Fashionable Nonsense Quotes

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A mode of thought does not become 'critical' simply by attributing that label to itself, but by virtue of its content.
Alan Sokal (Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science)
She wore tight corsets to give her a teeny waist - I helped her lace them up - but they had the effect of causing her to faint. Mom called it the vapors and said it was a sign of her high breeding and delicate nature. I thought it was a sign that the corset made it hard to breathe.
Jeannette Walls (Half Broke Horses)
The relativists’ stance is extremely condescending: it treats a complex society as a monolith, obscures the conflicts within it, and takes its most obscurantist factions as spokespeople for the whole.
Alan Sokal (Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science)
Thinking is very hard work. And management fashions are a wonderful substitute for thinking.
Jeffrey Pfeffer (Hard Facts, Dangerous Half-Truths, and Total Nonsense: Profiting from Evidence-based Management)
In his Petersburg world people were divided into two quite opposite sorts. One--the inferior sort: the paltry, stupid, and, above all, ridiculous people who believe that a husband should live with the one wife to whom he is married, that a girl should be pure, a woman modest, and a man, manly, self controlled and firm; that one should bring up one's children to earn their living, should pay one's debts, and other nonsense of the kind. These were the old-fashioned and ridiculous people. But there was another sort of people: the real people to which all his set belonged, who had above all to be well-bred, generous, bold, gay, and to abandon themselves unblushingly to all their passions and laugh at everything else.
Leo Tolstoy (Anna Karenina)
I have spent my whole life trying to preserve a certain idea of myself, and that is all. You have to cling to a set of values that do not depreciate with time. Everything else is the fashion of the moment, fleeting, mutable. In a word, nonsense.
Arturo Pérez-Reverte (The Fencing Master)
The message sent by this policy is that if women are to be accepted into the exclusive ranks of men, then they have to look like men: buttoned up, stuffy, and no-nonsense. As if to show a little cleavage, to highlight a curvaceous figure, or to in any way appear feminine would discount, discredit, and disqualify them. I strongly disagree with this idea. I feel that women should wear clothes that suit their bodies rather than forcing themselves into unflattering men's suits and that it is feminist to make a wide range of women's clothes acceptable business attire.
Tim Gunn (Tim Gunn's Fashion Bible)
One conceivable way to discriminate between a scientific intellectual and a literary intellectual is by considering that a scientific intellectual can usually recognize the writing of another but that the literary intellectual would not be able to tell the difference between lines jotted down by a scientist and those by a glib nonscientist. This is even more apparent when the literary intellectual starts using scientific buzzwords, like “uncertainty principle,” “Godel’s theorem,” “parallel universe,” or “relativity,” either out of context or, as often, in exact opposition to the scientific meaning. I suggest reading the hilarious Fashionable Nonsense by Alan Sokal for an illustration of such practice (I was laughing so loudly and so frequently while reading it on a plane that other passengers kept whispering things about me).
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets)
We have seen in this book numerous ambiguous texts that can be interpreted in two different ways: as an assertion that is true but relatively banal, or as one that is radical but manifestly false. And we cannot help thinking that, in many cases, these ambiguities are deliberate. Indeed, they offer a great advantage in intellectual battles: the radical interpretation can serve to attract relatively inexperienced listeners or readers; and if the absurdity of this version is exposed, the author can always defend himself by claiming to have been misunderstood, and retreat to the innocuous interpretation.
Alan Sokal (Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science)
We do not base botany upon the old-fashioned division into useful and useless plants, or our zoology upon the naive distinction between harmless and dangerous animals. But we still complacently assume that consciousness is sense and the unconsciousness is nonsense. In science such an assumption would be laughed out of court. Do microbes, for instance, make sense or nonsense? Whatever the unconscious may be, it is a natural phenomenon producing symbols that prove to be meaningful. We cannot expect someone who has never looked through a microscope to be an authority on microbes; in the same way, no one who has not made a serious study of natural symbols can be considered a competent judge in this matter. But the general undervaluation of the human soul is so great that neither the great religions nor the philosophies nor scientific rationalism have been willing to look at it twice.
C.G. Jung (Man and His Symbols)
I read the other day in a book by a fashionable essayist that ghosts went out when electric light came in. What nonsense!
Edith Wharton (All Souls')
These were, on various unimportant charges, sent to jail or, later, to concentration camps—which were also jails, but the private jails of the M.M.’s, unshackled by any old-fashioned, nonsensical prison regulations.
Sinclair Lewis (It Can't Happen Here)
FLEISCHMANN: Since the days of Sigmund Freud and the advent of psychoanalysis the interpretation of dreams has played a big role in Austria[n life]. What is your attitude to all that? BERNHARD: I’ve never spent enough time reading Freud to say anything intelligent about him. Freud has had no effect whatsoever on dreams, or on the interpretation of dreams. Of course psychoanalysis is nothing new. Freud didn’t discover it; it had of course always been around before. It just wasn’t practiced on such a fashionably huge scale, and in such million-fold, money-grubbing forms, as it has been now for decades, and as it won’t be for much longer. Because even in America, as I know, it’s fallen so far out of fashion that they just lay people out on the celebrated couch and scoop their psychological guts out with a spoon. FLEISCHMANN: I take it then that psychoanalysis is not a means gaining knowledge for you? BERNHARD: Well, no; for me it’s never been that kind of thing. I think of Freud simply as a good writer, and whenever I’ve read something of his, I’ve always gotten the feeling of having read the work of an extraordinary, magnificent writer. I’m no competent judge of his medical qualifications, and as for what’s known as psychoanalysis, I’ve personally always tended to think of it as nonsense or as a middle-aged man’s hobby-horse that turned into an old man’s hobby-horse. But Freud’s fame is well-deserved, because of course he was a genuinely great, extraordinary personality. There’s no denying that. One of the few great personalities who had a beard and was great despite his beardiness. FLEISCHMANN: Do you have something against beards? BERNHARD: No. But the majority of people call people who have a long beard or the longest possible beard great personalities and suppose that the longer one’s beard is, the greater the personality one is. Freud’s beard was relatively long, but too pointy; that was typical of him. Perhaps it was the typical Freudian trait, the pointy beard. It’s possible.
Thomas Bernhard
You see, you have classical features,” I explained, in a matter-of-fact voice. “It seems a waste when I’m not a gentleman.” He grinned — a little sarcastic sort of grin. “Don’t talk like that,” I said quickly. “Gentlemen are men who behave like gentlemen. And you certainly do.” He shook his head. “You can only be a gentleman if you’re born one, Miss Cassandra.” “Stephen, that’s old-fashioned nonsense,” I said. “Really, it is. And, by the way, will you please stop calling me ‘Miss’ Cassandra.
