Throttle Hand Quotes

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You won't even take your bow? Are you planning to throttle a moose with your bare hands, then?" "I've a knife in my boot," she said, and then wondered, for a moment, if she could throttle a moose with her bare hands.
Kristin Cashore (Graceling (Graceling Realm, #1))
An overhead light blinked and extinguished. Armitage drew the pistol with his right hand. He swung and aimed, checking there were no innocent people obstructing the way. None. Fired a single shot. It sailed over a plant and table setting. The round hit an inch from the watcher's heart. On impact the brown-haired assailant tipped. Jake ducked. A table toppled. The watcher groaned as the force of the momentum pushed him toward the floor-to-ceiling glass wall. A second table collapsed, plates thrown asunder. Jake stepped forward, arm stretched and gun straight. A waitress hugged herself, crying. Two more male patrons hit the floor and crawled between chairs.
Simon W. Clark (The Russian Ink (Jake Armitage Thriller Book #1))
So perhaps the best resource is to meet everything passively, to make yourself an inert mass, to stare at others with the eyes of an animal, to feel no compunction, with your own hand to throttle down whatever ghostly life remains in you.
Franz Kafka (The Complete Stories)
His gaze narrowed and she could see his hands twitching again like he’d love nothing more than to throttle her. She was beginning to think it was an affliction of his. Did he go around wanting to choke the life out of everyone or was she special in that regard? “I’m afraid ’tis an urge that is entirely original to you,” the laird barked. She clamped her mouth shut and closed her eyes. Mother Serenity had vowed one day Mairin would regret her propensity to blurt out her least little thought. Today just might be that day.
Maya Banks (In Bed with a Highlander (McCabe Trilogy, #1))
Give parents the tiniest of confidences and they'll use them as crowbars to jimmy you open and rearrange your life with no perspective. Sometimes I'd just like to mace them. I want to tell them that I envy their upbringings that were so clean, so free of futurelessness. And I want to throttle them for blindly handing over the world to us like so much skid-marked underwear.
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
So I pulled the sun screen down and squinted and put the throttle to the floor. And kept on moving west. For West is where we all plan to go some day. It is where you go when the land gives out and the oldfield pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. IT is where you go when you look down at the blade in your hand and see the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go.
Robert Penn Warren (All the King's Men)
He was exhausting. “You know I only want to sleep with you,” I blurted out. His sigh was both annoying and sweet at the same time. “Now, you see? Was that so hard?” I could actually visualize my hands around his throat, squeezing. “You’re thinking about throttling me, aren’t you?” He really did know me very well.
Mary Calmes (Old Loyalty, New Love (L'Ange #1))
I think I'm beginning to understand how hearts fit together. Not like diseased carnations that lean against their crutches. Not like vines that twine tight, throttling their hosts. But like two trees: two systems of deep, untangled roots, two patterns of flowering branches, whose leaves drink their own sunlight and breathe their own air. Two trees with something slung between them, a hammock or a tapestry or a swing, some third, beautiful thing that neither would die without. Hearts fit together like hands. Not by necessity. By choice.
Riley Redgate (Seven Ways We Lie)
I was headed out down a long bone-white road, straight as a string and smooth as glass and glittering and wavering in the heat and humming under the tires like a plucked nerve. I was doing seventy-five but I never seemed to catch up with the pool which seemed to be over the road just this side of the horizon. Then, after a while, the sun was in my eyes, for I was driving west. So I pulled the sun screen down and squinted and put the throttle to the floor. And kept on moving west. For West is where we all plan to go some day. It is where you go when the land gives out and the old-field pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. It is where you go when you look down at the blade in your hand and the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go. It was just where I went.
Robert Penn Warren
The application of this knife, the division of the world into parts and the building of this structure, is something everybody does. All the time we are aware of millions of things around us - these changing shapes, these burning hills, the sound of the engine, the feel of the throttle, each rock and weed and fence post and piece of debris beside the road - aware of these things but not really conscious of them unless there is something unusual or unless they reflect something we are predisposed to see. We could not possibly be conscious of these things and remember all of them because our mind would be so full of useless details we would be unable to think. From all this awareness we must select, and what we select and calls consciousness is never the same as the awareness because the process of selection mutates it. We take a handful of sand from the endless landscape of awareness around us and call that handful of sand the world.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
If this were a musical, this would signal the start of a dance number. Angry girls sexy danse in unison around the bull pen. Men stride up and grab a partner to a choreographed tango." Nolan held his hand out. "Give me your man card. You have never sounded more like a girl than right now.
