Tilt A Whirl Quotes

The world is rated R, and no one is checking IDs. Do not try to make it G by imagining the shadows away. Do not try to hide your children from the world forever, but do not try to pretend there is no danger. Train them. Give them sharp eyes and bellies full of laughter. Make them dangerous. Make them yeast, and when they’ve grown, they will pollute the shadows.

Do you dislike your role in the story, your place in the shadow? What complaints do you have that the hobbits could not have heaved at Tolkien? You have been born into a narrative, you have been given freedom. Act, and act well until you reach your final scene.

We all make mistakes. That's why my pencil has an eraser.

Do not resent your place in the story. Do not imagine yourself elsewhere. Do not close your eyes and picture a world without thorns, without shadows, without hawks. Change this world. Use your body like a tool meant to be used up, discarded, and replaced. Better every life you touch. We will reach the final chapter. When we have eyes that can stare into the sun, eyes that only squint for the Shenikah, then we will see laughing children pulling cobras by their tails, and hawks and rabbits playing tag.

Do not fear the shadowy places. You will never be the first one there. Another went ahead and down until He came out the other side.

I think you need to go find that boy and tell him how you feel about him. Then you need to ride him like a tilt-o-whirl.

Imagine a poem written with such enormous three-dimensional words that we had to invent a smaller word to reference each of the big ones; that we had to rewrite the whole thing in shorthand, smashing it into two dimensions, just to talk about it. Or don’t imagine it. Look outside. Human language is our attempt at navigating God’s language; it is us running between the lines of His epic, climbing on the vowels and building houses out of the consonants.

In this story, the sun moves. In this story, every night meets a dawn and burns away in the bright morning. In this story, Winter can never hold back the Spring... He is the best of all possible audiences, the only Audience to see every scene, the Author who became a Character and heaped every shadow on Himself. The Greeks were right. Live in fear of a grinding end and a dank hereafter. Unless you know a bigger God, or better yet, are related to Him by blood.

I can't believe you rode the Tilt-A-Whirl for me. "I must really like you," he says.

No, this is throwing up like coming off the tilt-a-whirl at age seven, like discovering that dead rat under the porch, like finding out someone you loved never loved you at all.

What is this world? What is it for? It is art. It is the best of all possible art, a finite picture of the Infinite.

In the absence of knowledge, the mind is an amazing Tilt-A-Whirl of worst-case scenarios.

If someone else was delivering your lines, would you like them? If someone else was wearing your attitude, would you be impressed?

Spring is worth the wait. Life is worth the death.

It is hard to stay focused with so much swirling around me. God is distracting. He never stops talking, and I can never stop listening. There is a reason we sleep.

Gilbert Keith Chesterton (that fabulously large Catholic writer) overheard someone making fun of Milton (it didn't matter that the insults were all true).

I am here to paint you a picture of the world I see

Welcome to His poem. His play. His novel. Skip the bowls of fruit and statues. Let the page flick your thumbs. This is His spoken word.

But God never seems capable of moderation

This is poetry, but it is not delicate and fragile, a placid ocean beneath a Bible vese on an inspirational poster. This poetry had testicles. It's rougher than a rodeo. Which is why the cliffs are crowded with spectators

The rides are different for everyone. I'm convinced of that now. I mean, sure, there are some we ride together. Either we find ourselves drawn to some common experience, or maybe we're pulled in by the people we care about. Our friends, our families can drag us onto coasters and Tilt-A-Whirls that are really meant for them. But in the end, no matter whose rides we find ourselves on, the experience is all our own.

loving you was like throwing a lasso around a tornado i tried to hold on to you took a ride on a tilt-a-whirl that sits on top of the world i thought i could show you i've always been afraid of flying but you can't blame a girl for trying

Evil is an adjective. It is an adjective used to describe those actions of man (and their effects) that are contrary to the nature of God.

Give me priests. Give me men with feathers in their hair, or tall domed hats, female oracles in caves, servants of the python, smoking weed and reading palms. A gypsy fortuneteller with a foot-peddle ouija board and a gold fish bowl for a crystal ball knows more about the world than many of the great thinkers of the West. Mumbling priests swinging stink cans on their chains and even witch doctors conjuring up curses with a well-buried elephant tooth have a better sense of their places in the world. They know this universe is brimming with magic, with life and riddles and ironies. They know that the world might eat them, and no encyclopedia could stop it

If you knew the meaning of life, would you necessarily like it?

