Too Late The Hero Quotes

Regrets are illuminations come too late.

Save yourselves!” Percy warned. “It is too late for us!” Then he gasped and pointed to the spot where Frank was hiding. “Oh, no! Frank is turning into a crazy dolphin!” Nothing happened. “I said,” Percy repeated, “Frank is turning into a crazy dolphin!” Frank stumbled out of nowhere, making a big show of grabbing his throat. “Oh, no,” he said, like he was reading from a teleprompter. “I am turning into a crazy dolphin.” He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards. The pirate crew disbanded in terror.

The thing about plummetting downhill at fifty miles an hour on a snack platter - if you realize it's a bad idea when you're halfway down, it's too late.

Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late.

Save yourselves!" Percy warned. "It is too late for us!" Then he gasped and pointed to the spot where Frank was hiding. "oh no! Frank is turning into a crazy dolphin!" Nothing happened. "I said," Percy repeated, "Frank is turning into a crazy dolphin." Frank stumbled out of nowhere, making a big show of grabbing his throat. "oh no," he said, like he was reading from a teleprompter, "I am turning into a crazy dolphin.

Ridiculous!" Chrysaor's voice turned shrill. He didn't seem sure where to level his sword-at Percy or his own crew. "Save yourselves!" Percy warned. "It is too late for us!" Then he gasped and pointed to the spot where Frank was hiding. "Oh, no! Frank is turning into a crazy dolphin!" Nothing happened. "I said," Percy repeated, "Frank is turning into a crazy dolphin!" Frank stumbled out of nowhere, making a big show of grabbing his throat. "Oh, no," he said, like he was reading from a teleprompter. "I am turning into a crazy dolphin." He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards. The pirate crew disbanded in terror, chattering and clicking as they dropped their weapons, forgot the captives, ignored Chrysaor's orders, and jumped overboard.

You’re lying to yourself. You’re holding this up as a way to keep me locked out. But it’s too late. I’m in. You love me.” I smiled softly as he closed his eyes and gritted his teeth against my words. “You love me,” I repeated, “and you’ll never hurt me. And I will never hurt you. I will never use you like they did, like they all did. Because I want you. Just you.

It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward. Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves.

I actually didn't mind too much that Gabriel had spent the past four nights in my room. He was relatively quiet, didn't go through my things, and liked to listen to my weird book ideas late at night. When I told him that I wanted to write a book about zombies taking over our town, he suggested that I make myself the hero and said nonchalantly, "You could even have to kill me after I get bitten. Wouldn't that be an awesome twist?" I didn't tell him then but I had no intention of ever letting him die in any book.

Marseilles isn't a city for tourists. There's nothing to see. Its beauty can't be photographed. It can only be shared. It's a place where you have to take sides, be passionately for or against. Only then can you see what there is to see. And you realize, too late, that you're in the middle of a tragedy. An ancient tragedy in which the hero is death. In Marseilles, even to lose you have to know how to fight.

Dear comrade in arms, after 15 years of battles, persecutions and sacrifices, Romania's youth must know that the hour of the Legionaire victory isn't far. All of our enemies attempts will be crushed. All plans of tempting us, All attempts at buying our souls, All attempts of seperating us, and all treasons will fall to the ground. Look at them, at your tyrants, straight in their eyes. Endure with submission all blows, endure all pains, whatever they may be, because our sacrifices will be the iron foundation made from broken bodies and from tortured souls, of our Victory. Those, among us, who will fall will have names and tombs of heroes, and those who will kill us will bear the names of traitors and will be cursed from generation to generation. From the depths the Legionnaire rises victorious with his rock-like soul. Those who think they can defeat him... as well as those who think they can buy him... will soon, but too late... Come to the conclusion... that they were wrong.

They were cut off by a terrified scream as Gerald looked at the sandcastle before grabbing his face and clawing at his eyes. “Ah! What is that?” “Too late.

They told him he was killing monsters, and then they made him kill people. He thought it was just me who was different, and he didn’t go through with killing me. He thought there was a chance that it wasn’t too late. That everyone he’d killed really had been a dangerous Null. That he really was a hero, working in the shadows to make the world a better place for people who’d never even looked his way. That he wasn’t just an unimportant little boy raised like an animal and let out of the cage only when The Society wanted someone dead. He wanted to believe that, and he just found out he was wrong.

Why had he committed this terrible sin? Everything in the world was insignificant compared to what he had lost. Everything in the world is insignificant compared to the truth and purity of one small man – even the empire stretching from the Black Sea to the Pacific Ocean, even science itself. Then he realized that it still wasn't too late. He still had the strength to lift up his head, to remain his mother's son. And he wasn't going to try to console himself or justify what he had done. He wanted this mean, cowardly act to stand all his life as a reproach; day and night it would be something to bring him back to himself. No, no, no! He didn't want to strive to be a hero – and then preen himself over his courage. Every hour, every day, year in, year out, he must struggle to be a man, struggle for his right to be pure and kind. He must do this with humility. And if it came to it, he mustn't be afraid even of death; even then he must remain a man. 'Well then, we'll see,' he said to himself. 'Maybe I do have enough strength. Your strength, Mother...

Judd’s fists were so tight, he was in danger of fracturing his own bones. He understood why Brenna had needed to talk to Dorian. He even understood that the leopard saw Brenna as a young sister, not a potential lover. None of that made any difference. Judd wanted to be the one she turned to when in need. Ice picks of pain shoved through his skull, dissonance so vicious it nearly shut down his consciousness. The countdown was getting inexorably closer to the end. Uncurling his fingers with sheer force of will, he watched the blood rush back in. Last night had made it clear that he’d already crossed too many lines, broken too many rules. Soon, it would be too late to draw back. “Thank you, Dorian.” No, he would not pull back. Brenna was his. His to pleasure. And his to comfort...

