“
There is so much about my fate that I cannot control, but other things do fall under the jurisdiction. I can decide how I spend my time, whom I interact with, whom I share my body and life and money and energy with. I can select what I can read and eat and study. I can choose how I'm going to regard unfortunate circumstances in my life-whether I will see them as curses or opportunities. I can choose my words and the tone of voice in which I speak to others. And most of all, I can choose my thoughts.
”
”
Elizabeth Gilbert
“
I’m going to go back and stop your son from killing her.”
The queen’s face fell. For a moment, she looked as old as the years she’d spent lying in a suspended state. “That is not a small mistake to fix. If you do this, Time will take something equally valuable from you.”
The Fate gave the queen a look more vicious than any curse. “There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Nothing is worse and more hurtful than a happiness that comes too late. It can give no pleasure, yet it deprives you of that most precious of rights - the right to swear and curse at your fate!
”
”
Ivan Turgenev (Rudin)
“
You can be as mad as a mad dog at the way things went, you can curse the fates, but when it comes to the end, you have to let go.
”
”
Eric Roth (The Curious Case of Benjamin Button Screenplay)
“
The girl was dead. If her lifeless body had not confirmed it, then it would have been made clear by the horrible scream of the Fate who held her in his arms. The story curse was familiar with pain, but this was agony, the sort of raw grief that was only seen once in a century. The Fate was every tear that anyone had ever shed for lost love. He was pain given form.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
We are all dealt a hand at birth. A good hand can ultimately lose - just as a poor hand can win - but we must all play the cards the fate deals. The choices we face may not be the choices we want, but they are choices nonetheless.
”
”
Brigid Kemmerer (A Curse So Dark and Lonely (Cursebreakers, #1))
“
The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Well—I have to say I personally have never drawn such a sharp line between ‘good’ and ‘bad’ as you. For me: that line is often false. The two are never disconnected. One can’t exist without the other. As long as I am acting out of love, I feel I am doing best I know how. But you—wrapped up in judgment, always regretting the past, cursing yourself, blaming yourself, asking ‘what if,’ ‘what if.’ ‘Life is cruel.’ ‘I wish I had died instead of.’ Well—think about this. What if all your actions and choices, good or bad, make no difference to God? What if the pattern is pre-set? No no—hang on—this is a question worth struggling with. What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can’t get there any other way?
”
”
Donna Tartt (The Goldfinch)
“
Christ, let's go."
"Women shouldn't curse."
"Get fucked.
”
”
Erika Johansen (The Fate of the Tearling (The Queen of the Tearling, #3))
“
...there was no such thing as curses. People make and break their own fortunes -they are the masters of their own fate.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
“
God, I'm a girl with a cursed fate. I've fallen in love with a boy and I want to be happy.
”
”
Arina Tanemura (Kamikaze Kaito Jeanne, Vol. 7)
“
When, in disgrace with fortune and men's eyes,
I all alone beweep my outcast state
And trouble deaf heaven with my bootless cries
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possess'd,
Desiring this man's art and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven's gate;
For thy sweet love remember'd such wealth brings
That then I scorn to change my state with kings. a
”
”
William Shakespeare (Shakespeare's Sonnets)
“
Might have a couple of kinks to work through," Hale admitted then reached for her hand. As soon as he touched her, Kat knew there was no such thing as curses. People make and break their own fortunes--they are the masters of their own fate. And right then Kat wouldn't have changed a thing.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
“
I used to fear it
meant that I had no real choices. Then I secretly hoped fate was real and
that you and I were fated, that by some miraculous chance I was your true
love. But now I don’t care if fate is real—because I don’t need it to decide
for me. I don’t need it to make this choice. I’ve made my decision, Jacks.
It’s you. It will always be you, until the end of time. And I’ll fight fate or
anyone else who tries to tear us apart- including you. You are my choice.
You are my love. You are mine. And you are not going to be the end of me,
Jacks.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Percy Jackson," Hermes said, "because you have taken on the curse of Achilles, I must spare you. You are in the hands of the Fates now. But you will never speak to me like that again. You have no idea how much I have sacrificed, how much—"
His voice broke, and he shrank back to human size. "My son, my greatest pride . . . my poor May . . ."
He sounded so devastated I didn't know what to say. One minute he was ready to vaporize us. Now he looked like he needed a hug.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
And I know it doesn’t change anything. That it can’t change anything,” he growled. “But I’m going to prove it to you. I’m going to do everything I can to make it up to you, for the rest of my life if that’s what it takes. I’ll never forgive myself for bringing this curse on us. And I’m never going to stop loving you either.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
Helen slowly became aware of an unnerving red light. She lifted her head and looked around. The glow bounced off the cold stone walls and intensified quickly. It filled her with thoughts of despair and hopelessness. She tried to shake them off.
