Power Surge Quotes

We've searched our database for all the quotes and captions related to Power Surge. Here they are! All 80 of them:

I heard what you said.' Pump, pump, pump went his powerful arms. 'What you waiting to admit until I was almost dead, you fucking coward.' His lightening surged into her, sending her body arcing off the ground as he tried to jump-start her heart. He snarled in her ear, 'Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
You who never arrived in my arms, Beloved, who were lost from the start, I don't even know what songs would please you. I have given up trying to recognize you in the surging wave of the next moment. All the immense images in me -- the far-off, deeply-felt landscape, cities, towers, and bridges, and un- suspected turns in the path, and those powerful lands that were once pulsing with the life of the gods-- all rise within me to mean you, who forever elude me. You, Beloved, who are all the gardens I have ever gazed at, longing. An open window in a country house-- , and you almost stepped out, pensive, to meet me. Streets that I chanced upon,-- you had just walked down them and vanished. And sometimes, in a shop, the mirrors were still dizzy with your presence and, startled, gave back my too-sudden image. Who knows? Perhaps the same bird echoed through both of us yesterday, separate, in the evening...
Rainer Maria Rilke
By the dawn of the seventeenth century, the order of Stormsongs had grown both darker and more powerful, while the Holy Roman Empire they allegedly still served found itself surrounded by powerful enemies – and on the brink of collapse.
Stephen A. Reger (Storm Surge: Book Two of the Stormsong Trilogy)
Love springs from the inside. It is the immortal surge of passion, excitement, energy, power, strength, prosperity, recognition, respect, desire, determination, enthusiasm, confidence, courage, and vitality, that nourishes, extends and protects. It possesses an external objective - life.
Ogwo David Emenike
He kissed me wildly, overwhelming me like a giant wave rushing to shore. I was soon lost in the turbulent grasp of his embrace and yet…I knew I was safe. His wild kiss drove me, pushed me, asked me questions I was unwilling to consider. But I was cherished by this dark Poseidon, and though he had the power to crush me utterly, to drown me in the purple depths of his wake, he held me aloft, separate. His passionate kiss changed. It gentled and soothed and entreated. Together we drifted towards a safe harbor. The god of the sea set me down securely on a sandy beach and steadied me as I trembled. Effervescent tingles shot through my limbs delighting me with surges of sparkling sensation like sandy toes tickled by bubbly waves. Finally, the waves moved away and I felt my Poseidon watching me from a distance. We looked at each other knowing we were forever changed by the experience. We both knew that I would always belong to the sea and that I would never be able to part from it and be whole again.
Colleen Houck
Adam lay perfectly still, little groans escaping from his lips. I looked at the bow, looked at my hands, looked at Adam's face and felt this surge of love, lust, and an unfamiliar feeling of power.
Gayle Forman (If I Stay (If I Stay, #1))
In a healthy relationship, vulnerability is wonderful. It leads to increased intimacy and closer bonds. When a healthy person realizes that he or she hurt you, they feel remorse and they make amends. It’s safe to be honest. In an abusive system, vulnerability is dangerous. It’s considered a weakness, which acts as an invitation for more mistreatment. Abusive people feel a surge of power when they discover a weakness. They exploit it, using it to gain more power. Crying or complaining confirms that they’ve poked you in the right spot.
Christina Enevoldsen (The Rescued Soul: The Writing Journey for the Healing of Incest and Family Betrayal)
Her new powers surging, she went to have a long overdue Come-to-Jesus talk with the goddess. (Tory)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
We were developing a machine that used egg white, heat and sugar to synthesize methanol when a power surge caused an implosion. Owens was meringued. By the time we chipped him out the poor chap had expired.
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
Exhaling in resignation, Vanessa drew her sword, offered a silent prayer for Starke’s safety, and uttered, “Christus vincit, Christus regnat, Christus imperat.” 
Stephen A. Reger (Storm Surge: Book Two of the Stormsong Trilogy)
An end to questions or an end to life, she said to herself as she raced towards the unknown.
Stephen A. Reger (Storm Surge: Book Two of the Stormsong Trilogy)
The archduke will see you now,” Bishop Riphaen said to von Pappenheim, interrupting his wishful thinking.  “And he is most eager to see what you have brought him.
Stephen A. Reger (Storm Surge: Book Two of the Stormsong Trilogy)
In theory, solar storm activity could act like an EMP, damaging electronic equipment and causing power surges. And we’ve just experienced the solar storm to end all solar storms.”, FADE by Kailin Gow
Kailin Gow (FADE OMNIBUS (Books 1 through 4) (Kailin Gow's FADE Series Book 5))
The same sensitivity that opens artists to Being also makes them vulnerable to the dark powers of non-Being. It is no accident that many creative people--including Dante, Pascal, Goethe, Nietzsche, Kierkegaard, Beethoven, Rilke, Blake, and Van Gogh--struggled with depression, anxiety, and despair. They paid a heavy price to wrest their gifts from the clutches of non-Being. But this is what true artists do: they make their own frayed lives the cable for the surges of power generated in the creative force fields of Being and non-Being. (Beyond Religion, p. 124)
David N. Elkins
Before the first streaks of light at dawn on December 7, 275 miles north of Oahu, the six (Japanese) carriers of the Striking Force turned into the southeast wind. Pounding into heavy swells at high speed, the carriers pitched severely with thunderous impact. The wind, surging seas, and roar of warming aircraft engines made communications possible only by hand signals and handheld signal lamps. Salt spray reached the high flight decks, and Commander Fuchida, the group leader, was very concerned about the conditions for launching planes. If this had been a training exercise the launch might have been delayed until conditions improved. However, this was not an exercise, and there would be no delay.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
An 'impersonal God'-well and good. A subjective God of beauty, truth and goodness, inside our own heads-better still. A formless life-force surging through us, a vast power which we can tap-best of all. But God himself, alive, pulling at the other end of the cord, perhaps approaching at an infinite speed, the hunter, King, husband-that is quite another matter.
