Tiles Business Quotes

We've searched our database for all the quotes and captions related to Tiles Business. Here they are! All 48 of them:

Despite the business and auto-rickshaws and bantering Bengalis just beyond his brown front door, Sanjit cultivates a distinct learning environment and energy, one created and galvanized above the tile floors, within the thin walls, below the imperative ceiling fans, and embraced by books.
Colin Phelan (The Local School)
Of all ridiculous things the most ridiculous seems to me, to be busy — to be a man who is brisk about his food and his work. Therefore, whenever I see a fly settling, in the decisive moment, on the nose of such a person of affairs; or if he is spattered with mud from a carriage which drives past him in still greater haste; or the drawbridge opens up before him; or a tile falls down and knocks him dead, then I laugh heartily.
Søren Kierkegaard
She felt the cold blast from the sterile air conditioning on her bare arms and thighs, as she ambled down the center of the shopping complex's ground floor. The scene was a swirl of candy bright lights--the Victoria's Secret fuchsia signboard, signboards which lured one to purchase "confidence," or "sexual appeal," or whatever it was that was being advertised--the fluorescent lights in each store, contrasting with the shiny, black-tiled walls and eye-catching speckled marble tiles on the ground. One could lick the floor--the tiles were spotless, clean like the fake air she was breathing in, like the atoms and cells in her that were decaying in stale neglect.
Jess C. Scott (Jack in the Box)
I thought of relationships as a mosaic, and I put more stock in the overall picture, not the individual tiles. Life was too damned short to make every moment poignant, and too damned long to make every moment perfect. You fought, you made up, you cried, you laughed, and hopefully, when you stepped back, the picture was still beautiful.
S.E. Harmon (Spooky Business (The Spectral Files, #3))
Accustom yourself to Master tilings of the greatest difficulty, and which you seem to despair of. For if you observe, the Left-hand, tho' for want of Practice, 'tis insignificant to other Business, yet it holds the Bridle better than the Right, because it has been used to it.
Marcus Aurelius
[The FBI offices]: Antiseptic white tiles shone everywhere. Workmen were always busy, constantly repainting, cleaning, and polishing. The obsession with hygiene reeked of an unclean mind.
Peter Wright (Spy Catcher: The Candid Autobiography of a Senior Intelligence Officer)
...the guy might be a cold-blooded amoral sadistic killer and a cartload of tiles short of a watertight roof, but there was nothing wrong with his intelligence. [Caligula in Marcus Corvinus's eyes]
David Wishart (Finished Business (Marcus Corvinus, #16))
Thirteen dollars an hour was good money for a single guy in our hometown—a decent apartment costs about five hundred dollars a month—and the tile business offered steady raises.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
It’s your business if you wanna pretend you’re not queer.” Wrong. Thing. To. Say. His growl echoes on the tiled walls and he makes a move to charge forward only to stop himself feet away from me. Nostrils flared; lips curled back. Delicious anger staring at me. I’m a sick cub for finding him sexy. “You know nothing, Fierro. Keep your fucking mouth shut or I’ll do it for you, got it?” I smile and he’s further pissed off as I watch his eyes crinkle. Pity he’s a jerk, he really is hot. “Whatever you say. Try not to remember how I taste later, yeah?” It’s me who leaves first, brushing by his shoulder and he hisses another curse. His threats today don’t work on me, they never do. He’s like a posturing animal trying to exert his dominance. I never guessed he’d succeed with his tongue in my mouth. Stranger things have happened, but never did I think I’d end up making out with my tormentor.
V. Theia (Manhattan Tormentor (From Manhattan #7))
They were turning now, panning past the Sandias, the black-green crags and rocky faces, the ribbon of road leading to the white crest. Amina looked down on Albuquerque, the light bouncing off the sprawling tile of houses and pools, the cars running along the highways like busy insects. She imagined all of it gone, undone, erased back to 1968, when the city was nothing but eighty miles of hope huddling in a desert storm. She imagined Kamala on the tarmac, walking toward a life in the desert, her body pulled forward by faith and dirty wind.
