Tip The Scales Quotes

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It's not about destiny but i do think there's balance in the world and forces we don't understand intervene to tip the scales the right way.
Ransom Riggs (Hollow City (Miss Peregrine’s Peculiar Children, #2))
He wished he loved her a little more or hated her a little less, something to tip the scale. Instead, he lived in the fraught balance between the two, each increasing the intensity of the other....
Coco Mellors (Cleopatra and Frankenstein)
You once told me some lives are worth more than others. How many deaths before the scales tip out of our favor?” She had no answer.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
Balance. Light and dark. The sun and moon. Good and evil. A snake winding through a bed of wildflowers. Offering a taste of the most forbidden fruit. Scales of justice were tipped; a choice hanging there for me to decide. To right a wrong, or damn us all.
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
Back in my day, we had it all set up. You lined up when you died, and you'd answer for your evil deeds and your good deeds, and if your evil deeds outweighed a feather, we'd feed your soul and your heart to Ammet, the Eater of Souls" "He must have eaten a lot of people." "Not as many as you'd think. It was a really heavy feather. We had it made special. You had better be pretty damn evil to tip the scales on that baby...
Neil Gaiman (American Gods (American Gods, #1))
Fair enough, that's what most people look for to begin with, but money can be a sliding scale, the more you have, the more you want, the more you need,' McBlane said as he sharpened the ash on the tip of his cigar into a point against the rim of the ashtray. It gave him the appearance of wielding a dagger as he gestured with his cigar holding hand.
R.D. Ronald (The Elephant Tree)
Megan was an old pro at tipping the scales in her favour. "Introduce me to your girlfriend" Megan said, smiling. She knew damn good and well Abby wasn't my girlfriend. HO 101: If the man in your sights is on a date or with a female friend, force him to admit to lack of commitment. Creates insecurity and instability.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Luce. We fight. I'm used to that. Sure, that fight was the scariest ass one we've ever had, but you're here now. That's all that matters. No matter how many fights we have, or how much they tip the Richter scale, none of it matters as long as at the end of the day, you're still with me.
Nicole Williams (Clash (Crash, #2))
Life will hack off your head and shit down your neck every chance it gets. I've found that consuming drugs and booze, listening to music and always having an excuse in the best way to tip the scales.
Dave Matthes (Bar Nights (The Mire Man Trilogy, #1))
[She] knew there were women who worked successfully out of the home. They ran businesses, created empires and managed to raise happy, healthy, well-adjusted children who went on to graduate magna cum laude from Harvard or became world-renowned concert pianists. Possibly both. These women accomplished all this while cooking gourmet meals, furnishing their homes with Italian antiques, giving clever, intelligent interviews with Money magazine and People, and maintaining a brilliant marriage with an active enviable sex life and never tipping the scale at an ounce over their ideal weight... She knew those women were out there. If she'd had a gun, she'd have hunted every last one of them down and shot them like rabid dogs for the good of womankind.
Nora Roberts (Birthright)
A single grain of rice can tip the scale. One man may be the difference between victory and defeat
The Emperor
When we realize, really get to know what stinkers we are, it takes only a little depression to tip the scales in favor of suicide. - Dr. Walter Freeman (62)
Howard Dully (My Lobotomy: A Memoir)
Your dream is to feel good; God’s dream is for you to do good.
Shannon L. Alder
People can be monsters, or vulnerable as lambs. They—no, we—are perpetrators and victims at the same time. It takes so little to tip the scale one way or the other. This is the world we live in,
Carmen Maria Machado (Her Body and Other Parties)
dykes were put here to tip the scales! we have a very important job and i wouldn't trade it for the world. give me a choice between breeding, accelerated aging, living with an orangutan, and maid duty for life...or, autonomy, black boots, multiple orgasms, cats instead of kids, people who say what they mean, and nothing stopping me from doing whatever i wanna do...and guess which one i pick?
Diane DiMassa (The Complete Hothead Paisan: Homicidal Lesbian Terrorist)
So, Lord Dragon, what are your plans for this evening?" He adjusted his body awkwardly and the end of his dealy tail landed gently in her lap. "Well, I thought we could do that thing again." "That thing?" Annwyl desperately fought a smile as she ran her hand across the scaled tip. Its very edge shaped like an arrowhead and as sharp. She briefly wondered if teh dragon ever needed to sharpen it with a stone. "Do youmean talking?" "Yes. Yes. Whatever it is.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
I'm off the rails, tipping the scales, following the trail, delving into my own custom made form of outer space.
Angel M.B. Chadwick (Corridors of My Mind)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
When people can get away with crimes just because they are wealthy or have the right connections, the scales are tipped against fairness and equality. The weight of corruption then becomes so heavy that it creates a dent that forces the world to become slanted, so much so — that justice just slips off.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
What kind of lousy world is this? Has it always been this way, or has the bottom fallen out of it in the past couple of days? Has it always been so unfair? What is it that tips the scales so? I don’t understand it.
Craig Silvey (Jasper Jones)
Human life is worth preserving. But human lives? They come and go like so much chaff, never tipping the scales." "What a remarkable calculation," said Nikolai. "And a convenient one for a mass murderer.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Pick up a pinecone and count the spiral rows of scales. You may find eight spirals winding up to the left and 13 spirals winding up to the right, or 13 left and 21 right spirals, or other pairs of numbers. The striking fact is that these pairs of numbers are adjacent numbers in the famous Fibonacci series: 1, 1, 2, 3, 5, 8, 13, 21... Here, each term is the sum of the previous two terms. The phenomenon is well known and called phyllotaxis. Many are the efforts of biologists to understand why pinecones, sunflowers, and many other plants exhibit this remarkable pattern. Organisms do the strangest things, but all these odd things need not reflect selection or historical accident. Some of the best efforts to understand phyllotaxis appeal to a form of self-organization. Paul Green, at Stanford, has argued persuasively that the Fibonacci series is just what one would expects as the simplest self-repeating pattern that can be generated by the particular growth processes in the growing tips of the tissues that form sunflowers, pinecones, and so forth. Like a snowflake and its sixfold symmetry, the pinecone and its phyllotaxis may be part of order for free
Stuart A. Kauffman (At Home in the Universe: The Search for the Laws of Self-Organization and Complexity)
I had long ago learned to ignore things I could not resolve. Whenever I was faced with such choices, something always occured to tip the scales one way or another and relieve me of the decision. I watched the skies for portents from the Gods.
