Till We Meet Again Quotes

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For Sayonara, literally translated, 'Since it must be so,' of all the good-bys I have heard is the most beautiful. Unlike the Auf Wiedershens and Au revoirs, it does not try to cheat itself by any bravado 'Till we meet again,' any sedative to postpone the pain of separation. It does not evade the issue like the sturdy blinking Farewell. Farewell is a father's good-by. It is - 'Go out in the world and do well, my son.' It is encouragement and admonition. It is hope and faith. But it passes over the significance of the moment; of parting it says nothing. It hides its emotion. It says too little. While Good-by ('God be with you') and Adios say too much. They try to bridge the distance, almost to deny it. Good-by is a prayer, a ringing cry. 'You must not go - I cannot bear to have you go! But you shall not go alone, unwatched. God will be with you. God's hand will over you' and even - underneath, hidden, but it is there, incorrigible - 'I will be with you; I will watch you - always.' It is a mother's good-by. But Sayonara says neither too much nor too little. It is a simple acceptance of fact. All understanding of life lies in its limits. All emotion, smoldering, is banked up behind it. But it says nothing. It is really the unspoken good-by, the pressure of a hand, 'Sayonara.
Anne Morrow Lindbergh (North to the Orient)
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
Alan Moore (V for Vendetta)
Guys maybe flirting all day, but before they go to sleep, they always think about the girl they truly care about... - Till We Meet Again
Yoana Dianika
Baby, if you love someone, let it go. If it comes back to you, its yours forever. If it doesn't, then it was never meant to be yours. - Till We Meet Again
Yoana Dianika
...karena mereka seperti sawah yang membutuhkan air pada musim kemarau, seperti bunga yang membutuhkan matahari untuk tumbuh, dan seperti cinta yang memebutuhkan tambatan hati untuk berlabuh. -Till We Meet Again
Yoana Dianika
Everything we do is right, even when it's wrong. There's always a lesson to be learned.
Yoana Dianika (Till We Meet Again)
Cinta tumbuh karena berawal dari rasa tertarik. Ada kalanya cinta tumbuh karena rasa penasaran. Yang lebih parah, ada rasa cinta yang tumbuh karena rasa benci. Namun, ada kalanya cinta tumbuh karena rasa malu ... -Till We Meet Again
Yoana Dianika
till we meet again.
Julie A. Richman (Searching For Moore (Needing Moore, #1))
Everything we do is right, even when it's wrong. There's always a lesson to be learned. From being weak to being strong
Yoana Dianika (Till We Meet Again)
Jadi, orang pertama yang mencicipi kaiserschmarrn buatanku ini adalah orang pertama yang menerima cintaku. -Till We Meet Again
Yoana Dianika
If you love someone, let it go. If it comes back to you, its yours forever. If it doesn't, then it was never meant to be yours.
Yoana Dianika (Till We Meet Again)
Don't ever lose your heart to someone who doesn't deserve it.
Yoana Dianika (Till We Meet Again)
Stop being afraid of what could go wrong and think of what could go right.
Yoana Dianika (Till We Meet Again)
Wait till the honeying of the lune, love! Die eve, little eve, die! We see that wonder in your eye. We'll meet again, we'll part once more. The spot I'll seek if the hour you'll find. My chart shines high where the blue milk's upset.
James Joyce (Finnegans Wake)
A guy can like you for a minute, and then forget you afterwards.....
Yoana Dianika (Till We Meet Again)
Guys may be flirting all day. But before they go to sleep, they always think about the girl they truly care about...
Yoana Dianika (Till We Meet Again)
The sun on your path till we meet again
Kathleen Herbert
Thou knowest all; I seek in vain What lands to till or sow with seed - The land is black with briar and weed, Nor cares for falling tears or rain. Thou knowest all; I sit and wait With blinded eyes and hands that fail, Till the last lifting of the veil And the first opening of the gate. Thou knowest all; I cannot see. I trust I shall not live in vain, I know that we shall meet again In some divine eternity.
Oscar Wilde
Till We Meet Again.
Betty Smith (A Tree Grows in Brooklyn)
Happy trails to you, until we meet again. Happy trails to you, keep smilin’ until then. Who cares about the clouds when we’re together? Just sing a song and bring the sunny weather. Happy trails to you, ‘till we meet again. Some trails are happy ones, Others are blue. It’s the way you ride the trail that counts, Here’s a happy one for you. Happy trails to you, until we meet again. Happy trails to you, keep smilin’ until then.
Roy Rogers
At first are moving tombs on the surface of the surface of the earth; then we become static tombs in the brims of the cemetary soil; waiting to become eternal people in fellowship for God. I know there is another fellowship in heaven!
Israelmore Ayivor
This is Lilly Heaven saying good night, and to all a very good night. Good night everybody. Here's wishing you pleasant dreams. Sleep tight. From all of us to all of you, a warm good night. And now we must, I'm afraid, say "good night." Good night, ladies and gentlemen, and good night. Thanks a lot and God bless you. This is Lilly signing off and wishing all of you out there from all of us in here the very best possible good night. I can only hope that you enjoyed watching us as much as we enjoyed being here. Good night. Pleasant dreams. Sleep tight. It's been wonderful being with you, and I hope you'll invite us into your living room again tomorrow night. From the actors and myself, from the staff here, I want to wish you all the best possible night and day before we meet again. It's been wonderful being with you. It's been truly grand. I only wish we could go on but I'm afraid our time is up, and so this is your Lily saying good night to you. Pleasant dreams. Good night all. Good night to you all. Good night to all of you. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. To all of you out there from all of us here good night. And pleasant dreams till we meet again. Good night to you all. Good night. Good night. Good night. Good night.
Jean-Claude van Itallie (War and Four Other Plays - Acting Edition)
We may not even meet again, Francis, till the map of Europe has been rewritten with the blood of many of our friends and millions of our country-people.
E. Phillips Oppenheim (The Double Traitor)
Bared your face in the starlight, curious the scene, cool blew the moderate night-wind, Long there and then in vigil I stood, dimly around me the battlefield spreading, Vigil wondrous and vigil sweet there in the fragrant silent night, But not a tear fell, not even a long-drawn sigh, long, long I gazed, Then on the earth partially reclining sat by your side leaning my chin in my hands, Passing sweet hours, immortal and mystic hours with you dearest comrade—not a tear, not a word, Vigil of silence, love and death, vigil for you my son and my soldier, As onward silently stars aloft, eastward new ones upward stole, Vigil final for you brave boy, (I could not save you, swift was your death, I faithfully loved you and cared for you living, I think we shall surely meet again,) Till at latest lingering of the night, indeed just as the dawn appear’d,
Walt Whitman (Civil War Poetry and Prose)
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
Alexander Pushkin (Eugene Onegin)
Timeless Days without rhythm Without bottom or top In the arms of my lover Time seems to stop. Days become months Which flow into years Love’s hourglass measures Just two kinds of tears. The first kind is cheery, It sweetens the cheek; The other burns bleary It’s black and it’s bleak. This Sunday or Friday, I’m not quite sure when, I’m going to turn thirty, Or twenty, or ten? It’ll be my love’s birthday Or was it just mine? I doesn’t much matter There’s plenty of wine. Should she go to heaven, I dread to know when, I’ll count every second Till we meet again.