You have what’s mine! Where is it? I want it!
Helen shuddered violently. She recalled the inner voice that urged
her to use the stone to keep Prince Harnak from dying. That voice was
comforting and encouraging. This voice was oppressive and angry and
beat on her relentlessly.
“No!” she muttered. “Go away. I have nothing for you or anyone
else, not even me.”
The red light flickered out. Only the numbing cold and her utter
isolation, cheerless companions, remained.
”
”
Candace L. Talmadge (Stoneslayer: Book One Scandal)
“
If you love someone, truly love them, you’ll bear your soul to them and let them be the keeper of your heart no matter how fragile or damaged it might be. And if they love you then they’ll do everything in their power to keep it safe, to nurture and protect it and heal over all the old wounds.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
Fate is for people who are too lazy to do anything
”
”
Merrie Haskell (The Princess Curse)
“
I hate the indifferent. I believe that living means taking sides. Those who really live cannot help being a citizen and a partisan. Indifference and apathy are parasitism, perversion, not life. That is why I hate the indifferent.
The indifference is the deadweight of history. The indifference operates with great power on history. The indifference operates passively, but it operates. It is fate, that which cannot be counted on. It twists programs and ruins the best-conceived plans. It is the raw material that ruins intelligence. That what happens, the evil that weighs upon all, happens because the human mass abdicates to their will; allows laws to be promulgated that only the revolt could nullify, and leaves men that only a mutiny will be able to overthrow to achieve the power. The mass ignores because it is careless and then it seems like it is the product of fate that runs over everything and everyone: the one who consents as well as the one who dissents; the one who knew as well as the one who didn’t know; the active as well as the indifferent. Some whimper piously, others curse obscenely, but nobody, or very few ask themselves: If I had tried to impose my will, would this have happened?
I also hate the indifferent because of that: because their whimpering of eternally innocent ones annoys me. I make each one liable: how they have tackled with the task that life has given and gives them every day, what have they done, and especially, what they have not done. And I feel I have the right to be inexorable and not squander my compassion, of not sharing my tears with them.
I am a partisan, I am alive, I feel the pulse of the activity of the future city that those on my side are building is alive in their conscience. And in it, the social chain does not rest on a few; nothing of what happens in it is a matter of luck, nor the product of fate, but the intelligent work of the citizens. Nobody in it is looking from the window of the sacrifice and the drain of a few. Alive, I am a partisan. That is why I hate the ones that don’t take sides, I hate the indifferent.
”
”
Antonio Gramsci
“
Pandora's Box could not be unopened, no one could return to Eden.
”
”
Selena Kitt (Temptation (Under Mr. Nolan's Bed, #1))
“
Warmblood now a bloodborne death,
Will rob your body of it's breath
Mark your skin and seal your fate
The Underland becomes a plate
”
”
Suzanne Collins (Gregor and the Curse of the Warmbloods (Underland Chronicles, #3))
“
He follows my eyes and curses, then slides his hands beneath my legs and back. "What are you doing?"
"Picking you up so we can run!"
"Don't be daft, my hand is broken, not my feet!"
"Right, that was stupid. Stupid.
”
”
Kiersten White (Illusions of Fate)
“
My father once said we are all dealt a hand at birth. A good hand can ultimately lose - just as a poor hand can win - but we must all play the cards fate deals. The choices we face may not be the choices we want, but they are choices nonetheless.
”
”
Brigid Kemmerer (A Curse So Dark and Lonely (Cursebreakers, #1))
“
There were three rules about Fates that Evangeline had been taught as a child. The most important of those rules was to never ever fall in love with a Fate.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I love you, Roxy,” he said in a rough, dark voice which held no room for lies or falsehood, no space for tricks of cruelty. Only the truth. I could feel it just as keenly as I could feel the rush of his magic beneath my skin.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
I love you, Jacks. I used to wonder if fate was real. I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was true love. But now I don't care if fate is real--because I don't need it to decide for me. I don't need it to make this choice. I've made my decision, Jacks. It's you. It will always be you, until the end of time. And I'll fight fate or anyone else who tries to tear us apart--including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Mankind accepts good fortune as his due, but when bad occurs, he thinks it was aimed at him, done to him, a hex, a curse, a punishment by his deity for some transgression, as though his god were a petty storekeeper, counting up the day's receipts.
”
”
Sheri S. Tepper (The Visitor)
“
Fate may deal it's hand, try encouraging our path or intervene, but we are ultimately free to choose our own destiny. Never doubt that.