I knew I was different from the rest of you plebes. Look how silly and gothic you all look with your skinny, knobbed arms. I'm unique. Neoclassical.

I've seen a baby born. And, ahem, I know what made it. But I'm not telling, you'd never believe me.

I love it as it is, because it is a story, and it isn't stuck in one place.

In The Silver Chair, the Marsh-wiggle Puddleglum is all wisdom in rebutting the witch as she denies the existence of the world in which he believes. But as children's fiction isn't quite academically respectable, I'll pretend that I learned this from Blaise Pascal. [...] If the world really is accidental and devoid of meaning, and you and I have no more value in the cosmos than you average bread mold, and Beauty and Goodness are artificial constructs imagined within an explosion, constructs that are controlled by chemical reactions within the accident and have no necessary correspondence to reality, then my made-up children's world licks your real world silly. Depart from me. Go drown in your seething accident. Puddleglum and I are staying here.

It was the way your sweet, soft hands wiped away my tears, and the way your body just curved into mine when you let me hold you. It all made me feel, for just an instant, that everything really was going to be all right. No one has ever comforted me like that…except my mom.” What the fuck? Did I just say all that out loud? I shook my head furiously from side to side as the room started spinning me like a Tilt-a-Whirl at the county fair back home. Abby grabbed my shoulders to steady me. I blinked my eyes trying to focus on her blurry, but beautiful image. “Most of all, it’s that I want someone like you to want me—just for me, not for Jake Slater the singer of Runaway Train.” I smacked my hand hard against my chest. “For what’s really inside me.

Complain. Whine. Be a fusser. The story needs those as well, because every butt needs a joke, and the audience must laugh. Whether they (and God) laugh at or with us is up to you.

If someone else was wearing your attitude, would you be impressed?

Is the journey the destination? Please, no. Let me out of your Volkswagen bus at the next corner.

Plato, the first true pope of philosophy (sorry, Socrates), argued for a World of Forms above the reality-a transcendent plane of perfect essences, pure and lovely, where nothing ever gets muddy (including the essence of mud.)

Summer has come with the loveliness of a mother Heat, not warmth, now pours onto my face, aging me, taking me closer to death. Let it. I am here to live my story, to love my story. I will not fail to savor any gift out of a desire for self-preservation. Self-preservation is not a great virtue in this story.

Graves aren't for the dead. They're for the loved ones the dead leave behind them. Once those loved ones have gone, once all the lives that have touched the occupant of any given grave had ended, then the grave's purpose was fulfilled and ended. I suppose if you looked at it that way, one might as well decorate one's grave with an enormous statue or a giant temple. It gave people something to talk about, at least. Although, following that logic, I would need to have a roller coaster, or maybe a Tilt-A-Whirl constructed over my own grave when I died. Then even after my loved ones had moved on, people could keep having fun for years and years. Of course, I'd need a slightly larger plot.

Christ to the thief: Come with me. We die together, a thief and the Maker of the world. Walk with the Infinite made flesh into the belly of the whale. Stand close while reality quakes. Watch while Death is taken by the throat. Today you will be with me in Paradise. Stories don't end at death.

Descartes, the Frenchman, had little trouble knowing that he existed.

We're all carnies, though some people are in denial. They want to be above it all, above the mayhem of laughter and people and lights and animals and the dark sadness that lurks in the coners and beneath the rides and in the trailers after hours. So they ride teh Ferris wheel, and at the top, they think they've left it all behind They've ascended to a place where they can take things seriously. Where they can be taken seriously.

Do not cry to me. I can only cry with you. I will not die for you. I am still too young in the meaning of love. Talk to the Fool, to the one who left a throne to enter an anthill. He will enter your shadow. It cannot taint HIm. He has done it before. His holiness is not fragile. It burns like a father to the sun. Touch His skin, put your hand in His side. He has kept His scars when He did not have to. Give Him your pain and watch it overwhelmed, burned away in the joy He takes in loving. In stooping.

We have been created as recipients. I look at the stars, at the grass, at my fat-faced children, at my fingernails, and I am oppressed by gratitude I have been given a belly so that I might hunger. I have been given hunger so that I might be fed. I look in the atheist's mirror. I look at his faith in the nonexistence of meaning. I look at his preaching and painting. I see nothing but a shit-storm. Why would I walk through that door? Why would I live in your novel?

Mumbling priests swinging stick cans on their chains and even witch doctors conjuring up curses with a well-buried elephant tooth have a better sense of their places in the world. They know this universe is brimming with magic, with life and riddles and ironies. They know that the world might eat them, and no encyclopedia could stop it.