C.S. Lewis (Miracles)
Kaladin screamed, reaching the end of the bridge. Finding a tiny surge of strength somewhere, he raised his spear and threw himself off the end of the wooden platform, launching into the air above the cavernous void. Bridgemen cried out in dismay. Syl zipped about him with worry. Parshendi looked up with amazement as a lone bridgeman sailed through the air toward them. His drained, worn-out body barely had any strength left. In that moment of crystallized time, he looked down on his enemies. Parshendi with their marbled red and black skin. Soldiers raising finely crafted weapons, as if to cut him from the sky. Strangers, oddities in carapace breastplates and skullcaps. Many of them wearing beards. Beards woven with glowing gemstones. Kaladin breathed in. Like the power of salvation itself—like rays of sunlight from the eyes of the Almighty—Stormlight exploded from those gemstones. It streamed through the air, pulled in visible streams, like glowing columns of luminescent smoke. Twisting and turning and spiraling like tiny funnel clouds until they slammed into him. And the storm came to life again.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
There is psychological pleasure in this takeoff, too, for the swiftness of the plane’s ascent is an exemplary symbol of transformation. The display of power can inspire us to imagine analogous, decisive shifts in our own lives, to imagine that we, too, might one day surge above much that now looms over us.” P. 38-39
Alain de Botton (The Art of Travel)
Every kiss, every touch, was a promise that we both knew, I was his and he was mine, and no conspiracy or scheme of kingdoms had a fraction of the power that surged between us.
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
In one day I had altered my life; my life, therefore, was alterable. This simple axiom did not call out for exegesis; no, it entered my bloodstream directly, as powerful as heroin. I could feel it pump and surge, the way it brightened my veins to a kind of glass. I had wakened that morning to narrowness and predestination and now I was falling asleep in the storm of my own free will.
Carol Shields (The Stone Diaries)
That surge of power and delight, of confidence, of control. That sudden sense of the richness of the world. Its infinite possibility.
Donna Tartt (The Secret History)
The tides surged through the marsh and each wave that hit the beach came light-struck and broad-shouldered, with all the raw power the moon could bestow.
John Berendt (Midnight in the Garden of Good and Evil)
I cud feal some thing growing in me it wer like a grean sea surging in me it wer saying, LOSE IT. Saying, LET GO. Saying, THE ONLYES POWER IS NO POWER The ruins of Canterbury Castle
Russell Hoban (Riddley Walker)
To learn is as beautiful as to live. Do not be afraid to lose yourself in minds greater than your own. Do not sit brooding anxiously over your own individuality or shut yourself out from influences that draw you powerfully for fear that they may sweep you along and submerge your innermost pet peculiarities in their mighty surge. Never fear. The individuality that can be lost in the sifting and reshaping of a healthy development is only a flaw; it is a branch grown in the dark, which is distinctive only so long as it retains its sickly pallor. And it is by this sound growth in yourself that you must live. Only the sound can grow great.
Jens Peter Jacobsen (Niels Lyhne)
The uranium for the atom bombs dropped by America on Hiroshima and Nagasaki came from a mine in Katanga, and it was Katanga’s vast copper deposits that really powered the colony’s growth when the reconstruction of Europe and Japan after the Second World War drove a surge in demand for copper.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
...the thunder from Down Under that gives you the second-most-powerful surge that can flow through your body.
AC/DC
...she stood back and wiped the sweat-sting from her eyes. The air was clean. Her hands brown with dirt. Pride surged through her, raw and immense; she had believed happiness to be an absence - of fear, of pain, of grief - but here it roared in her as powerful as any sadness.
Anthony Marra (A Constellation of Vital Phenomena)
Hunt hissed to Bryce through his gritted teeth, thunder cracking above him, "I heard what you said." Pump, pump, pump went his powerful arms. "What you waited to admit until I was almost dead, you fucking coward." His lightning surged into her, sending her body off the ground as he tried to jump-start her heart. He snarled in her ear, "Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Once again, all doubt, all sense of right and wrong, faded. There was only the target, his darkly beating heart, and my fire. There was no fear, no anger, no shame, no regret. Just power, surging through me, filling me. It felt as if my breath sucked the very air from the heavens, and my rage burned the sun to ash. I was everything and nothing, and no one could stop me. I was darkness wreathed in flesh.
Elly Blake (Frostblood (Frostblood Saga, #1))
Data: My positronic brain has several layers of shielding to protect me from power surges. It would be possible for you to remove my cranial unit and take it with you. Riker: Let me get this straight--you want me to take off your head? Data: Yes sir
Star Trek The Next Generation
For the most appalling quality of water is its strength. I love its flash and gleam, its music, its pliancy and grace, its slap against my body; but I fear its strength. I fear it as my ancestors must have feared the natural forces that they worshipped. All the mysteries are in its movement. It slips out of holes in the earth like the ancient snake. I have seen its birth; and the more I gaze at that sure and inremitting surge of water at the very top of the mountain, the more I am baffled. We make it all so easy, any child in school can understand it – water rises in the hills, it flows and finds its own level, and man can't live without it. Bud I don't understand it. I cannot fathom its power.
Nan Shepherd (The Living Mountain)
The horse, the horse! The symbol of surging potency and the power of movement, of action, in man.
D.H. Lawrence
Now there’s a power,” he said. “Harnessing the lightning! The dream of mankind!” The Unnamed Boat surged forward. “Is it? It’s not my dream,” said Didactylos. “I always dream of a giant carrot chasing me through a field of lobsters.