So Annabeth was kidnapped on a motor scooter,” she summed up, “by Gregory Peck and Audrey Hepburn.” “Not kidnapped, exactly,” Percy said. “But I’ve got this bad feeling.…” He took a deep breath, like he was trying hard not to freak out. “Anyway, she’s—she’s gone. Maybe I shouldn’t have let her, but—” “You had to,” Piper said. “You knew she had to go alone. Besides, Annabeth is tough and smart. She’ll be fine.” Piper put some charmspeak in her voice, which maybe wasn’t cool, but Percy needed to be able to focus. If they went into battle, Annabeth wouldn’t want him getting hurt because he was too distracted about her. His shoulders relaxed a little. “Maybe you’re right. Anyway, Gregory—I mean Tiberinus—said we had less time to rescue Nico than we thought. Hazel and the guys aren’t back yet?” Piper checked the time on the helm control. She hadn’t realized how late it was getting. “It’s two in the afternoon. We said three o’clock for a rendezvous.” “At the latest,” Jason said. Percy pointed at Piper’s dagger. “Tiberinus said you could find Nico’s location…you know, with that.” Piper bit her lip. The last thing she wanted to do was check Katoptris for more terrifying images. “I’ve tried,” she said. “The dagger doesn’t always show what I want to see. In fact, it hardly ever does.” “Please,” Percy said. “Try again.” He pleaded with those sea-green eyes, like a cute baby seal that needed help. Piper wondered how Annabeth ever won an argument with this guy.

Aileen, I wish I could’ve taken you there. It’s too late now. I wish you hadn’t hurt all those people. I’m sorry, I’m sorry, I know you hate it when I say that, what I meant was that I wish all those people hadn’t hurt you. ("Aileen Wuornos Isn't My Hero")

Clara shrugged and immediately knew her betrayal of Peter. In one easy movement she'd distanced herself from his bad behavior, even thought she herself was responsible for it. Just before everyone had arrived, she'd told Peter about her adventure with Gamache. Animated and excited she'd gabbled on about her box and the woods and the exhilarating climb up the ladder to the blind. But her wall of words hid from her a growing quietude. She failed to notice his silence, his distance, until it was too late and he'd retreated all the way to his icy island. She hated that place. From it he stood and stared, judged, and lobbed shards of sarcasm. 'You and your hero solve Jane's death?' 'I thought you'd be pleased,' she half lied. She actually hadn't thought at all, and if she had, she probably could have predicted his reaction. But since he was comfortably on his Inuk island, she'd retreat to hers, equipped with righteous indignation and warmed by moral certitude. She threw great logs of 'I'm right, you're an unfeeling bastard' onto the fire and felt secure and comforted.

...and it's not my place to chase around after you, fixing stuff. What I know's what I know, and it don't include putting the world back the way it out to be. It's too late for that. Way too late for heroes, champions, miracles. Don't matter what our heritage was maybe meant for - your side got hold of it first, and you won long ago. No undoing that, Esau, I ain't fool enough to think otherwise. I'm still sorry for you, but I know your side's won, this side of the grave.

Now that it’s too late, now that I lie here dying on this bloodstained sand, I finally get it. I understand, now. I understand. I know what he meant. My father told me that to know the enemy is half the battle. I know you, now. That’s right. It’s you. All of you who sit in comfort and watch me die, who see the twitch of my bowels through my own eyes: You are my enemy. Corpses lie scattered around me, gleanings left in a wheat field by a careless reaper. Berne’s body cools beneath the bend of my back, and I can’t feel him anymore. The sky darkens over my head—but no, I think that’s my eyes; Pallas’ light seems to have faded. Every drop of the blood that soaks into this sand stains my hands and the hands of the monsters that put me here. That’s you, again. It’s your money that supports me, and everyone like me; it’s your lust that we serve. You could thumb your emergency cut-off, turn your eyes from the screen, walk out of the theatre, close the book . . . But you don’t. You are my accomplice, and my destroyer. My nemesis. My insatiable blood-crazed god. Ah, ahhh, Christ . . . it hurts.

The secret to the labyrinth is always at the beginning. Before you enter. Once you do it is too late.

Butch: Y'know, when I was a kid, I always figured on being a hero when I grew up. Sundance: Too late now. Butch: You didn't have to say that—what'd you have to say that for?

The only difference between your average man and a hero is that the hero figures out what to do before it's too late,' He nudged her aside and, with a few pulls, filled her bucket. 'Then he has the nerve to go on and do it.' Betsy leaned back as if she was trying to get a complete view of him from head to toe. 'Is that all it takes to make a good hero?' 'One more thing. A hero always comes back for his lady.

Nevertheless, every failure to cope with a life situation must be laid, in the end, to a restriction of consciousness. Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late.

We're not going to make it," I said. The words caught in my throat, choking me. What was it Leslie had said to me when we were discussing Shannon's and Antoinetta's disappearance? 'You're beginning to sound like one of the characters in your books, Adam.' She'd been right. If this were a novel my heroes would have arrived just in the nick of time and saved the day. But real life didn't work like that. Real life had no happy endings. Despite our best efforts, despite my love for Tara [his wife] and my determination to protect her, and after everything we'd been through at the LeHorn house, fate conspired against us. We were still nine or ten miles from home, and night was almost upon us. By the time we got there it would already be too late. I fought back tears. I had the urge just to lie down in the middle of the road and let the next car run over me.

