Tiger Love Quotes

We've searched our database for all the quotes and captions related to Tiger Love. Here they are! All 100 of them:

The fact is…I’m in love with you, and I have been for some time.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I dreamed I spoke in another's language, I dreamed I lived in another's skin, I dreamed I was my own beloved, I dreamed I was a tiger's kin. I dreamed that Eden lived inside me, And when I breathed a garden came, I dreamed I knew all of Creation, I dreamed I knew the Creator's name. I dreamed--and this dream was the finest-- That all I dreamed was real and true, And we would live in joy forever, You in me, and me in you.
Clive Barker (Abarat: Days of Magic, Nights of War)
She did not believe he could have really gone, because for her, to leave the person you loved was impossible.
Jodi Lynn Anderson (Tiger Lily)
A girl can still admire, can’t she? Even those who can’t afford to go in the store can still window-shop. Right? Knowing he wasn’t for me didn’t mean I couldn’t covet the merchandise.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
You know you are in love when you see the world in her eyes, and her eyes everywhere in the world.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
No matter what happens, please remember that I love you, hridaya patni. Promise me that you'll remember." "It's a pet name our father used to call our mother. It means...wife of my heart.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
Now turn around and go to sleep. I'm warning you that I plan to sleep with you in my arms all night long.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Let me tell you something straight off. This is a love story, but not like any you've ever heard. The boy and the girl are far from innocent. Dear lives are lost. And good doesn't win.
Jodi Lynn Anderson (Tiger Lily)
It turned out that my curiosity did not outweigh my courage after all. Sometimes love means not being able to bear seeing the one you love the way they are, when they're not what you hoped for.
Jodi Lynn Anderson (Tiger Lily)
There was no twinkle in his eyes. "Maybe I just love some of you. Maybe not enough." Tiger Lily blinked at him, and she didn't understand how anyone could only love a part. Her greedy heart didn't work that way.
Jodi Lynn Anderson (Tiger Lily)
And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all.
Jodi Lynn Anderson (Tiger Lily)
To love someone was not what she had expected. It was like falling from somewhere high up and breaking in half, and only one person having the secret to the puzzle of putting her back together.
Jodi Lynn Anderson (Tiger Lily)
He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
How much do you love me?' Midori asked. 'Enough to melt all the tigers in the world to butter,' I said.
Haruki Murakami (Norwegian Wood)
She answered with a passion I didn’t expect & I was lost. In that moment our hearts beat as one. In that moment I knew she loved me." #Ren
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I tiger can smile A snake will say it loves you Lies make us evil
Chuck Palahniuk (Fight Club)
I wrapped the unyielding woman I loved in my arms & kissed her slowly, hoping that some part of her would sense my absolute devotion." #Ren
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I was destined to love you, and I will belong to you forever.
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was him. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Thrilled with the knowledge that she loved me, it took me a moment to realize that she was angry. I found her tantrum irresistible." #Ren
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
If there was a true moment that Tiger Lily fell so in love with Peter she could never turn back, it was that night, when he shivered and walked and told her he was warm, and told her he loved her so much. She was fierce, to be sure, but she had a girl's heart, after all. As she walked home that night, she was shaking from the largeness of it.
Jodi Lynn Anderson (Tiger Lily)
You didn’t think I’d let you go alone, did you?” “No, but I’m grateful that I had you with me.” “Grateful is all I’m going to get, isn’t it?” “What else were you hoping for?” “Adoration, devotion, affection, infatuation, or just plain finding me irresistible.” “Sorry, Don Juan. You’ll have to live with my undying gratitude.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
There are many different types of kisses. There’s a passionate kiss of farewell—like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can’t-really-be-with-you-but-I-want-to-be—like with Superman and Lois Lane. There’s the first kiss—one that is gentle and hesitant, warm and vulnerable. And then there’s the kiss of possession—which was how Ren kissed me now. It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim. He seized me as boldly as the tiger captured his prey. There was no escape. And I didn’t want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything I’d ever felt before that we belonged together.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me. I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic. The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it. It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't. I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me. Always, Your Peter P.S. Please give my love to Tink. She was always such a funny little bug.
