Timber Home Quotes

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Thousands of tired, nerve-shaken, over-civilized people are beginning to find out that going to the mountains is going home; that wildness is a necessity; and that mountain parks and reservations are useful not only as fountains of timber and irrigating rivers, but as fountains of life.
John Muir (Our National Parks)
Thousands of tired, nerve-shaken, over-civilized people are beginning to find out that going to the mountains is going home; that wildness is a necessity; and that mountain parks and reservations are useful not only as fountains of timber and irrigating rivers, but as fountains of life. Awakening from the stupefying effects of the vice of over-industry and the deadly apathy of luxury, they are trying as best they can to mix and enrich their own little ongoings with those of Nature, and to get rid of rust and disease.
John Muir (Our National Parks)
Technologies of easy travel "give us wings; they annihilate the toil and dust of pilgrimage; they spiritualize travel! Transition being so facile, what can be any man’s inducement to tarry in one spot? Why, therefore, should he build a more cumbrous habitation than can readily be carried off with him? Why should he make himself a prisoner for life in brick, and stone, and old worm-eaten timber, when he may just as easily dwell, in one sense, nowhere,—in a better sense, wherever the fit and beautiful shall offer him a home?
Nathaniel Hawthorne (The House of the Seven Gables)
And if you need timber for a new home,” the second said. “I wood be honored. “ He boomed out a laugh. “I wood. Get it?” “Farewell
Lucian Bane (Seven Sons of Zion (Scribbler Guardian #2))
When I was a little girl and my teachers sent notes home complaining that I was as loud as the boys, that it wasn't lady like for a girl to be this outspoken, this raucous, instead of forcing me to tone it down to the timber of a stage whisper, just a few notes above a whimper you took me by the hand to the hilltop by our house, told me to use my voice by shouting to my heart's content, told me never to forget that I was a girl not a mouse and if I believed I had to change myself to suit anyone else I shouldn't that no matter what they said my voice was so important. You then visited my school, called a meeting with my teachers sat them all down and said that you were raising a rebel girl to be a warrior woman, and if she could not speak, the same way boys are allowed to, if she had to turn her voice into sighs then how will she utter the battle cries that were needed when her warrior sisters called upon her to help them defend the daughters of this world.
Nikita Gill
I want to remind you that the forest is far more than a source of timber. It is our collective medicine cabinet. It is our lungs. It is the regulatory system for our climate and our oceans. It is the mantle of our planet. It is the health and well-being of our children and grandchildren. It is our sacred home. It is our salvation.
Diana Beresford-Kroeger (To Speak for the Trees: My Life's Journey from Ancient Celtic Wisdom to a Healing Vision of the Forest)
The rapacious white tribe who were arriving in increasing numbers, not only as convicts but also as settlers, wanted to own everything they touched. They slashed and burned the wilderness so that they might graze their sheep and grow their corn. They erected fences around the land they now called their own and which henceforth they were prepared to defend with muskets and sometimes even their lives. They built church steeples and prison walls and homes of granite hewn from the virgin rock and timber cut from the umbrageous mountain forests. They possessed everything upon the island, the wild beasts that grazed upon its surface, the birds that flew over it, the fish that swam in its rushing river torrents and the barking seals resting in the quiet bays and secluded inlets. Everything they thought worthwhile was attached to the notion of ownership.
Bryce Courtenay (The Potato Factory (The Potato Factory, #1))
A lovely deep timber sound that zips from his powerfully strong chest and enters my bones to reverberate through me. Turning in his arms without breaking the connection, I lay my forehead on his chest and inhale him, whatever cologne he selected today, he smells so good. You know those men who get second glances in the street when he walks by because he smells like heaven dipped in chocolate and the scent of him makes women a little stupid for a few seconds and gives them crazy thoughts about following a strange man home? That’s my Grayson. It’s a wonder my sugar D has any skin left because most every second of the day I want to claw into him like a diabolical savage.
V. Theia (Manhattan Heart (From Manhattan #5))
There fared a mother driven forth Out of an inn to roam; In the place where she was homeless All men are at home. The crazy stable close at hand, With shaking timber and shifting sand, Grew a stronger thing to abide and stand Than the square stones of Rome. For men are homesick in their homes, And strangers under the sun, And they lay on their heads in a foreign land Whenever the day is done. Here we have battle and blazing eyes, And chance and honour and high surprise, But our homes are under miraculous skies Where the yule tale was begun. A Child in a foul stable, Where the beasts feed and foam; Only where He was homeless Are you and I at home; We have hands that fashion and heads that know, But our hearts we lost - how long ago! In a place no chart nor ship can show Under the sky's dome. This world is wild as an old wives' tale, And strange the plain things are, The earth is enough and the air is enough For our wonder and our war; But our rest is as far as the fire-drake swings And our peace is put in impossible things Where clashed and thundered unthinkable wings Round an incredible star. To an open house in the evening Home shall men come, To an older place than Eden And a taller town than Rome. To the end of the way of the wandering star, To the things that cannot be and that are, To the place where God was homeless And all men are at home.
G.K. Chesterton
Hey," she called out to Liam. "You better bring my sister home." Liam looked at Scout, and in that look, Talley saw enough love that it made her heart ache. "Always," he said.