He exists on two planes. He sees the story as He tells it, while He weaves it, shapes it, and sings it. And He stepped inside it. The shadows exist in the painting, the dark corners of grief and trial and wickedness all exist so that He might step inside them, so we could see how low He can stoop. In this story, the Author became flesh and wandered the stage with Hamlet, offering His own life. In this story, the Author heaped all that He loathed, all that displeased Him, all the wrongness of the world, onto Himself.

Is this what mortality means? Is this how I know my body is of the sort that can stop, that can feed crabs, that will someday be placed in a box and dropped in a hole? I have a need to stand near the edge, to feel this small risk, to feel my heart beat. If I were not the dying sort, I would be standing closer, beneath the full blow of each breaker.

Like I said, some guys have a code they live by, some guys don't. John Ceepack? He has a code. Me? I'm working on it.

Only a good novel can make me enjoy the final page.

to an infinite artist, a Creator in love with His craft, there is no unimportant corner, there is no thrown-away image, no tattered thread in the novel left untied.

It is easy to be numb to the world’s marvels when you’ve missed lunch and the light is still red.

Should we care about philosopher if the world so clearly doesn't?

Every four years, I'll watch figure skating, but I'm no closer to buying tights.

I love it with all of its villains and pretty liars and self-righteous pompers

i love the world as it is, because I love what it will be.

A pair of jaybirds came up from nowhere, whirled up on the blast like gaudy scraps of cloth or paper and lodged in the mulberries, where they swung in raucous tilt and recover, screaming into the wind that ripped their harsh cries onward and away like scraps of paper or of cloth in turn.

If there are meta-beings, a god or gods who did not create the world, then they can tell us what to do the same way bullies can, though they have no jurisdiction. They can run our countries like Italian neighborhoods and along the same principles. Do it or get whacked. Bend your knees, slaughter bulls, lick dirt, give us your milk money. But might, even above the human level, does not make right. But a creative God, a God without whom none of this would be, a God who spoke reality into being and shapes it even now, He has authority. The world is His. You are His the way my words are mine. We are dust spoken from nothing, shaped with the moisture of His breath, named and now-living.

Ethanol plus carbon dioxide was like a demon spawn pounding against the frontal lobes of my head from the previous night at the bar. Somewhere in the city there was a church bell ringing, and—oh, not a bell. That was my phone. My head pounded and I felt dizzy, like I was spinning in circles on a Tilt-A-Whirl ride. Slowly, I opened an eye to try and find my cell phone. I groaned as I reached for the blue- and-silver-plated device on my nightstand. The spins from al- cohol sucked.

To exist in this poem [of creation] is a greater gift than any finite creature can imagine. To be so insignificant and yet still be given a speaking part, to be given scenes that are my own, and my own only, scenes where the audience is limited to the Author Himself (scenes that I often flub), to have been here with my frozen nose, to have been crafted with at least as much care as a snowflake (though I'm harder to melt), and to hear and feel and see and taste and smell the heavy poetry of God, that is enough.

This world is beautiful but badly broken. St. Paul said that it groans, but I love it even in its groaning. I love this round stage where we act out the tragedies and the comedies of history. I love it with all of its villains and petty liars and self-righteous pompers. I love the ants and the laughter of wide-eyed children encountering their first butterfly. I love it as it is, because it is a story, and it isn’t stuck in one place. It is full of conflict and darkness like every good story. And like every good story, there will be an ending. I love the world as it is, because I love what it will be. I love it because it spins and tilts, because it’s dizzying, because of the night sky and the swirling lights. But I have run too far ahead. We should be more . . . philosophical.

Tragedy isn’t an easy thing to kill. It takes more than a turtle. Tragedy must be destroyed by someone willing to be swallowed by it, willing to be broken, torn out of the flesh, but able to return to it. Someone must be able to shatter the tragic from within and exit into comedy, able to rip a hole so wide that a train of souls, a parade, could follow after, banging drums and throwing candy as they strolled into the sun.

Do not resent your place in the story. Do not imagine yourself elsewhere. Do not close your eyes and picture a world without thorns, without shadows, without hawks. Change this world. Use your body like a tool meant to be used up, discarded, and replaced. Better every life you touch. We will reach the final chapter.

In the absence of knowledge, the mind is an amazing tilt-a-whirl of worst case scenarios.

Nadia looked...weird. Like chugged-a-Butterfinger-Blizzard-in-ninety-seconds-and-got-on-the-Tilt-A-Whirl weird.