Jodi Lynn Anderson (Tiger Lily)
Sometimes love means not being able to bear seeing the one you love the way they are, when they’re not what you hoped for them.
Jodi Lynn Anderson (Tiger Lily)
You're forgetting something iadala. Love is not a consequence. Love is not a choice. Love is a thirst --- a need as vital to the soul as water is to the body.
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
We looked at each other for a minute, not saying anything, but I could feel the air between us shift. It became thick, sultry, and tangible—like when the air changes right before a storm. I could feel its power envelop me as it brushed across my skin. Even though I couldn’t see it, I knew a storm was coming.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Tiger Lily went back into the house, from which she kept watch of the ocean. She held her arms around her stomach and stayed awake. She didn't want him to catch her sleeping. Peter did not come that night, or the next day, and she stayed awake. She did not believe he could have really gone, because for her, to leave the person you loved was impossible. For three days, she kept on studying the horizon, even speaking to it, as if a ship that had already disappeared could hear her. "Choose me." And Peter did choose. But he chose something else.
Jodi Lynn Anderson (Tiger Lily)
Pulling the chair out for me, he invited me to sit. I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I'd never make it. He leaned in close and whispered in my ear, "I know what you're thinking, and I'm not going to let you escape again. You can either take a seat and have dinner with me like a normal date," he grinned at his word choice, "or," he paused thoughtfully then threatened, "you can sit on my lap while I force-feed you.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He did not dare to console her, knowing that it would have been like consoling a tiger run thru by a spear.
Gabriel García Márquez (Love in the Time of Cholera)
Peter loves to make promises. He has the best intentions of keeping them. It makes it worse, somehow, that he doesn’t know how to. He thinks he’s a nice boy, that’s the worst part.
Jodi Lynn Anderson (Tiger Lily)
I was dying. I knew it. At least the pain was gone. I wanted to tell him that I loved him. Then darkness overtook me...
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Was it too much to ask you to wait for me? To believe in me? Don't you know how much I love you?
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
Peter,' she asked, trying to speak firmly, 'what are your exact feelings for me?' Those of a devoted son, Wendy.' I thought so,' she said, and went and sat by herself at the extreme end of the room. You are so queer,' he said, frankly puzzled, 'and Tiger Lily is just the same. There is something she wants to be to me, but she says it is not my mother.' No, indeed, it is not,' Wendy replied with frightful emphasis.
J.M. Barrie (Peter Pan)
Because watching him love Tiger Lily was better than not watching him at all.
Jodi Lynn Anderson (Tiger Lily)
Yours in life, Kishan." "Yours in death, Dhiren
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
There is a story of a woman running away from tigers. She runs and runs and the tigers are getting closer and closer. When she comes to the edge of a cliff, she sees some vines there, so she climbs down and holds on to the vines. Looking down, she sees that there are tigers below her as well. She then notices that a mouse is gnawing away at the vine to which she is clinging. She also sees a beautiful little bunch of strawberries close to her, growing out of a clump of grass. She looks up and she looks down. She looks at the mouse. Then she just takes a strawberry, puts it in her mouth, and enjoys it thoroughly. Tigers above, tigers below. This is actually the predicament that we are always in, in terms of our birth and death. Each moment is just what it is. It might be the only moment of our life; it might be the only strawberry we’ll ever eat. We could get depressed about it, or we could finally appreciate it and delight in the preciousness of every single moment of our life.
Pema Chödrön (The Wisdom of No Escape: How to Love Yourself and Your World)
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Can I kiss you now?" he asked. "I think you'd better, tiger," I replied.
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
A faerie heart is different from a human heart. Human hearts are elastic. They have room for all sorts of passions, and they can break and heal and love again and again. Faerie hearts are evolutionarily less sophisticated. They are small and hard, like tiny grains of sand. Our hearts are too small to love more than one person in a lifetime.
