Tidy Room Quotes

We've searched our database for all the quotes and captions related to Tidy Room. Here they are! All 100 of them:

Bertram scratched his ear. ‘I was made aware of a bit of a ruckus.The bedrooms used in that house were on the second and third floors. I had just cleared two gentlemen from a room on the third floor at Donovan’s request, he then asked me to tidy up the room ahead of the next guests’ arrival. I was doing that when I heard some shouts from a bedroom below.
Mark Ellis (Death of an Officer)
To be honest, it’s probably better if I don’t talk. Cute guys make me nervous. Like tongued-tied total-brain-malfunction nervous. All my filters shut off and suddenly I’m telling them about the time I peed my pants in the third grade during a field trip to the maple syrup factory, or how I’m scared of puppets and have mild OCD that could possibly drive me to tidy up your room the moment you turn your head.
Elle Kennedy (The Mistake (Off-Campus, #2))
I’ve always been a slow learner in some areas of my life.mostly the areas known as myself. Or maybe I should say ‘selves.’because the fact is, I’ve never, even as a child, felt I’m only one self, only one person. I’ve always felt I’m quite a few more than one. For example, there’s my jokey self, there’s my morose and fed-up self,there’s my lewd and disgusting self. There’s my clever-clogs self, and my fading-violet-who-cant-make-up-her-mind-about-anything self. There’s my untidy-clothes-everywhere-all-over-my-room self, and my manically tidy self when I want my room to be minimalist and Zen to the nth degree. There’s my confidant, arrogant self and my polite and reasonable and good listener self. There’s my self-righteous self and my wickedly bad self, my flaky self and my bsentimental self. There are selfs I like and selfs I don’t like.there’s my little-girl selfnwhonlikes to play silly games and there’s my old-woman self when I’m quite sure I’m eighty and edging towards geriatric. The self I show in action at any moment depends on where I am, who I’m with, the circumstances of the situation and the mood I’m in.
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled. "The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.
Margery Williams Bianco (The Velveteen Rabbit)
While he waited, he made up the bed,more to discourage Meg from falling back into it than because he wanted to tidy the room. Besides, running his hands over the sheets and breathing in her scent made him happy,
Anne Bishop (Marked in Flesh (The Others, #4))
I find so many opportunities to fall, to falter, and fail when I refuse to surrender to change. Change will come into my room and rearrange my tidy world. Then like dominoes, one things changed falls upon another until it feels like the world is collapsing around me. But when I yield, when I surrender to the necessary change, I can stand back and look at the beautiful picture created by what seemed to be my world falling apart.
Stella Payton
He hated the men floating in sleep in the big stone houses. Because their lives were ordered and their rooms tidy. Because they got up every morning and did their public work. Because they weren't going to dynamite their factories and have naked parties in the fire.
Leonard Cohen (The Favorite Game)
The trouble with lies is that they love company. Once you tell a single lie, that lie gets terribly excited and calls all its friends to visit. Soon you find yourself making room for them in every corner, turning down beds and lighting lamps to make them comfortable, feeding them and tidying them and mending them when they start to wear thin.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Thirty minutes later I flipped through the photos of the hospital room. Don was correct. Everything looked as tidy as could be. Even theIV needle that had been pulled from Danny's arm rested innocantly on the bed as if waiting for the next vein.No footprints,no fingerprints,no blood,no bodily fluid, not even a frigging sheet out of place. Moleculer transpotation couldn't have been neater. Maybe that was it. Maybe Danny had been beamed right the fuck out of there. It would almost be worth telling that to Don just to see the look on his face.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
She was the spare room that never got tidied, the e-mail that never got answered, the loan that never got repaid, the symptom that never got described to a doctor.
Nick Hornby (Juliet, Naked)
What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt.
Margery Williams Bianco (The Velveteen Rabbit)
After tidying up, Adela would plunge the rooms into semidarkness by drawing down the linen blinds. All colors immediately fell an octave lower, the room filled with shadows, as if it had sunk to the bottom of the sea and the light was reflected in mirrors of green water–and the heat of the day began to breathe on the blinds as they stirred slightly in their daydreams.
Bruno Schulz (The Street of Crocodiles)
Housework was comforting. In cleaning and restoring a room, one could assert control. One could even pretend, briefly, that life could be tidied the same way.
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.
Tom Robbins (Skinny Legs and All)
If ever there were a true “just as I am” church, if ever there were a community where everybody could bring all their baggage and brokenness with them without neat and tidy happy endings quite yet, if ever there was a group where everyone was loved and no one pretended — we could not make enough room inside the building.
John Ortberg (The Me I Want to Be: Becoming God's Best Version of You)
What is REAL?” asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. “Does it mean having things that buzz inside you and a stick-out handle?” “Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.” “Does it hurt?” asked the Rabbit. “Sometimes,” said the Skin Horse, for he was always truthful. “When you are Real you don’t mind being hurt.” “Does it happen all at once, like being wound up,” he asked, “or bit by bit?” “It doesn’t happen all at once,” said the Skin Horse. “You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.
Margery Williams Bianco (The Velveteen Rabbit)
When your room is clean and uncluttered, you have no choice but to examine your inner state.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
You do not tidy up a dark room. You open the windows first. Letting in the light makes everything easy. So, let us wait to improve others until we have seen ourselves as we are - and have changed.
Nisargadatta Maharaj (I Am That: Talks with Sri Nisargadatta Maharaj)
I have a room, which is in my brain, and it's very, very, very... untidy! There is stuff fallen everywhere. There are some very important ideas next to dome very silly ones. There is a bottle of wine that was opened five years ago, and there is a lunch I haven't eaten from last summer. There are faces of children who are going to die but don't have to. There's my fathers face telling me to tidy up my room. So that's what I'm doing - tidying my room.
Bono (Bono: In Conversation with Michka Assayas)
Heaven doesn't need dusting. The only tidying that remains is to continue growing in goodness, and goodness knows, for most of us there is always room for improvement. - Bailey Ruth
Carolyn G. Hart (Ghost at Work (Bailey Ruth, #1))
What I have always found most comforting about these forms is the trace of hope I get as I'm filling them out. How they break your life down into such tidy realms, making each seem tractable, because discrete, in a way they never are beyond the white noise of the waiting room. You get that fleeting sense that you're on the verge of being understood, truly and fully, and for the first time, if you could just get it all down in black and white before the receptionist calls your name.
Adam Haslett (Imagine Me Gone)
But of what use is it to be whitewashed and trim outside, to have pleasant creepers and tidy shutters, when inside one's soul wanders through empty rooms, mournfully shivers in damp and darkness, is hungry and no one brings it food, is cold and no one lights a fire, is miserable and tired and there's no chair to sit on?
Elizabeth von Arnim (Fraulein Schmidt and Mr Anstruther)
Salim,' She said, as if he were in the room. 'I'll have your guts for garters.' I has never heard this before and wondered what garters were. Kat told me later that they are what women used to wear around their thighs to keep their stockings up and they were elasticated. I do not think guts would be a tidy way of doing this.
Siobhan Dowd (The London Eye Mystery (London Eye Mystery, #1))
AS THE heavy door shut behind him the cloud gradually lifted from the room. Rachel moved nervously to the table and began to wrap the leftover corn bread in a clean linen napkin. "Before I do another thing," she said, "I must take this to Widow Brown. She's still far too weak to fend for herself. Forgive me for leaving you, Katherine, but I'll be back in no time at all." "In no time," echoed Judith bitterly, as her mother hurried out into the foggy morning. "Just as soon as she's built up the fire and made gruel and tidied the whole cabin. With more than a day's work waiting here at home.
