Thumb Your Nose Quotes

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Work freely and rollickingly as though you were talking to a friend who loves you. Mentally (at least three or four times a day) thumb your nose at all know-it-alls, jeerers, critics, doubters.
Brenda Ueland (If You Want to Write: A Book about Art, Independence and Spirit)
You know Death will get you in the end, but if you are smart and have a sense of humor, you can thumb your nose at it for awhile
Jimmy Buffett (A Pirate Looks at Fifty)
when you thumb your nose at the laws of physics like you've been doing, the universe tends to get you back through biology." Atticus
Kevin Hearne (Trapped (The Iron Druid Chronicles, #5))
The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely. During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me." "If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.
Nicole Krauss (The History of Love)
Don’t talk to your horse, dear. People are watching,” Pauline said quietly. Halt turned a perplexed look toward her. “How do you know when I’m doing that?” She smiled at him. “Your nose twitches.” … On the way, Kane [stableboy] kept glancing surreptitiously at the famous Ranger, fascinated by the fact that he kept staring down his nose and tweaking its tip between his forefinger and thumb.
John Flanagan (The Royal Ranger (Ranger's Apprentice #12 Ranger's Apprentice: The Royal Ranger #1))
You're not my real parents, every child has thought. I'm not your real child. But with orphans, it's true. What freedom, to thumb your nose authentically!
Margaret Atwood (The Tent)
When you have nothing to lose, you have the freedom to thumb your nose at the rules set by others.
Malcolm Gladwell
If you’re lucky enough to find something you’re good at, where people appreciate you, don’t thumb your nose at it. If it’s an issue of salary or benefits, I’m open to discussing it.
Ling Ma (Severance)
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
As I see it, you’re always unsteady on your legs. You can’t find your courage. You’ll go to any length to avoid what displeases you, and you gallop after whatever you want. And why is that? There is no why; it’s because you’re free to. You enjoy the luxury of picking and choosing because you have the latitude. You’re never pushed into a tight corner as I am, so it never occurs to you to thumb your nose at the world.
Natsume Sōseki (Light and Darkness)
You risked your life for me." He took my shoulders into his hands. "When are you going to learn, Dutch: No one matters but you and the baby. You keep risking your life--" He threw one hand out to indicate our surroundings. "--on things that are not the least bit important." He stepped even closer. "On people who committed suicide and crazy chicks in cemeteries and--" He stopped and dropped a heated gaze on me. His voice cracked when he said in a hushed tone, "I can't lose you." "And I can lose you?" I asked, almost screaming at him. He lowered his head and pinched the bridge of his nose with his thumb and index finger. Then he admitted what was probably his greatest fear. "I don't know how to win. I don't have the faintest idea of how to kill the Twelve. And when I saw your name on that wall." His breath hitched in his chest. Then he focused his coffee-colored gaze on me. "If you die," he said with a savage vehemence in his voice, "I will go straight to hell and kill every demon there. Or I'll perish in the attempt.
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
There is something about all beards that is like the gesture of thumbing the nose. Thank you very much. Up yours.
Wallace Stegner (All the Little Live Things)
I manage fine with no others around; I cannot manage without you. My heart bears your brand, it won’t wander away from you. Reason’s eye blurs with your wine heaven’s wheel spins under your thumb Pleasure’s nose follows your lead, I cannot manage without you.
Jalal ad-Din Muhammad ar-Rumi (Rumi: Swallowing the Sun: Poems Translated from Persian)
When you bluff, your left eyebrow twitches. It hasn’t twitched all night. Besides, I already told you I’m going to get you there safely. No need for games now." I pulled back indignantly. "My left eyebrow does not twitch." Jude studied me with an idle smile, as if calculating the wisdom of saying more. "When you’re amused, your mouth takes on a mischievous curl." he went on, as if proving his point. "When you’re angry, you press your lips together and three tiny lines jump out between your eyebrows." I rolled onto my knees and planted my hands squarely on my hips. "Anything else?" I asked hotly. He thumbed his nose, struggling not to grin. "When you kiss, you make a purring noise deep in your throat. It’s so faint, I have to be touching you to hear it." Now I turned bright red. "We should kiss again and see what other observations I make," he suggested.
Becca Fitzpatrick (Black Ice)
When life deals you a crap hand in the parent department, the best way to thumb your nose at fate was to end up with an even better family, one you created yourself.
Roxy Mews (Love's a Witch (Hart Clan Hybrids, #2))
This is my friend Veronica,” I told him. “And this is Kaidan.” “Oh, I've heard all about you.” Veronica gave him a big smile. His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose. Veronica let out a loud cackle, proving she should be the one in my costume. “I told you it was stupid!” She gloated. With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me. “Your hair's grown a lot,” I said to him. “So has your bottom.” My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor. I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress. “Dude, you can get away with anything,” said the pirate to the straight-faced ape. “I meant it as a compliment.” “That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.” She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something. “My dad gave me a cell phone.” And a car. And a ton of money. Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands. “Here,” I said, taking his phone. Saving my number for him gave me a thrill.
Wendy Higgins (Sweet Evil (Sweet, #1))
The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
At twenty-one, Richard Wright was not the world-famous author he would eventually be. But poor and black, he decided he would read and no one could stop him. Did he storm the library and make a scene? No, not in the Jim Crow South he didn’t. Instead, he forged a note that said, “Dear Madam: Will you please let this nigger boy have some books by HL Mencken?” (because no one would write that about themselves, right?), and checked them out with a stolen library card, pretending they were for someone else. With the stakes this high, you better be willing to bend the rules or do something desperate or crazy. To thumb your nose at the authorities and say: What? This is not a bridge. I don’t know what you’re talking about. Or, in some cases, giving the middle finger to the people trying to hold you down and blowing right through their evil, disgusting rules. Pragmatism is not so much realism as flexibility.
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
No, it doesn’t; don’t listen to them.” Wes lifted my chin in his thumb and forefinger, and his eyes dropped down to my covered nose. “Your nose is just a tiny bit swollen.
Lynn Painter (Better Than the Movies)
She let him finish, then pinched his nose between her thumb and forefinger. She twisted until she got a cry of pain from him. “Don’t touch. I don’t like to be touched.” “I see that.” “Say you’re sorry or I’ll take it off.” “Sorry. Sorry!” She released him. He rubbed his nose and pouted. She couldn’t help but smile. So very cute. And so very charming. Of course she still wouldn’t trust him with her dead horse.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
Just—let me hold you. That’s all. Hold you and go to sleep.” He smoothed his thumbs over the back of her hands. “You can tell me everything about tableware.” She was silent a moment, gazing down at their hands. Then she said, “Would you like to know about holloware or flatware?” “Flatware. Naturally, flatware.” “I shall certainly put you to sleep with that. I venture to say you’ll be snoring by the time I get to the runcible spoon.” “My God. Do I snore?” “You were decidedly snoring last night, as I was enlightening you upon the nature and arrangement of sideboards. I’m rather a connoisseur of sideboards, but I suppose not everyone enters into my own enthusiasm. Kindly refrain from swearing, if you please.” “I beg your pardon.” He kissed her nose...
Laura Kinsale (The Shadow and the Star (Victorian Hearts, #2))
Taking both of my hands, he pulls me into the tide. Salt water deepens the lavender satin of my gown to almost black. The waves push into it, making it heavier and heavier. “Tell me when,” he says. I nod. When Galen is neck deep and I’m clinging to him to keep my head above water. When my saturated prom dress feels like an anchor grasping at my limbs. When the moon is directly overhead and makes the silver flecks in his eyes shimmer like gems. That’s when I’m ready. “Now,” I breathe. He brushes his lips against mine. Once Twice. So soft it barely feels like anything. But it also feels like everything. He pulls me under. One day, when Galen and I are mated, I’ll be a princess. But I’ll never feel more like a princess than right now, in his arms, dancing on the ocean floor. He pulls my from my trance with his lips against me ear. “Emma.” It’s silly how my own name can send tingles shooting everywhere. “Hmm?” “I’ve been thinking. About us.” He pulls away from me. “I think…I think I need a distraction.” “Um. A distraction? From me?” The words taste vinegary in my mouth. They turn sweet again when Galen throws his head back and laughs. “Emma,” he says, brushing his thumb across my bottom lip. “You are the one thing I’m sure of. Completely. Without thinking twice. But I want to get away from here for a little while. And I want you to come with me. I know you’re set on going to college in the fall. I’m only asking for the summer. Let’s go somewhere. Do something.” I float up until I’m eye level with him. “Let’s. Where will we go?” He shrugs. “I don’t care, as long as it’s away from any ocean.” “So…the desert?” He grimaces. “The mountains?” I laugh. “Deal. We’ll go to the mountains.” “You’re sure?” I pull him by the neck until our noses touch. “Completely. Without thinking twice.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Would you like to dance?" I knew I had frosting on my nose. Alex leaned over and wuped it off with his thumb. "Well?" I could only nod. I had a full mouth, too. I stood up, swallowed, and accepted the napkin he was holding. "You're here." "I'm here," he agreed, like it hadn't been a ridiculous thing to say. "I am crashing your sister's wedding. Hope she won't mind." "She won't mind." He was wearing a tux. A real tux, complete with bow tie and silk lapels. I stroked one. "I'm guessing this isn't a rental." He squirmed a little. "No, it's mine. Nice dress." I looked down at the snug purple monstrosity my sister had chosen. At least it had a mandarin collar and some sleeves. "It's a cheongsam," she'd announced proudly. "It's Eggplant Ho Lee Mess" was Frankie's take. My pear-shaped cousin Vanessa got strapless. Now she looked like an eggplant. "You look beautiful," Alex said, but the corner of his mouth was twitching. "Well,you look like...like..." I sighed. "Okay, you look really really good." Then, again, "You're here." "I'm here." "Why?" "I missed you," he said simply. "It's only been four days." "A very,very long four days. But your e-mail helped." He reached for my hand. "Now,are we dancing or not?" We did, and it wasn't as complicated as I'd thought it might be. I stood on my toes, he bent down a little, and we fit together pretty well. The song ended way too soon. "So," Alex said. "So." "We can stay here if you want to...or if you have to. But I have another suggestion. Let's go watch the sun rise." It sounded like a good idea to me. Except... "It's ten o'clock. And it's freezing out there." "Trust me," he said. "okay.
Melissa Jensen (The Fine Art of Truth or Dare)
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
But equally important—or maybe more important, for those of us with some chops anyway—is getting past our desire for mastery, for making it right or doing it well, because a poem isn’t like that.15 A poem is often naughty if not outright bad. Disobedient, at the least. Well-behaved, god please no. Hates the clothes you think it should wear. At its best, a good poem, like any good art, is unruly, insubordinate, uncoachable, insolent, and churlish. Surly sometimes, too. Knows your little rules inside and out and thumbs its nose. Sometimes a good poem just don’t wanna.16
Ross Gay (Inciting Joy: Essays)
Where did Grizel go?” Sandor asked as they turned to leave. “She’s supposed to stay by your side.” “I’m right here,” a husky female voice said as a lithe gray goblin in a fitted black jumpsuit seemed to melt out of the shadows. Fitz’s bodyguard was just as tall as Sandor, but far leaner—and what she lacked in bulk she made up for in stealth and grace. “I swear,” she said, tapping Sandor on the nose. “It’s almost too easy to evade you.” “Anyone can hide in this chaos,” Sandor huffed. “And now is not the time for games!” “There’s always time for games.” Grizel tossed her long ponytail in a way that almost seemed . . . Was it flirty? Sandor must’ve noticed too, because his gray skin tinted pink. He cleared his throat and turned to Sophie. “Weren’t we heading to the cafeteria?” She nodded and followed Fitz into the mazelike halls, where the colorful crystal walls shimmered in the afternoon sunlight. The cafeteria was on the second floor of the campus’s five-story glass pyramid, which sat in the center of the courtyard framed by the U-shaped main building. Sophie spent most of the walk wondering how long it would take Dex to notice her new accessories. The answer was three seconds—and another after that to notice the matching rings on Fitz’s thumbs. His periwinkle eyes narrowed, but he kept his voice cheerful as he said, “I guess we’re all giving rings this year.” Biana held out her hand to show Sophie a ring that looked familiar—probably because Sophie had a less sparkly, slightly more crooked, definitely less pink version on her own finger. “I also made one for you,” Dex told Fitz. “It’s in your thinking cap. And I have some for Tam and Linh, whenever we see them again. That way we’ll all have panic switches—and I added stronger trackers, so I can home in on the signal even if you don’t press your stone. Just in case anything weird happens.” “Your Technopath tricks aren’t necessary,” Sandor told him, pointing to their group of bodyguards—four goblins in all. “But it’s still good to have a backup plan, right?” Biana asked, admiring her ring from another angle. The pink stone matched the glittery shadow she’d brushed around her teal eyes, as well as the gloss on her
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
To find your fundamental frequency, stand in the shower and use your thumb and index finger to lightly pinch the bridge of your nose. Now hum, varying the frequency. Your fundamental frequency causes the bones of your nose to vibrate the most. Actors use this pitch range to project in a theater without causing voice strain.