Erin McCarthy (Full Throttle (Fast Track, #7))
And..it was Jack. Jack. Of the many things I'd considered doing to him, most involved violence.None of them involved lip-on-lip action. I jerked my head back,but it wasn't hard to get away,since he pulled back at the same moment. He wrinkled his nose. "Well, that was...interesting. Always wanted to try it,but now that I have,I'm pretty sure I never want to again." Furious,I smacked him in the shoulder with my free hand, hating that we still had to have one clasped so I wouldn't be lost forever. "You"-smack-"little"-smack-"freak!"-smack. "What was that?!" SMACK. He dodged another volley. "And I had been under the impression that afterward was a little less"-he winced as I connected hard-"painful." "Listen,creep,if I wanted you to kiss me,I would have asked! And I didn't. And I wouldn't! And if you ever try that again,so help me,I will find that fossegrim and throw you to a watery death!" And then-as if his awkward,terrible kiss weren't bad enough-he started laughing. "SHUT UP!" He shook his head,grinning smugly. "See? Two goals accomplished. One:try out kissing. Miserable failure, no doubt your fault,but a noble effort nonetheless.I should find your friend Carlee. She's probably better at it than you are." Why couldn't my glamour-piercing eyes have a laser function? I wouldn't kill him. I'd just burn the word "freak" into his forehead. "Aren't you going to ask me what my second goal was?" He batted his eyelashed at me. "No,I'm not." He nudged me in the ribs with his elbow. "You aren't crying anymore, are you?" I'd have to let go of his hand to throttle him. So that option was out. "Being so mad I'd like to kill you is better?
Kiersten White (Supernaturally (Paranormalcy, #2))
But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through the transparent air into the summer sea, no more to rise forever.
Herman Melville
The Big Nurse is able to set the wall clock at whatever speed she wants by just turning one of those dials in the steel door; she takes a notion to hurry things up, she turns the speed up, and those hands whip around that disk like spokes in a wheel. The scene in the picture-screen windows goes through rapid changes of light to show morning, noon, and night - throb off and on furiously with day and dark, and everybody is driven like mad to keep up with that passing of fake time; awful scramble of shaves and breakfasts and appointments and lunches and medications and ten minutes of night so you barely get your eyes closed before the dorm light's screaming at you to get up and start the scramble again, go like a sonofabitch this way, going through the full schedule of a day maybe twenty times an hour, till the Big Nurse sees everybody is right up to the breaking point, and she slacks off on the throttle, eases off the pace on that clock-dial, like some kid been fooling with the moving-picture projection machine and finally got tired watching the film run at ten times its natural speed, got bored with all that silly scampering and insect squeak of talk and turned it back to normal.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
I blamed this on Kelly Clarkson. On Kelly-Freaking-Clarkson. The angry man standing across the kitchen island looked like he was about to throttle me. I had visions of large hands gripped firmly around my neck shaking me like a rubber chicken. His eyes flashed with frustration and I cursed Kelly Clarkson straight to the grave.
Rachel Higginson (Bet in the Dark (In the Dark, #1))
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
By the highway, the Hudson—the library books straining at their delibags, corners poking. Straining my arms, throttling my hands, the numb rewards of literacy.
Joshua Cohen (Book of Numbers: A Novel)
May our evergrowing desire for endless developments and extra comforts shall not force Nature Mama's ever protective hands into throttling our necks to death.
RESHMA CHEKNATH UMESH
Sometimes when we least expect it and stop looking, fate has a way of playing its hand.
Chelle Bliss (Throttled (Men of Inked, #1.5))
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...) 'I really don't know, Dad,' (...) 'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?' (...) 'Right, Dad,' he says. (...) 'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?' 'OK, Dad,' says the boy (...) 'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?' Bunny Junior nods. 'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?' 'OK, Dad.' 'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone. 'So what do you go and do, Dad?' says Bunny Junior. 'Well, you've got to have something they think they need, you know, above all else.' 'And what's that, Dad?' 'Hope... you know... the dream. You've got to sell them the dream.
Nick Cave (The Death of Bunny Munro)
Your country? How came it yours? Before the Pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song—soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation's heart we have called all that was best to throttle and subdue all that was worst; fire and blood, prayer and sacrifice, have billowed over this people, and they have found peace only in the altars of the God of Right. Nor has our gift of the Spirit been merely passive. Actively we have woven ourselves with the very warp and woof of this nation,—we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this work and striving? Would America have been America without her Negro people?
W.E.B. Du Bois (The Souls of Black Folk)
it’s a white man’s farm, and we are only the hands that work here, the feet that tread the grapes in the big vat, or churn up dust on the wide yard around the longhouse, we are the backs that bend until they feel like breaking, we are the necks that get throttled, the stomachs that get hollow from hunger, and mine are the hands that keep on knitting and knitting and honest-to-God never stop knitting,
André P. Brink (Philida (Vintage International))
He scraped through the dark sand to the center house, two stories, both pouring bands of light into the fog. There was warmth and gaiety within, through the downstairs window he could see young people gathered around a piano, their singing mocking the forces abroad on this cruel night. She was there, proptected by happiness and song and the good. He was separated from her only by a sand yard and a dark fence, by a lighted window and by her protectors. He stood there until he was trembling with pity and rage. Then he fled, but his flight was slow as the flight in a dream, impeded by the deep sand and the blurring hands of the fog. He fled from the goodness of that home, and his hatred for Laurel throttled his brain. If she had come back to him, he would not be shut out, an outcast in a strange, cold world.
Dorothy B. Hughes (In a Lonely Place)
You may not say much, Carlos Soto.” She reached forward to place her hand over his heart, and he wondered if she could feel that it beat only for her. “But when you do say something, it tends to be the right thing.
