Time Loops Quotes

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He’s like a song she can’t get out of her head. Hard as she tries, the melody of their meeting runs through her mind on an endless loop, each time as surprisingly sweet as the last, like a lullaby, like a hymn, and she doesn’t think she could ever get tired of hearing it.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
CIRCLES OF LIFE Everything Turns, Rotates, Spins, Circles, Loops, Pulsates, Resonates, And Repeats. Circles Of life, Born from Pulses Of light, Vibrate To Breathe, While Spiraling Outwards For Infinity Through The lens Of time, And into A sea Of stars And Lucid Dreams. Poetry by Suzy Kassem
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
The next time you want to make a point,' Jude says, 'I beg you not to make it so dramatically.' His shoulder hurts, and she may be right about the iron poisoning. He certainly feels as though his head is swimming. But he smiles up at the trees, the looping electrical lines, the streaks of clouds. 'So long as you're begging,' he says.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
Frozen with indecision. Frozen in the cold wind and snow. Just... fucking... frozen. Jesus, already. Make a fucking decision. He fell to his stomach and began crawling. Time to save the world.
William Kely McClung (LOOP)
In many ways, women are death's natural companions. Every time a woman gives birth, she is creating not only a life, but a death. Samuel Beckett wrote that women "give birth astride of a grave." Mother Nature is indeed a real mother, creating and destroying in a constant loop.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
You know that feeling at the end of the day, when the anxiety of that-which-I-must-do falls away and, for maybe the first time that day, you see, with some clarity, the people you love and the ways you have, during that day, slightly ignored them, turned away from them to get back to what you were doing, blurted out some mildly hurtful thing, projected, instead of the deep love you really feel, a surge of defensiveness or self-protection or suspicion? That moment when you think, Oh God, what have I done with this day? And what am I doing with my life? And how must I change to avoid catastrophic end-of-life regrets? I feel like that now: tired of the Me I've always been, tired of making the same mistakes, repetitively stumbling after the same small ego strokes, being caught in the same loops of anxiety and defensiveness. At the end of my life, I know I won't be wishing I'd held more back, been less effusive, more often stood on ceremony, forgiven less, spent more days oblivious to the secret wishes and fears of the people around me... --"Buddha Boy
George Saunders (The Braindead Megaphone)
Everyone has a time machine. Everyone *is* a time machine. It's just that most people's time machines are broken. The strangest and hardest kind of time travel is the unaided kind. People get stuck, people get looped. People get trapped. But we are all time machines.
Charles Yu (How to Live Safely in a Science Fictional Universe)
It is as though the space between us were time: an irrevocable quality. It is as though time, no longer running straight before us in a diminishing line, now runs parallel between us like a looping string, the distance being the doubling accretion of the thread an not the interval between.
William Faulkner (As I Lay Dying)
The thing about living alone is that it gives you a lot of time to think. You don't necessarily reach any conclusions, because wisdom is largely a function of intelligence and self-awareness, not time on your hands. But you do become very good at thinking yourself into endless loops of desperation in half the time it would take a normal person.
Jonathan Tropper (One Last Thing Before I Go)
Because we’ve been lied to and lied to, and it hurts to be lied to. It’s ultimately just about that complicated: it hurts. It denies you respect for yourself, for the liar, for the world. Especially if the lies are chronic, systemic, if hard experience seems to teach that everything you’re supposed to believe in’s really a game based on lies. Young Voters have been taught well and thoroughly. You may not personally remember Vietnam or Watergate, but it’s a good bet you remember ‘No new taxes’ and ‘Out of the loop’ and ‘No direct knowledge of any impropriety at this time’ and Did not inhale’ and ‘Did not have sex with that woman’ and etc. etc. It’s depressing and painful to believe that the would-be ‘public servants’ you’re forced to choose between are all phonies whose only real concern is their own care and feeding and who will lie so outrageously with such a straight face that you just know they have to believe you’re an idiot. So who wouldn’t fall all over themselves for a top politician who actually seemed to talk to you like you were a person, an intelligent adult worthy of respect?
David Foster Wallace (The Best American Essays 2007)
Most of the time-- 99 percent of the time-- you just don't know how and why the threads are looped together, and that's okay. Do a good thing and something bad happens. Do a bad thing and something good happens. Do nothing and everything explodes.
Lauren Oliver (Before I Fall)
We spend so much time creating a façade of what we want to project to the world, we almost forget what we ourselves are truly about in the process.
Jason R. Thrift (The Civilization Loop (Loopingthrutime Book 1))
for the first time in my life i realize why hangers are called hangers, because after fifteen minutes of trying things on and throwing them aside, all i want to do is hook one to the top of my closet door, lean my neck into the loop, and let my weight fall.
David Levithan (Will Grayson, Will Grayson)
Finally, the fox gently pulled both ear loops outward at the same time to make a pretty bow on top of the bunny’s head. The tips of her ears, hung just at her cheek bones.
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
Deep understanding of causality sometimes requires the understanding of very large patterns and their abstract relationships and interactions, not just the understanding of microscopic objects interacting in microscopic time intervals.
Douglas R. Hofstadter (I Am a Strange Loop)
I don't think anyone aims to be typical, really. Most people even vow to themselves some time in high school or college not to be typical. But still, they just kind of loop back to it somehow. Like the circular rails of a train at an amusement park, the scripts we know offer a brand of security, of predictability, of safety for us. But the problem is, they only take us where we've already been. They loop us back to places where everyone can easily go, not necessarily where we were made to go. Living a different kind of life takes some guts and grit and a new way of seeing things.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim or too ugly or too this or too that. Songs that run you down or poke fun at you on account of your bad luck or hard travelling. I am out to fight those songs to my very last breath of air and my last drop of blood. I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you. I could hire out to the other side, the big money side, and get several dollars every week just to quit singing my own kind of songs and to sing the kind that knock you down still farther and the ones that poke fun at you even more and the ones that make you think that you've not got any sense at all. But I decided a long time ago that I'd starve to death before I'd sing any such songs as that. The radio waves and your movies and your jukeboxes and your songbooks are already loaded down and running over with such no good songs as that anyhow.
Woody Guthrie
Somewhere, a dark car raced along a night road. A hand gripped the wheel, leather bands looped over the wrist bone. The Greywaren. Ronan. In this dreamplace, all times were the same time, and so Adam had a strange, lucid beat of reliving the moment Ronan had offered his hand to help Adam up from the asphalt. Stripped of context, the physical sensations exploded: the surprising shock of heat from that skin-to-skin grip; the soft hiss of the bracelets against Adam’s wrist; the sudden bite of possibility —
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Looping. Some days are so dark I can't see anything but a miserable fog of number after number, word after word, clouds of verbs and nouns and none of them the ones that will make time go backward.
Maria Dahvana Headley (Magonia (Magonia, #1))
You love me,” I point out, the tiniest bit defensive. He loops an arm around my shoulders and looks down at me, another small, contained smile on his full lips. His face is a sieve, only letting out the smallest amount of expression at a time. “I know that,” he says. I grin up at him. “I love you back.” He fights the widening of his smile, keeps it small and faint. “I know that too.