Elizabeth George Speare (The Witch of Blackbird Pond)
You’re very tidy,’ Dan said. ‘You can come and tidy my room if you like.’ ‘Ferdy cannot do the impossible,’ Ferdy said.
Darrell Pitt (Teen Superheroes Box Set Books 1 - 7)
There is a saying that “a messy room equals a messy mind.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
The two women sat by the fire, tilting their glasses and drinking in small peaceful sips. The lamplight shone upon the tidy room and the polished table, lighting topaz in the dandelion wine, spilling pools of crimson through the flanks of the bottle of plum gin. It shone on the contented drinkers, and threw their large, close-at-hand shadows upon the wall. When Mrs Leak smoothed her apron the shadow solemnified the gesture as though she were moulding an universe. Laura's nose and chin were defined as sharply as the peaks peaks on a holly leaf.
Sylvia Townsend Warner (Lolly Willowes)
Yet I’ve come to learn that all our stories add up to the same imprisonment. The self-delusion of uniqueness. The festering pretense that we are the same as they are. The gutting of all our passions till we are a bunch of eunuchs, our zones of pleasure in enemy hands. Most of all, the ventriloquism, the learning how to pass for straight. Such obedient slaves we make, with such very tidy rooms.
Paul Monette
In Japan, people believe that things like cleaning your room and keeping your bathroom spick-and-span bring good luck, but if your house is cluttered, the effect of polishing the toilet bowl is going to be limited.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
I have one memory that catches in me like a nasty clump of blood. Marian was dead about two years, and my mother had a cluster of friends over for afternoon drinks. One of them brought a baby. For hours, the child was cooed over, smothered with red-lipstick kisses, tidied up with tissues, then lipstick smacked again. I was supposed to be reading in my room, but I sat at the top of the stairs watching. My mother finally was handed the baby, and she cuddled it ferociously. Oh, how wonderful it is to hold a baby again! Adora jiggled it on her knee, walked it around the rooms, whispered to it, and I looked down from above like a spiteful little god, the back of my hand placed against my face, imagining how it felt to be cheek to cheek with my mother. When the ladies went into the kitchen to help tidy up the dishes, something changed. I remember my mother, alone in the living room, staring at the baby almost lasciviously. She pressed her lips hard against the baby's apple slice of a cheek. Then she opened her mouth just slightly, took a tiny bit of flesh between her teeth, and gave it a little bite. The baby wailed. The blotch faded as Adora snuggled the child, and told the other women it was just being fussy. I ran to Marian's room and got under the covers.
Gillian Flynn (Sharp Objects)
Jupiter made a space on the sofa for Morrigan to sit, delicately removing items of rubbish and placing them in the trash… then he got carried away and spent the next forty minutes tidying, wiping down surfaces, and making the room as habitable as he possibly could. He didn’t ask Morrigan to help, and Morrigan didn’t offer. She wasn’t touching this health and safety hazard with a ten-foot pole.
Jessica Townsend (Wundersmith: The Calling of Morrigan Crow (Nevermoor, #2))
Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse. The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
Margery Williams Bianco (The Velveteen Rabbit (Illustrated))
When you stand in front of a closet that has been reorganized so that the clothes rise to the right, you will feel your heart beat faster and the cells in your body buzz with energy. This energy will also be transmitted to your clothes. Even when you close the closet door, your room will feel fresher. Once you have experienced this, you’ll never lose the habit of organizing by category. Some may question whether paying attention to such details can possibly cause such a change, but why waste your time doubting if incorporating this exciting magic into all your storage spaces could keep your room tidy?
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Muslim Girlhood I never found myself in a pink aisle. There was no box for me with glossy cellophane like heat and a neat packet of instructions in six languages. Evenings, I watched TV like a religion I moderately believed. I watched to see how the others lived, not knowing I was the other - no laugh track in my living room, no tidy and punctual resolution waiting. I took tests in which Jane & William had so many apples. I fasted through birthday parties and Christmas parties and ate leftover tajine at plastic lunch tables, picked at pepperoni from slices like blemishes and tried not to complain. I prayed at the wrong times in the wrong tongue. I hungered for Jell-O & Starburts & margarine; could read mono- and diglycerides by five, knew what gelatin meant, and where it came from.
Leila Chatti
The room was so neat and tidy it made me feel quite depressed...I do not allow myself to repine about what cannot be helped; but I remembered earlier Decembers, under the cloudless blue skies and brilliant sun of Egypt. As I stood morosely contemplating the destruction of our cheerful domestic clutter, and recalling better days, I heard the sound of wheels on the gravel of the drive. The first guest had arrived. Gathering the robes of my martyrdom about me, I made ready to receive her.
Elizabeth Peters (The Curse of the Pharaohs (Amelia Peabody, #2))
So we go around pigeonholing everything. We put cows in cowsheds, horses in stables, pigs in pigsties, and chickens in chicken coops. The same happens when Sophie Amundsen tidies up her room. She puts her books on the bookshelf, her schoolbooks in her schoolbag, and her magazines in the drawer. She folds her clothes neatly and puts them in the closet - underwear on one shelf, sweaters on another, and socks in a drawer on their own. Notice that we do the same thing in our minds. we distinguish between things made of stone, things made of wool, and things made of rubber. We distinguish between things that are alive or dead, and we distinguish between vegetables, animal, and human
Jostein Gaarder (Sophie’s World)
Did we all, in our own ways, push our feelings aside into tidy compartments to make room for the difficult parts of life?
Bella Forrest (Darkblood (Darklight #4))
I don't want to hide all the bad things away beneath my bed like a kid asked to tidy his room. Like the British Empire.
Alison Rumfitt (Tell Me I’m Worthless)
I’m sure most of us have been scolded for not tidying up our rooms, but how many of our parents consciously taught us how to tidy as part of our upbringing?
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Today we’re going to make things a little harder, but I’m confident you’ve got this. Once you’re finished with school and your homework, surprise your mom by tidying up your room!
Inez Chloris (How to Impress Mom: A Crash Course on Being a Better Son or Daughter)
messy room equals a messy mind’.
Marie Kondō (The Life-Changing Magic of Tidying)
I can read a whole book in a day if I’m not interrupted too many times by annoying things like having to tidy my room and go to the shops with Maman and Annette.
Fiona Valpy (The Storyteller of Casablanca)
Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all An August Bank Holiday lark; And the shut shops, the bleached Established names on the sunblinds, The farthings and sovereigns, And dark-clothed children at play Called after kings and queens, The tin advertisements For cocoa and twist, and the pubs Wide open all day-- And the countryside not caring: The place names all hazed over With flowering grasses, and fields Shadowing Domesday lines Under wheat's restless silence; The differently-dressed servants With tiny rooms in huge houses, The dust behind limousines; Never such innocence, Never before or since, As changed itself to past Without a word--the men Leaving the gardens tidy, The thousands of marriages, Lasting a little while longer: Never such innocence again. - MCMXIV
Philip Larkin
There is nothing to be done but go ahead with life moment by moment and hour by hour-put out birdseed, tidy the rooms, try to create order and peace around me even if I cannot achieve it inside me.