Julie Ann Walker (Full Throttle (Black Knights Inc., #7))
Correct me if I’m wrong, Doctor, but did you not take an oath to do no harm?” Titus wasn’t a doctor right now. He was a man. A man come to claim his woman, to snatch her out of the jaws of a monster. And then throttle her with his bare hands. “I’m a surgeon,” he hissed. “Which means I know exactly how to carve into you until your voice would give out from the screaming.” Raphael glanced back at Nora with an impressed expression. “I do believe he loves you.
Kerrigan Byrne (Courting Trouble (Goode Girls, #2))
I wasn't disturbed so much by the "O Lord, we thank Thee for the blessing of Thy day," but "We commend our lives into Thy hands. O lord" is frankly not the sort of thing you want to hear from a pilot as his hand is reaching for the throttle.
Douglas Adams (Last Chance to See)
Ethan scrubbed his hands over his face. “I hate it when you’re right.” I bit back a grin that only would have gotten me into trouble, and let my mouth do it for me. “Then you must hate me often.” I disappeared into the bathroom before Ethan could throttle me.
Chloe Neill (Biting Bad (Chicagoland Vampires, #8))
After that night at the lake I thought I was rid of you, but thoughts of you tormented me day and night. I made plans to come back for you. I thought if I took you one more time I’d discover you were no different from other women. And then I’d be free.” His arms tightened cruelly as Celia fought his embrace. “But then I was wounded and you were there. Every touch of yours was heaven and hell. I thought about putting my hands around your neck and throttling the life out of you—anything to stop you from becoming necessary to me. But it’s too late now. You’re mine, and you have only yourself to blame. You made yourself mine.
Lisa Kleypas (Only With Your Love (Vallerands, #2))
Damn you,” he muttered, wiping at her tears with his fingers. “I could throttle you for putting us both through this.” “You told me not to come back,” she sobbed in painful relief. “I was so afraid to try… Y-you sounded so final…” “I thought I was losing you. I didn't know what the hell I was saying.” He crushed her against his pounding heart, running his hands over her hair and completely disheveling it. “You said no s-second chances.” “A thousand chances for you. A hundred thousand.” “I'm sorry,” she wept. “I'm so sorry—” “I want you to marry me,” Zachary said in a guttural voice. “I'm going to bind you with every agreement and contract and ritual known to man.
Lisa Kleypas (Where Dreams Begin)
Even now one is ashamed of resting, and prolonged reflection almost gives people a bad conscience One thinks with a watch in one’s hand, even as one eats one’s midday meal while reading the latest news of the stock market; one lives as if one always “might miss out on something.” “Rather do anything than nothing”: this principle, too, is merely a string to throttle all culture and good taste.
Friedrich Nietzsche (The Gay Science with a Prelude in Rhymes & an Appendix of Songs)
If only humankind would soon succeed in destroying itself; true, I'm afraid : it will take a long time yet, but they'll manage it for sure. They'll have to learn to fly too, so that it will be easier to toss firebrands into cities (a pretty sight : a portly, bronze boat perhaps, from which a couple of mail-clad warriors contemptuously hurl a few flaming armored logs, while from below they shoot at the scaly beasts with howling arrows. They could also easily pour burning oil out of steel pitchers. Or poison. In the wells. By night). Well, they'll manage it all right (if I can come up with that much !). For they pervert all things to evil. The alphabet : it was intended to record timeless poetry or wisdom or memories - but they scrawl myriads of trashy novels and inflammatory pamphlets. What do they deftly make of metals ? Swords and arrow tips. - Fire ? Cities are already smoldering. And in the agora throng the pickpockets and swashbucklers, cutpurses, bawds, quacks and whores. And at best, the rest are simpletons, dandies, and brainless yowlers. And every one of them self-complacent, pretending respectability, bows politely, puffs out coarse cheeks, waves his hands, ogles, jabbers, crows. (They have many words : Experienced : someone who knows plenty of the little underhanded tricks. - Mature : has finally unlearned every ideal. Sophisticated : impertinent and ought to have been hanged long ago.) Those are the small fry; and the : every statesman, politician, orator; prince, general, officer should be throttled on the spot before he has time or opportunity to earn the title at humankind's expense. - Who alone can be great ? Artists and scientists ! And no one else ! And the least of them, if an honest man, is a thousand times greater than the great Xerxes. - If the gods would grant me 3 wishes, one of them would be immediately to free the earth of humankind. And of animals, too (they're too wicked for me as well). Plants are better (except for the insectavores) - The wind has picked up.
Arno Schmidt
He gave me a crooked smile. God, he could charm me even when I wanted to throttle him. "Life is short. It's your decision how you deal with this. Let's forgive, forget, and move on." That comment doused the charm. "Why is it that when a man screws up, they always pull out the forgive and forget card? And you're right, it is my decision how I deal with this. But it was your decision that got us here in the first place! Yes, life is short. Too short to deal with BS like this." "Nothing is going on." He threw his hands in the air. "I don't even remember that woman's name. I was sitting at the bar and she sat next to me. We shot the breeze for a few minutes. She had foam on her lip and I wiped it off. That's it." "Well, maybe I want to wipe some foam off of some hot tourist's lip and shoot the breeze." "You better not!" His jaw clenched. Typical double standard.