John M. Gottman (The Man's Guide to Women: Scientifically Proven Secrets from the Love Lab About What Women Really Want)
You die because you think the gods are looking after you. That's ok for animals, but you should know better." "We should not trust the gods with our lives?" "Definitely not. You should trust *yourselves* with your lives. That's the human way to live." Ishmael shook his head ponderously. "This is sorry news indeed. From time out of mind we've lived in the hands of the gods, and it seemed to us we lived well. We left to the gods all the labor of sowing and growing and lived a carefree life, and it seemed there was always enough in the world for us, because--behold!--*we are here!*" "Yes," I told him sternly. "You are here, and look at you. You have nothing. You live without security, without comfort, without opportunity." "And this is because we live in the hands of the gods?" "Absolutely. In the hands of the gods you're no more important than lions or lizards or fleas--you're nothing special.... As I say, you've got to begin planting your own food.... The gods plant only what you *need*. You will plant *more* than you need." "To what end? What's the good of having more food than we need?" "That is the whole goddamned point! When you have more food than you need, then *the gods have no power over you!*" "We can thumb our noses at them." "Exactly." "All the same, what are we to *do* with this food if we don't need it?" "You *save* it! You save it to thwart the gods when they decide it's your turn to go hungry. You save it so that when they send a drought, you can say, 'Not *me* goddamn it! *I'm* not going hungry, and there's nothing you can do about it, because my life is in my own hands now!" ... "So this is what's at the root of your revolution. You wanted and still want to have your lives in your own hands." "Yes. Absolutely. To me, living any other way is almost inconceivable. I can only think that hunter-gatherers live in a state of utter and unending anxiety over what tomorrow's going to bring." "Yet they don't. Any anthropologist will tell you that. They are far less anxiety-ridden than you are. They have no jobs to lose. No one can say to them, 'Show me your money or you don't get fed, don't get clothed, don't get sheltered.' " "I believe you. Rationally speaking, I believe you. But I'm talking about my feelings, about my conditioning. My conditioning tells me -- Mother Culture tells me -- that living in the hands of the gods has got to be a never-ending nightmare of terror and anxiety.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
As we walk away I know they’re watching, these two men who aren’t yet permitted to touch women. They touch with their eyes instead and I move my hips a little, feeling the full red skirt sway around me. It’s like thumbing your nose from behind a fence or teasing a dog with a bone held out of reach, and I’m ashamed of myself for doing it, because none of this is the fault of these men, they’re too young. Then I find I’m not ashamed after all. I enjoy the power; power of a dog bone, passive but there. I hope they get hard at the sight of us and have to rub themselves against the painted barriers, surreptitiously. They will suffer, later, at night, in their regimented beds. They have no outlets now except themselves, and that’s a sacrilege. There are no more magazines, no more films, no more substitutes; only me and my shadow, walking away from the two men, who stand at attention, stiffly, by a roadblock, watching our retreating shapes.
Margaret Atwood (The Handmaid's Tale)
HE LIES ON HIS BACK. I run a finger along the fence of dark hair that partitions his torso from navel to chest. “I like your body,” I tell him. He sighs and smiles. “Don’t,” he says; and then, with my hand idling in the shallows of his neck, he catalogues his every flaw: the dry skin that makes terrazzo of his back; the single mole between his shoulder blades, like an Eskimo marooned on an expanse of flaggy ice; his warped thumbnail; his knobbed wrists; the tiny white scar that hyphenates his nostrils. I finger the wound. My pinkie dips into his nose; he snorts. “How did it happen?” I ask. He twists my hair around his thumb. “My cousin.” “I didn’t know you had a cousin.” “Two. This was my cousin Robin. He held a razor against my nose and said he’d slit my nostrils so that I only had one. And when I shook my head no, the blade sliced me.” “God.” He exhales. “I know. If I’d only nodded okay, it would’ve been fine.” I smile. “How old were you?” “Oh, this was last Tuesday.
A.J. Finn (The Woman in the Window)
Edmund stood up quickly and cupped my face in his hands. His thumb traced the track of my tear, wiping it away and sending shivers through me. “Are you crying?” I sighed. “Yes, I’m crying.” My voice didn’t sound right thanks to my plugged nose. “It’s been a really rough day and I’d just like to be left alone. So, can you go?” I feebly pushed against his chest. “Evie,” he whispered, my name a plea. “Please, tell me I’m not the reason you’re crying?” The way he looked at me made me want to bawl even more. From his face, I could tell the idea that he’d made me cry was torturous. I looked up at him, wanting him closer and hating myself for it. “Today was really crappy and yes, you’re part of that.” I pulled my face away from his hand. “But you’re far from the only reason.” He pulled me into his arms and kissed my forehead. “I’m so sorry. I never wanted to make you cry. I was a complete arse.” “Yes, you were.” He leaned me back and smiled softly. “Well, at least we can agree.
Emily Albright (The Heir and the Spare)
While Trip’s looking for a place to stay, I was hoping maybe you would let me stay at your apartment.” She holds her breath, waiting for my response. “Are you fucking kidding me?” I ask again. But this time I wrap my arms around her while I do it and spin her around. She giggles against me, and I can feel the movement of it in her belly. She doesn’t try to push me away the way she did with Trip earlier when he tried this move on her. Of course, he wasn’t the happiest man in the whole fucking world when he did it. I guess that matters. “Of course you can stay with me.” I tweak her nose. “Silly woman.” I want her with me every minute of every day. “Your brothers won’t mind?” she asks. “They’ll be ecstatic,” I say. I tuck a lock of hair behind her ear. “They’ve missed you.” “Does your apartment smell like sweaty socks and stale pizza?” she asks. I grimace. It probably does. I hold my finger and thumb an inch apart. “Maybe a little bit.” She cuddles into me, wrapping her arms around my waist. She says something against my chest, but I can’t see her lips. I tip her face up. “What?” I ask. “I love you,” she says.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
And what about your brother, Agus? Will he be entertaining us with his pipes?” “Agg,” Shanks rasped, wrinkling his nose. “I didn’t tell you? He ain’t with us no more.” A heavy fist slammed on the arm of the Viidun’s chair as he growled, “The idiot went off and got himself killed!” “What?” Derian and Eena replied in unison, both horrified by the news. “You heard me!” Shanks bellowed. “The crazy fool should’ve known when to duck. He died in a bloody challenge with some brainless Deramptium! A downright disgraceful way to die! I’m ashamed to say he was my brother!” “That’s a little harsh, isn’t it?” Eena muttered, mostly speaking to Derian. “What was that?” the Viidun demanded. Derian whispered a hush to Eena. Addressing Shanks, he expressed their condolences. “We are truly sorry for your loss. Your brother will be sorely missed. On the other hand, we look forward to welcoming you and your crew aboard the Kemeniroc.” Derian held up his right hand, extending his thumb and two adjoining fingers. “Strength, truth, and honor, friend,” he said, ending their conversation. “Strength, truth, and honor,” Shanks repeated. The screen went black. The captain turned to Eena who was still in shock. “You have to understand,” he explained, “the Viiduns are a fiercely competitive people with proud, warring ways. Their culture doesn’t call for much sympathy, especially when it appears one of their own has failed to live up to expectations.” Eena was still disturbed by the lack of compassion. “But that was his brother.” “I know. I can hardly believe it myself. Shanks and Agus were very close. They traveled everywhere together. All I can figure is it’s easier for Shanks to express his anger than his anguish.” “After all that, I’m not sure I want to meet him in person. He scares me,” she admitted. Derian laughed. “He scares everyone. That’s why you want to keep him as an ally and not make him an enemy.
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
Mrs. Heller, I’m Dr. Yurovsky. Can you hear me?” Lauren considered replying, then decided not to bother. Too much effort. The words weren’t coming out the way she wanted. “Mrs. Heller, if you can hear me, I’d like you to wiggle your right thumb.” That she definitely didn’t feel like doing. She blinked a few times, which cleared her vision a little. Finally, she was able to see a man with a tall forehead and long chin, elongated like the man in the moon. Or like a horse. The face came slowly into focus, as if someone were turning a knob. A hooked nose, receding hair. His face was tipped in toward hers. He wore a look of intent concern. She wiggled her right thumb.
Joseph Finder (Vanished (Nick Heller, #1))
He took no note of our arrival. In one hand was a pencil. In the other was paper. 'Bokonon?' 'Yes?' 'May I ask what you're thinking?' 'I am thinking, you man, about the final sentence for The Books of Bokonon. The time for the final sentence has come.' 'Any luck?' He shrugged and handed me a piece of paper. This is what I read: If I were a younger man, I would write a history of human stupidity; and I would climb to the top of Mount McCabe and lie down on my back with my history for a pillow; and I would take from the ground some of the blue-white poison that makes statues of men; and I would make a statue of myself, lying on my back, grinning horribly, and thumbing my nose at You Know Who.
Kurt Vonnegut Jr. (Cat’s Cradle)
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
Chuck Palahniuk (Fight Club)
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
Doan be scared, bébé,” he rasped with a brief kiss to my lips. “I’m goan to take care of you.” Staring down into my eyes, he began prodding deeper. “I’ve wanted you for so long.” And deeper. “My God, woman!” When he was all the way in, a strangled groan burst from his chest. Pain. I just stifled a wince, far from enamored with this. Voice gone hoarse, he said, “You’re mine now, Evangeline. No one else’s.” He must be right—because Death’s presence had disappeared completely. Jack held himself still, murmuring, “Doan hurt, doan hurt.” “It’s getting better.” “Ready for more?” I nodded. Then regretted it. Pain. Between gritted teeth, he said, “Evie, I got to touch you, got to kiss you. Or you woan like this.” A bead of sweat dropped from his forehead onto my neck, tickling its way down to my collarbone. “O-okay.” Still inside me, he raised himself up on his knees, his damp chest flexing. His hands covered me, cupped, kneaded, his thumbs rubbing. When I started arching my back for more, his body moved. And it was . . . Rapture. “Jack! Yes!” In a strained tone, he said, “God almighty—I am home, Evangeline.” Another thrust had me soaring. “Finally found the place . . . I’m supposed to be.” He leaned down, delivering scorching kisses up my neck and down to my br**sts, bringing me closer and closer to a just-out-of-reach peak. Each time he rocked over me, I sensed a barely harnessed aggression in him. Between panting breaths, I said, “Don’t hold back! You don’t have to with me.” I lightly grazed my nails over his back, spurring him until he was taking me with all his might—growling with need as I moaned. Pleasure built and built . . . broke free . . . wicked bliss seized me, seized him. As I cried out uncontrollably, he yelled, “À moi, Evangeline!” Mine. “Yes, Jack, yes. . . .” Then after-shudders. A final moan. A last groan. As his weight sank heavily over me, I ran my hands up and down his back, wanting him to know how much I loved that. How much I loved him. He raised himself up on his forearms, cheeks flushed, lids heavy with satisfaction. “I knew it would be like this.” His voice was even more hoarse. “I knew from the first moment I saw you.” Stroking my hair, he started kissing my face, pressing his lips to my jaw, my forehead, the tip of my nose. “I am home, Evie Greene,” he repeated between kisses. I never wanted him to stop. He’d been an amazing lover, but his afterplay? He was adoring. “The first priest I find, I’m goan to marry you. I’m all in, peekôn.” His kisses grew more and more heated. Against my lips, he rasped, “How come I can’t ever get enough of you?
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
Can I ask you something?" Jamie reaches his hand across his chest and scratches his neck. When I nod, he asks, "What do you see when you look at pictures of yourself?" I swallow. Someone who looks too Asian to be pretty. Because being Asian means I can never be as pretty as the other girls at school—the girls like Mom. I know this because people like Henry and Adam and Mom keep telling me I don't have the right face. I know this because when I look in the mirror, I see what they see—a girl who doesn't belong here. A girl who isn't good enough. But I can't tell him that—he wouldn't understand. "Okay. Well, what do you wish you saw?" He tries again when I remain quiet for so long. Someone with bigger eyes. Lighter hair. A smaller nose. "Someone who looks more like everyone else," I say at last. Jamie runs his thumbs over the edge of his camera. "Do you know how many people would love to have your face? Yeah, you don't look like everyone else in town, but that's special. You stand out because you're unique, and people literally never stop trying to be unique." I twist my mouth. "But I don't want to stand out—not at all. I want to be normal. I want to feel like I belong in the same world as everyone else." If I looked like everyone else, it would probably be easier to make friends. I might even have a mom who cared. That last part really stings. "You might feel that way now, but it isn't like that forever. Wait until you see what the world has to offer besides that small town and your high school. People are different out there.
Akemi Dawn Bowman (Starfish)
Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.