Mira Jacob (The Sleepwalker's Guide to Dancing)
He let himself into the house and sat down with his back against the door, where the tiles were cool on his legs and he tried to hear, as he had earlier imagined, every single thing that his wife was not doing in their home on this Sunday night. He could hardly keep track of it all, she was so busy being absent. She was not pouring water into a glass or a pitcher. She was not kicking his shoes out of the hall. She was not switching the laundry into the dryer. She was not opening the screen door and going outside barefoot and calling for him to come look at the sunset. She was not putting lotion on her elbows or flattening the newspaper or picking up the ringing telephone, which would go on calling out the absence of Petra in nine-ring sequences dozens of times every day.
Ramona Ausubel (A Guide to Being Born)
There was a little optometrist shop on south Broadway tucked in between a pizza joint and what amounted to a head shop where you could buy glow-in-the-dark posters, bongs, and whatever else the hippies began marketing after they went commercial in the '70s... I had never visited the optometrist shop. The entrance had a 1930s look that I liked—art deco molded-tin awning over the doorway, and Bakelite tiles on the foyer walls. It looked like the kind of business that would be owned by an elderly optometrist who had serviced families for generations and personally ground lenses in his back room. I liked the look of the shop, but I drove right past it on my way to Sight City!!! where you could buy Two Pair for the Price of One!!! according to the billboards plastered all over Denver blocking every decent view of the Rocky Mountains.
Gary Reilly (The Asphalt Warrior (Asphalt Warrior, #1))
I began to think that you wouldn’t play someone you couldn’t beat,” said Arin. Kestrel looked up from her piano to see him standing by the doors she had left open, then glanced at the Bite and Sting set lying on a table by the garden windows. “Not at all,” said Kestrel. “I have been busy.” His gaze flicked to the piano. “So I’ve heard.” Kestrel moved to sit at the table and said, “I’m intrigued by your choice of room.” He hesitated, and she thought he was ready to deny any responsibility of choice, to pretend that a ghost had left that tile on the piano. Then he shut the doors behind him. The room, though large, felt suddenly small. Arin crossed the room to join her at the table. He said, “I didn’t like playing in your suite.” She decided not to take offense. She had asked him to be honest. Kestrel mixed the tiles, but when she set a box of matches on the table, he said, “Let’s play for something else.” Kestrel didn’t move her hand from the box’s lid. Again she wondered what he could offer her, what he could gamble, and she could think of nothing. Arin said, “If I win, I will ask a question, and you will answer.” She felt a nervous flutter. “I could lie. People lie.” “I’m willing to risk it.” “If those are your stakes, then I assume my prize would be the same.” “If you win.” She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably. “Whereas matches make the perfect ante, and are so exciting to win and lose.” “Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound. Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win. She didn’t.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
As he ascended, he looked down, and saw a sea of colour. Not just the city, its tiles and goods, its flags and clothes, but the people. They busied their streets with the radiance of their feelings in all possible hues; love and anger, fear and hope, for each a different gleam, a different meaning. Each street was a river of beauty and light, some clashed, in conflict, some radiated in harmony, like flame. So much feeling, so much potential, so much faith to give. To give to him. No wonder humans made gods: everything they desired and feared just spilled out of them, staining everything they touched.
Hannah Kaner (Sunbringer (Fallen Gods #2))
I don't believe the sickest people that I meet throughout my day at work are in the business of having outlandish desires, either. I don't think they are staring at the square-tiled ceiling of the intensive-care unit and dreaming of being an astronaut or an explorer. I don't think they're holding the hand of their wife and thinking, "I hope we win the lottery and become rich." Perhaps I am wrong, but I think they are, for the most part, simply hoping they will get to be a part of life again. They are hoping for all the things we take for granted every day: the ability to breathe by yourself, to get out of bed, to sit on a toilet or lie in a bath. To swallow your food and choose what you want for breakfast. To walk out into the world and appreciate all its beauty, or complain about the weather - but to have that choice.