Kate Young (Southern Sass and a Crispy Corpse (Marygene Brown Mystery, #2))
So, uh…” I gesture around the room with my other hand. “Who’s paying for all of this? Because I certainly can’t afford it.” “My father is, actually.” “But your father thinks I’m a demon.” A shy grin steals across August’s face. “It’s true, but I also pointed out that unless he did something substantial to help, you might not be willing to keep quiet about what Will did to your family.” “You blackmailed him?” My brows rise. “I did.” He grins, almost bashful. I squeeze his hand again. “Thank you. I can’t imagine what a difficult conversation that must have been for you.” “I’ll be completely honest, seeing you like that…You looked dead, Myra. I was so angry, it took all my self-control not to throttle the man.” I snort. “I would pay good money to see that.” “Well, I, unlike some people, actually know how to use a broadsword.” “How hard is it to hack and stab? I mean, honestly.
Jessica S. Olson (A Forgery of Roses)
It ascended by levels: Da's cameo recessed against the glow of the tuner's parade,the drawer of utensils withdrawn past its fulcrum, the disembodied face of my brother miming and distorting my desperate attempt by expression alone to make Mum look up from me and see him, I no longer feeling my features' movements so much as seeing them on that writhing white face against the pantry's black, the throttle-popped eyes and cheeks ballooning against the gag's restraint, Mum squatting chairside to even my ears, my face before us bother farther and farther from my own control as I saw in his twin face what all lolly-smeared hand-held brats must see in the fun-house mirror- the gross and pitiless sameness, the distortion in which there is, tiny, at the center, something cruelly true about the we who leer and woggle at stick necks and and concave skulls, goggling eyes that swell to the edges- as the mimicry ascended reflected levels to become finally the burlesque of a wet hysteria that plastered cut strands to a wet white brow, the strangled man's sobs blocked by cloth, storm's thrum and electric hiss and Da's mutter against the lalation of shears meant for lambs, an unseen fit that sent my eyes upward again and again into their own shocked white, knowing past sight that my twin's face would show the same, to mock it- until the last refuge was slackness, giving up the ghost completely for a blank sack gagged mask's mindless stare-un seen and seeing- into a mirror I could not know or feel myself without. No not ever again.
David Foster Wallace (Brief Interviews with Hideous Men)
Certain things seeped into his memory. Like how Jane had called him “Saint Dominick” three months ago, which he’d thought odd at the time for a woman who should have believed him a fortune hunter. Or how she’d spoken of being tired of “waiting” for her “life to begin.” Good God. She really might have been talking about him then. About waiting for him to come after her. All this time… No, he couldn’t believe that. She’d only been seventeen when they’d ended things, and women that age were still feeling their way in life. She couldn’t possibly have been carrying a torch for him all these years. Why not? You’ve been carrying one for her. He stifled a curse. Nonsense. He’d cut her out of his heart. God, he was such a liar. They were now well out of the city. She sat quietly beside him, obviously uncomfortable after what had happened between them. She couldn’t be any more uncomfortable than he was. He could still taste her mouth, still feel the moment when she’d turned to putty in his arms. He was aware of every inch of her that touched him now. Her hand lay in her lap, so close he could reach over and take it. Or perhaps not. The last thing he needed was her shoving him off the phaeton, which she was liable to do if she took a mind to it. She was damned angry. Though he wasn’t entirely sure why. She was engaged to a very rich, very well-connected earl, all because Dom had set her free. So why did she look as if she wanted to throttle him?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Why, thou monkey,’ said a harpooneer to one of these lads, ‘we ’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.’ Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious revery is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Cranmer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. 10 There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise forever. Heed it well, ye Pantheists!
Herman Melville
[Booker T. Washington's] doctrine has tended to make the whites, North and South, shift the burden of the Negro problem to the Negro’s shoulders and stand aside as critical and rather pessimistic spectators; when in fact the burden belongs to the nation, and the hands of none of us are clean if we bend not our energies to righting these great wrongs. The South ought to be led, by candid and honest criticism, to assert her better self and do her full duty to the race she has cruelly wronged and is still wronging. The North—her co-partner in guilt—cannot salve her conscience by plastering it with gold. We cannot settle this problem by diplomacy and suaveness, by “policy” alone. If worse come to worst, can the moral fibre of this country survive the slow throttling and murder of nine millions of men?