May Sarton (Journal of a Solitude)
Let’s imagine a cluttered room. It does not get messy all by itself. You, the person who lives in it, makes the mess. There is a saying that “a messy room equals a messy mind.” I look at it this way. When a room becomes cluttered, the cause is more than just physical. Visible mess helps distract us from the true source of the disorder. The act of cluttering is really an instinctive reflex that draws our attention away from the heart of an issue. If you can’t feel relaxed in a clean and tidy room, try confronting your feeling of anxiety. It may shed light on what is really bothering you. When your room is clean and uncluttered, you have no choice but to examine your inner state. You can see any issues you have been avoiding and are forced to deal with them. From the moment you start tidying, you will be compelled to reset your life. As a result, your life will start to change. That’s why the task of putting your house in order should be done quickly. It allows you to confront the issues that are really important. Tidying is just a tool, not the final destination. The true goal should be to establish the lifestyle you want most once your house has been put in order. Storage
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Putting things away creates the illusion that the clutter problem has been solved. But sooner or later, all the storage units are full, the room once again overflows with things, and some new and “easy” storage method becomes necessary, creating a negative spiral. This is why tidying must start with discarding. We need to exercise self-control and resist storing our belongings until we have finished identifying what we really want and need to keep.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
She has that voraciousness about children. She swoops in on them. Even I, in public was a beloved child. She'd parade me into town, smiling and teasing me, tickling me as she spoke with people on the sidewalks. When we got home, she'd trail off to her room like an unfinished sentence, and I would sit outside with my face pressed against her door, and replay the day in my head, searching for clues to what I had done to displease her. I have one memory that catches in me like a nasty clump of blood. Marian was dead about two years, and my mother had a cluster of friends come over for afternoon drinks. For hours, the child was cooed over, smothered with red lipstick kisses, tidied up with tissues, then lipstick smacked again. I was suppose to be reading in my room, but I sat at the top of the stairs watching. My mother finally was handed the baby, and she cuddled it ferociously. Oh, how, wonderful it is to hold a baby again! Adora jiggled it on her knee, walked it around the rooms, whispered to it, and I looked down from above like a spiteful little god, the back of my hand placed against my face, imagining how it felt to be cheek to cheek with my mother.
Gillian Flynn (Sharp Objects)
The front room of his house was what I called 'untidy chic'. Prefects weren't subject to the same Rules on room tidiness, but since no one really enjoyed clutter, a certain style of ordered untidiness was generally considered de couleur for a prefect's room.
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
In my room, I looked around at all the pieces of my life, neat and tidy on their little shelves, my clothes and books and telephones, my shoes and hair barrettes, and tried to care about them. Mine, mine, mine. But they were only things, things that could have belonged to anyone.
Aryn Kyle (The God of Animals)
All right then. In that case, I only have one question.” Kyoshi cast her gaze around the room. “Are you sure this is all of you?” The Triad members glanced at each other. Mok’s face swelled with rage, reddening like a berry in the sun. It wasn’t insolence so much as pragmatism, her instinct for tidiness and efficiency rising to the surface. “If not, I can wait until everyone arrives,” Kyoshi said. “I don’t want to have to go back and check each floor.” “Tear her apart!” Mok screamed. The hatchet men charged from all directions. Kyoshi drew one of her fans. Two would have been a bit much.
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
Taking the clutter out of your home can also help you to think more clearly. Living in a tidy home, where everything has its own place, actually gives you room in your mind to concentrate on more important things. It creates a home environment that is peaceful and harmonious for everyone that lives there. Having
Sarah Goldberg (Banish Clutter: Simplify Your Life In Only One Weekend)
Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.
Anne Sexton
Alice moved slowly—for her—around the big room, unnecessarily tidying the already immaculate space, straightening Esme’s perfectly hung garlands. She was re-centering Esme’s vases on the console at the moment. I could see from the way her face fluctuated—aware, then blank, then aware again—that she was searching the future.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
These, in review, are the baby steps to owning less: • Write down your goals. • Start decluttering with the easy targets in your lived-in areas. • Then go room by room, tossing out and tidying up. • Eliminate duplicates as you make your circuit. • Share your story with others to keep yourself motivated during and beyond the first steps.
Joshua Becker (The More of Less: Finding the Life You Want Under Everything You Own)
Think back to your own childhood. I’m sure most of us have been scolded for not tidying up our rooms, but how many of our parents consciously taught us how to tidy as part of our upbringing? Our parents demanded that we clean up our rooms, but they, too, had never been trained in how to do that. When it comes to tidying, we are all self-taught.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
After Ian left for the Greenleaf Inn, where he planned to stop for the night before continuing the trip to his own home, Elizabeth stayed downstairs to put out the candles and tidy up the drawing room. In one of the guest chambers above, Jordan glanced at his wife’s faint, preoccupied smile and suppressed a knowing grin. “Now what do you think of the Marquess of Kensington?” he asked. Her eyes were shining as she lifted them to his. “I think,” she softly said, “that unless he does something dreadful, I’m prepared to believe he could truly be your cousin.” “Thank you, darling,” Jordan replied tenderly, paraphrasing Ian’s words. “I’m happy to see your opinion of him is already improving.
Judith McNaught (Almost Heaven (Sequels, #3))
My seventeen-year-old son, Chase, and his friends are in the family room watching a movie. I’ve been trying to leave them alone, but it’s hard for me. I understand that most teenagers think their moms are uncool, but I am certain I’m the exception. I stand at the door and peek inside. The boys are draped all over the couch. The girls have arranged themselves in tiny, tidy roly-poly piles on the floor. My young daughters are perched at the feet of the older girls, quietly worshipping. My son looks over at me and half smiles. “Hi, Mom.” I need an excuse to be there, so I ask, “Anybody hungry?” What comes next seems to unfold in slow motion. Every single boy keeps his eyes on the TV and says, “YES!” The girls are silent at first. Then each girl diverts her eyes from the television screen and scans the faces of the other girls. Each looks to a friend’s face to discover if she herself is hungry. Some kind of telepathy is happening among them. They are polling. They are researching. They are gathering consensus, permission, or denial. Somehow the collective silently appoints a French-braided, freckle-nosed spokesgirl. She looks away from the faces of her friends and over at me. She smiles politely and says, “We’re fine, thank you.” The boys looked inside themselves. The girls looked outside themselves. We forgot how to know when we learned how to please. This is why we live hungry.
Glennon Doyle (Untamed)
Margherita was not allowed to play in the 'portego,' for one never knew when a customer would come, and the room must always be clean and tidy and respectable. It was only ever used by the family on special occasions, and so Margherita's eyes widened when she saw that her mother had spread the table with a spotless white cloth and the best pewter bowls and mugs. A small bunch of 'margherita' daisies was in a fat blue jug, and three sweet oranges sat in an earthenware bowl. Coarse brown bread stood ready on a wooden board, next to a bowl of soft white cheese floating in golden oil and thyme sprigs. Soup made with fish and clams and fennel and scattered with sprigs of fresh parsley steamed in a big clay pot.
Kate Forsyth (Bitter Greens)
But, as to Mr. Franklin's bedroom (if THAT is to be put back to what it was before), I want to know who is responsible for keeping it in a perpetual state of litter, no matter how often it may be set right--his trousers here, his towel there, and his French novels everywhere. I say, who is responsible for untidying the tidiness of Mr. Franklin's room, him or me?
Wilkie Collins (The Moonstone)
If you can’t feel relaxed in a clean and tidy room, try confronting your feeling of anxiety. It may shed light on what is really bothering you. When your room is clean and uncluttered, you have no choice but to examine your inner state. You can see any issues you have been avoiding and are forced to deal with them. From the moment you start tidying, you will be compelled to reset your life. As a result, your life will start to change. That’s why the task of putting your house in order should be done quickly. It allows you to confront the issues that are really important. Tidying is just a tool, not the final destination. The true goal should be to establish the lifestyle you want most once your house has been put in order.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Yoneda-san was like the glittering white bits inside a snow globe. The scene of the Ashiya house was reflected in the glass of the globe. The rooms were all perfectly clean and tidy, the aroma of a delicious meal wafted here and there, laughter echoed through the house. You had only to invert the globe to send the snow falling, collecting on the floor, protecting the inhabitants. But no matter how hard you shook it, the snow could never leave the globe. Breaking the glass would be a foolish mistake. Everything that had looked like snow before would become something much more uncertain, something dirty and viscous and unable ever to return to its original form. That’s why Yoneda-san could never be taken too far away from the house.
