Tied Up Tuesday Quotes

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What?” The word exploded out of me. “What do you want me to tell you? You want to hear about how they tied us up like animals to bring us into the camp—or, hey! How about that time a PSF once beat in a girl’s skull so badly she actually lost an eye? You want to know what it was like to drink rotten water for an entire summer until new pipes finally came? How I woke up afraid and went to bed in terror every single day for six years? For God’s sake, leave me alone! Why do you always have to dig and dig when you know I don’t want to talk about it?
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
What happened to me? I asked myself. Morris's high, smoky voice took me back to my university years, when I thought rich people were evil, a shirt and tie were prison clothes, and life without freedom to get up and go - motorcycle beneath you, breeze in your face, down the streets of Paris, into the mountains of Tibet - was not a good life at all. What happened to me?
Mitch Albom (Tuesdays with Morrie)
Oh yes, and compulsory ferret-legging down the pub on Tuesday evenings, for the tourist trade tha’ knows.” “Ferret-legging?” Rachel looked at him incredulously. “Yup. You tie your kilt up around your knees with duct tape—as you probably know, no Yorkshireman would be seen dead wearing anything under his sporran—and take a ferret by the scruff of his neck. A ferret, that’s like, uh, a bit like a mink. Only less friendly. It’s a young man’s initiation rite; you stick the ferret where the sun doesn’t shine and dance the furry dance to the tune of a balalaika. Last man standing and all that, kind of like the ancient Boer aardvark-kissing competition.” Martin shuddered dramatically. “I hate ferrets. The bloody things bite like a cask-strength single malt without the nice after-effects.
Charles Stross (Singularity Sky (Eschaton, #1))
And one cold Tuesday in December, when Marie-Laure has been blind for over a year, her father walks her up rue Cuvier to the edge of the Jardin des Plantes. "Here, ma chérie, is the path we take every morning. Through the cedars up ahead is the Grand Gallery." "I know, Papa." He picks her up and spins her around three times. "Now," he says, "you're going to take us home." Her mouth drops open. "I want you to think of the model, Marie." "But I can't possibly!" "I'm one step behind you. I won't let anything happen. You have your cane. You know where you are." "I do not!" "You do." Exasperation. She cannot even say if the gardens are ahead or behind. "Calm yourself, Marie. One centimeter at a time." "I'm far, Papa. Six blocks, at least." "Six blocks is exactly right. Use logic. Which way should we go first?" The world pivots and rumbles. Crows shout, brakes hiss, someone to her left bangs something metal with what might be a hammer. She shuffles forward until the tip of her cane floats in space. The edge of a curb? A pond, a staircase, a cliff? She turns ninety degrees. Three steps forward. Now her cane finds the base of a wall. "Papa?" "I'm here." Six paces seven paces eight. A roar of noise - an exterminator just leaving a house, pump bellowing - overtakes them. Twelve paces farther on, the bell tied around the handle of a shop door rings, and two women came out, jostling her as they pass. Marie-Laure drops her cane; she begins to cry. Her father lifts her, holds her to his narrow chest. "It's so big," she whispers. "You can do this, Marie." She cannot.
Anthony Doerr (All the Light We Cannot See)
You know what?” Bryce said. “Who cares about any of them? My father, the Avallen Fae—screw them.” Only with Hunt could she be dismissive about this. He’d have her back, no matter what. “At least, until we get my parents onto that train.” “You still haven’t given me a convincing plan for how that will happen. For all we know, they’re learning about this on the news.” “Oh, my phone would already be exploding if my mother had heard.” She ran a hand through her hair. “Maybe I should ask Fury to sneak into their hotel and disable their phones.” “Is it bad if I think she should go one step further and tie them up, throw them in the trunk of a car, and drive them home so they get there before the news breaks? Because that’s what Fury will likely do if you send her to that hotel.” Bryce laughed, and the sound sang through her like silver bells. “Okay, no Fury.” She looped her arm through Hunt’s, savoring the muscled mass of him as she steered them toward the low gate and sidewalk beyond. “Let’s watch old episodes of Beach House Hookeup and come up with ways to trick my parents.” One of his wings brushed along her back in the softest caresses. Every inch it touched lit up like firstlight. “Sounds like a normal Tuesday night.” They meandered home, and despite Bryce’s flippant words, she found herself slipping into a state of roiling darkness and thoughts like shooting stars.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Potters. Mrs. Potter was Mrs. Dursley’s sister, but they hadn’t met for several years; in fact, Mrs. Dursley pretended she didn’t have a sister, because her sister and her good-for-nothing husband were as unDursleyish as it was possible to be. The Dursleys shuddered to think what the neighbors would say if the Potters arrived in the street. The Dursleys knew that the Potters had a small son, too, but they had never even seen him. This boy was another good reason for keeping the Potters away; they didn’t want Dudley mixing with a child like that. When Mr. and Mrs. Dursley woke up on the dull, gray Tuesday our story starts, there was nothing about the cloudy sky outside to suggest that strange and mysterious things would soon be happening all over the country. Mr. Dursley hummed as he picked out his most boring tie for work, and Mrs. Dursley gossiped away happily as she wrestled a screaming Dudley into his high chair. None of them noticed a large, tawny owl flutter past the window. At half past eight, Mr. Dursley picked up his briefcase, pecked Mrs. Dursley on the cheek, and tried to kiss Dudley good-bye but missed, because Dudley was now having a tantrum and throwing his cereal at the walls. “Little tyke,” chortled Mr. Dursley as he left the house. He got into his car and backed out of number four’s drive. It was on the corner of the street that he noticed the first sign of something peculiar — a cat reading a map. For a second, Mr. Dursley didn’t realize what he had seen — then he jerked his head around to look again. There was a tabby cat standing on the corner of Privet Drive, but there wasn’t a map in sight. What could he have been
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
FIVE-THIRTY TUESDAY MORNING FBI Special Agent Brogan was alone in the third-floor meeting room, using one of the newly installed phone lines for an early call to his girlfriend. Five-thirty in the morning is not the best time to deliver an apology for a broken date from the night before, but Brogan had been very busy, and he anticipated being busier still. So he made the call. He woke her and told her he had been tied up, and probably would be for the rest of the week. She was sleepy and annoyed, and made him repeat it all twice. Then she chose to interpret the message as a cowardly prelude to some kind of a brush-off. Brogan got annoyed in turn. He told her the Bureau had to come first. Surely she understood that? It was not the best point to be making to a sleepy annoyed woman at five-thirty in the morning. They had a short row and Brogan hung up, depressed.
Lee Child (Die Trying (Jack Reacher, #2))