W.A. Hoffman (Brethren (Raised by Wolves, #1))
And we stepped onto the tipping scales of Lady Justice with her eyes blindfolded, peeking through slits because that rag is so fucking old worn-out, stretched thin, barely even there
Ibi Zoboi (Punching the Air)
You know what your real problem is, sweetheart?” “What?” I ask, wanting to know and scared of the answer. “You’re totally underfucked,” he says, his voice dropping a register. He leans in closer. “And I’m the one who can tip the scales in the other direction.
Karina Halle (The Offer)
It wasn't getting easier because it isn't supposed to get easier. Midlife was a bitch, and my educated guess was that the climb only got steeper from here. Carl Jung put it perfectly: "Thoroughly unprepared we take the step into the afternoon of life," he wrote. "Worse still, we take this step with the false assumption that our truths and ideals will serve us as hitherto. But we cannot live the afternoon of life according to the program of life's morning; for what was great in the morning will be little at evening, and what in the morning was true will by evening have become a lie." ... I was writing a new program for the afternoon of life. The scales tipped away from suffering and toward openheartedness and love. [p. 182]
Dani Shapiro (Devotion: a memoir)
Keep your sense of humor. There is a 50-50 chance the world can be saved. You- yes you- might be the grain of sand that tips the scales the right way.
Pete Seeger
I live my life balancing on a set of scales, the slightest weight tipping me into darkness. The problem is each time that happens, they never quite rebalance.
Nicola Haken (Broken)
Scattered with poppies, the golden-green waves of the cornfields faded. The red sun seemed to tip one end of a pair of scales below the horizon, and simultaneously to lift an orange moon at the other. Only two days off the full, it rose behind a wood, swiftly losing its flush as it floated up, until the wheat loomed out of the twilight like a metallic and prickly sea.
Patrick Leigh Fermor (Between the Woods and the Water (Trilogy, #2))
The Mouser sighed. The moment had come, he knew, as it always did, when outward circumstances and inner urges commanded an act, when curiosity and fascination tipped the scale of caution, when the lure of a vision and an adventure became so great and deep-hooking that he must respond to it or have his inmost self-respect eaten away.
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
You do know that I am a Fae, correct?" "Well, if the purple blood oozing from your friends there wasn't a clue, I would say the wings and angry gleam in your eyes tipped the scale.
Brandy Nacole (Uniquely Unwelcome (The Shadow World, #1))
And we stepped onto the tipping scales of Lady Justice with her eyes blindfolded, peeking through slits because that rag is so fucking old worn-out, stretched thin, barely even there
Ibi Zoboi (Punching the Air)
If she were a man, he would not ask her this. For men there is no debt of blood which goes unpaid. If the world tips in another's favor, it must be made to tip back again. But the world is never in a woman's favor. She cannot tip the scale. The only choice is: live the same mute, unjust life you have always lived, or tear apart the world itself.
Ava Reid (Lady Macbeth)
Every glance, every touch, every whisper between us has been a pebble added to the scales, tipping me toward a new direction.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
But nothing is ever equal with humans, really—we give and we take, the scales ever tipping. That’s just the way of it. I am what he has, and he is what I have—there’s no point keeping score.
A.B. Poranek (Where the Dark Stands Still)
An adult female orang-utan cannot defeat an adult male spotted hyena. That is the plain empirical truth. Let it become known among zoologists. Had Orange Juice been a male, had she loomed as large on the scales as she did in my heart, it might have been another matter. But portly and overfed though she was from living in the comfort of a zoo, even so she tipped the scales at barely 110 pounds. Female orang-utans are half the size of males. But it is not simply a question of weight and brute strength. Orange Juice was far from defenseless. What it comes down to is attitude and knowledge. What does a fruit eater know about killing? Where would it learn where to bite, how hard, for how long? An orang-utan may be taller, may have very strong and agile arms and long canines, but if it does not know how to use these as weapons, they are of little use. The hyena, with only its jaws, will overcome the ape because it knows what it wants and how to get it.
Yann Martel (Life of Pi)
Good and evil,” Nick said. “Yin and yang. Male and female. Life and death. The dualities that make us human. As though our lives play out on an immense balance scale—move one way, the scale tips to the left, but move the other, and it swings around to the right.
Abramelin Keldor (The Goodwill Grimoire)
Psychologically, we’re all a complex mixture of hopes and fears. Each day we wake up with the scales tipping a bit one way or the other. If they go too far toward hopefulness, we can become naïve and unrealistic. If the scales tilt too far the other way, we can get consumed by paranoia and hatred.
Bill Clinton (My Life)
Anubis is associated with the mummification and protection of the dead for their journeys through Denver International Airport to the afterlife. He is usually portrayed as being half human and half jackal, and holding a metal detector in his hand ... Anubis is employed by the Department of Homeland Security to examine the hearts of all travellers to make sure they have not exceeded the weight limit for psychological baggage ... He is also shown frisking mummies and confiscating firearms and other contraband. It doesn't take much to tip the scales in favour of a dead body cavity search or an afterlifetime travel ban.
Stephen Moles (The Most Wretched Thing Imaginable or, Beneath the Burnt Umbrella)
Because that’s life, you know? Good and bad. You can’t have one without the other. The bad brings out the good in us, and the good can be corrupted by the bad. It’s always a struggle—to fight for the good, so it tips the scale. - Jet Phoenix
Rachael Wade (Repossession (The Keepers Trilogy, #1))
He tried to measure his day by tallying the hours on his wrist. I wiped it off and called him a prisoner. He placed the hours on a scale with hours from former days to compare. I took a hammer and broke it all. He bent down and picked up the shards of minutes first then swept the seconds. I told him he’d missed a spot; there were some sparkling specks left. 'What are they?' he asked. 'Those are moments,' I said. 'What are they made of?' he asked. They are times, I thought, when you win a race or win a heart. They are times when you give birth or lay something, someone to rest. When you wake up in the morning with a smile because anything is possible. When someone compliments the thing you hate most about yourself. Times when you are embarrassed. Times when you are hurtful. Times when you relish in a hearty meal. Times when you service others and are content with a well-spent day. 'What are they made of?' he asked again. 'They are made up of times when we are fully present.' I picked up one of the specks with the tip of my finger. 'Do you remember this?' I asked. 'Of course,' he said, 'I was whistling in the kitchen that morning.' 'Why?' I asked. 'Because of the knowledge that I was loved.