What are you two doing?” Her uncle’s teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he’d actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet’s tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. “Nothing your parents wouldn’t approve of, I hope,” he added. Violet flashed Jay a wicked grin. “We were just making out, so if you could make this quick, we’d really appreciate it.” Jay jumped up from beside her. “She’s kidding,” he blurted out. “We weren’t doing anything.” Her uncle Stephen stopped where he was and eyed them both carefully. Violet could’ve sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged. Finally he raised his eyebrows, every bit the suspicious police officer. “Your parents asked me to stop by and check on you on my way home. They won’t be back until late. Can I trust the two of you here . . . alone?” “Of course you can—” Jay started to say. “Probably not—“ Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay’s face, and she laughed. “Relax, Uncle Stephen, we’re fine. We were just doing homework.” Her uncle looked at the pile of discarded books on the table in front of the couch. Not one of them was open. He glanced skeptically at Violet but didn’t say a word. “We may have gotten a little distracted,” she responded, and again she saw Jay shifting nervously. After several warnings, and a promise from Violet that she would lock the doors behind him, Uncle Stephen finally left the two of them alone again. Jay was glaring at Violet when she peeked at him as innocently as she could manage. “Why would you do that to me?” “Why do you care what he thinks we’re doing?” Violet had been trying to get Jay to admit his new hero worship of her uncle for months, but he was too stubborn—or maybe he honestly didn’t realize it himself—to confess it to her. “Because, Violet,” he said dangerously, taking a threatening step toward her. But his scolding was ruined by the playful glint in his eyes. “He’s your uncle, and he’s the police chief. Why poke the bear?” Violet took a step back, away from him, and he matched it, moving toward her. He was stalking her around the coffee table now, and Violet couldn’t help giggling as she retreated. But it was too late for her to escape. Jay was faster than she was, and his arms captured her before she’d ever had a chance. Not that she’d really tried. He hauled her back down onto the couch, the two of them falling into the cushions, and this time he pinned her beneath him. “Stop it!” she shrieked, not meaning a single word. He was the last person in the world she wanted to get away from. “I don’t know . . .” he answered hesitantly. “I think you deserve to be punished.” His breath was balmy against her cheek, and she found herself leaning toward him rather than away. “Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.

The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet). I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part. But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off. I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery). Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother. The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.

It is not that the historian can avoid emphasis of some facts and not of others. This is as natural to him as to the mapmaker, who, in order to produce a usable drawing for practical purposes, must first flatten and distort the shape of the earth, then choose out of the bewildering mass of geographic information those things needed for the purpose of this or that particular map. My argument cannot be against selection, simplification, emphasis, which are inevitable for both cartographers and historians. But the map-maker's distortion is a technical necessity for a common purpose shared by all people who need maps. The historian's distortion is more than technical, it is ideological; it is released into a world of contending interests, where any chosen emphasis supports (whether the historian means to or not) some kind of interest, whether economic or political or racial or national or sexual. Furthermore, this ideological interest is not openly expressed in the way a mapmaker's technical interest is obvious ("This is a Mercator projection for long-range navigation-for short-range, you'd better use a different projection"). No, it is presented as if all readers of history had a common interest which historians serve to the best of their ability. This is not intentional deception; the historian has been trained in a society in which education and knowledge are put forward as technical problems of excellence and not as tools for contending social classes, races, nations. To emphasize the heroism of Columbus and his successors as navigators and discoverers, and to de-emphasize their genocide, is not a technical necessity but an ideological choice. It serves- unwittingly-to justify what was done. My point is not that we must, in telling history, accuse, judge, condemn Columbus in absentia. It is too late for that; it would be a useless scholarly exercise in morality. But the easy acceptance of atrocities as a deplorable but necessary price to pay for progress (Hiroshima and Vietnam, to save Western civilization; Kronstadt and Hungary, to save socialism; nuclear proliferation, to save us all)-that is still with us. One reason these atrocities are still with us is that we have learned to bury them in a mass of other facts, as radioactive wastes are buried in containers in the earth. We have learned to give them exactly the same proportion of attention that teachers and writers often give them in the most respectable of classrooms and textbooks. This learned sense of moral proportion, coming from the apparent objectivity of the scholar, is accepted more easily than when it comes from politicians at press conferences. It is therefore more deadly. The treatment of heroes (Columbus) and their victims (the Arawaks)-the quiet acceptance of conquest and murder in the name of progress-is only one aspect of a certain approach to history, in which the past is told from the point of view of governments, conquerors, diplomats, leaders. It is as if they, like Columbus, deserve universal acceptance, as if they-the Founding Fathers, Jackson, Lincoln, Wilson, Roosevelt, Kennedy, the leading members of Congress, the famous Justices of the Supreme Court-represent the nation as a whole. The pretense is that there really is such a thing as "the United States," subject to occasional conflicts and quarrels, but fundamentally a community of people with common interests. It is as if there really is a "national interest" represented in the Constitution, in territorial expansion, in the laws passed by Congress, the decisions of the courts, the development of capitalism, the culture of education and the mass media.

Five Poems" 1 Well now, hold on maybe I won't go to sleep at all and it'll be a beautiful white night or else I'll collapse completely from nerves and be calm as a rug or a bottle of pills or suddenly I'll be off Montauk swimming and loving it and not caring where 2 an invitation to lunch HOW DO YOU LIKE THAT? when I only have 16 cents and 2 packages of yoghurt there's a lesson in that, isn't there like in Chinese poetry when a leaf falls? hold off on the yoghurt till the very last, when everything may improve 3 at the Rond-Point they were eating an oyster, but here we were dropping by sculptures and seeing some paintings and the smasheroo-grates of Cadoret and music by Varese, too well Adolph Gottlieb I guess you are the hero of this day along with venison and Bill I'll sleep on the yoghurt and dream of the Persian Gulf 4 which I did it was wonderful to be in bed again and the knock on my door for once signified "hi there" and on the deafening walk through the ghettos where bombs have gone off lately left by subway violators I knew why I love taxis, yes subways are only fun when you're feeling sexy and who feels sexy after The Blue Angel well maybe a little bit 5 I seem to be defying fate, or am I avoiding it?

At first glance, young John Adams’s obsession with recognition seems odd. In contrast to the great mass of his contemporaries, his yearning was exceptional. Yet when Adams is compared to other high achievers of his generation, his behavior appears more normal. Young Washington sought recognition just as fervently, and he impatiently pursued a commission in the British army during the French and Indian War as the most rapid means of procuring attention. The youthful Thomas Jefferson dreamed of someday sitting on the King’s Council in Virginia, while Alexander Hamilton, born too late to soldier in the war in the 1750s, announced: “I contemn the grovling and condition of a Clerk or the like, to which my Fortune, &c., contemns me.” He wished for war, through which he could be catapulted into notoriety; his hero was James Wolfe, the British general who died in the assault on Quebec in 1759. Benjamin Franklin, who grew up earlier in Boston, exhibited the same industriousness and ambition that Adams would evince. He mapped out an extensive regimen of self-improvement, as did Adams, and found his role models in Jesus and Socrates. Adams, and many others who would subsequently play an important role in the affairs of early America, were the sort of men that historian Douglass Adair aptly describes as “passionately selfish and self-interested,” men who shared a common attribute, a love of fame.23

Nevertheless, every failure to cope with a life situation must be laid, in the end, to a restriction of consciousness. Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late. The whole sense of the ubiquitous myth of the hero’s passage is that it shall serve as a general pattern for men and women...The individual has only to discover his own position with reference to this general human formula, and let it then assist him past his restricting walls. 