Aoife Abbey (Seven Signs of Life: Stories from an Intensive Care Doctor)
I didn’t think we were being quiet, particularly. High heels may have looked dainty, but they didn’t sound that way on a tile floor. Maybe it was just that my dad was so absorbed in the convo on his cell phone. For whatever reason, when we emerged from the kitchen into the den, he started, and he stuffed the phone down by his side in the cushions. I was sorry I’d startled him, but it really was comical to see this big blond manly man jump three feet off the sofa when he saw two teenage girls. I mean, it would have been funny if it weren’t so sad. Dad was a ferocious lawyer in court. Out of court, he was one of those Big Man on Campus types who shook hands with everybody from the mayor to the alleged ax murderer. A lot like Sean, actually. There were only two things Dad was afraid of. First, he wigged out when anything in the house was misplaced. I won’t even go into all the arguments we’d had about my room being a mess. They’d ended when I told him it was my room, and if he didn’t stop bugging me about it, I would put kitchen utensils in the wrong drawers, maybe even hide some (cue horror movie music). No spoons for you! Second, he was easily startled, and very pissed off afterward. “Damn it, Lori!” he hollered. “It’s great to see you too, loving father. Lo, I have brought my friend Tammy to witness out domestic bliss. She’s on the tennis team with me.” Actually, I was on the tennis team with her. “Hello, Tammy. It’s nice to meet you,” Dad said without getting up or shaking her hand or anything else he would normally do. While the two of them recited a few more snippets of polite nonsense, I watched my dad. From the angle of his body, I could tell he was protecting that cell phone behind the cushions. I nodded toward the hiding place. “Hot date?” I was totally kidding. I didn’t expect him to say, “When?” So I said, “Ever.” And then I realized I’d brought up a subject that I didn’t want to bring up, especially not while I was busy being self-absorbed. I clapped my hands. “Okay, then! Tammy and I are going upstairs very loudly, and after a few minutes we will come back down, ringing a cowbell. Please continue with your top secret phone convo.” I turned and headed for the stairs. Tammy followed me. I thought Dad might order me back, send Tammy out, and give me one of those lectures about my attitude (who, me?). But obviously he was chatting with Pamela Anderson and couldn’t wait for me to leave the room. Behind us, I heard him say, “I’m so sorry. I’m still here. Lori came in. Oh, yeah? I’d like to see you try.” “He seems jumpy,” Tammy whispered on the stairs. “Always,” I said. “Do you have a lot of explosions around your house?” I glanced at my watch. “Not this early.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
When he got out of the car to do his business, my mother stared straight ahead. But I turned to watch. There was always something wild and charismatically uncaring about my father’s demeanor in these moments, some mysterious abandonment of his frowning and cogitative state that already meant a lot to me, even though at that age I understood almost nothing about him. Paulie had long ago stopped whispering 'perv' to me for observing him as he relieved himself. She of course, kept her head n her novels. I remember that it was cold that day, and windy but that the sky had been cut from the crackling blue gem field of a late midwestern April. Outside the car, as other families sped past my father stepped to the leeward side of the open door then leaning back from the waist and at the same time forward the ankles. His penis poked out from his zipper for this part, Bernie always stood up at the rear window. My father paused fo a moment rocking slightly while a few indistinct words played on his lips. Then just before his stream stared he tiled back his head as if there were a code written in the sky that allowed the event to begin. This was the moment I waited for, the movement seemed to be a marker of his own private devotion as though despite his unshakable atheism and despite his sour, entirely analytic approach to every affair of life, he nonetheless felt the need to acknowledge the heavens in the regard to this particular function of the body. I don't know perhaps I sensed that he simply enjoyed it in a deep way that I did. It was possible I already recognized that the eye narrowing depth of his physical delight in that moment was relative to that paucity of other delights in his life. But in any case the prayerful uplifting of his cranium always seemed to democratize him for me, to make him for a few minutes at least, a regular man. Bernie let out a bark. ‘’Is he done?’’ asked my mother. I opened my window. ‘’Almost.’’ In fact he was still in the midst. My father peed like a horse. His urine lowed in one great sweeping dream that started suddenly and stopped just as suddenly, a single, winking arc of shimmering clarity that endured for a prodigious interval and then disappeared in an instant, as though the outflow were a solid object—and arch of glittering ice or a thick band of silver—and not (as it actually approximated) a parabolic, dynamically averaged graph of the interesting functions of gravity, air resistance, and initial velocity on a non-viscous fluid, produced and exhibited by a man who’d just consumed more than a gallon of midwestern beer. The flow was as clear as water. When it struck the edge of the gravel shoulder, the sound was like a bed-sheet being ripped. Beneath this high reverberation, he let out a protracted appreciative whistle that culminated in a tunneled gasp, his lips flapping at the close like a trumpeters. In the tiny topsoil, a gap appeared, a wisp entirely unashamed. Bernie bumped about in the cargo bay. My father moved up close to peer through the windshield, zipping his trousers and smiling through the glass at my mother. I realized that the yellow that should have been in his urine was unmistakable now in his eyes. ‘’Thank goodness,’’ my mother said when the car door closed again. ‘’I was getting a little bored in here.
