married me-” “I.” I spoke louder over him, repeating myself. “Brooklyn Niall O’Brien, am the first and founding member of the Society of Psychos, the second member is my husband, Niall Meadow.” “No, no, no,” Niall huffed. “I didn’t take your surname. Ya just took mine.” “If you have a complaint to make, Mr Meadow, can you write it down and put it in the suggestion box.” I nudged a box of tissues towards him with my toe.

here when she decorated the tree. Though she felt sad at the loss of Emily, she would never be able to look at Sara again without thinking about choking her. But she would deal with that another time. She hadn’t really given much thought to the future as far as a relationship with Emily went. She would be eighteen in a couple of years. Kate would never turn the child away. She loved her like a daughter. She’d been so consumed with the trial that she hadn’t really given any thought to Emily. She would like to send her something for Christmas, but it wasn’t time this year. Maybe next year. Kate opened the first box. Extra careful of the fragile ornaments, she unwrapped the tissue paper around each and every one. She’d glued macaroni to a paper plate to make a wreath. Must have been first grade; the green paint she’d used was all but gone.

There are two methods of delivering a blow. First is a boxing-like movement, and the second is the traditional karate strike. While equal in force, the boxing-style strike has a greater range and is easier to execute. The boxing-style strike uses gravity and shift of weight to support the strike, while the traditional karate-style strike uses a sudden tightening of your body’s muscles to deliver a short blow. The longer range of the boxing blow facilitates greater acceleration to a higher speed and is more efficient in creating a knockout effect. The traditional karate-style strike is more suitable for breaking boards of wood, but the composition of wood fibers is quite different from the human body's protective tissues. The traditional straight karate strike takes longer to execute and requires slight preparation. Since even a split second is of the essence and the force used is more efficient with the boxing style, it has won popularity in the martial arts field. From the split second you decide to move your body and deliver the strike, all you need is to aim at the opponent’s chin. You then need to accelerate your arm to maximum speed, and maintain that speed as your fist lodges in your opponent’s face. The opponent’s skull will then shake the brain and nerves to a concussion. The ancient Olympics had fighting sports. Sparta is believed to have had boxing around 500 BC. Spartans used boxing to strengthen their fighters’ resilience. Boxing matches were not held since Spartans feared that it would lead to internal competitions, which could reduce the morale of the losers. Sparta did not want low morale on the battlefield. For many years the question of Bodhidharma’s existence has been a matter of controversy among historians. A legend prevails that the evolution of karate began around 5 BC when Bodhidharma arrived to the Shaolin temple in China from India, and taught Zen Buddhism. He introduced a set of exercises designed to strengthen the mind and body. This marked the roots of Shaolin-style temple boxing. This type of Chinese boxing, also called kung fu, concentrates on full-body energy blows and improving acrobatic level. Indian breathing techniques are incorporated, providing control of the muscles of the whole body while striking. This promotes self-resistance that helps achieve balance and force when striking and kicking. Krav Maga shows that it is not the most efficient approach. It is certainly forceful, but cannot be mastered quickly enough, and also does not promote a natural and fast reach to the opponent's pressure points, nor does it adhere to the principle of reaction time.

Meanwhile, back on my couch, clutching the tissue box, a small part of me knows something too. As much as I want validation, somewhere inside, I know that Wendell’s load of garbage is precisely what I’m paying him for, because if I just want to complain about Boyfriend, I can do that for free, with my family and friends (at least until their patience runs out). I know that often people create faulty narratives to make themselves feel better in the moment even though it makes them feel worse over time—and that sometimes, they need somebody else to read between the lines. But I also know this: Boyfriend is a goddamn motherfucking selfish sociopath.