Dodie Smith (I Capture the Castle)
Excreting is the curse that threatens madness because it shows man his abject finitude, his physicalness, the likely unreality of his hopes and dreams. But even more immediately, it represents man’s utter bafflement at the sheer non-sense of creation: to fashion the sublime miracle of the human face, the mysterium tremendum of radiant feminine beauty, the veritable goddesses that beautiful women are; to bring this out of nothing, out of the void, and make it shine in noonday; to take such a miracle and put miracles again within it, deep in the mystery of eyes that peer out—the eye that gave even the dry Darwin a chill: to do all this, and to combine it with an anus that shits! It is too much. Nature mocks us, and poets live in torture.
Ernest Becker (The Denial of Death)
If all the world were Christian, it might not matter if all the world were uneducated. But, as it is, a cultural life will exist outside the Church whether it exists inside or not. To be ignorant and simple now -- not to be able to meet the enemies on their own ground -- would be to throw down our weapons, and to betray our uneducated brethren who have, under God, no defense but us against the intellectual attacks of the heathen. Good philosophy must exist, if for no other reason, because bad philosophy needs to be answered. The cool intellect must work not only against cool intellect on the other side, but against the muddy heathen mysticisms which deny intellect altogether. Most of all, perhaps we need intimate knowledge of the past. Not that the past has any magic about it, but because we cannot study the future, and yet need something to set against the present, to remind us that periods and that much which seems certain to the uneducated is merely temporary fashion. A man who has lived in many place is not likely to be deceived by the local errors of his native village: the scholar has lived in many times and is therefore in some degree immune form the great cataract of nonsense that pours from the press and the microphone of his own age.
C.S. Lewis (The Weight of Glory)
Erwin Strauss, in his brilliant monograph on obsession, similarly earlier showed how repulsed Swift was by the animality of the body, by its dirt and decay. Straus pronounced a more clinical judgment on Swift's disgust, seeing it as part of the typical obsessive's worldview: "For all obsessives sex is severed from unification and procreation....Through the...isolation of the genitals from the whole of the body, sexual functions are experienced as excretions and as decay." This degree of fragmentation is extreme, but we all see the world through obsessive eyes at least part of the time and to some degree; and as Freud said, not only neurotics take exception to the fact that "we are born between urine and feces." In t his horror of the incongruity of man Swift the poet gives more tormented voice to the dilemma that haunts us all, and it is worth summing it up one final time: Excreting is the curse that threatens madness because it shows man his abject finitude, his physicalness, the likely unreality of his hopes and dreams. But even more immediately, it represents man's utter bafflement at the sheer non-sense of creation: to fashion the sublime miracle of the human face, the mysterium tremendum of radiant female beauty, the veritable goddesses that beautiful women are; to bring this out of nothing, out of the void, and make it shine in noonday; to take such a miracle and put miracles again within it, deep in the mystery of eyes that peer out-the eye that gave even the dry Darwin a chill; to do all this, and to combine it with an anus that shits! It is too much. Nature mocks us, and poets live in torture.
Ernest Becker (The Denial of Death)
[Obituary of atheist philosopher Richard Robinson] An Atheist's Values is one of the best short accounts of liberalism (a term Robinson accepted) and humanism (a term he ignored) produced during the present century, all the more powerful for its lucidity and moderation, its wit and wisdom. It may now seem old-fashioned, but during those confused alarms of struggle and fight between the ignorant armies of left and right, thousands of readers must have taken inspiration from Richard Robinson's rational defence of rationalism. It is a pity that it is now out of print, when there is still so much nonsense and so little sense in the world.
Nicolas Walter
In this atmosphere of general discouragement, it is tempting to attack something that is sufficiently linked to the powers-that-be so as not to appear very sympathetic, but sufficiently weak to be a more-or-less accessible target (since the concentration of power and money are beyond reach). Science fulfills these conditions, and this partly explains the attacks against it.
Alan Sokal (Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science)
Mrs. Goddard was the mistress of a School--not of a seminary, or an establishment, or any thing which professed, in long sentences of refined nonsense, to combine liberal acquirements with elegant morality, upon new principles and new systems--and where young ladies for enormous pay might be screwed out of health and into vanity--but a real, honest, old-fashioned Boarding-school, where a reasonable quantity of accomplishments were sold at a reasonable price,
Jane Austen (The Complete Novels of Jane Austen)
Most of all, perhaps we need intimate knowledge of the past. Not that the past has any magic about it, but because we cannot study the future, and yet need something to set against the present, to remind us that periods and that much which seems certain to the uneducated is merely temporary fashion. A man who has lived in many place is not likely to be deceived by the local errors of his native village: the scholar has lived in many times and is therefore in some degree immune form the great cataract of nonsense that pours from the press and the microphone of his own age.
C.S. Lewis (The Weight of Glory)
Most of all, perhaps, we need intimate knowledge of the past. Not that the past has any magic about it, but because we cannot study the future, and yet need something to set against the present, to remind us that the basic assumptions have been quite different in different periods and that much which seems certain to the uneducated is merely temporary fashion. A man who has lived in many places is not likely to be deceived by the local errors of his native village; the scholar has lived in many times and is therefore in some degree immune from the great cataract of nonsense that pours from the press and the microphone of his own age. —from “Learning in War-Time” (The Weight of Glory)
C.S. Lewis (A Year with C. S. Lewis: Daily Readings from His Classic Works)
When at last he finally hooked one, despite Elizabeth’s best efforts to prevent it, she scrambled to her feet and backed up a step. “You-you’re hurting it!” she cried as he pulled the hook from its mouth. “Hurting what? The fish?” he asked in disbelief. “Yes!” “Nonsense,” said he, looking at her as if she was daft, then he tossed the fish on the bank. “It can’t breathe, I tell you!” she wailed, her eyes fixed on the flapping fish. “It doesn’t need to breathe,” he retorted. “We’re going to eat it for lunch.” “I certainly won’t!” she cried, managing to look at him as if he were a cold-blooded murderer. “Lady Cameron,” he said sternly, “am I to believe you’ve never eaten a fish?” “Well, of course I have.” “And where do you think the fish you’ve eaten came from?” he continued with irate logic. “It came from a nice tidy package wrapped in paper,” Elizabeth announced with a vacuous look. “They come in nice, tidy paper wrapping.” “Well, they weren’t born in that tidy paper,” he replied, and Elizabeth had a dreadful time hiding her admiration for his patience as well as for the firm tone he was finally taking with her. He was not, as she had originally thought, a fool or a namby-pamby. “Before that,” he persisted, “where was the fish? How did that fish get to the market in the first place?” Elizabeth gave her head a haughty toss, glanced sympathetically at the flapping fish, then gazed at him with haughty condemnation in her eyes. “I assume they used nets or something, but I’m perfectly certain they didn’t do it this way.” “What way?” he demanded. “The way you have-sneaking up on it in its own little watery home, tricking it by covering up your hook with that poor fuzzy thing, and then jerking the poor fish away from its family and tossing it on the bank to die. It’s quite inhumane!” she said, and she gave her skirts an irate twitch. Lord Marchman stared at her in frowning disbelief, then he shook his head as if trying to clear it. A few minutes later he escorted her home. Elizabeth made him carry the basket containing the fish on the opposite side from where she walked. And when that didn’t seem to discomfit the poor man she insisted he hold his arm straight out-to keep the basket even further from her person. She was not at all surprised when Lord Marchman excused himself until supper, nor when he remained moody and thoughtful throughout their uncomfortable meal. She covered the silence, however, by chattering earnestly about the difference between French and English fashions and the importance of using only the best kid for gloves, and then she regaled him with detailed descriptions of every gown she could remember seeing. By the end of the meal Lord Marchman looked dazed and angry; Elizabeth was a little hoarse and very encouraged.