Tammy Blackwell (All We See & Seem (Timber Wolves Trilogy, #3.6))
It just felt right. Does that make sense?” She didn’t wait for an answer. “Just being with you…it was…” “Like home.” It wasn’t a question, but it didn’t need to be because Evan was exactly right.
Elena Aitken (When We Left (Timber Creek Series, #1))
It is as clear to me as sunshine–were there any in the sky–that the greatest possible stumbling-blocks in the path of human happiness and improvement, are these heaps of bricks, and stones, consolidated with mortar, or hewn timber, fastened together with spike-nails, which men painfully contrive for their own torment, and call them house and home! The soul needs air; a wide sweep and frequent change of it.
Nathaniel Hawthorne (The House of the Seven Gables)
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
Vladimir Nabokov (Lolita)
Friends, Grecian Heroes, Ministers of Mars! Grievous, and all unlook’d for, is the blow Which Jove hath dealt me; by his promise led I hop’d to raze the strong-built walls of Troy, And home return in safety; but it seems 130 He falsifies his word, and bids me now Return to Argos, frustrate of my hope, Dishonour’d, and with grievous loss of men. Such now appears th’ o’er-ruling sov’reign will Of Saturn’s son; who oft hath sunk the heads 135 Of many a lofty city in the dust, And yet will sink; for mighty is his hand. ’Tis shame indeed that future days should hear How such a force as ours, so great, so brave, Hath thus been baffled, fighting, as we do, 140 ’Gainst numbers far inferior to our own, And see no end of all our warlike toil. For should we choose, on terms of plighted truce, Trojans and Greeks, to number our array; Of Trojans, all that dwell within the town, 145 And we, by tens disposed, to every ten, To crown our cups, one Trojan should assign, Full many a ten no cup-bearer would find: So far the sons of Greece outnumber all That dwell within the town; but to their aid 150 Bold warriors come from all the cities round, Who greatly harass me, and render vain My hope to storm the strong-built walls of Troy. Already now nine weary years have pass’d; The timbers of our ships are all decay’d, 155 The cordage rotted; in our homes the while Our wives and helpless children sit, in vain Expecting our return; and still the work, For which we hither came, remains undone. Hear then my counsel; let us all agree 160 Home to direct our course, since here in vain We strive to take the well-built walls of Troy.” Thus as he spoke, the crowd, that had not heard The secret council, by his words was mov’d; So sway’d and heav’d the multitude, as when 165 O’er the vast billows of th’ Icarian sea Eurus and Notus from the clouds of Heav’n Pour forth their fury; or as some deep field Of wavy corn, when sweeping o’er the plain The ruffling west wind sways the
Homer (The Iliad)
I want to remind you that the forest is far more than a source of timber. It is our collective medicine cabinet. It is our lungs. It is the regulatory system for our climate and our oceans. It is the mantle of our planet. It is the health and well-being of our children and grandchildren. It is our sacred home.
Diana Beresford-Kroeger (To Speak for the Trees: My Life's Journey from Ancient Celtic Wisdom to a Healing Vision of the Forest)
Inside the narrow skull of the miner pinned beneath the fallen timber, there lives a world. Parents, friends, a home, the hot soup of evening, songs sung on feast days, loving kindness and anger, perhaps even a social consciousness and a great universal love, inhabit that skull. By what are we to measure the value of a man? His ancestor once drew a reindeer on the wall of a cave; and two hundred thousand years later that gesture still radiates. It stirs us, prolongs itself in us. Man's gestures are an eternal spring. Though we [may] die for it, we shall bring up that miner from his shaft. Solitary he may be, universal he surely is.
Antoine de Saint-Exupéry (A Sense Of Life)
The creature was very young. He was alone in a dread universe. I crept on my knees and crouched beside him. It was a small fox pup from a den under the timbers who looked up at me. God knows what had become of his brothers and sisters. His parents must not have been home from hunting. He innocently selected what I think was a chicken bone from an untidy pile of splintered rubbish and shook it at me invitingly... the universe was swinging in some fantastic fashion around to present its face and the face was so small that the universe itself was laughing. It was not a time for human dignity. It was a time only for the careful observance of amenities written behind the stars. Gravely I arranged my forepaws while the puppy whimpered with ill-concealed excitement. I drew the breath of a fox's den into my nostrils. On impulse, I picked up clumsily a whiter bone and shook it in teeth that had not entirely forgotten their original purpose. Round and round we tumbled and for just one ecstatic moment I held the universe at bay by the simple expedient of sitting on my haunches before a fox den and tumbling about with a chicken bone. It is the gravest, most meaningful act I shall ever accomplish, but, as Thoreau once remarked of some peculiar errand of his own, there is no use reporting it to the Royal Society.
Loren Eiseley
In those days Cheboygan was already something of a resort town, although Milo didn’t realize this fact until he was older. For most of his childhood, he knew only the deep woods that ran behind their property—350 acres of sugar maple, beech, and evergreen that had managed to remain unlogged during the huge timber harvests that had denuded much of the rest of the state. He spent a good part of his days inside this forest. The soil there was padded with a layer of decaying leaves and needles whose scents mingled to form a cool spice in his nose. He didn’t notice the smell when he was in it so much as feel its absence when he wasn’t. School, home, any building he had to spend time in—they all left him with the feeling that something had been cleaned away.