Yōko Ogawa (Mina's Matchbox)
Ah,’ said Beelzebub, and he actually began to smile. ‘You wizzsh to rule the world. That’z more like thy Fath—’ ‘I thought about all that an’ I don’t want to,’ said Adam, half turning and nodding encouragingly at the Them. ‘I mean, there’s some stuff could do with alt’rin’, but then I expect people’d keep comin’ up to me and gettin’ me to sort out everythin’ the whole time and get rid of all the rubbish and make more trees for ’em, and where’s the good in all that? It’s like havin’ to tidy up people’s bedrooms for them.’ ‘You never tidy up even your bedroom,’ said Pepper, behind him. ‘I never said anythin’ about my bedroom,’ said Adam, referring to a room whose carpet had been lost to view for several years. ‘It’s general bedrooms I mean. I din’t mean my personal bedroom. It’s an analoggy. That’s jus’ what I’m sayin’.
Terry Pratchett (Good Omens)
We take off for New Jersey. Gigantic landscape of factories, bridges, and railroads. And then, suddenly, East Orange and a countryside as postcard as can be, with thousands of neat and tidy cottages like toys in the midst of tall poplars and magnolias. I'm shown in the little public library, bright and gay, which the neighborhood uses a lot - with a huge room for children. (Finally a country where the children are really taken care of.)
Albert Camus (American Journals)
pitfall. The root of the problem lies in the fact that people often store the same type of item in more than one place. When we tidy each place separately, we fail to see that we’re repeating the same work in many locations and become locked into a vicious circle of tidying. To avoid this, I recommend tidying by category. For example, instead of deciding that today you’ll tidy a particular room, set goals like “clothes today, books tomorrow.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
They had reached the top of a hill. Drogo turned back to look at the city against the light. Plumes of smoke were rising from roofs. He saw his own house in the distance. He identified the window of his room. It was probably open; the women were tidying up. They would strip the bed, put things away in the closet, then bolt the shutters. For months and months no one would enter, except for the patient dust and on sunny days faint streaks of light. There, shut up in darkness, would lie the little world of his boyhood. His mother would preserve it so that on his return he would find everything the same, enabling him to remain a boy in that room, even after his long absence. She was no doubt deluding herself; she believed she could preserve intact a happiness that had vanished forever, holding back the flight of time, so that when doors and windows were reopened at her son's return, things would revert to the way they were before.
Dino Buzzati (Il deserto dei Tartari)
After Josh leaves and Kitty goes upstairs to watch TV, I’m tidying up the living room and Peter’s sprawled out on the couch watching me. I keep thinking he’s about to leave, but then he keeps lingering. Out of nowhere he says, “Remember back at Halloween how you were Cho Chang and Sanderson was Harry Potter? I bet you that wasn’t a coincidence. I bet you a million bucks he got Kitty to find out what your costume was and then he ran out and bought a Harry Potter costume. The kid is into you.” I freeze. “No, he isn’t. He loves my sister. He always has and he always will.” Peter waves this off. “Just you wait. As soon as you and I are done, he’s gonna pull some cheesy-ass move and, like, profess his love for you with a boom box. I’m telling you, I know how guys think.” I yank away the pillow he’s got cushioning his bac and put it on the recliner. “My sister will be home for winter break soon. I bet you a million dollars they get back together.” Peter holds his hand out for me to shake on it, and when I take it, he pulls me onto the couch next to him. Our legs touch. He has a mischievous glint in his eye, and I think maybe he’s going to kiss me, and I’m scared, but I’m excited, too. But then I hear Kitty’s footsteps coming down the stairs, and the moment’s over.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Alice moved slowly—for her—around the big room, unnecessarily tidying the already immaculate space, straightening Esme’s perfectly hung garlands. She was re-centering Esme’s vases on the console at the moment. I could see from the way her face fluctuated—aware, then blank, then aware again—that she was searching the future. I assumed she was trying to see through the blind spots that Jacob and Renesmee made in her visions as to what was waiting for us in South America until Jasper said, “Let it go, Alice; she’s not our concern,” and a cloud of serenity stole silently and invisibly through the room. Alice must have been worrying about Irina again.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
The guy with the revolver stayed at the door. He went into a crouch and pointed the weapon two- handed. At my head. The guy with the shotgun approached close. These were fit lean boys. Neat and tidy. Textbook moves. The revolver at the door could cover the room with a degree of accuracy. The shotgun up close could splatter me all over the window. The other way around would be a mistake. The revolver could miss in a close- quarters struggle and a long- range shotgun blast from the door would kill the arresting officer and the old guy in the rear booth as well as me. So far, they were doing it right. No doubt about that. They had the advantage. No doubt about that, either. The tight booth trapped me. I was too hemmed in to do much. I spread my hands on the table. The officer with the shotgun came near.
Lee Child (Killing Floor (Jack Reacher #1))
Are you waiting for the end of my story? It’s ended. The day came when I was able to fly up here. I knew by then that I had much more to learn, and that I had to be stronger before I tried Crossing. But I felt I’d come more than halfway, too, and I was right. There was a corroded metal hatch over that window then. I tore it off and let it fall. When I’d explored all the rooms on all the levels, I decided to clean this one out and make it a private place just for myself, my own room in my own tower in the sky. There were bones in here and some other things, but I threw them out that window and swept this floor with my hands. When everything was tidy, I told myself I’d come back and spend hours up here after I’d made the Return Crossing, just thinking about who I was and what I had done for my children. But I never did, till now.” “I’ll
Gene Wolfe (Return to the Whorl)
THE Andersons lived in a lovely clapboard house at the corner of Washington and Main, a few blocks past the hubbub of stores and businesses, where the town settled into private residences for the well-to-do. Beyond the wide front porch, where Mr. and Mrs. Anderson liked to sit in the evenings, the man scooping into his silk tobacco pouch and the woman squinting at her needlework, were the parlor, dining room, and kitchen. Bessie spent most of her time on that first floor, chasing after the children, preparing meals, and tidying up. At the top of the staircase were the bedrooms—Maisie and little Raymond shared theirs—and the second washroom. Raymond took a long nap in the afternoon and Bessie liked to sit in the window seat as he settled into his dreams. She could just make out the top two floors of the Griffin Building, with its white cornices that blazed in the sunlight.
Colson Whitehead (The Underground Railroad)
one big room, except for the landing—to himself. Three windows open onto the rue Vauborel in the front, three more onto the alley in the back. There is a small and ancient bed, his coverlet smooth and tight. A tidy desk, a davenport. “That’s the tour,” he says, almost whispering. Her great-uncle seems kind, curious, and entirely sane. Stillness: this is what he radiates more than anything else. The stillness of a tree. Of a mouse blinking in the dark. Madame Manec brings sandwiches. Etienne doesn’t have any Jules Verne, but he does have Darwin, he says, and reads to her from The Voyage of the “Beagle,” translating English to French as he goes—the variety of species among the jumping spiders appears almost infinite… Music spirals out of the radios, and it is splendid to drowse on the davenport, to be warm and fed, to feel the sentences hoist her up and carry her somewhere else.