Judith McNaught (Almost Heaven (Sequels, #3))
Demonic Possession: Fact or Fancy? it said, and as I read the title I distinctly heard the far-off sound of a nickel dropping. It would be very easy for an outside observer to shake his head and say, Yes, obviously, Dexter is a dull boy if he has never thought of that. But the truth is, I had not. Demon has so many negative connotations, doesn’t it? And as long as the Presence was present, there seemed no need to define it in those arcane terms. It was only now that it was gone that I required some explanation. And why not this one? It was a bit old-fashioned, but its very hoariness seemed to argue that there might be something to it, some connection that went back to the nonsense with Solomon and Moloch and all the way up to what was happening to me today.
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
Louisa May Alcott (Little Women (Little Women #1))
The truth is that Cato’s version of old-fashioned, no-nonsense Roman values was as much an invention of his own day as a defence of long-standing Roman traditions. Cultural identity is always a slippery notion, and we have no idea how early Romans thought about their particular character and what distinguished them from their neighbours. But the distinctive, hard-edged sense of tough Roman austerity – which later Romans eagerly projected back on to their founding fathers and which has remained a powerful vision of Romanness into the modern world – was the product of a powerful cultural clash, in this period of expansion abroad, over what it was to be Roman in this new, wider imperial world, and in the context of such an array of alternatives. To put it another way, ‘Greeknesss’ and ‘Romanness’ were as inseparably bound up as they were polar opposites.
Mary Beard (SPQR: A History of Ancient Rome)
The truth is that Cato’s version of old-fashioned, no-nonsense Roman values was as much an invention of his own day as a defence of long-standing Roman traditions. Cultural identity is always a slippery notion, and we have no idea how early Romans thought about their particular character and what distinguished them from their neighbours. But the distinctive, hard-edged sense of tough Roman austerity – which later Romans eagerly projected back on to their founding fathers and which has remained a powerful vision of Romanness into the modern world – was the product of a powerful cultural clash, in this period of expansion abroad, over what it was to be Roman in this new, wider imperial world, and in the context of such an array of alternatives. To put it another way, ‘Greeknesss’ and ‘Romanness’ were as inseparably bound up as they were polar opposites. That
Mary Beard (SPQR: A History of Ancient Rome)
Stalin was the most audible and powerful spokesman in the campaign against what he contemptuously called uravnilovka (leveling). His hostility - voiced in sarcastic and dismissive terms - was so deep and so clearly enunciated that it rapidly became state policy and social doctrine. He believed in productive results, not through spontaneity or persuasion, but through force, hierarchy, reward, punishment, and above all differential wages. He applied this view to the whole of society. Stalin's anti-egalitarianism was not born of the five-year plan era. He was offended by the very notion and used contemptuous terms such as "fashionable leftists", "blockheads", "petty bourgeois nonsense" and "silly chatter," thus reducing the discussion to a sweeping dismissal of childish, unrealistic, and unserious promoters of equality. The toughness of the delivery evoked laughter of approval from his audience.
Richard Stites
Angina is the pain you get when there’s not enough oxygen getting to your heart muscle for the work it’s doing. That’s why it gets worse with exercise: because you’re demanding more work from the heart muscle. You might get a similar pain in your thighs after bounding up ten flights of stairs, depending on how fit you are. Treatments that help angina usually work by dilating the blood vessels to the heart, and a group of chemicals called nitrates are used for this purpose very frequently. They relax the smooth muscle in the body, which dilates the arteries so more blood can get through (they also relax other bits of smooth muscle in the body, including your anal sphincter, which is why a variant is sold as ‘liquid gold’ in sex shops). In the 1950s there was an idea that you could get blood vessels in the heart to grow back, and thicker, if you tied off an artery on the front of the chest wall that wasn’t very important, but which branched off the main heart arteries. The idea was that this would send messages back to the main branch of the artery, telling it that more artery growth was needed, so the body would be tricked. Unfortunately this idea turned out to be nonsense, but only after a fashion. In 1959 a placebo-controlled trial of the operation was performed: in some operations they did the whole thing properly, but in the ‘placebo’ operations they went through the motions but didn’t tie off any arteries. It was found that the placebo operation was just as good as the real one—people seemed to get a bit better in both cases, and there was little difference between the groups—but the most strange thing about the whole affair was that nobody made a fuss at the time: the real operation wasn’t any better than a sham operation, sure, but how could we explain the fact that people had been sensing an improvement from the operation for a very long time? Nobody thought of the power of placebo. The operation was simply binned. That’s
Ben Goldacre (Bad Science)
The problem of 'tolerance' (liberalism, laxism, the 'permissive society', etc.) takes the same form. The fact that those who were once mortal enemies are now on speaking terms, that the most fiercely opposed ideologies 'enter into dialogue', that a kind of peaceful coexistence has set in at all levels, that morality is less strict than it was, in no sense signifies some 'humanist' progress in human relations, a greater under­standing of problems or any such airy nonsense. It indicates simply that, since ideologies, opinions, virtues and vices are ultimately merely material for exchange and communication, all contradictory elements are equivalent in the play of signs. Tolerance in this context is no longer either a psychological trait or a virtue: it is a modality of the system itself. It is like the total compatibility and elasticity of the elements of fashion: long skirts and mini-skirts 'tolerate' each other very well (indeed they signify nothing other than the relationship which holds between them).