Kamand Kojouri
Yet Trump has managed to convince his legions that making vile comments about someone is a revolutionary act, a badge of honor and a long-overdue tipping of society's scales back toward reason and truth. Sometimes he's right, but so is the proverbial stopped watch.
Kathleen Parker
And we stepped onto the tipping scales of Lady Justice
Ibi Zoboi (Punching the Air)
I think the girl’s ruined and you and I are going to hell for it. (Morgan) Given our past sins, I doubt if she’ll be the stone that tips the scales of our damnation. (Jake)
Kinley MacGregor (A Pirate of Her Own (Sea Wolves, #2))
The scales will always tip in favor of what enriches your life. That’s the thing you’ll end up choosing.
K.Z. Snow (The Zero Knot)
Daughter of wheat and grain, Betrothed to soil and stain, Your lifeblood drips, The scales tip, But will it be in vain?
Laura Thalassa (The Cursed (The Unearthly, #3))
A light tip of the scales can put old bones to rest.
Sophocles (The Three Theban Plays: Antigone; Oedipus the King; Oedipus at Colonus)
I bite my lip. Rue is a small yellow flower that grows in the Meadow. Rue. Primrose. Neither of them could tip the scale at seventy pounds soaking wet.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
It’s not about destiny,” I said, “but I do think there’s balance in the world, and sometimes forces we don’t understand intervene to tip the scales the right way. Miss
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
Children ten years old wake up and find themselves here, discover themselves to have been here all along; is this sad? They wake like sleepwalkers, in full stride; they wake like people brought back from cardiac arrest or from drowning: in medias res, surrounded by familiar people and objects, equipped with a hundred skills. They know the neighborhood, they can read and write English, they are old hands at the commonplace mysteries, and yet they feel themselves to have just stepped off the boat, just converged with their bodies, just flown down from a trance, to lodge in an eerily familiar life already well under way. I woke in bits, like all children, piecemeal over the years. I discovered myself and the world, and forgot them, and discovered them again. I woke at intervals until, by that September when Father went down the river, the intervals of waking tipped the scales, and I was more often awake than not. I noticed this process of waking, and predicted with terrifying logic that one of these years not far away I would be awake continuously and never slip back, and never be free of myself again.
Annie Dillard (An American Childhood)
Pleasure and pain are co-located. In addition to the discovery of dopamine, neuro-scientists have determined that pleasure and pain are processed in overlapping brain regions, and work via an opponent processing mechanism. Another way to say this is pleasure and pain work like a balance. Imagine our brains contains a balance, a scale with a fulcrum in the centre. When nothing is on the balance it's level with the ground. When we experience pleasure, dopamine is released in our reward pathway and the balance tips to the side of pleasure. The more our balance tips and the faster it tips, the more pleasure we feel. But here's the important thing about the balance. It wants to remain level! that is, in equilibrium. It does not want to be tipped for very long, to one side or another. Hence, everytime the balance tips towards pleasure, powerful self-regulating mechanisms kick into action to bring it level again. These self-regulating mechanisms do not require conscious thought or an act of will, they just happen like a reflex.
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
In his struggle for selfish gain, man has often needlessly tipped the scales so that Nature's balance has been destroyed, and the public welfare has usually been on the short-weighted side.
Franklin D. Roosevelt
She was a large woman, probably tipping the scales at 160 pounds. She wasn’t the type whom most people might assume a serial killer would target. Rader seemed to pride himself in that fact.
John E. Douglas (Inside the Mind of BTK: The True Story Behind the Thirty-Year Hunt for the Notorious Wichita Serial Killer)
A Thoroughbred racehorse is one of God's most impressive engines. Tipping the scales at up to 1,450 pounds, he can sustain speeds of forty miles per hour. Equipped with reflexes much faster than those of the most quick-wired man, he swoops over as much as twenty-eight feet of earth in a single stride, and corners on a dime. His body is a paradox of mass and lightness, crafted to slip through air with the ease of an arrow. His mind is impressed with a single command: run. He pursues speed with superlative courage, pushing beyond defeat, beyond exhaustion, sometimes beyond the structural limits of bone and sinew. In flight, he is nature's ultimate wedding of form and purpose.
Laura Hillenbrand (Seabiscuit: An American Legend)
When the sun went down, and touches of blue filtered into the fading afterglow, an orange lamp would light up in the knob of the bell and slowly begin to revolve. The beacon always pinpointed the onset of nightfall exactly. Against the most gorgeous sunsets or in dim drizzling mist, the beacon was ever true to its appointed moment: that precise instant in the alchemy of light and dark when darkness tipped the scales.
Haruki Murakami (Pinball, 1973 (The Rat, #2))
You will know if you are too acidic if you get sick often, get urinary tract infections, suffer from headaches, and have bad breath and body odor (when you do not use antiperspirant). Acidosis is the medical term for a blood alkalinity of less than 7.35. A normal reading is called homeostasis. It is not considered a disease; although in and of itself it is recognized as an indicator of disease. Your blood feeds your organs and tissues; so if your blood is acidic, your organs will suffer and your body will have to compensate for this imbalance somehow. We need to do all we can to keep our blood alkalinity high. The way to do this is to dramatically increase our intake of alkaline-rich elements like fresh, clean air; fresh, clean water; raw vegetables (particularly their juices); and sunlight, while drastically reducing our intake of and exposure to acid-forming substances: pollution, cigarettes, hard alcohol, white flour, white sugar, red meat, and coffee. By tipping the scales in the direction of alkalinity through alkaline diet and removal of acid waste through cleansing, and acidic body can become an alkaline one. "Bear in mind that some substances that are alkaline outside the body, like milk, are acidic to the body; meaning that they leave and acid reside in the tissues, just as many substances that are acidic outside the body, like lemons and ripe tomatoes, are alkaline and healing in the body and contribute to the body's critical alkaline reserve.
Natalia Rose (Detox for Women: An All New Approach for a Sleek Body and Radiant Health in 4 Weeks)
Everything under the sun... it's all going to be yours someday... It will, Thais, because you're so... good and pure. And you can... change the world. You can tip the scales in... the right direction. Do you... hear me, Thais? Everything the sun touches...
Jessica Redmerski (Everything Under The Sun)
When I got home, my roof was gone. Overnight the weight of the snow became too much to carry. What tipped the scale? Think about it: there must have been a final snowflake that did it, a fraction of a fraction of a fraction of a milligram that made all the difference.
