Tidal Pool Quotes

He has eyes like vast pools and a jaw made from shipwrecks and broken coral. Every movement he makes is as quick and fluid as a tidal wave. He belongs to the ocean. He is made from it, as much as I am.

I looked not for shooting stars but for fixed ones, and I would try to imagine what kind of life lived in those celestial tidal pools so far from us.

Worlds can be found by a child and an adult bending down and looking together under the grass stems or at the skittering crabs in a tidal pool.

Slowly, painfully, I realized what I had been reading from the very first words of his journal. My husband had had an inner life that went beyond his gregarious exterior, and if I had known enough to let him inside my guard, I might have understood this fact. Except I hadn’t, of course. I had let tidal pools and fungi that could devour plastic inside my guard, but not him. Of all the aspects of the journal, this ate at me the most. He had created his share of our problems—by pushing me too hard, by wanting too much, by trying to see something in me that didn’t exist. But I could have met him partway and retained my sovereignty. And now it was too late.

I don't think you'll believe what I found," he says. "A word, razbliuto. We don't have a word to match it but we should. We should develop it tonight because the word means, 'the feelings one retains for someone he once loved.' "Hate?" Jude says. "No, not that feeling," my grandfather answers and looks and Jude with disappointment. "Betrayal," my mother says without looking away from her book. "No," my grandfather says. "It's the little house loved moved out of, maybe a hermit crab moves in and carries the house across the floor of a tidal pool. the lover see the old love moving and it looks like it's alive again." They are all wrong. There's a reason why we have no word for it. You don't get to keep the feelings for someone you once loved. Once you've washed your hands of that person, all those feelings, all that dirty water is washed out to sea. There is no word for that dirty water.

What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.

Our souls are like streams that can never rest until they once again mingle with the Infinite Sea. Until that time comes we meander, trying out new channels, new lines of least resistance. Sometimes the stream of life swells and rises, sometimes it cascades down like a waterfall. At times the water is shallow, at other times deep, sometimes dark and murky, sometimes pure and crystal clear. At times we enter lakes of the spirit that are so large and still that they deceive us into thinking that we have reached the ocean of endlessness that we have sought so long. Sometimes we are lured by gravity into swamps of uncertainty, sometimes we are trapped in tidal pools from which we fear we might never escape. From lifetime to lifetime the stream goes on, searching, suffering, pursuing the Infinite reunion.

All events are but the consummation of preceding causes, clearly seen but not distinctly apprehended. When the strain is sounded, the most untutored listener can tell that it must end with the keynote, although he cannot see why each successive bar must lead at last to the concluding chord. The law of Karma is the force which leads all chords to the keynote, which spreads the ripples from the tiny stone dropped into a pool, until the tidal waves drown a continent, long after the stone has sunk from sight and been forgotten.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

In the lowest pools the Laminarias begin to appear, called variously the oarweeds, devil’s aprons, sea tangles, and kelps. The Laminarias belong to the brown algae, which flourish in the dimness of deep waters and polar seas. The horsetail kelp lives below the tidal zone with others of the group, but in deep pools also comes over the threshold, just above the line of the lowest tides. [...] To look into such a pool is to behold a dark forest, it’s foliage like the leaves of palm trees, the heavy stalks of the kelps also curiously like the trunks of palms. [...] One of these laminarian holdfasts is something like the roots of a forest tree, branching out, dividing, subdividing, in its very complexity a measure of the great seas that roar over this plant.

When the crops were thriving, Squanto took the men to the open forests where the turkey dwelled. He pointed out the nuts, seeds, and insects that the iridescent birds fed upon. He showed them the leaf nests of the squirrels and the hideouts of the skunks and raccoons. Walking silently along bear trails, he took them to the blueberry patches. He told them that deer moved about at sundown and sunrise. He took them inland to valleys where the deer congregated in winter and were easy to harvest. He walked the Pilgrims freely over the land. To Squanto, as to all Native Americans, the land did not belong to the people, people belonged to the land. He took the children into the meadows to pick wild strawberries. He showed them how to dig up the sweet roots of the wild Jerusalem artichoke. In mid-summer he led them to cranberry bogs and gooseberry patches. Together they gathered chestnuts, hickory nuts, walnuts, and hazelnuts in September. He paddled the boys into the harbor in his dugout canoe to set lobster pots made of reeds and sinew. While they waited to lift their pots, he taught them the creatures of the tidal pools.

I did not know that when you drop a stone of a stupid choice in the pool of your life, it can cause a tidal wave to surge outwards, destroying everyone and everything in its path.