W.E.B. Du Bois (The Souls of Black Folk)
We have a deal.” “The hell you do!” Maria cried out, dashing into the room. She barely noticed that the others stayed behind in the hall. Nathan looked disconcerted by her appearance, and Oliver looked alarmed. “Leave this to me, Maria,” he said tersely. “The only way that scoundrel is getting your mother’s pearls,” she shot back,” is if I strangle him with them.” She marched up and snatched the box from Nathan. “Besides, you already have them to me.” “And you left them behind,” Oliver reminded her. “Gran said you refused to keep them.” “Well, I want them now.” “At the risk of being dragged through the courts?” he said, coming to her side. “Of having your name maligned by this vermin?” He lowered his voice. “Do you really want him examining every action you’ve taken in the past two weeks, having it all laid out before a judge?” She could tell he was thinking of her appearance at the brothel and the unpleasantness there, not to mention her public betrothal to him. “Let him do his worst.” She had an ace in the hole. She was about to call for Miss Kinsley when Oliver said, “Hyatt won’t let go of this matter without some financial consideration. With 125,000 pounds at stake-“ Nathan’s bark of laughter cut him off. “Is that what she’s told you her half of the company is worth, Lord Stoneville?” Nathan sneered. “Now I understand why a marquess is sniffing around her.” Oliver’s eyes turned a dangerous shade of black. He seized the man by the throat and slammed him against the wall. “I don’t give a damn what her half of the company is worth, you little worm. She could come to our marriage with nothing but the gown on her back and I wouldn’t care. She’s worth more to me than any amount of money. If you had an ounce of sense, she’d be worth more to you, too.” As Nathan clawed at Oliver’s hands, struggling for air, Maria hurried to lay her hand on Oliver’s arm. “You promised not to throttle him,” she reminded him, though she was rather enjoying it. After a second’s hesitation, he released Nathan with a look of disgust.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Eric Steele was strapped in and rubbing a rag over his father’s 1911. Demo had brought the pistol with the rest of Steele’s gear on board the C-17. In the cockpit, the pilot pushed the throttle forward, shoving Steele back in his seat. He barely noticed because he was thinking about the first time his father let him hold the pistol. It had felt so heavy in his hands back then. So much I never got to ask him. He ran his thumb over the spot where the serial number should have been. It was silver and all traces of the file marks were smoothed out by years of use. The pistol was one of John Moses Browning’s masterpieces, the same design that the American infantryman had carried in the Battle of Belleau Wood, Iwo Jima, Korea, and Vietnam. It was the only thing he had to remind him of the father he never really knew. Steele had made the pistol his own by modifying it to shoot 9mm, adding a threaded barrel, and installing suppressor sights, which were taller than the factory ones. It was his gun now, and he slipped it away before taking an amphetamine tablet out of his pocket and downing it with a sip of water.
Sean Parnell (Man of War (Eric Steele #1))
at the moment—and looking for other boats. Kelly advanced the port throttle a notch farther as he turned the wheel, allowing Springer to pivot all the more quickly in the narrow channel, and then he was pointed straight out. He advanced the starboard throttle next, bringing his cruiser to a mannerly five knots as he headed past the ranks of motor and sail yachts. Pam was looking around at the boats, too, mainly aft, and her eyes fixed on the parking lot for a long couple of seconds before she looked forward again, her body relaxing more as she did so. “You know anything about boats?” Kelly asked. “Not much,” she admitted, and for the first time he noticed her accent. “Where you from?” “Texas. How about you?” “Indianapolis, originally, but it’s been a while.” “What’s this?” she asked. Her hands reached out to touch the tattoo on his forearm. “It’s from one of the places I’ve been,” he said. “Not a very nice place.” “Oh, over there.” She understood. “That’s the place.” Kelly nodded matter-of-factly. They were out of the yacht basin now, and he advanced the throttles yet again. “What did you do there?” “Nothing to talk to a lady about,” Kelly replied, looking around from a half-standing position. “What makes you think I’m a lady?” she asked. It caught him short, but he was getting used to it by now. He’d also found that talking to a girl, no matter what the subject, was something that he needed to do. For the first time he answered her smile with one of his own. “Well, it wouldn’t be very nice of me if I assumed that you weren’t.” “I wondered how long it would be before you smiled.” You have a very nice smile, her tone told him. How’s six months grab you? he almost said. Instead he laughed, mainly at himself. That was something else he needed to do. “I’m sorry. Guess I haven’t been very good company.” He turned to look at her again and saw understanding in her eyes. Just a quiet look, very human and feminine, but it shook Kelly. He could feel it happen, and ignored the part of his consciousness that told him that it was something he’d needed badly for months. That was something he didn’t need to hear, especially from himself. Loneliness was bad enough without reflection on its misery. Her hand reached out yet again, ostensibly to stroke the tattoo, but that wasn’t what it was all about. It was amazing how warm her touch was, even under a hot afternoon sun. Perhaps it was a measure of just how cold his life had become. But he had a boat to navigate. There was
Tom Clancy (Without Remorse (John Clark, #1; Jack Ryan Universe, #1))
Whales are scarce as hen's teeth whenever thou art up here. Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mysticocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Wickliff's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby-Dick or, The Whale)
Why, thou monkey,” said a harpooneer to one of these lads, “we’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.” Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!” Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.” “I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.” “Milord, please—” He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!” Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts. “Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—” “Stay the hell out of my way!” “Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—” Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain. Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly. “Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.” “What have you done with her?” “Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?” “You met with her at Butterfly Court this morning.” “I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat. “Tell me where she is, or I’ll snap your neck like a wishbone!” Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!” Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice. “Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.” Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Summer spirit, now she closes book’s end, Days of youth spent, carefree with friends. Kari plays now to that what she does not wish, Lost summers days and angelic youth a’ missed. Seasons do change and children grow up, Passing through lives, life never stops. Endless years, bleak they the mind, Adventures of youth, throttle in time. Desires entwine, one grows old, Love loses her grasp, love slips from her hold. Bygone dreams, sleep they soundly by, Hopes for another child, not her soul-self I. Grasped for never, dreams never learn to fly (Within one’s dungeon, the darkest place to die). And Winter’s chill, lays she to rest, Dreams unobtained, fallen in the quest. Kari knew she was but a dream, solo in its flight, Ne’er taking wing again to caress innocence’s light. And to live and live as she once is and now, Stands she forever, stranded on time’s fallowed ground. The love she lost she can never now have, Graspless eternity plucked burning from her hands. Love forsaken, the summer, silent and high, Tears shed for what was once and not now, I. Dreamless hopes far long spent, Lie shallow within, deep strength relents. A hollow traverse of endless life, Lives she the knowing of eternalness light. Aye, silent dreams slip they the day’s long night, To tell of loves once beholden now lost in her sight. In love’s abandonment, Kari, spills she away, To dream upon those clouds again on some somber, summer day. Thus, before evening rusts corrode the golden days, Before innocence is raped and youth spirited away, Before night blossoms forth, and day forgets day, Summer’s love requests of us that we all do stay– To hear a tale one has long since heard before, To tell our souls twice over now and forevermore– Graves are full of those who never lived but could, Heaven and Hell are packed with those who knew they should, And eternity, relentless eternity, brims with those that would.