Emily Henry (People We Meet on Vacation)
I checked the icebox. The faeries usually brought some sort of food to stock the icebox and the pantry when they cleaned, but they could have mighty odd ideas about what constituted a healthy diet. One time I'd opened the pantry and found nothing but boxes and boxes and boxes of Fruit Loops. I had a near-miss with diabetes, and Thomas, who was never quite sure where the food had come from, declared that I had clearly been driven Fruit Loopy.
Jim Butcher (Proven Guilty (The Dresden Files, #8))
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
The world around me and my past seem far away and distorted, as if time and space were taffy being stretched and looped and twisted out of shape.
Daniel Keyes (Flowers for Algernon)
Most of the time - 99 percent of the time - you just don't know how and why the threads are looped together, and that's okay. Do a good thing and something bad happens. Do a bad thing and something good happens. Do nothing and everything explodes. And very, very rarely - by some miracle of chance and coincidence, butterflies beating their wings just so and all the threads hanging together for a minute - you get the chance to do the right thing.
Lauren Oliver
It didn't feel like a season at the time; it felt like the rest of my life. That's how most seasons feel while you're living them, and then your surroundings transform just as you're getting settled in.
Mari Andrew (Am I There Yet? The Loop-de-Loop, Zigzagging Journey to Adulthood)
I suppose you’ve got your future all figured out?” “No. I just know I’m going to get my mother out of that place and try to build some kind of life for us.” Wylan nodded to the posters on the wall. “Is this really what you want? To be a criminal? To keep bouncing from the next score to the next fight to the next near miss?” “Honestly?” Jesper knew Wylan probably wasn’t going to like what he said next. “It’s time,” Kaz said from the doorway. “Yes, this is what I want,” said Jesper. Wylan looped his satchel over his shoulder, and without thinking, Jesper reached out and untwisted the strap. He didn’t let go. “But it’s not all that I want.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You’ll notice that the Intrepid’s inertial dampeners don’t work as well in crisis situations, Dahl remembered Jenkins telling them. The ship could do hairpin turns and loop-de-loops any other time and you’d never notice. But whenever there’s a dramatic event, there goes your footing.
John Scalzi (Redshirts)
Now Hadley presses her forehead against the window of the taxi and once again finds herself smiling at the thought of him. He's like a song she can't get out of her head. Hard as she tries, the melody of their meeting runs through her mind on an endless loop, each time as surprisingly sweet as the last, like a lullaby, like a hymn, and she doesn't think she could ever get tired of hearing it.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
The path humans took through time was less the mythical arrow of progress, and more of a squiggle that doubled back on itself, curling and looping. A roller coaster designed by a drunkard.
A.R. Capetta (Once & Future (Once & Future, #1))
This I know: the mind, left to itself, repeats the same stories, the same loops.  Mostly ones that don't serve us.  So what's practical, what's transformative, is to consciously choose a thought.  Then practice it again and again.  With emotion, with feeling, with acceptance.   Lay down the synaptic pathways until the mind starts playing it automatically.  Do this with enough intensity over time and the mind will have no choice.  That's how it operates.  Where do you think your original loops came from?
Kamal Ravikant (Love Yourself Like Your Life Depends On It)
In many ways, women are death's natural companions. Every time a woman gives birth, she is creating not only a life, but also a death. Samuel Beckett wrote that women "give birth astride of a grave." Mother Nature is indeed a real mother, creating and destroying in a constant loop.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Sometimes when the poop hits the fan we should block it and run, sometimes we should haul off and knock it for a loop back at the spinning blades. Wisdom is knowing two things. One is which time is which. The other is that no matter what you do you're gonna get crap on your hand.
Faith Hunter (Blood Trade (Jane Yellowrock, #6))
I'm not confused anymore.I know what I want." "Me,too.What I've always wanted since I first saw you." "Why didn't you kiss me again after that first time,that night on the deck?" "You didn't give me any hints that you wanted another one." i wiggled up a little closer to him and looped my fingers behind his neck. "What would a hint entail?" He held my gaze."Exactly what you're doing." "Then why aren't you kissing me?" He touched his nose to mine."It's cold out here.What if our lips freeze together?" "I'll chance it.
Rachel Hawthorne (Love on the Lifts)
Do you try to look even more adorable every time I see you?
Meghan O'Brien (Infinite Loop)
This is a story of loops, at least one. I stepped off the loop. I spent time listening, testing realms. I snapped a twig in my head and struck out. You know what it's like to be alone: gimlets and vermicide. You know what it's like to be alive, so forgiveness.
Richard Siken (War of the Foxes)
My advice was to start a policy of making reversible decisions before anyone left the meeting or the office. In a startup, it doesn’t matter if you’re 100 percent right 100 percent of the time. What matters is having forward momentum and a tight fact-based data/metrics feedback loop to help you quickly recognize and reverse any incorrect decisions. That’s why startups are agile. By the time a big company gets the committee to organize the subcommittee to pick a meeting date, your startup could have made 20 decisions, reversed five of them and implemented the fifteen that worked.
Steve Blank (The Four Steps to the Epiphany: Successful Strategies for Products that Win)
A thing cannot be delivered enough times: this is the rule of dogs for whom there are no fool's errands. To loop out and come back is good all alone. It's gravy to carry a ball or a bone.
Kay Ryan
Every time the song looped, all I heard was the part about the lies - and how they weigh you down. Tonight, as I drive toward Detroit in my Jeep, I know what those words really mean. It's not just the lies they're referring to. It's life. You can't run to another town, another place, another state. Whatever it is you're running from - it goes with you. It stays with you until you find out how to confront it.
Colleen Hoover (Slammed (Slammed, #1))
Time has a way of eternally looping us in the same configurations. Like fruit flies, we are unable to register the patterns. Just because we are the crest of the wave does not mean the ocean does not exist. What has been before will be again.
Tanya Tagaq (Split Tooth)
A strange mood has seized the almost-educated young. They're on the march, angry at times, but mostly needful, longing for authority's blessing, its validation of their chosen identities. The decline of the West in new guise perhaps. Or the exaltation and liberation of the self. A social-media site famously proposes seventy-one gender options – neutrois, two spirit, bigender…any colour you like, Mr Ford. Biology is not destiny after all, and there's cause for celebration. A shrimp is neither limiting nor stable. I declare my undeniable feeling for who I am. If I turn out to be white, I may identify as black. And vice versa. I may announce myself as disabled, or disabled in context. If my identity is that of a believer, I'm easily wounded, my flesh torn to bleeding by any questioning of my faith. Offended, I enter a state of grace. Should inconvenient opinions hover near me like fallen angels or evil djinn (a mile being too near), I'll be in need of the special campus safe room equipped with Play-Doh and looped footage of gambolling puppies. Ah, the intellectual life! I may need advance warning if upsetting books or ideas threaten my very being by coming too close, breathing on my face, my brain, like unwholesome drugs.
Ian McEwan (Nutshell)
After all this time, the aches have grown softer but also deeper. They both know the looping shape of pain--it changes and quiets but never ends. There is a strange comfort in its constancy. Memories of what was lost are also reminders of what was held.