I would have never finished the book without Sam. I wanted to finish his story, to test him, to put him through tribulation and watch him become a man. No, not just a man, I wanted to watch him become a hero. He started his professional life only wanting to make money. I took him on a journey to wanting to make a difference. To be honest, I want men to read the book and decide its never too late to be somebody’s hero. I want the man mired in sin to shed his shame and make a stand for righteousness. My Christ Jesus is ready to coach just such a man.

The mystical marriage with the queen goddess of the world represents the hero's total mastery of life ; for the woman is life, the hero its knower and master. And the testings of the hero, which were preliminary to his ultimate experience and deed, were symbolical of those crises of realization by means of which his consciousness came to be amplified and made capable of enduring the full posession of the mother-destroyer, his inevitable bride. With that he knows that he and the father are one: he is in the father's place. Thus phrased, in the extremest of terms, the problem may sound remote from the affairs of normal humans. Nevertheless, every failure to cope with life situations must be laid to a restriction of consciousness. Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late. The whole sense of the ubiquitous myth of the hero's passage is that it shall serve as a general patter for men and women, wherever they may stand along the scale. therefore, it is formulated in the broadest terms. the individual has only to discover his own position with reference to this general human formula, and let it then assist him past his restricting walls. who and where are his ogres? those are the reflcetions of the unsolved enigmas of his own humanity. what are his ideals? those are the symptoms of his grasp of life.

Suppose a man had an appointment a hundred miles north of his home, and that if he kept it he would be sure of having health, much happiness, fair prosperity, for the rest of his life. He has just time enough to get there, just enough gas in his car. He drives out, but decides that it would be more fun to go twenty-five miles south before starting out in earnest. That is nonsense! Yes, isn't it? The gas had nothing to do with it; time had no preference as to how it would be spent; the road ran north as well as south, yet he missed his appointment. Now, if that man told us that, after all, he had quite enjoyed the drive in the wrong direction, that in some ways he found it pleasanter to drive with no objective than to try to keep a date, that he had had a touching glimpse of his old home by driving south, should we praise him for being properly philosophical about having lost his opportunity? No, we should think he had acted like an imbecile. Even if he had missed his appointment by getting into a daydream in which he drove automatically past a road sign or two, we should still not absolve him. Or if he had arrived too late from having lost his way when he might have looked up his route on a good map and failed to do so before starting, we might commiserate with him, but we should indict him for bad judgment. Yet when it comes to going straight to the appointments we make with ourselves and our own fulfillment we all act very much like the hero of this silly fable: we drive the wrong way. We fail where we might have succeeded by spending the same power and time. Failure indicates that energy has been poured into the wrong channel. It takes energy to fail.

I like that,” Bree admitted. “It’s like…it’s never too late to change.” Her eyes met his, and she hoped he understood that she meant it for him as well as for herself. She wanted Alessandro to give in to the good she knew was in him and leave the Dardano family behind. “I forgot about that. I feel rather ashamed of it now. Because of the things I’ve done. Then I was looking at this tiny creature here, and you’re going to think I’m mad but…every time I look at him, he looks different to me. He’s the same boy, but something in him is always changing. It’s not a physical thing that I can explain to you, but it’s…like…I don’t know,” Alessandro said shrugging and lowering his head. He sat on the bed next to her and stared at the incubator. The baby’s eyes were open, staring back, blinking slowly, sleepily. “You’re seeing him become a person. Like all the parts of him are coming together and making this tiny person’s soul. He was one person in here,” Bree pointed to her stomach. “And now he’s changing on the outside so he can be a part of the world.” “That’s it,” Alessandro nodded. “He’s a part of the world now. My world, in a completely different way than when he was inside of you. It’s like having two sons and watching them become one as a slow minute by minute process. He’s never going to stop changing. What he thinks and feels now is not going to be what he thinks and feels tomorrow or fifty years from now.” “It’s the same for you,” Bree said, closing her fingers over his on the bed. “I don’t want to forget that again, Brianna. I don’t ever want to forget that I can change.” He looked so earnest that Bree couldn’t help bringing his hand to her lips. “Then don’t.

And woman," I said, "had the power been hers, would she have used it to sweeter purpose? Where is your evidence? Your Cleopatras, Pompadours, Jezebels; your Catherines of Russia, late Empresses of China; your Faustines of all ages and all climes; your Mother Brownriggs; your Lucretia Borgias, Salomes—I could weary you with names. Your Roman task-mistresses; your drivers of lodging-house slaveys; your ladies who whipped their pages to death in the Middle Ages; your modern dames of fashion, decked with the plumage of the tortured grove. There have been other women also—noble women, their names like beacon-lights studding the dark waste of history. So there have been noble men—saints, martyrs, heroes. The sex-line divides us physically, not morally. Woman has been man's accomplice in too many crimes to claim to be his judge. 'Male and female created He them'—like and like, for good and evil.