Anthony Doerr (All the Light We Cannot See)
My Lover Who Lives Far..... My lover, who lives far away, opens the door to my room and offers supper in a bowl made of his breath. The stew has boiled and I wonder at the cat born from its steam. The cat is in the bedroom now, mewling. The cat is indecent and I, who am trying to be tidy, I, who am trying to do things the proper way, I, who am sick from the shedding, I am undone. My lover, who lives far away, opens the door to my room and offers pastries in a basket spun from his vision. It is closely woven, the kind of container some women collect. I have seen these in many colors, but the basket he brings is simple: only black, only nude. The basket he brings is full of sweet scones and I eat even the crumbs. As if I've not dined for days. My lover, who lives far away, opens the door to my room and offers tea made from the liquid he's crying. I do not want my lover crying and I am sorry I ever asked for tea. My lover, who lives far away, opens the door to my room pretending he never cried. He offers tea and cold cakes. The tea is delicious: spiced like the start of our courtship, honeyed and warm. I drink every bit of the tea and put aside the rest. My lover, who lives far away, opens the door to my room like a man loving his strength. The lock I replaced this morning will not keep him away. My lover, who lives far away, opens the door to my room and brings me nothing. Perhaps he has noticed how fat I've grown, indulged. Perhaps he is poor and sick of emptying his store. It is no matter to me any longer, he has filled me, already, so full. My lover who is far away opens the door to my room and tells me he is tired. I do not ask what he's tired from for my lover, far away, has already disappeared. The blankets are big with his body. The cat, under the covers, because it is cold out and she is not stupid, mews.
Camille T. Dungy
Most of my friends have been in therapy at one time or another and you know what puzzles me about it? It's the idea that there's any kind of tidy answer to things. Life doesn't seem to me like that--it's a mess. But most people--or at least most people back home--go at it like they were after the secret of the universe. Just find the right formula and you'll get happy. You'll hit on the answer like you might hit on the right colour-scheme for the living-room and the sun will come out and shine for ever after. Coming to terms with life, that's what it's called. But personally I don't see how you come to terms with something that's basically fouled-up in a lot of ways. And I don't call that pessimism, I call it common sense. You know what I think? I think it's a misplaced faith in science. This is a scientific age and by heavens it ought to come up with a scientific answer to everything. Even how to get through life without trouble.
Penelope Lively (Perfect Happiness)
Dr. Seward, may I ask a favour? I want to see your patient, Mr. Renfield. Do let me see him. What you have said of him in your diary interests me so much!" She looked so appealing and so pretty that I could not refuse her, and there was no possible reason why I should, so I took her with me. When I went into the room, I told the man that a lady would like to see him, to which he simply answered, "Why?" "She is going through the house, and wants to see every one in it," I answered. "Oh, very well," he said, "let her come in, by all means, but just wait a minute till I tidy up the place." His method of tidying was peculiar, he simply swallowed all the flies and spiders in the boxes before I could stop him. It was quite evident that he feared, or was jealous of, some interference. When he had got through his disgusting task, he said cheerfully, "Let the lady come in," and sat down on the edge of his bed with his head down, but with his eyelids raised so that he could see her as she entered.
Bram Stoker (Dracula)
Please tidy your room this instant!” Gertrude’s mother would plead. The poor lady was in torment. She prided herself on keeping the rest of her house utterly spotless. If a single biscuit crumb dropped on to the carpet, Mother would get the vacuum cleaner out. The grubbiness of Gertrude’s bedroom was absolutely horrifying to her. How had she, a lady who always kept a vase of fresh flowers on the dining table, given birth to a child who chose to live in a… swamp? “BOG OFF!” Gertrude would reply with a laugh. She knew that her mother (always immaculately turned out with her hair in a swirl and a string of pearls round her neck) loathed her saying the word ‘BOG’. So Gertrude always, always, always made sure she used it when speaking to her. “Daughter! I forbid you from using that foul word!” Mother would wail. “What?‘BOG’?” Gertrude would answer mischievously. “Yes. It’s a frightful word that has no place in my otherwise delightful home. Now, young lady, I need you to tidy your room this instant!”“BOG OFF!” Gertrude would shout back. 135
David Walliams (The World’s Worst Children)
Knowing I may never see the room again makes me look at it with fresh eyes. A fire glows in the hearth nestled into the back wall. A square, worn brown rug sits in the middle of the room. Two sets of bunk beds are arranged on either side of the rug. Only mine, the bottom bed closest to the fireplace, has the sheets tucked in and the quilt smoothed. As soon as the boys graduated from school, Mom declared them old enough to tidy up their own beds. And they decided they were old enough not to care whether they slept in tightly tucked sheets. We each have a wooden chest for our everyday clothes and shoes. The special clothes are hung in the large wooden armoire in the corner. Mother always talks about first impressions. I gnaw on my bottom lip and weigh the merits of all my clothes. Feeling confident is always easier when dressed in something special, but I hear my father’s voice replay in my head. I imagine the abandoned city street he walked in his dream. The two dresses I own won’t help me there. And even if the dreams aren’t real, I know in my heart pretty clothes won’t help once The Testing begins.
Joelle Charbonneau (The Testing (The Testing, #1))
It’s okay. And clearly you’re not the thief either or you’d hardly be hunting for the real one.” “I just want to clear my name.” “Understandable.” Mr Jackson applied the Band-Aid to his knee. On the desk, Angus noticed a second photo. Mr Jackson with his arm around a little girl. Five or six years old, maybe. “Who’s she?” he asked, indicating the picture. “My daughter. She died.” “I’m sorry,” he said again, not knowing what else to say. “She was in hospital for a long time. The staff were good to her.” Neither of them said anything for a time. “Look,” continued Mr Jackson, finally, “I think it’s great that you and your friend are trying to find the thief. But you have to be realistic about your chances. And you definitely don’t want to be going into any school rooms without permission like you did the other day or you will end up in even more trouble.” “Okay,” Angus said, standing up. “Just a thought,” said Mr Jackson, “but if you’re serious about finding the culprit, I’d look closer to home.” “Closer to home?” Angus didn’t understand. “The phone was found in your tidy tray, right?” “Yes, but—” Angus couldn’t finish as Mr Jackson’s own
Lee M. Winter (Angus Adams: The Adventures of a Free-range Kid)
I have never lost the thrill of travel. I still crave the mental and physical jolt of being somewhere new, of descending aeroplane steps into a different climate, different faces, different languages. It’s the only thing, besides writing, that can meet and relieve my ever-simmering, ever-present restlessness. If I have been too long at home, stuck in the routine of school-runs, packed lunches, swimming lessons, laundry, tidying, I begin to pace the house in the evenings. I might start to cook something complicated very late at night. I might rearrange my collections of Scandinavian glass. I will scan the bookshelves, sighing, searching for something I haven’t yet read. I will start sorting through my clothes, deciding on impulse to take armfuls to the charity shop. I am desperate for change, endlessly seeking novelty, wherever I can find it. My husband might return from an evening out to discover that I have moved all the furniture in the living room. I am not, at times like this, easy to live with. He will raise his eyebrows as I single-handedly shove the sofa towards the opposite wall, just to see how it might look. “Maybe,” he will say, as he unlaces his shoes, “we should book a holiday.