Jean Baudrillard (The Consumer Society: Myths and Structures)
The God of monotheism did not die, it only left the scene for a while in order to reappear as humanity—the human species dressed up as a collective agent, pursuing its self-realization in history. But, like the God of monotheism, humanity is a work of the imagination. The only observable reality is the multitudinous human animal, with its conflicting goals, values and ways of life. As an object of worship, this fractious species has some disadvantages. Old-fashioned monotheism had the merit of admitting that very little can be known of God. As far back as the prophet Isaiah, the faithful have allowed that the Deity may have withdrawn from the world. Awaiting some sign of a divine presence, they have encountered only deus absconditus—an absent God. The end result of trying to abolish monotheism is much the same. Generations of atheists have lived in expectation of the arrival of a truly human species: the communal workers of Marx, Mill’s autonomous individuals and Nietzsche’s absurd Übermensch, among many others. None of these fantastical creatures has been seen by human eyes. A truly human species remains as elusive as any Deity. Humanity is the deus absconditus of modern atheism. A free-thinking atheism would begin by questioning the prevailing faith in humanity. But there is little prospect of contemporary atheists giving up their reverence for this phantom. Without the faith that they stand at the head of an advancing species they could hardly go on. Only by immersing themselves in such nonsense can they make sense of their lives. Without it, they face panic and despair. According to the grandiose theories today’s atheists have inherited from Positivism, religion will wither away as science continues its advance. But while science is advancing more quickly than it has ever done, religion is thriving—at times violently. Secular believers say this is a blip—eventually, religion will decline and die away. But their angry bafflement at the re-emergence of traditional faiths shows they do not believe in their theories themselves. For them religion is as inexplicable as original sin. Atheists who demonize religion face a problem of evil as insoluble as that which faces Christianity. If you want to understand atheism and religion, you must forget the popular notion that they are opposites. If you can see what a millenarian theocracy in early sixteenth-century Münster has in common with Bolshevik Russia and Nazi Germany, you will have a clearer view of the modern scene. If you can see how theologies that affirm the ineffability of God and some types of atheism are not so far apart, you will learn something about the limits of human understanding. Contemporary atheism is a continuation of monotheism by other means. Hence the unending succession of God-surrogates, such as humanity and science, technology and the all-too-human visions of transhumanism. But there is no need for panic or despair. Belief and unbelief are poses the mind adopts in the face of an unimaginable reality. A godless world is as mysterious as one suffused with divinity, and the difference between the two may be less than you think.
John Gray (Seven Types of Atheism)
Above all, we should not let ourselves forget precisely what method is and what it is not. A method, at least in the sciences, is a systematic set of limitations and constraints voluntarily assumed by a researcher in order to concentrate his or her investigations upon a strictly defined aspect of or approach to a clearly delineated object. As such, it allows one to see further and more perspicuously in one particular instance and in one particular way, but only because one has first consented to confine oneself to a narrow portion of the visible spectrum, so to speak. Moreover, while a given method may grant one a glimpse of truths that would remain otherwise obscure, that method is not itself a truth. This is crucial to understand. A method, considered in itself, may even in some ultimate sense be “false” as an explanation of things and yet still be probative as an instrument of investigation; some things are more easily seen through a red filter, but to go through life wearing rose-colored spectacles is not to see things as they truly are. When one forgets the distinction between method and truth, one becomes foolishly prone to respond to any question that cannot be answered from the vantage of one’s particular methodological perch by dismissing it as nonsensical, or by issuing a promissory note guaranteeing a solution to the problem at some juncture in the remote future, or by simply distorting the question into one that looks like the kind one really can answer after all. Whenever modern scientific method is corrupted in this fashion the results are especially unfortunate. In such cases, an admirably severe discipline of interpretive and theoretical restraint has been transformed into its perfect and irrepressibly wanton opposite: what began as a principled refusal of metaphysical speculation, for the sake of specific empirical inquiries, has now been mistaken for a comprehensive knowledge of the metaphysical shape of reality; the art of humble questioning has been mistaken for the sure possession of ultimate conclusions.
David Bentley Hart (The Experience of God: Being, Consciousness, Bliss)
Look back at history. Look at any great system of ethics, from the Orient up. Didn't they all preach the sacrifice of personal joy? Under all the complications of verbiage, haven't they all had a single leitmotif: sacrifice, renunciation, self-denial? Haven't you been able to catch their theme song — 'Give up, give up, give up, give up'? Look at the moral atmosphere of today. Everything enjoyable, from cigarettes to sex to ambition to the profit motive, is considered depraved or sinful. Just prove that a thing makes men happy — and you've damned it. That's how far we've come. We've tied happiness to guilt. And we've got mankind by the throat. Throw your first-born into a sacrificial furnace — lie on a bed of nails — go into the desert to mortify the flesh — don't dance — don't go to the movies on Sunday — don't try to get rich — don't smoke — don't drink. It's all the same line. The great line. Fools think that taboos of this nature are just nonsense. Something left over, old-fashioned. But there's always a purpose in nonsense. Don't bother to examine a folly — ask yourself only what it accomplishes. Every system of ethics that preached sacrifice grew into a world power and ruled millions of men. Of course, you must dress it up. You must tell people that they'll achieve a superior kind of happiness by giving up everything that makes them happy. You don't have to be too clear about it. Use big vague words. 'Universal Harmony' — 'Eternal Spirit' — 'Divine Purpose' — 'Nirvana' — 'Paradise' — 'Racial Supremacy' — 'The Dictatorship of the Proletariat.' Internal corruption, Peter. That's the oldest one of all. The farce has been going on for centuries and men still fall for it. Yet the test should be so simple: just listen to any prophet and if you hear him speak of sacrifice — run. Run faster than from a plague. It stands to reason that where there's sacrifice, there's someone collecting sacrificial offerings. Where there's service, there's someone being served. The man who speaks to you of sacrifice, speaks of slaves and masters. And intends to be the master. But if ever you hear a man telling you that you must be happy, that it's your natural right, that your first duty is to yourself — that will be the man who's not after your soul. That will be the man who has nothing to gain from you. But let him come and you'll scream your empty heads off, howling that he's a selfish monster. So the racket is safe for many, many centuries.