Jodi Lynn Anderson (Tiger Lily)
The Genius Of The Crowd there is enough treachery, hatred violence absurdity in the average human being to supply any given army on any given day and the best at murder are those who preach against it and the best at hate are those who preach love and the best at war finally are those who preach peace those who preach god, need god those who preach peace do not have peace those who preach peace do not have love beware the preachers beware the knowers beware those who are always reading books beware those who either detest poverty or are proud of it beware those quick to praise for they need praise in return beware those who are quick to censor they are afraid of what they do not know beware those who seek constant crowds for they are nothing alone beware the average man the average woman beware their love, their love is average seeks average but there is genius in their hatred there is enough genius in their hatred to kill you to kill anybody not wanting solitude not understanding solitude they will attempt to destroy anything that differs from their own not being able to create art they will not understand art they will consider their failure as creators only as a failure of the world not being able to love fully they will believe your love incomplete and then they will hate you and their hatred will be perfect like a shining diamond like a knife like a mountain like a tiger like hemlock their finest art
Charles Bukowski
When you love a thing too much, it is a special kind of pain to show it to others and to see that it is lacking.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
I warn you, Kelsey, that I’m an extremely patient man. I’ve had extensive practice in waiting out the enemy. My life as a tiger has taught me that attentive persistence and focused diligence always pay off. Consider yourself forewarned, priyatama. I’m on the hunt. I’ve caught your scent, and I won’t be thwarted in my course.
Colleen Houck
It was like this sometimes, and I felt I should look away, but I couldn't. I wanted to be there, having my face touched, defeating a heart like Peter's, but the next best thing was seeing it for Tiger Lily.
Jodi Lynn Anderson (Tiger Lily)
I began to see that Wendy had something Tiger Lily hadn't even known she was supposed to have. Of all the things Tiger Lily had thought she might have to be for Peter-strong, brave; to be big and to keep up-she had never thought that the one thing he wanted most from her was simply to show that she believed in him, always and without fail.
Jodi Lynn Anderson (Tiger Lily)
So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. the pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and giver her my spirit, because this is the way a mother loves her daughter.
Amy Tan (The Joy Luck Club)
I had no right to be in love. I had nothing to offer her. But reason drowned in the beat of my heart, and I asked permission to kiss her.#Ren
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
And then he came, and pulled her petals off one by one, forcing her to surround herself with thorns to survive. But he missed one petal. And she guards it with a tiger's ferocity.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
She said she thought there were different ways of loving someone, and there were some she used to think were the most important, and now she had changed her mind.
Jodi Lynn Anderson (Tiger Lily)
Tell your daughters how you love your body. Tell them how they must love theirs. Tell them to be proud of every bit of themselves— from their tiger stripes to the soft flesh of their thighs, whether there is a little of them or a lot, whether freckles cover their face or not, whether their curves are plentiful or slim, whether their hair is thick, curly, straight, long or short. Tell them how they inherited their ancestors, souls in their smiles, that their eyes carry countries that breathed life into history, that the swing of their hips does not determine their destiny. Tell them never to listen when bodies are critiqued. Tell them every woman’s body is beautiful because every woman’s soul is unique.
Nikita Gill (The Girl and the Goddess: Stories and Poems of Divine Wisdom)
Kishan spoke intently, "Kelsey is all that a man could ask for. She's perfect for you. She loves poetry and sits endlessly content while listening to you sing and play your guitar. She waited months for you to come after her, and she has risked her life repeatedly to save your mangy white hide. She's sweet and loving and warm and beautiful and would make you immeasurably happy." There was a pause. Then I heard Ren say incredulously, "You love her." Kishan didn't answer right away, but then said softly, almost so I couldn't hear it, "No man in his right mind wouldn't, which proves you aren't in your right mind.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
An unspoken rivalry threaded their relationship, in which Tiger Lily thought that if she could keep up with him, she could hold tighter to him. It didn't occur to her there was anything in which Peter would want her to fail. But sometimes, I could see that, even for him, she was too fast, too sure-footed, and didn't seem to need him quite enough.
Jodi Lynn Anderson (Tiger Lily)
But just because you love something, I added to myself, doesn't mean you'll ever be great. Not if you don't work. Most people stink at the things they love.