Douglas M. Laurent
Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Steady frowned at the bottle of Tiger beer in his hand. It was true. For a couple of years there, he’d given Ozzie a run for the money in the bedding of bar bunnies. But recently the…er…hunt had lost its allure. “I think I’m about done with all that, hermano. It just seems so…” He twisted his lips, searching for the word. “Superficial, I guess. Unfulfilling? I don’t know.” He shrugged.
Julie Ann Walker (Full Throttle (Black Knights Inc., #7))
It is a long time,' repeated his wife; 'and when is it not a long time? Vengeance and retribution require a long time; it is the rule. 'It does not take a long time to strike a man with lightning,' said Defarge. 'How long,' demanded madame, composedly, 'does it take to make and store the lightning? Tell me?' Defarge raised his forehead thoughtfully, as if there were something in that, too. 'It does not take a long time,' said madame, 'for an earthquake to swallow a town. Eh well! Tell me how long it takes to prepare the earthquake?' 'A long time, I suppose,' said Defarge. 'But when it is ready, it takes place, and grinds to pieces everything before it. In the mean time, it is always preparing, thought it is not seen or heard. That is your consolation. Keep it.' She tied a knot with flashing eyes, as if it throttled a foe. 'I tell thee,' said madame, extending her right hand, for emphasis, 'that although it is a long time on the road, it is on the road and coming. I tell thee it never retreats, and never stops. I tell thee it is always advancing. Look around and consider the lives of all the world that we know, consider the faces of all the world that we know, consider the rage and discontent to which the Jacquerie addresses itself with more and more of certainty every hour. Can such things last? Bah! I mock you.' 'My brave wife,' returned Defarge, standing before her with his head a little bent, and his hands clasped at his back, like a docile and attentive pupil before his catechist, 'I do not question all this. But it has lasted a long time, and it is possible - you now well, my wife, it is possible - that is may not come, during out lives,' 'Eh well! How then? demanded madame, tying another knot, as if there were another enemy strangled. 'Well' said Defarge, with a half complaining and half apologetic shrug. 'We shall not see the triumph.' 'We shall have helped it,' returned madame, with her extended hand in strong action. "Nothing that we do, is done in vain. I believe, with all my soul, that we shall see the triumph. But even if not, even if I knew certainly not, show me the neck of an aristocrat and tyrant, and still I would -' There madame, with her teeth set, tied a very terrible knot indeed. 'Hold!' cried Defarge, reddening a little as if he felt charged with cowardice; 'I too, my dear, will stop at nothing.' 'Yes! But it is your weakness that you sometimes need to see your victims and your opportunity, to sustain you. Sustain yourself without that. When the time comes, let loose a tiger and a devil; but wait for the time with the tiger and the devil chained - not shown -yet always ready.
Charles Dickens
Who are you?” The pilot asked his hand paused above the throttle.
Marita Fowler (Fat Bodyguards)
No one outside could imagine what it felt like to squeeze the life out of a man, to feel the jerking and juddering as you throttled away their last breath. Sometimes Jared found himself staring at his own hands, marveling at what they’d done, disgusted at their violence but proud of their ability to protect.
Holly Stone (THROTTLE)
It must never be forgotten that Almighty God rules this world. He is not an absentee God. His hand is ever on the throttle of human affairs. He is everywhere present in the concerns of time. His eyes behold, his eyelids try the children of men. He rules the world just as He rules the church by prayer.
Darlene Zschech (Revealing Jesus: A 365-Day Devotional)
Now normally,” the man said, cradling his weapon in one arm while scratching the blond beard covering the lower half of his face with his free hand, “me and Mad Dog”—he dipped his chin toward the soldier holding Umar hostage—“and the rest of the boys wouldn’t hesitate to just go ahead and let you eat a bullet.” And, as if on cue, four more soldiers emerged from the undergrowth, quiet as ghosts. “But as it happens, there are some folks back in the States who are just itchin’ to ask you a few questions.