Workaholism Our culture celebrates the idea of the workaholic. We hear about people burning the midnight oil. They pull all- nighters and sleep at the office. It’s considered a badge of honor to kill yourself over a project. No amount of work is too much work. Not only is this workaholism unnecessary, it’s stupid. Working more doesn’t mean you care more or get more done. It just means you work more. Workaholics wind up creating more problems than they solve. First off, working like that just isn’t sustainable over time. When the burnout crash comes— and it will— it’ll hit that much harder. Workaholics miss the point, too. They try to fix problems by throwing sheer hours at them. They try to make up for intellectual laziness with brute force. This results in inelegant solutions. They even create crises. They don’t look for ways to be more efficient because they actually like working overtime. They enjoy feeling like heroes. They create problems (often unwittingly) just so they can get off on working more. Workaholics make the people who don’t stay late feel inadequate for “merely” working reasonable hours. That leads to guilt and poor morale all around. Plus, it leads to an ass- in- seat mentality—people stay late out of obligation, even if they aren’t really being productive. If all you do is work, you’re unlikely to have sound judgments. Your values and decision making wind up skewed. You stop being able to decide what’s worth extra effort and what’s not. And you wind up just plain tired. No one makes sharp decisions when tired. In the end, workaholics don’t actually accomplish more than nonworkaholics. They may claim to be perfectionists, but that just means they’re wasting time fixating on inconsequential details instead of moving on to the next task. Workaholics aren’t heroes. They don’t save the day, they just use it up. The real hero is already home because she figured out a faster way to get things done.

She was helping us assassinate Ryzek when she got caught. She got us out, but it was too late for her,” Teka said. “But we followed through on our end. Snuck back in, and she was gone--we don’t know where they put her--but you were there, incapacitated, locked up in your room again. Half-starved, might I add. So we got you out. We thought you might be useful in keeping her on our side.” “I also wanted to help you,” Jorek supplied. “Yeah, you’re a hero. Noted,” Teka said. “Why…” Akos shook his head. “Why would Cyra do this?” “You know why,” Teka said. “What’s the only thing more important to her than her fear of her brother?” When he didn’t answer, she sighed. Exasperated, clearly, “You, of course, have that singular honor.” Isae and Cisi were staring, one with suspicion and the other, confusion. He didn’t even know how to start explaining it. Cyra Noavek was a name every Thuvhesit knew, a monster story they told to scare each other. What did you say, when you found out the monster wasn’t worthy of the name? Nothing. You said nothing.

And now at this moment, when hope was dead, Tom Sawyer came forward with nine yellow tickets, nine red tickets, and ten blue ones, and demanded a Bible. This was a thunderbolt out of a clear sky. Walters was not expecting an application from this source for the next ten years. But there was no getting around it—here were the certified checks, and they were good for their face. Tom was therefore elevated to a place with the Judge and the other elect, and the great news was announced from headquarters. It was the most stunning surprise of the decade, and so profound was the sensation that it lifted the new hero up to the judicial one’s altitude, and the school had two marvels to gaze upon in place of one. The boys were all eaten up with envy—but those that suffered the bitterest pangs were those who perceived too late that they themselves had contributed to this hated splendor by trading tickets to Tom for the wealth he had amassed in selling whitewashing privileges. These despised themselves, as being the dupes of a wily fraud, a guileful snake in the grass.

George, who had been standing gripping the back of a chair, demanded in a voice which boded ill for the absent Viscount. 'What has Sherry done to you?' "He has not done anything yet. That is why I had to run away, to prevent him! I could not bear it, I "could" not!' 'By God!' George swore, his brilliant eyes beginning to smolder. 'Only tell me!' Mr Ringwood emerged from his stupefaction at this point. He poured himself out some brandy, tossed it off, and set down the glass with the air of a man who was now competent to deal with any emergency. 'Hold your tongue, George!' he commanded tersely. 'So Sherry's home, is he, Kitten?' She nodded, two large tears rolling down her cheeks. 'I take it it's this curst race of yours?' 'Yes. How could I have been so wicked and stupid as to- Oh, Ferdy, if I had but listened to you this morning!' He shook his head sadly. 'Pity,' he agreed. 'Thought so at the time.' 'But even then it would have been too late, for Sherry says they are betting on me in the clubs, and my reputation is quite ruined! Everyone is talking of me, b-bandying my name about-' 'Let anyone bandy your name about in my presence!' said George, grinding his teeth. 'Only let them mention your name, that's all I ask! "I" shall know what to do if Sherry don't!

Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals. The sorrows of our heroes and heroines, they are your delight, oh public! — their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards. When we begin to tint our final pages with couleur de rose, as in accordance with fixed rule we must do, we altogether extinguish our own powers of pleasing. When we become dull, we offend your intellect; and we must become dull or we should offend your taste. A late writer, wishing to sustain his interest to the last page, hung his hero at the end of the third volume. The consequence was that no one would read his novel. And who can apportion out and dovetail his incidents, dialogues, characters, and descriptive morsels so as to fit them all exactly into 930 pages, without either compressing them unnaturally, or extending them artificially at the end of his labour? Do I not myself know that I am at this moment in want of a dozen pages, and that I am sick with cudgelling my brains to find them? And then, when everything is done, the kindest-hearted critic of them all invariably twits us with the incompetency and lameness of our conclusion. We have either become idle and neglected it, or tedious and overlaboured it. It is insipid or unnatural, overstrained or imbecile. It means nothing, or attempts too much. The last scene of all, as all last scenes we fear must be,

Tragedy springs from its own peculiar sorcery, with treachery, born of envy or ambition, a usual instigator. Treachery is apparent only after the events staged are well over, as we know, its victims dead, or living and smarting under its tricks, realizing too late how they have been misused: if indeed they are ever cognizant of its role, if still players, to this wonder and rue. Most unacceptable is its subtlety, the double-face which double-deals, the Iago perpetrators hidden for decades, smiling the smiles of polite and not so polite society. They nod and wave, heroes to many; sly politicians these Claudiuses. Time favours the Macbeths and forgets the maligned. The former enjoy live, some even oblivious to their lies as being lies, for they prefer to bask in blessings, aping the certainties of creed, cheating death and duty while in pavilions of ease. They succeed on their success, trite or vast; wealth for some, and enviably, fame for the few. The unaware, their victims, float off to obscurity on ruptured vessels of injustice to theater lands unknown, never really knowing why, if the job's done property. Normality is, truthfully, life's whore, readily embraced and conveniently embracing; secretly, it has the clap. Thinking of plot should then give pause. The treacherous cheat fate and re-write, their 'intended history'. Call it fate. They become authors of an illicit story, penmen of their own gods, living their own fresh creation through a new, egregious, utilitarian drama that is untouched by either truth or beauty.