Amy Chua (Battle Hymn of the Tiger Mother)
You love me," she said. "That's enough. We love each other." "Yes. Yes, that's true." He smiled. "We are a love story.
Jodi Lynn Anderson (Tiger Lily)
And always, I could see that, despite his weakness for her or because of it, he seemed uncatchable, as if he might slip away at any moment.
Jodi Lynn Anderson (Tiger Lily)
I'm not a stranger to your love of lost causes, dear one. But you have to be careful who you meet," he said, stoking a pipe thoughtfully. "You can't unmeet them.
Jodi Lynn Anderson (Tiger Lily)
After confessing her love, she ran from me. I wanted to stop her but I let her go. If she really loved me how could she leave?#Ren
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
When single you are,” Roger said, imitating Yoda dispensing advice to Luke, “get laid you can. When married you get, make love you do.
Sean Kennedy (Tigers and Devils (Tigers and Devils #1))
People don't get to our ages without having pasts. I'm more interested in the future.
Robyn Donald (Tiger, Tiger (Romance))
But I'll always love you, and I'll always miss you and I'll never forget that It's okay to put dragons in the jungle and tears on a tiger
Sharon M. Draper (Tears of a Tiger (Hazelwood High, #1))
How do I get past my fears? Make a life for myself? Risk loving someone? When death is all that waits for you, what's the point in trying to have a life?
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
Do we loathe our masters behind a facade of love - or do we love them behind a facade of loathing?
Aravind Adiga (The White Tiger)
Let me tell you something straight off. This is a love story, but not like any you’ve heard. The boy and the girl are far from innocent. Dear lives are lost. And good doesn’t win. In some places, there is something ultimately good about endings. In Neverland, that is not the case.
Jodi Lynn Anderson (Tiger Lily)
In case you still haven't figured it out, he loves you. Your tiger will be back in the morning, and you can thank me anytime. Now, do I have to paint another picture for you, or do you think you can take it from here by yourself without screwing up?
Susan Elizabeth Phillips (Kiss an Angel)
Look," Peter said. To the north was a series of vast grassy plains, and there, just looking like specks at first, was a herd of horses, a species that in Neverland had never been tamed. They were beautiful, flashes of brown and black and tan, their coats gleaming. There was no reason for them to be running that Tiger Lily could see. It was likely that they just loved to run. "That's what I want my life to be," Peter said, staring down at the horses. Tiger Lily sank against him and watched the herd, and thought that was what she wanted too.
Jodi Lynn Anderson (Tiger Lily)
When they made up, it was as if nothing had happened at all. In fact, it was like they were stuck even closer together, like they had gotten even more tangled in each other.
Jodi Lynn Anderson (Tiger Lily)
The need is not really for more brains, the need is now for a gentler, a more tolerant people than those who won for us against the ice, the tiger and the bear. The hand that hefted the ax, out of some old blind allegiance to the past fondles the machine gun as lovingly. It is a habit man will have to break to survive, but the roots go very deep.
Loren Eiseley (The Immense Journey)
The dead are celebrated. The dead are loved. They give something to the living. Once you put something into the ground, Doctor, you always know where to find it.
Téa Obreht (The Tiger's Wife)
For the next couple of weeks she held Peter like a secret in her heart, lying right under her necklace. I could see him written on her face, and Tik Tok, too, seemed to catch shadows of him, because he'd stop to stare at her, puzzled, as if he'd just seen the boy flit across her eyes-seen the ghost of the kiss lingering for a second on the skin of her neck before disappearing.
Jodi Lynn Anderson (Tiger Lily)
Every king of love, it seems, is the only one. It doesn't happen twice.
Jodi Lynn Anderson (Tiger Lily)
There was once a tiger-striped cat. This cat died a million deaths, and lived a million lives, and in those lives, various people owned him. None of those people he cared for. This cat was not afraid of death. One life, the cat became a stray cat, which meant it was free. And it met a white female cat. They became mates, and lived together. Time passed, the white cat passed away of old age. And the tiger- striped cat cried a million times. Eventually, the cat died again. But this time, it didn't come back to life.