Ethan Canin (A Doubter's Almanac)
The builders did not know the uses to which their work would descend; they made a new house with the stones of the old castle; year by year, generation after generation, they enriched and extended it; year by year the great harvest of timber in the park grew to ripeness; until, in sudden frost, came the age of Hooper; the place was desolate and the work all brought to nothing; Quomodo sedet sola civitas. Vanity of vanities, all is vanity. ‘And yet,’ I thought, stepping out more briskly towards the camp, where the bugles after a pause had taken up the second call and were sounding ‘Pick-em-up, pick-em-up, hot potatoes’, ‘and yet that is not the last word; it is not even an apt word; it is a dead word from ten years back. ‘Something quite remote from anything the builders intended, has come out of their work, and out of the fierce little human tragedy in which I played; something none of us thought about at the time; a small red flame - a beaten-copper lamp of deplorable design relit before the beaten-copper doors of a tabernacle; the flame which the old knights saw from their tombs, which they saw put out; that flame burns again for other soldiers, far from home, farther, in heart, than Acre or Jerusalem. It could not have been lit but for the builders and the tragedians, and there I found it this morning, burning anew among the old stones.
Evelyn Waugh (Brideshead Revisited)
Before coming to the Black Wood, I had read as widely in tree lore as possible. As well as the many accounts I encountered of damage to trees and woodland -- of what in German is called Waldsterben, or 'forest-death' -- I also met with and noted down stories of astonishment at woods and trees. Stories of how Chinese woodsmen in the T'ang and S'ung dynasties -- in obedience to the Taoist philosophy of a continuity of nature between humans and other species -- would bow to the trees which they felled, and offer a promise that the tree would be used well, in buildings that would dignify the wood once it had become timber. The story of Xerxes, the Persian king who so loved sycamores that, when marching to war with the Greeks, he halted his army of many thousands of men in order that they might contemplate and admire one outstanding specimen. Thoreau's story of how he felt so attached to the trees in the woods around his home-town of Concord, Massachusetts, that he would call regularly on them, gladly tramping 'eight or ten miles through the deepest snow to keep an appointment with a beech-tree, or yellow-birch, or an old acquaintance among the pines. When Willa Cather moved to the prairies of Nebraska, she missed the wooded hills of her native Virginia. Pining for trees, she would sometimes travel south 'to our German neighbors, to admire their catalpa grove, or to see the big elm tree that grew out of a crack in the earth. Trees were so rare in that country that we used to feel anxious about them, and visit them as if they were persons'....
Robert Macfarlane (The Wild Places)
I remember working on the manuscript for Overstory: Zero back in the spring of 1995 and feeling that it was incomplete and wishing that I could just keep adding to it for the rest of my life like Walt Whitman did with Leaves of Grass. This place, my home valleys, is interesting enough and complex enough to sustain a lifetime of pondering and description. The One Hundred Valleys of the Umpqua it is called and I would like to write one hundred pieces about our lives here, but, having aged another score of years and finding myself looking ahead to life: the last decades" I doubt now that I'll ever reach that playful goal.
Robert Leo Heilman (Overstory: Zero : Real Life in Timber Country)
The method he adopted in building the bridge was as follows. He took a pair of piles a foot and a half thick, slightly pointed at the lower ends and of a length adapted to the varying depth of the river, and fastened them together two feet apart. These he lowered into the river with appropriate tackle, placed them in position at right angles to the bank, and drove them home with pile-drivers, not vertically, as piles are generally fixed, but obliquely, inclined in the direction of the current. Opposite these, forty feet lower down the river, another pair of piles was planted, similarly fixed together, and inclined in the opposite direction to the current. The two pairs were then joined by a beam two feet wide, whose ends fitted exactly into the spaces between the two piles forming each pair. The upper pair was kept at the right distance from the lower pair by means of iron braces, one of which was used to fasten each pile to the end of the beam. The pairs of piles being thus held apart, and each pair individually strengthened by a diagonal tie between the two piles, the whole structure was so rigid, that, in accordance with the laws of physics, the greater the force of the current, the more tightly were the piles held in position. A series of these piles and transverse beams was carried right across the stream and connected by lengths of timber running in the direction of the bridge; on these were laid poles and bundles of sticks. In spite of the strength of the structure, additional piles were fixed obliquely to each pair of the original piles along the whole length of the downstream side of the bridge, holding them up like a buttress and opposing the force of the current. Others were fixed also a little above the bridge, so that if the natives tried to demolish it by floating down tree-trunks or beams, these buffers would break the force of the impact and preserve the bridge from injury.
Gaius Julius Caesar (The Conquest of Gaul)
Our father was a rumor, an echo, something only to be seen out of the corner of your eye. Our father was a woodsman, arms like tree limbs, beard as if born from bear, disappearing for days, for weeks, returning with so many things—tiny bird skulls, beads on a string, flowers for mother with purple blossoms and veiny leaves. The wood was stacked along one side of the cabin as high as it could go, the steady chop, the split of the timber, just part of the day, or so we were told. Our father was the cold creek that ran south of our home, filled with silver-backed fish with blood-orange meat, whispering every time we neared it, quenching our thirst, promises of sleepy peace if only we'd step a bit closer. Our father was the frosty moon that pasted the land with silence as our breath formed clouds of pain, feet bruised and bleeding, his laughter running over the mountain, guiding us down one ravine and up the other, wandering from hill to valley and back, some elusive destination always out of reach. Our father was time, stretched in every direction, elastic as a rubber band, as slow and anchored as a wall of granite, our eyes closing, waking up sore, grey where black had been. All lies. Everything she had ever told us was a lie. She never loved us, or it wouldn't be like this. (from "Asking for Forgiveness.")