Terry Pratchett (Small Gods (Discworld, #13))
This week in live current events: your eyes. All power can be dangerous: Direct or alternating, you, socket to me. Plugged in and the grid is humming, this electricity, molecule-deep desire: particular friction, a charge strong enough to stop a heart or start it again; volt, re-volt-- I shudder, I stutter, I start to life. I've got my ion you, copper-top, so watch how you conduct yourself. Here's today's newsflash: a battery of rolling blackouts in California, sudden, like lightning kisses: sudden, whitehot darkness and you're here, fumbling for that small switch with an urgent surge strong enough to kill lesser machines. Static makes hair raise, makes things cling, makes things rise like a gathering storm charging outside our darkened house and here I am: tempest, pouring out mouthfulls of tsunami on the ground, I've got that rain-soaked kite, that drenched key. You know what it's for, circuit-breaker, you know how to kiss until it's hertz.
Daphne Gottlieb (Why Things Burn)
I will not share you." Still holding his gaze, she drove her body down onto his. Tiny threads of lightning danced over his skin in a shocking web of blue-white light. He gave a choked cry. His spine arched. His buttocks clenched tight. The tendons in his neck stood out like cords of steel. His hips surged again, powerfully, rising up to meet her downward slide. She felt the shock of it to her bones. "I will not share," she cried out fiercely, one final time as both of them shattered.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
Power surged through him, so fierce and scorching he thought his skin would melt, his guts would boil, and his head burst like a kernel of corn dropped into a fire. Pain and power, power and pain, he could no longer tell the difference. He only knew he wanted it, wanted to drink it in, soak it up, and claim it all.
Kerrelyn Sparks (How to Tame a Beast in Seven Days (The Embraced, #1))
We lived on 82nd Street and the Metropolitan Museum was my short cut to Central Park. I wrote: "I go into the museum and look at all the pictures on the walls. Instead of feeling my own insignificance I want to go straight home and paint." A great painting, or symphony, or play, doesn't diminish us, but enlarges us, and we, too, want to make our own cry of affirmation to the power of creation behind the universe. This surge of creativity has nothing to do with competition, or degree of talent. When I hear a superb pianist, I can't wait to get to my own piano, and I play about as well now as I did when I was ten. A great novel, rather than discouraging me, simply makes me want to write. This response on the part of any artist is the need to make incarnate the new awareness we have been granted through the genius of someone else.
Madeleine L'Engle (A Circle of Quiet (Crosswicks Journals, #1))
Power surged through him: unfettered power, unimaginable power. It coursed through him and gave life to his maddened cry, feeding it, making it unnecesssary even to breathe. Deeper and deeper his screm became, until it was the primal voice of the very land itself. It was raw, searing. It was the energy of making and undoing, and he had unleashed it.
Derek Donais (MetalMagic: Talisman)
There is a sacred calling on your life, and the question is: Will you spend your life flittering and fluttering about or take the time and really heed that call and create your own path to your highest good?...You cannot let other people define your life for you. You are the author of your own life...Real power is when you are doing exactly what you are supposed to be doing, the best it can be done. Authentic power. There's a surge, there's a kind of energy field that says, "I'm in my groove, I'm in my groove." And nobody has to tell you, "You go, girl," because you know you're already gone.
Oprah Winfrey
A myth, though, is not a lie. At its most profound—as Tolkien, that devout Catholic, always argued—a myth can be true. To be a Christian is to believe that God became man and suffered a death as terrible as any mortal has ever suffered. This is why the cross, that ancient implement of torture, remains what it has always been: the fitting symbol of the Christian revolution. It is the audacity of it—the audacity of finding in a twisted and defeated corpse the glory of the creator of the universe—that serves to explain, more surely than anything else, the sheer strangeness of Christianity, and of the civilization to which it gave birth. Today, the power of this strangeness remains as alive as it has ever been. It is manifest in the great surge of conversions that has swept Africa and Asia over the past century; in the conviction of millions upon millions that the breath of the Spirit, like a living fire, still blows upon the world; and, in Europe and North America, in the assumptions of many more millions who would never think to describe themselves as Christian. All are heirs to the same revolution: a revolution that has, at its molten heart, the image of a god dead on a cross.
Tom Holland (Dominion: How the Christian Revolution Remade the World)
The moment Rey reached her hut she had felt him near her, in the Force. The connection between them was so raw and powerful that it reminded her of touching a live wire in the wreckage of a starship. She had closed her eyes, opened them, and found Kylo Ren there--right next to her where she sat on the stone bench. As if she could actually reach out and touch his hand, his face, his hair. At the sight of him she'd felt relief surge through her.
Jason Fry (Star Wars: The Last Jedi (Star Wars Novelizations, #8))
We do not conquer life, no one can conquer what one cannot define, but at least it is there and it is ours to shape and to possess fully, with all the senses working, with all the powers of the heart surging, as we search for the answer to the greatest riddle of them all- death, the ultimate end, the enemy of all men, the final quietus to the noblest of emotions, the tenacity and ethereal creativity of faith.
F. Sionil José (My Brother, My Executioner (Rosales Saga, #3))
Perhaps, but this Awakening felt very different from those in the past. A peculiar sensation seemed to spread throughout his body, propelled by the very beating of his heart. Within his veins, lycan blood mixed with his own, merging in an unexpected alchemical reaction. He felt a change come over him, a fundamental transformation in his very nature. Power such as he had never known surged through his veins. His eyes snapped open, revealing a pair of jet-black orbs. Hybrid eyes.
Greg Cox
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
To reclaim our natural power and this birthright of real magic, we must get naked and face ourselves. The truth of Who You Really Are is vast. It is genius. It crackles with electricity and sensuality and other forbidden, dangerous things. You have longed for it all your life. You catch glimpses of it from the corner of your eye. A riff of music reminds you, a surge of ecstasy during sex brings you home, a crisp Autumn wind carries some long forgotten scent which thrills you for inexplicable reasons. A thousand tiny hints show up to seduce you awake and lead you back into your true nature, but they flee when you try to grasp them and leave you wondering if you were just imagining things. You weren’t though. This quality of richness and balance and home is Who You Really Are. That is the kingdom we seek and it waits for us to find it. It wants us to regain our rightful place.