David Mitchell (The Bone Clocks)
Amy, listen to me.  Listen to me.  Don't you ever let them tell you you're ugly!  Don't ever let them tell you you're dirty.  You're a beautiful person, inside and out, thoughtful, sensitive and kind.  I don't care what Sylvanus says, or what anyone else thinks.  You'll find yourself a nice man to marry someday, and if your family's trying to convince you otherwise, it's only because they have an unpaid servant in you and they don't want to lose you." He heard what sounded like a gulp, then a sniffle. "Amy?" "I — I'm sorry, Ch-Charles.  No one's ever said anything like that to me before, and . . . and I j-just don't know what to make of it —" "Oh, God, don't cry.  I don't know how to deal with tearful females, truly I don't." "I c-can't help it, you're being so nice to me, saying that I'm beautiful when really, I'm not, and — "You are beautiful, Amy, and don't you ever forget it." "You can't say that, you've never even seen me!" "Come here." "I am here." "Come closer, then, and let me judge the issue for myself." She did. "Now, place my hands on your face." Sniffling, she took his hands within her own.  Or tried to, given that hers were half the size of his and dainty as a bird's foot. And then she raised them to her face, placing one on each hot, tearstained cheek. The minute he felt her flesh beneath his, Charles knew this was a mistake.  A big mistake.  But to stop now would crush her. "Ah, Amy.  How can you think you're ugly?  Your skin is so soft that it feels like roses after a morning rain." "It's too dark.  Bronzy.  Not at all the color of Ophelia's and Mildred's." "And who says skin has to be milk-white to be beautiful?" "Well . . . no one, I guess." He gently pressed his thumbs against her cheeks, noting that they were hot with blush, soft as thistledown, and that the delicate bones beneath were high and prominent.  "And look at these cheekbones!  I know women — aristocratic women, mind you — who'd kill for cheekbones like these.  High cheekbones are a mark of great beauty, you know." "High cheekbones are a mark of Indian blood." "Amy." "Yes?" "Stop it." "I'm sorry." He continued on, now tracing the curve of her brow, and the bridge of her nose.  He had lost his eyesight, but it was amazing what his hands could see. "You have a lovely nose," he said. "It's too strong." "No it isn't.  Close your eyes." She did.  He could feel the fragile veneer of her eyelids, trembling faintly beneath his fingertips, and long, long lashes that brushed those cheekbones he had so admired. "What color are your eyes, Amy?" "Brown." "What color brown?  Brown like conkers?  Brown like nutmeg?  Brown like black?" "Brown like mud." "Can you think of a more flattering word?" "No." His hands moved out over her face, learning its shape, before touching the plaited, pinned-up mass of her hair.  It was straight, he could tell that much.  Shiny like glass, as soft as a fern.  He wished it was down. Good God, man, whatever are you thinking?! "My hair's brown, too," Amy said, her voice now a tremulous, barely audible whisper. "Brown like mud?" he cajoled. "No.  Brown like black.  And when the sun comes out, it's got reddish undertones." "It sounds very pretty." "It's not, really.  It's just hair." "Just hair.  Do you ever wear it down?" "No." "Why not?" "It gets in the way of things." "Don't you think that someday, a man will wish to drag his fingers through all this hair?" "No . . . no respectable man." He shook his head, his heart aching for her.  "Oh, Amy." He
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
You can't let him get away with this!" Penny shrieked. Caine wasn’t having it. “You stupid witch,” he yelled back. “No one told you to let it go that far!” “He was mine for the day,” Penny hissed. She pressed a rag to her nose, which had started bleeding again. “He tore his own eyes out. What did you think Quinn would do? What do you think Albert will do now?” He bit savagely at his thumb, a nervous habit. “I thought you were the king!” Caine reacted without thinking. He swung a hard backhand at her face. The blow did not connect, but the thought did. Penny flew backward like she’d been hit by a bus. She smacked hard against the wall of the office. The blow stunned her, and Caine was in her face before she could clear her thoughts. Turk came bursting in, his gun leveled. “What’s happening?” “Penny tripped,” Caine said. Penny’s freckled face was white with fury. “Don’t,” Caine warned. He tightened an invisible grip around her head and twisted it back at an impossible angle. Then Caine released her. Penny panted and glared. But no nightmare seized Caine’s mind. “You’d better hope Lana can fix that boy, Penny.” “You’re getting soft.” Penny choked out the words. “Being king isn’t about being a sick creep,” Caine said. “People need someone in charge. People are sheep and they need a big sheepdog telling them what to do and where to go. But it doesn’t work if you start killing the sheep.” “You’re scared of Albert.” Penny followed it with a mocking laugh. “I’m scared of no one,” Caine said. “Least of all you, Penny. You live because I let you live. Remember that. The kids out there?” He waved his hand toward the window, vaguely indicating the population of Perdido Beach. “Those kids out there hate you. You don’t have a single friend. Now get out of here. I don’t want to see you back here in my presence until you’re ready to crawl to me and beg my forgiveness.
Michael Grant (Fear (Gone, #5))
Do you think he’ll tell anyone?” “No,” he said immediately, reassuring her. “Westcliff isn’t given to gossip. He won’t say a word to anyone, except…” “Except?” “Lady Westcliff. He’ll probably tell her.” Amelia considered that, thinking perhaps it wasn’t so terrible. Lady Westcliff didn’t seem like the kind of person who would condemn her for this. The countess seemed quite tolerant of scandalous behavior. “Of course,” Rohan continued, “if Lady Westcliff knows, there’s a high probability she’ll tell Lady St. Vincent, who’s due to arrive with Lord St. Vincent by the end of the week. And since Lady St. Vincent tells her husband everything, he’ll know about it, too. Other than that, no one will find out. Unless…” Her head jerked upward like a string puppet’s. “Unless what?” “Unless Lord St. Vincent mentions it to Mr. Hunt, who would undoubtedly tell Mrs. Hunt, and then … everyone would find out.” “Oh, no. I can’t bear it.” He gave her an alert glance. “Why? Because you were caught kissing a Gypsy?” “No, because I’m not the kind of woman who is caught kissing anyone. I don’t have rendezvous! When everyone finds out, I’ll have no dignity left. No reputation. No—What are you smiling at?” “You. I wouldn’t have expected such melodrama.” That annoyed Amelia, who was not the kind of woman who indulged in theatrics. She wedged her arms more firmly between them. “My reaction is perfectly reasonable considering—” “You’re not bad at it.” She blinked in confusion. “Melodrama?” “No, kissing. With a little practice, you’d be exceptional. But you need to relax.” “I don’t want to relax. I don’t want to … oh, dear Lord.” He had bent his head to her throat, searching for the visible thrum of her pulse. A light, hot shock went through her. “Don’t do that,” she said weakly, but he was insistent, his mouth wickedly soft, and her breath hitched as she felt the brush of his tongue. Her hands shot to his muscle-banked shoulders. “Mr. Rohan, you mustn’t—” “This is how to kiss, Amelia.” He cradled her head in his palms, deftly tilting it to the side. “Noses go here.” Another disorienting brush of his mouth, a wash of sensual heat. “You taste like sugar and tea.” “I already know how to kiss!” “Do you?” His thumb passed over her kiss-heated lips, urging them to part. “Then show me,” he whispered. “Let me in, Amelia.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
God was still smiling when he went into the guest room for his suitcase. He looked in the closet and under the perfectly made bed. He even pulled out the drawers of the one armoire on the far side of the room, but couldn’t find it. He was about to go back downstairs and ask Day when he turned down the long hall and walked into Day’s master bedroom. His suitcase was tucked neatly in the corner. He pulled it out but immediately knew it was empty. He looked in the first dresser but those were Day’s clothes. The second identical dresser was on the other side and God did a double take at his few toiletries that were neatly aligned on top. God rubbed his hand on the smooth surface and felt his heart clench at how domestic this looked. His and his dressers…really. God yanked off his T-shirt and threw it in the hamper along with Day’s items. He washed up quickly and went back to his dresser to put on a clean shirt. His mouth dropped when he pulled out the dresser drawer. His shirts were neatly folded and placed in an organized arrangement. God went through all five drawers. His underwear, socks, shirts, sweats, all arranged neatly and in its own place. He dropped down on the bed and thought for a minute. At first he was joking, but Day really was domesticating him. Was God ready for that? Sure he loved Day, he’d take a bullet for him, but was he ready to play house? He pinched the bridge of his nose with his thumb and middle finger at the slight tension forming behind his eyes. God had been completely on his own since he was eighteen. He’d never shared space with anyone—hell, no one had ever wanted to. Fuck. Just last night Day was getting ready to fuck mini Justin Bieber, now he was cooking and cleaning for him and doing his damn laundry. He tried his best to shake off his anxiety. He never used the word love lightly. He meant what he’d said last night. God had only loved three people his entire life and for the past four years only one of them returned that love. Should he really tuck tail and run just because this was new territory? Hell no. All he did was unpack my suitcase. No big deal. He was just being hospitable. Damn sure is better than that seedy hotel. “My boyfriend’s just trying to make me comfortable.” He smirked and tried the term on his tongue again. “I have a boyfriend.” “Get your ass down here and stop overthinking shit! Dinner is getting cold!” Day yelled from the bottom of the stairs.
A.E. Via
At the Fishhouses Although it is a cold evening, down by one of the fishhouses an old man sits netting, his net, in the gloaming almost invisible, a dark purple-brown, and his shuttle worn and polished. The air smells so strong of codfish it makes one's nose run and one's eyes water. The five fishhouses have steeply peaked roofs and narrow, cleated gangplanks slant up to storerooms in the gables for the wheelbarrows to be pushed up and down on. All is silver: the heavy surface of the sea, swelling slowly as if considering spilling over, is opaque, but the silver of the benches, the lobster pots, and masts, scattered among the wild jagged rocks, is of an apparent translucence like the small old buildings with an emerald moss growing on their shoreward walls. The big fish tubs are completely lined with layers of beautiful herring scales and the wheelbarrows are similarly plastered with creamy iridescent coats of mail, with small iridescent flies crawling on them. Up on the little slope behind the houses, set in the sparse bright sprinkle of grass, is an ancient wooden capstan, cracked, with two long bleached handles and some melancholy stains, like dried blood, where the ironwork has rusted. The old man accepts a Lucky Strike. He was a friend of my grandfather. We talk of the decline in the population and of codfish and herring while he waits for a herring boat to come in. There are sequins on his vest and on his thumb. He has scraped the scales, the principal beauty, from unnumbered fish with that black old knife, the blade of which is almost worn away. Down at the water's edge, at the place where they haul up the boats, up the long ramp descending into the water, thin silver tree trunks are laid horizontally across the gray stones, down and down at intervals of four or five feet. Cold dark deep and absolutely clear, element bearable to no mortal, to fish and to seals . . . One seal particularly I have seen here evening after evening. He was curious about me. He was interested in music; like me a believer in total immersion, so I used to sing him Baptist hymns. I also sang "A Mighty Fortress Is Our God." He stood up in the water and regarded me steadily, moving his head a little. Then he would disappear, then suddenly emerge almost in the same spot, with a sort of shrug as if it were against his better judgment. Cold dark deep and absolutely clear, the clear gray icy water . . . Back, behind us, the dignified tall firs begin. Bluish, associating with their shadows, a million Christmas trees stand waiting for Christmas. The water seems suspended above the rounded gray and blue-gray stones. I have seen it over and over, the same sea, the same, slightly, indifferently swinging above the stones, icily free above the stones, above the stones and then the world. If you should dip your hand in, your wrist would ache immediately, your bones would begin to ache and your hand would burn as if the water were a transmutation of fire that feeds on stones and burns with a dark gray flame. If you tasted it, it would first taste bitter, then briny, then surely burn your tongue. It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.
Elizabeth Bishop
You still want me?” she murmured, a seductive husk to her voice. Gods, this woman could do me in with a single question. My gaze drifted down to my very proud, very erect cock and back to her face. “I think you know I’ll always want you. But right now? I want you more than I want air.” Lust bloomed through our connection, nearly knocking me for a loop. “That’s good. You know, I almost touched myself in the shower without you,” she admitted, opening her towel and showing me her perfect skin. “Almost made myself come all over my fingers just thinking about you tied up out here.” She threw a leg over mine, straddling me, my cock mere inches from Heaven. But did Wren even graze my aching, leaking head? No. No, she did not. Instead, she held herself from me as she grazed her own skin, palming her breasts, plucking her already-tight nipples.    “Fuuuuccccckkkkk,” I groaned, shifting restlessly on the sheets, trying for just a brush of her sex against mine. The pleasure she was giving herself threaded through me—enough that I was ready to rip out of these cuffs and take her over my knee. Her hands traveled down her stomach, her fingers threading through her auburn curls. “Just like this,” she said. “But I thought you’d want to see me. And you want to, don’t you? Watch me fuck myself?” My mouth was as dry as the Sahara. “Yes,” I croaked. “I want to see everything.” She whimpered as she grazed her clit with her thumb, fucking that sweet pussy with her fingers, her delicious heat so far out of reach. “Let me taste you,” I ordered, the thread of command thick in my voice. Wren raised an eyebrow, not giving an inch. “Good boys say please, Nico. Everyone knows that.” “Please,” I whispered, needing her taste on my tongue. Needing it, craving it. If she was going to torture me this way, I wanted something, anything of hers. Wren’s smile widened as she crawled up my body, grazing her luscious tits up my belly and chest. I tried capturing a nipple in my mouth, but she kept it just out of reach. She straddled my chest, her wet, slick heat so close and so far—all at the same time. I wanted her to sit on my face, wanted to lap her up, and drink her down. Wanted her pleasure for my own. But instead of letting me taste her, she went back to work, milking herself of pleasure just out of reach. Her scent filled my nose so much I could almost savor her sweetness, and as her pleasure ramped up, it got thicker in the air. She let her hair down, the wet strands curling over her gorgeous tits as she writhed. She plucked at her nipples, making herself hiss in desire. “That’s it, beautiful,” I growled. “Make yourself come all over my chest. Fuck that gorgeous pussy.” My words must have done the trick because Wren went off like a bomb, her orgasm slamming into both of us, nearly taking me over with it. But she didn’t come to me, didn’t press her body against mine, and that’s when I decided I’d had about enough of this shit. A flick of my wrists later, and Wren was on her back in my bed, her eyes wide. I nearly hissed at her warm skin against mine, but I was too preoccupied with her surprise. It was fucking adorable. “Yo-you just broke out of… How did you… How strong are you?” Like a pair of steel cuffs were a match for any shifter, let alone an Alpha. “Sweetheart, I’m an Acosta Alpha, next in line to take my father’s place if he ever decides to step down. A shifter is strong. I am stronger. Now, you’ve had your fun. It’s my turn.” Her wide green-gold eyes flared as her mouth parted, and even though she’d just had an orgasm, Wren’s desire blazed through us. As reluctant as I was to move,
Annie Anderson (Magic and Mayhem: Arcane Souls World (The Wrong Witch Book 2))
The Raisin meditation2 Set aside five to ten minutes when you can be alone, in a place, and at a time, when you will not be disturbed by the phone, family or friends. Switch off your cell phone, so it doesn’t play on your mind. You will need a few raisins (or other dried fruit or small nuts). You’ll also need a piece of paper and a pen to record your reactions afterward. Your task will be to eat the fruit or nuts in a mindful way, much as you ate the chocolate earlier (see p. 55). Read the instructions below to get an idea of what’s required, and only reread them if you really need to. The spirit in which you do the meditation is more important than covering every instruction in minute detail. You should spend about twenty to thirty seconds on each of the following eight stages: 1. Holding Take one of the raisins (or your choice of dried fruit or nuts) and hold it in the palm of your hand, or between your fingers and thumb. Focusing on it, approach it as if you have never seen anything like it before. Can you feel the weight of it in your hand? Is it casting a shadow on your palm? 2. Seeing Take the time really to see the raisin. Imagine you have never seen one before. Look at it with great care and full attention. Let your eyes explore every part of it. Examine the highlights where the light shines; the darker hollows, the folds and ridges. 3. Touching Turn the raisin over between your fingers, exploring its texture. How does it feel between the forefinger and thumb of the other hand? 4. Smelling Now, holding it beneath your nose, see what you notice with each in-breath. Does it have a scent? Let it fill your awareness. And if there is no scent, or very little, notice this as well. 5. Placing Slowly take the object to your mouth and notice how your hand and arm know exactly where to put it. And then gently place it in your mouth, noticing what the tongue does to “receive” it. Without chewing, simply explore the sensations of having it on your tongue. Gradually begin to explore the object with your tongue, continuing for thirty seconds or more if you choose. 6. Chewing When you’re ready, consciously take a bite into the raisin and notice the effects on the object, and in your mouth. Notice any tastes that it releases. Feel the texture as your teeth bite into it. Continue slowly chewing it, but do not swallow it just yet. Notice what is happening in the mouth. 7. Swallowing See if you can detect the first intention to swallow as it arises in your mind, experiencing it with full awareness before you actually swallow. Notice what the tongue does to prepare it for swallowing. See if you can follow the sensations of swallowing the raisin. If you can, consciously sense it as it moves down into your stomach. And if you don’t swallow it all at one time, consciously notice a second or even a third swallow, until it has all gone. Notice what the tongue does after you have swallowed. 8. Aftereffects Finally, spend a few moments registering the aftermath of this eating. Is there an aftertaste? What does the absence of the raisin feel like? Is there an automatic tendency to look for another? Now take a moment to write down anything that you noticed when you were doing the practice. Here’s what some people who’ve attended our courses said: “The smell for me was amazing; I’d never noticed that before.” “I felt pretty stupid, like I was in art school or something.” “I thought how ugly they looked … small and wrinkled, but the taste was very different from what I would normally have thought it tasted like. It was quite nice actually.” “I tasted this one raisin more than the twenty or so I usually stuff into my mouth without thinking.