Lily Brooks-Dalton (The Light Pirate)
He leaned down, far enough that the dark ends of his hair brushed feather-light against her face, caught in her lashes, She had just enough time to take in a breath, to blink, to part her lips before he took them with his own. Time froze. Her heart ceased to beat. Her eyes fluttered shut. The cool slip of the small metal loop pressed into her skin as he kissed her. Urgent. Gentle. So slow. Sweet, soft demolition. He tasted of cloves and coffee. And of something else. A farawat essence, familiar and yet somehow foreign, too. Something sere and arid. A little like some. A little like decay Ash.
Kelly Creagh
I weave the papers through the branches, in a long loop. Up and down, my knees bending. My arms above my head, like the girls I saw once in a painting in a cave. There is a rhythm to this, a keeping of time. I wonder if I'm dancing.
Ally Condie (Reached (Matched, #3))
Looking back on his life, he sees himself spread out on the earth like a giant covered in tiny threads that have held him down. Tiny threads of petty cares and small concerns, and fears he took seriously at the time. Debts, timetables, the need for money, the longing for comfort; the earworm of sex, repeating itself over and over like a neural feedback loop. He’s been the puppet of his own constricted desires.
Margaret Atwood (The Heart Goes Last)
We can be walking around in this world, with bits and pieces of our souls scattered in different time loops and space cracks. You feel like you are always looking for yourself, because you actually are always looking for yourself! You're always looking for those bits and pieces of you. You've got to sit down and remember where you left them at. You've got to quiet the noise and go back to those loops in time and cracks in space that you forgot about and you need to understand yourself in those moments, and embrace yourself. And maybe even embrace those who were around you, with you. That's how you get those pieces back, that's how you sew them back into you.
C. JoyBell C.
This explains why habits are so powerful: They create neurological cravings. Most of the time, these cravings emerge so gradually that we’re not really aware they exist, so we’re often blind to their influence. But as we associate cues with certain rewards, a subconscious craving emerges in our brains that starts the habit loop spinning.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
Perhaps you're right, but everything I've learned is precious to me. No one can take my skills away–I value them with my life. Some may say that my knowledge is worthless, but it makes no difference to me." She turned from the balcony, fixing him with a piercing gaze. "I'm the one who decides what I value.
Touko Amekawa (7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! [Manga], Vol. 1 (7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! [Manga], #1))
Because when you give too many fucks—when you give a fuck about everyone and everything—you will feel that you’re perpetually entitled to be comfortable and happy at all times, that everything is supposed to be just exactly the fucking way you want it to be. This is a sickness. And it will eat you alive. You will see every adversity as an injustice, every challenge as a failure, every inconvenience as a personal slight, every disagreement as a betrayal. You will be confined to your own petty, skull-sized hell, burning with entitlement and bluster, running circles around your very own personal Feedback Loop from Hell, in constant motion yet arriving nowhere. The
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Time is a track that loops back on itself, where memories rattle like tin trains. How had I been spending my days, but in the whirl of memories?
Steve Almond (Which Brings Me to You)
We stay watching the fire, which probably is just a fire, but we watch it together. Me and my friends. And there'll be a tomorrow, of course there will, when it all begins again, but right now is almost a kind of loop for me, something to feel on the inside of, but this time it's good. It's a loop with my friends that would even be a pretty damn good forever.
Patrick Ness (The Rest of Us Just Live Here)
Tipping my head back, I looked into his bottle-green eyes. This…this was more than okay. And it took me several tries to speak, because my throat was burning with emotion. “I think I might love you.” Daemon’s arm tightened around me as he kissed my flushed cheek. “Told you.” Not what I expected as a response. He chuckled, rolling onto his side—onto me, really. “My bet—I won. I told you that you’d tell me you loved me on New Year’s Day.” Looping my arms around his neck, I shook my head. “No. You lost.” Daemon frowned. “How do you figure?” “Look at the time.” I tipped my chin toward the clock. “It’s past midnight. It’s January second. You lost.” For several moments he stared at the clock like it was an Arum he was about to blast into the next county, and then his eyes found mine. Daemon smiled. “No. I didn’t lose. I still won.
Jennifer L. Armentrout (Onyx (Lux, #2))
It was the first time I’d seen her without it and that’s when it finally occurred to me: that Grandma was the only person who might have understood what was happening to me. How the paranoia and fundamentalism were carving up my life, how they were taking from me the people I cared about and leaving only degrees and certificates—an air of respectability—in their place. What was happening now had happened before. This was the second severing of mother and daughter. The tape was playing in a loop.
Tara Westover (Educated)
Under-slept employees are not, therefore, going to drive your business forward with productive innovation. Like a group of people riding stationary exercise bikes, everyone looks like they are pedaling, but the scenery never changes. The irony that employees miss is that when you are not getting enough sleep, you work less productively and thus need to work longer to accomplish a goal. This means you often must work longer and later into the evening, arrive home later, go to bed later, and need to wake up earlier, creating a negative feedback loop. Why try to boil a pot of water on medium heat when you could do so in half the time on high? People often tell me that they do not have enough time to sleep because they have so much work to do. Without wanting to be combative in any way whatsoever, I respond by informing them that perhaps the reason they still have so much to do at the end of the day is precisely because they do not get enough sleep at night.
Matthew Walker (Why We Sleep: The New Science of Sleep and Dreams)
I needed to be brought into the loop about who's hot and who's not, when I moved here. You know how it is," he added. "Social status and all that." And then I was deflated, because I understood what he meant. "Yes, I'm sure they were happy to fill you in that I'm part of the 'who's not' category. In fact, I'd imagine I'm probably on the top of that list." He lifted an eyebrow in question, and I noticed the colour of his eyes again for the second time today. "You're kidding, right? I don't think any guy has you on his 'who's not' list." "Then please, enlighten me as to which lucky category I've fallen into. It's always nice to be sorted like inanimate objects.
Lacey Weatherford (Crush (Crush, #1))
The clockwork octopus came out. It extended a tentacle with a clicking of metal joints. Around it was looped the chain of his watch. He hesitated, but took it. The chain skittered over the metal tentacle with a high, thin pitch like incoming sea. It was quite a coincidence for a mechanical sea creature and he was speculating whether it could possibly have been done on purpose when Katsu stole his other sock and flopped on to the floor with an unbiological bang, whereupon it octopused out of the open door and slid down the banister. He exclaimed at it, was ignored, and then went after it just in time to see it disappear into the parlour. It was climbing up the leg of the piano stool when he caught up. The watchmaker confiscated the sock and threw it over his shoulder to Thaniel, who caught it with the tips of his fingers. The octopus settled in his lap. ‘Thank you for finding him,’ he said. Against the piano keys, his hands were too warmly coloured for the watery morning. ‘I was looking for him earlier. He plays hide and seek.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
So your thoughts drive your feelings, and your feelings drive your thoughts, and eventually this loop hardwires your brain into the same patterns, which conditions your body into the past. And because emotions are a record of past experiences, if you can’t think greater than how you feel, this thinking-feeling loop keeps you anchored to your past and creates a constant state of being. This is how the body becomes the mind—or in time, how your thoughts run you and your feelings own you.