Every culture has felt the overwhelming pressure of existence itself and the need to explain it.

The ocean can never forget the Flood. It has tasted mountains.

Solomon smiles with us

and a smaller, sad, little-dead-poet sphere with acne scars spins around us lighting the night...

Nietzsche- a weak but strongly mustachioed, Lutheran Pastor's son.

The world is no photograph.

I've watched goldfish make babies, and ants execute earwigs. I've seen a fly deliver live young while having its head eaten by a mantis. And I had a golden retriever behave like one.

There is water somewhere in the world that ran down the body of the Word Himself as John, His cousin, baptized Him. No doubt it is water still, uncherished by man, known only by the Author of this story.

I’m grateful to God for the eyes in my head, and for the wildness of the spinning world these eyes see. This world, shaped by His words, can never be tamed by mine. But there is joy to be had in trying and falling short

Tell me, Blaise, are we very far from Montmartre?' Worries Forget your worries All the stations full of cracks tilted along the way The telegraph wires they hang from The grimacing poles that gesticulate and strangle them The world stretches lengthens and folds in like an accordion tormented by a sadistic hand In the cracks of the sky the locomotives in anger Flee And in the holes, The whirling wheels the mouths the voices And the dogs of misfortune that bark at our heels The demons are unleashed Iron rails Everything is off-key The broun-roun-roun of the wheels Shocks Bounces We are a storm under a deaf man's skull... 'Tell me, Blaise, are we very far from Montmartre?' Hell yes, you're getting on my nerves you know very well we're far away Overheated madness bellows in the locomotive Plague, cholera rise up like burning embers on our way We disappear in the war sucked into a tunnel Hunger, the whore, clings to the stampeding clouds And drops battle dung in piles of stinking corpses Do like her, do your job 'Tell me, Blaise, are we very far from Montmartre?

Then, as she whirled around, she bumped into Tate, who had stood, and they froze, staring into each other’s eyes. They stopped laughing. He took her shoulders, hesitated an instant, then kissed her lips, as the leaves rained and danced around them as silently as snow. She knew nothing about kissing and held her head and lips stiff. They broke away and looked at each other, wondering where that had come from and what to do next. He lifted a leaf gently from her hair and dropped it to the ground. Her heart beat wildly. Of all the ragged loves she’d known from wayward family, none had felt like this. “Am I your girlfriend now?” she asked. He smiled. “Do you want to be?” “Yes.” “You might be too young,” he said. “But I know feathers. I bet the other girls don’t know feathers.” “All right, then.” And he kissed her again. This time she tilted her head to the side and her lips softened. And for the first time in her life, her heart was full.

Of course, the nonexistence of God is nothing more than a nonsense option. The categories of good and evil themselves require some sort of transcendent standard. What makes things good? What makes things evil? Atheists have, by and large, given up on the idea of an absolute standard of morality. After all, spiritual emptiness and the nonexistence of anything outside of the simple material universe is no way to come up with an ethical system. Morality is cultural preference (which cannot be said to be right or wrong) and fundamentally relative. It takes on (to be generous) the same authority as Wisconsin speed limits on a Nevada highway at night.

what next?” He pointed. “Roller coaster? Tilt-a-whirl? Are you hungry?” Nova smiled, the knot in her chest quickly unwinding. “Correct me if I’m mistaken, but aren’t we supposed to be looking for somebody?” “You’re absolutely right.” Adrian tapped a finger against his lips. “And I think we should look for her”—he pointed—“on the Ferris wheel.

Three postcards await our perusal, yea, three visions of a world. One: I see a theme park where there are lots of rides, but there is nobody who can control them and nobody who knows how the rides end. Grief counseling, however, is included in the price of admission. Two: I see an accident. An explosion of some kind inhabited by happenstantial life forms. A milk spill gone bacterial, only with more flame. It has no meaning or purpose or master. It simply is. Three: I see a stage, a world where every scene is crafted. Where men act out their lives within a tapestry, where meaning and beauty exist, where right and wrong are more than imagined constructs. There is evil. There is darkness. There is the Winter of tragedy, every life ending, churned back into the soil. But the tragedy leads to Spring. The story does not end in frozen death. The fields are sown in grief. The harvest will be reaped in joy. I see a Master's painting. I listen to a Master's prose. When darkness falls on me, when I stand on my corner of the stage and hear my cue, when I know my final scene has come and I must exit, I will go into the ground like corn, waiting for the Son.