Lauren Oliver (Rooms)
What I learned was that the more you commit to the process and the more you trust God for increase in every area of your life, the more God allows the scales to tip in your favor until one day the momentum is so tremendous that there is no going back to the life you knew. You
John W. Gray III (I Am Number 8: Overlooked and Undervalued, but Not Forgotten by God)
Standing in the corner, leaning aginst the wall, is a fifth man. If Grange is a Hummer, this guy's an 18-wheel Mack truck, thinks Roddy. Parked, with its engine idling. He reminds Roddy of Ivan Drago from that Rocky movie. The guy must stand six five and tip the scales at 270. Pure, rock-hard muscle. His crew-cut blond hair is slickly gelled; his face--especially those cheekbones and that lantern jaw--could be carved from granite. He, no doubt, spends counteless hours at some muscle emporium. Pure muscle, but probably clumsy; he would go down fast if Roddy drove a flurry of punches into his gut and face. A gold earring pierces the guy's left earlobe. The drape of the jacket on his Schwarzenegger shoulders shows a bulge on the left side. The guy's packing some serious hardware. Mack Truck stares blankly and stands rock-still, hands clasped in front of his gargantuan body.
Mark Rubinstein (Mad Dog House)
The necessities of national authority tipped the scale, and the powers of legislation and government and the spoils of office tumbled, all together, into the freedman's ragged lap. Thereupon there fell upon New Orleans, never well governed at the best, a volcanic shower of corruption and misrule.
George Washington Cable (Strange True Stories of Louisiana)
I'm dead if I'm not wired Crucified if not proclaimed Cut off if not in contact Devoid of soul if not ashamed Terminal if not content Last in line if not number one Sorrowful if not elated All is lost if all's not won Eternal tipping of the scales They fail to balance out Doomed to drown in rushing floods Or perish in a drought
Ani Baker (Handsome Vanilla)
Deep, rich orange and speckled with black, every now and again a flick of their wings flashed an underside of green and mother-of-pearl - the silver wash that gives the fritillaries their name. The female flies straight and level, the slow semaphore of her wing-beats and the scent from the tip of her abdomen exuding allure. The male swoops in tight loops under and up and in front of her, stalling so she can pass beneath him through a shower of intoxicating scent-scales shed from his forewings.
Isabella Tree (Wilding: The Return of Nature to a British Farm)
Talking to his mother bewildered him. He wished he loved her a little more or hated her a little less, something to tip the scale. Instead, he lived in the fraught balance between the two, each increasing the intensity of the other: the more he longed for her, the more disappointed he felt by her; the more disappointed he felt, the more he longed.
Coco Mellors (Cleopatra and Frankenstein)
It was a heavy feather, but Shadow had a heavy heart, and the scales tipped and swung worryingly.
Neil Gaiman (American Gods)
I saw a little movie of a person stroking a small bird with two Q-tips, one held between the forefinger and thumb of each hand. It tipped back its head to receive the minor tenderness, which to the bird must have felt like being touched by a god. For a moment I knew what it would be to feel at the mercy of love, small-scale, the kind shown but not spoken of.
Diane Seuss (frank: sonnets)
It’s similar to what has happened with weight. In the late 1970s, the average American adult male weighed 173 pounds. Now the average American man tips the scale at nearly 200 pounds.
Peter Attia (Outlive: The Science and Art of Longevity)
if we could put virtue on one side of a set of scales, it wouldn’t matter how many gold coins or other indifferent things piled up on the opposing side—it should never tip the balance.
Donald J. Robertson (How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius)
this class of women currently has the mic. I suspect many will fight tooth and nail to keep it, using every form of overt and covert political street-fighting at their disposal. In pursuit of their class interests, they’ll use weight of numbers across education, NGOs and corporate HR departments to tip the scales in favour of the legal fiction that sex doesn’t need to exist.
Mary Harrington (Feminism Against Progress)
Outrage compounds. Riots, protests, and mass movements are rarely the result of a single event. Instead, a long series of microaggressions and daily aggravations slowly multiply until one event tips the scales and outrage spreads like wildfire.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
One should see the world, and see himself, as a scale with an equal balance of good and evil. When he does one good deed, the scale is tipped to the good — he and the world are saved. When he does one evil deed, the scale is tipped to the bad — he and the world are destroyed.’” “Interesting. Who said that, your grandmother?” “Maimonides. The great Jewish scholastic.” “I didn’t know you read Jewish philosophers.” “It is said, ‘You must accept the truth from whatever source it comes.’” “And who said that?” “Also Maimonides.
Gregory Maguire (Egg & Spoon)
What is it, in the end, that induces a man to go his own way and to rise out of unconscious identity with the mass as out of a swathing mist? Not necessity, for necessity comes to many, and they all take refuge in convention. Not moral decision, for nine times out of ten we decide for convention likewise. What is it, then, that inexorably tips the scales in favour of the extra-ordinary? It is what is commonly called vocation: an irrational factor that destines a man to emancipate himself from the herd and from it’s well-worn paths. True personality is always a vocation and puts its trust in it as God, despite its being, as the ordinary man would say, only a personal feeling. But vocation acts like a law of God from which there is no escape. The fact that many a man who goes his own way ends in ruin means nothing to one who has a vocation. He must obey his own law, as if it were a daemon whispering to him of new and wonderful paths. Anyone with a vocation hears the voice of the inner man: he is called…. The original meaning of “to have a vocation” is “to be addressed by a voice.” The clearest examples of this are to be found in the avowals of the Old Testament prophets. That it is not just a quaint old-fashioned way of speaking is proved by the confessions of historical personalities such as Goethe and Napolean, to mention only two familiar examples, who made no secret of their feeling of vocation.
C.G. Jung (The Collected Works of C.G. Jung)
In criminal court, the defendant is presumed to be innocent until proven guilty beyond a reasonable doubt. These two cornerstones of criminal law, the presumption of innocence and the requirement of a very high standard of proof, are designed to tip the scales of justice in favor of criminal defendants, in recognition of the tremendous imbalance of power between individual citizens and the state. But no equivalent consideration is given to the safety and well-being of crime victims who bear witness in court, despite the very real imbalance of power that so often obtains between victim and perpetrator.