”
”
Kerri Maniscalco (Kingdom of the Cursed (Kingdom of the Wicked, #2))
“
Because that’s what love is,” I said in a low voice, running my finger over a bare patch of skin on my right forearm thoughtfully. “It’s giving everything without expecting anything in return. It’s sacrificing your heart and happiness for someone else and it’s owning all of your mistakes and trying to make them right. Not because you expect to get something in return for it. But
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
because the person you love needs to know how you feel.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
You think I fear my own death?” he whispered in my ear. “Every day I draw breath is as much a curse as a gift. I’ve been living on borrowed time for longer than you can imagine. If you’re the way my fate finally catches up to me, I can’t fathom a more beautiful end.
”
”
Penn Cole (Spark of the Everflame (Kindred's Curse, #1))
“
It was like sticking my dick into a sack of potatoes and shaking it around to see what happened,
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
At the word sacrifice, something sparked in the Fate's cold eyes. He held the girl tighter, carrying her in his bloodstained arms as he stood and started down the ancient hall.
'What are you doing?' A crack of alarm showed in the queen's implacable face.
'I'm going to fix this.' He continued marching forward, holding the girl close as he carried her back through the arch.
The angels who'd been guarding it now wept. They cried tears of stone as the Fate set the girl at their feet and began wrenching stone after stone from the arch.
'Jacks of the Hollow,' warned the queen. 'Those arch stones can only be used one time to go back. They were not created for infinite trips to the past.'
'I know,' Jacks growled. 'I'm going to go back and stop your son from killing her.'
The queen's face fell. For a moment, she looked as old as the years she'd spent lying in suspended state. 'This is not a small mistake to fix. If you do this, Time will take something equally valuable from you.'
The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
But chances weren’t made by the stars alone. I needed to make my own opportunities, so I had to start finding cracks in my prison’s walls.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
Oh blasted baguettes, take me to the mulberry bush,” she moaned and I had no fucking idea what that meant but I liked it.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
You can Cheat a Dragon's Curse.
You do not have to accept the hand that Fate has dealt you.
”
”
Cressida Cowell (How to Cheat a Dragon's Curse (How to Train Your Dragon, #4))
“
Concern for man himself and his fate must always constitute the chief objective of all technological endeavors...in order that the creations of our mind shall be a blessing and not a curse to mankind. Never forget this in the midst of your diagrams and equations.
”
”
Albert Einstein
“
I've never found it helpful to treat fate with a gentle hand. Everytime I've stroked, hopin' fer a favor, she's slapped me hand and laughed at me. If ye want something, take fate by the throat and shake it out o' her.
”
”
Karen Hawkins (Sleepless in Scotland (MacLean Curse, #4))
“
I prefer to believe we have some hand in our fates, that our choices matter as much as our stars.
”
”
Jessica Spotswood (Star Cursed (The Cahill Witch Chronicles, #2))
“
They were cursed, thrown together by chance in Kalyazin, drawn together by circumstance but fated for opposite paths.
”
”
Emily A. Duncan (Ruthless Gods (Something Dark and Holy, #2))
“
Don’t talk shit about my Mate.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
The fact that Tory had given him that little friendship bracelet – which he religiously wore every day without comment – was the
cutest damn thing ever.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
When, in disgrace with fortune and men's eyes,
I all alone beweep my outcast state
And trouble deaf heaven with my bootless cries
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possess'd,
Desiring this man's art and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven's gate;
For thy sweet love remember'd such wealth brings
That then I scorn to change my state with kings.
”
”
William Shakespeare
“
No parent should have to bury a child ... No mother should have to bury a son. Mothers are not meant to bury sons. It is not in the natural order of things.
I buried my son. In a potter's field. In a field of Blood. In empty, acrid silence. There was no funeral. There were no mourners. His friends all absent. His father dead. His sisters refusing to attend. I discovered his body alone, I dug his grave alone, I placed him in a hole, and covered him with dirt and rock alone. I was not able to finish burying him before sundown, and I'm not sure if that affected his fate ...
I begrudge God none of this. I do not curse him or bemoan my lot. And though my heart keeps beating only to keep breaking--I do not question why.
I remember the morning my son was born as if it was yesterday. The moment the midwife placed him in my arms, I was infused with a love beyond all measure and understanding. I remember holding my son, and looking over at my own mother and saying, "Now I understand why the sun comes up at day and the stars come out at night. I understand why rain falls gently. Now I understand you, Mother" ...
I loved my son every day of his life, and I will love him ferociously long after I've stopped breathing. I am a simple woman. I am not bright or learn-ed. I do not read. I do not write. My opinions are not solicited. My voice is not important ... On the day of my son's birth I was infused with a love beyond all measure and understanding ... The world tells me that God is in Heaven and that my son is in Hell. I tell the world the one true thing I know: If my son is in Hell, then there is no Heaven--because if my son sits in Hell, there is no God.
”
”
Stephen Adly Guirgis (The Last Days of Judas Iscariot)
“
But you don't know what will happen.'