Jacob Nordby
Instead of answering her, he moved over her in a powerful rush. He took her mouth roughly, devouring her lips as his tongue plunged inside, tangling with hers. Her body surged to life, arching up into his. She wrapped her arms around his neck as he gathered her tightly against him. Their bodies were as fused as their mouths. Between her legs, she could feel him so hard. Hot.
Maya Banks (Tempted (Pregnancy & Passion, #3))
... mass cascades of error-correcting bits surged in waves of electromagnetic radiation around the planet's surface. They blasted in vertical geysers 35.786 km upward into space and rained back down at 300 million meters per second. They coursed in bundles of parallel light through fiber conduits only to fan out in bursts of radio across the open air at the whim of tens of millions of grazing fingers coaxing electrons from hundreds of millions of spots on capacitive touch screens a few inches high.
Richard Powers (Bewilderment)
As mature adults, are we not called to a level of discrimination and consideration for the repercussions of our actions on others? Yes, the power of that surge of sexual energy cannot be underestimated—but knowing that every feeling, every impulse, does not need to be acted on … at what cost does a person follow that desire? At what cost to one’s own sense of self-worth and integrity, and at what cost to others?
Meryn G. Callander (After His Affair: Women Rising from the Ashes of Infidelity)
When you place your hand in moving water, you will feel the curves of power looping your bones, addressing your skin with logarithmic sways. Magnify that ten or twenty thousand times and you will be killed by the force. Then your body will know.... But pay attention in that moment and you will feel the intelligence of water upon you. It will tell stories of itself against your body in boils and surges and vacancies.
Craig Childs (The Secret Knowledge of Water)
Supposing We Really Found Him? It is always shocking to meet life where we thought we were alone. ‘Look out!’ we cry, ‘it’s alive’. And therefore this is the very point at which so many draw back—I would have done so myself if I could—and proceed no further with Christianity. An ‘impersonal God’—well and good. A subjective God of beauty, truth and goodness, inside our own heads—better still. A formless life-force surging through us, a vast power which we can tap—best of all. But God Himself, alive, pulling at the other end of the cord, perhaps approaching at an infinite speed, the hunter, king, husband—that is quite another matter. There comes a moment when the children who have been playing at burglars hush suddenly: was that a real footstep in the hall? There comes a moment when people who have been dabbling in religion (‘Man’s search for God!’) suddenly draw back. Supposing we really found Him? We never meant it to come to that! Worse still, supposing He had found us?
C.S. Lewis (A Year with C. S. Lewis: Daily Readings from His Classic Works)
I believe God wants to accomplish His work supernaturally on the face of the earth. He wants to take natural people and work supernaturally through them to bring about a mighty surge of His power, just the way He worked through Howard Carter. I challenge you to make yourself ready for Him to use you in this wonderful moment in which we live today.
Lester Sumrall (The Gifts and Ministries of the Holy Spirit)
He had never seen the ocean before; he knew it only as the featureless blue void between the detailed continents on his father’s old globe. But now he saw that it was anything but featureless; distant blue swells rising and falling, like great lungs tasked to power the surging and receding of the foamy waves washing across the shoreline beyond them.
Jack Croxall
In those moments of moving through the streets with people who share one's beliefs comes the rare and magical possibility of a kind of populist communion...At such times it is as though the still small pool of one's own identity has been overrun by a great flood, bringing its own grand collective desires and resentments, scouring out that pool so thoroughly that one no longer feels fear or sees the reflections of oneself but is carried along on that insurrectionary surge. These moments when individuals find others who share their dreams, when fear is overwhelmed by idealism or by outrage, when people feel a strength that surprises them, are moments in which they become heroes—for what are heroes but those so motivated by ideals that fear cannot sway them, those who speak for us, those who have power for good? A person who never feels it is condemned to cynicism and isolation. In those moments everyone becomes a visionary, everyone becomes a hero.
Rebecca Solnit (Wanderlust: A History of Walking)
I’ve always liked to drive alone at night. There is a sentimental brightness to things—it’s a good deal like being drunk. I always see the world perfectly then, see it in all its great pathetic clarity. I become invincible, beyond life and death. With the hum of wheels under me, I can love the human race, as I never can at any other time. I can think great cloudy thoughts, and tremble with the power of life surging in me. I resolve then to have a dozen children and live forever. It seems possible.
Shirley Ann Grau
And victory, joy, wild hope, and swelling certitude and tenderness surged through the conduits of our blood as we heard that drunken cry, and triumph, glory, proud belief were resting like a chrysm around us as we heard that cry, and turned our eyes then to the moon-drunk skies of Boston, knowing only that we were young, and drunk, and twenty, and that the power of mighty poetry was within us, and the glory of the great earth lay before us—because we were young and drunk and twenty, and could never die!
Thomas Wolfe (Of Time and The River)
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
The dead man's companions at the counter started to their feet, but halted as Voynod with great aplomb turned to face them. "Take care, you dunghill cocks! Notice the fate of your fellow! He died by the power of my magic blade, which is of inexorable metal and cuts rock and steel like butter. Behold!" And Voynod struck out at a pillar. The blade, striking an iron bracket, broke into a dozen pieces. Voynod stood non-plussed, but the bravo's companions surged forward. "What then of your magic blade? Our blades are ordinary steel but bite deep!" And in a moment Voynod was cut to bits. The bravos now turned upon Cugel. "What of you? Do you wish to share the fate of your comrade?" "By no means!" stated Cugel. "This man was but my servant, carrying my pouch. I am a magician; observe this tube! I will project blue concentrate at the first man to threaten me!" The bravos shrugged and turned away. Cugel secured Voynod's pouch, then gestured to the landlord. "Be so good as to remove these corpses; then bring a further mug of spiced wine.