Ayn Rand (The Fountainhead)
What is involved in appearing to court me?” He quirked an eyebrow at her. “You haven’t been courted before? What about the climbing cits and baronets’ sons? They never came up to scratch?” “Many of them did.” She wondered what he’d look like if somebody were to shave off those piratical eyebrows. “They did not bother much with the other part of the business.” “The wooing?” “The nonsense.” “We need the nonsense,” he said. “We need to drive out at the fashionable hour; we need to be seen arm in arm at the social events. I need to call upon you at the proper times with flowers in hand, to spend time with your menfolk when I creditably can. I’ll carry your purchases when you go shopping and be heard begging you to save your waltzes for me.” “There’s a problem,” she said, curiously disappointed to see the flaw in his clever scheme. He was a wonderful dancer; that was just plain fact. And she loved flowers, and loved the greenery and fresh air of Hyde Park. She also liked to shop but generally contented herself with the occasional minor outing with her sisters. And to hear him begging for her waltzes… “What sort of problem can there possibly be? Couples are expected to court in spring. It’s the whole purpose behind the Season.” “If you court me like that, Their Graces will get wind of it. They very likely already know you’ve called on me.” “And this is a problem how?” He wasn’t a patient man, or one apparently plagued with meddlesome parents. “They will start, Mr. Hazlit. They will get their hopes up. They will sigh and hint and quiz my siblings, all in hopes that you will take me off their hands.” “Then they will be disappointed. Parents expect to be disappointed. My sister was a governess, and she has explained this to me.” He looked like he was winding up for a lecture before the Royal Society, so she put a hand on his arm. “I do not like to disappoint Their Graces,” she said quietly. “They have suffered much at the hands of their children.” He blinked at her, his lips pursing as if her sentiments were incomprehensible. “I won’t declare for you,” he said. “If they let their hopes be raised by a few silly gestures, then that is their problem. You have many siblings. Let them fret over the others.” “It isn’t like that.” She cocked her head to study him. Hadn’t he had any parents at all? “I could have seventeen siblings, and Their Graces would still worry about me. You mentioned having sisters. Do you worry less about the one than the other?” “I do not.” He didn’t seem at all pleased with this example. “I worry about them both, incessantly. Excessively, to hear them tell it, but they have no regard for my feelings, else they’d write more than just chatty little…” “Yes?” “Never mind.” Some
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
All those statistics - the ones about decline - point toward massive theological discontent. People still believe in God. They just do not believe in the God proclaimed and worshipped by conventional religious organizations. Some of the discontented - and there are many of them - do not know what to call themselves. So they check the “unaffiliated” box on religion surveys. They have become secular humanists, agnostics, posttheists, and atheists and have rejected the conventional God. Others say they are spiritual but not religious. They still believe in God but have abandoned conventional forms of congregating. Still others declare themselves “done” with religion. They slink away from religious communities, traditions that once gave them life, and go hiking on Sunday morning. Some still go to church, but are hanging on for dear life, hoping against hope that something in their churches will change. They pray prayers about heaven that no longer make sense and sing hymns about an eternal life they do not believe in. They want to be in the world, because they know they are made of the same stuff as the world and that the world is what really matters, but some nonsense someone taught them once about the world being bad or warning of hell still echoes in their heads. They are afraid to say what they really think or feel for fear that no one will listen or care or even understand. They think they might be crazy. All these people are turning toward the world because they intuit that is where they will find meaning and awe, that which those who are still theists call God. They are not crazy. They are part of this spiritual revolution - people discovering God in the world and a world that is holy, a reality that enfolds what we used to call heaven and earth into one. These people are not secular, even though their main concern is the world; they are not particularly religious (in the old-fashioned understanding of the term), even though they are deeply aware of God. They are fashioning a way of faith between conventional theism and any kind of secularism devoid of the divine. In our time, people are turning toward the numinous presence that animates the world, what theologian Rudolf Otto called “the Holy.” They are those who are discovering a deeply worldly faith. Decades ago Catholic theologian Karl Rahner made a prediction about devout people of the future. He said they would either be “mystics,” those who have “experienced something ,” or “cease to be anything at all”; and if they are mystical believers, they will be those whose faith “is profoundly present and committed to the world.” The future of faith would be an earthy spirituality , a brilliant awareness of the spirit that vivifies the world.
Diana Butler Bass (Grounded: Finding God in the World-A Spiritual Revolution)
Under these circumstances the most anodyne book was a source of danger from the simple fact that love was alluded to, and woman depicted as an attractive creature; and this was enough to account for all—for the inherent ignorance of Catholics, since it was proclaimed as the preventive cure for temptations—for the instinctive horror of art, since to these craven souls every written and studied work was in its nature a vehicle of sin and an incitement to fall. Would it not really be far more sensible and judicious to open the windows, to air the rooms, to treat these souls as manly beings, to teach them not to be so much afraid of their own flesh, to inculcate the firmness and courage needed for resistance? For really it is rather like a dog which barks at your heels and snaps at your legs if you are afraid of him, but who beats a retreat if you turn on him boldly and drive him off. The fact remains that these schemes of education have resulted, on the one hand, in the triumph of the flesh in the greater number of men who have been thus brought up and then thrown into a worldly life, and on the other, in a wide diffusion of folly and fear, an abandonment of the possessions of the intellect and the capitulation of the Catholic army surrendering without a blow to the inroads of profane literature, which takes possession of territory that it has not even had the trouble of conquering. This really was madness! The Church had created art, had cherished it for centuries; and now by the effeteness of her sons she was cast into a corner. All the great movements of our day, one after the other—romanticism, naturalism—had been effected independently of her, or even against her will. If a book were not restricted to the simplest tales, or pleasing fiction ending in virtue rewarded and vice punished, that was enough; the propriety of beadledom was at once ready to bray. As soon as the most modern form of art, the most malleable and the broadest—the Novel—touched on scenes of real life, depicted passion, became a psychological study, an effort of analysis, the army of bigots fell back all along the line. The Catholic force, which might have been thought better prepared than any others to contest the ground which theology had long since explored, retired in good order, satisfied to cover its retreat by firing from a safe distance, with its old-fashioned match-lock blunderbusses, on works it had neither inspired nor written. The Church party, centuries behind the time, and having made no attempt to follow the evolution of style in the course of ages, now turned to the rustic who can scarcely read; it did not understand more than half of the words used by modern writers, and had become, it must be said, a camp of the illiterate. Incapable of distinguishing the good from the bad, it included in one condemnation the filth of pornography and real works of art; in short, it ended by emitting such folly and talking such preposterous nonsense, that it fell into utter discredit and ceased to count at all. And it would have been so easy for it to work on a little way, to try to keep up with the times, and to understand, to convince itself whether in any given work the author was writing up the Flesh, glorifying it, praising it, and nothing more, or whether, on the contrary, he depicted it merely to buffet it—hating it. And, again, it would have done well to convince itself that there is a chaste as well as a prurient nude, and that it should not cry shame on every picture in which the nude is shown. Above all, it ought to have recognized that vices may well be depicted and studied with a view to exciting disgust of them and showing their horrors.
Joris-Karl Huysmans (The Cathedral)
He could feel sweat drain down his face and neck. Nonsense. That part of his mind lost itself to its own terror. It took the unknown and fashioned, in blind desperation, a visage it could recognize. Despair, he told himself, always demands a direction, a focus. Find the direction and the despair goes away.