Joe Dispenza (Becoming Supernatural: How Common People are Doing the Uncommon)
In a moment of clarity, once, Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure. The only task becomes the seeking of the fix. Every dose is a parabola, low-high-low; and every day a series of these waves; and then the days themselves become chartable, according to how much time, in sum, the user spends in comfort or in pain; and then the months.
Liz Moore (Long Bright River)
You didn't hear the story I told," he goes on. "A shame. It featured a handsome boy with a heart of stone and a natural aptitude for villainy. Everything you could like." She laughs. "You really are terrible, you know that? I don't even understand why the things you say make me smile." He lets himself lean against her, lets himself hear the warmth in her voice. "There is one thing I did like about playing the hero. The only good bit. And that was not having to be terrified for you." "The next time you want to make a point," Jude says, "I beg you not to make it so dramatically." His shoulder hurts, and she may be right about the iron poisoning. He certainly feels as though his head is swimming. But he smiles up at the trees, the looping electrical lines, the streaks of clouds. "So long as you're begging," he says.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
There were so many times I felt like I was sitting around waiting. So many times I was meandering around with a heavy heart, mourning the loss of a happier season without any idea what would come next, and when, I can see now that those were the seasons of loss--my own personal autumns--and they were some of the most important.
Mari Andrew (Am I There Yet? The Loop-de-Loop, Zigzagging Journey to Adulthood)
once heard someone explain thoughts as this: we, as human beings, think that we're thinking.  Not true.  Most of the time, we're remembering.  We're re-living memories.  We're running familiar patterns and loops in our head.  For happiness, for procrastination, for sadness.  Fears, hopes, dreams, desires.  We have loops for everything.
Kamal Ravikant (Love Yourself Like Your Life Depends On It)
...I learned a valuable lesson that stays with me to this day and plays on a loop in my head any time I have a big audition. It goes a little something like this: "Bitch, stop wasting time fearing the worst! Living through the worst is never as hard as fearing it. Fight the fear and go do what you gotta do. That's what you came here for.
Retta (So Close to Being the Sh*t, Y’all Don’t Even Know)
On the edge of a tropical ocean, in a thousand reflections of the silver light of an invisible moon, among undulations of restless waters, ceaselessly changing... Among silent breakers, the tremors of the shining surface, in the swift flux and reflux martyrizing the patches of light, in the rendings of luminous loops and arcs, and lines, in the occultations and reappearances of dancing bursts of light being decomposed, recomposed, contracted, spread out, only to be re-distributed once more before me, with me, within me, drowned, and unendurably buffeted, my calm violated a thousand times by the tongues of infinity, oscillating, sinusoidally overrun by the multitude of liquid lines. enormous with a thousand folds, I was and I was not, I was caught, I was lost, I was in a state of complete ubiquity. The thousands upon thousands of rustlings were my own thousand shatterings.
Henri Michaux (Miserable Miracle)
He grasped the knob. It was engraved with a wild rose wound around a revolver, one of those great old guns from his father and now lost forever. Yet it will be yours again, whispered the voice of the Tower and the voice of the roses—these voices were now one. What do you mean ? To this there was no answer, but the knob turned beneath his hand, and perhaps that was an answer. Roland opened the door at the top of the Dark Tower. He saw and understood at once, the knowledge falling upon him in a hammerblow, hot as the sun of the desert that was the apotheosis of all deserts. How many times had he climbed these stairs only to find himself peeled back, curved back, turned back? Not to the beginning (when things might have been changed and time's curse lifted), but to that moment in the Mohaine Desert when he had finally understood that his thoughtless, questionless quest would ultimately succeed? How many times had he traveled a loop like the one in the clip that had once pinched off his navel, his own tet-ka can Gan? How many times would he travel it? "Oh, no!" he screamed. "Please, not again! Have pity! Have mercy!" The hands pulled him forward regardless. The hands of the Tower knew no mercy. They were the hands of Gan, the hands of ka, and they knew no mercy.
Stephen King
One of the strongest motivations for rereading is purely selfish: it helps you remember what you used to be like. Open an old paperback, spangled with marginalia in a handwriting you outgrew long ago, and memories will jump out with as much vigor as if you’d opened your old diary. These book-memories, says Hazlitt, are “pegs and loops on which we can hang up, or from which we can take down, at pleasure, the wardrobe of a moral imagination, the relics of our best affections, the tokens and records of our happiest hours.” Or our unhappiest. Rereading forces you to spend time, at claustrophobically close range, with your earnest, anxious, pretentious, embarrassing former self, a person you thought you had left behind but who turns out to have been living inside you all along.
Anne Fadiman (Ex Libris: Confessions of a Common Reader)
And then, Kell watched with horror as his echo began to unfasten his tunic, one button at a time. Kell gave a small, strangled laugh. "You've got to be kidding me." Lila only smiled and rolled the stone in her palm as the Kell that wasn't Kell slid slowly, teasingly, out of his tunic and stood there, bare chested. His fingers began to undo the belt at his waist. "Okay, enough," said Kell. "Dispel it." She sighed. "You're no fun." "This isn't fun." "Maybe not for you," she said with a smirk as the other Kell continued his striptease, sliding the belt from its loops.
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
The Engineer smiled (internally, for of course it had no mouth). It was feeling good. It was feeling optimistic. Moving at its current speed, it would arrive back in Ireland in plenty of time to shut everything down before a series of overloads and power loops inevitably led to a sequence of events which would, in turn, eventually lead to the probable destruction of the world. The Engineer wasn't worried. And then the truck hit it.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
He had time to gasp, "You're - you're Anakin Skywalker!" before a fountain of blue-white plasma burned into his chest, curving through a loop that charred all three of his hearts. The Separatist leadership watched in frozen horror as the corpse of the head of the InterGalactic Banking Clan collapsed like a depowered protocol droid. "The resemblance," Darth Vader said, "Is deceptive.
Matthew Woodring Stover (Star Wars, Episode III - Revenge of the Sith)
Yes, we call it recursive, the act of reading, of looping the loop, of continually returning to an earlier group of words, behaving like Penelope by moving our mind back and forth, forth and back, reweaving what’s unwoven, undoing what’s been done; and language, which regularly returns us to its origin, which starts us off again on the same journey, older, altered, Columbus one more time, but better prepared each later voyage, knowing a bit more, ready for more, equal to a greater range of tasks, calmer, confident—after all, we’ve come this way before, have habits that help, and a favoring wind—language like that is the language which takes us inside, inside the sentence—inside—inside the mind—inside—inside, where meanings meet and are modified, reviewed and revised, where no perception, no need, no feeling or thought need be scanted or shunted aside.
William H. Gass (A Temple of Texts)
Let’s say that your significant other has been paying less and less attention to you. You realize he or she has a busy job, but you still would like more time together. You drop a few hints about the issue, but your loved one doesn’t handle it well. You decide not to put on added pressure, so you clam up. Of course, since you’re not all that happy with the arrangement, your displeasure now comes out through an occasional sarcastic remark. “Another late night, huh? I’ve got Facebook friends I see more often.” Unfortunately (and here’s where the problem becomes self-defeating), the more you snip and snap, the less your loved one wants to be around you. So your significant other spends even less time with you, you become even more upset, and the spiral continues. Your behavior is now actually creating the very thing you didn’t want in the first place. You’re caught in an unhealthy, self-defeating loop.