J. Mark G. Williams (Mindfulness: An Eight-Week Plan for Finding Peace in a Frantic World)
It’s not all about hitting. There’s an art to it. A talent. You need power but also smarts. When to hit and where. You have to outthink your opponent. It’s not all about size. Determination and experience play a part.” “Like in business,” she said. “The skill set translates.” She wrinkled her nose. “Doesn’t it hurt when you get hit?” “Some. But boxing is what I knew. Without it, I would have just been some kid on the streets.” “You’re saying hitting people kept you from being bad?” “Something like that. Put down your glass.” She set it on the desk. He did the same, then stepped in front of her. “Hit me,” he said. She tucked both hands behind her back. “I couldn’t.” The amusement was back. “Do you actually think you can hurt me?” She eyed his broad chest. “Probably not. And I might hurt myself.” He shrugged out of his suit jacket, then unfastened his tie. In one of those easy, sexy gestures, he pulled it free of his collar and tossed it over a chair. “Raise your hands and make a fist,” he said. “Thumbs out.” Feeling a little foolish, she did as he requested. He stood in front of her again, this time angled, his left side toward her. “Hit me,” he said. “Put your weight behind it. You can’t hurt me.” “Are you challenging me?” He grinned. “Think you can take me?” Not on her best day, but she was willing to make the effort. She punched him in the arm. Not hard, but not lightly. He frowned. “Anytime now.” “Funny.” “Try again. This time hit me like you mean it or I’ll call you a girl.” “I am a girl.” She punched harder this time and felt the impact back to her shoulder. Duncan didn’t even blink. “Maybe I’d do better at tennis,” she murmured. “It’s all about knowing what to do.” He moved behind her and put his hands on her shoulders. “You want to bend your knees and keep your chin down. As you start the punch, think about a corkscrew.” He demonstrated in slow motion. “That will give you power,” he said. “It’s a jab. A good jab can make a boxer’s career. Lean into the punch.” She was sure his words were making sense, but it was difficult to think with him standing so close. She was aware of his body just inches from hers, of the strength and heat he radiated. The need to simply relax into his arms was powerful. Still, she did her best to pay attention, and when he stepped in front of her again so she could demonstrate, she did her best to remember what he’d said. This time, she felt the impact all the way up her arm. There was a jarring sensation, but also the knowledge that she’d hit a lot harder. “Did I bruise you?” she asked, almost hoping he would say yes, or at least rub his arm. “No, but that was better. Did you feel the difference?” “Yes, but I still wouldn’t want to be a boxer.” “Probably for the best. You’d get your nose broken.” She dropped her arms to her sides. “I wouldn’t want that.” She leaned closer. “Have you had your nose broken?” “A couple of times.” She peered at his handsome face. “I can’t tell.” “I was lucky.” She put her hand on his chin to turn his head. He looked away, giving her a view of his profile. There was a small bump on his nose. Nothing she would have noticed. “You couldn’t just play tennis?” she asked. He laughed, then captured her hand in his and faced her. They were standing close together, his fingers rubbing hers. She shivered slightly, but not from cold. His eyes darkened as he seemed to loom over her. His gaze dropped to her mouth. He swallowed. “Annie.” The word was more breath than sound. She heard the wanting in his voice and felt an answering hunger burning inside her. There were a thousand reasons she should run and not a single reason to stay. She knew that she was the one at risk, knew that he wasn’t looking for anything permanent. But the temptation was too great. Being around Duncan was the best part of her day.
Susan Mallery (High-Powered, Hot-Blooded)
In other words, if you aren’t focusing resources and time on your church website, you are thumbing your nose at the Great Commission. And that’s not an overstatement. A church with a lousy website is committing the sin of Great Commission negligence.
Thom S. Rainer (Becoming a Welcoming Church)
There’s something almost orgasmic about getting out from under a heap of trouble, winning free and thumbing your nose at it. Tomorrow maybe that same trouble will be waiting around a corner for you, but today, right now, it’s beaten, left in the dust. Cowards, overburdened with imagination as we are, spend most of our attention on the future, worrying what’s coming next, so when that rare opportunity to live in the moment arrives I seize it with as many hands as I’ve got spare.
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover." He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family." Ísa frowned. "I don't think your family expects that." "They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it." Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?" "He's building a ginormous mansion. Swimming pool, tennis court, the works." "Is he hiring a buff personal masseuse named Sven?" "Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?" Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion. "Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires." A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders. "And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats." Throat moving, Ísa said, "How many?" It was a husky question. "Seven, I think." "Very funny, mister." "I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart. Ísa's lower lip began to quiver, but she didn't speak. "I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them." Silent tears rolled own Ísa's face. "But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?" Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online." Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss. Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there." Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty. "That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.
Nalini Singh (Cherish Hard (Hard Play, #1))
I'll stay if you'll tell me about the time you broke your nose.” Bronson's smile lingered as he touched the angled bridge of his nose reflectively. “I got this while sparring with Tom Crib, the former coal porter they called the ‘Black Diamond.’ He had fists as big as hams and a left hook that made you see stars.” “Who won?” Holly asked, unable to resist. “I outlasted Crib after twenty rounds and finally knocked him down. It was after that fight that I got my name—‘ Bronson the Butcher.’” The obvious masculine pride he took in the name made Holly feel slightly queasy. “How charming,” she murmured in a dry tone that made him laugh. “It didn't improve my looks much, having Crib smash my beak,” he said, rubbing the bridge of his nose between thumb and forefinger. “I wasn't a pretty sort to begin with. Now I'll definitely never be mistaken for an aristocrat.” “You wouldn't have anyway.” Bronson pretended to wince. “That's as painful a jab as any I received in the rope ring, my lady. So you don't exactly fancy my beat-up mug, is that what you're saying?” “You know very well that you're an attractive man, Mr. Bronson. Just not in an aristocratic way. For one thing, you have too many… that is, you're too… muscular.” She gestured to his bulging coat sleeves and shoulders. “Pampered noblemen don't have arms like that.” “So my tailor tells me.” “Isn't there any way to make them, well… smaller?” “Not that I'm aware of. But just to satisfy my curiosity, how much would I have to shrivel to pass for a gentleman?” Holly laughed and shook her head. “Physical appearance is the least of your worries, sir. You need to acquire a proper air of dignity. You're far too irreverent.” “But attractive,” he countered. “You did say I was attractive.” “Did I? I'm certain I meant to use the word ‘incorrigible.
Lisa Kleypas (Where Dreams Begin)
What happened?” She shook her hand and looked at her palm. “I gave myself a splinter.” She looked closer. “I think.” “Let me see.” “No, I’m fine. I can get a needle when I get home.” He waved his hand in front of him impatiently. “Stubborn woman, let me have your hand.” “It’s not like you can see anything.” With a wild swipe, he captured her wrist. “That’s where you’re wrong. My myopia gives me about two inches of clear vision if I hold something in just the right place.” He tugged her up to stand and pulled her hand closer to his nose. “And it just so happens that clear swath is somewhat magnified. I assume you’re the kind of woman to carry a pocketknife?” She pulled out her knife and handed it to him. For some reason he grinned. She held her breath, realizing how very close she was to him. He flipped open her knife, and his face screwed up in concentration. “You’re also not the kind of woman who’d shriek or tug away from me like my mother does, right?” “Of course not.” She’d rather die than embarrass herself that way. But anticipating pain wasn’t what was sending her heart to throbbing—rather it was being close enough to see the individual hairs darkening his jawline. Her heart had never flipped like this for a man before. She’d evidently not outgrown her schoolgirl infatuation with the handsomest boy in class, but now that they were older, the feelings were quite different. Harrison gently squeezed the flesh of her hand. She squirmed—not because he scraped the knife against her skin but rather because his breath tickled her wrist. “Done.” He ran his thumb across the scratch on her palm and smiled. “Splinter removal—a talent in which you can never outdo me.” “I thought you told me gloating wasn’t a good thing.” Why rub such a silly skill in her face anyway? “I was kidding.” Sure he was. “Being talented at splinter removal isn’t worth being blind as a newborn pup and unable to shoot worth a nickel.” His smile disappeared until his jaw clenched. Then he dropped her hand and stalked away. “Sorry.” Harrison ran into a desk and muttered under his breath. “Seems we are a lot alike, as you said.” Though maybe gloating wasn’t really her downfall, rather speaking without thinking. She hadn’t meant to shove his weakness in his face. If she couldn’t stop competing and ridiculing his weaknesses, they’d part as enemies instead of becoming the kind of friends Lydia and Beatrice were. Then again, remaining enemies might be a good thing. One did not pine for one’s enemy.
Melissa Jagears (Engaging the Competition (Teaville Moral Society, #0.5))
Place your thumb and index fingers over your nose as if you were going to pinch it shut. With either one (this depends on which hand you are using, left or right) close your left nostril. Breathe in through your right nostril. Now, switch your finger to close your right nostril, and exhale out of your left nostril. Now inhale through your left nostril. Switch your fingers to close your left nostril, and breathe out through your right nostril. Repeat this pattern until you feel completely relaxed, or until the time is up. Do this twice today for three minutes each, but you can always repeat it as often as you’d like. Day
Alexis G. Roldan (Zen: The Ultimate Zen Beginner’s Guide: Simple And Effective Zen Concepts For Living A Happier and More Peaceful Life)
When I hear banging around in the bathroom, I make my way over and slide open the door. I see Jeanette throwing everything around, making a complete mess. The woman creates chaos wherever she goes. As she catches sight of me in the mirror, her face lights up before a scowl forms. It makes a cute little line between her eyebrows and I brush my thumb across it. My cock is already goddamn hard because she stands there in nothing but a pair of very tiny panties. “You jackdog. I know what you did,” she snaps and turns to point a finger at me. I look down at myself thinking maybe I missed some of the blood but I changed and took a shower before I came up here so it can’t be that. “You think I wouldn’t notice?” she says accusingly and she takes three steps towards me. She presses her breast against me, getting me in face. “I’m not sure what you’re talking about, Mama, but I’ll do it again if it gets you all worked up and rubbing your tits all over me.” She levels me with a look that could kill a lesser man, but I lean down and kiss her nose and I know I’m winning when I see her fight a smile. “The pills, Saint. Where are they?” Ah now I know why she’s all worked up. I’m surprised it took her this long to notice. I threw out those little fuckers almost a week ago, and I sure wasn’t trying to hide the fact I did it. “Down the drain, Mama.” Before she can respond, I grab her by the hips and lift her onto the bathroom counter. “You’re going to get it, Saint.” “Fuck, I hope so.” I lean in, kissing her neck and dragging my tongue up to her ear.