She spoke wearily, her eyes rimmed a permanent shade of red. “They say we need to take him off of life support. That his body is deteriorating.” The wail of Brandon’s mom came down the hallway. It had become a sound we knew all too well. She broke down at random. Everyone did. Well, everyone except for me. I was void of emotion while my predator and I shared space. Instead of feeling pain at Sloan’s suffering, I spiraled further into my OCD. I slept less. I moved more. I dove deeper into my rituals. And nothing helped. Sloan didn’t react to the sound of grief down the hall. “His brain isn’t making hormones anymore or controlling any of his bodily functions. The medications he’s on to maintain his blood pressure and body temperature are damaging his organs. They said if we want to donate them, we have to do it soon.” “Okay,” I said, pulling tissues from a box and shoving them into her hands. “When are they doing it?” She spoke to the room, to someplace behind me. She didn’t look at me. “They’re not.” I stared at her. “What do you mean they’re not?” She blinked, her eyelids closing mechanically. “His parents don’t want to take him off life support. They’re praying for a miracle. They’re really religious. They think he rebounded once and he’ll rebound again.” Her eyes focused on me, tears welled, threatening to fall. “It’s going to all be for nothing, Kristen. He’s an organ donor. He’d want that. He’s going to rot in that room and he’s going to die for nothing and I have no say in any of it.” The tears spilled down her face, but she didn’t sob. They just streamed, like water from a leaky hose. I gaped at her. “But…but why? Didn’t he have a will? What the fuck?” She shook her head. “We talked about it, but the wedding was so close we just decided to wait. I have no say. At all.” The reality suddenly rolled out before me. It wouldn’t just be this. It would be everything. His life insurance policy, his benefits, his portion of the house, his belongings—not hers. She would get nothing. Not even a vote. She went on in her daze. “I don’t know how to convince them. The insurance won’t cover his stay much longer, so they’ll be forced to make a decision at some point. But it will cover it long enough for his organs to fail.” My brain grasped at a solution. “Claudia. She might be able to convince them.” She hadn’t been able to make the meeting. And she would side with Sloan—I knew she would. She had influence on her parents. “Maybe Josh too,” I continued. “They like him. They might listen to him.” I stood. She looked up at me, a tear dripping off her chin and landing on her thigh. “Where are you going?” “To find Josh.

She looked at me listlessly. “Kristen, why haven’t you talked to him?” The question surprised me. My best friend hadn’t been my best friend in a long time. We didn’t talk about me or what I was going through. We didn’t really talk about anything. I went back to scrolling through the artist’s album on her phone so I wouldn’t have to look at her. “What’s there to say?” She laughed. It actually startled me it was so sudden, and I stared at her in surprise. “Go home, Kristen.” I blinked at her. “What?” She took her phone from my hands. “Go home. Talk to him. Be with him. Be happy.” I furrowed my brow. “Nothing has changed, Sloan.” She stared at me with red-rimmed eyes. “You don’t think you’re worth it.” I shifted uncomfortably. “What are you talking about?” “Your mom. All your life she made you feel like you were never good enough. And so you don’t think you’re good enough for Josh either. But you are.” I shook my head. “No. That’s not it, Sloan.” “Yeah. It is.” “Sloan, he doesn’t know what’s best for him. He’s just thinking about right now.” “No. You’re the one who doesn’t know what’s best for you. She ruined you. She spent your whole childhood setting a bar she knew you’d never reach, and now you think you have to be perfect to be good enough for anyone.” We stared at each other. Then Sloan’s chest started to rise and fall in the rapid way that told me a breakdown was coming. I instinctively pulled tissues from a box on the end table just as her eyes started to tear up. “Kristen? Brandon’s accident is my fault.” I was used to this. She lost focus a lot. This time I was glad for the change of subject. “No, Sloan, it wasn’t.” I took the plate from her lap and put it on the coffee table and gathered up her hands. “None of this was your fault.” She bit her lip, the tears falling down her cheeks. “It is. I should have never let him ride that bike. I should have insisted.” I shook my head, scooting closer to her. “No. He was a grown man, Sloan. He was a paramedic. He went on those accident calls—he knew the risks. Don’t you dare put this on yourself.” Her chin quivered. “How can I not? Shouldn’t I have protected him from himself? I loved him. It was my job.