As each German and Italian and Frankish nobleman arrived in Constantinople with his own private army, ready to cross over the Bosphorus Strait and face the enemy, Alexius had demanded a sacred oath. Whatever “cities, countries or forces he might in future subdue . . . he would hand over to the officer appointed by the emperor.” They were, after all, there to fight for Christendom; and Alexius Comnenus was the ruler of Christendom in the east.1 Just as Alexius had feared, the chance to build private kingdoms in the Holy Land proved too tempting. The first knight to bite the apple was the Norman soldier Bohemund, who had arrived in Constantinople at the start of the First Crusade and immediately became one of the foremost commanders of the Crusader armies. Spearheading the capture of the great city Antioch in 1098, Bohemund at once named himself its prince and flatly refused to honor his oath. (“Bohemund,” remarked Alexius’s daughter and biographer, Anna, “was by nature a liar.”) By 1100, Antioch had been joined by two other Crusader kingdoms—the Kingdom of Jerusalem and the County of Edessa—and Bohemund himself was busy agitating the Christians of Asia Minor against Byzantium. By 1103, Bohemund was planning a direct attack against the walls of Constantinople itself.2 To mount this assault, Bohemund needed to recruit more soldiers. The most likely source for reinforcements was Italy; Bohemund’s late father, Robert Guiscard, had conquered himself a kingdom in the south of Italy (the grandly named “Dukedom of Apulia and Calabria”), and Bohemund, who had been absent from Italy since heading out on crusade, had theoretically inherited its crown. Alexius knew this as well as Bohemund did, so Byzantine ships hovered in the Mediterranean, waiting to intercept any Italy-bound ships from the principality of Antioch. So Bohemund was forced to be sneaky. Anna Comnena tells us that he spread rumors everywhere: “Bohemond,” it was said, “is dead.” . . . When he perceived that the story had gone far enough, a wooden coffin was made and a bireme prepared. The coffin was placed on board and he, a still breathing “corpse,” sailed away from Soudi, the port of Antioch, for Rome. . . . At each stop the barbarians tore out their hair and paraded their mourning. But inside Bohemond, stretched out at full length, was . . . alive, breathing air in and out through hidden holes. . . . [I]n order that the corpse might appear to be in a state of rare putrefaction, they strangled or cut the throat of a cock and put that in the coffin with him. By the fourth or fifth day at the most, the horrible stench was obvious to anyone who could smell. . . . Bohemond himself derived more pleasure than anyone from his imaginary misfortune.3 Bohemund was a rascal and an opportunist, but he almost always got what he wanted; when he arrived in Italy and staged a victorious resurrection, he was able to rouse great public enthusiasm for his fight against Byzantium. In fact, his conquest of Antioch in the east had given him hero stature back in Italy. People swarmed to see him, says one contemporary historian, “as if they were going to see Christ himself.”4

Charms and oaths and guardian spirits were all the product of a need for something to believe in because people didn’t believe in themselves, a need to let problems resolve on their own rather than confront them. People were predominantly fearful of disruption, even of the things they found overbearing, even as they attempted to wish them away. It was why they invented heroes. It was why the world suffered through long periods of stagnation between innovations. Because rather than change the things that needed change, people preferred to cower and wait until a hero arrived to do it for them. Assuming by that point it was not already too late.

She could not see, could not feel, his darkness!  She did not live in his devil's body with its charred, black heart, its constant yearnings for something to which he could not put a name, its paralyzing sense of despair, envy, fury, and self-hatred.  She was light and he was dark.  She was good and he was evil.  The dark hated the light, hid from it, and there was nothing she could do to change that . . . nothing!  Stupid female, she ought to flee, run as far and fast as she damn well could before it was too late for her!

By the time Natalie realized what Viola was doing, it was too late. She was a senior in high school, and nothing whatsoever about music made her happy. Music was something to win, to be first and best at. She snapped at her parents and was too proud to apologize. She shrank from Uncle Kevin because it was easier than admitting the truth. She listened to all of Hunky Dory, to Ziggy Stardust and Heroes, and tried to feel lovely and strange and weightless, but she couldn’t; she played the piano, she listened to music, and nothing stirred, nothing sang inside. Natalie was earthbound and ordinary, marooned, alone.

He’d spent way too much time lately being angry, hurt, and resentful. Maybe he had a right to be, but that wasn’t the point. Those kinds of emotions were too toxic to hang onto for long.

THE THING ABOUT PLUMMETING DOWNHILL at fifty miles an hour on a snack platter—if you realize it’s a bad idea when you’re halfway down, it’s too late.

Look, if someone wrote a play just to glorify What’s stronger than hate, would they not arrange the stage To look as if the hero came too late he’s almost in defeat It’s looking like the Evil side will win, so on the Edge Of every seat, from the moment that the whole thing begins It is . . . Love who makes the mortar And it’s love who stacked these stones And it’s love who made the stage here Although it looks like we’re alone In this scene set in shadows Like the night is here to stay There is evil cast around us But it’s love that wrote the play For in this darkness love can show the way.