Alexa Riley (Falling In (Taking the Fall #4))
There are two postures in Zazen—that is to say, the crossed-leg sitting, and the half crossed-leg sitting. Seat yourself on a thick cushion, putting it right under your haunch. Keep your body so erect that the tip of the nose and the navel are in one perpendicular line, and both ears and shoulders are in the same plane. Then place the right foot upon the left thigh, the left foot on the right thigh, so as the legs come across each other. Next put your right hand with the palm upward on the left foot, and your left hand on the right palm with the tops of both the thumbs touching each other. This is the posture called the crossed-leg sitting. You may simply place the left foot upon the right thigh, the position of the hands being the same as in the cross-legged sitting. This posture is named the half crossed-leg sitting.' 'Do not shut your eyes, keep them always open during whole Meditation. Do not breathe through the mouth; press your tongue against the roof of the mouth, putting the upper lips and teeth together with the lower. Swell your abdomen so as to hold the breath in the belly; breathe rhythmically through the nose, keeping a measured time for inspiration and expiration. Count for some time either the inspiring or the expiring breaths from one to ten, then beginning with one again. Concentrate your attention on your breaths going in and out as if you are the sentinel standing at the gate of the nostrils. If you do some mistake in counting, or be forgetful of the breath, it is evident that your mind is distracted.' Chwang Tsz seems to have noticed that the harmony of breathing is typical of the harmony of mind, since he says: "The true men of old did not dream when they slept. Their breathing came deep and silently. The breathing of true men comes (even) from his heels, while men generally breathe (only) from their throats."[FN#245] At any rate, the counting of breaths is an expedient for calming down of mind, and elaborate rules are given in the Zen Sutra,[FN#246] but Chinese and Japanese Zen masters do not lay so much stress on this point as Indian teachers. [FN#245]
Kaiten Nukariya (The Religion of the Samurai A Study of Zen Philosophy and Discipline in China and Japan)
Grasping her chin, Hunter dug his fingertips and thumb into her cheeks. When at last her jaws parted, he held the canteen over her yawning mouth and began trickling water down her. To his surprise, she went perfectly still. By breathing carefully through her nose, she was able to let him fill her mouth without swallowing. The excess water sluiced out onto her cheeks and ran into her hair. Hunter couldn’t plug the canteen and lay it down, not without turning her loose. And if he turned her loose, she’d spit out the water. “Warrior!” he yelled. Several fires away, Warrior shot up from his bed. After looking around in befuddlement, he spied Hunter and broke into a run. Within seconds he was standing by the pallet, his sleepy brown eyes riveted on the yellow-hair. “Tah-mah, what are you trying to do, drown her?” “Yes. Squeeze her nose.” “What?” “Do it!” Warrior knelt at her head. “Hunter, are you--” “Do I have to call Swift Antelope?” Warrior pinched the girl’s nose. “If she dies, it is your doing.” “She isn’t going to die. I’m trying to make her drink.” Hunter watched the girl’s face turn red from lack of air. After a few seconds the muscles in her throat became distended. Then, at last, she swallowed part of the water and began to choke. “Turn loose. Warrior, turn loose!” Warrior, who always seemed to be one thought behind everyone else, finally released her nose and sat back on his heels. The girl gasped and sucked water the wrong way. Grimly, Hunter watched while she fought to get her breath. When at last she stopped coughing, he said, “You will drink?” Her eyes glittered up at him, so filled with hatred that a chill ran up his spine. Hunter grasped her chin again. “Her nose, Warrior. And this time, turn loose when she starts to swallow or we will drown her.” “You will drown her. I’m just helping.
Catherine Anderson (Comanche Moon (Comanche, #1))
The sweet smell of baking crust rolled under her nose from the Four-and-Twenty Blackbird Pie Shop, though Cedar knew for a fact that the pies were made from pumpkin, apple, or pomegranate meringue and not birds. If you bought a pie, stuck in your thumb, and pulled out a plum, you won a tinsel crown.
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
I can’t breathe. I’m 97% sure that my nerve endings are literally on fire, and true to his promise, walking today, or the days in the near future, will be a challenge. God bless him. “God, Sarah.” If I could move right now, I’d open my eyes and look down at him, but I can’t. He’s still inside me, his body also still quivering. I didn’t think it was possible, but this round might be better than any of the previous six. Six. Rounds. Of sex. In one twelve-hour period. I collapse on his chest, bury my face in his neck, try to regain use of my extremities, and purr when he wraps his arms around my back and hugs me close. His arms make me want to bite him. In the best sexual way possible. I don’t know what he does to keep them so…awesome, but dear sweet Moses, am I thankful. “I’ll make you breakfast,” he murmurs against my neck, sending a fresh round of goose bumps over my skin. “Okay. I’ll get off of you in about a month.” He chuckles and slaps my ass, and then before I know it, I’m flat on my back and he’s leaning over me, smiling down at me with those amazing green eyes of his. “How can you move?” “Quick recovery,” he says and kisses my nose. “You stay here and collect yourself and I’ll go cook.” “Cook what?” I ask. “There’s nothing in your fridge.” “The bagel place delivers.” He winks, places a smacking kiss on my lips, then jumps up and saunters out of the bedroom. Naked. Holy shit. I cover my face with my hands and can’t help but smile. What a night! Adam didn’t wait until this morning to have his way with me again. No, that happened sometime around 2:00 a.m. It seems that man can’t keep his hands off of me, and that doesn’t hurt my feelings in the least. I was so right. One night with Adam Spencer was unforgettable and a giant boost to my ego. I giggle and sit up, sighing when my muscles complain. Good lord, muscles I didn’t even know existed are protesting after the night of exhausting sex I just had. I had sex. A lot. With the hottest man ever. I giggle once more and stand, groaning now at the uncomfortable pull of my inner thigh muscles, and walk into his bathroom to clean up. The shower is quick, and before I know it, I’m in his kitchen, wearing last night’s clothes, kind of excited about the walk of shame I’ll do when he drops me off. “I like that smile,” Adam says as he walks into the kitchen holding a brown bag that was just delivered. “You put it there,” I reply with a wink. “You put on shorts.” He raises a brow. “I can take them back off.” “No.” I shake my head and laugh as Adam opens the bag of food. He smirks and passes me a bagel, already toasted with cream cheese. “How do you feel?” “Sore.” I lick cream cheese off my thumb and grin at the sexy man taking a bite of his breakfast. “Well sexed.” “Mission accomplished then.” He reaches over the island and drags his thumb down my cheek. He kisses my forehead, then pulls away. “Thank you.” “For?” “Dinner. Breakfast.” The most amazing sex of my entire life. “You’re welcome.
Kristen Proby (Easy For Keeps (Boudreaux #3.5))
He kissed her long and hot, drinking in her taste and scent. Her hands went to his hips, her fingers hooking through the belt loops on his khaki shorts. She pulled him against her, arching her back, the fly of her jeans against his. Josh sucked in a deep breath and finally, reluctantly, lifted his head. “I’m so damned glad to see you.” “I’m so damned glad I got on that bus,” she said, her voice breathless, her smile wide. “I hope you’re planning to stay for a while. Like all day. And night. And then the next. Four or five.” Her eyes widened. “The next four or five days?” He lowered his head, brushing his lips over hers. “I was thinking more like months.” She laughed softly, her breath hot against his mouth. “So everything I remember feeling last year is still here.” “Definitely still here,” he agreed. And stronger. Absence did make the heart grow fonder. He also knew it made memories fade and fantasies grow. But it seemed that neither of those things had happened in regard to Tori. He remembered everything—the freckles on her nose, the length of her eyelashes, the reddish-gold highlights in her hair, the way her laugh punched him in the gut and made him hard as steel. “Thank God,” she said softly. “So that’s a yes to the four or five months?” She laughed again. “Part of me is a very definite yes.” “That’s the part I want.” “Well, I can definitely offer you a chance to hang out with me for a few days.” “Done.” “You don’t even want to know what for?” “Doesn’t matter.” “Wow,” she said again. Josh brushed his thumbs over her cheekbones. “That’s what I was thinking.” She blew out a little breath. “So how do you feel about weddings?” “Are you proposing?
Erin Nicholas (My Best Friend's Mardi Gras Wedding (Boys of the Bayou, #1))
Place the palm of your hand on top of the kitten’s head, fingers pointed toward her nose. Tip her head so her nose points to the ceiling—the mouth usually falls open a bit when you do this. Then gently press on her lips on each side of the mouth with your thumb and index or middle fingers. Pressing the kitten’s lips against her teeth almost always prompts her to open wide. Be ready with the pill in the other hand, and when she opens her mouth, push it into her mouth and over the hill of her tongue. You’ll see a “V” indentation on the back of her tongue—aim for that.
Amy Shojai (Complete Kitten Care)
Mabel was well over a foot shorter than Jay. At the bakery Christmas party, she'd glanced with loathing at the limbo pole, walked straight underneath it, and headed for the bar. She still managed to look down her nose at him now. "Valuable life lesson. If you feel comfortable shoveling handfuls of stolen sweets into your pockets, I might feel comfortable shoveling you headfirst into a pipe." Jay raised his brows at Sylvie. "Have we considered moving Mabel's workstation so she's slightly farther away from the paying customers? Perhaps about"---he made a pinching motion with his finger and thumb--- "two post codes to the left?" "Have we considered getting a haircut, so we look slightly less like an aging rockstar?" Mabel asked conversationally. "It's swell of you to take over potions class while Sylvie's back on telly, Axl Rose, but you don't have to go full wizard cosplay.
Lucy Parker (Battle Royal (Palace Insiders, #1))
When it comes to communication, his facial expressions give me all the evidence I need to know what he’s thinking. This game is child’s play for us. Watch and learn. *Mentally cracks knuckles* Staring Keller in the eyes, I speak very slowly as I say, “Love of my life.” “Lobster mitten,” he shouts. My brows turn down. Lobster mitten? Where the hell did that come from? I shake my head and move my lips slowly. “Love . . . of . . . my . . . liiiiiife.” “Love myself.” “Ooo, close!” I say. “You got the first one but not the second part. Really pay attention.” “You’re speaking too fast. I can’t tell what you’re saying.” “I said you got the first one, not the second.” “What?” “First one.” “Firstborn?” “No.” I shake my head. “First one!” “What? First myself? First lobster? First mitten?” “No, not first.” I shake my head and hand. “Love is good. You got love.” I give him a thumbs-up. “Love glove?” His nose cringes. “Oh . . . a condom? We don’t use condoms,” he shouts so loud I swear the footmen can hear him. I press my hand to my forehead and take a deep breath. “Okay, starting over.” I erase the air to indicate a new slate. I then hold up my hand and show four fingers for four words. “Four lobsters?” “There are no lobsters!” I shout, tossing my hand in the air before reaching over and plucking his headphone off his head. “No lobsters, forget the lobsters, for the love of God!
Meghan Quinn (Royally In Trouble (Royal, #2))
Disgusting?” He seemed perplexed. With his free hand, Auryn brushed the hair out of my face and then rested his hand behind me. I could feel his thumb graze across my lower back. “Maybe I . . .” He started laughing, unable to finish his sentence. “Maybe you what? What’s so funny?” He leaned in and his nose trailed my damp cheek. “Maybe I like my scent on you. The way it mixes with yours.” His voice was so soft that I wasn’t even certain if I heard him correctly. My eyes widened in response. What could he possibly mean by that? He laughed harder. “That must sound weird to you.” “You’d be correct,” my tone was dry.
Brianna Maze Hinson (Hidden Within: The Leaves of Crimson)
With the stakes this high, you better be willing to bend the rules or do something desperate or crazy. To thumb your nose at the authorities and say: What? This is not a bridge. I don’t know what you’re talking about. Or, in some cases, giving the middle finger to the people trying to hold you down and blowing right through their evil, disgusting rules. Pragmatism is not so much realism as flexibility. There are a lot of ways to get from point A to point B. It doesn’t have to be a straight line. It’s just got to get you where you need to go. But so many of us spend so much time looking for the perfect solution that we pass up what’s right in front of us.
Ryan Holiday (The Obstacle is the Way: The Timeless Art of Turning Adversity to Advantage)
What I really mean is that you need to take ownership of your reading. It's yours. It's special. It is exactly like nobody else's in the whole world. As much a part of you as your nose or your thumb.
Thomas C. Foster (How to Read Literature Like a Professor)
Are you so honorable that you would marry me, a stranger who’s been nothing but cold to you, just because your father skipped a few words in a marriage contract?” His eyes glided over her mouth. “Charitable of you to think me honorable.” “You are.” “And you’re hardly a stranger.” “You don’t know the real me.” Elm softened his voice. “I know there is a warmth in you not even the Maiden can confine. No one who feels nothing would work so tirelessly to get their feelings back. I also know you love Elspeth—and not despite her infection. You simply love her.” He ran his thumb over Ione’s bottom lip. “I think, behind the Maiden, you love a great many things, Ione Hawthorn. Even this wretched kingdom.” When she let out a breath, Elm leaned forward, traced his nose over her jawline—whispered into her ear. “I’d like to know the real you. Whenever you’re ready.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Chatter about them consumes every moment of the entire Collective. And Emma knows why: to distract the public and keep them occupied with meaningless, contrived nonsense while the real crimes happened right under their noses. Captain Orion, the Commander of the League, the nation's most famous and revered hero captured on live video kidnapping and experimenting on meta-humans—that damning evidence should be enough to change the public's mind, but the League easily spun the story, making Orion out to be a villain with her own evil plot. With Lowell Kingston in power—and determined to keep the League under his thumb, keep the country involved in overseas conflict and the public eye away from his corruption—the Collective is a far cry from the egalitarian, peaceful society that it claims to be, the herald of a new age rising from war and disaster.