Aida tilts her lips up for a chaste kiss. To show her who’s boss, I seize her by the shoulders and kiss her roughly, forcing my tongue into her mouth. Her lips and tongue taste sweet. Tart and fresh. Like something I haven’t tasted in a very long time . . . Strawberries. I can already feel my tongue going numb. My throat starts to swell, my breath coming out in a whistle. The church whirls around me in a kaleidoscope of color, as I slump to the floor. That fucking BITCH!

This world is beautiful but badly broken. St. Paul said that it groans, but I love it even in its groaning. I love this round stage where we act out the tragedies and the comedies of history. I love it with all of its villains and petty liars and self-righteous pompers. I love the ants and the laughter of wide-eyed children encountering their first butterfly. I love it as it is, because it is a story, and it isn’t stuck in one place. It is full of conflict and darkness like every good story. And like every good story, there will be an ending. I love the world as it is, because I love what it will be. I

direction?” “Easy McSqueezy.” The sword tugged at my arm. “I’m reading a big concentration of hot air and thunder that way!” Sam and I helped Hearthstone to his feet. He wasn’t looking too good. His lips were pale green. He wobbled like he’d just gotten off a Tilt-a-Whirl. “Otis,” Sam said, “can our friend ride you? It might be quicker.” “Sure,” the goat said. “Ride me, kill me, whatever. But I should warn you, this is Jotunheim. If we go the wrong way, we’ll run across giants. Then we’ll all be butchered and put in a stew pot.” “We won’t go the wrong way,” I promised. “Will we, Jack?” “Hmm?” said the sword.

My mother died of breast cancer that metastasized throughout her body, including her brain. Toward the end, as her mind became increasingly effected, I began to feel as though I were on a Tilt-a-Whirl—that now-old-fashioned amusement park ride in which each rider stands upright in a little niche on a large disk, the whole of which rotates until someone throws up. It seemed as though I shared the ride with a great many people from my mother’s life, while she stood in the center and spoke to whomever was opposite her when the ride stopped. Sometimes she would begin a sentence addressing me, and end it addressing her prom date, or someone else I couldn’t see.

Then, as she whirled around, she bumped into Tate, who had stood, and they froze, staring into each other’s eyes. They stopped laughing. He took her shoulders, hesitated an instant, then kissed her lips, as the leaves rained and danced around them as silently as snow. She knew nothing about kissing and held her head and lips stiff. They broke away and looked at each other, wondering where that had come from and what to do next. He lifted a leaf gently from her hair and dropped it to the ground. Her heart beat wildly. Of all the ragged loves she’d known from wayward family, none had felt like this. “Am I your girlfriend now?” she asked. He smiled. “Do you want to be?” “Yes.” “You might be too young,” he said. “But I know feathers. I bet the other girls don’t know feathers.” “All right, then.” And he kissed her again. This time she tilted her head to the side and her lips softened. And for the first time in her life, her heart was full. 18.

She saw Daniel hovering over her in his simple peasant's clothes...but then, a moment later, he was bare-chested, with long blond hair...and suddenly he wore a knight's helmet, whose visor he lifted to kiss her lips...but before he did,he shifted into his present self, the Daniel she'd left in her parents' backyard in Thunderbolt when she stepped through into time. This was the Daniel, she realized, she'd been looking for all along. She reached for him,she called his name, but then he changed again. And again. She saw more Daniels than she'd ever thought possible,each one more gorgeous than the last.They folded into each other like a vast accordion, each image of him tilting and altering in the light of the sky behind him.The cut of his nose,the line of his jawbone, the tone of his skin,the shape of his lips, all whirled in and out of focus,morphing all the time. Everything changed except his eyes. His violet eyes always stayed the same. They haunted her,hiding something terrible,something she didn't understand. Something she didn't want to understand. Fear? In the visions,the terror in Daniel's eyes was so intense Luce actually wanted to look away from their beauty. What could someone as powerful as Daniel fear? There was only one thing: Luce's dying. She was experiencing a montage of her death over and over and over again. This was what Daniel's eyes looked like, throughout time,just before her life went up in flames. She had seen this fear in him before.She hated it because it always meant their time was over.She saw it now in every one of his faces. The fear flashed from infinite times and places. Suddenly,she knew there was more: He wasn't afraid for her,not because she was walking into the darkness of another death.He didn't fear that it might cause her pain. Daniel was afraid of her. "Lu Xin!" his voice cried out to her from the battlefield. She could see him through the haze of visions.He was the only thing coming in clearly-because everything else around her was lit up startingly white.Everything inside her was,too.Was her love of Daniel burning her up? Was it her own passion,not his,that destroyed her every time? "No!" His hand reached out for hers. But it was too late.