Stormbringer turned in Elric’s hand, howling its satiated glee and clove down at Rackhir. Seeing his fate, the Red Archer sobbed and sought to avoid the blow. But it landed in his shoulder blade and sheared down to his breastbone. “Elric!” he cried. “Not my soul, too!” And so died the hero Rackhir the Red Archer, famous in the Eastlands as the saviour of Tanelorn. Cloven by a treacherous blade. By the friend whose life he had saved, long ago when they had first met near the city of Ameeron. And Elric laughed until realization came and he tugged his sword away though it was too late. The stolen energy still pulsed in him, but his great grief no longer gave it the same control over him. Tears streamed down Elric’s tortured face and a great, racking groan came from him. “Ah, Rackhir—will it ever cease?

rice cooker looked neat, too—when Cecilia wasn’t drawing up orders for her custom bullet journals, she loved cooking, so she’d probably want to try it. Maybe she could borrow Ojiichan’s phone and call her sisters to meet up— “Tessa-chan, over here!” Ojiichan hollered from the corner. “But, look!” Tessa gestured at the next shop. The sparkling clear displays of the arcade games reeled her in, teeming with a special kind of magic. The machines were stuffed with all sorts of plushies and even themed chocolate and snacks from her favorite animes. Ojiichan smiled. “We’re going to be late. I still have to fill out the paperwork for you two.” “Why do I need to register for an antique store?” Tessa asked. Couldn’t they spend time looking around Tokyo instead of just staying in a musty old shop? Jin’s jaw dropped, his eyes already glued to something. “Wait, we’re going here?” Tessa followed his gaze to the building Ojiichan was standing in front of. Exercise Land? That sounded like the polar opposite of cool. Slowly, she read the big poster board set in front: Starting at noon! Move to the beat, and join us for our most popular senior aerobics

It’s a trait of mine—” his voice was gruff “—to be too late to save the people who matter.

It would be too little too late, but at least it gave them something to do while they waited for death. It was good to have hobbies.

This Country's Going to Hell gritty acoustic outlaw country [Verse] Once we had a land, wide and proud, Where freedom's song rang out loud. One nation under a heavenly light, But now it’s fading, lost in the night. [Verse 2] Factories closed, fields go bare, Main Street’s dying in the evening air. God was once our guiding hand, Now it's time we take a stand. [Chorus] This country’s going to hell, Where did we go wrong, who can tell? Let’s put God back in this land, We, the people, must take a stand. [Verse 3] Empty churches, echoing halls, The rise begins when a nation falls. Lest we forget what once made us great, Let’s pray before it’s too late. [Bridge] Bring back the days of honor and trust, When faith in the Lord was more than just dust. We’ve strayed too far, lost our way, Together we can reclaim that day. [Verse 4] Heroes fought, gave their lives, For freedom that’s now on the edge of knives. We need more than slogans and deals, It's soul and spirit that heals.

A love of diverse life as old as our origins was always there to call on, and when we have done so we’ve bathed human history in a brighter light. This complex American story produced many inspiring, empathetic heroes, from Native peoples who preserved a wild continent largely intact for ten thousand years to naturalists compelled to know every detail of continental animal life, from visionaries who gave the world its first national parks to writers, activists, and politicians who confronted the destruction and loss of wild animals before it was too late.

Don’t you understand? It’s already too late. It’s been too late for years now. Where was Elena ten years ago, when there was a whole host of heroes that she could have had her pick of? Where were she and her ridiculous quests when the world truly needed them—when Terrasen’s heroes were cut down or hunted and executed by Adarlan’s armies? Where was she when the kingdoms fell, one by one, to the king?” Her eyes burned, but she shoved the pain down to that dark place where it dwelled inside of her. “The world is already in ruin, and I won’t be set on some fool’s errand.

James Howard Williams died during an emergency appendectomy. So accustomed to the burning ache of his ulcer, he mistook the new, sharper agony as more of the same. The man who never spoke of his woes stoically bore the pain of a burst appendix until it was too late.

His ascent wasn’t as quick or as graceful as mine, but we got him on the ground, where he stretched out on his back to catch his breath. His face was too pale. “You need to get some exercise, Taro,” I told him, and I grinned into the force of his lethal glare. “All that lazing about you’ve been doing lately. You’ve got to change that wastrel lifestyle.” “Now, Lee, you know if I showed the slightest trace of industry you would be left with nothing to do. Could I do that to you?” He gasped as he sat up. I helped him to his feet, hoping he didn’t need it. “Are you all right?” “Are you kidding? I’m free. I feel great.” He didn’t sound as though he were being sarcastic. Good enough

There were Casts for every conceivable purpose: Blinding the Unfaithful, Bringing Forth Water from the Sea, Binding the Runes. But nothing that said Cast to Uncurse Your Family from a Dark Binding, or Cast to Undo the Act of Trying to Bring Great-Great-Great-Great-Grandmother Genevieve’s War Hero Back to Life, or Cast to Avoid Going Dark at Your Claiming. Or the one I was really looking for—Cast to Save Your Girlfriend (Now That You Finally Have One) Before It’s Too Late.

need any more catastrophes.” Leo tried to keep his face clear of emotion, which wasn’t his strong suit. “I guess I see your point. Too bad, though. If you could resist flames, you could get close to the dragon.” “Then it would kill you with its claws and fangs,” Nyssa said. “Or simply step on you. No, we’ve got to destroy it. Trust me, if anyone could figure out another answer…” She didn’t finish, but Leo got the message. This was the cabin’s big test. If they could do something only Beckendorf could do, if they could subdue the dragon without killing it, then maybe their curse would be lifted. But they were stumped for ideas. Any camper who figured out how would be a hero. A conch horn blew in the distance. Campers started putting up their tools and projects. Leo hadn’t realized it was getting so late, but he looked through the windows and saw the sun going down. His ADHD did that to him sometimes. If he was bored, a fifty-minute class seemed like six hours. If he was interested in something, like touring a demigod camp, hours slipped away and bam—the day was over. “Dinner,” Nyssa said. “Come on, Leo.” “Up at the pavilion, right?” he asked.

The men who trusted Kinsey—a hard-won trust that he achieved only because one man vouched for him to another, who did the same to someone else, who followed suit—unwittingly became part of a movement that was only just beginning, one that was little more than a hope for some, such as Henry Gerber two decades earlier, but a seeming impossibility to most. However small and obscure it was in the beginning, it would help to stoke the fires of the sexual revolution that would explode in New York in 1969 in what has been called the Stonewall riots and in the gay liberation movement that the riots spawned. It would be too late for Raymond Carlson and hundreds of other men like him who, caught up in the insidiousness of the time, took control of their destiny in the only way available to them. It also would be too late for those who, like Ralph Wright, charged into marriage to hide their sexuality. Others, like the men of the Rush Street boardinghouse, would make due, devise strategies that would allow them to survive the very real threats that surrounded them—threats not only to their bodies but also to their sense of self—while keeping what we think of as their sexual identity intact. Chicago was full of such men, all heroes and virtually all forgotten now or, if remembered at all, relegated to a footnote to the narrative of the period in which they lived and loved and over which, in time, they triumphed.