Keiko Nobumoto
Sometimes Peter treated her like she was the only thing in the forest. Sometimes he was so distracted by the things around him that she had to keep up or be left behind. But a lot of times, she knew he did it on purpose, and she didn't have to know why. He seemed to have reasons for doing things even he didn't understand.
Jodi Lynn Anderson (Tiger Lily)
The loneliest days are the ones where you keep company with someone you love who can’t hear you.
Holly Robinson (Sleeping Tigers)
I personally have a cunt. Sometimes it's 'flaps' or 'twat', but most of the time, it's my cunt. Cunt is a proper, old, historic, strong word. I like that my fire escape also doubles up as the most potent swearword in the English language. Yeah. That's how powerful it is, guys. If I tell you what I've got down there, old ladies and clerics might faint. I like how shocked people are when you say 'cunt'. It's like I have a nuclear bomb in my pants, or a tiger, or a gun. Compared to this the most powerful swearword men have got out of their privates is 'dick', which is frankly vanilla, and I believe you're allowed to use on, like, Blue Peter if something goes wrong. In a culture where nearly everything female is still seen as squeam-inducing, and/or weak - menstruation, menopause, just the sheer simple act of calling someone 'a girl' - I love that 'cunt' stands, on its own, as the supreme unvanquishable word. It has almost mystic resonance. It is a cunt - we all know it's a cunt - but we can't call it a cunt. We can't say the actual word. It's too powerful. Like Jews can never utter the Tetragrammaton - an must make do with 'Jehovah', instead.
Caitlin Moran (How to Be a Woman)
In the spring of her twenty-second year, Sumire fell in love for the first time in her life. An intense love, a veritable tornado sweeping across the plains—flattening everything in its path, tossing things up in the air, ripping them to shreds, crushing them to bits. The tornado’s intensity doesn’t abate for a second as it blasts across the ocean, laying waste to Angkor Wat, incinerating an Indian jungle, tigers and everything, transforming itself into a Persian desert sandstorm, burying an exotic fortress city under a sea of sand. In short, a love of truly monumental proportions. The person she fell in love with happened to be 17 years older than Sumire. And was married. And, I should add, was a woman. This is where it all began, and where it all ended. Almost.
Haruki Murakami (Sputnik Sweetheart)
The very purpose of life is to be happy. As we care for others, the greater is our own senses of well-being. It puts the mind at ease. It helps remove whatever fears or insecurities we may have and gives us the strength to cope with any obstacle we encounter. Remember that old saying " love will conquer all " is true. As you give love, you will find it returns to you magnified.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
I had hoped one day to find someone who loves my monsters, the wolves that I feed, the demons I sing to sleep, the tiger that is my caged heart, the parts of me I do not talk about. I prayed and wished and yearned until I realized that I had already found her within me.
Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn’t that I only loved some of you. But I wondered if you could ever love more than some of me. I knew I’d miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn’t happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn’t seem broken at all.
Jodi Lynn Anderson (Tiger Lily)
She felt the warmth of Peter's arm under her neck, and it almost felt like he was an extension of her, and like if they had souls, they lay somewhere snug between their two bodies. Maybe all of her strangeness, her curse, her always feeling like an outsider, had all existed so that she could belong here, with Peter.
Jodi Lynn Anderson (Tiger Lily)
Get control of yourself, Zahra! My name isn’t Zahra. I am Smoke-on-the-Wind, Curl-of-the-Tiger’s-Tail, Girl-Who-Gives-the-Stars-Away. He loves you! He is just a mortal. Just a boy, a moment in time that will soon pass. His name is Aladdin. I have known a thousand and one like him. I will know a thousand and one more. He is nothing. He is everything.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
I put my hand out and wiped the vomit from his lips, and cooed soothing words to him. It squeezed my heart to see him suffer like this - but where my genuine concern for him ended and where my self-interest began, I could not tell: no servant can ever tell what the motives of his heart are. "Do we loathe our masters behind a facade of love - or do we love them behind a facade of loathing? "We are made mysteries to ourselves by the Rooster Coop we are locked in.