Judith Lewis Herman (Truth and Repair: How Trauma Survivors Envision Justice)
Imagine, if you will, that the sum of all human thoughts could be represented on a measuring scale. The thoughts of a powerful maston, one enabled by the Medium to his fullest potential, could each be represented by a gold coin on one side. Imagine then, that all of the evil, uncontrolled, vengeful thoughts have the weight of chaff and try to tip the scales. The world is a granary of ill-bred thoughts. There is enough to weigh down the world, to bury each one of us alive. Yet if we have enough of the good, it balances it out or keeps it firmly in the cause of right. Imagine, then, scales the size of a kingdom. How many gold coins are there compared with chaff? Enough—just enough. There is enough weight and enough strength to keep the scales balanced. But if you begin to remove the gold coins, one by one? Then every seed of evil matters. Every little seed begins to tip the scales. As long as the scales are balanced to the side of the mastons, the Medium blesses everyone—both the evil and the good. But if the balance is altered, if the weight of the wrong begins to exceed the weight of the right, it triggers the Blight to purge the chaff. It is a warning from the Medium. There are curses that follow.
Jeff Wheeler (The Blight of Muirwood (Legends of Muirwood, #2))
The Mouser made a very small parry in carte so that the thrust of the bravo from the east went past his left side by only a hair's breath. He instantly riposted. His adversary, desperately springing back, parried in turn in carte. Hardly slowing, the tip of the Mouser's long, slim sword dropped under that parry with the delicacy of a princess curtsying and then leaped forward and a little upward, the Mouser making an impossibly long-looking lunge for one so small, and went between two scales of the bravo's armored jerkin and between his ribs and through his heart and out his back as if all were angelfood cake.
Fritz Leiber (Swords and Deviltry (Fafhrd and the Gray Mouser, #1))
There’s a story he always loved, from the days when his legs still worked. Aliens land on Earth. They operate on a different scale of time. They zip around so fast that human seconds seem to them as tree years seem to humans. He can’t remember how the story ends. It doesn’t matter. Every branch’s tip has its own new bud.
Richard Powers (The Overstory)
Priests are the very offspring of God and share in his likeness. Our lineage is from heaven, which makes us hybrids of heaven and earth, though the scales tip in the direction of heaven. We are more connected to heaven than is the rest of creation. We are children priests or, since our Father is the king, we are royal priests who can enjoy his companionship as he actually enjoys ours.
Edward T. Welch (Created to Draw Near: Our Life as God's Royal Priests)
Look at any picture of Priapus from antiquity, and you will see why he might have had trouble focusing on anything beyond his own anatomy. One fresco in Pompeii shows him fully occupied with the task of weighing his gigantic erection on scales. 25 He raises his filthy hopes, Ovid continues, and tries to sneak up on her, heart racing, on tiptoe (I find myself wondering how he doesn’t tip up,
Natalie Haynes (Divine Might: Goddesses in Greek Myth)
Her scales were a deep, dark green, and textured, like a jeweled avocado rind, and they covered most of her, except the short, stubby horns on her head, which were a dull gold, like dirty jewelry. Two enormous wings, angular and with pointed tips like a bat’s, stuck out from her sides and propelled them through the air. Beyond Riv at the back of the dragon, the queen caught glimpses of a powerfully muscled tail.
Shira Glassman (The Second Mango (Mangoverse, #1))
There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?
Jean Lorrain (Monsieur De Phocas)
And we stepped onto the tipping scales of Lady Justice with her eyes blindfolded, peeking through slits because that rag is so fucking old worn-out, stretched thin, barely even there Amal Shahid to the left​Jeremy Mathis to the right perfectly imbalanced because where I come from jail or death were the two options she handed to us because where he comes from the American Dream was the one option she handed to them So here we are, blind Lady Justice I see you, too
Ibi Zoboi (Punching the Air)
A young woman stood before the railing, speaking to the reception clerk. Her slender body seemed out of all scale in relation to a normal human body; its lines were so long, so fragile, so exaggerated that she looked like a stylized drawing of a woman and made the correct proportions of a normal being appear heavy and awkward beside her. She wore a plain gray suit; the contrast between its tailored severity and her appearance was deliberately exorbitant—and strangely elegant.She let the finger tips of one hand rest on the railing, a narrow hand ending the straight imperious line of her arm. She had gray eyes that were not ovals, but two long, rectangular cuts edged by parallel lines of lashes; she had an air of cold serenity and an exquisitely vicious mouth. Her face, her pale gold hair, her suit seemed to have no color, but only a hint, just on the verge of the reality of color, making the full reality seem vulgar. Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty.
Ayn Rand
Are you a good human being, Gerry? I mean good in the sense that if you put everything in the scales, they’d tip that way?” It startled her. “I don’t know. I haven’t thought of myself that way. I think I like the lush life a little too much. That’s why I married George. I’m vain. I like men to admire me. I’ve got a coarse streak that comes out at the wrong times. But I do try to live up to … some kind of a better image of myself. And I try to improve. I came from nothing, Trav, from a little raggedy-ass spread in the Panhandle with too many kids and too few rooms.
John D. MacDonald (The Deep Blue Good-By)
It should probably be said that the virtues of the society of the self are entirely debatable. Orienting laws around individuals led directly to an entire tradition of human rights and the prominence of individual liberty in legal codes. That has to count as progress. But reasonable people disagree about whether we have now tipped the scales too far in the direction of individualism, away from those collective organizations: the union, the community, the state. Resolving those disagreements requires a different set of arguments—and values—than the ones we need to explain where those disagreements came from.