Beryl Dov
As we advance in the spiritual life and in the practice of systematic self-examination we are often surprised by the discovery of vast unknown tracts of the inner life of the soul. They seem like great plains stretching out in mystery and wrapt in mists that sometimes for a moment lift, or sweep off and leave one looking for one brief instant upon great reaches of one’s own life, unknown, unmeasured, unexplored. Men stand at such moments breathless in wonder and in awe gazing upon these great tracts upon which they have never looked before, with kindling eyes and beating hearts; and while they look the mists steal back till all is lost to sight once more and they are left wondering if what they saw was reality, or the creation of their fancy. Or sometimes they see, not far-stretching plains which fill the soul with an awestruck sense of its expansiveness and of how much has been left absolutely uncultivated, not these plains but mountain peaks climbing and reaching upwards till lost in the heavens, echoing it may be with the voice of many streams whose waters fertilize and enrich those small tracts of the soul’s life which have been reclaimed and cultivated and which many a man has thought to be his whole inner self, though he never asked himself whence those rich streams had their source. Now he sees how their source lay in unmeasured heights of his own inner being whose existence he never dreamed of before. In one brief instant they have unveiled themselves. He looks again, and they are shut out from his eyes, there is no token visible that he possesses such reaches, such heights of life. The commonplaces of his existence gather in and crowd upon him, the ordinary routine of life settles down upon him, limiting and confining him on all sides, the same unbroken line measures his horizon, such as he has always known it, the same round of interests and occupations crowd in upon his hours and fill them, the pressure of the hard facts of life upon him are as unmistakable and as leveling as ever, bidding him forget his dreams and meet and obey the requirements of the world in which he lives. And yet the man who has caught but a momentary glimpse of that vast unknown inner life can never be the same as he was before; he must be better or worse, trying to explore and possess and cultivate that unknown world within him, or trying—oh, would that he could succeed!—to forget it. He has seen that alongside of, or far out beyond the reach of, the commonplace life of routine, another life stretches away whither he knows not, he feels that he has greater capacities for good or evil than he ever imagined. He has, in a word, awakened with tremulous awe to the discovery that his life which he has hitherto believed limited and confined to what he knew, reaches infinitely beyond his knowledge and is far greater than he ever dreamed.
Basil W. Maturin (Self-Knowledge and Self-Discipline)
Dear father, It's been five years today, but makes no difference! Not a day goes by without me remembering your pure green eyes, the tone of your voice singing In Adighabza, or your poems scattered all around the house. Dear father, from you I have learned that being a girl doesn't mean that I can't achieve my dreams, no matter how crazy or un-urban they might seem. That you raised me with the utmost of ethics and morals and the hell with this cocooned society, if it doesn't respect the right to ask and learn and be, just because I'm a girl. Dear father, from you I have learned to respect all mankind, and just because you descend from a certain blood or ethnicity, it doesn't make you better than anybody else. It's you, and only you, your actions, your thoughts, your achievements, are what differentiates you from everybody else. At the same time, thank you for teaching me to respect and value where I came from, for actually taking me to my hometown Goboqay, for teaching me about my family tree, how my ancestors worked hard and fought for me to be where I am right now, and to continue on with the legacy and make them all proud. Dear father, from you and mom, I have learned to speak in my mother tongue. A gift so precious, that I have already made a promise to do the same for my unborn children. Dear father, from you I have learned to be content, to fear Allah, to be thankful for all that I have, and no matter what, never loose faith, as it's the only path to solace. Dear father, from you I have learned that if a person wants to love you, then let them, and if they hurt you, be strong and stand your ground. People will respect you only if you respect yourself. Dear father, I'm pretty sure that you are proud of me, my sisters and our dear dear Mom. You have a beautiful grand daughter now and a son in-law better than any brother I would have ever asked for. Till we meet again, Shu wasltha'3u. الله يرحمك يا غالي. (الفاتحة) على روحك الطاهرة.
Larissa Qat
My dear Viscount, you certainly deceive yourself in the sentiment that attaches you to M. de Tourvel. It is love, or such a passion never had existence. You deny it in a hundred shapes; but you prove it in a thousand. What means, for example, the subterfuge you use against yourself, for I believe you sincere with me, that makes you relate so circumstantially the desire you can neither conceal nor combat, of keeping this woman? Would not one imagine, you never had made any other happy, perfectly happy? [...] It is no longer the adorable, the celestial Madame de Tourvel, but an astonishing woman, a delicate sentimental woman, even to the exclusion of all others; a wonderful woman, such as a second could not be found. The same way with your unknown charm, which is not the strongest. Well; be it so: but since you never found it out till then, it is much to be apprehended you will never meet it again; the loss would be irreparable. Those, Viscount, are sure symptoms of love, or we must renounce the hope of ever finding it.
Pierre Choderlos de Laclos (Les Liaisons dangereuses)
There was a fancy came, When somewhere, in the journey with my friend, We stepped into a hovel to get food; And there began a yelp here, a bark there,— Misunderstanding creatures that were wroth And vexed themselves and us till we retired. The hovel is life: no matter what dogs bit Or cats scratched in the hovel I break from, All outside is lone field, moon and such peace— Flowing in, filling up as with a sea Whereon comes Someone, walks fast on the white, Jesus Christ's self, Don Celestine declares, To meet me and calm all things back again.
Robert Browning (The Ring and the Book)
I have put you on a horse—that same horse—and watched you ride away from me before. I thought I should never get over it that first time. I think I followed you for that; not for any noble desire to help you save Damar; only to pick up whatever pieces Agsded might have left of you.… I know I shall never get over it this time. If you do it, someday, a third time, it will probably kill me.” Aerin tried to smile, but Luthe stopped her with a kiss. “Go now. A quick death is the best, I believe.” “You can’t scare me,” Aerin said, almost succeeding in keeping her voice level. “You told me long ago that you aren’t mortal.” “I never said I can’t be killed,” replied Luthe. “If you wish to chop logic with me, my dearest love, you must make sure of your premises.” “I shall practice them—while—I shall practice, that I may dazzle you when next we meet.” There was a little silence, and Luthe said, “You need not try to dazzle me.” “I must go,” Aerin said hopelessly, and flung herself at Talat just as she had done once before. “I will see you again.” Luthe nodded. She almost could not say the words: “But it will be a long time—long and long.” Luthe nodded again. “But we shall meet.” Luthe nodded a third time. “Gods of all the worlds, say something,” she cried, and Talat startled beneath her. “I love you,” said Luthe. “I will love you till the stars crumble, which is a less idle threat than is usual to lovers on parting. Go quickly, for truly I cannot bear this.” She closed her legs violently around the nervous Talat, and he leaped into a gallop. Long after Aerin was out of sight, Luthe lay full length upon the ground, and pressed his ear to it, and listened to Talat’s hoofbeats carrying Aerin farther and farther away.