C.B. Lee (Not Your Backup (Sidekick Squad, #3))
Brody panicked, but was able to yank himself free from Luke’s grip. His thumbnail was white, but quickly turned back to red. “Close one!” said Brody. “It’s only a matter of time before you’re defeated,” Luke said keeping this thumb as far back as possible. “I think you should know that I’ve trained for this my entire life!” Brody laughed. “Your entire life? Really? You’ve known about thumb wrestling tournaments since you were born?” “Nope,” Luke sneered. “I’ve trained because my thumb is what I use to pick my nose with!” “Nasty!” Chloe shouted. “That’s so gross! Are all boys seriously this gross?” Brody grinned. “Then I’ve got news for you… I’ve had the same training!
Noah Child (Attack of the Recess Ninjas)
carries in the breast pocket of his uniform jacket. She uncaps the pen with a flick of her thumb and presses the pointy end right against the major’s throat. Then she brings her face close to Major Unwerth’s, until their noses almost touch. “Listen up, fuckhead,” she says. Her voice is so infused with anger that it comes out as a hoarse growl. “That man over there is one of mine. He dragged me through half a mile of hostile territory. If I ever hear you talking to him again like he’s some green recruit who overstayed his weekend leave, I will tear out your trachea and piss down your neck. Is that understood?” I can see Major Unwerth’s throat move under the tip of the pen as he swallows. There’s naked fear in his eyes now, and the sight of it gives me intense satisfaction. Part of me wants Sergeant Fallon to drive the barrel of that pen right through his throat. Finally, he gives an almost imperceptible nod. Sergeant Fallon releases him and drops the pen in front of him. Her face is contorted with disgust, as if she has just cleaned out a latrine with her bare hands.
Marko Kloos (Terms of Enlistment (Frontlines, #1))
I did sometimes wonder what he saw in you,” he said, his tone deliberately light. “Jamie.” “Oh, you did? How flattering.” I sniffed, and blew my nose. “When he began to speak of you, both of us thought you dead,” he pointed out. “And while you are undoubtedly a handsome woman, it was never of your looks that he spoke.” To my surprise, he picked up my hand and held it lightly. “You have his courage,” he said. That made me laugh, if only halfheartedly. “If you only knew,” I said. He didn’t reply to that, but smiled faintly. His thumb ran lightly over the knuckles of my hand, his touch light and warm. “He doesn’t hold back for fear of skinned knuckles,” he said. “Neither do you, I think.” “I can’t.” I took a deep breath and wiped my nose; the tears had stopped. “I’m a doctor.” “So you are,” he said quietly, and paused. “I have not thanked you for my life.” “It wasn’t me. There isn’t really anything much I can do, for something like a disease. All I can do is to … be there.” “A little more than that,” he said dryly, and released my hand. “Will you have more ale?” I was beginning to see quite clearly what Jamie saw in John Grey. The
Diana Gabaldon (Drums of Autumn (Outlander, #4))
You are up late,” she observed, going into his arms. He kissed her cheek, and Anna squealed. “And your lips are cold.” “So warm them up,” he teased, kissing her cheek again. “I’ve been swilling cold tea and whiskey and putting off having an argument with you.” “What are we going to argue about?” Anna asked, pulling back enough to regard him warily. “Your safety,” he said, tugging her by the wrist to the sofa. “I want to ask you, one more time, to let me help you, Anna. I have the sense if you don’t let me assist you now, it might soon be too late.” “Why now?” she asked, searching his eyes. “You have your character,” he pointed out. “Val told me you asked him for it, and he gave it to you, as well as one for Morgan.” “A character is of no use to me if it isn’t in my possession.” “Anna,” he chided, his thumb rubbing over her wrist, “you could have told me.” “That was not our arrangement. Why can you not simply accept I must solve my own problems? Why must you take this on, too?” He looped his arm over her shoulders and pulled her against him. “Aren’t you the one telling me I should lean on my family a little more? Let my brothers help with business matters? Set my mother and sisters some tasks?” “Yes.” She buried her nose against his shoulder. “But I am not the heir to the Duke of Moreland. I am a simple housekeeper, and my problems are my own.” “I’ve tried,” he said, kissing her temple. “I’ve tried and tried and tried to win your trust, Anna, but I can’t make you trust me.” “No,” she said, “you cannot.” “You leave me no choice. I will take steps on my own tomorrow to safeguard you and your sister, as well.” She just nodded, leaving him to wonder what it was she didn’t say. His other alternative was to wash his hands of her, and that he could not do.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
You didn’t even look at me,” I protest. He sits up on his knees and lifts my leg up by his shoulder. He’s not looking at my body. “You have pink toenail polish, and you have a bit of stubble on your legs.” He grins. “You can use my razor if you want.” His hand slides up my calf, toward my knee, leaving a wake of goose bumps behind. “Your thighs are firm, and you have a generous flare to your hips.” His hand slips to the front of my panties, where he drags his thumb back and forth for a moment. “You have this tiny dusting of hair, here.” His thumb presses against my cleft, and I arch my back to press harder against him. He chuckles. His hands drift up my sides, lifting the shirt. He tugs it up, until it rests just beneath my breasts. He presses a kiss to my belly. My nipples are hard and standing tall. He licks his lips. “Your nipples are pink and puffy and perfect. And your breasts will fit in my hands.” He throws the shirt back down, groaning as he lies back down on top of me, rocking his length against me again. “I saw everything,” he says. “I was just trying to be a gentleman.” He laughs. “You thought I didn’t look.” He kisses the tip of my nose. “Silly woman,” he scolds. “You looked.” That’s all I can say. And it comes out as a croak. Thank God he can’t hear the quiver in my voice. “I looked,” he admits. “You were naked. And so fucking beautiful that I could barely breathe. Of course, I looked.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
The hubbub subsided somewhat. Everyone wanted to know what Charlie Swim thought. “The problem here is that Washington politicians haven’t had the guts to impeach Soetoro. And I’ll tell you why. He’s black. They’re afraid of being called racists. If Soetoro had been white, he’d have been thrown out of office years ago. Rewriting the immigration laws; refusing to enforce the drug laws; siccing the IRS on conservatives; having his spokespeople lie to the press, lie to Congress, lie to the UN; rewriting the healthcare law all by himself; thumbing his nose at the courts; having the EPA dump on industry regardless of the costs; admitting hordes of Middle Eastern Muslims without a clue who they were. . . . Race in America—it’s a toxic poison that prevents any real discussion of the issues. It’s the monkey wrench Soetoro and his disciples have thrown into the gears that make the republic’s wheel turn. And now this! Already the liberals are screaming that if you are against martial law, you’re a racist; if anyone calls me a racist, he’s going to be spitting teeth.
Stephen Coonts (Liberty's Last Stand (Tommy Carmellini #7))
Know what would make me happy?” “If I buy a more manly brand of toilet paper?” “No. Well, yes. But we can talk about that when we’re not naked.” She draped her arm over his shoulders and ran her fingertips over the sweet spot at the back of his neck. “What should we talk about while we’re naked?” He groaned and rolled onto his back, but he took her with him so she was straddling his hips. “Let’s talk about how you look working in the sun, with your skin all shiny and a smear of dirt on your nose.” “Does me being all grubby and sweaty turn you on?” “Watching you work turns me on. You work hard and you’re not afraid to get your hands dirty. I like that in a woman.” “Flattery will get you—” she swiveled her hips, brushing over his erection and making him suck in a sharp breath “—everywhere.” He reached up and cupped her breasts, rubbing his thumbs over her nipples. “Don’t wanna be anywhere but here.” The man knew all the right words. He definitely had all the right moves. And he was a quick learner, so he already knew all the right ways to touch her to drive her out of her mind. He had a way of looking at her with those intense blue eyes that made her feel as though he’d been waiting his entire life just to make love to her. And, as long as she wasn’t stupid enough to imagine she could see forever in those eyes, she’d take it. He ran one fingertip down her forehead to the bridge of her nose. “You’re frowning. What are you thinking about?” She shoved the word forever out of her mind and ran her hands over his rippled abdomen. “I was wondering why you’re not inside me yet.” “Because you’re frowning at me. Gives me confidence issues.” Reaching between their bodies, she stroked the hard length of him. “Confidence is never an issue for you.” He grinned and flipped her onto her back. “I’m confident I can have you whimpering my name into your pillow in five minutes or less.” “I don’t know,” she said as his hand brushed over her stomach and kept going south. “I’m not an easy woman to please.” His mouth followed the trail his hand had marked against her skin. “I never could resist a challenge.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Don’t be afraid, sweetheart. Just believe. Believe in love.” She smiled crookedly. “If you have fireworks set to go off, I’m going to think something’s really fishy.” He took a risk. “I think we have to wait at least four weeks after the babies are born for the fireworks. At least, that’s what they said in my childbirth class.” She gave a little smile that broke his heart but at the same time gave him hope, so he persisted. “When I came to Eternity Springs, I’d lost my ability to believe in anything but pain. This place healed me. You healed me. Your love healed me.” Her lips pouted, and with a touch of petulance in her voice she replied, “I never told you I loved you.” Not gonna make it easy for me, are you? But he had won. He could see it in her eyes, the subtle softening of her body. He kissed her hands, gently nipped her skin, and said, “Then tell me now.” She wrinkled her nose and kept her mouth stubbornly silent. “I love you, Nicole,” he repeated. “You are my heart, my soul, my world. You and Eternity Springs have taught me an invaluable lesson. Even if tragedy strikes my life again and God takes you away from me, as horrible as that would be, I know that I’d survive it. Love can hurt, but if you’ll let it, love also can heal. It truly is a miraculous medicine. You believe that, too, don’t you?” When she nodded, her eyes now swimming in tears, he said, “That’s why I know that eventually you’ll forgive me. Love heals. Now, my love, you say it. Tell me you love me.” She reached out, grasped the silver medal that hung around his neck, and rubbed her thumb over the angel’s wings. Then she released the medal and tenderly touched his cheek. “I do love you, John Gabriel Callahan. I forgive you. Just don’t do anything so stupid again, okay?
Emily March (Angel's Rest (Eternity Springs, #1))
I understand. I’ll call my brother and he’ll come get me.” Gracie’s hand flew up and her eyes went wide. “Wait, what?” “I don’t want to hurt anyone.” After thirteen years, she was used to giving up her desires to do the right thing; she only wished it wasn’t so hard. “You’re right, it’s best if I go home.” “No!” Gracie shouted. She straightened and stepped closer to Maddie. “No! That’s not what I meant. I was only trying to say, ‘be careful.’” The men chose that moment to burst in the door like a bunch of rambunctious puppies, filling the room with chaos and testosterone. Gracie placed her hand over her forehead. “Oh, shit, he’s going to kill me.” Mitch stopped on a dime, his attention going first to Maddie and then to Gracie. A muscle in his jaw jumped. “What did you do?” All three men turned to Gracie. They advanced on her, gleaming with sweat. Alarm stirred. Maddie didn’t need to see their faces. The aggression was clear in their stance. The sheriff crossed his arms over his broad chest, and the muscles in his back rippled with the movement. Like Mitch, he also had a tribal-looking tattoo, although it was on his left shoulder instead of wrapping around his bicep. “You couldn’t keep your mouth shut, huh?” Gracie seemed to regain some of her composure, and her chin tilted. “I was only . . .” She cleared her throat. “Being friendly. And helpful.” Sam pinched the bridge of his nose with his thumb and forefinger. “Didn’t I tell you to leave it alone?” “Yes, but . . .” Gracie glanced at Maddie. “I was worried, and—” Mitch sliced a hand through the air. “What happened?” The men reminded Maddie so much of her brothers and their tactics lit her temper. “That’s enough!” They all swung around. The men’s eyes were sharp, hard with leftover adrenaline. It gave her a moment of pause, before she brushed their daunting presence aside and vaulted off her position by the sink. They tracked her as she stomped around them to stand in front of Gracie. “Stop intimidating her.” Charlie laughed, a wry, amused sound. “Honey, we couldn’t intimidate her if we tried.” His gaze slid over Gracie in a familiar, intimate way. “Although I do think she’s angling for a spanking.” “Ha! You wish.” Gracie placed a hand on Maddie’s shoulder. “Thanks for trying to rescue me. You’re a doll.” She sniffed. “It’s nice to have another female here. I never have anyone on my side.” Sam shook his head. “What did I tell you?” Maddie planted her hands on her hips. “She didn’t do anything, so stop it.” Mitch’s eyes narrowed. “What did she say, Maddie?” “I was just—” Gracie said. “Nothing.” Maddie cut her off as a sudden loyalty toward the woman behind her swelled in her chest. “It has nothing to do with any of you. Now back off.” Charlie’s lips curled into a smile. “Aren’t you a feisty little thing?” “I might be little,” Maddie said, in a righteous tone. “But I’m used to dealing with my brothers, who are all bigger and scarier than you.” Charlie laughed and elbowed Mitch in the ribs. “That sounds like a challenge.” Maddie risked a glance at Mitch to find his expression still hard, not amused at all. He crossed his arms. “I want to talk to Maddie. Alone.” Sam jutted his chin toward the door. “Let’s go.” Gracie squeezed Maddie’s shoulders. “Thanks for sticking up for me. And remember, I’m right next door if you need anything.” “She won’t,” Mitch said, his tone matching the dark expression he wore. Strangely,
Jennifer Dawson (Take a Chance on Me (Something New, #1))
I like her,” Gracie said, the questions as clear as if she’d spoken them. Mitch gave the woman he’d come to think of as a sister a level-eyed stare, keeping his mouth shut. Gracie tilted her head to the side, sending her mop of blond curls flying. “How are you going to keep her?” “She lives in Chicago. I’m not keeping her.” He was temporarily borrowing her until she decided to hightail it to her real life. She gave a smug smile. “I meant keep her for now.” Mitch scrubbed a hand over his jaw, contemplating. “I’m not sure she has any other options.” “Don’t tell me you’re banking on that?” Gracie looked up to the ceiling as if exasperated by his complete stupidity. “A woman always has options, and she’ll think of plenty if you’re stupid enough to point out that she has to choose you by default.” Of course, Gracie was right. But he’d talked her into staying once; he could do it again. The question was, how? Mitch sat forward, placing his elbows on the table, his brain starting a slow, methodical spin. He took a sip of coffee and looked at Gracie. She practically danced in her chair. He rolled his eyes. “What’s on your mind?” “The way I see it,” Gracie said, not letting grass grow under her feet with any long dramatic silences, “her car’s broken down, and Tommy’s is closed today. That buys you a couple of days.” Immediately finding fault with her logic, Mitch shook his head. “Not necessarily. She has family. She could come to her senses and call them, and be gone by noon.” Just because she’d been adamant last night about not contacting them didn’t mean her justifications would hold true in the light of day. “I don’t think so.” Gracie peered behind him, looking thoughtful. “She told me she has no money.” Mitch pressed the bridge of his nose with his thumb and forefinger. The more he thought about it, the more he saw it as the most likely outcome. He’d only been able to convince her to come back to his house last night because she’d been tired, scared, and drunk. “There’s no way she’ll take any from me. What other option is there?” “One little hitch and you’re giving up?