Ethan Canin (A Doubter's Almanac)
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You're efficient when you do something with minimum waste. & you're effective when you're doing the right something." "...the degree of freedom required to effect change. Slack is the natural enemy of efficiency & vise versa." "...slack represents operational capacity sacrificed in the interest of long term health." "Imagine one of those puzzle games consisting of 8 numbered tiles in a box, with one empty space, so you can slide them around one at a time. The objective is to shuffle the tiles into numerical order. That empty space is the equivalent of slack. If you remove it, the game is technically more efficient, but something is lost. Without the open space, there is no further possibility of moving tiles at all. The layout is optimal as it is, but if time proves otherwise, there is no way to change it." "Having a little bit of wiggle room allows us to respond to changing circumstances, to experiment, & to do things that might not work." → time, money, people on job, or even expectations → Not having slack is taxing. Scarcity weighs on our minds and uses up energy that could go toward doing the task at hand better. It amplifies the impact of failures & unintended consequences. → Slack allows us to handle the inevitable shocks & surprise of life. → Slack is the time when reinvention happens. It is time when you are not 100% busy doing the operational business of your firm. Slack is the time when you are 0% busy. Slack at all levels is necessary to make the organization work effectively & to grow. It is the lubricant of change. Good companies excel in creative use of slack. & bad ones only obsess about removing it. → Only when we are 0% busy can we step back & look at the bigger picture of what we're doing. Slack allows room for that...to think ahead. → We are more productive when we don't try to be productive all the time. → Being comfortable with sometimes being 0% busy means we think about whether we're doing the right thing → Effectiveness → "The secret to top performance is to always be a little underemployed; you waste years by not being able to waste hours. Those seemingly wasted hours are necessary to figure out if you're headed in the right direction.
Tom DeMarco (Slack: Getting Past Burnout, Busywork, and the Myth of Total Efficiency)
I’ve used an activity in my classrooms before, where I tell my class that we’re going to spend three minutes in complete silence. Nobody can close their eyes and sleep through the three minutes, nor can they busy themselves by reading or scrolling. Instead, we simply sit in silence together for a full three minutes. You should see their eyes when I announce this. I may as well announce that our guest speaker for the day is a greasy, stank-ass hillbilly with a chainsaw and a mask made from the skin of his prior victims. In fact, such a guest “lecture” may be preferable for many. During this time, people behave predictably. The first 30 seconds are the easiest. From 30-45 seconds, everyone contracts a case of the giggles, and students try to stifle themselves. After the one-minute mark, eyes wander, desperately seeking something to occupy their attention. Some count ceiling tiles, others stare out the window at cloud formations, and many discover solace in examining feet. From 90 seconds to the two-minute mark, students visibly squirm in their seats like a crack addict jonesing for a fix, but once we get into the second minute, something remarkable happens. People chill the fuck out. They no longer avoid eye contact with me or one another. They smile quaint little grins. The squirming subsides, they sit up a bit straighter, and the tension hanging heavy in the air like leaded fog dissipates. When the timer on my phone goes off at three minutes, one might assume that someone in the room would shout and break the uncomfortable silence like they’d been holding their breath the whole time, but they don’t. I never rush our entrance back into dialogue; rather, I wait and allow students to speak first. What’s crazy is that, generally speaking, most students go nearly another minute or so before saying anything.
Josh Misner (Put the F**king Phone Down: Life. Can't Wait.)