Steven Johnson (How We Got to Now: Six Innovations That Made the Modern World)
on their target about now. Six on one, overwhelming force, or so they thought. Puller was a first-rate, superbly trained close-quarters fighter. But he was not Superman. This was not a movie where he could Matrix his way to victory. It would be fearful men fighting, making mistakes but certainly landing some blows. Puller tipped the scales at well over two hundred pounds. The men he would be facing tonight collectively weighed about a thousand pounds. They had twelve fists and a dozen legs to his two and two. Six against one, hand-to-hand, no matter how good you were or how inept the six were, would likely result in defeat. Puller could take out three or four rather quickly. But the remaining two or three men would probably get in a lucky shot and possibly knock him down. And then it would be over. Bats and bars would rain down on him and then a gunshot would end it all. If one had a choice—and sometimes one did—a truly superb close-quarters fighter only fought when the conditions favored him. He didn’t have much time, because they would quickly determine that he was not in the room. Then they would do one of two things: leave and come back, or set a trap and wait for him. And a trap would involve a perimeter. At least he was counting on that, because a perimeter meant that the six men would have
David Baldacci (The Forgotten (John Puller, #2))
Queer Squatters of Apple Island! Queer of Spades! he thought. (His friend the old widower he’d known since the war had told him about the article in the paper and the postcards in the general store.) That’s right; I am queer, from queer folk, queer stock. The very queerest. Here we are, stuck on an island, a hollow, a swamp, the desert, no sooner settled than banished again. You bet I’m queer. I’m no landlord nor lawyer, no duke nor lord of the looms. I’m no cap doffer, no knee bender, no flattering stooge. I draw no writs; I pass no judgments. I set no seals. I tip no scales. No, not me; I’m queer. I’m queer for my self, for my selfhood, queer for this queer self I find myself to be, queer with strange appetites,
Paul Harding (This Other Eden)
I’m an eggs-in-one-basket girl when it comes to relationships, and it’s a dangerous way to be. One bad fall, or an unfortunate slip-up, and everything I care about could get broken and smashed. I found my person when I found you, and I’ve never really needed or wanted anyone else since. Rightly or wrongly, I poured every emotional part of myself into us. I adopted your hopes and dreams and loved them as though they were my own. I cared about you so much, I had nothing left to give anyone else, even myself. I was content with a social circle big enough for two. You were always enough for me, but I never felt as though I was quite enough for you. Maybe that can change. Maybe if I try to love you a little less, the scales might tip in my favour, and you might love me a little more?
Alice Feeney (Rock Paper Scissors)
At once he felt the scales begin to grow out on his thickened skin, and his dark body lighten up with patches of irridescent blue; he fell upon his breast, and his two legs were blended into one, which, gradually lengthening, became an elegant and sharply pointed tail. His arms remained unchanged; he held them out, and as the tears coursed down his cheeks (which were still—for the moment—human), he exclaimed, “Come closer to me, O most wretched wife, and while there is still something left of me, before I am entirely transformed to serpent, touch me, take these hands in yours!” He would have said much more, but suddenly the tip of his tongue divided into two, and words no longer would obey his wishes, so that whenever he tried to complain or grieve, he hissed, and could not manage more, for he had been left with no other voice. Now striking her bare breast, his wife cries out, “Cadmus! Stay as you are! Put off these strange shapes now possessing you, unfortunate man! Cadmus, what’s happening? Where are your feet? Your face? Complexion? Even as I speak, where is the rest of you! Heavenly beings, will you not also turn me to a snake?” The creature’s tongue flicked lightly over her lips, and he slipped in between her cherished breasts as though he were familiar with the place, embraced her, and slid right around her neck. Those of his companions who were present were horrified, but she just calmly stroked the smooth, sleek neck of the crested dragon, and at once there were two serpents intertwined, who presently went crawling off and found a hiding place within a nearby grove.
Ovid
I tried. I loved them—the very bones of them—with every single bit of me, and I wanted more than anything to keep them safe. And I tried. But—and this is the thing I just came to understand—every time they were safe, for all those days and years before the checkout line, every time they went to school or rode in a car or rode their bikes down the street or kicked a ball or ate a meal or caught a cold or danced in the living room with me or waited in a checkout line with me, danger was right there, brushing past them, parting to let them by, or swerving away just in time. It was right there. But before the checkout line day, they were safe, and I helped, you helped, we did our best, but mostly it was pure grace. Luck. We do what we can, but luck tips the scales in the end. Every time they were ever safe, they could just as easily have not been. Do you see what I mean?
Marisa de los Santos (Watch Us Shine)
The Coach’s head was oblong with tiny slits that served as eyes, which drifted in tides slowly inward, as though the face itself were the sea or, in fact, a soup of macromolecules through which objects might drift, leaving in their wake, ripples of nothingness. The eyes—they floated adrift like land masses before locking in symmetrically at seemingly prescribed positions off-center, while managing to be so closely drawn into the very middle of the face section that it might have seemed unnecessary for there to have been two eyes when, quite likely, one would easily have sufficed. These aimless, floating eyes were not the Coach’s only distinctive feature—for, in fact, connected to the interior of each eyelid by a web-like layer of rubbery pink tissue was a kind of snout which, unlike the eyes, remained fixed in its position among the tides of the face, arcing narrowly inward at the edges of its sharp extremities into a serrated beak-like projection that hooked downward at its tip, in a fashion similar to that of a falcon’s beak. This snout—or beak, rather—was, in fact, so long and came to such a fine point that as the eyes swirled through the soup of macromolecules that comprised the man’s face, it almost appeared—due to the seeming thinness of the pink tissue—that the eyes functioned as kinds of optical tether balls that moved synchronously across the face like mirror images of one another. 'I wore my lizard mask as I entered the tram, last evening, and people found me fearless,' the Coach remarked, enunciating each word carefully through the hollow clack-clacking sound of his beak, as its edges clapped together. 'I might have exchanged it for that of an ox and then thought better. A lizard goes best with scales, don’t you think?' Bunnu nodded as he quietly wondered how the Coach could manage to fit that phallic monstrosity of a beak into any kind of mask, unless, in fact, this disguise of which he spoke, had been specially designed for his face and divided into sections in such a way that they could be readily attached to different areas—as though one were assembling a new face—in overlapping layers, so as to veil, or perhaps even amplify certain distinguishable features. All the same, in doing so, one could only imagine this lizard mask to be enormous to the extent that it would be disproportionate with the rest of the Coach’s body. But then, there were ways to mask space, as well—to bend light, perhaps, to create the illusion that something was perceptibly larger or smaller, wider or narrower, rounder or more linear than it was in actuality. That is to say, any form of prosthesis designed for the purposes of affecting remedial space might, for example, have had the capability of creating the appearance of a gap of void in occupied space. An ornament hangs from the chin, let’s say, as an accessory meant to contour smoothly inward what might otherwise appear to be hanging jowls. This surely wouldn’t be the exact use that the Coach would have for such a device—as he had no jowls to speak of—though he could certainly see the benefit of the accessory’s ingenuity. This being said, the lizard mask might have appeared natural rather than disproportionate given the right set of circumstances. Whatever the case, there was no way of even knowing if the Coach wasn’t, in fact, already wearing a mask, at this very moment, rendering Bunnu’s initial appraisal of his character—as determined by a rudimentary physiognomic analysis of his features—a matter now subject to doubt. And thus, any conjecture that could be made with respect to the dimensions or components of a lizard mask—not to speak of the motives of its wearer—seemed not only impractical, but also irrelevant at this point in time.