Celaena snorted. “Don’t you understand? It’s already too late. It’s been too late for years now. Where was Elena ten years ago, when there was a whole host of heroes that she could have had her pick of? Where were she and her ridiculous quests when the world truly needed them—when Terrasen’s heroes were cut down or hunted and executed by Adarlan’s armies? Where was she when the kingdoms fell, one by one, to the king?” Her eyes burned, but she shoved the pain down to that dark place where it dwelled inside of her. “The world is already in ruin, and I won’t be set on some fool’s errand.

Not only is this workaholism unnecessary, it’s stupid. Working more doesn’t mean you care more or get more done. It just means you work more. Workaholics wind up creating more problems than they solve. First off, working like that just isn’t sustainable over time. When the burnout crash comes—and it will—it’ll hit that much harder. Workaholics miss the point, too. They try to fix problems by throwing sheer hours at them. They try to make up for intellectual laziness with brute force. This results in inelegant solutions. They even create crises. They don’t look for ways to be more efficient because they actually like working overtime. They enjoy feeling like heroes. They create problems (often unwittingly) just so they can get off on working more. Workaholics make the people who don’t stay late feel inadequate for “merely” working reasonable hours. That leads to guilt and poor morale all around. Plus, it leads to an ass-in-seat mentality—people stay late out of obligation, even if they aren’t really being productive. If all you do is work, you’re unlikely to have sound judgments. Your values and decision making wind up skewed. You stop being able to decide what’s worth extra effort and what’s not. And you wind up just plain tired. No one makes sharp decisions when tired. In the end, workaholics don’t actually accomplish more than nonworkaholics. They may claim to be perfectionists, but that just means they’re wasting time fixating on inconsequential details instead of moving on to the next task. Workaholics aren’t heroes. They don’t save the day, they just use it up. The real hero is already home because she figured out a faster way to get things done.

Hero knew that lust was one of the time-honored antidotes to sorrow, but that had never been her relationship to sex. Whatever sorrows lived in her heart were either too superficial to need such soothing, or too burrowed-in and settled to be eased out by something as mundane as coming for the fourth or fifth time against Rosalyn's fingers in the kitchen late at night when the restaurant was long closed; Rosalyn multitasking by leaving eggs and longanisa frying in an oily pan while grinding into Hero's lap, hand down her unzipped jeans, until Hero unclenched her teeth from Rosalyn's ear and said, Something's, uh, burning, and Rosalyn cursed and hopped off.

Two days later, on August 17, Smith’s Cove was abuzz with activity. The bulldozer was scraping a deep pathway from the beach, past the beach shack, heading up toward the Cave-In Pit, and the pump was pulling water from the bottom of the freshly-dug shaft located partly up the hill. Bobby was working near the beach shack with Andrew Demont, Leonard Kaizer, and Cyril Hiltz--young, local men who were helping Bobby to clear brush and burn it in an empty 50-gallon drum that sat on the shoreline. Both Dunfield and Karl Graeser were also on site. The air was electric with optimism and urgency. My father needed to take the boat over to mainland so he could visit his bank in Chester before closing time--papers had to be signed before Dunfield’s funds could be released. Dad was running late, but before he went up to the cabin to change his clothes for the trip ashore, he decided to take one last look in the new shaft to see how well the pump was getting rid of water. This newest shaft was behind the beach shack at a point where the land had started to rise to go up to the clearing. The shaft was large and deep (10 feet by 30 feet by 27 feet deep) and had three or four feet of water in the bottom. Dad peered down into the shaft, and without a sound, he tumbled in. Bobby saw it happen, dropped the bushes he had in his hands, and raced over to help. Others did, too. Bobby started down the ladder, but suddenly fell into the shaft. Karl Graeser was right behind Bobby, and began to climb down, but he lost consciousness and slid into the shaft, too. Cyril Hiltz followed Karl, and Cyril’s cousin, Andrew Demont, was close behind. Leonard Kaizer was the last man to rush in to help the others. One-by-one, as each man tried to climb down the ladder into the shaft, he lost consciousness and fell in. Ed White, a fireman from Buffalo, was visiting the island that day with a group of friends. He heard the cries for help and rushed to the shaft. His wife pleaded with him not to go down, but White tied a handkerchief around his face and had someone lower him into the shaft. He was able to get a rope around Leonard Kaizer, so that those at the top could pull him out. Then White went after Andrew Demont, who was unconscious with his arms locked around a steel pipe, which supported him above water. Even in his unconscious state, Demont lashed out and punched White. But the fireman prevailed and got the rope harness around him so that he could be pulled from the shaft. Ed White was a hero. He saved Leonard Kaizer and Andy Demont that day. But he could do no more. By then, he, too, was feeling the effects of the invisible gas. On that fateful day, August 17, 1965, Cyril Hiltz, Karl Graeser, Bob Restall, Sr., and Bob Restall, Jr. all lost their lives. The coroner’s ruling was “death by drowning.

Statesmen generally have a tragic quality because they are condemned to struggle with factors which are not amenable to will and which cannot be changed in one lifetime… Foreign policy needs to be conducted with a premonition of catastrophe… The statesman is therefore like one of the heroes in classical drama who has had a vision of the future but who cannot transmit it directly to his fellow-men and who cannot validate its truth. Nations learn only by experience; they ‘know’ only when it is too late to act. But statesmen must act as if their intuition were already experience, as if their aspiration were truth.

The statesman is therefore like one of the heroes in classical drama who has had a vision of the future but who cannot transmit it directly to his fellow-men and who cannot validate its truth. Nations learn only by experience; they ‘know’ only when it is too late to act. But statesmen must act as if their intuition were already experience, as if their aspiration were truth.