We only have five minutes before dessert's ready," she protests. "I can do a lot to you in five minutes, sweetheart." "Then what are you waiting for, boyfriend?" He moves with purpose, hooking his hands around her thighs so that he can lift her up and lay her down on the kitchen table. The dishes have already been cleared, save for a pair of forks that clink together with the sudden movement. His skillful hands make quick work of the front of her jeans, tugging them off hurriedly before kneeling on the kitchen tile between her thighs. They've already eaten dinner, but he's ravenous. With the time now sitting at four minutes and thirty seconds, he wastes no more time and dips down to enjoy his meal. The sounds she makes. Alexander's so hard, it's almost painful. He teases her with his tongue, his fingers; makes his business her pleasure. Eden reaches her peak just as the timer on the oven beeps. Alexander can't help but smirk at himself. He always knew he worked well under pressure. "Mmph, thank you for that," Eden mumbles. "Sit tight. I'll go get dessert." "I've already had dessert." She rolls her eyes. "Cheesy." Alexander reclaims his seat just as Eden returns with a piping hot baking dish. It's a layer of molten chocolate topped with a gooey marshmallow layer and a buttery graham cracker crust. She also retrieves a tub of vanilla bean ice cream from the fridge and a can of whipped cream... Which she immediately sprays all over his chest. He's momentarily shocked by the cold, but then Eden gets on her knees with that mischievous glint in her eye that he adores so much. "Food needs to cool," she reasons. "We've got time to kill.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
the American journalist Martha Gellhorn wrote after trekking across much of China in 1940. No worse luck could befall a human being than to be born and live there, unless by some golden chance you happened to be born one of the .00000099 percent who had power, money, privilege (and even then, even then). I pitied them all, I saw no tolerable future for them, and I longed to escape away from what I had escaped into: the age-old misery, filth, hopelessness and my own claustrophobia inside that enormous country. Skinny, sweaty rickshaw pullers strained at their large-wheeled contraptions to provide transportation to the rich. The scenes of nearly naked coolies towing barges up canals and rivers, leaning so far against their harnesses as to be almost horizontal to the ground, were an emblem, picturesque and horrible at the same time, of the unrelenting strain of everyday life in China, as were such other standard images as the women with leathery skin barefoot in the muck planting and weeding, the farmers covered in sweat at the foot pumps along fetid canals or carrying their loads of brick or straw on balancing poles slung over their shoulders or moving slowly and patiently behind water buffalo pulling primitive plows. The fly-specked hospitals, the skinny, crippled beggars, the thousands and thousands of villages made of baked mud whose houses, as one visitor described them, were “smoky, with gray walls and black tiled roofs; the inhabitants, wearing the invariable indigo-dyed cloth … moving about their business in an inextricable confusion of scraggy chickens, pigs, dogs, and babies.
Richard Bernstein (China 1945: Mao's Revolution and America's Fateful Choice)
our interviews suggest that many rural men migrate to the city precisely to prepare for marriage. Married men who do not already work in the city rarely migrate there (it is different for those who live in towns surrounding cities).     After the death of my parents and oldest brother, I took care of the siblings. In 1997, I came to Bujumbura to do different jobs and then I managed to buy my own bike and I started doing taxi-vélo. I have done this job since 2002 and it allows me to have everything I need. I managed to build a house and I married because of my work. I also managed to buy three goats and five parcels of land to cultivate. I think that with God’s help I will manage the development I wished for when I came to the city. (Twenty-six-year-old migrant, Musaga)     I am saving some money to buy a couple of cows. After that, I will seek a wife. I am busy building a house with a tile roof in my colline to prepare my marriage. (Twenty-year-old male migrant, Musaga)
Peter Uvin (Life after Violence: A People's Story of Burundi (African Arguments))
A few facts about China’s manufacturing juggernaut: China is the world’s largest manufacturer with over $2.2 trillion in manufacturing value-added. Its manufacturing base has increased by over 18 times in the last 30 years. China produces 80 percent of the world’s air-conditioners, 90 percent of the world’s personal computers, 75 percent of the world’s solar panels, 70 percent of the world’s cell phones, and 63 percent of the world’s shoes. Manufacturing is 40 percent of the Chinese GDP and directly employs 130 million people, a number that has been relatively stable over the past decades. Within this space, there are a huge number of Chinese companies fiercely competing. For example, there are now over 30,000 building materials companies in China making everything from ceramic tiles to wood flooring.