Robin McKinley (The Hero and the Crown (Damar, #2))
O May I join the choir invisible Of those immortal dead who live again In minds made better by their presence: live In pulses stirr’d to generosity, In deeds of daring rectitude, in scorn For miserable aims that end with self, In thoughts sublime that pierce the night like stars, And with their mild persistence urge man’s search To vaster issues. So to live is heaven: To make undying music in the world, Breathing as beauteous order that controls With growing sway the growing life of man. So we inherit that sweet purity For which we struggled, fail’d, and agoniz’d With widening retrospect that bred despair. Rebellious flesh that would not be subdued, A vicious parent shaming still its child, Poor anxious penitence, is quick dissolv’d; Its discords, quench’d by meeting harmonies, Die in the large and charitable air. And all our rarer, better, truer self, That sobb’d religiously in yearning song, That watch’d to ease the burthen of the world, Laboriously tracing what must be, And what may yet be better,—saw within A worthier image for the sanctuary, And shap’d it forth before the multitude, Divinely human, raising worship so To higher reverence more mix’d with love,— That better self shall live till human Time Shall fold its eyelids, and the human sky Be gather’d like a scroll within the tomb Unread forever. This is life to come, Which martyr’d men have made more glorious For us who strive to follow. May I reach That purest heaven, be to other souls The cup of strength in some great agony, Enkindle generous ardor, feed pure love, Beget the smiles that have no cruelty, Be the sweet presence of a good diffus’d, And in diffusion ever more intense! So shall I join the choir invisible Whose music is the gladness of the world.
George Eliot
CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.
W.B. Yeats
Us, you mean.” I did not reply. “Let’s see, then—” And before I knew it, he sidled up to me. We were too close, I thought, I’d never been so close to him except in a dream or when he cupped his hand to light my cigarette. If he brought his ear any closer he’d hear my heart. I’d seen it written in novels but never believed it until now. He stared me right in the face, as though he liked my face and wished to study it and to linger on it, then he touched my nether lip with his finger and let it travel left and right and right and left again and again as I lay there, watching him smile in a way that made me fear anything might happen now and there’d be no turning back, that this was his way of asking, and here was my chance to say no or to say something and play for time, so that I might still debate the matter with myself, now that it had reached this point except that I didn’t have any time left, because he brought his lips to my mouth, a warm, conciliatory, I’ll-meet-you-halfway but-no-further kiss till he realized how famished mine was. I wished I knew how to calibrate my kiss the way he did. But passion allows us to hide more, and at that moment on Monet’s berm, if I wished to hide everything about me in this kiss, I was also desperate to forget the kiss by losing myself in it.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
One day Marlboro Man invited my sister, Betsy, and me to the ranch to work cattle. She was home from college and bored, and Marlboro Man wanted Tim to meet another member of my family. “Working cattle” is the term used to describe the process of pushing cattle, one by one, through a working chute, during which time they are branded, dehorned, ear tagged, and “doctored” (temperature taken, injections given). The idea is to get all the trauma and mess over with in one fell swoop so the animals can spend their days grazing peacefully in the pasture. When Betsy and I pulled up and parked, Tim greeted us at the chute and immediately assigned us our duties. He handed my sister a hot shot, which is used to gently zap the animal’s behind to get it to move through the chute. It’s considered the easy job. “You’ll be pushing ’em through,” Tim told Betsy. She dutifully took the hot shot, studying the oddly shaped object in her hands. Next, Tim handed me an eight-inch-long, thick-gauge probe with some kind of electronic device attached. “You’ll be taking their temperature,” Tim informed me. Easy enough, I thought. But how does this thing fit into its ear? Or does it slide under its arm somehow? Perhaps I insert it under the tongue? Will the cows be okay with this? Tim showed me to my location--at the hind end of the chute. “You just wait till the steer gets locked in the chute,” Tim directed. “Then you push the stick all the way in and wait till I tell you to take it out.” Come again? The bottom fell out of my stomach as my sister shot me a worried look, and I suddenly wished I’d eaten something before we came. I felt weak. I didn’t dare question the brother of the man who made my heart go pitter-pat, but…in the bottom? Up the bottom? Seriously? Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
III. But we must close with a third remark. Christ really underwent yet a third trial. He was not only tried before the ecclesiastical and civil tribunals, but, he was really tried before the great democratical tribunal, that is, the assembly of the people in the street. You will say, "How?" Well, the trial was somewhat singular, but yet it was really a trial. Barabbas—a thief, a felon, a murderer, a traitor, had been captured; he was probably one of a band of murderers who were accustomed to come up to Jerusalem at the time of the feast, carrying daggers under their cloaks to stab persons in the crowd, and rob them, and then he would be gone again; besides that, he had tried to stir up sedition, setting himself up possibly as a leader of banditti. Christ was put into competition with this villain; the two were presented before the popular eye, and to the shame of manhood, to the disgrace of Adam's race, let it be remembered that the perfect, loving, tender, sympathizing, disinterested Savior was met with the word, "Crucify him!" and Barabbas, the thief, was preferred. "Well," says one, "that was atrocious." The same thing is put before you this morning—the very same thing; and every unregenerate man will make the same choice that the Jews did, and only men renewed by grace will act upon the contrary principle. I say, friend, this day I put before you Christ Jesus, or your sins. The reason why many come not to Christ is because they cannot give up their lusts, their pleasures, their profits. Sin is Barabbas; sin is a thief; it will rob your soul of its life; it will rob God of his glory. Sin is a murderer; it stabbed our father Adam; it slew our purity. Sin is a traitor; it rebels against the king of heaven and earth. If you prefer sin to Christ, Christ has stood at your tribunal, and you have given in your verdict that sin is better than Christ. Where is that man? He comes here every Sunday; and yet he is a drunkard? Where is he? You prefer that reeling demon Bacchus to Christ. Where is that man? He comes here. Yes; and where are his midnight haunts? The harlot and the prostitute can tell! You have preferred your own foul, filthy lust to Christ. I know some here that have their consciences open pricked, and yet there is no change in them. You prefer Sunday trading to Christ; you prefer cheating to Christ; you prefer the theater to Christ; you prefer the harlot to Christ; you prefer the devil himself to Christ, for he it is that is the father and author of these things. "No," says one, "I don't, I don't." Then I do again put this question, and I put it very pointedly to you—"If you do not prefer your sins to Christ, how is it that you are not a Christian?" I believe this is the main stumbling-stone, that "Men