Without thinking it through, I whirled and dashed a few steps down the hall to my bedroom. I barely made it through the door when he was on me. His arms wrapped around me from behind, one of his hands cupping my chin to tilt my head back and to the side. Conner’s lips slid up my neck to my ear. “You shouldn’t have done that, Donna. Never run from a vampire. Like any predator, if you run from one of us, we will chase you.” His voice was dark. My heart started pounding as his other hand moved up my torso to cup my breast through my bra. I gasped when I felt the sharp scrape of his fangs on my neck. Since the first night we made love, he was careful not to get his teeth near my skin. I appreciated his restraint, but I had woken the beast within tonight, and he seemed hungry. While he kissed my neck and scraped the skin with his teeth, Conner’s hands drifted down to my stomach and started pushing my jeans down. I helped him until I was standing with my back to him, clad only in my underwear. My bra loosened and the straps fell down my arms. I let it fall to the floor before I turned to face him. When I saw his face, my knees weakened. His eyes were literally two burning orbs of blue and his fangs had lengthened so that they dented his bottom lip.

She didn’t turn around. She put her foot on the bottom step, then felt herself being whirled around. She shrieked as her world tilted. Richard’s shoulder in her stomach robbed her of any air and her forehead bumping against his lower back made her slightly sick. It was Archie’s hoisting trick all over again, only Richard seemed to be more adept at taking circular stairs. She thought she just might barf. “Put me down, you jerk!” she gasped. He ignored her. She saw, grudgingly, how he might have become a little annoyed by the practice. He slammed the bedroom door behind them and dumped her to her feet. He took her by the arms and held her immobile. She had the feeling that he wanted to shake her. His hands were trembling. “I am finished with your silence,” he bellowed. “Damn you, woman, speak!” “Fine,” she snapped, jerking away from him. “I’ve had a bellyful of you, too, buddy. I’m not your servant, I’m not your squire, and I’m not your damned horse to just take orders and swallow them. I’m sick to death of being treated like a second-class citizen. I’m just as smart as you are and I’ve had it with you treating me like I’m not!” He blinked. “Of course you aren’t. You’re a wo—” “Don’t say it,” she said, through gritted teeth. “If you tell me one more time that I’m inferior to you because I’m a woman, I’m going to haul off and deck you!” “Deck me?” he echoed. “Take my fist and slam it into your face!” Richard took a step back and folded his arms over his chest. “You’re powerfully outspoken. Are all the maids so in your time?

He took her near hand in his and raised it to his lips as he had once before. This time, he kissed it lightly, looking at her as he did, his expression unusually solemn. “Aye, sure, we’ll go in,” he said. “Just as soon as you look me in the eyes and tell me you’re doing this willingly and not just because you said you would.” She looked him right in the eye then and said, “You first.” Ian laughed as much at the look of determination on Lina’s face as at the challenge she had flung at him. When she continued to watch him, he sobered. He was still holding her hand, so he gave it a warm squeeze and said, “I’m more willing with every minute that passes, lass. I believe that we will suit each other well.” “This may be the most reckless thing you have done, sir.” “It may be, aye. But you are doing it with me, so I’ll wager that you won’t carp and correct me at every turn as some wives try to do.” “I would not do that in any event,” she said, peering into his face in that way she had that made him feel as if she would see right through him to his core. “I wonder if my opinions matter to you, though. I’m unlikely to change my feelings about many things that you do. Nor will I agree with you in all that you say.” “Then, likely we’ll fratch from time to time,” he said. “Would it help if I were to promise that I’ll always listen?” “It might,” she said doubtfully. “It would help more if you did always listen.” He choked on another bubble of laughter. Forcing himself to speak seriously, he said, “Have you hitherto found me an unwilling listener?” She shook her head, looking at his chest again. “No, sir, not recently.” Cupping her chin with his free hand, he tilted it up and kissed her gently on the lips. “Then, we must leave it there, I think. Your father is calling to us.” Her lips had parted. She stared at him blindly. “Lina?” “We must go in, aye,” she said. Whirling, she stepped through the archway, only to stop in her tracks when the hall erupted in applause and cheering. Rather pleased to know that his kiss had ruffled her more than any teasing had, he followed her.