Jeffrey Towson (The One Hour China Book (2017 Edition): Two Peking University Professors Explain All of China Business in Six Short Stories)
Learn about the key developer tasks that you will need to perform when developing a Windows Store business app. Included are tasks for pages, touch, validation, application data, tiles, search, performance, testing, extended splash screens, incremental loading, and the Prism libraries.
Anonymous
When they could not find a way to do this because of the crowd, they went up on the roof and lowered him on his mat through the tiles into the middle of the crowd, right in front of Jesus. When Jesus saw their faith, he said, “Friend, your sins are forgiven.” —LUKE 5:19–20 OUR WORLD IS full of people in need. This man’s friends cared enough about him and his needs to bring him to the one person they knew of who could help their friend. They cared so much about him they would not be deterred when they couldn’t get in the door; they figured out a way to get to Jesus. There are a lot of people who are just like this paralytic—and we need to be a friend who will grab a corner of a mat and get them to Jesus, whatever the cost. Jesus is still the great physician and is still in the healing business, both physically and spiritually! Prayer Lord, help me to be a friend who is willing to do what it takes to bring people to You and to care for the people in need all around me. Help me have a faith that makes a difference. In Jesus’ name, amen.
Alan Robertson (The Duck Commander Devotional)
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Of all ridiculous things, it seems to me what is most ridiculous is to be busy in this world, to be a man who hastens to his food and hastens to his work. That is why, when at some critical moment I see a fly land on the nose of one of these businessmen, or he gets soaked by some carriage driving by in even greater haste than his own, or he has to wait while the river bridge goes up in front of him, or a tile falls from the roof and kills him, I laugh heartily. Who, after all, could fail to laugh? What is it, actually, that they achieve, these furiously busy people? Is there any difference between them and the woman who, in her confusion when a fire broke out in the house, salvaged the fire-tongs? Do they really salvage anything more from the great conflagration of life? (Either/Or, 1843) Kierkegaard
Robert Ferguson (Life Lessons From Kierkegaard)
From Rotting [God will] bestow on them a crown of beauty instead of ashes, the oil of joy instead of mourning, and a garment of praise instead of a spirit of despair. They will be called oaks of righteousness, a planting of the LORD for the display of his splendor. ISAIAH 61:3 NIV Sometime in August, after weeks of busy work schedules by day (and sometimes night) and a bathroom tiling project by night (and into the wee morning hours), Mary walked down her front porch steps and took a deep breath. When she looked around, she was shocked to realize how neglected her landscaping was. There were massive broad-leaf weeds taking over the ground. A closer look revealed that the “weeds” were actually pumpkin plants that last year’s rotting pumpkin display had inadvertently provided. She thought about ripping out the vines, since there wasn’t much growing on them yet, but she decided to let what was alive and well continue to grow. Before long, three large, bright orange volunteer pumpkins had pushed past red (now barely visible) mums. Mary started thinking how many things volunteer themselves right into her life—and end up being beautiful additions to her days. God, thank You for taking the rotten things of life and turning them into bountiful blessings. Amen.
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
Victor’s shadow fell over her and she looked up. She was surprisingly attractive, twenty-eight or — nine, pain in her delicate features, terror in her piercing eyes. She stared at him, gaze pleading, tears spilling down her cheeks, lips he would have liked to kiss, moving but making no sound, not enough air in her lungs to speak, to beg. Or to tell him anything useful. He spared a moment to consider how someone like her could have ended up in this business. But whatever her story had been, it was about to have a depressing end. Her head shook slowly from side to side. The smoking cartridge bounced on the floor tiles.
Tom Wood (The Hunter (Victor the Assassin, #1))
The pastry kitchen is colder than I had imagined but smells delicious, as sweet and crisp as the bite of an apple. The walls are covered in white tiles, and almost everything is made of stainless steel. There are quite a few Chinese chefs in the kitchen, busy at work. They don't look rushed at all, carefully executing their tasks. One chef is releasing praline balls from their molds and then dipping them in a bowl of melted chocolate. It looks like a silken soup, and my mouth waters. He drops each ball in with a large fork and slowly stirs it around. When it comes up again, it has the satin sheen of the warm chocolate. He rolls it, the fork providing a cradle against a marble bench top until it is cool. The fork leaves no crease or mark on the finished product, a perfect sphere. There is such slow art to it; I feel hypnotized.