Jack Vance (The Eyes of the Overworld (The Dying Earth, #2))
I have always been aware that human life is dream-like because most human beings exist passively. Their consciousness is little more than a reflection of their environment. In the sexual orgasm, the voltage power of their minds surges, and they become momentarily aware that they are not forty-watt bulbs, but two hundred and fifty, five hundred, a thousand... Then the voltage drops, and they sink back to forty watts without a protest. They are like empty-headed fools who cannot remember anything for more than a few seconds. Human beings are so mediocre that they can scarcely be said to possess minds in any real sense. In a flash, I understood the absurd and obvious truth: nothing is worth possessing except intensity of consciousness. This is the truth we glimpse in the orgasm.
Colin Wilson (The God of the Labyrinth)
There is … a sickness in these lands. Across Prythian. There has been for almost fifty years now. It is why this house and these lands are so empty: most have left. The blight spreads slowly, but it has made magic act … strangely. My own powers are diminished due to it. These masks”—he tapped on his—“are the result of a surge of it that occurred during a masquerade forty-nine years ago. Even now, we can’t remove them.
Sarah J. Maas
Do not confuse the 'subconscious' with the 'unconscious', whose attributes include courage as well as true knowledge. A great deal of confusion has resulted from the use of these two terms as synonymous. I am using the term 'subconscious' here to stand for material -desires, anxieties, fears, hopes - repressed by the conscious mind as it deals with the outer realities of life. 'Unconscious' means the absic energy of life, that area of being beyond the ego. The subconscious, despite its hidden qualities, is really an extension of the ego. In a sense, it embodies the ego's absolute domain, that realm where it makes no compromises with reality. Because it does not concern itself with consequences the subconscious will walk you in front of a truck to avoid an unpleasant conversation. The unconscious on the other hand, balances and supports us by joining us to the great surge of life beyond our individual selves. The Hanged Man in the Major Arcana gives us a powerful image of this vital connection.
Rachel Pollack (Seventy-Eight Degrees of Wisdom: A Book of Tarot)
As his hands fell upon the keyboard, it was still possible to believe a beautiful harmony had been formed at random, in spite of him. But a second later the music came surging out, the power of it sweeping away all doubts, voices, sounds, wiping away the fixed grins and exchanged glances, pushing back the walls, dispersing the light of the reception room out into the nocturnal immensity of the sky beyond the windows. He did not feel as if he were playing. He was advancing through a night, breathing in its delicate transparency, made up as it was of an infinite number of facets of ice, of leaves, of wind. He no longer felt any pain. No fear about what would happen. No anguish or remorse. The night through which he was advancing expressed this pain, this fear, and the irremediable shattering of the past, but this had all become music and now only existed through its beauty.
Andreï Makine (Music of a Life)
Fortune's Malice. Mad Fortune sweeps along in wanton pride, Uncertain as Euripus' surging tide; Now tramples mighty kings beneath her feet; Now sets the conquered in the victor's seat. She heedeth not the wail of hapless woe, But mocks the griefs that from her mischief flow. Such is her sport; so proveth she her power; And great the marvel, when in one brief hour She shows her darling lifted high in bliss, Then headlong plunged in misery's abyss.
Boethius (The Consolation of Philosophy)
To learn is as beautiful as to live. Do not be afraid to lose yourself in minds greater than your own! Do not sit brooding anxiously over your own individuality or shut yourself out from influences that draw you powerfully for fear that they may sweep you along and submerge your innermost pet peculiarities in their mighty surge! Never fear! The individuality that can be lost in the sifting and reshaping of a healthy development is only a flaw; it is a branch grown in the dark, which is distinctive only so long as it retains its sickly pallor. And it is by the sound growth in yourself that you must live. Only the sound can grow great.
Jens Peter Jacobsen (Niels Lyhne)
And the day we bargained about the betrothal, and you told me I had something you wanted very badly, what you wanted to do with me…was this?” “Among other things,” he agreed, tenderly brushing his knuckles over her flushed cheek. “If I had known all this,” she said with a rueful smile, “I’m certain I would have asked for additional concessions.” That startled him-the thought that she would have tried to drive a harder bargain if she’d realized exactly how much and what sort of power she really held. “What kind of additional concessions?” he asked, his face carefully expressionless. She put her cheek against his shoulder, her arms curving around him. “A shorter betrothal,” she whispered. “A shorter courtship, and a shorter ceremony.” A fresh surge of tenderness and profound pride swept through him at her sweetness and her candor, and he wrapped his arms tightly, protectively around her, smiling with joyous contentment. He had realized within minutes of meeting her that she was rare; he had known within hours that she was everything he wanted. Passionate and gentle, intelligent, sensitive, and witty. He loved all of her qualities, but he hadn’t discovered the one he particularly admired until much later, and that was her courage. He was so proud of the courage that had enabled he to repeatedly confront adversity and adversaries-even when the adversary was him.