It was stupid and dangerous, but I decided to get in my truck and drive out to the tidal pools. I wanted to creep up on all of that hidden life and try to surprise it somehow. I had gotten it into my mind that the tidal pools changed during the night when no one watched. This is what happens, perhaps, if you have been studying something so long that you can tell one sea anemone from another in an instant, could have picked out any denizen of those tidal pools from a lineup if it had committed a crime.

It hadn’t worked out that way. Even if we’d outgrown the need to stay quiet and hidden during the dark hours—the only predators left were those we’d brought back ourselves—the brain still needed time apart from the world outside. Experiences had to be catalogued and filed, midterm memories promoted to long-term ones, free radicals swept from their hiding places among the dendrites. We had only reduced the need for sleep, not eliminated it—and that incompressible residue of downtime seemed barely able to contain the dreams and phantoms left behind. They squirmed in my head like creatures in a draining tidal pool.

Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.

He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one. Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other. He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too. Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons. He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon. p. 282-3

Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.

Saphira? he asked. Flecks of purple light danced around the interior of the pavilion as she twisted her neck and fixed her eyes upon Eragon’s. Little one? Should I go? I think you must. He pressed his lips together in a rigid line. And what of you? You know I hate to be separated from you, but Nasuada’s arguments are well reasoned. If I can help keep Murtagh and Thorn away by remaining with the Varden, then perhaps I should. His emotions and hers washed between their minds, tidal surges in a shared pool of anger, anticipation, reluctance, and tenderness. From him flowed the anger and reluctance; from her other, gentler sentiments—as rich in scope as his own—that moderated his choleric passion and lent him perspectives he would not otherwise have. Nevertheless, he clung with stubborn insistence to his opposition to Nasuada’s scheme. If you flew me to Farthen Dûr, I would not be gone for as long, meaning Galbatorix would have less of an opportunity to mount a new assault. But his spies would tell him the Varden were vulnerable the moment we left. I do not want to part with you again so soon after Helgrind. Our own desires cannot take precedence over the needs of the Varden, but no, I do not want to part with you either. Still, remember what Oromis said, that the prowess of a dragon and Rider is measured not only by how well they work together but also by how well they can function when apart. We are both mature enough to operate independently of each other, Eragon, however much we may dislike the prospect. You proved that yourself during your trip from Helgrind. Would it bother you fighting with Arya on your back, as Nasuada mentioned? Her I would mind least of all. We have fought together before, and it was she who ferried me across Alagaësia for nigh on twenty years when I was in my egg. You know that, little one. Why pose this question? Are you jealous? What if I am? An amused twinkle lit her sapphire eyes. She flicked her tongue at him. Then it is very sweet of you…. Would you I should stay or go? It is your choice to make, not mine. But it affects us both. Eragon dug at the ground with the tip of his boot. Then he said, If we must participate in this mad scheme, we should do everything we can to help it succeed. Stay, and see if you can keep Nasuada from losing her head over this thrice-blasted plan of hers. Be of good cheer, little one. Run fast, and we shall be reunited in short order. Eragon looked up at Nasuada. “Very well,” he said, “I will go.

Joke: What was the octopus's favorite game at the beach BBQ? Tidal Pool Twister

A rock, a large piece of rock weathers off a cliff and dives deep into a pool of gushing water. Back washed, It journeys roughly and knocks of other rocks, smashing through the waves as it loses itself in scattered pieces except for its core. That core travels far and wide, it coarsely gets ground by gravel pieces smaller than itself and bullied by boulders all of which it bears up as it withstands the pressure of a distant journey off the shore. At some point, it gets dry and it encounters mud, it gets smeared dirty but the mud doesn't stick, the rain washes of the mud and it rolls off into the sand. It dances in the sand and dives into the bottom of the waves. Rising like a phoenix through the ashes, it emerges polished, looking more beautiful than it did when it got edged of the cliff. It rises a pebble, smooth and sleek. Coveted by rocks starting their dive. To be a pebble you have to run the turbulent tidal race.

Fear is a universal experience. Even the smallest insect feels it. We wade in the tidal pools and put our finger near the soft, open bodies of sea anemones and they close up. Everything spontaneously does that. It’s not a terrible thing that we feel fear when faced with the unknown. It is part of being alive, something we all share. We react against the possibility of loneliness, of death, of not having anything to hold on to. Fear is a natural reaction to moving closer to the truth.

insect breakfasts. They uttered scratchy, catlike calls whenever Kinley strayed too near. The rising sun felt good on her face as it heated the briny breeze of the San Diego coast. This is where I should be. As she skirted a tidal pool, Kinley wondered why she hadn’t come here more often when she’d been stateside. She’d never hiked the entire half-mile trail through the reserve. Atop the cliff in the distance,

At the end of the day, we are speaking about a highly personal relationship with the numinous, mediated through a figure who remains, at one and the same time, both intimate and yet infinitely remote. The Dark Man mythos both defies categorization and transcends physical and temporal boundaries. It approximates a relationship with a trickster-like being who appears to occupy a tidal zone of meaning, one that pools, surges, and abates at obtuse angles to our daily lives, but also one which, nevertheless, beckons us to assume a more responsible, less materialistic conservatorship of life and nature.