Hannah Tunnicliffe (The Color of Tea)
squared his napkin on the tile next to him and started collecting the debris into it. The couple five tables away were watching him. ‘When are they coming back?’ Reacher asked. ‘An hour,’ the guy said. ‘How much do they want?’ The guy shrugged again and smiled a bitter smile. ‘I get a start-up discount,’ he said. ‘Two hundred a week, goes to four when the place picks up.’ ‘You want to pay?’ The guy made another sad face. ‘I want to stay in business, I guess. But paying out two bills a week ain’t exactly going to help me do that.’ The sandy guy and the dark woman were looking at the opposite wall, but they were listening. The opera fell away to a minor-key aria and the diva started in on it with a low mournful note. ‘Who were they?’ Reacher asked quietly. ‘Not Italians,’ the guy said. ‘Just some punks.’ ‘Can I use your phone?’ The guy nodded. ‘You know an office-supply store open late?’ Reacher asked. ‘Broadway, two blocks over,’ the guy said. ‘Why? You got business to attend to?’ Reacher nodded. ‘Yeah, business,
Lee Child (The Visitor (Jack Reacher #4))
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The truth was, only a lucky few got to leave the earth saying everything they would’ve liked to say, exactly how they wanted to say it. I thought of relationships as a mosaic, and I put more stock in the overall picture, not the individual tiles. Life was too damned short to make every moment poignant, and too damned long to make every moment perfect. You fought, you made up, you cried, you laughed, and hopefully, when you stepped back, the picture was still beautiful.
S.E. Harmon (Spooky Business (The Spectral Files, #3))
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Jena Weller
My grandmother swaddled her baby, as they did two thousand years ago, and let him swing on a tree branch so she could do backbreaking work for fifteen cents a day. Lizzie talked about working, herself, too, starting when she was eight or nine years old, long before the era of child labor laws, at the Milford Shoe Company. “My first day, they put me at a sewing machine and give me two pieces a leathuh. They told me how to stitch the pieces togethuh—paht of a man’s shoe. Each time I did that, they told me, drop it inna drawa. I thought, this is easy. Zip, zip, zip, one afta anuthuh. End of the day comes, my drawa is full. Lady next to me, olda woman—she didn’t have so many done. The boss fired her right then. They gave me her job afta that.” From that day on, my aunt worked in factories all her life. Like my mother, she was heavy set but solid, as sturdy and muscled as the men who worked beside her, first at Milford Shoe and later at William Lapworth & Sons, a manufacturer of elastic fabrics, whose British-born owner berated her whenever a needle broke on her sewing machine. Later she worked at Archer Rubber, where a chemical spray left a small scar on her cheek. Her final employer was the Stylon Tile Company, known for making pink and black bathroom tiles, which were hard to handle without cutting her hands. She always called her place of work “the shop.” She was “working down at the shop.” Before I left her house, she always gave me something to take with me, like a bag of her hand-made swiss-chard ravioli, or if it was close to Christmas, a plate of her own Italian cookies. My favorites were the ceci, little fried cookies that looked like ravioli but were stuffed with sweet chestnut and honey filling, or the ones that looked like bowties, called cenci, dusted with powdered sugar. No matter how busy she was, she never let anyone leave her house hungry or empty-handed. Once I accompanied Lizzie to the Sacred Heart Cemetery to help her with all the flower baskets she wanted to lay on the gravestones of lost family members. There’s something about Italians and cemeteries. I was never attracted to cemeteries, never finding any comfort in visiting the dead, but for most of my family, it was like attending a family reunion. Seeing Lizzie moving
Catherine Marenghi (Glad Farm)
Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei." "What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated. "Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world." The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles. Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids. Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
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The sun had lit up the top row of leadlight windows, and the family home, polished to within an inch of its life, was sparkling like a bejeweled old dame dressed for her annual opera outing. A great swelling wave of affection came suddenly upon Alice. For as long as she could remember, she'd been aware that the house and the gardens of Loeanneth lived and breathed for her in a way they didn't for her sisters. While London was a lure to Deborah, Alice was never happier, never quite as much herself, as she was here; sitting on the edge of the stream, toes dangling in the slow current; lying in bed before the dawn, listening to the busy family of swifts who'd built their nest above her window; winding her way around the lake, notebook always tucked beneath her arm. She had been seven years old when she realized that one day she would grow up and that grown-ups didn't, in the usual order of things, continue to live in their parents' home. She'd felt a great chasm of existential dread open up inside her then, and had taken to engraving her name whenever and wherever she could- in the hard English oak of the morning-room window frames, in the filmy grouting between the gunroom tiles, on the Strawberry Thief wallpaper in the entrance hall- as if by such small acts she might somehow tie herself to the place in a tangible and enduring way.