Aravind Adiga (The White Tiger)
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
J. Conrad Guest (The Cobb Legacy)
Giants isn't eating each other either, the BFG said. Nor is giants killing each other. Giants is not very lovely, but they is not killing each other. Nor is crockadowndillies killing other crockadowndillies. Nor is pussy-cats killing pussy-cats. 'They kill mice,' Sophie said. 'Ah, but they is not killing their own kind,' the BFG said. 'Human beans is the only animals that is killing their own kind.' 'Don't poisonous snakes kill each other?' Sophie asked. She was searching desperately for another creature that behaved as badly as the human. 'Even poisnowse snakes is never killing each other,' the BFG said. 'Nor is the most fearsome creatures like tigers and rhinostossterisses. None of them is ever killing their own kind. Has you ever thought about that?' Sophie kept silent. 'I is not understanding human beans at all,' the BFG said.' You is a human bean and you is saying it is grizzling and horrigust for giants to be eating human beans. Right or left?' 'Right,' Sophie said. 'But human beans is squishing each other all the time,' the BFG said. 'They is shootling guns and going up in aerioplanes to drop their bombs on each other's heads every week. Human beans is always killing other human beans.' He was right. Of course he was right and Sophie knew it. She was beginning to wonder whether humans were actually any better than giants. 'Even so,' she said, defending her own race, I' think it's rotten that those foul giants should go off every night to eat humans. Humans have never done them any harm.' 'That is what the little piggy-wig is saying every day,' the BFG answered. 'He is saying, "I has never done any harm to the human bean so why should he be eating me?'" 'Oh dear,' Sophie said. 'The human beans is making rules to suit themselves,' the BFG went on. 'But the rules they is making do not suit the little piggy-wiggies. Am I right or left?' 'Right,' Sophie said. 'Giants is also making rules. Their rules is not suiting the human beans. Everybody is making his own rules to suit himself.
Roald Dahl (The BFG)
Men in fear and hunger destroy their stomachs in the fight to secure certain food, where men hungering for love destroy everything lovable about them.... In the world ruled by tigers with ulcers, rutted by strictured bulls, scavenged by blind jackals.... What can it profit a man to gain the whole world and to come to his property with a gastric ulcer, a blown prostate, and bifocals?
John Steinbeck (Cannery Row (Cannery Row, #1))
If you stumble over mere believability, what are you living for? Love is hard to believe, ask any lover. Life is hard to believe, ask any scientist. God is hard to believe, ask any believer. What is your problem with hard to believe? Reason is excellent for getting food, clothing and shelter. Reason is the very best tool kit. Nothing beats reason for keeping tigers away. But be excessively reasonable and you risk throwing out the universe with the bathwater
Yann Martel
Her elongated eyes did not close as other women's eyes did, but like the eyes of tigers, pumas and leopards, the two lids meeting lazily and slowly; and they seemed slightly sewn together towards the nose, making them narrow, with a lascivious, oblique glance falling from them like the glance of a woman who does not want to see what is being done to her body. All this gave her an air of being made love to, which aroused the Baron as soon as he met her.
Anaïs Nin (Delta of Venus)
Everything necessary to understand my grandfather lies between two stories: the story of the tiger’s wife, and the story of the deathless man. These stories run like secret rivers through all the other stories of his life – of my grandfather’s days in the army; his great love for my grandmother; the years he spent as a surgeon and a tyrant of the University. One, which I learned after his death, is the story of how my grandfather became a man; the other, which he told to me, is of how he became a child again.
Téa Obreht (The Tiger's Wife)
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.
Jorge Luis Borges
Toby smiled and started to speak, but Josh adjusted his hold on Tank and reached back, covering Toby's mouth. "Wait," Grace said. "I think he was going to actually use words." "Yeah, but trust me, you don't want to hear them." Toby pulled Josh's hand away. "Are you my new mommy?" Grace's mouth fell open in shock, and Toby giggled at the sight. "Okay, Tiger," Josh said. "You know I love the sound of your laugh, probably more than any sound in the world, but I will squash you like a grape if you say that to one more woman today.