One fuzzy Sunday morning, dared by Gemma, I leapt into Margate's Grade II Listed tidal pool. I'd hoped for nothing more than a hangover cure; I found a life-changing habit. Every morning I'd walk along the beach to the tidal pool and swim eight lengths, and I'd leave the sea knowing that, whatever happened, everything would be okay. The sea does that to me. The coldness of the water numbed and soothed my hot little head, rinsing away any residual stress and unnecessary worries. The saltiness stung my nostrils, and awakened my senses, and I emerged from the water feeling reborn. And the sheer beauty of the sea, wavy horizontal lines and blueness all around me, pushed inconsequential thoughts from my mind and gave me hope again. Not the desperate, unrealised, soul-crushing hope I associated with my marriage, but a general sense that things are going to be okay after all.

Fractals! It’s about fractals! Nature’s patterns – tidal pools, rings in trunks, flower petal formations – are organized as complex configurations, each part of which has the same statistical characteristic as the whole. The human retina also moves in a fractal pattern while taking in a view. This congruence, then, creates alpha waves in the brain, which is the neural resonance of relaxation. In other less technical words, looking at natural phenomena makes us feel like we’re part of it, part of the natural order. You know, that we belong.

[...] fun for me was sneaking off to peer into a tidal pool, to grasp the intricacies of the creatures that lived there. Sustenance for me was tied to ecosystem and habitat, orgasm the sudden realization of the interconnectivity of living things. Observation had always meant more to me than interaction. He knew all of this, I think. But I never could express myself that well to him, although I did try, and he did listen. And yet, I was nothing but expression in other ways. My sole gift or talent, I believe now, was that places could impress themselves upon me, and I could become a part of them with ease. Even a bar was a type of ecosystem, if a crude one, and to someone entering, someone without my husband’s agenda, that person could have seen me sitting there and had no trouble imagining that I was happy in my little bubble of silence. Would have had no trouble believing I fit in [...]

This is what happens, perhaps, if you have been studying something so long that you can tell one sea anemone from another in an instant, could have picked out any denizen of those tidal pools from a lineup if it had committed a crime.

Meanwhile, Jon’s grandmother Fransiska stuffed soft organs into coconut shells, topping the natural bowls off with whale blood, seaweed harvested from the tidal pools, and lime leaves plucked from the orchards. She roasted the coconuts until the mixture became goulashy. Then Jon slurped down the salty sour broth while it was still hot enough to sear his palate.

I’m also not going to tell you how I learn from my kids. Fuck that. I’m the grown-up. They and, subsequently, you as you read this, are learning from me. I’ve got no beef with her as an actress, but when Amy Adams won her Golden Globe she did one of those actressy things that drive me insane. She thanked everybody: costars, agents, managers, and so on. Then at the end she thanked her obnoxiously named child, Aviana, a name that I’m pretty sure she took from the sparkling water she was drinking on set. This kid, by her own admission, was not old enough to understand what Mommy was saying. So why did she thank her? Because the little tyke had taught her how to “accept joy and let go of fear.” Her daughter was three. She probably only taught Amy how to have a Guatemalan chick take care of her while Mama was on set all day. My twins have taught me basically nothing except that kids are expensive and have no gratitude. I hate the parent-shaming crap that is so pervasive today. It’s like the guy who announces his wife is his best friend. He doesn’t mean it; he just does it to make the rest of us look like assholes. As I write this book, there is an Apple commercial showing how I can be closer with my kids through apps. It shows happy dads connecting with their progeny by using apps to map the stars, garden and take pictures of tidal pools. You know, shit that I never do with my kids because I’m too busy earning the money to buy them the iPhones they use to ignore me. Ads like this are just not realistic. The only thing I do with my phone is watch a little porn, then call my agent and yell at him to find me work so that my kids can enjoy all those app-tivities with the nanny. If this ad were at all realistic, if it looked in any way like my life, it would show the dad screaming at the mother to get the glass replaced on her broken iPhone and then he and the kids staring at their phones while ignoring each other.

Rivers are fluid bridges - channels of communication between separate worlds. They link one bank to the other, the past to the future, the spring to the delta, earthlings to celestial beings, the visible to the invisible, and, ultimately, the living to the dead. they carry the spirits of the departed into the netherworld, and occasionally bring them back. In the sweeping currents and tidal pools shelter the secrets of foregone ages. The ripples on the surface of water are the scars of a river. There are wounds in its shadowy depths that even time cannot heal.