Sarah rode with him and felt her body rejoice, felt her senses whirl and sing with pleasure. She was exquisitely conscious, to her fingernails aware of the shattering intimacy of their joining. Eyes closed, hearing suspended, her world condensed just to him and her, and another world came alive, a landscape filled with feeling, with heat and longing, with sensation and power and the promise of glory. He moved within her and she rode out each thrust, met and matched him, welcomed and reluctantly released him again. Pleasure and delight bloomed, welled, then spilled through her. The momentary pain had faded so fast it was already a dim memory, overwhelmed by the solid and immediate reality of him hard and strong and so elementally male, joining so deeply and inexorably with her. His fingers slid from hers, sliding down and around to one globe of her bottom. He tilted her hips, and she gasped as the altered position let him penetrate her more deeply still. The reined power behind each deliberate thrust sent a thrill arcing through her. A primitive sense of danger, the recognition of vulnerability; he was so much stronger than she, his body so much harder, so much more powerful than hers. Yet he was careful. The realization slid through her, but she couldn't focus enough to think, then the heat of their passion rose another degree and claimed her. Sent fire and a hungry, ravenous need sliding through her veins, making her writhe, making her gasp. It inexorably branded desire deep into her flesh, marking and searing, until she burned. Until her body was aflame, until the flames coalesced and concentrated, burning deeper and hotter until she sobbed and clung and desperately urged him on, and he rode her faster, harder, deeper. Until with a rush, all heat and yearning, she found herself clinging to that final, dizzying peak. Felt him thrust one last time and shatter her, felt the furnace within her that he'd stoked and fed rupture, felt glory pour forth and sear her veins. And rush through her. She spiraled through a void, cushioned in heated bliss, her mind disconnected. Dimly, she heard him groan, long-drawn and guttural, was distantly aware that, joined deeply with her, he went rigid in her arms. She felt, from far away, the warmth of his seed spill inside her. Buoyed by glory, cocooned in golden rapture, she smiled.

This world is beautiful but badly broken. St. Paul said that it groans, but I love it even in its groaning.

Let’s do it then, two funnel cakes each and then we ride the tilt-a-whirl until one of us pukes.

They know that the world might eat them, and no encyclopedia could stop it.

A neutral observer would not find this world to be believable. Ergo, the cause of said unbelievable world must place similar stretch marks on the imagination. Step

Where are you going? I came to apologize for earlier and I can’t allow you to leave more upset than before.” The kind sincerity in his eyes wedged the hurt deeper as he continued. “Allow me to speak that which I came to say.” “Nay. This conversation has ended.” She yanked from his grasp and marched to the door, mumbling under her breath. “Perhaps I should have accepted Higley’s proposal after all.” “Higley? Who’s Higley?” He marched after her and tugged on her elbow. “You mean Donaldson is not courting you? Has someone proposed to you?” “Nay, Henry is not courting me, and aye, someone has proposed.” She stopped at the door and whirled around. “I should reprimand myself for not having thought more of the arrangement. At least he accepts me for who I am instead of hoping to change me to meet his expectations.” She started toward the exit but Nathaniel darted in front of her. “Kitty, you’re talking foolishness. No one wants you to change.” Ha! Kitty tilted her head. “Really?” Had he completely forgotten what they’d just discussed? She dodged sideways to make her escape but he blocked her flight, gripping her shoulders. Holding back an unladylike growl, she glared. “Nathaniel, let me pass.” “Not until I can make you believe that I don’t want to change you—and not until you tell me who this Higley fellow is. I am most curious.” His chin lowered and he looked at her with the condescendence of an older sibling, ready to scold her for stealing a sweet. How dare he! She let out a sharp laugh refusing to dignify his question with an answer. Yanking from his grasp, Kitty marched down the hall. Nathaniel followed directly behind. “Where are you going?” She stared forward, her breath heating with each exhale. “Home.”  He pulled on her shoulder to stop her. “By yourself?” She jerked to a halt. This time she did look at him, praying the barbs she threw from her eyes made their mark, but from the irritating smirk he failed to hide, her invisible weapons did nothing. “Aye, by myself.” He shook his head. “If you’re leaving, then I’m escorting you home.” “You are not.” “You may be stubborn, Kitty Campbell, but I cannot allow you to walk home—” “You absolutely will. I am at liberty to do as I please, am I not? I have the right to refuse to be escorted by a thick-headed patriot missionary.” ***