love darkness rather than light, because their deeds are evil." We come not to Christ because of the viciousness of our nature, and depravity of our heart; and this is the depravity of your heart, that you prefer darkness to light, put bitter for sweet, and choose evil as your good. Well, I think I hear one saying, "Oh! I would be on Jesus Christ's side, but I did not look at it in that light; I thought the question was. "Would he be on my side? I am such a poor guilty sinner that I would fain stand anywhere, if Jesu's blood would wash me." Sinner! sinner! if thou talkest like that, then I will meet thee right joyously. Never was a man one with Christ till Christ was one with him. If you feel that you can now stand with Christ, and say, "Yes, despised and rejected, he is nevertheless my God, my Savior, my king. Will he accept me? Why, soul, he has accepted you; he has renewed you, or else you would not talk so. You speak like a saved man. You may not have the comfort of salvation, but surely there is a work of grace in your heart, God's divine election has fallen upon you, and Christ's precious redemption has been made for you, or else you would not talk so. You cannot be willing to come to Christ, and y
Anonymous
Can you come up the back way?” Miranda asked. Etienne had dropped the others off. Now he and Miranda sat in his truck, parked in the driveway of Hayes House. The stress of the evening had eased since they’d left The Tavern, and she leaned back with her eyes closed while Etienne stared silently out the fogged-up windshield. “Can you?” she asked again. She still hadn’t told him about the attic, about Nathan’s unexpected appearance, or about the connection she’d sensed between Nathan and Hayes House. Several times during dinner, she’d wanted to bring it up, but with so many other things to talk over, she’d decided to put it on hold till a later time. And now’s that time. “Etienne?” “We gotta stop meeting like this,” he said, poker-faced. “The neighbors, they’re starting to talk.” “You’re the one who started it.” “What, you don’t want me to meet your mama?” “It’s not that--” “I promise she’ll like me. Your aunt Teeta, she likes me.” “My aunt Teeta loves you. She thinks you’re wonderful.” “See. What’d I tell you?” “She also thinks Gage is adorable.” “What can I say? Gage is adorable.” Miranda had to laugh. “Look, if we go in the front, they’ll both want to fuss over you, and we won’t have any privacy, and I can’t mention ghosts and weird things in front of them.” “You know, cher, I’ve had a lotta girls talk me into their bedrooms, but this is the first time I’ve heard that excuse.” “This is not that kind of invitation. Understand?” Etienne gave her a solemn stare. He let out a long-suffering sigh. “Okay. Since you twisted my arm--I’ll come up the back.” Miranda thought maybe this time he might actually smile. But like all the times before, only a fleeting hint of amusement touched his lips. “Fifteen minutes,” she said, climbing out. “At least. I gotta park my truck somewhere else. And walk all the way back. And sneak all the way in. Secret rendezvous, you know…they take time.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
suggest he sold the house and moved somewhere smaller. But as she felt unable
Lesley Pearse (Till We Meet Again)
I tell Ceri, this is most likely when I developed an utter love of literature. The Adventures of Tom Sayer. David Copperfield. The Little Prince. Then Cervantes. Balzac. Nabokov. Capote. Some of Miller – but my folks found out and said I was too young for that. I tell Ceri, most likely this is when I developed my inner fears. But that would be an oversimplification. Some-times he used to come around when my mum wasn't there, and Dad was always tired and angry cause he couldn't find a job. And when they had done drinking and Dad was resting, sometimes he would come to my room and we'd read together. He would pull me out of my bed, put me on his knees and hold me tight and read Verne or Rimbaud or Carroll. In candlelight, we would read Dickens and Doyle. Salinger as well. I tell Ceri, this is most likely when my brain started to repress memories and wounds. Then one day they had an argument, Mum was crying a lot that day and at one point came to my room and hugged me till night. We moved out of there shortly after, we moved to a smaller house and I never saw him again. The first time I meet her, I tell Ceri this is just another story now. No need to worry about anything, really. I tell her, I don't even read Rimbaud or Cervantes anymore, you know.
Gian Andrea (Connections)
I bent and kissed her hand, then held onto it. "The best fate," I said, "is for you to get well. Become healthy! You're the best ruler Mercia has ever had, so be well and go on ruling." "I shall do my best." Then I shocked the two nuns by bending further and kissing Ethelflaed on the mouth. She did not resist. We had been lovers, I still loved her, and I love her to this day. I sensed a slight sob as we kissed. "I shall come again," I promised her, "after I've taken Bebbanburg." "Not Frisia?" she asked mischievously. So the rumor was spreading. I lowered my voice. "I'm going to Bebbanburg next. Tell no one." "Dear Lord Uhtred," she said softly, "everyone knows you're going to Bebbanburg. Perhaps I'll visit you there?" "You must, my lady, you must. You will be treated like the queen you are." I kissed her hand again. "Till we meet in the north, my lady," I said, then reluctantly released her fingers and followed Rorik out of the tent. I never saw her again.
Bernard Cornwell (The Flame Bearer (The Saxon Stories, #10))
It may have been only for a moment, it probably was; but I do know the silence was not broken till the aged minister, who stood at the head of the coffin, began his discourse. We stood with uncovered heads during the service, and when the old minister addressed us he spoke as though he might have been holding family worship and we had been his children. He invoked Heaven to comfort and sustain the mother when the news of her son's death reached her, as she would need more than human aid in that hour; he prayed that her faith might not falter and that she might again meet and be with her loved ones forever in the great beyond. He then took up the subject of life,—spoke of its brevity, its many hopes that are never realized, and the disappointments from which no prudence or foresight can shield us. He dwelt at some length on the strange mingling of sunshine and shadow that seemed to belong to every life; on the mystery everywhere, and nowhere more impressively than in ourselves. With his long bony finger he pointed to the cold, mute form that lay in the coffin before us, and said, "But this, my friends, is the mystery of all mysteries." The fact that life terminated in death, he said, only emphasized its reality; that the death of our companion was not an accident, though it was sudden and unexpected; that the difficulties of life are such that it would be worse than folly in us to try to meet them in our own strength. Death, he said, might change, but it did not destroy; that the soul still lived and would live forever; that death was simply the gateway out of time into eternity; and if we were to realize the high aim of our being, we could do so by casting our burdens on Him who was able and willing to carry them for us. He spoke feelingly of the Great Teacher, the lowly Nazarene, who also suffered and died, and he concluded with an eloquent description of the blessed life, the immortality of the soul, and the resurrection of the body. After the discourse was ended and a brief and earnest prayer was covered, the two young girls sang the hymn, "Shall we meet beyond the river?" The services being at an end, the coffin was lowered into the grave.