Kate Morton (The Lake House)
having a friend in the Met was enough of a payment. That, and he kept nagging her to start competing — said she kicked like a horse, and that once she had her grapple game on point, she could probably go pro.  Jamie knew having a pro fighter coming out of a gym was a great way to bring in new business, as well as get another taste of the big time. But she wasn’t interested in that. She just needed to know how to handle herself. And she did. Though it didn’t hurt to stay sharp, and Cake was one of the few people she could stand to be around for prolonged periods. ‘We’ve still got six minutes,’ she said, looking at the clock on the wall herself. Her accent had all but gone now, but anyone with a keen ear would know she wasn’t a British native.  And the blonde hair and blue eyes, along with her second name, would be enough to tip off anyone with any sense to her Scandinavian heritage.  ‘You earned it,’ Cake said, heading for the office. ‘And plus, I don’t think my arms could take anymore.’ He chuckled, his broad shoulders bouncing as he stepped off the raised matt and onto the rubber-tiled floor.  Jamie cast a glance over at the heavy-bag in the corner, thought maybe she could get some more hits in. But her shin was starting to throb. Maybe she should ice it. Probably a good idea. She pulled the sparring gloves off and unstrapped the kick-guards, wincing a little as they came away from her ankle.  Yeah, she’d definitely need to ice it.  The smell of coffee beckoned her towards the office and she followed her nose, entering to see Cake standing over a hotplate, a stove-top coffee maker steaming away on it.  He was a simple man, easy to talk to. Everyone wanted something. Except Cake. All he wanted was for people to treat him with respect. And Jamie did. He would always go on about it. People don’t have
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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Holy is the dish and drain The soap and sink, and the cup and plate And the warm wool socks, and cold white tile Showerheads and good dry towels And frying eggs sound like psalms With a bit of salt measured in my palm It’s all a part of a sacrament As holy as a day is spent Holy is the busy street And cars that boom with passion’s beat And the check out girl, counting change And the hands that shook my hands today And hymns of geese fly overhead And stretch their wings like their parents did Blessed be the dog, that runs in her sleep To catch that wild and elusive thing Holy is the familiar room And the quiet moments in the afternoon And folding sheets like folding hands To pray as only laundry can I’m letting go of all I fear Like autumn leaves of earth and air For summer came and summer went As holy as a day is spent Holy is the place I stand To give whatever small good I can And the empty page, and the open book Redemption everywhere I look Unknowingly we slow our pace In the shade of unexpected grace And with grateful smiles and sad lament As holy as a day is spent And morning light sings “Providence” As holy as a day is spent
J. Brent Bill (Holy Silence: The Gift of Quaker Spirituality)
Of all ridiculous things, it seems to me the most ridiculous is to be a busy man of affairs, prompt to meals, and prompt to work. Hence when I see a fly settle down in a crucial moment on the nose of a business man, or see him bespattered by a carriage which passes by him in even greater haste, or a drawbridge opens before him, or a tile from the roof falls down and strikes him dead, then I laugh heartily. And who could help laughing? What do they accomplish, these hustlers? Are they not like the housewife, when her house was on fire, who in her excitement saved the fire-tongs? What more do they save from the great fire of life?
Søren Kierkegaard (Either/Or: A Fragment of Life)