Steven Erikson
Now that’s just sheer nonsense, nobody ever murders anyone anymore, it’s just so old fashioned.
Mark Murphy (Minology)
We’ll meet you at Ringrose’s Inn tomorrow for a late breakfast. Say, around ten A.M.?” Tristan barked a laugh. “What?” Jane asked. “Is that too late?” Now Dom laughed, too, and Tristan laughed even harder. “What’s so funny?” Jane snapped. “It’s not about you,” Lisette said dryly. “They’re laughing at me. My brothers think me incapable of rising early. Or getting off in a timely fashion.” “That’s because, dear girl, we have yet to see you rise before eleven or leave by noon for a trip,” Dom teased. Tristan grinned at Jane. “Better schedule that meeting in York for a bit later, Freckles.” Freckles. Tristan had dubbed her with the nickname during Dom’s courtship of her, and that reminder of her past with Dom and his family roused an ache in her chest. She avoided Dom’s gaze. “How about midafternoon then?” “Nonsense.” Lisette rolled her eyes. “I can rise early, no matter what my idiot brothers think. We’ll be there midmorning for breakfast if I have to dunk my head in ice water to accomplish it. Max wanted to get an early start, anyway.” Dom chuckled. “Max always wants to get an early start. But he’d have to have a different wife in order to manage that.” The two men nudged each other with smug looks. “Yes, he would,” Lisette said in a voice of pure sweetness, “one he wasn’t quite so enamored of. But since sampling my particular charms always takes him so very long in the morning, I admit that we do end up lying abed late more times than not.” Jane knew she ought to be shocked by such frankness, but she was having too much fun watching the men’s mouths fall open, and a red flush creep up their faces. Lisette flashed them a coy look. “But I shall endeavor to prevent my husband from enjoying his usual pleasures tomorrow morning. That should resolve the matter.” She threaded her arm through Jane’s. “Now come, my dear, let’s join the others for dinner. I’d love a glass of wine, wouldn’t you?” The two women had barely made it out into the hall before they burst into laughter. “That’ll teach…them,” Lisette gasped. “Did you see…Tristan’s face?” “And Dom’s,” Jane choked out. “Oh, Lord, you are so wicked!” “Why, of course.” Lisette’s eyes sparkled with mischief. “What’s the point of being a duchess if you can’t shock people from time to time?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
One thing that the global justice movement taught us is that politics is, indeed, ultimately about value; but also, that those creating vast bureaucratic systems will almost never admit what their values really are. This was as true of the Carnegies as it is today. Normally, they will—like the robber barons of the turn of the last century—insist that they are acting in the name of efficiency, or “rationality.” But in fact this language always turns out to be intentionally vague, even nonsensical. The term “rationality” is an excellent case in point here. A “rational” person is someone who is able to make basic logical connections and assess reality in a non-delusional fashion. In other words, someone who isn’t crazy. Anyone who claims to base their politics on rationality—and this is true on the left as well as on the right—is claiming that anyone who disagrees with them might as well be insane, which is about as arrogant a position as one could possibly take. Or else, they’re using “rationality” as a synonym for “technical efficiency,” and thus focusing on how they are going about something because they do not wish to talk about what it is they are ultimately going about. Neoclassical economics is notorious for making this kind of move. When an economist attempts to prove that it is “irrational” to vote in national elections (because the effort expended outweighs the likely benefit to the individual voter), they use the term because they do not wish to say “irrational for actors for whom civic participation, political ideals, or the common good are not values in themselves, but who view public affairs only in terms of personal advantage.” There is absolutely no reason why one could not rationally calculate the best way to further one’s political ideals through voting. But according to the economists’ assumptions, anyone who takes this course might as well be out of their minds.
David Graeber
There’s fire in the darkness, Lucifer. A fire that will weaken you, yet make you stronger. A fire… that could restore your soul.” “Stop talking nonsense, old woman,” I roared as the building trembled in reaction to my ire.
Robyn Peterman (Fashionably Flawed (Hot Damned, #9))
We need intimate knowledge of the past. Not that the past has any magic about it, but because we cannot study the future, and yet need something to set against the present, to remind us that the basic assumptions have been quite different in different periods and that much which seems certain to the uneducated is merely temporary fashion. A man who has lived in many places is not likely to be deceived by the local errors of his native village: the scholar has lived in many times and is therefore in some degree immune from the great cataract of nonsense that pours from the press and the microphone of his own age.
C.S. Lewis
Critics such as Slavoj Žižek accuse him of being a poster child for the cultural excesses of postmodern capitalism (“Ongoing ‘Soft Revolution’”). A recent round of denunciations underwritten by a mix of wonderment and red-baiting exclaim, “The founder of BuzzFeed wrote his senior thesis on the Marxism of Deleuze and Guattari!,” adding to a long list of guilty associations—“the Israeli Defense Force reads A Thousand Plateaus!,” “Deleuze spouts the fashionable nonsense of pseudoscience!” Deleuze’s defenders are correct to dismiss such criticisms as either incomplete or outright spurious. Yet there is a kernel of truth that goes back to an old joke—a communist is someone who reads Das Kapital; a capitalist is someone who reads Das Kapital and understands it.