Kerry Patterson (Crucial Conversations Tools for Talking When Stakes Are High)
Did my daughter appear to me a decade and a half before she was born? I like to think so. There she was, looping back through time to brush past a person not yet ready to be her mother--nowhere near ready, if I'm honest--tipping me the wink that she would one day arrive in my life. Readying me, perhaps, for the road ahead, sowing the seeds for all the strength, compassion and resilience required for her existence.
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
At the far end of the library, a number of men had gathered into a tight, jostling ring around a very pretty, very young woman who was talking at what must have been the top of her lungs. Joe could not really understand what she was telling them, but it appeared to be a story that reflected poorly on her own judgment - she was blushing and grinning at the same time - and it unquestionably ended with the word "fuck." She tugged on the word, drawing it out to several times its usual length. She wound it all the way around her in two or three big loops and reveled in it as if it were a luxuriant shawl.
Michael Chabon
As we pull out of the parking lot, it occurs to me that maybe it’s not so complicated at all. Most of the time—99 percent of the time—you just don’t know how and why the threads are looped together, and that’s okay. Do a good thing and something bad happens. Do a bad thing and something good happens. Do nothing and everything explodes. And very, very rarely—by some miracle of chance and coincidence, butterflies beating their wings just so and all the threads hanging together for a minute—you get the chance to do the right thing.
Lauren Oliver (Before I Fall)
The river itself is not a hundred yards across, and pa and Vernon and Vardaman and Dewey Dell are the only things in sight not of that single monotony of desolation leaning with that terrific quality a little from right to left, as though we had reached the place where the motion of the wasted world accelerates just before the final precipice. Yet they appear dwarfed. It is as though the space between us were time: an irrevocable quality. It is as though time, no longer running straight before us in a diminishing line, now runs parallel between us like a looping string, the distance being the doubling accretion of the thread and not the interval between. The mules stand, their fore quarters already sloped a little, their rumps high. They too are breathing now with a deep groaning sound; looking back once, their gaze sweeps across us with in their eyes a wild, sad, profound and despairing quality as though they had already seen in the thick water the shape of the disaster which they could not speak and we could not see.
William Faulkner (As I Lay Dying)
actions on a loop. Change the diaper. Make the formula. Warm the bottle. Pour the Cheerios. Wipe up the mess. Negotiate. Beg. Change his sleeper. Get her clothes out. Where’s the lunch box? Bundle them up. Walk. Faster. We’re late. Hug her good-bye. Push the swing. Find the lost mitten. Rub the pinched finger. Give him a snack. Get another bottle. Kiss, kiss, kiss. Put him in the crib. Clean. Tidy. Find. Make. Defrost the chicken. Get him up from the crib. Kiss, kiss, kiss. Change his diaper. Put him in the high chair. Clean up his face. Wash the dishes. Tickle. Change the diaper. Tickle. Put the snacks in a baggie. Start the washing machine. Bundle him up. Buy diapers. And dish soap. Race for pickup. Hello, hello! Hurry, hurry. Unbundle. Laundry in the dryer. Turn on her show. Time-out. Please. Listen to my words. No! Stain remover. Diaper. Dinner. Dishes. Answer the question again and again. Run the bath. Take off their clothes.
Ashley Audrain (The Push)
What name do I have for you? Certainly there is no name for you In the sense that the stars have names That somehow fit them. Just walking around, An object of curiosity to some, But you are too preoccupied By the secret smudge in the back of your soul To say much and wander around, Smiling to yourself and others. It gets to be kind of lonely But at the same time off-putting. Counterproductive, as you realize once again That the longest way is the most efficient way, The one that looped among islands, and You always seemed to be traveling in a circle. And now that the end is near The segments of the trip swing open like an orange. There is light in there and mystery and food. Come see it. Come not for me but it. But if I am still there, grant that we may see each other.
John Ashbery (A Wave)
Nostos algos. I want to go home. A phrase that's stuck on a loop, that I hear before falling asleep, waiting in line for my coffee, tapping the elevator button and rising through the sky to my apartment...and yet my desire is not attached to a particular place...I want to go home but what I mean, what I'm grasping for, is not a place. It's a feeling. I want to go back. But back where? Maybe to the first time I heard Stevie Nicks, to watching the snow fall outside the window with a paperback folded open in my lap, to the moment before I tasted alcohol, to virginity and not really knowing that things die, back to believing that something great is still up ahead, back to before I made the choices that would hem me in to the life I live now. A life that I regret sometimes, I think, only because it's mine, because it's turned out this way and not some other way, because I can't go back and change what will happen.
Julie Buntin (Marlena)
Clegane would grunt from time to time, and once Tyrion heard him mutter a curse, but otherwise he fought in a sullen silence. Not Oberyn Martell. "You raped her," he called, feinting. "You murdered her," he said, dodging a looping cut from Gregor's greatsword. "You killed her children," he shouted, slamming the spearpoint into the giant's throat, only to have it glance off the thick steel gorget with a screech.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3.1))
For the past half century, we’ve approached the poverty question by attending to the poor themselves—posing questions about their work ethic, say, or their welfare benefits—when we should have been focusing on the fire. The question that should serve as a looping incantation, the one we should ask every time we drive past a tent encampment, those tarped American slums smelling of asphalt and bodies, every time we see someone asleep on the bus, slumped over in work clothes, is simply: Who benefits? Not Why don’t you find a better job? or Why don’t you move? or Why don’t you stop taking out such bad loans? but Who is feeding off this?
Matthew Desmond (Poverty, by America)
Time, in our experience, is linear, but in truth time is also looped. It is like a piece of yarn, in which each section of the strand twists and winds around every other - a complicated and complex knot, in which one part cannot be viewed out of context from the others. Everything touches everything else. Everything affects everything else. Each loop, each bend, each twist interact with each other. It is all connected, and it is all one. But every once in a while, there are experiences that slice all the other moments apart - stark, singular things that mark the difference between Before and After. These moments are singular, separate from the knot. Separate even from the thread. They can't be tugged at or loosened. They cannot be wound into something lovely or intricate or delicate. They do not interact seamlessly with the fabric of a life. .They are of another substance entirely. Unstuck in time, and out of sync with a life's patterns and processes.
Kelly Barnhill (When Women Were Dragons)
The music was intended to replicate or even enhance the mind-altering experiences of the psychedelic drugs. They were using electric guitars, wah-wah pedals, loop music to create ostinato patterns, electric organs, synthesizers (nobody even had any idea what that was at the time, but it was cool to throw it into a conversation), electro-mechanical polyphonic tape replay keyboards, fuzz box effects, backward tapes, you name it. Anything went
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Vonnegut was talking,” I say today, “about the psychic effects of trauma.” There’s a sentence of Alice Miller’s looping in my mind, about grandiose people and depressives, Narcissus and Echo: “Neither can accept the truth that this loss or absence of love has already happened in the past, and that no effort whatsoever can change this fact.” It’s the main thing I’ve learned from reading all this psychology: the future is always trying to feel like the past. When it does, it feels like selfishness, hurt, loss at the hands of others. The trick is to let it empty. Maybe this is another way to come unstuck in time.