I drove fast and carefully while Sloan made calls. I scanned the road and went twenty over the speed limit on the freeway. I zipped around cars using my blinker and hand waves. When we got to the hospital, I dropped her off at the emergency room entrance and parked, then ran with her bag to meet her at the front desk. “He’s in surgery,” she said tearfully when I jogged in through the automatic doors of the ER, my shoes squeaking on the white shiny floors. I looked at the woman behind the check-in desk, like a robot gathering data. I could see everything. The age spots on her forehead, the gray wisps along her hairline. The sterile, white countertop and the shimmer in the petals of pink roses in a vase behind the desk. “Where can we wait? And can you inform the doctor that his family is here?” We were sent to a private waiting area for the neurology department on the third floor. Brightly lit, plastic potted plants tucked in the corners of the room, serene blue walls, uniform gray tweed upholstered chairs, magazines and boxes of tissues on every end and coffee table. Sloan scanned the room. Maybe it was the finality of it—the cessation of forward movement—but this was when she officially broke down. She buried her face in her hands and wept. “Why is this happening?” I wrapped her sweater around her and put her in a chair. “I don’t know, Sloan. Why does anything happen?” I knew what things had to be done, what I had to do to make her comfortable. But I couldn’t feel any of the panic or grief that I saw in Sloan. I felt like I was watching a movie with the sound off. I could see what was happening, but I couldn’t connect to the characters. We waited. And waited. And waited.

She reaches into her purse for more tissues, can’t find any, and dabs her eyes with the one she’s just blown her nose into. I always wonder why she doesn’t take a clean tissue from the box a few inches from her. “Anyway,” she says, “every day around five p.m., the mother comes home from work. And every day the same thing happens.” Rita chokes up here, stops. More nose-blowing and eye dabbing. Take the damn tissues! I want to scream. This pained woman, whom nobody talks to or touches, won’t even let herself have a clean tissue. Rita squeezes what’s left of the snot ball in her hand, wipes her eyes, and takes a breath. “Every day,” she continues, “the mother unlocks the front door, opens it up, and calls out, ‘Hello, family!’ That’s how she greets them: ‘Hello, family!

If taking care of yourself involves crying, then you do that too.” His thumb runs along my jaw. “There’s no shame in tears, pet—you don’t need to earn them and there’s no limit on how many you’re allowed to cry. It so happens that I like a good cry myself. You put on a sappy movie, and I will wreck an entire box of tissues.

Tucked into the basket that holds the blood pressure cuff behind Maria is a box of tissues, a staple of doula care.

There’s nothing quite like a perfectly stocked maid’s trolley early in the morning. It is, in my humble opinion, a cornucopia of bounty and beauty. The crisp little packages of delicately wrapped soaps that smell of orange blossom, the tiny Crabtree & Evelyn shampoo bottles, the squat tissue boxes, the toilet-paper rolls wrapped in hygienic film, the bleached white towels in three sizes—bath, hand, and washcloth—and the stacks of doilies for the tea-and-coffee service tray. And last but not least, the cleaning kit, which includes a feather duster, lemon furniture polish, lightly scented antiseptic garbage bags, as well as an impressive array of spray bottles of solvents and disinfectants, all lined up and ready to combat any stain, be it coffee rings, vomit—or even blood. A well-stocked housekeeping trolley is a portable sanitation miracle; it is a clean machine on wheels. And as I said, it is beautiful.

Try to get support while you're doing this," he said, his eyes kind. "Talk to someone who knows about grief. Don't white-knuckle your way through this." I started crying, and he handed me a box of tissues. I felt like he could see right through me.

Rachel was the quiet girl on the other side of the seminar table who almost never spoke in class but turned in these brief, brilliant, odd pieces of writing: nuggets of dialogue that seemed as though they’d been translated from a different language, perhaps a language spoken by aliens or fish; strange little fables set in alternate universes; eerie portraits of cracked domesticity that made you feel as though you’d never really seen certain objects before (a spatula, a crocheted tissue box cover, the gelatinous web of light cast by a fish tank in a dark room).

There was a building there. At least, it…well, it had to be a building. No one could have left an open box of tissues that big.

It’s going out:  remove everything except what is attached to the floor or imbedded in the wall.  Whatever can be washed outside or in the kitchen, do it now and leave it to dry.  We’re talking baskets, floral arrangement, shelves and stuff.  Everything else is set outside the room on the floor and this includes the roll of toilet paper that’s hanging off the side of the vanity.  “Everything else” = towels, rugs (maybe you want to wash them now) toothbrush, tissue box, make-up, hair brush, dryer, blah, blah, blah, get my drift?