Jennifer Dawson (Take a Chance on Me (Something New, #1))
My face twisted when another one hit, but I kept my fingers from curling around Brandon’s large hands. A few tears escaped my eyes and I let out a sigh when it was over again. Brandon’s thumb started making slow circles against my palm and I opened my eyes to see him watching my face, his head still resting on his other hand. He looked like he was in as much pain as I was by just having to watch me. He rose out of the chair, bending over to brush the tears off my cheeks, and then rest his forehead against mine. “Is there anything I can do for you sweetheart?” “You’re doing it.” I replied. I wouldn’t have been able to do even this part of it without him. He was my rock. “What time is it?” Brandon glanced at his phone before shoving it back in his pocket, “Almost eleven. Try to sleep, he’ll be here before you know it.” He kissed me softly once, then pressed his lips harder to mine. “As long as you get some sleep too.” He sat back in the chair and put his head back on his hand, this time it was next to mine, so our noses were touching. His other hand cupped my cheek and his jaw fell slack within minutes. I smiled at him and braced another fierce contraction before dozing off as well. Loud
Molly McAdams (Taking Chances (Taking Chances, #1))
You must be Miss Hendricks.” Eyes the color of a storm-darkened sky, and just as intense, held me mute. “Rebekah,” James corrected. “That’s what she told us to call her.” I couldn’t read Frank’s expression. Was he displeased with me? Wary? Grateful? Maybe just exhausted and sorrowful. His gaze slid over to Janie. He held out his hands. She jerked away, her arms tight around my neck, her mouth filled with whimpers. “I’m sorry.” I tried to smile. His arms dropped to his sides. Ollie and the boys grabbed at his hands. Janie turned for another peek at the man she didn’t recognize, thumb in her mouth, eyes big as saucers. “Don’t be scared of your daddy, Janie.” I jiggled her as I wrinkled my nose in her direction. She unplugged her mouth and laughed, just as I’d intended. I took a deep breath and stepped toward Frank. He reached for her again. She clung to me. I peeled her off, handed her into his calloused hands. She stared at him for a moment before Ollie pressed close to her daddy and smiled into her sister’s face. “It’s Daddy, Janie. Daddy.” Janie reached out baby fingers and touched Frank’s face, gently, timidly. Then the grin we all knew so well broke out like sunshine on a gray day. Moisture rose in Frank’s eyes. I turned away.
Anne Mateer (Wings of a Dream)
Hands cradling my head, he brings his gaze back to mine, his expression serious as his thumbs make a pass over my lips. “You’re gonna be mine, do you hear me? No matter what I have to do, I want you to be my girl.” He kisses my nose, cheeks, and forehead. “I won’t take no for an answer, and whether or not you want me to, I’m gonna find your pieces so I can put you back together.
Gail McHugh (Amber to Ashes (Torn Hearts, #1))
And I think I fell in love with you. I’m not one hundred percent sure, but I know I like you a lot and I want to have you around. And now that I’m getting used to you, you’re going to break my heart because I kind of need you, Matt. I kind of need for you to love me, too.” I roll her to her back and settle between her thighs. I balance myself on my elbows by her head so I can play with the wet hair on her forehead, brushing it gently to the side. “Done,” I say. Her eyes jerk up to mine. “Done?” she echoes. I nod and kiss the tip of her nose. “I want to eat, sleep, and breathe you, woman,” I say. I drag my nose up and down the side of hers. She shivers in my arms. I kiss her quickly, and she scowls. “Needing me and wanting me are not the same as loving me,” she says, chewing on her lower lip. Her eyebrows furrow, and I kiss the crease between them, then smooth it with my thumb. “Are you in love with me yet?” I ask. “Are you in love with me yet?” she asks me. “Yeah,” I say softly. “I am.” “Me, too,” she chirps.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
God, how I love you, Rose.” He tasted the salt of her tears, but he wouldn’t let her go. “Does this mean you’re going to marry me?” he murmured. “Yes.” She kissed him again, and he wished he had a ring to give her. “And whether you’re the Earl of Ashton or Lord of the Ashes doesn’t matter. You’re the man who stood by me and taught me to walk again. I love you.” He reached below her hips and lifted her up, smiling at her. “I will find a way to give you the life you’ve dreamed of, Rose. Even if it means we have to live apart for a while.” Her expression turned wary. “We are not living apart, Iain.” “You’re daft if you think I’m taking you back to a place where there is no food.” Slowly, he lowered her back to stand before him. He couldn’t stop touching her, and he rubbed the small of her back. “We will argue about it later. But I do have news that may affect my dowry. Evangeline said that her father will help us sort through our finances and set them straight. We don’t know how much money my mother gave away, but—” At that, Iain’s smile broadened. “Actually, I did learn what she did with the rents.” He’d spent the morning with Cain Sinclair, and it was then that he’d discovered the truth. “Apparently, she didn’t give the money to an Irishman. It was a Scotsman. She gave the rents over to Sinclair a month ago, so he could invest them for her. They made a fine profit for you and your family.” Rose shook her head and a laugh escaped her. “So I do have a dowry, after all. Not that it matters anymore.” He leaned to kiss her again, and added, “You could be penniless, and I wouldn’t care, Rose. I’m marrying you because I love you. Because you make me want to become a better man. And because I cannot be living without you.” She leaned in and rested her nose against his. “I love you, Iain. Earl or not.” “I’ll be the earl in name,” he agreed. “There will be a great deal of work before I can restore Ashton. But with you at my side, I think we can manage it.” He stroked his thumb against her palm, and she let out a soft sigh. Then he came up behind her and drew both arms around her waist. Her body nestled against his, in the most natural feeling in the world. “You are the bride I’m meant to have. Ever since you threatened me with a rake.” She let out a soft laugh. “You’re fortunate that I didn’t use it against you.” He
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
He nodded, his nose brushing my face. “Feeling better,” he breathed. “Good, even. Especially when I…” he broke off. Then he tilted his hips and bore down. “Right there,” he panted. “There’s nothing like it.” Biting the corner of his lip, he picked up the pace. It was magical. Every thrust thrilled me. And the knowledge that Josh was riding me, taking pleasure from my body was just incredible. It was sensory overload of the very best kind. “Love you,” I gasped. Josh put more weight on the headboard, and moaned. He moved his hips faster now, fucking himself on me with more urgency. I slid a hand around to cup his ass. The muscle under my hand was contracting rhythmically. Damn that was sexy. I wasn’t going to last much longer. So I took Josh’s cock in hand and started to stroke. I tipped my head back, trying to hold myself together. “Need you to come for me,” I panted, skimming the pad of my thumb over his slit. “Shoot all over my chest,” I begged. Josh shivered. Dirty talk always made him hornier. I loved that. I loved to shock him a little. “I’m going to come in your ass,” I threatened. “You’re going to feel my hot seed inside you. Probably for the rest of the day.” His moans got louder, and I stroked him harder. But it was just all too good. The sights and sounds of our fucking were more than I could bear. “Gotta come,” I growled. My hips began to shake, and then I was shooting, and shooting again. I gave a shout against Josh’s pecs. He whimpered, then froze, and I worried that something was wrong. But then he drenched my hand with his seed. “Mmm,” I crooned, milking him until he finally sagged against my chest.
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
We continued our drive, not making any permanent decisions that day about where we’d live. We’d been engaged less than twenty-four hours, after all; there was no huge rush. When we finally returned to his house, we curled up on his couch and watched a movie. Gone With the Wind, of all things. He was a fan. And as I lay there that afternoon and watched the South crumble around Scarlett O’Hara’s knees for what had to have been the 304th time in my life, I touched the arms that held me so sweetly and securely…and I sighed contentedly, wondering how on earth I’d ever found this person. When he walked me to my car late that afternoon, minutes after Scarlett had declared that tomorrow is another day, Marlboro Man rested his hands lightly on my waist. He caressed my rib cage up and down, touching his forehead to mine and closing his eyes--as if he were recording the moment in his memory. And it tickled like crazy, his fingertips on my ribs, but I didn’t care; I was engaged to this man, I told myself, and there’ll likely be much rib caressing in the future. I needed to toughen up, to be able to withstand such displays of romance without my knees buckling beneath me and without my forgetting my mother’s maiden name and who my first grade teacher had been. Otherwise I had lots of years of trouble--and decreased productivity--ahead. So I stood there and took it, closing my eyes as well and trying with all my might to will away the ticklish sensations. They had no place here. Begone, Satan! Ree, hold strong. My mind won, and we stood there and continued to thumb our nose at the reality that we were two separate bodies…and the western sun behind us changed from yellow to orange to pink to a brilliant, impossible red--the same color as the ever-burning fire between us. On the drive home, my whole torso felt warm. Like when you’ve awakened from the most glorious dream you’ve ever had, and you’re still half-in, half-out, and you still feel the dream and it’s still real. I forced myself to think, to look around me, to take it all in. One day, I told myself as I drove down that rural country road, I’m going to be driving down a road like this to run to the grocery store in town…or pick up the mail on the highway…or take my kids to cell lessons.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
All right, I’ll play. What are some of the symptoms of OSS?” “Oh, there are plenty. Especially when a parental figure is missing from the equation.” “Enlighten me.” She swirled the bat back and forth between the palms of her hands. “Well, for starters, you are extremely reliable and find yourself responsible for your siblings. Almost as if they are your own kids, seeing how you helped raise them.” I narrowed my brows. “Go on.” “You are overly protective over your family and go out of your way to make sure everyone’s okay. You’re a workaholic. You put your own wants and needs on the back burner in order to make sure everyone else is good. You let your dreams sit on the sidelines if it makes sure others are happier.” My mouth twitched a little. She was hitting a little too close to home. I took the bat from her and grabbed a ball from the bag. I tossed it up and swung, hitting the ball into the distance. “Go on,” I said. She took the bat from me and stepped onto the plate. “You suffer from a hyper-independence, which seems like a good thing, but it’s not.” She tossed a ball up and knocked it out. “It’s actually a trauma response because you feel like you can’t rely on others, seeing how it was always your job to be the reliable source.” “Too loud, Coach.” She handed the bat back to me. We switched positions. “You also worry about messing up and letting people down. Which is why you are so achievement-oriented,” she explained. I hit the next ball. She whistled low. “Nice hit.” “Thanks.” I flicked my thumb against the bridge of my nose. “So with this OSS, what’s the treatment plan?” She shrugged. “Don’t know. Still trying to figure that out myself. Because as someone suffering with OSS, I know that we hate all eyes on us, and we hate the thought of people worrying about us because it shows that we aren’t as strong as we should be, and we should always be strong.” She took the bat from me and performed another hit. “But I think it helps to struggle in numbers. Makes it a little easier to breathe.” “Are you suggesting we start an OSS club?
Brittainy C. Cherry (The Problem with Players)
There was a long period of my life when I couldn’t get out of bed, either.” I sat up and leaned against the headboard. “You too?” “Me too.” He brushed his thumb against his nose. “After Mickey passed away, I couldn’t get out of bed, no matter how hard I tried. Then even when I felt as if I should’ve been able to get up, I still couldn’t. It was as if my mind was cementing my body into the bed. No matter how many good things happened, it was just hard to…exist.” “Yes,” I agreed. “Just like that. How did you get through it?” “I found my beams.” “Your beams? What does that mean?” “My therapist told me that when I was going through my darkest moments. She told me to look for my sunbeams. She said that people who are sad often try to dive headfirst into feeling better. They go to extremes and try hard to climb out of the darkness to feel the sun’s full burst of joy again. They try so hard to get back to a feeling from their past when they felt the happiness.” “Yeah. I do try to chase the high of past happy moments.” “Many people do. Then they crash and burn because it was too much, too soon, too hard. That leaves a feeling of even more depression because you’re hard on yourself, and you feel as if you’ve failed, when really, you just went too hard, too soon. And it’s not about chasing the past. It’s about allowing a new future through finding your sunbeams.” “Break it down.