Maggie O'Farrell
With our desire to have more, we find ourselves spending more and more time and energy to manage and maintain everything we have. We try so hard to do this that the things that were supposed to help us end up ruling us. We eventually get used to the new state where our wishes have been fulfilled. We start taking those things for granted and there comes a time when we start getting tired of what we have. We're desperate to convey our own worth, our own value to others. We use objects to tell people just how valuable we are. The objects that are supposed to represent our qualities become our qualities themselves. There are more things to gain from eliminating excess than you might imagine: time, space, freedom and energy. When people say something is impossible, they have already decided that they don't want to do it. Differentiate between things you want and things you need. Leave your unused space empty. These open areas are incredibly useful. They bring us a sense of freedom and keep our minds open to the more important things in life. Memories are wonderful but you won't have room to develop if your attachment to the past is too strong. It's better to cut some of those ties so you can focus on what's important today. Don't get creative when you are trying to discard things. There's no need to stock up. An item chosen with passion represents perfection to us. Things we just happen to pick up, however, are easy candidates for disposal or replacement. As long as we stick to owning things that we really love, we aren't likely to want more. Our homes aren't museum, they don't need collections. When you aren't sure that you really want to part with something, try stowing it away for a while. Larger furniture items with bold colors will in time trigger visual fatigue and then boredom. Discarding things can be wasteful. But the guilt that keeps you from minimizing is the true waste. The real waste is the psychological damage that you accrue from hanging on to things you don't use or need. We find our originality when we own less. When you think about it, it's experience that builds our unique characteristics, not material objects. I've lowered my bar for happiness simply by switching to a tenugui. When even a regular bath towel can make you happy, you'll be able to find happiness almost everywhere. For the minimalist, the objective isn't to reduce, it's to eliminate distractions so they can focus on the things that are truly important. Minimalism is just the beginning. It's a tool. Once you've gone ahead and minimized, it's time to find out what those important things are. Minimalism is built around the idea that there's nothing that you're lacking. You'll spend less time being pushed around by something that you think may be missing. The qualities I look for in the things that I buy are: - the item has a minimalistic kind of shape and is easy to clean - it's color isn't too loud - I'll be able to use it for a long time - it has a simple structure - it's lightweight and compact - it has multiple uses A relaxed moment is not without meaning, it's an important time for reflection. It wasn't the fallen leaves that the lady had been tidying up, it was her own laziness that she had been sweeping away. We are what we repeatedly do. Excellence, then, is not an act but a habit. With daily cleaning, the reward may be the sense of accomplishment and calmness we feel afterward. Cleaning your house is like polishing yourself. Simply by living an organized life, you'll be more invigorated, more confident and like yourself better. Having parted with the bulk of my belongings, I feel true contentment with my day-to-day life. The very act of living brings me joy. When you become a minimalist, you free yourself from all the materialist messages that surround us. All the creative marketing and annoying ads no longer have an effect on you.
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures
Harper Lee (Go Set a Watchman)
Maria managed to avoid Oliver for most of St. Valentine’s Day. It wasn’t difficult-apparently he spent half of it sleeping off his wild night. Not that she cared one bit. She’d learned her lesson with him. Truly she had. Not even the beautiful bouquet of irises he’d sent up to her room midafternoon changed that. Now that she was dressing for tonight’s ball, she was rather proud of herself for having only thought of him half a dozen times. Per hour, her conscience added. “There, that’s the last one,” Betty said as she tucked another ostrich feather into Maria’s elaborate coiffure. According to Celia, the new fashion this year involved a multitude of feathers drooping from one’s head in languid repose. Maria hoped hers didn’t decide to find their repose on the floor. Betty seemed to have used a magical incantation to keep them in place, and Maria wasn’t at all sure they would stay put. “You look lovely, miss,” Betty added. “If I do,” Maria said, “it’s only because of your efforts, Betty.” Betty ducked her head to hide her blush. “Thank you, miss.” It was amazing how different the servant had been ever since Maria had taken Oliver’s advice to heart, letting the girl fuss over her and tidy her room and do myriad things that Maria would have been perfectly happy to do for herself. But he’d proved to be right-Betty practically glowed with pride. Maria wished she’d known sooner how to treat them all, but honestly, how could she have guessed that these mad English would enjoy being in service? It boggled her democratic American mind. Casting an admiring glance down Maria’s gown of ivory satin, Betty said, “I daresay his lordship will swallow his tongue when he sees you tonight.” “If he does, I hope he chokes on it,” Maria muttered. With a sly glance, Betty fluffed out the bouffant drapery of white tulle that crossed Maria’s bust and was fastened in the center with an ornament of gold mosaic. “John says the master didn’t touch a one of those tarts at the brothel last night. He says that his lordship refused every female that the owner of the place brought before him.” “I somehow doubt that.” Paying her no heed, Betty continued her campaign to salvage her master’s dubious honor. “Then Lord Stoneville went to the opera house and left without a single dancer on his arm. John says he never done that before.” Maria rolled her eyes, though a part of her desperately wanted to believe it was true-a tiny, silly part of her that she would have to slap senseless. Betty polished the ornament with the edge of her sleeve. “John says he drank himself into a stupor, then came home without so much as kissing a single lady. John says-“ “John is inventing stories to excuse his master’s actions.” “Oh no, miss! John would never lie. And I can promise you that the master has never come home so early before, and certainly not without…that is, at the house in Acton he was wont to bring a tart or two home to…well, you know.” “Help him choke on his tongue?” Maria snapped as she picked up her fan. Betty laughed. “Now that would be a sight, wouldn’t it? Two ladies trying to shove his tongue down his throat.” “I’d pay them well to do it.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
In the story of Wagner and Wagnerism, we see both the highest and the lowest impulses of humanity entangled. It is the triumph of art over reality and the triumph of reality over art; it is a tragedy of flaws set so deep that after two centuries they still infuriate us as if the man were in the room. To blame Wagner for the horrors committed in his wake is an inadequate response to historical complexity: it lets the rest of civilization off the hook. At the same time, to exonerate him is to ignore his insidious ramifications. It is no longer possible to idealize Wagner: the ugliness of his racism means that posterity's picture of him will always be cracked down the middle. In the end, the lack of a tidy moral resolution should make us more honest about the role that art plays in the world. In Wagner's vicinity, the fantasy of artistic autonomy falls to pieces and the cult of genius comes undone. Amid the wreckage, the artist is liberated from the mystification of "great art”. He becomes something more unstable, fragile, and mutable. Incomplete in himself, he requires the most active and critical kind of listening. So it goes with all art that endures: it is never a matter of beauty proving eternal. When we look at Wagner, we are gazing into a magnifying mirror of the soul of the human species. What we hate in it, we hate in ourselves; what we love in it, we love in ourselves also. In the distance we may catch glimpses of some higher realm, some glimmering temple, some ecstasy of knowledge and compassion. But it is only a shadow on the wall, an echo from the pit. The vision fades, the curtain falls, and we shuffle back in silence to the world as it is.
Alex Ross (Wagnerism: Art and Politics in the Shadow of Music)
If people have no respect for God, no love for their Maker, I would ask the question another way: Why not pillage, rape, persecute and murder? If it feels good, and they can get away with it, why not? If God is dead or does not exist, as these people believe, why are not all things permitted? Why should they restrain themselves? Because it’s just wrong? Because it’s not the way civilized people behave? Because what goes around comes around? Because they’ll end up feeling terrible inside? Within tidy circles of properly socialized and reasonable people, such appeals can seem like they actually have the power to restrain people from doing what they otherwise feel like doing. But in the real world outside the philosophy seminar room, oppressors frankly don’t care that you think it’s just wrong. Who are you, they ask, to foist your random moral intuition on them? Who are you to tell them or the lords of the Third Reich what civilized people should and should not do? If what goes around tends to come around, then there’s no moral problem, only a practical problem of making sure it doesn’t come around to you. They think, Fine, if being brutal makes you feel terrible inside, then don’t do it. But it makes me feel powerful, alive, exhilarated and masterful, so quit whining — unless you want to try to stop me. This description of a dark Nietzschean world of self-will — a vacuum devoid of moral authority or spiritual resources for good — used to sen excessively melodramatic to me. But then I got out more. The world is truly full of brutal oppression because humans have rejected their Maker, the source of all goodness, mercy, compassion, truth, justice, and love.