Kristin Dombek (The Selfishness of Others: An Essay on the Fear of Narcissism)
I was a soldier, executing a series of physical actions on a loop. Change the diaper. Make the formula. Warm the bottle. Pour the Cheerios. Wipe up the mess. Negotiate. Beg. Change his sleeper. Get her clothes out. Where’s the lunch box? Bundle them up. Walk. Faster. We’re late. Hug her good-bye. Push the swing. Find the lost mitten. Rub the pinched finger. Give him a snack. Get another bottle. Kiss, kiss, kiss. Put him in the crib. Clean. Tidy. Find. Make. Defrost the chicken. Get him up from the crib. Kiss, kiss, kiss. Change his diaper. Put him in the high chair. Clean up his face. Wash the dishes. Tickle. Change the diaper. Tickle. Put the snacks in a baggie. Start the washing machine. Bundle him up. Buy diapers. And dish soap. Race for pickup. Hello, hello! Hurry, hurry. Unbundle. Laundry in the dryer. Turn on her show. Time-out. Please. Listen to my words. No! Stain remover. Diaper. Dinner. Dishes. Answer the question again and again. Run the bath. Take off their clothes. Wipe up the floor. Are you listening? Brush teeth. Find Benny the Bunny. Put on pajamas. Nurse. A story. Another story. Keep going, keep going, keep going.
Ashley Audrain (The Push)
At the mention of children, Connor halted his steps. For a moment Beatrice thought he was going to storm off, turn away from her and never look back. Instead he fell to one knee before her. Time went momentarily still. In some dazed part of her mind Beatrice remembered Teddy, kneeling stiffly at her feet as he swore to be her liege man. This felt utterly different. Even kneeling, Connor looked like a warrior, every line of his body radiating a tensed power and strength. "It kills me that I don't have more to offer you," he said roughly. "I have no lands, no fortune, no title. All I can give you is my honor, and my heart. Which already belongs to you." She would have fallen in love with him right then, if she didn't already love him so fiercely that every cell of her body burned with it. "I love you, Bee. I've loved you for so long I've forgotten what it felt like not to love you." "I love you, too." Her eyes stung with tears. "I get that you have to marry someone before your dad dies. But you can't marry Teddy Eaton." She watched as he fumbled in his jacket for something - had he bought a ring? She thought wildly - but what he pulled out instead was a black Sharpie. Still kneeling before her, he slid the diamond engagement ring off Beatrice's finger and tucked it in the pocket of her jacket. Using the Sharpie, he traced a thin loop around the skin of Beatrice's finger, where the ring had been. "I'm sorry it isn't a real ring, but I'm improvising here." There was a nervous catch to Connor's voice that Beatrice hadn't heard before. But when he looked up and spoke his next words, his face glowed with a fierce, fervent hope. "Marry me.
Katharine McGee (American Royals (American Royals, #1))
As they ate and played, and talked and told jokes, as they fished and wrestled, as they walked in the woods practicing Tatiana’s English and swam naked across the river and back, as he helped her with their laundry and the laundry of four old women, as he carried the water from the well for her and her milk pails, as he brushed her hair each morning and made love to her many times a day, never tiring, never ceasing to be aroused by her, Alexander knew that he was living the happiest days of his life. He held no illusions. Lazarevo was not going to come again, neither for him nor for her. Tatiana held those illusions. And he thought—it was better to have them. Look at him. And look at her. Tatiana so ceaselessly and happily did for him, so constantly smiled and touched him and laughed—even as their twenty-nine moon-cycle days spun faster around the loop of grief—that Alexander had to wonder if she ever even thought about the future. He knew she sometimes thought about the past. He knew she thought about Leningrad. She had a stony sadness around her edges that she had not had before. But for the future, Tatiana seemed to harbor a rosy hope, or at the very least a sense of humming unconcern. What are you doing? she would ask him when he was sitting on the bench and smoking. Nothing, Alexander would reply. Nothing but growing my pain. He smoked and wished for her.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.” I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.” Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.” “Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again. “Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.” “Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?” His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.” I whispered the words as he brought his lips to mine. “Forever.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
You get anxious about confronting somebody in your life. That anxiety cripples you and you start wondering why you’re so anxious. Now you’re becoming anxious about being anxious. Oh no! Doubly anxious! Now you’re anxious about your anxiety, which is causing more anxiety. Quick, where’s the whiskey? Or let’s say you have an anger problem. You get pissed off at the stupidest, most inane stuff, and you have no idea why. And the fact that you get pissed off so easily starts to piss you off even more. And then, in your petty rage, you realize that being angry all the time makes you a shallow and mean person, and you hate this; you hate it so much that you get angry at yourself. Now look at you: you’re angry at yourself getting angry about being angry. Fuck you, wall. Here, have a fist. Or you’re so worried about doing the right thing all the time that you become worried about how much you’re worrying. Or you feel so guilty for every mistake you make that you begin to feel guilty about how guilty you’re feeling. Or you get sad and alone so often that it makes you feel even more sad and alone just thinking about it. ..Welcome to the feedback loop from hell.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Our minds are all that defend us from the horror of the void. The majority of the time we simply think about something—anything—else, and that itself is an act of defiance against the vast nothing of the universe. But minds break down and stop thinking sometimes. They feel instead: A looping, gnawing monster eats away confidence and goals and even a sense of duty until we are in a dry bleak place of ennui, unable to focus on the minutiae that used to keep us moving. Tongues taste chalk and ashes, and eyes see only gray washes occasionally penetrated by bright stabs of panic. Depression is a prison to which you have the key except you never think to look for it.
Kevin Hearne (Hunted (The Iron Druid Chronicles, #6))
How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve? For most of us, news of the weather will sometimes have consequences; for investors, news of the stock market; perhaps an occasional story about crime will do it, if by chance it occurred near where you live or involved someone you know. But most of our daily news is inert, consisting of information that gives us something to talk about but cannot lead to any meaningful action...You may get a sense of what this means by asking yourself another series of questions: What steps do you plan to take to reduce the conflict in the Middle East? Or the rates of inflation, crime and unemployment? What are your plans for preserving the environment or reducing the risk of nuclear war? What do you plan to do about NATO, OPEC, the CIA, affirmative action, and the monstrous treatment of the Baha’is in Iran? I shall take the liberty of answering for you: You plan to do nothing about them. You may, of course, cast a ballot for someone who claims to have some plans, as well as the power to act. But this you can do only once every two or four years by giving one hour of your time, hardly a satisfying means of expressing the broad range of opinions you hold. Voting, we might even say, is the next to last refuge of the politically impotent. The last refuge is, of course, giving your opinion to a pollster, who will get a version of it through a desiccated question, and then will submerge it in a Niagara of similar opinions, and convert them into—what else?—another piece of news. Thus, we have here a great loop of impotence: The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
Facebook’s strategy, as he described it, was not so different from Napster’s. But rather than exploiting weaknesses in the music industry, it would do so for the human mind. “The thought process that went into building these applications,” Parker told the media conference, “was all about, ‘How do we consume as much of your time and conscious attention as possible?’” To do that, he said, “We need to sort of give you a little dopamine hit every once in a while, because someone liked or commented on a photo or a post or whatever. And that’s going to get you to contribute more content, and that’s going to get you more likes and comments.” He termed this the “social-validation feedback loop,” calling it “exactly the kind of thing that a hacker like myself would come up with, because you’re exploiting a vulnerability in human psychology.” He and Zuckerberg “understood this” from the beginning, he said, and “we did it anyway.