Richard Thomas (Tribulations)
We have a timber yard?" Leo asked. Miss Marks replied, "Mr. Merripen is planning to construct houses for the new tenant farmers." "This is the first I've heard of it. Why are we providing houses for them?" Leo's tone was not at all censuring, merely interested. But Miss Marks's lips thinned, as if she had interpreted his question as a complaint. "The most recent tenants to join the estate were lured by the promise of new houses. They are already successful farmers, educated and forward-looking, and Mr. Merripen believes their presence will add to the estate's prosperity. Other local estates, such as Stony Cross Park, are also building homes for their tenants and laborers-" "It's all right," Leo interrupted. "No need to be defensive, Marks. God knows I wouldn't think of interfering with Merripen's plans after seeing all he's done so far." He glanced at the housekeeper. "If you'll point the way, Mrs. Barnstable, I'll go out and find Merripen. Perhaps I might help to unload the timber wagon." "A footman will show you the way," the housekeeper said at once. "But the work is occasionally hazardous, my lord, and not fitting for a man of your station." Miss Marks added in a light but caustic tone, "Besides, it is doubtful you could be of any help." The housekeeper's mouth fell open. Win had to bite back a grin. Miss Marks had spoken as if Leo were a small weed of a man instead of a strapping six-footer.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
There was one part of the house I had not yet visited, and I went there now. The chapel showed no ill effects of its long neglect. The paint was as fresh and bright as ever. And the lamp burned once more before the altar. I said a prayer — an ancient, newly-learned form of words, and left, turning towards the camp; and as I walked back, and the cook-house bugle sounded ahead of me,I thought:— The builders did not know the uses to which their work would descend; they made a new house with the stones of the old castle. Year by year the great harvest of timber in the park grew to ripeness; until, in sudden frost, came the Age of Hooper; the place was desolate and the work all brought to nothing; Quomodo sedet sola civitas. Vanity of vanities, all is vanity. And yet, I thought, stepping out more briskly towards the camp, where the bugles after a pause had taken up the second call and were sounding Pick-em-up, Pick-em-up , hot potatoes — and yet that is not the last word; it is not even an apt word; it is a dead word from ten years back. Something quite remote from anything the builders intended had come out of their work and out of the fierce little human tragedy in which I played; something none of us thought about at the time: a small red flame, a beaten copper lamp of deplorable design, relit before the beaten copper doors of a tabernacle; the flame, which the old knights saw from their tombs, which they saw put out; that flame burns again for other soldiers, far from home, farther, in heart, than Acre or Jerusalem. It could not have been lit but for the builders and the tragedians. And there I found it this morning, burning anew among the old stones.
Evelyn Waugh (Brideshead Revisited)
On October 15, 1959, the day after we arrived at Western Shore, we rented a boat to get over to the island. It was a raw, windy day and by the time we reached the dock, my husband closed the throttle with a firm twist. It snapped clean off. “That’s a good start,” I thought. An omen? Well we were here, so off we went to see the pits. It had been four years since I last saw the pits, and standing there looking down at them I was shocked at their condition. One pit had partially collapsed, leaving broken and twisted timbers around; you could no longer see the water (at the bottom of the pit). In the other, the larger of the two, rotting cribbing was visible, as all the deck planking had been ripped off, exposing it to the weather. Even my son’s face fell momentarily. Looking across the slate grey sea at the black smudges of other islands, I felt utterly wretched. I don’t think I have ever seen a place so bleak and lonely as that island, that day. I just wanted to go home. Soon Bobby’s eyes began to sparkle as he and his dad walked around, talking. They walked here, they walked there, son asking questions, my husband answering…all about the history of the place. I trailed after them, ignored and unnoticed. Finally Bob said it was time for us to go back. Catching sight of my face with its woebegone expression, he started to laugh, “Look,” he said to Bobby, pointing to me, “The reluctant treasure hunter.” They both thought that was hilarious and went off down the hill, roaring with laughter.