Judith McNaught (Almost Heaven (Sequels, #3))
At first he had appreciated only the material quality of the sounds which those instruments secreted. And it had been a source of keen pleasure when, below the narrow ribbon the violin part, delicate, unyielding, substantial and governing the whole, he had suddenly perceived, where it was trying to surge upwards in a flowing tide of sound, the mass of the piano-part, multiform, coherent, level, and breaking everywhere in melody like the deep blue tumult of the sea, silvered and charmed into a minor key by the moonlight. But at a given moment, without being able to distinguish any clear outline, or to give a name to what was pleasing him, suddenly enraptured, he had tried to collect, to treasure in his memory the phrase or harmony—he knew not which—that had just been played, and had opened and expanded his soul, just as the fragrance of certain roses, wafted upon the moist air of evening, has the power of dilating our nostrils.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
So I am going to run away from Faerie. Like you.' That's not how I'd thought of myself, as a runaway. I was someone with nowhere to go. Waiting until I was older. Or less afraid. Or more powerful. 'The Prince of Elfhame can't up and disappear.' 'They'd probably be happier if I did,' he told me. 'I'm the reason my father is in exile. The reason my mother married him in the first place. My one sister and her girlfriend had to take care of me when I was little, even though they were barely more than kids themselves. My other sister almost got killed lots of times to keep me safe. Things will be easier without me around. They'll see that.' 'They won't,' I told him, trying to ignore the intense surge of envy that came with knowing he would be missed.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I want to apologize to you,” she says calmly. “Oh yeah? For what?” I don’t have time for this. We don’t have time for this. I push away thoughts of what will happen to Hana even if I manage to escape. She’ll be here, in the house . . . My stomach is clenching and unclenching. I’m worried the bread will come straight back up. I have to stay focused. What happens to Hana isn’t my concern, and it isn’t my fault, either. “For telling the regulators about 37 Brooks,” she says. “For telling them about you and Alex.” Just like that, my brain powers down. “What?" “I told them.” She lets out a tiny exhalation, as though saying the words has given her relief. “I’m sorry. I was jealous.” I can’t speak. I’m swimming through a fog. “Jealous?” I manage to spit out. “I—I wanted what you had with Alex. I was confused. I didn’t understand what I was doing.” She shakes her head again. I have a swinging, seasick feeling. It doesn’t make any sense. Hana—golden girl Hana, my best friend, fearless and reckless. I trusted her. I loved her. “You were my best friend.” “I know.” Again she looks troubled, as though trying to recall the meaning of the words. “You had everything.” I can’t stop my voice from rising. The anger is vibrating, ripping through me like a live current. “Perfect life. Perfect grades. Everything.” I gesture to the spotless kitchen, to the sunshine pouring over the marble counters like drizzled butter. “I had nothing. He was my one thing. My only—” The sickness surges up and I take a step forward, clenching my fists, blind with rage. “Why couldn’t you let me have it? Why did you have to take it? Why did you always take everything?
Lauren Oliver (Requiem (Delirium, #3))
We carry old secrets too painful to utter,                                 too shameful to acknowledge,                                 too burdensome to bear,     of failures we cannot undo,     of alienations we regret but cannot fix,     of grandiose exhibits we cannot curb. And you know them.     You know them all.     And so we take a deep sigh in your presence,        no longer needing to pretend and                       cover up and                       deny.   We mostly do not have big sins to confess,     only modest shames that do not         fit our hoped-for selves.   And then we find that your knowing is more     powerful than our secrets. You know and do not turn away,     and our secrets that seemed too powerful         are emptied of strength,     secrets that seemed too burdensome                  are now less severe.   We marvel that when you find us out         you stay with us,      taking us seriously,      taking our secrets soberly,          but not ultimately,     overpowering our little failure     with your massive love                and abiding patience.   We long to be fully, honestly         exposed to your gaze of gentleness.     In the moment of your knowing                we are eased and lightened,     and we feel the surge of joy move in our bodies,          because we are not ours in cringing                  but yours in communion.   We are yours and find the truth before you     makes us free for         wonder, love, and praise—and new life.
Walter Brueggemann (Prayers for a Privileged People)
It is a great wonder How Almighty God in his magnificence Favors our race with rank and scope And the gift of wisdom; His sway is wide. Sometimes He allows the mind of a man Of distinguished birth to follow its bent, Grants him fulfillment and felicity on earth And forts to command in his own country. He permits him to lord it in many lands Until the man in his unthinkingness Forgets that it will ever end for him. He indulges his desires; illness and old age Mean nothing to him; his mind is untroubled By envy or malice or thought of enemies With their hate-honed swords. The whole world Conforms to his will, he is kept from the worst Until an element of overweening Enters him and takes hold While the soul’s guard, its sentry, drowses, Grown too distracted. A killer stalks him, An archer who draws a deadly bow. And then the man is hit in the heart, The arrow flies beneath his defenses, The devious promptings of the demon start. His old possessions seem paltry to him now. He covets and resents; dishonors custom And bestows no gold; and because of good things That the Heavenly powers gave him in the past He ignores the shape of things to come. Then finally the end arrives When the body he was lent collapses and falls Prey to its death; ancestral possessions And the goods he hoarded and inherited by another Who lets them go with a liberal hand. “O flower of warriors, beware of that trap. Choose, dear Beowulf, the better part, Eternal rewards. Do not give way to pride. For a brief while your strength is in bloom But it fades quickly; and soon there will follow Illness or the sword to lay you low, Or a sudden fire or surge of water Or jabbing blade or javelin from the air Or repellent age. Your piercing eye Will dim and darken; and death will arrive, Dear warrior, to sweep you away.
Seamus Heaney
Then he started fucking, his hips pistoning in a relentless tempo, his long thick cock plunging and withdrawing from root to tip in rapid-fire thrusts. Supporting his weight entirely with his arms and the tips of his toes, he powered into me, his rigid penis nailing me straight into the mattress. I came so hard my vision went black, my body seized with pleasure so intense I was locked in it, suspended in the powerful waves of erotic sensation. I was inundated by the ferocious surge of my climax. My skin tingled from head to toe. Gideon paused on a downstroke, grinding into me, giving my body the steely length of his penis to grasp. My sex spasmed ecstatically around that delicious hardness, gripping him hungrily. “Fuck,” Gideon bit out, “you’re milking my dick so hard.” I shook violently, fighting to breathe. The moment I sagged into the mattress, replete, Gideon pulled his cock out of my trembling slit and left the bed. Bereft, I lifted a hand to him. “Where are you going?” “Hang on.” He shoved his boxer briefs all the way off. He was still hard, his cock rising high and proud, slick from my orgasm—but I wasn’t wet with his. “You didn’t come.” I was too languid to help when he stripped me of my underwear. Sliding a hand beneath my back, he lifted me and whipped my shirt over my head. His
Sylvia Day (One with You (Crossfire, #5))
Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.