'No. That is our curse. To know that something will happen, and only after it is over, to look back and say, "Oh, that is what that meant. If only I'd known". It can break your heart.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
Perhaps, for the right person, we endure the pain, because the torture of never having them at all is the more unbearable fate.
”
”
Penn Cole (Glow of the Everflame (Kindred's Curse, #2))
“
Whether it was a curse of the fates or prophecy that brought us together, I no longer care, and I will not allow anything or anyone to keep us from each other.
”
”
K.A. Tucker (A Curse of Blood & Stone (Fate & Flame, #2))
“
I couldn’t let Darius Acrux have my heart. No matter how much I ached for him.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
Look, sometimes we want to see the good in people we care about so much that we pretend it’s there, living under all the layers of cruelty. But the fact is, Diego, some people are toxic. And if you keep them in your life, they’ll poison everything good in your world until you end up being just like them. And that’s a far worse fate than going against the grain and making your own path. Even if that means you’re alone.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
Kat turned back to Hale. "The Mary Poppins?"
"Seemed like a good idea at the time."
"Oh. Yeah. Obviously. Just so we're clear, this master plan of yours..."
"Might have a couple kinks to work through," Hale admitted, then reached for her hand. As soon as he touched her, Kat knew there was no such thing as curses. People make and break their own fortunes-they are the masters of their own fate. And right then Kat wouldn't have changed a thing.
She kissed him, quick and feather soft.
"What was that for?" he asked.
Kat placed her fingers on his face and brought his forehead close to hers, touching as she whispered, "For luck.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
“
That’s why all of us are working so damn hard to figure out a way around this for you. Because we believe you both deserve that. So stop selling yourself short. Stop selling her short. And decide right here and now that you’re going to fight for your girl. Really fight for her. Not just achieve this bullshit mission to right all your wrongs against her. Prove to her that you deserve her and then climb up into the fucking sky and tear the stars right out of it for her if they still don’t agree.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
Do not get glum when you are no longer understood, little book. Do not curse your fate. Do not reach up from readers' laps and punch the readers' noses.
Rejoice, little book!
For on that day, we will be free
”
”
Joanna Russ (The Female Man)
“
Some roads, once set out upon, reveal no possible path but forward. Every other track is blocked by snarls of thorns, steaming fissures or rearing walls of stone. What waits at the far end of the forward path is unknown, and since knowledge itself may prove a curse, the best course is simply to place one foot in front of the other, and think not at all of fate or the cruel currents of destiny.
”
”
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
“
I can’t live in this world if it’s not with you by my side.”
“Then that is where I will be. Always.
”
”
K.A. Tucker (A Curse of Blood & Stone (Fate & Flame, #2))
“
You can't just claim to want it, but refuse to allow yourself to be vulnerable to it.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
Human, God, monster -- we are all the victims of fate and fortune. Whether or not the great wheel will land in our favor, only time will tell.
”
”
Marissa Meyer (Cursed (Gilded, #2))
“
Sometimes I got so angry at Lance that I punched myself just so he’d feel it wherever the fuck he was.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
This isn’t it. I won’t let him go. I’ll follow him beyond the veil. I’ll climb into the stars and drag his soul back out of them if I have to. This. Is. Not. It.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
The strix dived at Meg. She dodged aside, whacking the flat of her blade against the bird's tail feathers as it rushed past, sending the unfortunate bird into the opposite wall, where it smacked face-first into the brick, exploding in a cloud of monster dust and feathers.
"Meg!" I said, "I told you not to kill it! You'll get cursed!"
"I didn't kill it. It committed suicide against that wall."
"I don't think the Fates will see it that way."
"Then let's not tell them.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
... the girl remained unmoving. Dead. And yet the Fate continued to hold her.
'Bring her back,' he said softly.
'I am sorry,' said the queen who'd just awoken. She was a petite thing. She's tried to pull her son away from the girl to stop his unnatural feeding, but her hands were not strong enough. The queen could not fight immortals physically, but she had an iron will forged of mettle and mistakes. 'You know I cannot do that.'
The Fate finally looked up. 'Bring her back,' he repeated. For he also possessed an indomitable will. 'I know you can do it.'
The queen shook her head remorsefully. 'My heart breaks for you- for this. But I will not do this. After bringing back Castor and seeing what he became, I vowed to never use that sort of magic again.'
'Evangeline would be different.' The Fate glowered at the queen.
'No,' she repeated. 'You wouldn't be saving this girl, you would be damning her. Just as we did to Castor. She wouldn't want this life.'
'I don't care what she wants!' roared the Fate. 'I don't want her dead. She saved you, you need to save her.'
The queen took a shaky breath.