Max Fisher (The Chaos Machine: The Inside Story of How Social Media Rewired Our Minds and Our World)
His day is done. Is done. The news came on the wings of a wind, reluctant to carry its burden. Nelson Mandela’s day is done. The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber. Our skies were leadened. His day is done. We see you, South African people standing speechless at the slamming of that final door through which no traveller returns. Our spirits reach out to you Bantu, Zulu, Xhosa, Boer. We think of you and your son of Africa, your father, your one more wonder of the world. We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath. Your man of strength, Gideon, emerging triumphant. Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons. Would the man survive? Could the man survive? His answer strengthened men and women around the world. In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors. His stupendous heart intact, his gargantuan will hale and hearty. He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment. Even here in America, we felt the cool, refreshing breeze of freedom. When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration. We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools. No sun outlasts its sunset, but it will rise again and bring the dawn. Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet. He has offered us understanding. We will not withhold forgiveness even from those who do not ask. Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you. Thank you our Gideon, thank you our David, our great courageous man. We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.
Maya Angelou (His Day Is Done: A Nelson Mandela Tribute)
Months later, I learned that what happened that first day at restorative yoga hadn’t been entirely spiritual—I hadn’t just found the exact spot on the astral plane to tap into my sacred core. Instead, my instructor’s techniques happened to be the perfect mechanism to turn down my DMN. The default mode network is so-called because if you put people in an MRI machine for an hour and let their minds wander, the DMN is the system of connections in our brain that will light up. It’s arguably the default state of human consciousness, of boredom and daydreaming. In essence, our ego. So if you’re stuck in a machine for an hour, where does your mind go? If you’re like most people, you’ll ruminate on the past or plan your future. You might think about your relationships, upcoming errands, your zits. And scientists have found that some people who suffer from depression, anxiety, or C-PTSD have overactive DMNs. Which makes sense. The DMN is the seat of responsibility and insecurity. It can be a punishing force when it over-ruminates and gets caught in a toxic loop of obsession and self-doubt. The DMN can be silenced significantly by antidepressants or hallucinogenic substances. But the most efficient cure for an overactive DMN is mindfulness. Here’s how it works: In order for the DMN to start whirring, it needs resources to fuel its internal focus. If you’re intently focused on something external—like, say, filling out a difficult math worksheet—the brain simply doesn’t have the resources to focus internally and externally at the same time. So if you’re triggered, you can short-circuit an overactive DMN by cutting off its power source—shifting all of your brain’s energy to external stimuli instead.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
You make plans and decisions assuming randomness and chaos are for chumps. The illusion of control is a peculiar thing because it often leads to high self-esteem and a belief your destiny is yours for the making more than it really is. This over-optimistic view can translate into actual action, rolling with the punches and moving ahead no matter what. Often, this attitude helps lead to success. Eventually, though, most people get punched in the stomach by life. Sometimes, the gut-punch doesn’t come until after a long chain of wins, until you’ve accumulated enough power to do some serious damage. This is when wars go awry, stock markets crash, and political scandals spill out into the media. Power breeds certainty, and certainty has no clout against the unpredictable, whether you are playing poker or running a country. Psychologists point out these findings do not suggest you should throw up your hands and give up. Those who are not grounded in reality, oddly enough, often achieve a lot in life simply because they believe they can and try harder than others. If you focus too long on your lack of power, you can slip into a state of learned helplessness that will whirl you into a negative feedback loop of depression. Some control is necessary or else you give up altogether. Langer proved this when studying nursing homes where some patients were allowed to arrange their furniture and water plants—they lived longer than those who had had those tasks performed by others. Knowing about the illusion of control shouldn’t discourage you from attempting to carve a space for yourself out of whatever field you want to tackle. After all, doing nothing guarantees no results. But as you do so, remember most of the future is unforeseeable. Learn to coexist with chaos. Factor it into your plans. Accept that failure is always a possibility, even if you are one of the good guys; those who believe failure is not an option never plan for it. Some things are predictable and manageable, but the farther away in time an event occurs, the less power you have over it. The farther away from your body and the more people involved, the less agency you wield. Like a billion rolls of a trillion dice, the factors at play are too complex, too random to truly manage. You can no more predict the course of your life than you could the shape of a cloud. So seek to control the small things, the things that matter, and let them pile up into a heap of happiness. In the bigger picture, control is an illusion anyway.
David McRaney (You Are Not So Smart)
Now the terror is beginning. Now taking her lump 0£ chalk she draws figures, six, seven, eight, and then a cross and then a line on the blackboard. What is the answer? The others look; they look with understanding. Louis writes; Susan writes; Neville writes; Jinny writes; even Bernard has now begun to write. But I cannot write. I see only figures. The others are handing in their answers, one by one. Now it is my turn. But I have no answer. The others are allowed to go. They slam the door. Miss Hudson goes. I am left alone to find an answer. The figures mean nothing now. Meaning has gone. The clock ticks. The two hands are convoys marching through a desert. The black bars on the clock face are green oases. The long hand has marched ahead to find water. The other painfully stumbles among hot stones in the desert. It will die in the desert. The kitchen door slams. Wild dogs bark far away. Look, the loop 0£ the figure is beginning to fill with time; it hole rorld in it. I begin to draw a figure and the world is looped in it, and I myself am outside the loop; which I now join-and seal up, and make entire.
Virginia Woolf (The Waves)
This, not incidentally, is another perfect setting for deindividuation: on one side, the functionary behind a wall of security glass following a script laid out with the intention that it should be applied no matter what the specific human story may be, told to remain emotionally disinvested as far as possible so as to avoid preferential treatment of one person over another - and needing to follow that advice to avoid being swamped by empathy for fellow human beings in distress. The functionary becomes a mixture of Zimbardo's prison guards and the experimenter himself, under siege from without while at the same time following an inflexible rubric set down by those higher up the hierarchical chain, people whose job description makes them responsible, but who in turn see themselves as serving the general public as a non-specific entity and believe or have been told that only strict adherence to a system can produce impartial fairness. Fairness is supposed to be vested in the code: no human can or should make the system fairer by exercising judgement. In other words, the whole thing creates a collective responsibility culminating in a blameless loop. Everyone assumes that it's not their place to take direct personal responsibility for what happens; that level of vested individual power is part of the previous almost feudal version of responsibility. The deindividuation is actually to a certain extent the desired outcome, though its negative consequences are not.