Andrew Culp (Dark Deleuze)
You are being nonsensical, Benjamin. Why are you wearing those clothes?” “Because I did not want my pocket picked, today of all days.” His tone was sober enough that she glanced over at him in puzzlement. “I don’t understand.” “I’m carrying valuables for my lady.” He withdrew a little box from an inside pocket, and Maggie’s heart started trotting around nervously in her rib cage. “Benjamin, what are you about?” “Come.” He took her by the wrist and led her to a low stone wall circling a fountain. “I want to do this properly.” Foreboding mixed with an odd, sentimental thrill as Maggie seated herself on the stone wall. Benjamin took the place beside her, his expression still somber. He flipped open the box, withdrew a gorgeous emerald ring, and tucked the box out of sight again. “With this ring, I plight thee my troth, Maggie Windham.” She watched, dumbstruck, while he took her hand and slid the ring onto the appropriate finger. It was the stone she had picked out—she was almost sure of it—but the setting was nothing she recognized. “You should not be doing this.” She stared at the golden love knot crafted into the setting, stared at it until a teardrop splattered onto the back of her hand. “Oh, Benjamin, this is foolishness. We are not engaged, not truly.” He folded her into his embrace, resting his cheek against her temple. “It has been two weeks, Maggie, or nearly so. I think we are truly engaged.” She shook her head and tried to draw back, but he did not let her go. “I am not with child.” “Your menses have started then?” And still he did not let her go, but damn him, he understood her well enough to make a direct inquiry. “Not yet, but they will. I can feel it.” She would will it to happen, of that she was certain. No woman could conceive a child with this much tension and anxiety swirling in her vitals. “Then we’re still engaged.” “Must you be so stubborn?” He let her go and pulled back far enough to aim a look at her that asked silent, pointed questions about who was being stubborn with whom. “I got a ring for myself, too,” he said. “It’s not fashionable, but my parents observed this custom, and I noted yours do, as well.” “You don’t miss much of anything, do you?” He passed her a gold band that would have been plain, except it was chased with a swirling, interlocking pattern reminiscent of the love knot. “You don’t have to say the words, Maggie, but if you’d oblige me?” He held out his hand, and Maggie felt her heart—already fractured into a hundred sharp, miserable pieces—splinter further. Wordlessly, she took the ring from him and slid it onto the fourth finger of his left hand. “This is not a real engagement, Benjamin Portmaine. I wish it could be, but it cannot.” He kissed her, a sweet, gentle, heartrendingly tender pressing of his lips over hers. “It’s real to me, Maggie Windham. In this moment, sitting here with you, I am betrothed to the only woman I’ve ever wanted for my countess, my wife, and my love.” She
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
I am not a desultory man, and you are not a woman a sane man could approach in a desultory fashion.” “Is that a compliment?” Because if it wasn’t a compliment, then she strongly suspected it was an insult. “It is a statement of fact.” He glanced over at her, his gaze lighting on her hair, which was coiled tidily on her head. He frowned at her hair, then his lips turned up. “And it is a compliment. You are quite pretty, Miss Windham.” “Gracious.” She rose, needing distance from him if he was going to spout nonsense and very nearly smile at her. “You need not dissemble when we are in private.” “Oh, but I do—though that was the God’s honest truth.” He was on his feet, strolling along right beside her. “Unless I am absolutely certain we cannot be seen, heard, or detected by others, I will comport myself like a man smitten.” “Smitten?” The notion was laughable. She could conceive of him allowing a discreet, calculated interest in some woman of impeccable breeding and tidy blonde hair, but nobody would believe him smitten with her. “Smitten.” He nodded once, agreeing with his own word choice. “Perhaps cautiously so, but smitten.” “This will require the thespian skills of Mr. Kean.” She eyed him curiously. What would it be like if he were smitten with her? “I shall rise to the challenge easily enough.” He glanced around as they approached a greening rose vine winding over an arched trellis. “Allow me to demonstrate.” He turned to face her under the trellis, bent his head, and kissed her.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Benjamin Hazlit was a fiend from hell. Maggie became convinced of this when after their third pot of tea—he preferred Darjeeling—he was still grilling her about her household, her habits, her schedule on the day her reticule had gone missing. And all the while—when she herself ought to have been focused on how to recover the dratted reticule—Maggie had been hard put not to watch his mouth as it formed question after question. His mouth was neither cold nor stern. It was warm and knowing and even tender… gentle, God help her. Gracious, gracious, gracious. His mouth was… it was a revelation, a window into a side of the man Maggie would never have guessed existed. With the spotty boys and aging knights, she’d endured some pawing and slobbering. She’d been kissed, groped, and otherwise introduced to the nonsense that went on between men and women. They’d given her a rare moment of sympathy for her own mother, those suitors who wanted Maggie’s settlement despite the fact that it came attached to her hand in marriage. Until she’d asked her brother Devlin why men felt compelled to behave in such a fashion, and Dev had gotten that tight, lethal look to him. He’d taught her a few moves then, creative uses of the knee, the fist, the fingers, and the suitors had become more respectful as a result. She wanted to plant her fist in Mr. Hazlit’s gut at that moment, though she suspected her fist would be the worse for it. How could a man kiss so sweetly, so ardently, and yet be so… fiendish? “Show
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
One could continue quoting Irigaray, but the reader is probably lost (so are we).
Alan Sokal (Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science)
Of course, it was the fashion when we were young to have ideals—we all had them, it was the proper thing for young girls. You were going to nurse lepers, Jane, and I was going to be a nun. One gets over all that nonsense. Marriage, I suppose one might say, knocks it out of one.
Agatha Christie (They Do It With Mirrors (Miss Marple, #5))
One conceivable way to discriminate between a scientific intellectual and a literary intellectual is by considering that a scientific intellectual can usually recognize the writing of another but that the literary intellectual would not be able to tell the difference between lines jotted down by a scientist and those by a glib nonscientist. This is even more apparent when the literary intellectual starts using scientific buzzwords, like “uncertainty principle,” “Gödel’s theorem,” “parallel universe,” or “relativity,” either out of context or, as often, in exact opposition to the scientific meaning. I suggest reading the hilarious Fashionable Nonsense by Alan Sokal for an illustration of such practice (I was laughing so loudly and so frequently while reading it on a plane that other passengers kept whispering things about me).
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto Book 1))
But my main concern isn’t to defend science from the barbarian hordes of lit crit (we’ll survive just fine, thank you). Rather, my concern is explicitly political: to combat a currently fashionable postmodernist/poststructuralist/social-constructivist discourse—and more generally a penchant for subjectivism—which is, I believe, inimical to the values and future of the Left.
Alan Sokal (Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science)
They imagine,perhaps, that they can exploit the prestige of the natural sciences in order to give their own discourse a veneer of rigor. And they seem confident that no one will notice their misuse of scientific concepts. No one is going to cry out that the king is naked. Our goal is precisely to say that the king is naked (and the queen too).
Alan Sokal (Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science)
the essence of being human is an uncomfortable duality of ‘rational’ technology and ‘irrational’ belief. We are still a species in transition. The unknown person of Time-Byte I had the rational, ‘scientific’ knowledge and skill to make a tallow lamp and also a set of beliefs that were the imperative for his or her apparently irrational underground journey. That duality in human behaviour did not disappear at the end of the Stone Age. Even in the twentieth century, people were ‘rational’ enough to travel to the moon and back and yet still ‘irrational’ enough to believe in supernatural entities and forces that transcend, and in effect make nonsense of, all the laws of physics on which their moon journey depended. Does the human brain construct spaceships and the human mind fashion unseen forces and spirits? What is the difference between brain and mind? What is intelligence and what is human consciousness? How did early people reach a stage of evolution that allowed them to make and understand pictures?
James David Lewis-Williams (Mind in the Cave: Consciousness and the Origins of Art)
Most of all, perhaps, we need intimate knowledge of the past. Not that the past has any magic about it, but because we cannot study the future, and yet need something to set against the present, to remind us that the basic assumptions have been quite different in different periods and that much which seems certain to the uneducated is merely fashion. A man who has lived in many places is not likely to be deceived by the local errors of his native village; the scholar has lived in many times and is therefore in some degree immune from the great cataract of nonsense that pours from the press and the microphone of his own age.