Ted Dekker (Renegade (The Lost Books, #3))
Feed, Jacques. I offer my life freely to you as you have so many times done for me.” Mikhail slashed his wrist and held it out to his brother. The moment the richness spilled into his mouth, the taste and surge of power brought a rush of memories. Mikhail laughing, pushing Jacques from a tree branch playfully. Mikhail’s body crouched low, protectively, in front of his as a vampire with brown-stained teeth began to grow long, dagger-like nails. Mikhail holding Raven’s limp body, a river of blood, the earth and sky erupting all around them while Mikhail looked up at Jacques with the hopeless resolve to join his lifemate in her fate. Jacques’ eyes jumped to Mikhail’s face, examined every inch of it. This man was a leader, a dangerous, powerful predator who had skillfully steered their dying race through centuries of pitfalls. One whom such as Gregori chose to follow. Something stirred inside Jacques, the need to protect this man, to shield him. Mikhail. Mikhail’s head jerked up. He heard his name echo clearly in his head. The path had been there for one heartbeat, familiar and strong; then just as quickly it was lost.
Christine Feehan (Dark Desire (Dark, #2))
They had met one another, at first not very often, throughout the heady autumn of the first London air raids. Never had a season been more felt; one bought the poetic sense of it with the sense of death. Out of mists of morning charred by the smoke from ruins each day rose to a height of unmisty glitter; between the last of sunset and first note of the siren the darkening glassy tenseness of evening was drawn fine. From the moment of waking you tasted the sweet autumn not less because of an acridity on the tongue and nostrils; and as the singed dust settled and smoke diluted you felt more and more called upon to observe daytime as a pure and curious holiday from fear. All through London the ropings-off of dangerous tracts of streets made islands of exalted if stricken silence, and people crowded against the ropes to admire the sunny emptiness on the other side. The diversion of traffic out of blocked main thoroughfares into byways, the unstopping phatasmagoric streaming of lorries, buses, vans, drays, taxis past modest windows and quiet doorways set up an overpowering sense of London’s organic power – somewhere there was a source from which heavy motion boiled, surged and, not to be damned up, force itself into new channels.
Elizabeth Bowen (The Heat of the Day)
But the young Count insisted on the Beauty selecting a flower for him. He was waiting impatiently for her second present, the promised kiss — her first kiss. The Beauty looked at the flowers. Once again her face was darkened by a delicate shade of sadness. Suddenly, as if prompted by some strange will, she quickly stretched out a hand, so exquisite in its naked whiteness, and plucked a many-petaled flower. Her hand hesitated, and she bowed her head, and finally with an expression of shy indecision she approached the Count and placed the flower in a buttonhole of his cloak. The powerful and pungent scent wafted into the young Count's face, which grew pale as his head reeled in languid impotence. Indifference and tedium overcame him. He was scarcely aware of himself, he hardly noticed that the Beauty took him by the arm and led him into the house, away from the fragrances of the wondrous Garden. In one of the rooms of the house where all was bright, white and rosy, the Count came to himself. A youthful vitality returned to his face, his black eyes were aflame with passion once again, and he felt the joy of life and the surge of desire anew. But already the inescapable lay in wait for him. A white hand, bare, slender, lay on his neck; and the fragrant kiss of the Beauty was tender, sweet, long. The two blue lightnings of her eyes flashed close to his eyes and were masked with the subtle mystery of her long eyelashes. The sinister fires of some sweet pain swirled like a whirlwind about the heart of the young Count. He raised his arms to embrace the Beauty — but with a soft cry she stepped away and softly, quietly, ran away, leaving him alone. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
The fears of militarization Holbrooke had expressed in his final, desperate memos, had come to pass on a scale he could have never anticipated. President Trump had concentrated ever more power in the Pentagon, granting it nearly unilateral authority in areas of policy once orchestrated across multiple agencies, including the State Department. In Iraq and Syria, the White House quietly delegated more decisions on troop deployments to the military. In Yemen and Somalia, field commanders were given authority to launch raids without White House approval. In Afghanistan, Trump granted the secretary of defense, General James Mattis, sweeping authority to set troop levels. In public statements, the White House downplayed the move, saying the Pentagon still had to adhere to the broad strokes of policies set by the White House. But in practice, the fate of thousands of troops in a diplomatic tinderbox of a conflict had, for the first time in recent history, been placed solely in military hands. Diplomats were no longer losing the argument on Afghanistan: they weren’t in it. In early 2018, the military began publicly rolling out a new surge: in the following months, up to a thousand new troops would join the fourteen thousand already in place. Back home, the White House itself was crowded with military voices. A few months into the Trump administration, at least ten of twenty-five senior leadership positions on the president’s National Security Council were held by current or retired military officials. As the churn of firings and hirings continued, that number grew to include the White House chief of staff, a position given to former general John Kelly. At the same time, the White House ended the practice of “detailing” State Department officers to the National Security Council. There would now be fewer diplomatic voices in the policy process, by design.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
How are we going to bring about these transformations? Politics as usual—debate and argument, even voting—are no longer sufficient. Our system of representative democracy, created by a great revolution, must now itself become the target of revolutionary change. For too many years counting, vast numbers of people stopped going to the polls, either because they did not care what happened to the country or the world or because they did not believe that voting would make a difference on the profound and interconnected issues that really matter. Now, with a surge of new political interest having give rise to the Obama presidency, we need to inject new meaning into the concept of the “will of the people.” The will of too many Americans has been to pursue private happiness and take as little responsibility as possible for governing our country. As a result, we have left the job of governing to our elected representatives, even though we know that they serve corporate interests and therefore make decisions that threaten our biosphere and widen the gulf between the rich and poor both in our country and throughout the world. In other words, even though it is readily apparent that our lifestyle choices and the decisions of our representatives are increasing social injustice and endangering our planet, too many of us have wanted to continue going our merry and not-so-merry ways, periodically voting politicians in and out of office but leaving the responsibility for policy decisions to them. Our will has been to act like consumers, not like responsible citizens. Historians may one day look back at the 2000 election, marked by the Supreme Court’s decision to award the presidency to George W. Bush, as a decisive turning point in the death of representative democracy in the United States. National Public Radio analyst Daniel Schorr called it “a junta.” Jack Lessenberry, columnist for the MetroTimes in Detroit, called it “a right-wing judicial coup.” Although more restrained, the language of dissenting justices Breyer, Ginsberg, Souter, and Stevens was equally clear. They said that there was no legal or moral justification for deciding the presidency in this way.3 That’s why Al Gore didn’t speak for me in his concession speech. You don’t just “strongly disagree” with a right-wing coup or a junta. You expose it as illegal, immoral, and illegitimate, and you start building a movement to challenge and change the system that created it. The crisis brought on by the fraud of 2000 and aggravated by the Bush administration’s constant and callous disregard for the Constitution exposed so many defects that we now have an unprecedented opportunity not only to improve voting procedures but to turn U.S. democracy into “government of the people, by the people, and for the people” instead of government of, by, and for corporate power.