Julie Ann Walker (Full Throttle (Black Knights Inc., #7))
Throttle it down a bit, mate, and don't crush that pint. You're gonna need that hand tomorrow. I'm not telling you not to do this, I'm saying stop trying to be Shadow and just be you. When you're in the cockpit you can race 'for him' but you can't 'be him.' You always had great potential, lad, but we both spent so much time making sure the lead horse ran the best race you got left behind." - Luther 'Blackbird' Gregg
T. August Green (Moonracer: The Long Shadow)
He comes to a stop, plants one foot on the ground firmly, and uses his other foot to kick start his bike. He revs the throttle back a few times and looks over at me with complete excitement in his eyes as he kicks the start back into place. He nods his head back over his shoulder. “Hop on behind me and wrap your arms around my waist. You’re going to want to scoot close up against me and hold on tight, but not so tight that I can’t move freely.” I step up beside him and he reaches out his hand for me to take hold as I throw my leg up and over the seat. I scoot forward enough that my center is pressed tightly up against his rear end, and wrap my arms around his waist. Even if we didn’t move any further than this position right here, I would be a very happy girl. Adam lets out a laugh. “Even though I’m really enjoying you being this close, you might need to scoot yourself back just a bit so you can actually lean and move with me. Having you’re coochie pressed against my body has crossed my mind, but it might have to wait until later. Right now, you’re just going to manage pushing me forward.” My cheeks feel like they are on fire and my mouth drops open. I release my arms from around Adam’s waist and scoot back on the seat. “Did you just call my woman parts a coochie, and should I even ask about the wait until later comment?” I’m not going to tell him right now, but with that one simple sentence Adam has gotten me very worked up, in a very good way. Adam looks back over his shoulder and I can tell he’s smiling by the look in his eyes. “Well, I wasn’t sure what type of girl you were as far as vagina terminology goes? Coochie seemed like a safe word, but I have many options you can choose from that you might prefer. There is always the common pussy and cunt terms, then there are the more original ones like; cockpit, mud flaps, love tunnel, bone cave, meat massager, theme park, dick mitten….” I start shaking my head back and forth. “Ok, Ok, I got it. Coochie will do for now, I guess, and I will give it some more thought later as to a term I more prefer. I don’t think we need to keep talking about this right now if you plan on actually showing me why I should be your biggest fan and you my favorite rider out at the races. This is just a big distraction instead.” Adam reaches back and places his hand on my knee. “Maybe it’s a major part of making you my biggest fan as well as showing you that I’m meant to be your favorite rider. It can wait, though. Hold on and we can head on out toward the field.” I grab back hold of Adam and keep my coochie slid back further on the seat this time. “That might be a very strong incentive, Adam, for us both. I agree. Oh and you forgot to mention; purple people penis eater, honey pot, poody tat, stop-n-pop….” Adam releases my leg and grabs back hold of the handle. “Ok, you’re right; we will continue this conversation later on.
Joan Duszynski (In The Now (In The Moments, #2))
You need to stop sighing every time Steve is on the screen. This crush has gotten out of hand” “I can’t help it. That hair, his babysitting skills. Even his personality. Sigh
Lauren Asher (Throttled (Dirty Air, #1))
He stares into the flames that devour his beloved, hoping that they will curl into a spinning fireball from which she will speak. Or even that her voice will whistle from what is left of Patroclus' lips. Nothing. She has never failed him before. Has she turned from him forever for his disobedience and sacrilege? Is he eternally alone? Terror swiftly transmutes into fury, and he rises from his crouch, hands curled, ready to throttle the old man whose son has been the cause of his lover's death and now his mother's abandonment. He takes a step forward. Priam does not move, stooped under his impossible, invisible burden. Achilles does not advance further. His hands slowly relax. Though there are no words in his head, in an inarticulable moment he sees the old man's grief as one with his own.
Terence Hawkins (The Rage of Achilles)
Your country? How came it yours? Before the Pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song—soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation’s heart we have called all that was best to throttle and subdue all that was worst; fire and blood, prayer and sacrifice, have billowed over this people, and they have found peace only in the altars of the God of Right. Nor has our gift of the Spirit been merely passive. Actively we have woven ourselves with the very warp and woof of this nation,—we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this work and striving? Would America have been America without her Negro people?
W.E.B. Du Bois (The Souls of Black Folk)
Correct me if I’m wrong, Doctor, but did you not take an oath to do no harm?” Titus wasn’t a doctor right now. He was a man. A man come to claim his woman, to snatch her out of the jaws of a monster. And then throttle her with his bare hands.
Kerrigan Byrne (Courting Trouble (Goode Girls, #2))
And hosts of other memories would have followed, crowding: a thousand skyscapes, day and night, the gay or sombre garments of the blue; the way the earth looked, falling; the wonder at first coming out above the clouds; the rush of engines starting; swallowing to stop deafness in a dive; the scream of wires; shadows of clouds on hills; rain, sweeping like veils over the sea, far off; sunlight; stars between wings; friends, close in formation, swaying, hand on throttle, as they rode ten feet away a mile above the earth. And many others: grass blown down when engines were run up; the smell of dope, and castor oil, and varnish in new cockpits; moonlight shining on struts; sunset clouds, gold-braided; the gasp before the dive; machine-guns; chasing wild duck; the feel of bumps, and all the mastery over movement, pride in skill.