Andy Adams (10 Masterpieces of Western Stories)
His eyes were above hers, and she saw that the golden-hazel irises were rimmed with black. “Miss Hathaway … you’re quite certain fate had no hand in our meeting tonight?” She couldn’t seem to breathe properly. “Qu-quite certain.” His head bent low. “And in all likelihood we’ll never meet again?” “Never.” He was too large, too close. Nervously Amelia tried to marshal her thoughts, but they scattered like spilled matchsticks … and then he set fire to them as his breath touched her cheek. “I hope you’re right. God help me if I should ever have to face the consequences.” “Of what?” Her voice was faint. “This.” His hand slid to the back of her neck and his mouth covered hers.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I frequently forward the message that our spirit people are quite all right where they are. They respond with eagerness when a guest recognizes them, and are happy to spend some time conversing back and forth, through me. Yet they also seem to know that this kind of communication is only temporary, so most are quick to point out before they leave that they will meet their physical friends one day in the future. A forty-ish woman came for an appointment one day with her friend. As I tuned in, I felt the presence of a young woman who’d passed before her time in a vehicle accident. My client acknowledged her daughter, who had died at the age of nineteen while traveling to a camping weekend with friends. The spirit conveyed her joy at her mother’s presence, and insistently repeated that she really was safe and happy. Her younger sister needed to hear this message in particular, and she urged her mother to pass it on. “Do you miss us?” the mother asked. “Do you think about us and miss us, are you counting the days till we can be together again, too?” With a feeling of frustration from the spirit, I had to translate, “I’m fine!” yet again. This spirit came across as being almost dismissive of her family’s grief. As her mother cried on my couch, the spirit came through very much like a teenaged girl, saying “Oh Mom, come on! I’m fine!” After we concluded, I spent some time in meditation asking for help. How could I translate a spirit’s genuine well-being, without sounding dismissive myself? How could I show my clients that the spirit people are so certain of meeting again, that they rarely spend much time trying to convince us?
Priscilla A. Keresey (It Will All Make Sense When You're Dead: Messages From Our Loved Ones in the Spirit World)
While most of the town were settling down to their dinners that evening, Hannah, a raven-haired servant girl, hurried across the marketplace and up the path to the ordinary, where she knocked on the door. Candlelight gleamed through the cracks in the closed shutter after a second knock; the door opened and she slipped inside. Tears started down her cheeks as soon as she tried to speak. “What is it?” said the widow Jennison, keeper of the establish¬ment. “What on earth is wrong?” “Tobias is in trouble.” Hannah sat at one of the trestle tables. Sniffing back her tears, she told the story of her lover’s misadventure. They’d been planning for several months to break away from their servitude and look for a better situation in the West Indies. He’d taken to theft to raise money for the trip, but his master, the tallow chandler Aaron Tuck, discovered his transgressions, and Tobias went into hiding. “There’s men a-lookin’ for him now,” Hannah said as tears came to her eyes again. “We can’t stay here another week. People are sayin’ dreadful things about us that just ain’t true.” “Where is Tobias now?” Nancy asked. “On the neck somewheres. I’m supposed to meet him at midnight.” The widow touched her friend’s hand. She herself had been in trouble years before, so she understood the errors to which the girl’s turbulent feelings were likely to bring her. “Yes, life must seem a prison to you. I can see why you want to leave.” “We’ve gut to leave!” Hannah said. “Just tonight they arrested Marthy Hubbard. Mr. Ridley may want to use us for an example, too.” Nancy went to the cupboard for a pitcher of cider. “I don’t like what’s happened to Martha either. I’ll help you, but you’ll have to promise to be patient and not make things worse.” “What do you mean?” Hannah looked around the dusky room with a frightened glance. Experience had taught her that her elders often resorted to compromise when they meant to help. “I’m going to talk with Governor Willoughby. Now don’t fret, child. He’ll be more sympathetic than you think. Besides, you don’t have any choice but to wait unless you want to live in the woods. There won’t be a ship headed south till next month.” Hannah frowned and took a quick swallow of cider. The two friends talked for a while longer by the light of an iron betty lamp, then Hannah went outside to look for Tobias. But all her hopes went for naught. The constable’s men found him just before midnight on the slender strip of marsh and pasture that connected the Botolph peninsula to the mainland. Now happy that they would get to bed at a decent hour, the men in the search party brought Tobias to the guard-house on the edge of town, where he sat till dawn on a slat bench, dozing or clutching his head in his hands.
Richard French (The Pilhannaw)
Brittany has been wary this whole week. She’s waiting for me to play a joke on her, to get her back for tossing my keys into the woods. After school, as I’m at my locker picking books to take home, she storms up to me wearing her sexy pom uniform. “Meet me in the wrestling gym,” she orders. Now I can do two things: meet her like she told me to or leave the school. I take my books and enter the small gym. Brittany is standing, holding out her keychain without keys dangling from it. “Where have my keys magically disappeared to?” she asks. “I’m going to be late for the game if you don’t tell me. Ms. Small will kick me off the squad if I’m not at the game.” “I tossed them somewhere. You know, you should really get a purse that has a zipper. You never know when someone will reach in and grab somethin’.” “Glad to know you’re a klepto. Wanna give me a hint as to where you’ve hidden them?” I lean against the wall of the wrestling gym, thinking about what people would think if they caught us in here together. “It’s in a place that’s wet. Really, really wet,” I say, giving her a clue. “The pool?” I nod. “Creative, huh?” She tries to push me into the wall. “Oh, I’m going to kill you. You better go get them.” If I didn’t know her better, I’d think she was flirting with me. I think she likes this game we have going on. “Mamacita, you should know me better than that. You’re all on your own, like I was when you left me in the library parking lot.” She cocks her head, gives me sad eyes, and pouts. I shouldn’t concentrate on her pouty lips, it’s dangerous. But I can’t help it. “Show me where they are, Alex. Please.” I let her sweat it out a minute before I give in. By now most of the school is deserted. Half of the students are on their way to the football game. The other half is glad they’re not on their way to the football