Nick Harkaway (The Blind Giant)
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity. My identity comes back fine and clean and boring. Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so. His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing? I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud. I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes. He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
Anna Banks (Of Triton (The Syrena Legacy, #2))
To have a goddess like you in his arms and not appreciate it…” He kissed her, unable to resist the lush, succulent mouth so close to his. He put everything he felt into it, so he could wipe out any hurt the Neds of the world had given her. When he broke away, realizing he was treading dangerous ground, she said hoarsely, “You weren’t always so…appreciative. When I said that men enjoyed my company, you said you found that hard to believe.” “What?” he retorted with a scowl. “I never said any such thing.” “Yes, you did, the day that I asked you to investigate my suitors. I remember it clearly.” “There’s no way in hell I ever…” The conversation came back to him suddenly, and he shook his head. “You’re remembering only part, sweeting. You said that men enjoyed your company and considered you easy to talk to. It was the last part I found hard to believe.” “Oh.” She eyed him askance. “Why? You never seem to have trouble talking to me. Or rather, lecturing me.” “It’s either lecture you or stop up your mouth with kisses,” he said dryly. “Talking to you isn’t easy, because every time I’m near you I burn to carry you off to some secluded spot and do any number of wicked things with you.” She blinked, then gazed at him with such softness that at made his chest hurt. “Then why don’t you?” “Because you’re a marquess’s daughter and my employer’s sister.” “What does that signify? You’re an assistant magistrate and a famous Bow Street Runner-“ “And the bastard of nobody knows whom.” “Which merely makes you a fitting companion for a hellion with a reputation for recklessness.” The word companion resonated in his brain. What did she mean by it? Then she pressed a kiss to his jaw, eroding his resistance and his reason, and he knew precisely what she meant. He tried to set her off of him before he lost his mind entirely, but she looped her arms about his neck and wouldn’t let go. “Show me.” “Show you what?” “All the wicked things you want to do with me.” Desire bolted in a fever through his vein. “My God, Celia-“ “I won’t believe a word you’ve said if you don’t.” Her gaze grew troubled. “I don’t think you know what you want. Yesterday you gave me such lovely kisses and caresses and then at the ball you acted like you’d never met me.” “You were with your suitors,” he said hoarsely. “You could have danced with me. You didn’t even ask me for one dance.” Having her on his lap was rousing him to a painful hardness. “Because I knew if I did, I would want…I would need…” She kissed a path down his throat, turning his blood to fire. “Show me,” she whispered, “Show me now what you want. What you need.” “I refuse to ruin you,” he said, half as a caution to himself. “You already have.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
You were born with your head in the clouds, your future wide open, feeling almost weightless. Almost. Kudoclasm. You had dreams even before you had memories: a cloud of fantasies and ambitions of secret plans and hidden potential, visions of who you are, and what your life will be. They keep your spirits high, floating somewhere above your life, where the world looks faintly hypothetical, almost translucent. But every time you reach for the sky and come away with nothing, you start to wonder what’s holding them up. “Surely it would have happened by now?!” You feel time starting to slip, pulling you back down to earth. even as you tell yourself, don’t look down. You don’t have the luxury of floating through life, because you may not have the time. The future is already rushing toward you, and it’s not as far away as you think. It feels like your life is flashing before your eyes, but it’s actually just the opposite: you’re thinking forward, to everything you still haven’t done, the places you had intended to visit, the life goals you’d eventually get around to, some day in the future. You start dropping your delusions one by one, like tossing ballast overboard. And soon the fog lifts, and everything becomes clear— right until the moment your feet touch the ground. And there it is, “the real world.” As if you’ve finally grown up, steeped in reality, your eyes adjusting to the darkness, seeing the world for what it is. But in truth, you don’t belong there. We dream to survive— no more optional than breathing. Maybe “the real world” is just another fantasy, something heavy to push back against, and launch ourselves still higher. We’re all afraid to let go, of falling into a bottomless future. But maybe we belong in the air, tumbling in the wind. Maybe it’s only when you dive in that you pick up enough speed to shape the flow of reality, and choose your own course, flying not too high, and not too low, but gliding from one to the other in long playful loops. To dream big, and bounce ideas against the world and rise again. Moving so fast, you can’t tell where the dream ends and where the world begins.
Sébastien Japrisot
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph
Now,” Samite continued, “after Essel has just spent time warning you about generalities and how they often don’t apply, I’m going to use some. Because some generalities are true often enough that we have to worry about them. So here’s one: men will physically fight for status. Women, generally, are more clever. The why of it doesn’t matter: learned, innate, cultural, who cares? You see the chest-bumping, the name-calling, performing for their fellows, what they’re really doing is getting the juices flowing. That interval isn’t always long, but it’s long enough for men to trigger the battle juice. That’s the terror or excitation that leads people to fight or run. It can be useful in small doses or debilitating in large ones. Any of you have brothers, or boys you’ve fought with?” Six of the ten raised their hands. “Have you ever had a fight with them—verbal or physical—and then they leave and come back a little later, and they’re completely done fighting and you’re just fully getting into it? They look like they’ve been ambushed, because they’ve come completely off the mountain already, and you’ve just gotten to the top?” “Think of it like lovemaking,” Essel said. She was a bawdy one. “Breathe in a man’s ear and tell him to take his trousers off, and he’s ready to go before you draw your next breath. A woman’s body takes longer.” Some of the girls giggled nervously. “Men can switch on very, very fast. They also switch off from that battle readiness very, very fast. Sure, they’ll be left trembling, sometimes puking from it, but it’s on and then it’s off. Women don’t do that. We peak slower. Now, maybe there are exceptions, maybe. But as fighters, we tend to think that everyone reacts the way we do, because our own experience is all we have. In this case, it’s not true for us. Men will be ready to fight, then finished, within heartbeats. This is good and bad. “A man, deeply surprised, will have only his first instinctive response be as controlled and crisp as it is when he trains. Then that torrent of emotion is on him. We spend thousands of hours training that first instinctive response, and further, we train to control the torrent of emotion so that it raises us to a heightened level of awareness without making us stupid.” “So the positive, for us Archers: surprise me, and my first reaction will be the same as my male counterpart’s. I can still, of course, get terrified, or locked into a loop of indecision. But if I’m not, my second, third, and tenth moves will also be controlled. My hands will not shake. I will be able to make precision movements that a man cannot. But I won’t have the heightened strength or sensations until perhaps a minute later—often too late. “Where a man needs to train to control that rush, we need to train to make it closer. If we have to climb a mountain more slowly to get to the same height to get all the positives, we need to start climbing sooner. That is, when I go into a situation that I know may be hazardous, I need to prepare myself. I need to start climbing. The men may joke to break the tension. Let them. I don’t join in. Maybe they think I’m humorless because I don’t. Fine. That’s a trade I’m willing to make.” Teia and the rest of the girls walked away from training that day somewhat dazed, definitely overwhelmed. What Teia realized was that the women were deeply appealing because they were honest and powerful. And those two things were wed inextricably together. They said, I am the best in the world at what I do, and I cannot do everything. Those two statements, held together, gave them the security to face any challenge. If her own strengths couldn’t surmount an obstacle, her team’s strengths could—and she was unembarrassed about asking for help where she needed it because she knew that what she brought to the team would be equally valuable in some other situation.
Brent Weeks (The Blinding Knife (Lightbringer, #2))