If the story curse could have breathed, it would have held its breath. It hoped the queen would say yes. Yes to bringing her back, to turning her in to another terrible immortal. Despite what this Fate believed, the girl would be horrible- the ones with endless life always were, eventually.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Fate’s funny like that, sticking her hand into places that at the time you want to curse her for—then, years later, you just want to nod and wink at her as you move into that sweet spot you’ve been hoping for all those years.
”
”
A. Wilding Wells (A Mess of Reason: (A Sexy Naughty Best Friends To Lovers Feel Good Romance ))
“
The girl was dead. If her lifeless body had not confirmed it, then it would have been made clear by the horrible scream of the Fate who held her in his arms. The story curse was familiar with pain, but this was agony, the sort of raw grief that was only seen once in a century. The Fate was every tear that anyone had ever shed for lost love. He was pain given form.
...
The Fate didn't move. He didn't let the girl go. He looked as if he never would. He continued holding her as if he could return her to life with the force of his will. His eyes were wet with blood. Red tears fell down his cheeks and on to hers. But the girl didn't stir.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
They say that the best dog will turn cross if he be kept chained all the time, and it was the same with the man; he had not a thing to do all day but lie and curse his fate, and the time came when he wanted to curse everything.
”
”
Upton Sinclair (The Jungle)
“
The stars might have decided that you can never be mine,” Darius said roughly, refusing to move away from me. “But I am yours. No matter what. I don’t care where we end up or who we’re with, I’ll always be yours. And I’m going to fix the damage I did to us even if the stars don’t care. I’m going to prove to you that I could have been worthy of you if I’d just listened to my heart sooner.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
You are my Queen, and I am your sword. Point me at your enemies, and watch them fall. Lead this world, Diem, and I will follow you—into war, into death, into the tundra of hell itself.” He took my palm and set it against his chest, just above the patch of unscarred skin that lay beneath his jacket. “You are the fate my heart was spared for. As long as it beats, you will never fight alone.
”
”
Penn Cole (Glow of the Everflame (Kindred's Curse, #2))
“
All of this passes, and none of it means anything to me.
It’s all foreign to my fate, and even to fate as a whole. It’s
just unconsciousness, curses of protest when chance hurls
stones, echoes of unknown voices – a collective
mishmash of life.
”
”
Fernando Pessoa
“
Seventh bearer of the cursed name Akiva.” Here he paused, speculative. “No Misbegotten ever bore that name to manhood before you. Did you know that? Old Byon the steward, he gave it out of spite. Wanted your mother to beg him not to. Any other woman in the harem would have, but not Festival. ‘Scribble whatever you like on your list, old man,’ she told him. ‘My son will not be tangled in your feeble fates.’
”
”
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
“
This," I say softly, "is going to change everything."
I don't mean it the way I usually do.
I don't mean that change is hard or scary, though it's definitely both.
I mean only to say this: that sometimes, through good luck or bad, through curses or fate, the world cracks itself open, and afterward nothing will ever be the same.
All I mean is that this seems like one of those times.
”
”
Jennifer E. Smith (Windfall)
“
Cursed be, at once, the high ambition Wherewith the mind itself deludes! Cursed be the glare of apparition That on the finer sense intrudes! Cursed be the lying dream’s impression Of name, and fame, and laurelled brow! Cursed, all that flatters as possession, As wife and child, as knave and plow! Cursed Mammon be, when he with treasures To restless action spurs our fate! Cursed when, for soft, indulgent leisures, He lays for us the pillows straight! Cursed be the vine’s transcendent nectar,— The highest favor Love lets fall! Cursed, also, Hope!—cursed Faith, the spectre! And cursed be Patience most of all!
”
”
Johann Wolfgang von Goethe (Faust, Part One)
“
She makes me feel alive for the first time in my life...Before her, I didn't have a purpose-I was just waiting for everything to end. " He looked at Cian and tried to explain,"I just thought I would destroy myself by giving in to the curse..." "Now you have a reason to fight it," Cian nodded with understanding.
”
”
Bonnie Erina Wheeler (Fate Fixed (Erris Coven, #1))
“
Ashitaka is not a cheerful, worry-free boy. He is a melancholy boy who has a fate. I feel that I am that way myself, but until now, I have not made a film with such a character. Ashitaka was cursed for a very absurd reason. Sure, Ashitaka did something he should not have done - killing Tatari Gami. But there was enough reason to do so from the humans' viewpoint. Nevertheless, he received a deadly curse. I think that is similar to the lives of people today. I think this is a very absurd thing that is part of life itself.
”
”
Hayao Miyazaki
“
Two phoenixes, born of fire, rising from the ashes of the past. The wheel of fate is turning and the Dragon is poised to strike. But blood of the deceiver may change the course of destiny. Beware the man with the painted smile who lingers close to your side. Turn the scorned. Free the enslaved. Fear the bonded men. Many will fall for one to ascend. Suffer the curse. The hunter will pay the price. Do not repeat the mistakes of the past. Keep the broken promise. Mend the rift. All that hides in the shadows is not dark. Blood will out. Seal your fate. Choose your destiny.