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
On our return from the bush, we went straight back to work at the zoo. A huge tree behind the Irwin family home had been hit by lightning some years previously, and a tangle of dead limbs was in danger of crashing down on the house. Steve thought it would be best to take the dead tree down. I tried to lend a hand. Steve’s mother could not watch as he scrambled up the tree. He had no harness, just his hat and a chainsaw. The tree was sixty feet tall. Steve looked like a little dot way up in the air, swinging through the tree limbs with an orangutan’s ease, working the chainsaw. Then it was my turn. After he pruned off all the limbs, the last task was to fell the massive trunk. Steve climbed down, secured a rope two-thirds of the way up the tree, and tied the other end to the bull bar of his Ute. My job was to drive the Ute. “You’re going to have to pull it down in just the right direction,” he said, chopping the air with his palm. He studied the angle of the tree and where it might fall. Steve cut the base of the tree. As the chainsaw snarled, Steve yelled, “Now!” I put the truck in reverse, slipped the clutch, and went backward at a forty-five-degree angle as hard as I could. With a groan and a tremendous crash, the tree hit the ground. We celebrated, whooping and hollering. Steve cut the downed timber into lengths and I stacked it. The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.” I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life. “I am not even going to walk for the next three days,” I said, laughing. Steve turned to me. He was quiet for a moment. “So, do you want to get married?” Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head. My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin. I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon. He never looked concerned. He simply held my gaze. As all these things flashed through my mind, a little voice from somewhere above me spoke. “Yes, I’d love to.” With those four words my life changed forever.
Terri Irwin (Steve & Me)
We have seen that humans have an inherent attraction to timber, and we find its presence comforting and calming. It seems that investing in a wooden bed frame may well contribute to getting a good night's sleep.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
Thousands of tired, nerve-shaken, over-civilized people are beginning to find out that going to the mountains is going home; that wildness is a necessity; and that mountain parks and reservations are useful not only as fountains of timber and irrigating rivers, but as fountains of life.
Kathryn Barnes (The Unlikeliest Backpacker: From Office Desk to Wilderness)
Take care, you fair lassies!” In full Scottish brogue, James pulled the sleigh up beside the porch stairs. “A wicked storm’s a brewin’!” Molly’s train of thought derailed as he climbed the icy stairs and slipped an arm around her none-too-tiny waist. She felt about as big as a barn these days. “You best hang on to me for all you’re worth, Molly girl!” He winked. “With both hands, if you’d like.” Giggling, Rachel raised a discreet brow as if to say, “Friendship?” “You be careful taking her home, James.
Tamera Alexander (Beyond This Moment (Timber Ridge Reflections Book #2))
It had been two years since we left our home on the west coast of Ireland. Life was hard there, too; our da held and lost a string of jobs, none of which were enough to support us. We lived in a tiny unheated house made of stone in a small village in County Galway called Kinvara. People all around us were fleeing to America: we heard tales of oranges the size of baking potatoes; fields of grain waving under sunny skies; clean, dry timber houses with indoor plumbing and electricity. Jobs as plentiful as the fruit on the trees. As one final act of kindness toward us—or perhaps to rid themselves of the nuisance of constant worry—Da’s parents and sisters scraped together the money for ocean passage for our family of five, and on a warm spring day we boarded the Agnes Pauline, bound for Ellis Island.
Christina Baker Kline
Grateful for their generosity, Muhammad orders the land to be leveled, the graves dug up, and the palm trees cut down for timber to build a modest home. He envisions a courtyard roofed in palm leaves, with living quarters made of wood and mud lining the walls. But this will be more than a home. This converted drying-ground and cemetery will serve as the first masjid, or mosque, of a new kind of community, one so revolutionary that many years later, when Muslim scholars seek to establish a distinctly Islamic calendar, they will begin not with the birth of the Prophet, nor with the onset of Revelation, but with the year Muhammad and his band of Emigrants came to this small federation of villages to start a new society. That year, 622 C.E., will forever be known as Year 1 A.H. (After Hijra); and the oasis that for centuries had been called Yathrib will henceforth be celebrated as Medinat an-Nabi: “The City of the Prophet,” or more simply, Medina. There
Reza Aslan (No God But God: The Origins, Evolution and Future of Islam)
Without thinking about what I was doing, I pushed my chair back. “I’m sorry Sandra, but I should probably get home.” “Audrey, sweetheart.” Colin’s tone was placating, like he was talking to an upset child. “Don’t do that.” “You shouldn’t call her that.” My eyes widened at the growly voice behind me. I didn’t know when Josiah had gotten up from his place at the bar but I could feel his presence behind me now, dark and menacing. Colin looked up at him. “Excuse me?” “I don’t think she likes you calling her sweetheart. So how about you go find your own table and leave these ladies alone.” “How about you mind your own business.” “I would love to but you keep bothering them and I don’t like it.” My heart raced and I felt like I was glued to my chair. Sandra grinned at Josiah, as if this whole scene was making her night. I cast a quick glance over my shoulder. He towered behind me like a wall of timber, arms crossed and brow deeply furrowed, his eyes locked on Colin.