Gary A. Haugen (Good News About Injustice: A Witness of Courage in a Hurting World)
Rather, I found through this experience that there is significant similarity between meditating under a waterfall and tidying. When you stand under a waterfall, the only audible sound is the roar of water. As the cascade pummels your body, the sensation of pain soon disappears and numbness spreads. Then a sensation of heat warms you from the inside out, and you enter a meditative trance. Although I had never tried this form of meditation before, the sensation it generated seemed extremely familiar. It closely resembled what I experience when I am tidying. While not exactly a meditative state, there are times when I am cleaning that I can quietly commune with myself. The work of carefully considering each object I own to see whether it sparks joy inside me is like conversing with myself through the medium of my possessions. For this reason, it is essential to create a quiet space in which to evaluate the things in your life. Ideally, you should not even be listening to music. Sometimes I hear of methods that recommend tidying in time to a catchy song, but personally, I don’t encourage this. I feel that noise makes it harder to hear the internal dialogue between the owner and his or her belongings. Listening to the TV is, of course, out of the question. If you need some background noise to relax, choose environmental or ambient music with no lyrics or well-defined melodies. If you want to add momentum to your tidying work, tap the power of the atmosphere in your room rather than relying on music. The best time to start is early morning. The fresh morning air keeps your mind clear and your power of discernment sharp. For this reason, most of my lessons commence in the morning. The earliest lesson I ever conducted began at six thirty, and we were able to clean at twice the usual speed. The clear, refreshed feeling gained after standing under a waterfall can be addictive. Similarly, when you finish putting your space in order, you will be overcome with the urge to do it again. And, unlike waterfall meditation, you don’t have to travel long distances over hard terrain to get there. You can enjoy the same effect in your own home. That’s pretty special, don’t you think?
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
I’m sorry, I should have realized you’d be hungry. If you let me give you intravenous fluids, it would help.” The moment she put the glass down, she retreated to her computer desk. He ignored her comment. Why do you not feed? The question was asked casually, curiously. His black eyes were thoughtful as he studied her. From her position of safety across the room, Shea watched him. The weight of his gaze alone broke her concentration, took her breath away. She was feeling far too possessive of this patient. She had no right to tangle her life around his. It was frightening that she was reacting so uncharacteristically to him. She had always felt aloof, remote, detached from people and things around her. Her analytical mind simply computed facts. But right now, she could think only of him, his pain and suffering, the way his eyes watched her, half-closed, sexy. Shea nearly jumped out of her skin. Where had that thought come from? Knowing she wouldn’t want to think he was reading her mind at that precise moment, Jacques did the gentlemanly thing and pretended merely a casual interest. It was nice to know she found him sexy. Smugly he lay back with his eyes closed, long lashes dark against his washed-out complexion. Despite the fact that his eyes were closed, Shea felt as though he witnessed every move she made. “You rest while I shower and change my clothes.” Her hands went to her hair in a futile effort to tidy the wild thickness of it. His eyes remained closed, his breathing relaxed. I can feel your hunger, your need for blood nearly as great as my own. Why would you attempt to hide this from me? With sudden insight he let out his breath. Or is it that you are hiding from your own needs? That is it--you do not realize it is your hunger, your need. The gentleness in his flooded her body with unexpected heat. Furious that he could be right, she stalked into the bathroom, shrugged off her robe, and allowed the warm shower to cascade over her head. His laughter was low and taunting. You think to escape me, little red hair? I live in you as you live in me. Shea gasped, whirled around, grabbed frantically for a towel. It took a moment to realize he was still in the other room.
Christine Feehan (Dark Desire (Dark, #2))
Duncan entered and glanced about the room. “By Dagda, it’s as tidy as all his chambers.” He snorted. “Doona you wish to mess things up in here a bit? Maybe nudge the tapestry so it hangs crooked? Invite spiders in, to weave great drooping cobwebs in the corners and collect dust? Assuming, of course, dust possessed the effrontery to gather in the laird of Brodie’s chambers. At times I suspect even the elements dare not cross him.” He walked to the perfectly covered bed with the neatly folded throws. Plunging his arms beneath the covers, he pushed them into a ball. “Wouldn’t you like to just rumple the bed a bit and defy his sense of order?
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
In the messy world of a college dorm, I made a point to keep my room neat and tidy. These improvements were minor, but they gave me a sense of control over my life.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
And though I've set the table, cooked a meal, tidied your house, you eat it lukewarm on a tray on your knee in the front room with the big light on like we're the local takeaway, and pay attention to the telly like it's a vital organ.
Lisa Blower (Pond Weed)
While he waited, he made up the bed, more to discourage Meg from falling back into it than because he wanted to tidy the room. Besides, running his hands over the sheets and breathing in her scent made him happy.
Anne Bishop (Marked in Flesh (The Others, #4))
A Tidy and Organized Home… Makes you feel calm. You can relax and unwind in a tidy home. There is space to do things, and you know where everything is. When you walk into a hotel room, you immediately feel a sense of peace because the environment is tidy and organized. Makes you feel healthy. Dust and mold accumulate in messes. Are you always coughing and sneezing? Do you suffer from allergies? It’s probably because you are breathing in all the dirt in your home. Give your home a spring clean and your health issues will improve. Makes you feel in control. How does it feel when you know where everything is? Clutter prevents positive energy from flowing through your home. Remember, energy attaches itself to objects, and negative energy is attracted to mess, which creates exhaustion, stagnation, and exasperation. What does it feel like when negative energy is stuck in your body? You want to lie in bed and shut the world away because everything becomes more difficult and you can’t explain why. Here is how decluttering your house will unlock blocked streams of positive energy: You will become more vibrant. Once you create harmony and order in your home, you will feel more radiant and present. Like acupuncture, which removes imbalances and blockages from the body to create more wellness and dynamism, clearing clutter removes imbalances and blockages from your personal space. When you venture through spaces that have been set ablaze with fresh energy, you are captured by inspiration, and the most attractive parts of your personality come to life. You will get rid of bad habits and introduce good ones. All bad habits have triggers. Do you lie on your bed to watch TV instead of sitting on the couch because you can’t be bothered to fold the laundry that has piled up over the past six months? Or because the bed represents sleep, and when you come home from work and get into bed, you are going to fall asleep instead of doing those important tasks on your to-do list. Once you tidy the couch, coming home from work will allow you to sit on it to watch your favorite TV program but get up once it’s finished and do what you need to do. You will improve your problem-solving skills. When your home has been opened up with a clear space, it’s easier to focus, which provides you with a fresh perspective on your problems. You will sleep better. Are you always tired no matter how much sleep you get? That’s because negative energy is stuck under your bed amongst all that junk you’ve stuffed under there. Once you tidy up your bedroom, you will find that positive energy can flow freely around your room making it easier for you to have a deep and restful sleep. You will have more time. Mess delays you. An untidy house means you are always losing things. You can’t find a shoe, a sock, or your keys, so you waste time searching for them, which makes you late for work or social gatherings. When you declutter your home, you could save about an hour a day because you will no longer need to dig through a stack of items to find things. Your intuition will be stronger. A clear space creates a sense of certainty and clarity. You know where everything is, so you have peace of mind. When you have peace of mind, you can focus on being in the present moment. When you need to make important decisions, you will find it easier to do so. It might take some time to give your home a deep clean, but you won’t be sorry for it once it’s done. Chapter 5: How To Become an Assertive Empath The word assertive means “having or showing a confident and forceful personality.