”
”
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
“
Dear friend…'
The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts.
'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it.
I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list?
Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend.
Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure.
Your friend Yennefer'
The letter smelled of lilac and gooseberries.
Geralt cursed.
”
”
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
“
Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.
”
”
Franz Kafka (The Trial)
“
Sacredness and profanity and prayers and wishes: they're all held together by the broken limbs of this dead tree, raking the night sky with its blackened branches. We are so small, the two of us. The tree and sky are so large and grand. We could fail so easily, fall before we've begun to rise.
”
”
Elora Bishop (Braided: A Lesbian Rapunzel (Sappho's Fables: Lesbian Fairy Tales))
“
Darius was savage, brutal, vicious, broken and mine. And in that moment, I had no desire for the darkness in him to ever let up. I wanted him. Every damaged, depraved, dirty piece of his soul was made to fit with all the twisted, ruined parts of my own. And if the stars didn’t like it then I’d happily climb up into the sky and tear them all down for him.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
Two things that are each complete, yet cannot exist without each other. Things which can never be separated, yet can never be together. Like life, existence, light. And shadow, nothingness, death. For each to exist, for us to remain ourselves, there is something akin to a boundary-- a wall, a barrier. That allows those two halves of a whole to forever stay apart. Avoidance is bliss. To meet is to cause each other unhappiness. To cause strife and suffering. Just like it did for us. That may simply be the fate of this world. But if you meet and can accept that suffering, the two may finally become one. In the end that may be the curse.
”
”
Nagabe (とつくにの少女 11 (Totsukuni no shōjo, #11))
“
I felt like I was living at the bottom of a deep well completely shut up inside myself, cursing my fate, hating everything outside. Occasionally I ventured outside myself, putting on a good show of being alive. Accepting whatever came along, numbly slipping through life. I slept around a lot, at one point even living in a sort of marriage, but it was all pointless. Everything passed away in an instant, with nothing left behind except the scars of things I injured and despised.
”
”
Haruki Murakami (Kafka on the Shore)
“
We don't have a choice in how or when our bad days will blindside us. But what we do choose is how we allow them to leave us once they're gone. You can use those moments as a catalyst to spur you on to greater things or you can let it be the event that breaks you and leaves you shattered and forever lost in darkness. That, my friend, is the curse of free will. You can blame it all on fate and the universe, but in the end you alone decide if you're going to lie down and let hell take you under, or if you're going to stand strong in defiance of it all with your middle finger raised.
~ Caleb
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
You are fearless. You are strong. You do not cower in the faces of gods nor kings. You are fated for greater battles than this, so you do whatever it takes, and you fight like hell.” “I will,” I vowed. “Remember who you are, Diem Bellator.” He clasped the medallion at my neck. “But remember you are a phoenix, too. We do not fear the flames, for the hotter we burn, the higher we fly.
”
”
Penn Cole (Glow of the Everflame (Kindred's Curse, #2))
“
When there was nothing left to gain, nothing more to lose, when one was face-to-face with the moment of greatest despair, to speak to God in love and thanks, rather than to curse Him and one's fate, was the ultimate choice of any human creature, and perhaps the ultimate expression of one's humanity.
”
”
Naomi Ragen (The Covenant)
“
Jacks of the Hollow," warned the queen. "Those arch stones can only be used one time to go back. They were not created for infinite trips to the past."
"I know," Jacks growled. "I'm going to go back and stop your son from killing her."
The queen's face fell. For a moment, she looked as old as the years she'd spent lying in a suspended state. "That is not a small mistake to fix. If you do this, Time will take something equally valuable from you."
The Fate gave the queen a look more vicious than any curse. "There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
It strikes me then that I’ve never known all-consuming love until this day, until him, and I’m positive, I will never know it like that again. I found my truth in love just seconds before it was ripped from me. A curse, a damning fate, to be in love with a man I was supposed to view as my rival who instead stole my heart.
”
”
Kate Stewart (Exodus (The Ravenhood Duet, #2))
“
People can only get to know each other up to a point and then they make up the rest, until one day, seeing their mistake, they turn their backs on sadness and run away. Would this ever happen, if they stopped believing their dreams and made do with what was possible? If everyone accepted what was natural, then no one would suffer disappointment, no one would curse fate. We have every right to see our situation as pitiful, but we must confine our pity to ourselves. To pity another is to assume superiority and that is why we must never think we are superior to others, or that others are more unfortunate.