Claire Kingsley (Obsession Falls (The Haven Brothers, #1))
Marks … I’m afraid I’m not going to be able to find your spectacles in this wreckage.” “I have another pair at home,” she ventured. “Thank God.” Leo sat up with a quiet grunt of discomfort. “Now, if we stand on the highest pile of debris, it’s only a short distance to the surface. I’m going to hoist you up, get you out of here, and then you’re going to ride back to Ramsay House. Cam trained the horse, so you won’t need to guide him. He’ll find his way back home with no trouble.” “What are you going to do?” she asked, bewildered. He sounded rather sheepish. “I’m afraid I’m going to have to wait here until you send someone for me.” “Why?” “I have a—” He paused, searching for a word. “Splinter.” She felt indignant. “You’re going to make me ride back alone and unescorted and virtually blind, to send someone to rescue you? All because you have a splinter?” “A large one,” he volunteered. “Where is it? Your finger? Your hand? Maybe I can help to … Oh, God. ” This last as he took her hand and brought it to his shoulder. His shirt was wet with blood, and a thick shard of timber protruded from his shoulder. “That’s not a splinter,” she said in horror. “You’ve been impaled. What can I do? Shall I pull it out?” “No, it might be lodged against an artery. And I wouldn’t care to bleed out down here.” She crawled closer to him, bringing her face close to his to examine him anxiously... “Don’t worry,” he murmured. “It looks worse than it is.” But Catherine didn’t agree. If anything, it was worse than it looked... Stripping off her riding coat, she tried to lay it over his chest. “What are you doing?” he asked. “Trying to keep you warm.” Leo plucked the garment off his chest and made a scoffing sound. “Don’t be ridiculous. First, the injury isn’t that bad. Second, this tiny thing is not capable of keeping any part of me warm. Now, about my plan—” “It is obviously a significant injury,” she said, “and I do not agree to your plan. I have a better one.” “Of course you do,” he replied sardonically. “Marks, for once would you do as I ask?” “No, I’m not going to leave you here. I’m going to pile up enough debris for both of us to climb out.” “You can’t even see, damn it. And you can’t move these timbers and stones. You’re too small.” “There is no need to make derogatory remarks about my stature,” she said, lurching upward and squinting at her surroundings. Identifying the highest pile of debris, she made her way to it and hunted for nearby rocks. “I’m not being derogatory.” He sounded exasperated. “Your stature is absolutely perfect for my favorite activity. But you’re not built for hauling rocks. Blast it, Marks, you’re going to hurt yourself—” “Stay there,” Catherine said sharply, hearing him push some heavy object aside. “You’ll worsen your injury, and then it will be even more difficult to get you out. Let me do the work.” Finding a heap of ashlar blocks, she picked one up and lugged it up the pile, trying not to trip over her own skirts. “You’re not strong enough,” Leo said, sounding aggravated and out of breath. “What I lack in physical strength,” she replied, going for another block, “I make up for in determination.” “How inspiring. Could we set aside the heroic fortitude for one bloody moment and dredge up some common sense?” “I’m not going to argue with you, my lord. I need to save my breath for”—she paused to heft another block—“stacking rocks.” Somewhere amid the ordeal, Leo decided hazily that he would never underestimate Catherine Marks again. Ounce for ounce, she was the most insanely obstinate person he had ever known, dragging rocks and debris while half blind and hampered by long skirts, diligently crossing back and forth across his vision like an industrious mole. She had decided to build a mound upon which they could climb out, and nothing would stop her.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
We are all walking each other home.” — Ram Dass
Timber Hawkeye (The Opposite of Namaste)
The simple labourer’s cottage could be said to be Britain’s indigenous, vernacular building. It was always built with materials specific to the region, but was predominantly made out of stone and mud from the fields to make up the foundations and walls. Local trees were used for the roof timbers, and the grasses and reeds from the surrounding area for the thatch roof. It was generally built by its owner with the help of the pooled labour resources of the community, which comprised the poor, rural workforce that served the local estate, owned by the landed gentry. These made up the homes of the ordinary people in pre-industrial Britain.
Adam Weismann (Building with Cob: A Step-by-step Guide (Sustainable Building Book 1))
Beorc is the root of the Modern English word ‘birch’, but it’s usually thought that the tree described here is actually a poplar.8 What’s notable about this verse is its emphasis on the tree’s beauty, which distinguishes it from the other trees included in the Rune Poem. In their respective verses, the oak, ash and yew are all characterized by their important functions in human society: the ash provides wood for weapons, the oak timber for ships and the yew firewood, a ‘joy in the home’.
Eleanor Parker (Winters in the World: A Journey through the Anglo-Saxon Year)
Imagine a room you could go to for some time out, to switch off or to meditate. What would you find there?... - Windows and natural light - Views out onto greenery (or add some window planters) - A timber-clad wall or timber furniture to make the space feel warm and rich - Artwork containing biophilic fractals - An immersive planting arrangement where you can sit among the foliage - Soft, natural fabrics and textures - Adjustable lighting (salt lamps give off a lovely warm glow) - A scent diffuser - Carefully considered colors to suit the mood you wish to create - A lock on the door if you need it - Your favorite things that help you relax: perhaps a TV, a selection of things to read, or whatever you need in order to feel as though you've given yourself a break.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
Of course Bridget couldn't afford the trip. Mr. Hoover had been especially rough on Kentucky. but she accumulated more than enough money for her passage. She had gone to each of the children, there were ten, and humiliated them to the point that they sold animals and automobiles and whatever they could find to sell to give their mother money. One son sold half his timber land. She made them feel guilty over not having enough children, not looking after her in her old age, not speaking Gaelic.
Kaye Gibbons (A Cure for Dreams)
THE FIVE HUNDRED or so homes atop Acoma are still heated by wood, with mounded clay ovens outside that look like big beehives. The old timbered ladders, baked white by the sun, still rise to the top terraces, and there are deep footpaths along the tabletop of the rock. It is not a museum, but a living town, somewhat iced in time. The wind dominates all other sounds.