Notes from the Tilt-a-Whirl the fatherhood of God lies behind everything. This apparent chaotic world is not chaotic at all; if we step back and take it all in with the right perspective, we see that it is an intricately designed carnival ride. There is a fatherly purpose in it: it turns out that we thought we were being born into a world full of sound and fury, signifying nothing, but what was happening is that our Father was taking us to a particularly spectacular fair with some really gnarly rides. In

ever felt crashes through me and throws off my equilibrium like I’ve been tossed onto a tilt-a-whirl driven by crack. “I’m

Hauling in a quick breath, she held it, stretched upward, shut her eyes, and fleetingly touched her lips to his. They were as hard as she'd imagined, very like sculpted marble. Sensation flared at the brief contact; her lips tingled, then throbbed. Patience blinked her eyes wide as she lowered her heels to earth. And refocused on his lips. She saw the ends curve upward, heard his low, wickedly teasing laugh. "Still not right. Here- let me show you." His hands came up to frame her face, her jaw, tilting her lips up as his descended. Of their own volition, her lids fell, then his lips touched hers. Patience couldn't have quelled the shudder that passed through her had her life depended on it. Stunned, poised to resist, she mentally paused. Strong, sure, his lips covered hers, moving slowly, languorously, as if savoring her taste, her texture. There was nothing threatening in the unhurried caress. Indeed, it was beguiling, luring her senses, focusing them on the practiced slide and glide of cool lips which seemed to instinctively know how to soothe the heat rising in hers. Hers throbbed; his pressed, caressed, as if drinking in her heat, stealing it from her. Patience felt her lips soften; his firmed in response. 'No, no, noo....' Some small part of her mind tried to warn her, but she was long past listening. This was new, novel- she'd never felt such sensations before. Never known such simple delight existed. Her head was whirling, but not unpleasantly. His lips still seemed hard, cool- Patience couldn't resist the temptation to return the pressure, to see if his lips would soften to hers. They didn't, they only became harder. The next instant, she felt a searing heat sweep over her lips. She stilled; the questing heat returned- with the tip of his tongue, he traced her lower lip. The contact lingered, an unspoken question. Patience wanted more. She parted her lips. His tongue slid between, slowly, with his customary assured arrogance, quite certain of his welcome, confident in his expertise.

He whirled on his heel. Glided up behind the visitor. He reached his right arm across the latter's shoulder (right shoulder), grasped his coat lapel on the left side, digging his bony wrist into the desperado's throat. His right foot he placed on the back rung of the chair in which the visitor sat. He tilted the chair backward. To save himself from falling, the man stretched out his left arm. G. seized his left wrist with his right hand and swung it toward himself. The rapid action threw the man backward; the jerk on his arm, forced him to fall off the side of the chair and flat on to his face, the chair sliding away from his to the side and against the desk. With the man safely on the floor, and fortunately a distance away from the package which lay undisturbed, G. placed his right knee on the man's shoulder, pinning him to the ground, and forced his left arm upward. Then for the first time he withdrew the choking right arm and wrist from around his throat, but did not let up entirely. He grasped his chin, forcing his head upward from the floor. The action, except for the fact of the man having been seated, was very much like the "Dervish" described in a previous chapter. It was, however the "CHOKE" that held the man powerless and as putty in the hands of the young athlete. But for that punishing, hold, the criminal might have been able to wriggle out of the toils and accomplished destruction.

Human language is our attempt at navigating God's language.

Hell will be wherever He is not.

This world, shaped by His words, can never be tamed by mine.

She only went out that night because Helene threw a fit and called her a baby and she finally gave in and said she would drive. It sounds like a corny, lame excuse; it feels like a lie, even to herself. All the same, it’s true. By now, Shelby is so confused, all she can remember is stepping on the brake after the car hit a patch of ice and spinning around and Helene laughing, like they were in a Tilt-A-Whirl car, and then the crunch of metal against metal.

Ethanol plus carbon dioxide was like a demon spawn pounding against the frontal lobes of my head from the previous night at the bar. Somewhere in the city there was a church bell ringing, and—oh, not a bell. That was my phone. My head pounded and I felt dizzy, like I was spinning in circles on a Tilt-A-Whirl ride. Slowly, I opened an eye to try and find my cell phone. I groaned as I reached for the blue- and-silver-plated device on my nightstand. The spins from alcohol sucked.

faced me, his shoulders squaring off as if ready for a fight. I shook my head. "What are you going to do? Hit me, too?" I tilted my chin up to look him straight in the eyes, then turned and walked away. His hand shot out and grabbed my arm, drawing me to a halt. I whirled around, acting on instinct, and brought my hand up so fast he barely had time to blink.