”
”
Sabahattin Ali (Kürk Mantolu Madonna)
“
Kylie Major is no longer visible to anyone who supports me and my sister!” I called to the room and Seth flipped his fingers so my voice was amplified ten times over. I caught Darius’s eye and he nodded with a dark glint in his gaze before I continued. “You will not see her, hear her, or even smell the sickly sweet perfume she wears to hide the scent of evil on her,” I spoke clearly, my voice ringing around The Orb and Tory let out a little laugh of triumph. “That goes for anyone who supports the Heirs too,” Seth suddenly boomed and I looked to him with a smile twisting up the corner of my lips. It was dark and savage and tasted new on my mouth. But it felt good to wield our power at long last over someone who deserved it.
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
It is the individual mainly which draws me—the struggling, blundering, passionate insect vainly striving against the river of Life and seeking to divert the channel of events to suit himself—breaking his fangs on the iron collar of Fate and sinking into final defeat with the froth of a curse on his lips,
”
”
Robert E. Howard (The Horror Stories of Robert E. Howard)
“
By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, Throw me out! But instead of throwing her out, he seized her hand and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain.
Anyone who has failed to benefit from the Devil’s gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas’s fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina’s letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
Though every instinct screamed against it, she closed her eyes. Took a breath. Then another. Her lungs opened, full of cool, soothing air, and she wondered if Rowan was helping with that, too. He was helping. And he was willing to meet a horrible fate in order to keep her alive. He hadn’t left her alone. She hadn’t been alone. There was a muffled curse, and Rowan slammed his body against hers, as if he could somehow shield her. No, not shield her. Cover her, the flash of light. She barely registered the pain—if only because the moment her Fae senses snapped into place, she had to shove a hand against her own mouth to keep from retching. Oh, gods, the festering smell of them, worse than any corpse she’d ever dealt with.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Why does this magnificent applied science which saves work and makes life easier bring us so little happiness? The simple answer runs: because we have not yet learned to make sensible use of it. In war it serves that we may poison and mutilate each other. In peace it has made our lives hurried and uncertain. Instead of freeing us in great measure from spiritually exhausting labor, it has made men into slaves of machinery, who for the most part complete their monotonous long day's work with disgust and must continually tremble for their poor rations. It is not enough that you should understand about applied science in order that your work may increase man's blessings. Concern for the man himself and his fate must always form the chief interest of all technical endeavours; [..] concern for the great unsolved problems of the organization of labor and the distribution of goods in order that the creations of our mind shall be a blessing and not a curse to mankind.
Never forget this in the midst of your diagrams and equations.
- From a speech to students at the California Institute of Technology, in "Einstein Sees Lack in Applying Science", The New York Times (16 February 1931)
”
”
Albert Einstein
“
Salome interrupts. We're not members! she repeats. We are the women of Molotschna. The entire colony of Molotschna is built on the foundation of patriarchy (translator's note: Salome didn't use the word "patriarchy" - I inserted it in the place of Salome's curse, of mysterious origin, loosely translated as "talking through the flowers"), where the women live our their days as mute, submissive, and obedient servants. Animals. Fourteen-year-old boys are expected to give us orders, to determine our fates, to vote on our excommunications, to speak at the burials of our own babies while we remain silent, to interpret the Bible for us, to lead us in worship, to punish us! We are not members, Mariche. We are commodities.
”
”
Miriam Toews (Women Talking)
“
I love you, Jacks.'
He closed his eyes as she said the word love.
She hoped a little harder. She wanted to ask him to look at her, but all that mattered was that he didn't let her go.
'I used to wonder if fate was real,' she said gently. 'I used to fear it meant that I had no real choices. Then I secretly hoped fate was real and that you and I were fated, that by some miraculous chance I was your true love. But now I don't care if fate is real- because I don't need it to decide for me. I don't it to make this choice. I've made my decision, Jacks. It's you. It will always be you, until the end of time. And I'll fight fate or anyone else who tries to tear us apart- including you. You are my choice. You are my love. You are mine. And you are not going to be the end of me, Jacks.'
'I think I already am.' He opened his eyes as they dripped red tears. 'Let me go, Evangeline.'
'Tell me you won't set fire to your heart, and I will let you go.'
'Don't ask me to do that.'
'Then don't ask me to let you go!
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
The distance between truth and lies is integrity,
between need and want is contentment,
between fate and chance is will,
between vice and virtue is intention,
between faith and doubt is conviction,
between joy and grief is happiness,
between strength and weakness is tenacity,
between action and fear is courage,
between hope and despair is expectation,
between wealth and poverty is diligence,
between friendship and humility is kindness,
between life and death is existence,
between eternity and time is reality,
between war and peace is diplomacy,
between God and intelligence is wisdom,
between knowledge and ignorance is education,
between sin and righteousness is desire,
between God and religion is faith,
between blessings and curses is obedience,
between faith and science is God,
between good and evil is light,
between light and darkness is sight,
between God and Lucifer is love,
and between Heaven and Hell is faith.