game. We walk to the pool. The lights are off, but sunlight is still shining through the windows. Brittany’s keys are where I threw ‘em--in the middle of the deep end. I point to the shiny pieces of silver under the water. “There they are. Have at it.” Brittany stands with her hands on her short skirt, contemplating how she’s going to get them. She struts over to the long stick hanging on the wall that’s used to pull drowning people from the water. “Piece of cake,” she tells me. But as she sticks the pole into the water, she finds out it’s not a piece of cake. I suppress a laugh as I stand at the edge of the pool and watch her attempt the impossible. “You can always strip and go in naked. I’ll watch to make sure nobody comes in.” She walks up to me, the pole gripped firmly in her fingers. “You’d like that, wouldn’t you?” “Uh, yeah,” I say, stating the obvious. “I have to warn you, though. If you have granny undies on, you’ll blow my fantasy.” “For your information, they’re pink satin. As long as we’re sharing personal info, are you a boxers or briefs guy?” “Neither. My boys go free, if you know what I mean.” Okay, I don’t let my boys go free. She’ll just have to figure that out herself. “Gross, Alex.” “Don’t knock it till you try it,” I tell her, then walk toward the door. “You’re leaving?” “Uh…yeah.” “Aren’t you going to help me get the keys?” “Uh…nope.” If I stay, I’ll be tempted to ask her to ditch the football game to be with me. I’m definitely not ready to hear the answer to that question. Toying with her I can handle. Showing my true colors like I did the other day made me take my guard down. I’m not about to do that again. I push the door open after taking one last glance at Brittany, wondering if leaving her right now makes me an idiot, a jerk, a coward, or all of the above.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Well, that’s everyone,” Nigel said, “although we do have one extra basket. Perhaps I could interest you in taking it, Miss Easton. Surely you deserve a Christmas treat as well.” His eyes gleamed with a teasing light, and Amelia could feel her cheeks flushing hot. Having finally acknowledged her feelings for him, it was difficult to meet his gaze. “I think I’ve eaten too many treats already,” she said with a forced chuckle. “I’ve been terribly self-indulgent tonight.” “I cannot agree with you, Miss Easton. To my mind, you aren’t spoiled nearly enough.” His smile fueled her blush. Amelia suspected her cheeks were now as red as his waistcoat. “I am in complete agreement,” Aunt Lucy chimed in. “Amelia is always thinking of others, never of herself. But as much as she deserves additional treats, that extra basket is for her sister, Gwen.” “Ah, the youngest Easton,” Nigel said. “She didn’t join us tonight.” “She’s confined to the nursery with an earache, poor thing,” Amelia explained, “and she’s very sad to be missing all the fun.” She paused to watch Nigel gingerly extract the mistletoe wreath from his hair. “I know it’s a great deal to ask, Mr. Dash, but do you think…” She trailed off, hating to impose on him yet again. Nigel placed the crown back on his head with a rueful smile. “Why not? It’s not as if I could look any more of a fool that I already do.” “I wouldn’t bet on that,” Broadmore said, barging in to the conversation. “You’ve outdone yourself this time, Dash. Wait till everyone around town hears how you played the fool.” Aunt Lucy gave his lordship her most imperial glare as she rose. “I am vastly grateful to Mr. Dash for his generosity and kindness. His charitable spirit is certainly a great deal more admirable than yours, Lord Broadmore, and entirely in keeping with the holiday season.” She turned her back on him to speak with Thomas. In the face of that forceful snub, Broadmore could do nothing but silently fume. Nigel gave him a bland smile but saved a wink for Amelia. Choking back a laugh, she came to her feet. “I’ll escort you to the nursery, Mr. Dash. I promised to visit Gwen before her bedtime, and I know she’ll be thrilled to have a visit from Father Christmas.” She plucked the ornate basket of sweets from the footman’s tray. “I’ll take that, Thomas.” Broadmore
Anna Campbell (A Grosvenor Square Christmas)
How’d she take it.” Sean thought for a second. “Truthfully? She wasn’t that impressed. She knew her daddy had a plane and she wants a ride. She took it right in stride, like she’d been expecting me to show up any second.” “And you?” Aiden asked. “You take it in stride?” “Aw, hell, it wore me out so bad I fell asleep on her little bed. Slept until the sun was down. After spending about three hours with her—eating her imaginary chicken and broccoli, reading books, picking up toys, talking about bikes and dogs and playmates at school—I was shot. She has these high heels she wears. She took some to school so her friend Jason could wear them, too.” He grumbled. “While I was asleep, she painted my face with magic markers…” Aiden whooped with laughter. “Yeah, you laugh. I’ll turn her loose on you.” “I’d love that,” Aiden said. “When can I meet her?” “Gimme some time, Aiden. I’m way behind the power curve here. I don’t know anything about kids, and there is so much to know. You have no idea.” “She’s just a kid, Sean. Don’t overthink it. Enjoy her.” “Did you know that when a little kid poops, you have to check their little butt to make sure they wiped it clean? Did you know that?” Aiden chuckled. “Yes, Sean, I knew that.” “Where the hell do you learn something like that?” “I dated a woman with a couple of little kids. Haven’t you? Ever dated a single young mother?” Sean was quiet for a moment. “Not really.” “How can you not really date a young mother?” “I’ve gone out with women with kids before, yeah. But I’ve never been around the kids. I have friends with kids, but I never paid attention to that stuff. I’m in way over my head.” “Franci will help you with all that. How is Franci?” “Cautious. I told her I thought we should get married and she told me to slow down—she wants to be sure it’s the right move.” “Bullshit. She wants to be sure you’re in love with her. That you can be a lover and a family man. Don’t you know anything about women?” “Not as much as I thought I did,” Sean admitted. “My little brother the playboy,” Aiden said. “Time to take life a little more seriously, huh? I want to meet her. Rosie. Let me know the minute I can. And I’d love to see Franci again.” “You know, just because Rosie took me in stride doesn’t mean the entire Riordan clan won’t be a little overwhelming for her,” Sean said. “Let’s not throw her in the deep end of the pool, huh?” “Red hair and green eyes, I hear,” Aiden said. “Like Mom and Paddy and half our cousins. That must have been a shock.” “The second I saw her, I knew. Plus, it couldn’t be anyone else’s kid—Franci and I were tight.” He paused. “Till we weren’t.” “Well,
Robyn Carr (Angel's Peak (Virgin River #10))
Long ago, while journeying in the east, the man had a poem sent to his friends at home: Though we are as far apart as the drifting clouds, do not forget me till we meet again, for the moon that circles in the sky will surely come around again.