Ashim Shanker (Don't Forget to Breathe (Migrations, Volume I))
On March 17 Napoleon held a consuls’ meeting, which he did most days at this time, a Conseil d’État, which he did every couple of days, and then a military strategy session with his chief cartographer, General Bacler de l’Albe, kneeling on huge large-scale maps of Piedmont spread out on the floor and covered in red and black wax-tipped pins to show the positions of the armies. (Sometimes, when crawling around the floor together on the maps, Napoleon and de l’Albe would bump heads.) In the strategy meeting he allegedly asked Bourrienne where he thought the decisive battle would be fought. ‘How the devil should I know?’ answered his Brienne-educated private secretary. ‘Why, look here, you fool,’ said Napoleon, pointing to the plains of the River Scrivia at San Giuliano Vecchio, explaining how he thought Melas would manoeuvre once the French had crossed the Alps.3 It was precisely there that the battle of Marengo was fought three months later.
Andrew Roberts (Napoleon: A Life)
Daniel.” Luce gripped his shoulder. “What about the library you took me to? Remember?” She closed her eyes. She wasn’t thinking so much as feeling her way through a memory buried shallowly in her brain. “We came to Vienna for the weekend…I don’t remember when, but we went to see Mozart conduct The Magic Flute…at the Theater an der Wien? You wanted to see this friend of yours who worked at some old library, his name was-“ She broke off, because when she opened her eyes, the others were staring at her, incredulous. No one, least of all Luce, had expected her to be the one to know where they would find the desideratum. Daniel recovered first. He flashed her a funny smile Luce knew was full of pride. But Arriane, Roland, and Annabelle continued to gape at her as if they’d suddenly learned she spoke Chinese. Which, come to think of it, she did. Arriane wiggled a finger around inside her ear. “Do I need to ease up on the psychedelics, did LP just recall one of her past lives unprompted at the most crucial juncture ever?” “You’re a genius,” Daniel said, leaning forward and kissing her deeply. Luce blushed and leaned in to extend the kiss a little longer, but then heard a cough. “Seriously, you two,” Annabelle said. “There will be time enough for snogs if we pull this off.” “I’d say ‘get a room’ but I’m afraid we’d never see you again,” Arriane added, which caused them all to laugh. When Luce opened her eyes, Daniel had spread his wings wide. The tips brushed away broken bits of plaster and blocked the Scale angels from view. Slung over his shoulder was the black leather satchel with the halo. The Outcasts gathered the scattered starshots back into their silver sheaths. “Wingspeed, Daniel Grigori.” “To you as well.” Daniel nodded at Phil. He spun Luce around so her back was pressed to his chest and his arms fit snugly around her waist. They clasped hands over her heart. “The Foundation Library,” Daniel said to the other angels. “Follow me, I know exactly where it is.
Lauren Kate (Rapture (Fallen, #4))
She’s elderly and needs care. It’s a very large apartment,” he says to Giselle. “You’d love her.” Shit, she loves older people. “Did she tell you she’s writing a romance?” I blurt. Greg’s eyebrows go sky high. “Ah, no.” “Aliens,” I say as I take a sip of my water. “Purple with sparkly scales and prehensile tails.” “I took the tail off!” she calls. “Oh?” He blinks down at Giselle, who’s currently giving me a flat look. Focusing on him, I try to decipher if he’s into it or thinks it’s not worthy of a scientist, but dammit, he’s not giving me any tells. “Do you think that’s silly?” she asks him. I don’t, babe, is on the tip of my tongue. Tell me more about them. Tell me everything. Put me back on your Pinterest board. (Yeah, I had to look up what that was.) You be the woman who can rock whatever she wants because she’s fascinating and intelligent and sexy as fuck. Greg leans in closer to her, his eyes heavy lidded. “I’m guessing you used real science to explain the details?” “Of course,” she says. He bites his lip. “Damn. That’s hot—” “All right!” I announce and shove at Aiden to get up.
Ilsa Madden-Mills (Not My Match (The Game Changers, #2))
Stay back!” said one of the Varden, gesturing. “There’s a whole group of soldiers inside, and they have bows aimed at us.” Eragon and Saphira halted just out of sight of the building. The warrior who had brought them said, “We can’t get at them. The doors and windows are blocked, and they shoot at us if we try to chop our way in.” Eragon looked at Saphira. Shall I, or shall you? I’ll attend to it, she said, and jumped into the air with a rush of spreading wings. The building shook, windows shattering, as Saphira landed on the roof. Eragon and the other warriors watched with awe as she fit the tips of her claws into the mortared grooves between the stones and, snarling from the effort, tore the building apart until she exposed the terrified soldiers, whom she killed like a terrier kills rats. When Saphira returned to Eragon’s side, the Varden edged away from her, clearly frightened by her display of ferocity. She ignored them and began licking her paws, cleaning the gore from her scales. Have I ever told you how glad I am we’re not enemies? Eragon asked. No, but it’s very sweet of you.
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.” Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast. “You confess,” Glorian said, “that you slew the blood of the Saint.” Her voice kept breaking. “Do you then declare war on Inys?” Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face. “When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.” On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end. What she did next could define how they saw the House of Berethnet for centuries to come. Start forging your armour, Glorian. You will need it. She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams. And where there had been fear, there was anger. “If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.” Sweat was running down her back. She had never been so afraid in her life. “I am not afraid,” she said. At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow. “So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
You’re fine,” said Eragon, exasperated. “Stop worrying. There’s nothing you can do about it anyway.” Saphira growled and continued to study her image in the lake. She turned her head from side to side, then exhaled heavily, releasing a cloud of smoke that drifted out over the water like a small, lost thundercloud. Are you sure? she asked, and looked toward him. What if it doesn’t grow back? “Dragons grow new scales all the time. You know that.” Yes, but I’ve never lost one before! He did not bother to hide his smile; he knew she would sense his amusement. “You shouldn’t be so upset. It wasn’t very big.” Reaching out, he traced the diamond-shaped hole on the left side of her snout, where the object of her consternation had so recently been ensconced. The gap in her sparkling armor was no larger than the end of his thumb and about an inch deep. At the bottom of it, her leathery blue hide was visible. Curious, he touched her skin with the tip of his index finger. It felt warm and smooth, like the belly of a calf. Saphira snorted and pulled her head away from him. Stop that; it tickles. He chuckled and kicked at the water by the base of the rock he was sitting on, enjoying the sensation against the bottom of his bare feet.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
scales scattered under her wings and two teardrop silver scales in the corners of her eyes. A startled jolt ran through Luna, waking her up like a bolt of lightning. This dragon looked like Clearsight. Or at least, the way Clearsight always looked in pictures. Luna sat up as the two of them came closer, with Jerboa behind them. “Oh wow,” said the one with the earring, noticing Luna. “What —” said the Clearsight-looking dragon. “How — ?” “I believe this is our first visitor from the lost continent,” Jerboa said. “She blew in with the storm.” The little black dragon sat down and tipped her head as though she was listening to something far away. “I’m Moon,” she said, “and this is Qibli. Are you really from across the sea?” “I guess so,” Luna said. “It was kind of an accident, coming here. I’m Luna.” “Hi, Luna,” said Qibli. “This must be pretty weird for you, too. You have so many wings! I mean, that’s cool. Is it hard to fly with all those wings? That’s a silly question. I can’t believe we’re meeting a dragon from another continent! This is amazing!” “Are you like Clearsight?” Luna asked Moon. “Can you see the future?” Moon’s eyebrows shot up. “You know about Clearsight?” “I know some things about her,” Luna said, thinking darkly of the Book and the lies Queen Wasp had told about it. “I know she came from here, and she had scales like yours. I always wondered if there were other dragons over here who could see the future, too.