”
”
Matshona Dhliwayo
“
Oh, how awful is truth on earth! That exquisite creature, that gentle spirit, that heaven - she was a tyrant, she was the insufferable tyrant and torture of my soul! I should be unfair to myself if I didn't say so! You imagine I didn't love her? Who can say that I did not love her! Do you see, it was a case of irony, the malignant irony of fate and nature! We were under a curse, the life of men in general is under a curse! (mine in particular). Of course, I understand now that I made some mistake! Something went wrong. Everything was clear, my plan was clear as daylight: "Austere and proud, asking for no moral comfort, but suffering in silence." And that was how it was. I was not lying, I was not lying! "She will see for herself, later on, that it was heroic, only that she had not known how to see it, and when, some day, she divines, it she will prize me ten times more and will abase herself in the dust and fold her hands in homage" - that was my plan. But I forgot something or lost sight of it. There was something I failed to manage. But, enough, enough! And whose forgiveness am I to ask now? What is done is done. By bolder, man, and have some pride! It is not your fault!...
Well, I will tell the truth, I am not afraid to face the truth; it was her fault, her fault!
”
”
Fyodor Dostoevsky (The Gentle Spirit)
“
Here is a man who was resigned to his fate, who was walking to the scaffold and about to die like a coward, that's true, but at least he was about to die without resisting and without recriminations. Do you know what gave him that much strength? Do you know what consoled him? It was the fact that another man was to die like him, that another man was to die before him! Put two sheep in the slaughter-house or two oxen in the abattoir and let one of them realize that his companion will not die, and the sheep will bleat with joy, the ox low with pleasure. But man, man whom God made in His image, man to whom God gave this first, this sole, this supreme law, that he should love his neighbour, man to whom God gave a voice to express his thoughts - what is man's first cry when he learns that his neighbour is saved? A curse. All honour to man, the masterpiece of nature, the lord of creation!
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
”
”
Alexander Pushkin (Eugene Onegin)
“
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice.
“He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.”
A chill went through me.
“Why do you think I’m doing this?” He waved a hand to me.
“Because you’re a monster.”
He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.”
I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?”
“Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.”
I lifted my brows in silent question.
“Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?”
Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared.
“It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.”
I knew, but I still asked, “Like what?”
“Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse.
“Why did Amarantha target you?” I dared ask. “Why make you her whore?”
“Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.”
I started. Tamlin had never said—never told me the Night Court was responsible for that.
“It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.”
I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him …
“So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
All languages that derive fromLatin form the word 'compassion' by combining the prefix meaning 'with' (com-) and the root meaning 'suffering' (Late Latin, passio). In other languages- Czech, Polish, German, and Swedish, for instance- this word is translated by a noun formed of an equivalent prefixcombined with the word that means 'feeling' (Czech, sou-cit; Polish, wsspół-czucie; German, Mit-gefühl; Swedish, medkänsla).
In languages that derive from Latin, 'compassion' means: we cannot look on coolly as others suffer; or, we sympathize with those who suffer. Another word with approximately the same meaning, 'pity' (French, pitié; Italian, pietà; etc.), connotes a certain condescension towards the sufferer. 'To take pity on a woman' means that we are better off than she, that we stoop to her level, lower ourselves.
That is why the word 'compassion' generally inspires suspicion; it designates what is considered an inferior, second-rate sentiment that has little to do with love. To love someone out of compassion means not really to love.
In languages that form the word 'compassion' not from the root 'suffering' but from the root 'feeling', the word is used in approximately the same way, but to contend that it designates a bad or inferior sentiment is difficult. The secret strength of its etymology floods the word with another light and gives it a broader meaning: to have compassion (co-feeling) means not only to be able to live with the other's misfortune but also to feel with him any emotion- joy, anxiety, happiness, pain. This kind of compassion (in the sense of soucit, współczucie, Mitgefühl, medkänsla) therefore signifies the maximal capacity of affective imagination, the art of emotional telepathy. In the hierarchy of sentiments, then, it is supreme.
By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, 'Throw me out!' But instead of throwing her out, he seized her and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain.
Anyone who has failed to benefit from the the Devil's gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas's fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina's letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.
”
”
Milan Kundera
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
She opened the book.
“Don’t,” said Arin. “Please.”
But she had already seen the inscription.
For Arin, it read, from Amma and Etta, with love.
This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk.
Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not.
Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.”
“It is my book,” Irex said.
There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?”
Arin’s answer was low. “No.”
“Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.”
“He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.”
“Yes, your property. Let us not forget that we are also discussing my property.”
“He will be returned to you.”
“So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.”
Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.”
Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.”
Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her.
“Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.”
“I think we’ll enjoy this method more.”
“A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))