Anonymous (The Tales of Ise)
• to leave the old parents of the psyche, descend to the psychic land unknown, while depending on the goodwill of whomever we meet along the way • to bind the wounds inflicted by the poor bargain we made somewhere in our lives • to wander psychically hungry and trust nature to feed us • to find the Wild Mother and her succor • to make contact with the sheltering animus of the underworld • to converse with the psychopomp (the magician) • to behold the ancient orchards (energic forms) of the feminine • to incubate and give birth to the spiritual childSelf • to bear being misunderstood, to be severed again and again from love • to be made sooty, muddy, dirty • to stay in the realm of the woodspeople for seven years till the child is the age of reason • to wait • to regenerate the inner sight, inner knowing, inner healing of the hands • to continue onward even though one has lost all, save the spiritual child • to re-trace and grasp her childhood, girlhood, and womanhood • to re-form her animus as a wild and native force; to love him; and he, her • to consummate the wild marriage in the presences of the old Wild Mother and the new childSelf
Clarissa Pinkola Estés (Women Who Run With the Wolves)
The governor answered that he could say nothing to it till he had conferred with other of the magistrates; so after supper he went with him to Boston in La Tour’s boat, having sent his own boat to Boston to carry home Mrs. Gibbons. Divers boats, having passed by him, had given notice hereof to Boston and Charlestown, his ship also arriving before Boston, the towns betook them to their arms, and three shallops with armed men came forth to meet the governor and to guard him home. But here the Lord gave us occasion to take notice of our weakness, etc., for if La Tour had been ill minded towards us, he had such an opportunity as we hope neither he nor any other shall ever have the like again; for coming by our castle and saluting it, there was none to answer him, for the last court had given order to have the castle-Island deserted, a great part of the work being fallen down, etc., so as he might have taken all the ordnance there.
John Winthrop (Winthrop's Journal, History of New England, 1630-1649: Volume 2)
The wind howled and moaned pitifully. The rain beat ever louder against the old boat, and the waves outside hissed, whilst we, lying still in a close embrace, shivered still from the cold. This was indeed stern reality. I felt convinced that no dream, however monstrous, however unbearable, could ever have vied in oppressiveness with this crushing actuality. Natasha continued to talk softly, soothingly, kindly, as none but a woman can do. Her simple gentle words caused warm feelings to creep into my heart, and I felt it melting within me. A flood of tears poured down my cheeks, washing away the anger, the grief, the self-conceit, the evil that had accumulated in my heart in the course of that terrible night. Once more Natasha endeavoured to comfort me. “Do, not weep like that dear. Do stop crying. Please God, something will turn up. You will find another place. You will be all right soon”. Kisses, hot, caressing, and soothing mingled with her words. They were the very first kisses I had ever received from a woman; and they were the best. All those I received later were bought at much too high a price. “Come, come! Stop that noise; what a strange fellow you are. Tomorrow I will try and find you some work, if that’s what’s the matter.” The low, soft, persuasive whispers came wafted to me as though through a dream. Thus we remained in each other’s arms till daybreak. As soon as dawn appeared we crawled out from under the boat, and made our way towards the town. There we bid each other a warm farewell, and parted - never to meet, again; though for more than six months I searched for that sweet girl through all the slums of the town—the girl with whom I had spent an autumn night. If she is dead—the best thing that could have happened to her—may her soul rest in peace. If she is still alive, God grant her a quiet mind, and may she never realise her fall; for that would be only a cruel and futile suffering, and would serve no useful purpose in this world.
Maxim Gorky (One Autumn Night)
You won't miss me anyway," I tell Sebastian, my voice breaking on the last word. "You have each other." I turn on my heels, leaving Carole and Keith to reason with a still-arguing Lucia. I keep my head down as I descend the hill toward Rockford Manor, not noticing that I'm being followed until I feel a hand on my shoulder. "It's not true, what you said." I turn around at Sebastian's voice, feeling a strange swooping in my stomach as I face him. "What isn't true?" "That I won't miss you. Because I will. I'll miss you every summer and every holiday if you don't come back," he says, looking at me earnestly. "I'll miss you every time I see a bellflower or anything else that reminds me of my friend Ginny Rockford." Tears prick at the back of my eyelids as he speaks. He can't know how much his words mean to me; how they make everything simultaneously better and worse. But before I can answer, Sebastian bends down and brushes his lips against my cheek. I gasp, reaching up to touch my face in awe. Nothing should be able to make me feel happy after all I've just lost--- but this kiss, platonic though it may be, gives me a moment of pure joy. "Goodbye, Ginny," he says softly. "Till we meet again." "Goodbye," I echo, still touching my cheek as he walks back to rejoin Lucia. When he's no longer within earshot, I whisper, "I'll never forget you.
Alexandra Monir (Suspicion)
[Earlier in the novel, Anodos meets a girl with the lightness of a child, carrying her prized possession - a precious globe that made music when touched. As the Shadow took over him, he reached out and broke her globe. This excerpt happens toward the end of the novel]: Hardly knowing what I did, I opened the door. Why had I not done so before? I do not know. At first I could see no one; but when I had forced myself past the tree which grew across the entrance, I saw, seated on the ground, and leaning against the tree, with her back to my prison, a beautiful woman. Her countenance seemed known to me, and yet unknown. She looked at me and smiled, when I made my appearance. “Ah! were you the prisoner there? I am very glad I have wiled you out.” “Do you know me then?” “Do you not know me? But you hurt me, and that, I suppose, makes it easy for a man to forget. You broke my globe. Yet I thank you. Perhaps I owe you many thanks for breaking it. I took the pieces, all black, and wet with crying over them, to the Fairy Queen. There was no music and no light in them now. But she took them from me, and laid them aside; and made me go to sleep in a great hall of white, with black pillars, and many red curtains. When I woke in the morning, I went to her, hoping to have my globe again, whole and sound; but she sent me away without it, and I have not seen it since. Nor do I care for it now. I have something so much better. I do not need the globe to play to me; for I can sing. I could not sing at all before. Now I go about everywhere through Fairy Land, singing till my heart is like to break, just like my globe, for very joy at my own songs. And wherever I go, my songs do good, and deliver people. And now I have delivered you, and I am so happy.” She ceased, and the tears came into her eyes. All this time, I had been gazing at her; and now fully recognised the face of the child, glorified in the countenance of the woman. I was ashamed and humbled before her; but a great weight was lifted from my thoughts. I knelt before her, and thanked her, and begged her to forgive me. “Rise, rise,” she said; “I have nothing to forgive; I thank you. But now I must be gone, for I do not know how many may be waiting for me, here and there, through the dark forests; and they cannot come out till I come.” She rose, and with a smile and a farewell, turned and left me. I dared not ask her to stay; in fact, I could hardly speak to her. Between her and me, there was a great gulf. She was uplifted, by sorrow and well-doing, into a region I could hardly hope ever to enter. I watched her departure, as one watches a sunset. She went like a radiance through the dark wood, which was henceforth bright to me, from simply knowing that such a creature was in it. She was bearing the sun to the unsunned spots. The light and the music of her broken globe were now in her heart and her brain. As she went, she sang; and I caught these few words of her song; and the tones seemed to linger and wind about the trees after she had disappeared: Thou goest thine, and I go mine– Many ways we wend; Many days, and many ways, Ending in one end. Many a wrong, and its curing song; Many a road, and many an inn; Room to roam, but only one home For all the world to win. And so she vanished. With a sad heart, soothed by humility, and the knowledge of her peace and gladness, I bethought me what now I should do.