Jill Shalvis (Forever and a Day (Lucky Harbor, #6))
If I could believe," said Rhoda, "that I should grow old in pursuit and change, I should be rid of my fear: nothing persists. One moment does not lead to another. The door opens and the tiger leaps. You do not see me come...I cannot make one moment merge in the next. To me they are all violent, all separate; and if I fall under the shock of the leap of the moment you will be on me, tearing me to pieces. I have no end in view. I do not know how to run minute to minute, and hour to hour, solving them by some natural force until they make the whole and indivisible mass that you call life. Because you have an end in view--one person, is it, to sit beside, an idea is it, your beauty is it? I do not know--your days and hours pass like the boughs of forest trees and the smooth green of forest rides to a hound running in the scent... But since I wish above all things to have lodgment, I pretend, as I go upstairs lagging behind Jinny and Susan, to have an end in view. I pull on my stockings as I see them pull on theirs. I wait for you to speak and then speak like you. I am drawn here across London to a particular spot, to a particular place, not to see you or you or you, but to light my fire at the general blaze of you who love wholly, indivisibly, and without caring in the moment.
Virginia Woolf
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."... I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle." ... "The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived." ... "The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
I WANT her though, to take the same from me. She touches me as if I were herself, her own. She has not realized yet, that fearful thing, that I am the other, she thinks we are all of one piece. It is painfully untrue. I want her to touch me at last, ah, on the root and quick of my darkness and perish on me, as I have perished on her. Then, we shall be two and distinct, we shall have each our separate being. And that will be pure existence, real liberty. Till then, we are confused, a mixture, unresolved, unextricated one from the other. It is in pure, unutterable resolvedness, distinction of being, that one is free, not in mixing, merging, not in similarity. When she has put her hand on my secret, darkest sources, the darkest outgoings, when it has struck home to her, like a death, "this is _him!_" she has no part in it, no part whatever, it is the terrible _other_, when she knows the fearful _other flesh_, ah, dark- ness unfathomable and fearful, contiguous and concrete, when she is slain against me, and lies in a heap like one outside the house, when she passes away as I have passed away being pressed up against the _other_, then I shall be glad, I shall not be confused with her, I shall be cleared, distinct, single as if burnished in silver, having no adherence, no adhesion anywhere, one clear, burnished, isolated being, unique, and she also, pure, isolated, complete, two of us, unutterably distinguished, and in unutterable conjunction. Then we shall be free, freer than angels, ah, perfect. VIII AFTER that, there will only remain that all men detach themselves and become unique, that we are all detached, moving in freedom more than the angels, conditioned only by our own pure single being, having no laws but the laws of our own being. Every human being will then be like a flower, untrammelled. Every movement will be direct. Only to be will be such delight, we cover our faces when we think of it lest our faces betray us to some untimely fiend. Every man himself, and therefore, a surpassing singleness of mankind. The blazing tiger will spring upon the deer, un-dimmed, the hen will nestle over her chickens, we shall love, we shall hate, but it will be like music, sheer utterance, issuing straight out of the unknown, the lightning and the rainbow appearing in us unbidden, unchecked, like ambassadors. We shall not look before and after. We shall _be_, _now_. We shall know in full. We, the mystic NOW. (From the poem the Manifesto)
D.H. Lawrence
Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl. How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit? So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter. I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.
Amy Tan (The Joy Luck Club)
Every act of will is an act of self-limitation. To desire action is to desire limitation. In that sense, every act is an act of self-sacrifice. When you choose anything, you reject everything else... Every act is an irrevocable selection and exclusion. Just as when you marry one woman you give up all the others, so when you take one course of action you give up all the other courses… Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If, in you bold creative way, you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe. The moment you step into the world of facts, you step into a world of limits. You can free things from alien or accidental laws, but not from the laws of their own nature. You may, if you like, free a tiger from his bars; but do not free him from his stripes. Do not free a camel from the burden of his hump; you may be freeing him from being a camel. Do not go about as a demagogue, encouraging triangles to break out of the prison of their three sides. If a triangle breaks out of its three sides, its life comes to a lamentable end. Somebody wrote a work called “The Loves of the Triangles”; I never read it, but I am sure that if triangles ever were loved, they were loved for being triangular. This is certainly the case with all artistic creation, which is in some ways the most decisive example of pure will. The artist loves his limitations: they constitute the thing he is doing.