Nathan Finochio (Theos Starter Pack: Toward a Recovery of Essential Christianity)
Women are unstable and prone to unreasonable emotional outbursts. They don’t mean half of the nonsense they say,” Heathcliff blustered. Oh, he did not just say that.
Robyn Peterman (Fashionably Dead (Hot Damned, #1))
In a famous hoax, physicist Alan Sokal submitted an article to a leading journal of cultural studies purporting to describe how quantum gravity could produce a “liberatory postmodern science.” The article, which parodied the convoluted style of argument in the fashionable academic world of cultural studies, was promptly published by the editors. Sokal announced that his intention was to test the intellectual standards of the discipline by checking whether the journal would publish a piece “liberally salted with nonsense.” Sokal, “A Physicist Experiments with Cultural Studies,” April 15, 1996,
Dani Rodrik (Economics Rules: The Rights and Wrongs of the Dismal Science)
In the 16th century, it was widely believed by scientists that projectiles, like cannonballs fired toward an enemy, fell straight down after they reached their apex, because gravity pulled them down in a linear fashion, as specified by Aristotle. Practitioners (in this case, soldiers) said that this theory was nonsense: cannonballs followed a curved path. They knew, because they were busy knocking down castles. Not until Descartes' work in the 17th century would mathematicians admit that they (and Aristotle) had been wrong.
Edgar E. Peters (Chaos and Order in the Capital Markets: A New View of Cycles, Prices, and Market Volatility)
My husband’s diamonds were my diamonds,” said Lizzie stoutly. “They are family diamonds, Eustace diamonds, heirlooms, — old property belonging to the Eustaces, just like their estates. Sir Florian didn’t give ’em away, and couldn’t, and wouldn’t if he could. Such things ain’t given away in that fashion. It’s all nonsense, and you must give them up.
Anthony Trollope (Complete Works of Anthony Trollope)
Saroj seemed to be enjoying the food, and that surprised as well as pleased Devi. Mama never ate anything but Indian food. Once in a while she'd try Thai, but her heart was with good old-fashioned south Indian food. Growing up, Saroj served only Indian food in the house. There were no two ways about it with her. "You can eat all the nonsense you like outside this house, but here, I will only make good Indian food," Saroj told her family. At least she didn't insist they become vegetarian like a lot of Indians abroad did. Devi couldn't imagine how her life would be if she couldn't eat salmon mousse or rogan josh.
Amulya Malladi (Serving Crazy with Curry)
The Islamic world had transmitted much of Greek science to medieval Europe, and Aristotle in particular was greatly admired by Muslim scholars as “The Philosopher”. But under the influence of the clerics Islam eventually turned against reason and science as dangerous to religion, and this renaissance died out. In rather similar fashion, the Byzantine Emperor Justinian closed the philosophy schools of Athens in 529 AD because he considered them dangerous to Christianity. But while in the thirteenth century several Popes, for the same reason, tried to forbid the study of Aristotle in the universities, they were ignored and in fact by the end of the century Aquinas had been able to publish his synthesis of Aristotelian philosophy and Christian theology in the Summa Theologica.
C.R. Hallpike (Ship of Fools: An Anthology of Learned Nonsense about Primitive Society)
We can now move on to his general theory of imitation or mimesis. There is no doubt that human culture could not exist without imitation, notably by children imitating their parents and other adults. We all have a natural tendency to imitate our peers as well, and important people or classes also have a very powerful influence on fashions of all kinds.
C.R. Hallpike (Ship of Fools: An Anthology of Learned Nonsense about Primitive Society)
ceremony rehearsal, and one of the groomsmen dared to suggest that Evan might want to take a small sedative before the real wedding, which, as you can imagine, did not go over well. Oh, and Francois threatened to quit halfway through the final menu tasting.” Harmony cringed. “Yikes.” “I think if Francois would have quit, I would have too.” I sighed. “I believe it. I’ve never seen you use the coffee table as an ottoman before.” I smiled and wiggled my toes. “I don’t know why not.” “Well, as you explained to me, this here is an authentic Jason Partillo design,” Harmony replied, a lilt in her voice as she gently needled me with her elbow. I laughed softly. “Are you trying to say that those of us who live in diva houses shouldn’t throw shoes?” She barked a laugh. “No. This Evan guy sounds like he left diva in the dust a long time ago and plowed straight into narcissistic jerk land.” “Can’t argue with that.” I closed my eyes, my head leaning against the back of the sofa. “Two days and then it’s over and they won’t be my problem anymore. I have fifteen weddings between now and June. That’s going to feel like a walk in the park compared to this nonsense.” “And in the meantime, you get the rest of the night off to spend with me and your bestie!” Harmony said. “Assuming I can stay awake, that is,” I replied, peeling my eyes open. “I should have left room in the schedule for a pre-dinner nap.” Harmony laughed and sprang off the sofa to continue getting ready. “Do you think I should wear my black tights with the red sweater dress, or can I get away with jeans? Is the place we’re going fancy fancy or fancy-ish?” I smiled at my sister’s nervous musings. She wasn’t one to ask for my fashion advice, mostly because I preferred my clothes hole-free and didn’t own anything with spikes or studs on it. While she could dress up when the situation warranted, Harmony tended toward a certain grunge-chic aesthetic with colorful streaks in her otherwise bleached-blonde hair, four piercings in each ear, and a penchant for artfully torn clothing and bomber jackets. And she’d recently added a small crystal stud to her nose. “It’s fancy-adjacent,” I told her. “Go with the leggings and dress.” Harmony nodded, even as her teeth worked nervously at her lower lip. I smiled. “She’s going to love you, Harmony. Stop stressing.” Holly Boldt, my good friend and fellow witch, was coming into the Seattle Haven to speak at a potion making conference, and we’d made plans
Danielle Garrett (Wedding Bells and Deadly Spells (A Touch of Magic Mysteries #3))
There is no way out of sweatshop labour or environmental devastation via an individual route. You cannot shop workers in China to freedom. You cannot shop the Aral Sea back to life. The neoliberal mindset that permeates the fashion industry must be shaken off because it is dangerous nonsense. Rather, we must confront the issues in this book critically and with a collectivist anti-capitalist attitude.
Tansy E. Hoskins (Stitched Up: The Anti-Capitalist Book of Fashion)
He sings off-key and talks nonsense, but he is the kindest person I’ve ever met. I hate that he holds no grudges but love who it makes him. After a fashion, I admire him—the purity of his soul and his complete compassion.
Belle Zimet (Knock, Knock (Urban Legends Series Book 5))