George (Phantastes)
Till We  Meet  Again I  walked a  road with  flowers blooming A road  filled with  flowers  and sunshine The golden  glow  of  the sky  pours  over my  velvety  skin I’ve seen  in  the distance  my  family  standing They  look  sadder,  they cannot  see my  smile I  call  unto  them,  but  they  cannot  hear me My voice echoes through  the distance I  saw  the ones looking up  and then  side to  side Yet  their eyes don’t  fall  upon  mine “Why  would they  cry?” I  asked  God “Why  don’t  they  see me  waving back?” God  stood next  to  me and smiled He said , t “ S oon  they’d feel  a  raindrop on heir foreheads and they’ll  look  up  to  see you  smile.” I  asked  again,  “But  how  can  they  hear me?” He  said, name.” “I’ll  tap  on  their  shoulders  and  whisper  your “Will  they  know  it is me calling?” “Yes,”  God  said,  “because in  that  whisper  you w y ould say  goodbye to  them till  one day ou’ll  meet  again.
Chimnese Davids (Redeeming Soul)
Come here; let me look at you.” Mum gestured imperiously, and after a moment’s hesitation, Shinobu bent down so that she could cup his face in her small, delicate fingers. She stared up at him, dark gaze piercing. He stayed still, but behind his back I saw his hands find each other and his fingers lace together, as if it was an effort not to fidget. I didn’t blame him.   “Rachel also says that you helped save her and did a lot of other heroic things. I think you must have a great deal of character to have survived everything that’s happened to you, Shinobu, and I’m very grateful for all that you’ve done for my family. But I’m fully aware that you’ve been hanging out in my house with my underage daughter completely unsupervised the whole time I’ve been gone. I will be keeping my eye on you from now on.”   Shinobu nodded respectfully, not moving out of my mother’s grasp. I couldn’t stand it.   “Mum! Shinobu’s been a − a perfect gentleman!”   “And I was there at least some of the time,” my father put in.   “There is no such thing as a perfect gentleman, Mio. And you don’t count, Takashi. You can never tell when Mio’s lying about anything.” She fixed her eyes back on Shinobu. “I’m not saying that I don't approve. But if you’re the sort of young man that I want for my daughter – and I think you are – you won’t have a problem with me looking out for her. When this mess is sorted out, we can get to know each other properly.”   Shinobu nodded again. Mum smiled at him and slid her hands down to pat his shoulders, and he smiled back, his expression a little dazed. Damn. Dazzled by Mum Power.   “‘This mess’ being … the imminent apocalypse?” my dad asked, apparently unable to leave well enough alone.   Mum ignored his tone magnificently. “Yes, that. Now, could anyone else murder a sandwich and a cup of tea? Because I’ve had a heck of a day.”   Jack and Hikaru, who’d retreated to the till area with Ebisu during the family drama, crept out. Jack raised her hand. “I’m starving.”   “Me too,” Hikaru said.   “Ah, the appetites of the young,” Ebisu said, smiling serenely as he limped towards my mother and offered her his hand. “It is a pleasure to meet you, Mrs Yamato. You are almost exactly as I had imagined. Let’s go upstairs to my flat and see what we can find to eat, yes?”   “You might want to put me in charge of that,” my dad said, hurrying after them. “She’s a terrible cook.”   “Stuff it,” my mum retorted as Ebisu led her away. “I’m still not talking to you.”   And just like that, our motley crew had another member. My mum.   Sweet baby Jebus, how did this happen?
Zoë Marriott (Frail Human Heart (The Name of the Blade, #3))
May we take you back to Jenner’s, sir? It will be tight quarters in the carriage, but I think we can manage.” “No, thank you.” Rohan walked slowly around the carriage with her. “It isn’t far. I’ll go on foot.” “I can’t leave you stranded in a London rookery.” Rohan stopped with her at the back of the carriage, where they were partially sheltered from view. “I’ll be fine. The city holds no fears for me. Hold still.” Rohan turned her face up again, one hand cradling her jaw while the other descended to her cheek. His thumb brushed gently beneath her left eye, and with surprise she felt a smudge of wetness there. “The wind makes my eyes water,” she heard herself say unsteadily. “There’s no wind tonight.” His hand remained at her jaw, the smooth band of the thumb ring pressing lightly against her skin. Her heart had begun to thump until she could hardly hear through the blood rush in her ears. The clamor of the tavern was muted, the darkness thickening around them. His fingers slid over her throat with stunning delicacy, finding secreted nerves and stroking gently. His eyes were above hers, and she saw that the golden-hazel irises were rimmed with black. “Miss Hathaway … you’re quite certain fate had no hand in our meeting tonight?” She couldn’t seem to breathe properly. “Qu-quite certain.” His head bent low. “And in all likelihood we’ll never meet again?” “Never.” He was too large, too close. Nervously Amelia tried to marshal her thoughts, but they scattered like spilled matchsticks … and then he set fire to them as his breath touched her cheek. “I hope you’re right. God help me if I should ever have to face the consequences.” “Of what?” Her voice was faint. “This.” His hand slid to the back of her neck and his mouth covered hers.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Dowry Square in the Hotwells area of Bristol had been built in the 1800s for wealthy merchants wishing to live away from the stink of the city’s docks. But unlike neighbouring Clifton, which had mostly managed to maintain its select image for two centuries, Hotwells had floundered. A huge network of busy roads, including a massive flyover, had turned it into an undesirable area several decades ago. But since the mid-1980s, when smart new complexes of flats and townhouses had been built along the river, it had been on the up-and-up
Lesley Pearse (Till We Meet Again)
Love's always the starting point till the season insist on corpses, on memories of the dead... But life re-affirms itself in new beginnings; And suddenly,It is morning again! And the stories we tell of our meeting, and parting and returning are Minted Coins...
Popoola Rasheed Olanrewaju
We stare at each other to stave off the inevitable spat over who misses work. Warren’s down to his last few vacation days; I’d have to reschedule forty student conferences. But enough of the night sparkles through me that I say I’ll handle it, then I add, It’s good for me to get out every now and then. I hope so, he says. A few heartbeats keep me there in silence till I say, Was that sarcastic? He meets my eyes again, saying, Of course not. I start up the stairs and stop. I feel another urge to slide my arms around his strong middle and have him hold me, but if he withdrew, peeled my arms off—the refusal would’ve scorched me like a nuclear blast. I lean tentatively on the door jamb. Don’t you think I need to go out? You believe so, he says. Some rage burbles up, and from nowhere, I say—calmly but with force—That’s a shit thing to say.
Mary Karr (Lit)