Timothy Egan (Lasso the Wind: Away to the New West)
He had looked into the barrel of enemy rifles, the slavering jaws of a furious bear, the lifeless faces of his father and brother. He could build a home from the stripped timbers on up, shoot to kill nearly anything, expertly hold a newborn baby. He figured he'd been tested in more ways than Hercules, and in the end he supposed he was grateful that the war had sorted the entirety of his life into two categories for him: what was worth living for, what was worth dying for.
Julie Anne Long (I'm Only Wicked with You (The Palace of Rogues, #3))
Presented in the mainstream discourse as stimulus-response-driven or genetically programmed automatons, who lack agency and experiential perspective, animals are the archetypal Other, inferior to humans and an object that can be exploited for work, consumer goods, entertainment, science, or killed and displaced at liberty. This instrumental relationship served as a blueprint for the subjection of Nature, which transformed 'fish into fisheries, forests and trees into timber, animals into livestock, wildlife into game, mountains into coal, seashores into beachfronts, rivers into hydroelectric factories' and converted the animals’ homes into resources for unlimited human use and capitalist profit.
Tomaž Grušovnik (Environmental and Animal Abuse Denial: Averting Our Gaze (Environment and Society))
you know what your home really was, Dr. Leventhal? A few timbers nailed together on a random spot on a random planet. Only your mind created it into something that felt like a home, a center, a resting place. You and your wife were actors in a drama you created for yourself, deliberately forgetting you had done so, a drama without a stage or audience, all so that you might not face the darkness outside.” “Why not live in the illusion? It’s what evolution has designed my species to do.
Eric Ortlund (I Am the Doorway)
Some marriages are made in bed, while others burgeon in the kitchen to the metallic music of the kitchen knife and the egg whisk; some couples are nest builders, forever redecorating, snapping up bargain lots of timber for their dacha plot, nails, drying oil, and fiberglass wrap; other couples live for blazing, set-piece rows. Masha and Alik’s marriage was consummated in conversations. This was their ninth year together, but every evening when he came home from work, the soup would be left to get cold and the rissoles to burn while they told each other about the important events of the day.
Lyudmila Ulitskaya (Medea and Her Children)
The famous introduction to 1901’s Our National Parks shows a touch of manifesto seeping into the pastoral sweetness and natural light: “Thousands of tired, nerve-shaken, over-civilized people are beginning to find out that going to the mountains is going home; that wildness is a necessity; and that mountain parks and reservations are useful not only as fountains of timber and irrigating rivers, but as fountains of life.
Mark Adams (Tip of the Iceberg: My 3,000-Mile Journey Around Wild Alaska, the Last Great American Frontier)
Not homes with beautiful roofs, nor walls of permanent stone, nor canals and piers for ships make the city—but men of strength. Not stone and timber, nor skill of carpenter—but men brave who will handle sword and spear. With these you have a city and walls.
Alcaeus
Even while I dreamed I prayed that what I saw was only fear and no foretelling, for I saw the last known landscape destroyed for the sake of the objective, the soil bludgeoned, the rock blasted. Those who had wanted to go home would never get there now. I visited the offices where for the sake of the objective the planners planned at blank desks set in rows. I visited the loud factories where the machines were made that would drive ever forward toward the objective. I saw the forest reduced to stumps and gullies; I saw the poisoned river, the mountain cast into the valley; I came to the city that nobody recognized because it looked like every other city. I saw the passages worn by the unnumbered footfalls of those whose eyes were fixed upon the objective. Their passing had obliterated the graves and the monuments of those who had died in pursuit of the objective and who had long ago forever been forgotten, according to the inevitable rule that those who have forgotten forget that they have forgotten. Men, women, and children now pursued the objective as if nobody ever had pursued it before. The races and the sexes now intermingled perfectly in pursuit of the objective. the once-enslaved, the once-oppressed were now free to sell themselves to the highest bidder and to enter the best paying prisons in pursuit of the objective, which was the destruction of all enemies, which was the destruction of all obstacles, which was the destruction of all objects, which was to clear the way to victory, which was to clear the way to promotion, to salvation, to progress, to the completed sale, to the signature on the contract, which was to clear the way to self-realization, to self-creation, from which nobody who ever wanted to go home would ever get there now, for every remembered place had been displaced; the signposts had been bent to the ground and covered over. Every place had been displaced, every love unloved, every vow unsworn, every word unmeant to make way for the passage of the crowd of the individuated, the autonomous, the self-actuated, the homeless with their many eyes opened toward the objective which they did not yet perceive in the far distance, having never known where they were going, having never known where they came from.
Wendell Berry (A Timbered Choir: The Sabbath Poems 1979-1997)
We specialize in high end bunk beds designed for use by kids and adults. The big sky bunk bed is built from premium timbers and lumber from around the pacific northwest. We built these premium adult bunk beds to furnish the high end vacation homes, vacation rentals and bunk rooms around the country. Although we designed these high end bunk beds for adults, they are great for kids as well due to the excellent construction and safety.