Brittainy C. Cherry (The Problem with Players)
This is one of the most important breaths. You are now going to anchor your Prana sphere into your Heart. The 14th breath – in-breath: Heart: Love Mind:  Move the Prana meeting point and your inner Prana Sphere from the Navel chakra up to the Heart chakra Mudra and body: This applies to the rest of the Merkaba meditation Women: Palms of the hands facing upwards. Right hand is placed over the left hand, the thumbs touch each other slightly Men: Palms of the hands facing upwards. Left hand is placed over the right hand, the thumbs touch each other slightly Breathing: Yogi breath 7 seconds slow in-breath through the nose ​ The 14th breath – out-breath: Heart: Love Mind:  During the out-breath you will anchor your Prana Sphere and meeting point in your Heart chakra Mudra:  Same as before Breathing: Yogi breath 7 seconds slow out-breath through your nose The 14th breath changes your whole energy field. You will find it easier to reach your Heart and live with love in a balanced way. When you have anchored your Prana flow in your Heart chakra you will also find it easier to reach the Fourth Dimension.
Susanne Jönsson (Activate your Merkaba and reach a Higher Consciousness)
A good but plain-Jane drill you prob’ly know pits the shooter against two to four standard IDPA/ USPSA cardboard torso targets. Using a shot-timer like the PACT Club Timer III, from the beep, put two rounds in each, slow enough to assure all hits are in top-scoring zones. Check your elapsed times. Push faster until you start dropping rounds outside the sweet spots, then back off, slow down and work your way up again. Maybe you integrate a reload. It’s sound, but it lacks panache. Kick it up. Between and around those full-size cardboards, add in half-size*, and some 10" and 5" mini-torsos**. Vary your drills; don’t just shoot left-to-right and back again. Shoot the little guys first, then the larger ones or vice versa or “Connor-versa,” which appears to onlookers to be a spazz-pattern. It is actually coldly calculated — by a spazz. Me. The variety is healthy. You can snap-shoot the full and half-size targets, but the minis force you to concentrate, bear down and get squinty. Sure, program reloads in too, and switching from right to left hand. Now add more fun with malfunction drills: Say you have 10 identical 15-round magazines and six inert dry-fire rounds. In six mags, stagger placement of duds, like second round in one, sixth round in another, blah-blah. Then mix the mags up so you don’t know where the surprises are. And on the timer, give yourself no slack for correcting your malf’s. Now for the spicy stir-fry sauce: Between sweeps of the targets, while gripping your pistol in one hand, bring your other hand back, touch your thumb to your nose, waggle your fingers vigorously, and shout as loudly as possible “O ye sinners, now shall ye repent! Let the Great Slaying begin!” or, “For freedom, Fritos and chicken-fried steak!” or, “Back awaaay from the bulgogi and nobody gets hurt!” Note: Never mess with my bulgogi. Never. Or, try shouting “I love you and blood sausage too!” — but shout it in German; makes it confusing and terrifying. Ich liebe dich und blutwurst auch! Exercising exemplary muzzle control and strictly observing all range safety protocols, slump your shoulders, hang your head and slowly turn around, looking dazed, lost, spaced-out ... Then, by degrees, “recover consciousness” and smile. It’s unlikely anyone will be there by this point, so that smile can be very genuine. If any looky-lou’s are still present, they’ll prob’ly be frozen like deer caught in headlights. Perfecto! If you see me at the range and I’m munchin’ a sammich and sippin’ coffee, stop and say howdy. But if I’m shooting drills, well ... Trouble not, etcetera. Connor OUT
John Connor (Guncrank Diaries)
The drowned kitten floated just beneath the water. Too young for his eyes to be opened, he dangled weightlessly in the sea’s grip. His fur floated around him, but as Nettle reached in to grip him by the scruff of the neck and pull him out, his coat sleeked suddenly flat with the water. He dangled from her hand, water streaming from his nose and open red mouth. She cupped the little creature fearlessly in her hand. She bent over him intently, experimentally flexing the small rib cage between her thumb and forefingers. Then she held the tiny face close to hers and blew a puff of air into the red mouth. I’m those moments, she was entirely Burrich’s daughter. So I had seen him clear birth mucus from a newborn puppy’s throat. “You’re all right now,” she told the kitten authoritatively. She stroked the tiny creature, and in the wake of her hand, his fur as dry and soft. He was striped orange and white, I suddenly saw. A moment before, I thought he had black. “You’re alive and safe, and I will not let any evil befall you. And you know that you can trust me. Because I love you.” At her words, my throat closed up and choked me. I wondered how she knew to say them. All my life, without knowing it, I had wanted someone to say those words to me, and to have them be true and believable. It was like watching someone give to another the gift you had always longed for. And yet, I did not feel bitterness or envy. All I felt was wonder that, at sixteen, she would have that in her to give to another.
Robin Hobb (Fool's Fate (Tawny Man, #3))
And you must believe you have the right to say “no.” You have the right to speak up for yourself and the right to defend yourself, and you need the willingness to do both. Ladies, you’re stronger than you think you are, and oftentimes stronger than men. A woman’s greatest strength may not be physical strength, but it’s a combination of natural mental strength (survival mindset), physical techniques, and tactics that enables you to get through anything. Why do we drive so hard for everyone else, but when it comes time to fight for ourselves we often don’t? For the right mindset, you must believe you’re worth fighting for. You must give yourself permission to fight back. Now that you believe you have the ability to protect yourself, are you willing to hit back in self-defense? Being willing to stand up for yourself means you may have to get physical. Women have a natural instinct to nurture, not harm others; it’s more natural for men to fight. It’s important that you realize that defending yourself with a physical action that may harm another human being does not make you wrong, or a bad or evil person. Imagine for a second that the person you love the most is two feet away from you being beaten to death. You wouldn’t think twice about doing what needs to be done to save a loved one. So being willing to physically defend yourself means you may need to dig your thumb into a man’s eye, slam your fist into his nose, or, in other words: hit, stomp, kick, scratch, spit—whatever it takes to get you free.
Darren Levine (Krav Maga for Women: Your Ultimate Program for Self Defense)
Didn’t the name tip you off?” the tinker chuckled. “Keth-Selhan? Lord boy, someone’s been thumbing their nose at you.” “His name means twilight,” I said. The tinker shook his head, “Your Siaru is rusty. Ket-Selem would be ‘first-night.’ Selhan means ‘sock.’ His name is One Sock.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Praise the miracle body The odd and undeniable mechanics of hand Hundred boned foot, perfect stretch of tendon Praise the veins that river these wrists Praise the prolapsed valve in a heart Praise the scars marking a gallbladder absent Praise the rasp and rattle of functioning lungs Praise the pre-arthritic ache of elbows and ankles Praise the lifeline sectioning a palm Praise the photographic pads of fingertips Praise the vulnerable dip at the base of a throat Praise the muscles surfacing on an abdomen Praise these arms that carry babies, and anthologies Praise the leg hairs that sprout and are shaved Praise the ass that refuses to shrink or be hidden Praise the cunt that bleeds and accepts, bleeds and accepts Praise the prominent ridge of nose Praise the strange convexity of rib cage Praise the single hair that insists on growing from a right areola Praise the dent where the mole was clipped from the back of a neck Praise these inner thighs brushing Praise these eyelashes that sometimes turn inward Praise these hips preparing to spread into a grandmother’s skirt Praise the beauty of the freckle on the first knuckle of a left little finger We’re gone in a blizzard of seconds Love the body human while we’re here A gift of minutes on an evolving planet A country in flux, give thanks For bone, and dirt, and the million things that will kill us someday Motion and the pursuit of happiness, no garauntees, give thanks For chaos theory, ecology, common sense that says we are web A planet in balance or out That butterfly in Tokyo setting off thunder storms in Iowa Tell me you don’t matter to a universe that conspired to give you such a tongue Such rhythm or rhythmless hips Such opposable thumbs Give thanks, or go home a waste of spark Speak, or let the maker take back your throat March, or let the creator rescind your feet Dream, or let your god destroy your good and fertile mind This is your warning This your birthright Do not let this universe regret you
Marty McConnell
My soul mate moved his hand off my mouth to cup my cheek and brushed his thumb tenderly against my skin. He stated softly, “I think your drooling is beautiful and your face is annoying.” Then he winked at me and started walking backward. I beamed at him and said, “My toe is a nose gremlin.
Scarlett Dawn (Beasts and Baubles (Trixie Towers, #4))
Let me see your eyes." He lifted his face, and Evelinde clasped him by both cheeks, her gaze moving slowly over his eyes. They looked perfectly fine to her, however. More than fine. They were really quite beautiful; large and a deep brown so dark they appeared almost black. They were also fringed by long black lashes. The rest of his face was rugged, however, with sharp planes, an arrow-straight nose, and his lips--- Evelinde's eyes paused there, noting that his upper lip was thin, but the lower one was full and looked as if it would be soft to the touch. Before she could think better of it, curiosity made her shift one thumb to rub it over the pillowed surface, and she found it was indeed soft. Then Evelinde realized what she'd done. She could feel a sudden blush rise to cover her face and released him abruptly. "There was a bit of dirt there," she lied, trying to step away at the same time, but his legs immediately closed on either side of her. Finding herself trapped between his knees, Evelinde felt her first moment of disquiet with the man. Not fear, exactly. For some reason she felt sure she had nothing to fear from this man, but the action did make her nervous.
Lynsay Sands (Devil of the Highlands (Devil of the Highlands, #1))
It’s never gone away. Some days it’s so hard to believe anyone wants to be around me, I can’t get out of bed. It’s so goddamn frustrating to feel as though no matter what you do or how charmed your life is, you’ll never be able to shake the shadow. Sometimes the only way I feel I can define myself is by the darkness. I understand what it’s like to feel you’ll never see the sun again. But you can learn to see in the dark. Or, if not, you trust that night doesn’t last forever. Believe me, if I can manage it, anyone can.” He swipes a thumb under his nose, then gives me a watery smile. “There are light-soaked days ahead. I promise.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
Practice: Sitting Mindfulness Meditation Find a quiet time and place. Sit upright but relaxed on a chair or cushion. Be comfortable! You can even meditate in a recliner. Either cup your hands, letting your thumbs touch, or simply rest them in whatever way is comfortable. Set a timer so you don’t have to worry about the time. Close your eyes fully or leave them at half-mast. Bring your attention to your breath and your body. Let your mind be spacious and your heart be kind and soft. Feel your breath at your belly or your nose. Let your breath be natural. Notice each in-breath and each out-breath. Say to yourself, “breathing in” as you breathe in and “breathing out” as you breathe out. Expect your mind to wander right away. That’s normal! The goal is not to stop your thoughts but to train your attention. The goal is to spend more time in the present moment and less time lost in distraction. Label your thoughts “thinking” if you want, then return your attention to your breath. Do this again, and again, and again, and again. Each time you discover that your mind has wandered is an opportunity to do a “rep” and build that mindfulness muscle. Even if you think you are doing this badly, it is still working. Meditation thrives on practice and a kind approach. If you do this simple practice every day, you will gradually become more grounded and aware.
Hunter Clarke-Fields (Raising Good Humans: A Mindful Guide to Breaking the Cycle of Reactive Parenting and Raising Kind, Confident Kids)
Great.  We can set aside a little time each evening before I sleep.  It’ll be almost like you’re telling me a bedtime story each night.” He grinned at her.  “Also, if I encounter another one, maybe whisper in my ear or give me some kind of sign, so I don’t offend them without realizing?” “Signal?” “Yeah, maybe hoot like an owl?  Or, I don’t know, something like this?”  He went through a complicated series of baseball signals, just to mess with her.  He stuck out his tongue, touched his nose, then his elbow, ran one hand across his chest, held up three fingers, then inverted them and waved his hand back and forth, gave her a thumbs up, and finished with a middle-finger salute. “That’s… what does that even… there’s no way I’m gonna…” She spluttered at him, and he couldn’t hold a straight face.
Dave Willmarth (Battleborne (Battleborne, #1))
I wanted only what was within arm’s reach. Akos’s index finger hooked around my pinkie. The shadows disappeared as his currentgift countered mine. Yes, what was within arm’s reach was definitely enough for me. “Would you…say something in Thuvhesit?” he asked. I turned my head toward him. He was still looking up at the window, a faint smile curling his lips. Freckles dotted his nose, and one of his eyelids, right near the lash line. I hesitated with my hand just lifted off the blanket, wanting to touch him but also wanting to stay in the wanting for a moment. Then I followed the line of his eyebrow across his face with a fingertip. “I’m not a pet bird,” I said. “I don’t chirp on command.” “This is a request, not a command. A humble one,” he said. “Just say my full name, maybe?” I laughed. “Most of your name is Shotet, remember?” “Right.” He lunged at my hand with his mouth, snapping his teeth together. It startled a laugh from me. “What was hardest for you to say, when you were first learning?” “Your city names, what a mouthful,” I said as he let go of one of my hands to catch the other, holding me by pinkie and thumb with all his fingertips. He pressed a kiss to the center of my palm, where the skin was callused from holding currentblades. Strange, that something so simple, given to a hardened part of me, could suffuse me so completely, bringing life to every nerve.
Veronica Roth (The Fates Divide (Carve the Mark, #2))