Judy Dyer (The Empowered Empath: A Simple Guide on Setting Boundaries, Controlling Your Emotions, and Making Life Easier)
Imagine you have a messy room and you set a goal to clean it. If you summon the energy to tidy up, then you will have a clean room—for now. But if you maintain the same sloppy, pack-rat habits that led to a messy room in the first place, soon you’ll be looking at a new pile of clutter and hoping for another burst of motivation. You’re left chasing the same outcome because you never changed the system behind it. You treated a symptom without addressing the cause.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
I’ve become a Contemporary Modern Artist. This is my latest work, I call it ‘The Untidy Room of a Young Genius’... ...I reckon some French millionaire should arrive any minute now to buy my masterpiece. So don’t touch ANYTHING!!!
James Warwood (49 Excuses for Not Tidying Your Bedroom (The 49... #1))
I never tidy my room. Why? Because it is already tidy.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
It was very depressing moving to mother’s. The small room at the end of the passage and do try to keep it tidy. If you leave everything on the floor it makes it so difficult for Irene. Irene was the plump young charwoman who had never known what it was to be in good service. We had never known what it was to have good servants. Sophia did most of the work of the flat in order to save Irene trouble, so Irene spent quite a restful three hours with us every morning.
Elizabeth Eliot (Henry)
on. But the purpose of this book is to inspire you to tackle the “special event” of putting your house in order as soon as possible. By successfully concluding this once-in-a-lifetime task, you will gain the lifestyle you aspire to and enjoy a clean and orderly space of your choosing. Can you place your hand on your heart and swear that you are happy when surrounded by so much stuff that you don’t even remember what’s there? Most people desperately need to put their house in order. Unfortunately, the majority of them fail to embrace this as a “special event” and instead make do with rooms that are more like storage sheds. Decades drag by as they struggle unsuccessfully to maintain order by tidying every day. Believe me. Until you have completed the once-in-a-lifetime event of putting your house in order, any attempt to tidy on a daily basis is doomed to failure. Conversely, once you have put your house in order, tidying will be reduced to the very simple task of putting things back where they belong. In fact, this becomes an unconscious habit. I use the term “special event” because it is crucial to tackle this job within a short space of time while your spirits are uplifted. After all, it isn’t desirable to stay in a state of excitement forever.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
He [Wittgenstein] said that the "new subject" [new philosophy] consisted in "something like putting in order our notions as to what can be said about the world", and compared this to the tidying up of a room where you have to move the same object several times before you can get the room really tidy.
G.E. Moore
I’d called ahead, so Coach wasn’t surprised. The shock was on my side. Out with the red cap and whistle, in with the leather slippers and sad old man smell. The bushy eyebrows were white. He clapped me on the back and sat me in his living room on furniture I recognized from the old house. But the apartment looked as new inside as out. Carpet with vacuum marks, never-used fireplace. Coach was a whole new man in a tidy room. That’s the deal of sober life: celebrate the fresh start, suck up your sadness for all that was left behind. In Coach’s case, a shit ton of random sports equipment.
Barbara Kingsolver (Demon Copperhead)
So Stephen’s pain is over. He is no longer trapped in the static of his mind. Tormented by stabs of clarity, like a drowning man surfacing above the waves before being engulfed again. There will be no further decline. From here on the decline will be all hers. The pain all hers. She is glad of it, deserves to endure it. It feels like penance. Penance for helping to kill Stephen? Is that right? No. Elizabeth doesn’t feel guilt at the act. She knows in her heart that it was an act of love. Joyce will know it was an act of love. Why does she worry what Joyce will think? It is penance for everything else she has done in her life. Everything that she did in her long career, without question. Everything she signed off, everything she nodded through. She is paying a tax on her sins. Stephen was sent to her, and then taken away, as a punishment. She will speak to Viktor about it; he will feel the same. However noble the causes of her career were, they weren’t noble enough to excuse the disregard for life. Day after day, mission after mission, ridding the world of evil? Waiting for the last devil to die? What a joke. New devils will always spring up, like daffodils in springtime. So what was it all for? All that blood? Stephen was too good for her tainted soul, and the world knew it, so the world took him away. But Stephen had known her, hadn’t he? Had seen her for what she was and who she was? And Stephen had still chosen her? Stephen had made her, that was the truth. Had glued her together. And here she lies. Unmade. Unglued. How will life go on now? How is that possible? She hears a car on a distant road. Why on earth is anybody driving? Where is there to go now? Why is the clock in the hall still ticking? Doesn’t it know it stopped days ago? On the way to the funeral, Joyce had sat with her in the car. They didn’t speak because there was too much to say. Elizabeth looked out of the window of the car at one point, and saw a mother pick up a soft toy her child had dropped out of its pram. Elizabeth almost burst into laughter, that life was daring to continue. Didn’t they know? Hadn’t they heard? Everything has changed, everything. And yet nothing has changed. Nothing. The day carries on as it would. An old man at a traffic light takes off his hat as the hearse passes, but, other than that, the high street is the same. How can these two realities possibly coexist? Perhaps Stephen was right about time? Outside the car window, it moved forward, marching, marching, never missing a step. But inside the car, time was already moving backward, already folding in. The life she had with Stephen will always mean more to her than the life she will now have going forward. She will spend more time there, in that past, she knows that. And, as the world races forward, she will fall further and further back. There comes a point when you look at your photograph albums more often than you watch the news. When you opt out of time, and let it carry on doing its thing while you get on with yours. You simply stop dancing to the beat of the drum. She sees it in Joyce. For all her bustle, for all her spark, there is a part of her, the most important part, locked away. There’s a part of Joyce that will always be in a tidy living room, Gerry with his feet up, and a young Joanna, face beaming as she opens presents. Living in the past. Elizabeth had never understood it, but, with intense clarity, she understands it now. Elizabeth’s past was always too dark, too unhappy. Family, school, the dangerous, compromising work, the divorces. But, as of three days ago, Stephen is her past, and that is where she will choose to live.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
When the baby was tidied up and turned into a stiff little doll, Lizaveta Petrovna rocked him once, as if proud of her work, and drew back so that Levin could see his son in all his beauty. Kitty, not taking her eyes away, looked sidelong in the same direction. ‘Give him here, give him here!’ she said and even rose slightly. ‘No, no, Katerina Alexandrovna, you mustn’t make such movements! Wait, I’ll bring him. Here, we’ll show papa what a fine fellow we are!’ And Lizaveta Petrovna held out to Levin on one hand (the other merely propping the unsteady head with its fingers) this strange, wobbly, red being whose head was hidden behind the edge of the swaddling-clothes. There was also a nose, crossed eyes and smacking lips. ‘A beautiful baby!’ said Lizaveta Petrovna. Levin sighed with dismay. This beautiful baby inspired only a feeling of squeamishness and pity in him. It was not at all the feeling he had expected. He turned away while Lizaveta Petrovna was putting him to the unaccustomed breast. Suddenly laughter made him raise his head. It was Kitty laughing. The baby had taken the breast. ‘Well, enough, enough!’ said Lizaveta Petrovna, but Kitty would not let go of him. The baby fell asleep in her arms. ‘Look now,’ said Kitty, turning the baby towards him so that he could see him. The old-looking face suddenly wrinkled still more, and the baby sneezed. Smiling and barely keeping back tears of tenderness, Levin kissed his wife and left the darkened room. What he felt for this small being was not at all what he had expected. There was nothing happy or joyful in this feeling; on the contrary, there was a new tormenting fear. There was an awareness of a new region of vulnerability. And this awareness was so tormenting at first, the fear lest this helpless being should suffer was so strong, that because of it he scarcely noticed the strange feeling of senseless joy and even pride he had experienced when the baby sneezed.
Leo Tolstoy (Anna Karenina)