G.K. Chesterton (Orthodoxy)
I felt my resolve crumbling. I wanted him, wanted him badly. I needed him too. I almost gave in. I almost told him that there was nothing in the world I wanted more than to be with him. That I didn’t think I was capable of leaving him. That he was more precious to me than anything. That I’d give up anything to be with him. But then he pressed me close and spoke softly in my ear, “Pease don’t leave me, priya. I don’t think I could survive without you.” My eyes filled up with tears, and shiny wet drops spilled down my cheeks. I touched his face. “Don’t you see, Ren? That’s exactly why I have to go. You need to know that you can survive without me. That there’s more to life than just me. You need to see this world that’s opened up to you and know that you have choices. I refuse to be your cage. “I could capture you and keep you selfishly to indulge my own desires. Regardless of whether you’re willing or not, it would be wrong. I helped you so that you could be free. Free to see and do all of the things that you missed out on all these years.” My hand slipped from his cheek to his neck. “Should I put a collar on you? Chain you up so you spend your life connected to me out of a sense of obligation?” I shook my head. I wept openly now. “I’m sorry, Ren, but I won’t do that to you. I can’t. Because…I love you too.” I kissed him quickly one last time.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I came to another passageway and paused to examine the scene. I saw myself dead and lying on the ground with Ren kneeling beside me. He leaned over my inert body investigating. I heard him whisper, “Kelsey? Is it you? Kelsey, please. Talk to me. I need to know if it’s really you.” He picked my body up and cradled it lovingly in his arms. I checked to make sure he had the gada and the backpack, which he did, but I’d been fooled before. Then he said, “Don’t leave me, Kells.” I closed my eyes and listened to his voice begging me to live. My heart started thumping wildly, a different reaction than I’d had in the past visions. I took a step closer and hit a barrier again. I spoke to him softly, “Ren? I’m here. Don’t give up.” He raised his head as if he’d heard me. “Kelsey? I can hear you, but I can’t see you. Where are you?” He lowered me, or the body that looked like me, to the ground, and it disappeared. I told him, “Close your eyes and feel your way to me.” He stood slowly and closed his eyes. I closed my eyes too, and tried to focus not on his voice but on his heart. I imagined my hand on his chest, feeling the strong thump of his heart beneath my fingers. My body seemed to move of its own volition, and I took several steps forward. I concentrated on Ren, his laugh, his smile, how I felt being near him, then, suddenly, my hand touched his chest, and I could feel his heart beating. He was there. I opened my eyes slowly and looked at him. He reached out a hand to touch my hair, but then he pulled it back. “Is it really you this time, Kells?” “Well, I’m no maggoty corpse, if that’s what you mean.” He grinned. “That’s a relief. No maggoty corpse would be that sarcastic.” I countered, “Well, how do I know it’s really you?” He considered my question for a moment and then ducked his head to kiss me. He tugged me flush up against his chest, pulling me closer than I even thought possible, and then his lips touched mine. His kiss started out warm and soft, but quickly turned hungry and demanding. His hands ran up my arms, to my shoulders, and then cupped my neck. I wrapped my arms around his waist and luxuriated in the kiss. When he finally pulled back, my heart was pounding in response. When the power of speech returned, I quipped, “Well, even if it isn’t really you, I’ll take this version.” He laughed and relief flooded both of us. “Kells, I think you’d better hold my hand the rest of the way.” I smiled gaily back at him. “No problem.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.” I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!” He shrugged his shoulders and grinned. “I missed you.” My mouth quirked up in a half smile. “I missed you too.” He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.” I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.” “I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.” “I wouldn’t either.” He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine. I squeezed his hand. “I understand. It’s fine. Really.” He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.” Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks. He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me." Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man." Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity." I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life." "I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me. I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))