Tui T. Sutherland (The Lost Continent (Wings of Fire, #11))
I have done it! exclaimed Saphira. She arched her neck and loosed a jet of blue and yellow flame into the upper reaches of the building. I know my true name! She spoke a single line in the ancient language, and the inside of Eragon’s mind seemed to ring with a sound like a bell, and for a moment, the tips of Saphira’s scales gleamed with an inner light, and she looked as if she were made of stars. The name was grand and majestic, but also tinged with sadness, for it named her as the last female of her kind. In the words, Eragon could hear the love and devotion she felt for him, as well as all the other traits that made up her personality. Most he recognized; a few he did not. Her flaws were as prominent as her virtues, but overall, the impression was one of fire and beauty and grandeur. Saphira shivered from the tip of her nose to the tip of her tail, and she shuffled her wings. I know who I am, she said. Well done, Bjartskular, said Glaedr, and Eragon could sense how impressed he was. You have a name to be proud of. I would not say it again, however, not even to yourself, until we are at the…at the spire we have come to see. You must take great care to keep your name hidden now that you know it. Saphira blinked and shuffled her wings again. Yes, Master. The excitement running through her was palpable. Eragon sheathed Brisingr and walked over to her. She lowered her head until it was at his level. He stroked the line of her jaw, and then pressed his forehead against her hard snout and held her as tightly as he could, her scales sharp against his fingers. Hot tears began to slide down his cheeks. Why do you cry? she asked. Because…I’m lucky enough to be bonded with you. Little one.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
After basic needs are met, higher incomes produce gains in happiness only up to a point, beyond which further increases in consumption do not enhance a sense of well-being. The cumulative impact of surging per capita consumption, rapid population growth, human dominance of every ecological system, and the forcing of pervasive biological changes worldwide has created the very real possibility, according to twenty-two prominent biologists and ecologists in a 2012 study in Nature, that we may soon reach a dangerous “planetary scale ‘tipping point.’ ” According to one of the coauthors, James H. Brown, “We’ve created this enormous bubble of population and economy. If you try to get the good data and do the arithmetic, it’s just unsustainable. It’s either got to be deflated gently, or it’s going to burst.” In the parable of the boy who cried wolf, warnings of danger that turned out to be false bred complacency to the point where a subsequent warning of a danger that was all too real was ignored. Past warnings that humanity was about to encounter harsh limits to its ability to grow much further were often perceived as false: from Thomas Malthus’s warnings about population growth at the end of the eighteenth century to The Limits to Growth, published in 1972 by Donella Meadows, among others. We resist the notion that there might be limits to the rate of growth we are used to—in part because new technologies have so frequently enabled us to become far more efficient in producing more with less and to substitute a new resource for one in short supply. Some of the resources we depend upon the most, including topsoil (and some key elements, like phosphorus for fertilizers), however, have no substitutes and are being depleted.
Al Gore (The Future: Six Drivers of Global Change)
Put crudely, external things do have some value, but they’re not worth getting upset over—it’s a different kind of value. One way Stoics explained this was by saying that if we could put virtue on one side of a set of scales, it wouldn’t matter how many gold coins or other indifferent things piled up on the opposing side—it should never tip the balance. Nevertheless, some external things are preferable to others, and wisdom consists precisely in our ability to make these sorts of value judgments. Life is preferable to death, wealth is preferable to poverty, health is preferable to sickness, friends are preferable to enemies, and so on. As Socrates had put it earlier, such external advantages in life are good only if we use them wisely. However, if something can be used for either good or evil, it cannot truly be good in itself, so it should be classed as “indifferent” or neutral. The Stoics would say that things like health, wealth, and reputation are, at most, advantages or opportunities rather than being good in themselves. Social, material, and physical advantages actually give foolish individuals more opportunity to do harm to themselves and others. Look at lottery winners. Those who squander their sudden wealth often end up more miserable than they could have imagined. When handled badly, external advantages like wealth do more harm than good. The Stoics would go further: the wise and good man may flourish even when faced with sickness, poverty, and enemies. The true goal of life for Stoics isn’t to acquire as many external advantages as possible but to use whatever befalls us wisely, whether it be sickness or health, wealth or poverty, friends or enemies. The Stoic Sage, or wise man, needs nothing but uses everything well; the fool believes himself to “need” countless things, but he uses them all badly. Most important of all, the pursuit of these preferred indifferent things must never be done at the expense of virtue. For instance, wisdom may tell us that wealth is generally preferable to debt, but valuing money more highly than justice is a vice. In order to explain the supreme value placed on wisdom and virtue, the Stoics compared reason, our “ruling faculty,” to a king in relation to his court. Everyone in court is situated somewhere or other on the hierarchy of importance. However, the king is uniquely important because he’s the one who assigns everyone else at court a role in the hierarchy. As mentioned earlier, the Stoics call reason, the king in this metaphor, our “ruling faculty” (hegemonikon). It’s human nature to desire certain things in life, such as sex and food. Reason allows us to step back and question whether what we desire is actually going to be good for us or not. Wisdom itself is uniquely valuable because it allows us to judge the value of external things—it’s the source of everything else’s value. How therefore does it profit a man, the Stoics might say, if he gains the whole world but loses his wisdom and virtue?
Donald J. Robertson (How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius)