Time Ticking Quotes

We've searched our database for all the quotes and captions related to Time Ticking. Here they are! All 100 of them:

Unfortunately, the clock is ticking, the hours are going by. The past increases, the future recedes. Possibilities decreasing, regrets mounting.
Haruki Murakami (Dance Dance Dance)
Time passes. Even when it seems impossible. Even when each tick of the second hand aches like the pulse of blood behind a bruise. It passes unevenly, in strange lurches and dragging lulls, but pass it does. Even for me.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
I suppose it's like the ticking crocodile, isn't it? Time is chasing after all of us.
J.M. Barrie (Peter Pan)
Time ticks by; we grow older. Before we know it, too much time has passed and we've missed the chance to have had other people hurt us. To a younger me this sounded like luck; to an older me this sounds like a quiet tragedy.
Douglas Coupland (Life After God)
The clock always ticks. There are times you don't hear it, and there are times that you do.
David Levithan (Every Day (Every Day, #1))
Killing time isn't as difficult as it sounds. I can shoot a hundred numbers through the chest and watch them bleed decimal points in the palm of my hand. I can rip the numbers off a clock and watch the hour hand tick tick tick its final tock just before I fall asleep. I can suffocate seconds just by holding my breath. I've been murdering minutes for hours and no one seems to mind.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Witches are naturally nosy,” said Miss Tick, standing up. “Well, I must go. I hope we shall meet again. I will give you some free advice, though.” “Will it cost me anything?” “What? I just said it was free!” said Miss Tick. “Yes, but my father said that free advice often turns out to be expensive,” said Tiffany. Miss Tick sniffed. “You could say this advice is priceless,” she said, “Are you listening?” “Yes,” said Tiffany. “Good. Now...if you trust in yourself...” “Yes?” “...and believe in your dreams...” “Yes?” “...and follow your star...” Miss Tick went on. “Yes?” “...you’ll still be beaten by people who spent their time working hard and learning things and weren’t so lazy. Goodbye.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Are you kidding? That guy was a mystery wrapped in an enigma and crudely stapled to a ticking fucking time bomb. He was either going to hit somebody or start a blog.
Lev Grossman (The Magicians (The Magicians, #1))
Holding this soft, small living creature in my lap this way, though, and seeing how it slept with complete trust in me, I felt a warm rush in my chest. I put my hand on the cat's chest and felt his heart beating. The pulse was faint and fast, but his heart, like mine, was ticking off the time allotted to his small body with all the restless earnestness of my own.
Haruki Murakami (The Wind-Up Bird Chronicle)
The most important thing to remember about depression is this: you do not get the time back. It is not tacked on at the end of your life to make up for the disaster years. Whatever time is eaten by a depression is gone forever. The minutes that are ticking by as you experience the illness are minutes you will not know again.
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
More than the sound of my own beating heart, I miss the sound of a ticking clock. Time passes. It must pass....
Beth Revis (Across the Universe (Across the Universe, #1))
Grimly, she realized that clocks don't make a sound that even remotely resembles ticking, tocking. It was more the sound of a hammer, upside down, hacking methodically at the earth. It was the sound of a grave.
Markus Zusak (The Book Thief)
We live in time - it holds us and molds us - but I never felt I understood it very well. And I'm not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time's malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing - until the eventual point when it really does go missing, never to return.
Julian Barnes (The Sense of an Ending)
We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are underneath every part of this moment. And by making the moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing towards.
Rachel Cohn (Nick & Norah's Infinite Playlist)
You are thinking in human terms again, and forgetting Time is neither tick nor tock... Jarle Heavyfoot
Frank Lambert (Ghost Doors)
I have always, essentially, been waiting. Waiting to become something else, waiting to be that person I always thought I was on the verge of becoming, waiting for that life I thought I would have. In my head, I was always one step away. In high school, I was biding my time until I could become the college version of myself, the one my mind could see so clearly. In college, the post-college “adult” person was always looming in front of me, smarter, stronger, more organized. Then the married person, then the person I’d become when we have kids. For twenty years, literally, I have waited to become the thin version of myself, because that’s when life will really begin. And through all that waiting, here I am. My life is passing, day by day, and I am waiting for it to start. I am waiting for that time, that person, that event when my life will finally begin. I love movies about “The Big Moment” – the game or the performance or the wedding day or the record deal, the stories that split time with that key event, and everything is reframed, before it and after it, because it has changed everything. I have always wanted this movie-worthy event, something that will change everything and grab me out of this waiting game into the whirlwind in front of me. I cry and cry at these movies, because I am still waiting for my own big moment. I had visions of life as an adventure, a thing to be celebrated and experienced, but all I was doing was going to work and coming home, and that wasn’t what it looked like in the movies. John Lennon once said, “Life is what happens when you’re busy making other plans.” For me, life is what was happening while I was busy waiting for my big moment. I was ready for it and believed that the rest of my life would fade into the background, and that my big moment would carry me through life like a lifeboat. The Big Moment, unfortunately, is an urban myth. Some people have them, in a sense, when they win the Heisman or become the next American Idol. But even that football player or that singer is living a life made up of more than that one moment. Life is a collection of a million, billion moments, tiny little moments and choices, like a handful of luminous, glowing pearl. It takes so much time, and so much work, and those beads and moments are so small, and so much less fabulous and dramatic than the movies. But this is what I’m finding, in glimpses and flashes: this is it. This is it, in the best possible way. That thing I’m waiting for, that adventure, that move-score-worthy experience unfolding gracefully. This is it. Normal, daily life ticking by on our streets and sidewalks, in our houses and apartments, in our beds and at our dinner tables, in our dreams and prayers and fights and secrets – this pedestrian life is the most precious thing any of use will ever experience.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
All emotions, even those that are suppressed and unexpressed, have physical effects. Unexpressed emotions tend to stay in the body like small ticking time bombs—they are illnesses in incubation.
Marilyn Van Derbur (Miss America By Day: Lessons Learned From Ultimate Betrayals And Unconditional Love)
I hate both of my parents right now: for sitting quietly in our house, while out in the darkness my heart was beating away all of the seconds of my life, ticking them off one by one until my time was up; for letting the thread between us stretch so far and so thin that the moment it was severed for good they didn't even feel it.
Lauren Oliver (Before I Fall)
In the Land of Memory the time is always Now. In the Kingdom of Ago, the clocks tick... but their hands never move. There is an Unfound Door (O lost) and memory is the key which opens it.
Stephen King (Song of Susannah (The Dark Tower, #6))
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
Lemony Snicket
And this note was a jittery time bomb, ticking beneath my normal life, in my pocket all day firecely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now. I can’t stop thinking about you.
Daniel Handler (Why We Broke Up)
Time can tick when there is no clock.
Anne Rice (The Wolf Gift (The Wolf Gift Chronicles, #1))
(It starts with) One thing, I don’t know why It doesn’t even matter how hard you try Keep that in mind, I designed this rhyme To explain in due time All I know time is a valuable thing Watch it fly by as the pendulum swings Watch it count down to the end of the day The clock ticks life away It’s so unreal Didn’t look out below Watch the time go right out the window Trying to hold on but didn’t even know Wasted it all just to Watch you go I kept everything inside and even though I tried, it all fell apart What it meant to me will eventually be a memory of a time when I tried so hard And got so far But in the end It doesn't even matter I had to fall To lose it all But in the end It doesn't even matter
Linkin Park
No history is mute. No matter how much they own it, break it, and lie about it, human history refuses to shut its mouth. Despite deafness and ignorance, the time that was continues to tick inside the time that is.
Eduardo Galeano
There was a sudden stillness like the gap between ticks on a clock, but the next tick never coming.
Sadie Jones (The Outcast)
Time ticks by; we grow older. Before we know it, too much time has passed and we've missed the chance to have other people hurt us. To a younger me this sounded like luck; to an older me this sounds like quite a tragedy.
Douglas Coupland (Life After God)
Time was our very first king. We all live our lives to the aggressive ticking of the clock. We don't question that our lives are a grid of seconds; even our pulses oblige. No succeeding king can hope to hold this kind of power.
Lauren DeStefano (Perfect Ruin (Internment Chronicles, #1))
You are thinking in human terms again, and forgetting Time is neither tick nor tock...
Frank Lambert (Ghost Doors)
The days were longer then (for time, like money, is measured by our needs), when summer afternoons were spacious, and the clock ticked slowly in the winter evenings.
George Eliot
Suddenly it felt like there was a ticking time bomb in the house. I didn’t have all the time in the world to make you love me again; I had only a few short months.
Natasha Anders (The Unwanted Wife (Unwanted, #1))
I was conceived because it would be good for my House to have an heir and because my parents' genes ticked the right set of boxes. You were probably conceived because your parents loved each other." "According to our mother," Bern said, "he was conceived because she was too wasted to remember a rubber." Mad Rogan stopped chewing. "I was conceived because my mother skipped bail. Her boyfriend at the time threatened to call the cops on her so she had to do something to keep him from doing it," Bern said helpfully. Awesome. Just the right kind of information to share. "Aunt Giselea isn't the best mother," I said. "There's one in every family.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
That’s right, honey, state your claim on Mr. Yummy Pants. I’d do the same if I were you.” A grin ticked at my mouth. I swept my gaze over the muscled roundness of Bones’s ass, which his black jeans only highlighted. Then I gazed at the snug fit of the front that had nothing to do with the cut of the denim. Finally, I met Tyler’s chocolate-colored eyes and winked back.
Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
The War Has Been Declared. Your Ally Been Ensnared. It Is Now Or It Is Never. Break The Code Or Die Forever. Time Is Running Out Running Out Running Out To the Warrior Give My Blade By His Hand Your Fate Is Made But Do Not Forget the Ticking Or the Clicking, Clicking, Clicking While a Rat's Tongue May Be Flicking With Its Feet It Does the Tricking For the Paw and Not the Jaw Makes the Code of Claw Time Is Standing Still Standing Still Standing Still Since the Princess Is the Key To Unlock the Treachery She Cannot Avoid the Matching or the Scratching, Scratching, Scratching When a Secret Plot is Hatching In the Naming Is the Catching What She Saw, It Is the Flaw Of the Code of Claw Time is Turning Back Turning Back Turning Back When the Monster's Blood Is Spilled When the Warrior Has Been Killed You Must Not Ingore the Rapping Or the Tapping, Tapping, Tapping If the Gnawers Find you Napping You Will Rot While They Are Mapping Out the Law of Those Who Gnaw In the Code of Claw
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
And like most middle-aged people who hear the clock ticking in their lives, I had come to resent a waste or theft of my time that was greater than any theft of my goods or money.
James Lee Burke
Good morning, Hell-A. In the land of the lotus-eaters, time plays tricks on you. One day you’re dreaming, the next, your dream has become your reality. It was the best of times. If only someone had told me. Mistakes were made, hearts were broken, harsh lessons learned. My family goes on without me, while I drown in a sea of pointless pussy. I don’t know how I got here. But here I am, rotting away in the warm California sun. There are things I need to figure out, for her sake, at least. The clock is ticking. The gap is widening. She won’t always love me “no matter what
Hank Moody
The clock ticked with empty urgency, as though trying to catch up with the time. In the street a siren howled.
Ralph Ellison (Invisible Man)
I remember it all: every word, every breath, every tick of the clock . . . everything that happened is with me forever. I can never forget it. But that dosen't mean I can live it again. You can't live what's gone, you can only remember it, and memories have no life. They're just pale reminders of a time that's gone - like faded photographs, or a dried-up daisy chain at the back of a drawer. They have no substance. They can't take you back. Nothing can take you back. Nothing can be the same as it was. Nothing is. All I can do is tell it.
Kevin Brooks
Apparently, she already stabbed him once,” Jasper informed the Guardian. “In the heart.” Nova looked at me. “And she cut me earlier tonight. Threw a knife right at my face another time,” Casteel ticked off his fingers. “Then this one time, in the woods, she—” “No one wants to hear about how many times I’ve made you bleed,” I snapped. “I do,” Jasper remarked. Emil raised his hand. “So do I.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
A witch didn't do things because they seemed a good idea at the time! That was practically cackling. You had to deal every day with people who were foolish and lazy and untruthful and downright unpleasant, and you could certainly end up thinking that the world would be considerably improved if you gave them a slap. But you didn't because, as Miss Tick had once explained: a) it would make the world a better place for only a very short time; b) it would then make the world a slightly worse place; and c) you're not supposed to be as stupid as they are.
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
Miss Tick sniffed. 'You could say this advice is priceless,' she said. 'Are you listening?' 'Yes,' said Tiffany. 'Good. Now ... if you trust in yourself ...' 'Yes?' '... and believe in your dreams ...' 'Yes?' '... and follow your star ...' Miss Tick went on. 'Yes?' '... you'll still get beaten by people who spent THEIR time working hard and learning things and weren't so lazy. Goodbye.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
He was so busy socializing, making sure people approved and liked him, he didn't notice his precious ticks of time slipping away. He was so popular. But now...I was famous.
Coco J. Ginger
Meanwhile, let us abolish the ticking of time’s clock with one blow. Come closer.
Virginia Woolf (The Waves)
The clock tick-tocked, solemn and profound. It might have been the dry pulse of the decaying house itself, after a while it whirred and cleared its throat and struck six times.
William Faulkner (The Sound and the Fury)
My heartbeat accelerates. I am in the here, in the now. I am also in the future. I am holding her and wanting and knowing and hoping all at once. We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are the underneath every part of this moment. And by making this moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing toward.
David Levithan (Nick & Norah's Infinite Playlist)
the clock is ticking, and the world is spinning, and we simply do not have time anymore to think so small.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Time and space were, from Death's point of view, merely things that he'd heard described. When it came to Death, they ticked the box marked Not Applicable. It might help to think of the universe as a rubber sheet, or perhaps not.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
I did not want to live out my life in the strenuous effort to hold a ghost world together. It was plain as the stars that time herself moved in grand tidal sweeps rather than the tick-tocks we suffocate within, and that I must reshape myself to fully inhabit the earth rather than dawdle in the sump of my foibles.
Jim Harrison (Julip)
Tick tock," Andrew said. "You have my attention; now keep my interest." "Nicky's mother called." "Oops, time's up.
Nora Sakavic (The Raven King (All for the Game, #2))
Dads. It’s time to tell our kids that we love them. Constantly. It’s time to show our kids that we love them. Constantly. It’s time to take joy in their twenty-thousand daily questions and their inability to do things as quickly as we’d like. It’s time to take joy in their quirks and their ticks. It’s time to take joy in their facial expressions and their mispronounced words. It’s time to take joy in everything that our kids are.
Dan Pearce (Single Dad Laughing: The Best of Year One)
We're running out of time, he said. As if time were the kind of thing you could run out of, as if it were measured into bowls that were handed to us at birth and if we ate too much or too fast or right before jumping into the water then our time would be lost, wasted, already spent. But time is beyond our finite comprehension. It's endless, it exists outside of us; we cannot run out of it or lose track of it or find a way to hold on to it. Time goes on even when we do not. We have plenty of time, is what Castle should have said. We have all the time in the world, is what he should have said to me. But he didn't because what he meant tick tock is that our time tick tock is shifting. It's hurtling forward heading in an entirely new direction slamming face-first into something else and tick tick tick tick tick it's almost time for war
Tahereh Mafi
Although the rhythm of the waves beats a kind of time, it is not clock or calendar time. It has no urgency. It happens to be timeless time. I know that I am listening to a rhythm which has been just the same for millions of years, and it takes me out of a world of relentlessly ticking clocks. Clocks for some reason or other always seem to be marching, and, as with armies, marching is never to anything but doom. But in the motion of waves there is no marching rhythm. It harmonizes with our very breathing. It does not count our days. Its pulse is not in the stingy spirit of measuring, of marking out how much still remains. It is the breathing of eternity, like the God Brahma of Indian mythology inhaling and exhaling, manifesting and dissolving the worlds, forever. As a mere conception this might sound appallingly monotonous, until you come to listen to the breaking and washing of waves.
Alan W. Watts
Time doesn't stop or give warning. It simply ticks along, marking time, ignoring humanity.
Amy Harmon (From Sand and Ash)
Let's really look at one another!...It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed... Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? (Emily)
Thornton Wilder (Our Town)
Sounds of a San Juan night, drifting across the city through layers of humid air; sounds of life and movement, people getting ready and people giving up, the sound of hope and the sound of hanging on, and behind them all, the quiet, deadly ticking of a thousand hungry clocks, the lonely sound of time passing in the long Caribbean night.
Hunter S. Thompson
Change doesn't happen overnight. There's no button that's pushed to magically alter everything. Change happens little by little. Day by day. Hour by hour. It's the ticking of a secondhand, moving painstakingly, as it makes its way around the clock. You don't realize it until it's already over, the minute gone forever, as you're thrust right into the next one, the time still ticking away, whether you want it to or not. Before long you have a hard time remembering the world as it once was, the person you were then, too focused on the world around you instead. A world full of promise. A world full of excitement.
J.M. Darhower (Monster in His Eyes (Monster in His Eyes, #1))
For a long time, my subconscious rested in a dark place, ticking through memories like a jukebox selecting a record...
Chelsie Shakespeare (The Pull)
In truth, we will only perform any action a certain number of times, and to know that can never be helpful. There is, in my opinion, no use in demanding to know the number, in demanding to know upon waking the number of boxes to be ticked off every single day. After all, why would it help to be shown the mathematics of things, when instead we could simply imagine that whatever time we have is limitless.
Julia Armfield (Our Wives Under the Sea)
Too many books in one place, who knew what they could do? Miss Tick told her one day: 'Knowledge is power, power is energy, energy is matter, matter is mass, and mass changes time and space.
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
Tick, tock,” whispers Wiress. I guide her in front of me and get her to lie down, stroking her arm to soothe her. She drifts off, stirring restlessly, occasionally sighing out her phrase. “Tick, tock.” “Tick, tock,” I agree softly. “It’s time for bed. Tick, tock. Go to sleep.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
And then there was Tick. Brave little Tick, who had flown into the faces of an army of rats to save his baby sister. Tick - who never spoke much. Tick - who shared her food. Tick - who was after all just a roach. Just a roach who had given all the time she had left so that Boots could have more. Gregor pressed Boots's fingers against his lips and felt scalding tears begin to slide down his cheeks. He hadn't cried, not the whole time he'd been down here, and there had been plenty of bad stuff. But somehow Tick's sacrifice had crushed whatever thin shell remained between him and sorrow.
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
He’s like an old clock the won’t tell time but won’t stop neither with the hands bend out of shape and the face bare of numbers and the alarm rusted silent, an old worthless clock that keeps ticking and cuckooing without meaning nothing.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
- he's finished with that; it's like an old clock that won't tell time but won't stop neither, with the hands bent out of shape and the face bare of numbers and the alarm bell rusted silent, an old worthless clock that just keeps ticking and cuckooing without meaning nothing.
Ken Kesey
By contrast Hobie lived and wafted like some great sea mammal in his own mild atmosphere, the dark brown of tea stains and tobacco, where every clock in the house said something different and time didn’t actually correspond to the standard measure but instead meandered along at its own sedate tick-tock, obeying the pace of his antique-crowded backwater, far from the factory-built, epoxy-glued version of the world.
Donna Tartt (The Goldfinch)
The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.
Erin Morgenstern (The Night Circus)
Let’s not travel to tick things off lists, or collect half-hearted semi-treasures to be placed in dusty drawers in empty rooms. Rather, we’ll travel to find grounds and rooftops and tiny hidden parks, where we’ll sit and dismiss the passing time, spun in the city’s web, ‘til we’ve surrendered, content to be spent and consumed. I need to feel a place while I’m in it.
Victoria Erickson (Edge of Wonder: Notes from the Wildness of Being)
When you see runners in town is easy to distinguish beginners from veterans. The ones panting are beginners; the ones with quiet, measured breathing are the veterans. Their hearts, lost in thought, slowly tick away time. When we pass each other on the road, we listen to the rhythm of each other's breathing, and sense the way the other person is ticking away the moments.
Haruki Murakami (What I Talk About When I Talk About Running)
Actuality is when the lighthouse is dark between flashes: it is the instant between the ticks of the watch: it is a void interval slipping forever through time: the rupture between past and future: the gap at the poles of the revolving magnetic field, infinitesimally small but ultimately real. It is the interchronic pause when nothing is happening. It is the void between events.
George Kubler
Some prevailing signs of social climbers are their: - ticking cunning ambition - times of deceit - hand of wickedness - gloves of bigotry - hidden bunch of schemes - cup of pride - sip of prejudice - odour of greed - grit of hatred Their favorite hunger is comparing themselves to others. A thirst of competition with sloth, jealousy and anger at their spirits.
Angelica Hopes (Landscapes of a Heart, Whispers of a Soul (Speranza Odyssey Trilogy, #1))
Beautiful but defeated and damaged. Damaged for the rest of her life and no amount of emotional mutilation will ever fully give her back her innocence. The girl is a ticking time bomb, a danger to herself and very possibly to others. I wasn’t sure before, but now I know that she is more unstable than I ever could have imagined. And because she is so skilled at hiding it, not only from me but also from herself, she is more dangerous than I am.
J.A. Redmerski (Killing Sarai (In the Company of Killers, #1))
I poisoned my skin," Genya said harshly, "my lips. So that every time he touched me-" She shuddered slightly and glanced at David. "Every time he kissed me, he took sickness into his body." She clenched her fists. "He brought this on himself." "But the poison would have affected you too," Nikolai said. "I had to purge it from my skin, then heal the burns the lye would leave. Every single time." Her fists clenched. "It was well worth it." Nikolai rubbed a hand over his mouth. "Did he force you?" Genya nodded once. A muscle in Nikolai's jaw ticked.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
The total amount of time available is especially limited. The clock is ticking as we speak. Time rushes past. Opportunities are lost right and left. If you have money, you can buy time. You can even buy freedom if you want. Time and freedom: those are the most important things that people can buy with money.
Haruki Murakami (1Q84 (1Q84, #1-3))
And so it goes. And so it goes. And so it goes. And so it goes goes goes goes goes tick tock tick tock tick tock and one day we no longer let time serve us, we serve time and we are slaves of the schedule, worshipers of the sun's passing, bound into a life predicated on restrictions because the system will not function if we don't keep the schedule tight.
Harlan Ellison ("Repent, Harlequin!" Said the Ticktockman)
After my bedroom, this was my favourite place in the world. It was carpeted, and had heavy bookcases and ticking clocks and velvet chairs, just like someone’s living room. It smelled of unturned pages and unseen adventures, and on every shelf were people I had yet to meet, and places I had yet to visit. Each time, I lost myself in the corridors of books and the polished, wooden rooms, deciding which journey to go on next. Mrs
Joanna Cannon (The Trouble with Goats and Sheep)
Time is drowning, Hearts are burning, Heads are rolling, Nothing can save you now, Tick tock, tick tock; Creatures talking, Weak are rising, White Queen’s nearing, Nothing can save you now, Tick tock, tick tock; Cards are bleeding, Crowns are sweating, Tea is spilling, Nothing can save you now, Tick tock, tick tock; Red Queen, here’s your warning, Wonderland’s raging, Alice is coming, Highness, time is drowning, And nothing can save you now, Tick tock, tick tock, tick tock…
Emory R. Frie (Wonderland (Realms #1))
This is how the time moves - an hour here, a day somewhere, and then it's night and then it's morning. A clock ticking on a shelf. A small child running to school, a father coming home. Time moves over us and past us, and the feeling of lips pressed against lips fades into memory. A picture yellows at its edges. A phone rings in an empty room.
Jacqueline Woodson (If You Come Softly)
So this is what you do when it all slows down and the minutes that tick by feel a little longer than before. You take your time. You breathe slowly. You open your eyes a little wider and look at everything. Take it all in. Rehash stories of old, remember people, times, and occasions gone by. Allow everything you see to remind you of something. Talk about those things. Find out the answers you didn’t know to yesterday’s crosswords. Slow down. Stop trying to do everything now, now, now. Hold up the people behind you for all you care, feel them kicking at your heels but maintain your pace. Don’t let anybody else dictate your speed.
Cecelia Ahern (Thanks for the Memories)
This isn't how it should be, God. Thousands of graves marking thousands of lives--so much focus on death. Did the gravediggers spend their lives just serving the dead? How many Numbers ticked away for the sake of carving headstones no one would read? As I stare at this scene, I decide I don't want a headstone when I die. I don't even want to be buried. I want to disappear--save that chunk of earth for people to live on. This land I stand on is worthless now. No one can build a house here. No one can plant gardens or start a new village. Is that what the people buried beneath me would have wanted? Earth wasn't intended to hold only dead bodies. I stand. God, I need to live.
Nadine Brandes (A Time to Die (Out of Time, #1))
My days were not days of the week, bearing the stamp of any heathen deity, nor were they minced into hours and fretted by the ticking of a clock; for I lived like the Puri Indians, of whom it is said that "for yesterday, today, and tomorrow they have only one word, and they express the variety of meaning by pointing backward for yesterday forward for tomorrow, and overhead for the passing day." This was sheer idleness to my fellow-townsmen, no doubt; but if the birds and flowers had tried me by their standard, I should not have been found wanting.
Henry David Thoreau (Walden)
Contemporary consciousness is no longer equipped to deal with our mortality. Never in any other time, or any other civilization, have people thought so much or so contantly about aging. Each individual has a simple view of the future: a time will come when the sum of pleasures that life has left to offer is outweighed by the sum of pain (one can actually feel the meter ticking, and it ticks always in the same direction). This weighing up of pleasure and pain, which everyone is forced to make sooner or later, leads logically, at a certain age, to suicide.
Michel Houellebecq (The Elementary Particles)
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
Annie Proulx (Brokeback Mountain)
I don’t want to say it, I truly don’t, but if you’ve gone this far I suppose it’s obvious that what was ignited when I loved you continues to burn. But that’s of small importance to you now, and that’s how it should be. Everything is in its place. The past rests, breathing faintly in the darkness. It no longer holds me as it used to; now I must reach back to touch it. It is night and I am alone and there is still time, a moment more. I am standing on a long black stage, with a circle of light on me, which is my love for you, enduring. I have escaped—or have been expelled—from eternity and am back in time. But I step out once more to sing this aria, this confession, this testament without end. My arms open wide, not to embrace you but to embrace the world, the mystery we are caught in. There is no orchestra, no audience; it is an empty theater in the middle of the night and all the clocks in the world are ticking. And now for this last time, Jade, I don’t mind, or even ask if it is madness: I see your face, I see you, you; I see you in every seat.
Scott Spencer (Endless Love)
I had no idea kissing felt like this. Sensory overload. At some point, Ren reluctantly let me down. He still supported my weight, which was good because I was ready to fall over. He cupped my cheek and ran a thumb slowly across my bottom lip. He stood close to me, keeping one arm wrapped around my waist. His other hand moved to my hair, and his fingers began to slowly twist the loose strands. I had to blink my eyes a few times to clear my vision. He laughed quietly. “Breathe, Kelsey.” He had a very self-satisfied, smug grin on his face, which, for some reason, got my ire up. “You seem very happy with yourself.” He raised an eyebrow. “I am.” I smirked back to him and said, “Well, you didn’t ask for permission.” “Hmm, perhaps we should rectify that.” He trailed his fingers up my arm, swirling little circles as he went. “Kelsey?” I watched his progress and mumbled, distracted, “Yes?” He stepped closer. “Do I-“ “Hmm?” I wiggled slightly. “Have your-“ He started nuzzling my neck then moved up to my ear. His lips ticked me as he whispered, and I felt him smile, “Permission-“ Goose bumps broke out on my arms and I trembled. “To kiss you?” I nodded weakly. Standing on my tiptoes, I slipped my arms around his neck showing him that I was definitely giving permission. He trailed kisses from my ear across to my cheek in achingly slow motion, grazing along a path of his choosing. He stopped, hovering just over my lips, and waited. I knew what he was waiting for. I paused only a brief second before whispering faintly, “Yes.” Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The clock ticks; the taunting rhythm serving as a reminder that forward is the only way we can go. The mechanical heartbeat of the darkness, a cold ellipsis, punctuating years gone by. Arising unchained. No glorious hymn, just the steady beat of the illusion of time. We heal or we carry forward the weight of our wounds... To believe otherwise is the mendacity of desperation. Arising honestly. The miles behind are littered with the weight of nostalgia, but too many miles lay ahead us to carry the weight. In the end, even echoes fade away. Pen in hand... Arising to write the next chapter. (MU Articles 2013, Dedication to Joey)
Shannon L. Alder
When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader's imagination that completes the image, making it his or her own. "That's why we so often don't like movies made from books, right?" Suzie said. "We don't like someone else's interpretation of what we see so clearly." She talked, too, about how books educate and inspire, and how they soothe the soul-"like comfort food without the calories," she said. She talked about the tactile joys of reading, the feel of a page beneath one's fingers; the elegance of typeface on a page. She talked about how people complain that they don't have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. "Books don't take time away from us," she said. "They give it back. In this age of abstraction, of multitasking, of speed for speed's sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time.
Elizabeth Berg (Home Safe)
The morning was hot, and the exercise of reading left her mind contracting and expanding like the main-spring of a clock, and the small noises of midday, which one can ascribe to no definite cause, in a regular rhythm. It was all very real, very big, very impersonal, and after a moment or two she began to raise her first finger and to let it fall on the arm of her chair so as to bring back to herself some consciousness of her own existence. She was next overcome by the unspeakable queerness of the fact that she should be sitting in an arm-chair, in the morning, in the middle of the world. Who were the people moving in the house--moving things from one place to another? And life, what was that? It was only a light passing over the surface and vanishing, as in time she would vanish, though the furniture in the room would remain. Her dissolution became so complete that she could not raise her finger any more, and sat perfectly still, listening and looking always at the same spot. It became stranger and stranger. She was overcome with awe that things should exist at all. . . She forgot that she had any fingers to raise. . . The things that existed were so immense and so desolate. . . She continued to be conscious of these vast masses of substance for a long stretch of time, the clock still ticking in the midst of the universal silence.
Virginia Woolf (The Voyage Out (The Virginia Woolf Library))
I wanted a settled life and a shocking one. Think of Van Gogh, cypress trees and church spires under a sky of writhing snakes. I was my father's daughter. I wanted to be loved by someone like my tough judicious mother and I wanted to run screaming through the headlights with a bottle in my hand. That was the family curse. We tended to nurse flocks of undisciplined wishes that collided and canceled each other out. The curse implied that if we didn't learn to train our desires in one direction or another we were likely to end up with nothing. Look at my father and mother today. I married in my early twenties. When that went to pieces I loved a woman. At both of those times and at other times, too, I believed I had focused my impulses and embarked on a long victory over my own confusion. Now, in my late thirties, I knew less than ever about what I wanted. In place of youth's belief in change I had begun to feel a nervous embarrassment that ticked inside me like a clock. I'd never meant to get this far in such an unfastened condition. (p.142)
Michael Cunningham (A Home at the End of the World)
Emily: Oh, Mama, look at me one minute as though you really saw me. Mama, fourteen years have gone by. I'm dead. You're a grandmother, Mama! Wally's dead, too. His appendix burst on a camping trip to North Conway. We felt just terrible about it - don't you remember? But, just for a moment now we're all together. Mama, just for a moment we're happy. Let's really look at one another!...I can't. I can't go on.It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed. Take me back -- up the hill -- to my grave. But first: Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? Stage Manager: No. (pause) The saints and poets, maybe they do some. Emily: I'm ready to go back.
Thornton Wilder (Our Town)
Sometimes driven aground by the photon storms, by the swirling of the galaxies, clockwise and counterclockwise, ticking with light down the dark sea-corridors lined with our silver sails, our demon-haunted sails, our hundred-league masts as fine as threads, as fine as silver needles sewing the threads of starlight, embroidering the stars on black velvet, wet with the winds of Time that go racing by. The bone in her teeth! The spume, the flying spume of Time, cast up on these beaches where old sailors can no longer keep their bones from the restless, the unwearied universe. Where has she gone? My lady, the mate of my soul? Gone across the running tides of Aquarius, of Pisces, of Aries. Gone. Gone in her little boat, her nipples pressed against the black velvet lid, gone, sailing away forever from the star-washed shores, the dry shoals of the habitable worlds. She is her own ship, she is the figurehead of her own ship, and the captain. Bosun, Bosun, put out the launch! Sailmaker, make a sail! She has left us behind. We have left her behind. She is in the past we never knew and the future we will not see. Put out more sail, Captain for the universe is leaving us behind…
Gene Wolfe (The Citadel of the Autarch (The Book of the New Sun, #4))
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
I'd like to start this week with a request, and this one goes out to the followers of the three Abrahamic religions: the Muslims, Christians, and Jews. It's just a little thing, really, but do you think that when you've finished smashing up the world and blowing each other to bits and demanding special privileges while you do it, do you think that maybe the rest of us could sort of have our planet back? I wouldn't ask, but I'm starting to think that there must be something written in the special books that each of you so enjoy referring to that it's ok to behave like special, petulant, pugnacious, pricks. Forgive the alliteration, but your persistent, power-mad punch-ups are pissing me off. It's mainly the extremists obviously, but not exclusively. It's a lot of 'main-streamers' as well. Let me give you an example of what I'm talking about. Muslims: listen up my bearded and veily friends! Calm down, ok? Stop blowing stuff up. Not everything that said about you is an attack on the prophet Mohammed and Allah that needs to end in the infidel being destroyed. Have a cup of tea, put on a Cat Stevens record, sit down and chill out. I mean seriously, what's wrong with a strongly-worded letter to The Times? Christians: you and your churches don't get to be millionaires while other people have nothing at all. They're your bloody rules; either stick to them or abandon the faith. And stop persecuting and killing people you judge to be immoral. Oh, and stop pretending you're celibate -- it's a cover-up for being a gay or a nonce. Right, that's two ticked off. Jews! I know you're god's 'Chosen People' and the rest of us are just whatever, but when Israel behaves like a violent, psychopathic bully and someone mentions it that doesn't make them antisemitic. And for the record, your troubled history is not a license to act with impunity now.
Marcus Brigstocke
CHRONO-SYNCLASTIC INFUNDIBULA—Just imagine that your Daddy is the smartest man who ever lived on Earth, and he knows everything there is to find out, and he is exactly right about everything, and he can prove he is right about everything. Now imagine another little child on some nice world a million light years away, and that little child’s Daddy is the smartest man who ever lived on that nice world so far away. And he is just as smart and just as right as your Daddy is. Both Daddies are smart, and both Daddies are right.    Only if they ever met each other they would get into a terrible argument, because they wouldn’t agree on anything. Now, you can say that your Daddy is right and the other little child’s Daddy is wrong, but the Universe is an awfully big place. There is room enough for an awful lot of people to be right about things and still not agree.    The reason both Daddies can be right and still get into terrible fights is because there are so many different ways of being right. There are places in the Universe, though, where each Daddy could finally catch on to what the other Daddy was talking about. These places are where all the different kinds of truths fit together as nicely as the parts in your Daddy’s solar watch. We call these places chrono-synclastic infundibula.    The Solar System seems to be full of chrono-synclastic infundibula. There is one great big one we are sure of that likes to stay between Earth and Mars. We know about that one because an Earth man and his Earth dog ran right into it.    You might think it would be nice to go to a chrono-synclastic infundibulum and see all the different ways to be absolutely right, but it is a very dangerous thing to do. The poor man and his poor dog are scattered far and wide, not just through space, but through time, too.    Chrono (kroh-no) means time. Synclastic (sin-class-tick) means curved toward the same side in all directions, like the skin of an orange. Infundibulum (in-fun-dib-u-lum) is what the ancient Romans like Julius Caesar and Nero called a funnel. If you don’t know what a funnel is, get Mommy to show you one.
Kurt Vonnegut Jr. (The Sirens of Titan)
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
Lemony Snicket (The Beatrice Letters)
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known. After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine. I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that. I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull. “What are you doing?” “Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me. He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?” “Is that what it is?” I feign innocence. He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites. It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him. But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going. I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies. It’s easy to walk away from lies. Power is another thing. Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it. He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?” I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it. I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
Karen Marie Moning (Burned (Fever, #7))
One thing of great importance can affect a small number of people. Equally so, a thing of little importance can affect a multitude. Either way, a happening - big or small - can affect an entire string of people. Occurrences can join us all together. You see, we're all made up of the same stuff. When something happens, it triggers something inside us that connects us to a situation, connects us to other people, lighting us up and linking us like little lights on a Christmas tree, twisted and turned but still connected to a wire. Some go out, others flicker, others burn strong and bright, yet we are all on the same line. I said at the beginning of this story that this was about people who find out who they are. About people who are unraveled and whose cores are revealed to all who count. And that all that count are revealed to them. You thought I was talking about Lou Suffern and the Turkey Boy, about Raphie, Jessica, and Ruth, didn't you? Wrong. I was talking about each of us. A lesson finds the common denominatior and links us all together, like a chain. At the end of that chain dangles a clock, and on the face of the clock registers the passing of time. We see it and we hear it, the hushed tick-tock, but often we don't feel it. Each second makes its mark on every single person's life - comes and then goes, quietly disappearing without fanfare, evaporating into air like steam from a piping hot Christmas pudding. Enough time leaves us warm; when our time is gone, it leaves us cold. Time is more precious than gold, more precious than diamonds, more precious than oil or any valuable treasures. It is time of which we do not have enough; it is time that causes the war within our hearts, and so we must spend it wisely. Time cannot be packaged and ribboned and left under trees for Christmas morning. Time can't be given. But it can be shared.
Cecelia Ahern
If you didn’t already know this, the sun is going to die. When I think about the future, I don’t think about inescapable ends. But even if we solve global warming and destroy nuclear bombs and control population, ultimately the human race will annihilate itself if we stay here. Eventually, inevitably, we will no longer be able to live on Earth: we have a giant fireball clock ticking down twilight by twilight. In many ways, I think mortality is more manageable when we consider our eternal components, our genetics and otherwise that carry on after us. Still, soon enough, the books we write and the plants we grow will freeze up and rot in the darkness. But maybe there’s hope. What the universe really boils down to is whether a planet evolves a life-form intelligent enough to create technology capable of transporting and sustaining that life-form off the planet before the sun in that planet’s solar system explodes. I have a limited set of comparative data points, but I’d estimate that we’re actually doing okay at this point. We already have (intelligent) life, technology, and (primitive) space travel. And we still have some time before our sun runs out of hydrogen and goes nuclear. Yet none of that matters unless we can develop a sustainable means of living and traveling in space. Maybe we can. What I’ve concluded is that if we do reach this point, we have crossed a remarkable threshold—and will emerge into the (rare?) evolutionary status of having outlived the very life source that created us. It’s natural selection on a Universal scale. “The Origin of the Aliens,” one could say; a survival of the fittest planets. Planets capable of evolving life intelligent enough to leave before the lights go out. I suppose that without a God, NASA is my anti-nihilism. Alone and on my laptop, these ideas can humble me into apathy.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
--How I Was Visited By Messengers-- Something clicked in the clock on the wall, and I was visited by messengers. at first, I did not realize that I was visited by messengers. instead, I thought that something was wrong with the clock. but then I saw that the clock worked just fine, and probably told the correct time. then I noticed that there was a draft in the room. and then it shocked me: what kind of thing could, at the same time, cause a clock to click and a draft to start in the room? I sat down on a chair next to the divan and looked at the clock, thinking about that. the big hand was on the number nine, and the little one on the four, therefore, it was a quarter till four. there was a calendar on the wall below the clock, and its leafs were flipping, as if there was a strong wind in my room. my heart was beating very fast and I was so scared it almost made me collapse. "i should have some water," I said. on the table next to me was a pitcher with water. I reached out and took the pitcher. "water should help," I said and looked at the water. it was then that I realized that I had been visited by messengers, and that I could not tell them apart from the water. I was scared to drink the water, because I could, by accident, drink a messenger. what does that mean? nothing. one can only drink liquids. could the messengers be liquid? no. then, I can drink the water, there is nothing to be afraid of. but I couldn't find the water. I walked around the room and looked for the water. I tried putting a belt in my mouth, but it was not the water. I put the calendar in my mouth -- that also was not the water. I gave up looking for the water and started to look for the messengers. but how could I find them? what do they look like? I remembered that I could not distinguish them from the water, therefore, they must look like water. but what does water look like? I was standing and thinking. I do not know for how long I stood and thought, but suddenly I came to. "there is the water," I thought. but that wasn't the water and instead I got an itch in my ear. I looked under the cupboard and under the bed, hoping that there I might find the water or the messengers. but under the cupboard, in a pile of dust, I found a little ball, half eaten by a dog, and under the bed I found some pieces of glass. under the chair I found a half-eaten steak, I ate it and it made me feel better. it wasn't drafty anymore, the clock was ticking steadily, telling the time: a quarter till four. "well, this means the messengers are gone," I said quietly and started to get dressed, since I had a visit to make. -August 22, 1937
Daniil Kharms
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
When he was finished, he set his plate down, looked at me, and raised an eyebrow. I leaned forward and whispered angrily, “I am not going to sit on your lap, so don’t get your hopes up, Mister.” He still waited until I picked up a fork and took a few bites. I speared a bite of macadamia nut crusted ruby snapper and said, “Whew. Time’s up. Isn’t it? The clock is ticking. You must be sweating it, huh? I mean, you could turn any second.” He just took a bite of curried lamb and then some saffron rice and sat there chewing as cool as a cucumber. I watched him closely for a full two minutes and then folded up my napkin. “Okay, I give. Why are you acting so smug and confident? When are you going to tell me what’s going on?” He wiped his mouth carefully and took a sip of water. “What’s going on, my prema, is that the curse has been lifted.” My mouth dropped open. “What? If it was lifted, why were you a tiger for the last two days?” “Well, to be clear, the curse is not completely gone. I seem to have been granted a partial removal of the curse.” “Partial? Partial meaning what, exactly?” “Partial, meaning a certain number of hours per day. Six hours to be exact.” I recited the prophecy in my mind and remembered that there were four sides to the monolith, and four times six was…”Twenty-four.” He paused. “Twenty-four what?” “Well, six hours makes sense because there are four gifts to obtain for Durga and four sides of the monolith. We’ve only completed one of the tasks, so you only get six hours.” He smiled. “I guess I get to keep you around then, at least until the other tasks are finished.” I snorted. “Don’t hold your breath, Tarzan. I might not need to be present for the other tasks. Now that you’re a man part of the time, you and Kishan can resolve this problem yourselves, I’m sure.” He cocked his head and narrowed his eyes at me. “Don’t underestimate your level of…involvement, Kelsey. Even if you weren’t needed anymore to break the curse, do you think I’d simply let you go? Let you walk out of my life without a backward glance?” I nervously began toying with my food and decided to say nothing. That was exactly what I’d been planning to do. Something had changed. The hurt and confused Ren that made me feel guilty for rejecting him in Kishkindha was gone. He was now supremely confident, almost arrogant, and very sure of himself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops. When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow. Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow. It had to come home.
Jay-Z (Decoded)
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
Robert Louis Stevenson (Treasure Island)