Inside the white screen of the mosquito net, bathed in the sunlight streaming through the windows, she felt as if she were in her own little oasis. Isolated from the rest of the world and its hostility. Although she could barely see past the bright, sunlit cloth, a movement in the shadows behind the net caught her eye. She frowned, straining her eyes to see what it was when, slowly, the net parted to reveal a gigantic figure. The light shone on his body and face to reveal what turned out to be a dark-eyed, broad-shouldered man. A strange feeling was born in Bianca’s chest. A mixture of panic and embarrassment left her body in the shape of a scream. With no clear thoughts in mind, she yelled for someone to help her, until it dawned on her that she was in an unfamiliar apartment, in a town where no one knew about her, and where there was no one who could help her. She was alone, and the pervert in front of her undoubtedly wanted to take advantage of the situation. Stopping just enough to breathe and continue screaming, she got on her knees in the bed and kept on yelling at him, who then seemed to fall off whatever disgusting trance he was, and took a surprised step back. His fingers, still tangled in the mosquito net, ripped the fabric from the ceiling, exposing her further. Bianca knew she was on her own. She could not count on anyone else to save her. When that realization hit, an unknown instinct made its way inside her and all the accumulated frustration caused by the situation with the paparazzi, the betrayal of her husband and losing her company concentrated inside her like a laser to focus on a single aim: the man in front of her. Feeling powerful, she grabbed the sheet tight around her with one arm to cover the front of her body, set one foot on the ground, and grabbed the closest thing to her: the purse. Her screams, which initially were meant to ask for help, transformed into a sound of pure rage. Without taking her eyes off him, Bianca reached into her bag and threw everything she found inside it: a phone, an agenda, a bottle of water, a lipstick, a tissue, the box of condoms, a book. Even a small toiletry bag. When the bag was empty, she used it as a projectile too.

Her voice wobbled, and he knew tears were a moment away. "I want it to be so amazing that no one even tries to figure out what the scars are." Trent reached over the counter and grabbed a tissue box, putting it next to her. A full-back piece, his favorite kind of tattoo. Nothing too concrete from the client, meaning he could just let his creative juices flow. That was the sweet spot where he did his best work. "It just so happens that amazing tattoos are my specialty, so no worries there." -Trent & Harper

that was as empty as a box of tissues in a teenage boy’s room. Do with that what you will; some kids have allergies.

OPENING THE DOOR to her mother’s bedroom, Haley was stunned to see that her mother was awake. Crisp, dog-eared black-and-white photos and hundreds of newer color photographs were scattered all over the bed and floor. An empty scrapbook lay on her mother’s bureau next to a box of tissues.

You pulled one story from your head, and another story popped up in its place, like tissues from a box.

Ordinarily, such extravagance would have made them feel awkward and small, peasants in the presence of gentry. Indeed, it would make them feel exactly as this woman had intended them to feel. But not today. In light of recent experience, these insulated, rarified people put Zuzana in mind of expensive shoes kept in their box the three hundred and sixty-two days of the year when they weren’t being worn. Wrapped in tissue, safe from harm, and all they knew of life was gala events and the inside of the box. How dull. How dumb. By contrast, the grime of her journey, the outré inappropriateness of the state of her, it felt like armor. I earned this dirt. Respect. The dirt. “That’s

What did they want from it? Lechery, smut, confirmation of their worst suspicions. But perhaps some of them wanted, despite themselves, to be seduced. Perhaps they were looking for passion; perhaps they delved into this book as into a mysterious parcel - a gift box at the bottom of which, hidden in layers of rustling tissue paper, lay something they'd always longed for but couldn't ever grasp.

Wrapped in tissue, safe from harm, and all they knew of life was gala events and the inside of the box. How dull. How dumb. By contrast, the grime of her journey, the outré inappropriateness of the state of her, it felt like armor. I earned this dirt. Respect. The dirt. “That’s right,” she said.

Who are they from?" "I don't know, open yours and see," replied my lover. Andy undid the silver wrapping on his parcel and I carefully opened the gold package. A beautifully crafted box lay beneath the tissue papers. Elegantly scripted in platinum, on top of each box was the FABERGE label. To our amazement we discovered two limited editions of Faberge eggs. One was platinum and the other was pure gold; within each egg was "The Hen". My jaw dropped, knowing full well that these presents came from Ramiz. I looked at Andy in astonishment, lost for words, before he read out loud the two gift cards tucked inside the boxes: “You are amazing!  Thank You. Ramiz. P.S. Let’s get together for twice weekly sessions at the Kosk.