Big Sky Bunks
What Are The Main Advantages of PVC Doors They usually have a clean floor with bright paint-free in order that they'll keep away from the discharge of any toxic gas within the air which might be very dangerous to human physique especially if they use the decorative paint. PVC doorways have another advantage in that they are surroundings pleasant because they are often recycled after their life is other to other varieties by melting them and then remolding them.In addition to the above advantages of PVC doors, you find them to be good for your own home as a result of they are very simple to put in in addition to simple to maintain. Moreover, PVC upvc doors ipswich doorways are straightforward to take care of. As a result of the truth that PVC is manufactured from plastic, there are much less possibilities of injury from other parts. Cleaning them just requires a wet piece of cloth with little cleaning liquid.The opposite most important advantage of those PVC doorways is that they're climate proof. They aren't affected by presence of extra water or moisture since they don't take up any amount. They can not warp in case of direct heating. Also, they do not lose their colour when exposed to direct daylight and this has led to their increased utilization worldwide. Another good motive why PVC doorways are fashionable is that, under regular circumstances, they are generally straightforward to take care of. Cleaning a PVC door is relatively easy to do. All it's good to wipe its surface clean and it'll look pretty much as good as new. Furthermore, PVC doors don't require stripping or repainting, and are typically quite sturdy. The identical can't be said of conventional wooden doorways, significantly those which can be sensitive to moisture and chemical compounds. Traditional wooden doorways require cautious maintenance to be able to preserve their appearance and wonder. Initials PVC stands for polyvinyl chloride which is a chemistry time period used to discuss with a certain type of material which may be very durable, has great insulating traits and does not emit any harmful fumes under regular conditions. Its chemical properties could be modified so that it turn out to be very robust and stiff like in a PVC door and even very flexible like in an inflatable swimming pool. PVC is getting used all around the world due to its power. The following are the advantages of PVC doorways; PVC door does not require upkeep, repainting or stripping and you solely need to wipe its floor occasionally for it to look good. Compared to timber door body which shrink and develop over time, PVC door body often remain steady as it is 100% water proof. Whereas doors from other materials discolor and fade if they're exposed to direct daylight, PVC’s one does not fade or discolor as a result of it is extremely UV resistance and thus it can remain looking new for a very long time.
John Stuart
Have Enjoyable Swimming with the Indoor Pool by Patio Enclosures Whatsoever be the climate outside the craving for swimming always puts you jump into the swimming pool. And if you have an Indoor Pool then the enthusiasm gets doubled. For this you can make your pool inside the area of home. Or if you are already having an open pool then too there is nothing more to worry. These days the technology has made such advancements that can modify your home constructions without even doing any damage to it. This is well illustrated with the pool enclosures available in the market. You can get them to make your pool come into enclosed area to enjoy the enthusiasm fully. It is a well-known fact that weather has three natures but the most furious is the winter when the chillness is almost killing to roam outside. In that case you forget to swim or can say that miss swimming. There the pool enclosures come to be a supporting property that makes your outer pool to be an indoor swimming pool. With this convenience the Patio Enclosures are helpful in making you home look more extravagant with wonderful finishing touch. It is also known as an inexpensive way to decorate your home. There are various materials that can be made use of making these enclosures. The materials that are used in making enclosures most commonly are fiber, glass, timber, plastic, etc. These days many companies are keen in doing fabrication and installation of variety of enclosure present in their stock. So you need not worry for having construction or reconstruction of pools. They supply with most proficient workers expert in their performance. In the time of technology when every small thing you can get as automated then why not these. You can have the eccentric innovation of automatic pool covers present in the market provided by many companies. With the expected feature of covering and uncovering the swimming pool automatically this type of enclosures are in demand mostly. Through this feature you can have swimming in enclosed area in winters along with enjoying the open pool in summers too as required. You can even make the maintenance costs low by covering the pool not to come in contact with dust or dirt. Indoor pools are fabulous but if you have open pools then make them covered with the patio enclosures. This makes you enjoy swimming throughout the year and also makes the maintenance costs for swimming pools lower.
Jacob Adams
In the Indus Valley, the Nile Valley, and Mesopotamia, the land between the Tigris and the Euphrates, barley-wheat cuisine supported small cities by 3000 B.C.E., as millet cuisine supported them in the Yellow River Valley.19 The cuisine of Mesopotamia is the best known of the barley-wheat cuisines, already thousands of years old in 1000 B.C.E. It was prepared in cities and villages on the flat plain, hot and parched much of the year, partly marshy and covered with reeds, the home of fish and waterfowl, featureless except for the channels bringing water to irrigate the fields and the date palms lining the pathways between the fields. The abundance of rich soil and water for growing barley and wheat outweighed the lack of timber, building stone, and other resources. The poor, including foot soldiers, prisoners, construction workers, and servants, survived almost exclusively on barley dishes, receiving roughly made conical pottery bowls containing about two liters (a little over eight cups) of barley grains, porridge, or bread daily. They ate these with a little salt and dried fish. Their diet was so meager that a popular saying went: “When a poor man has died, do not try to revive him. When he had bread, he had no salt; when he had salt, he had no bread.”20
Rachel Laudan (Cuisine and Empire: Cooking in World History (California Studies in Food and Culture Book 43))
a homely place with an orchard in front of it, a rambling, old-fashioned, half-timbered building, which before the town had spread had been a farm-house, but was now surrounded with the private gardens of the townsmen. We get the fonder of our houses if they have a physiognomy of their own, as our friends have.
George Eliot (Middlemarch)