Grace Lee Boggs (The Next American Revolution: Sustainable Activism for the Twenty-First Century)
To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapable into itself. From the earth, from the air, sustaining forces pour into us—mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him for ten seconds to live, to run, ten seconds of life; receives him again and often for ever. Earth!—Earth!—Earth! Earth with thy folds, and hollows, and holes, into which a man may fling himself and crouch down. In the spasm of terror, under the hailing of annihilation, in the bellowing death of the explosions, O Earth, thou grantest us the great resisting surge of new-won life. Our being, almost utterly carried away by the fury of the storm, streams back through our hands from thee, and we, thy redeemed ones, bury ourselves in thee, and through the long minutes in a mute agony of hope bite into thee with our lips! At the sound of the first droning of the shells we rush back, in one part of our being, a thousand years. By the animal instinct that is awakened in us we are led and protected. It is not conscious; it is far quicker, much more sure, less fallible, than consciousness. One cannot explain it. A man is walking along without thought or heed;—suddenly he throws himself down on the ground and a storm of fragments flies harmlessly over him;—yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowing how. If it were not so, there would not be one man alive from Flanders to the Vosges. We march up, moody or good-tempered soldiers—we reach the zone where the front begins and become on the instant human animals. An
Erich Maria Remarque (All Quiet on the Western Front)
Erin. “No matter what else has happened, you’re water and your element is welcome in our circle, but we don’t need any negative energy here—this is too important.” I nodded to the spiders. Erin’s gaze followed mine and she gasped. “What the hell is that?” I opened my mouth to evade her question, but my gut stopped me. I met Erin’s blue eyes. “I think it’s what’s left of Neferet. I know it’s evil and it doesn’t belong at our school. Will you help us kick it out?” “Spiders are disgusting,” she began, but her voice faltered as she glanced at Shaunee. She lifted her chin and cleared her throat. “Disgusting things should go.” Resolutely, she walked to Shaunee and paused. “This is my school, too.” I thought Erin’s voice sounded weird and kinda raspy. I hoped that meant that her emotions were unfreezing and that, maybe, she was coming back around to being the kid we used to know. Shaunee held out her hand. Erin took it. “I’m glad you’re here,” I heard Shaunee whisper. Erin said nothing. “Be discreet,” I told her. Erin nodded tightly. “Water, come to me.” I could smell the sea and spring rains. “Make them wet,” she continued. Water beaded the cages and a puddle began to form under them. A fist-sized clump of spiders lost their hold on the metal and splashed into the waiting wetness. “Stevie Rae.” I held my hand out to her. She took mine, then Erin’s, completing the circle. “Earth, come to me,” she said. The scents and sounds of a meadow surrounded us. “Don’t let this pollute our campus.” Ever so slightly, the earth beneath us trembled. More spiders tumbled from the cages and fell into the pooling water, making it churn. Finally, it was my turn. “Spirit, come to me. Support the elements in expelling this Darkness that does not belong at our school.” There was a whooshing sound and all of the spiders dropped from the cages, falling into the waiting pool of water. The water quivered and began to change form, elongating—expanding. I focused, feeling the indwelling of spirit, the element for which I had the greatest affinity, and in my mind I pictured the pool of spiders being thrown out of our campus, like someone had emptied a pot of disgusting toilet water. Keeping that image in mind, I commanded: “Now get out!” “Out!” Damien echoed. “Go!” Shaunee said. “Leave!” Erin said. “Bye-bye now!” Stevie Rae said. Then, just like in my imagination, the pool of spiders lifted up, like they were going to be hurled from the earth. But in the space of a single breath the dark image reformed again into a familiar silhouette—curvaceous, beautiful, deadly. Neferet! Her features weren’t fully formed, but I recognized her and the malicious energy she radiated. “No!” I shouted. “Spirit! Strengthen each of the elements with the power of our love and loyalty! Air! Fire! Water! Earth! I call on thee, so mote it be!” There was a terrible shriek, and the Neferet apparition rushed forward. It surged from our circle, breaking over Erin
P.C. Cast (Revealed (House of Night #11))
Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.
Lord Byron