Cecil Lewis (Sagittarius Rising)
SOME MISCONCEPTIONS ABOUT TEAMWORK 1. Effective teams work together a lot. We found instead that smoothly functioning groups work just as well when individuals are able to work independently, yet confidently. 2. Conflict between group members is bad. Many researchers agree that this is dangerous. But constructive conflict is essential to prevent such dysfunctions as individual apathy, group-think, and the so-called Abilene paradox, in which members agree to agree, even if they have qualms. What makes conflict constructive is controlled disagreements over ideas (not personalities) and a common commitment to, and mutual confidence in, execution after a decision is made. 3. Teams are better off when members like each other. True, it’s tough to work with someone when you have an overwhelming urge to throttle the person. On the other hand, there are plenty of groups whose members would not care to spend any time together on a personal basis but who do leverage each other’s experience and skill effectively. The key seems to be mutual respect rather than affection. 4. Team satisfaction produces performance. We found no necessary correlations. When a group puts more energy into its own good feelings than into the task at hand, performance suffers. In one extreme example, an IT project manager was so concerned about morale that she would hold pizza parties when deadlines were missed so that people didn’t feel discouraged.
Rita Gunther McGrath (The Entrepreneurial Mindset: Strategies for Continuously Creating Opportunity in an Age of Uncertainty)
SOME MISCONCEPTIONS ABOUT TEAMWORK 1. Effective teams work together a lot. We found instead that smoothly functioning groups work just as well when individuals are able to work independently, yet confidently. 2. Conflict between group members is bad. Many researchers agree that this is dangerous. But constructive conflict is essential to prevent such dysfunctions as individual apathy, group-think, and the so-called Abilene paradox, in which members agree to agree, even if they have qualms. What makes conflict constructive is controlled disagreements over ideas (not personalities) and a common commitment to, and mutual confidence in, execution after a decision is made. 3. Teams are better off when members like each other. True, it’s tough to work with someone when you have an overwhelming urge to throttle the person. On the other hand, there are plenty of groups whose members would not care to spend any time together on a personal basis but who do leverage each other’s experience and skill effectively. The key seems to be mutual respect rather than affection. 4. Team satisfaction produces performance. We found no necessary correlations. When a group puts more energy into its own good feelings than into the task at hand, performance suffers. In one extreme example, an IT project manager was so concerned about morale that she would hold pizza parties when deadlines were missed so that people didn’t feel discouraged.
Rita Gunther McGrath (The Entrepreneurial Mindset: Strategies for Continuously Creating Opportunity in an Age of Uncertainty)
So I moved under the wheel, and with Boon beside me, over me, across me, one hand on mine to shift the gears, one hand on mine to regulate the throttle, we moved back and forth across that vacant sun-glared waste, forward a while, backward a while, intent, timeless, Boon as much as I, immersed, rapt, steadying me (he was playing for such stakes, you see), out of time, beyond it, invulnerable to time until the courthouse clock striking noon a half-mile away restored us, hurled us back into the impending hard world of finagle and deception.
William Faulkner (The Reivers (Vintage International))
Your country? How came it yours? Before the pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song - soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation's heart we have called all that was best to throttle and subdue all that was worst.
W.E.B. Du Bois (The Souls of Black Folk)
And I’ll do what I can to make things easier for you. I’m leaving for Bristol in two days, three at the most. Llandrindon and the other men…none of them are idiots, they have a fair idea of why they were invited here, and they wouldn’t have come if they weren’t interested. So it shouldn’t take long for you to get a proposal out of one of them.” Daisy supposed she should appreciate his eagerness to shove her into the arms of another man. Instead, his enthusiasm made her feel sour and waspish. And when one felt like a wasp, one’s main inclination was to sting. “I appreciate that,” she said. “Thank you. You’ve been very helpful, Mr. Swift. Especially by providing me with some much-needed experience. The next time I kiss a man—Lord Llandrindon, for example—I’ll know much more about what to do.” It filled Daisy with vengeful satisfaction to see the way his mouth tightened. “You’re welcome,” he said in a growl. Perceiving that his hands were half-raised as if he were on the brink of throttling or shaking her, Daisy gave him her sunniest smile and scooted out of his reach.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
A smudge on the right-hand side of Trapp’s vision sent out a warning signal, attracting the attention of his conscious brain. In an instant, that nervous tension that was never that far away these days ramped itself back up. His fingers curled around the throttle, not feeding gas into the engine just yet, but ready to with a second’s notice
Jack Slater (Hangman (Jason Trapp #0; Jason Trapp: Origin Story #1))
He was sitting on the roof- in the dark. His great wings were spread behind him, draped over the tiles. I slid into his lap, looping my arms around his neck. He stared at the city around us. 'So few lights. So few lights left tonight.' I did not look. I only traced the lines of his face, then brushed my thumb over his mouth. 'It is not your fault,' I said quietly. His eyes shifted to mine, barely visible in the dark. 'Isn't it? I handed this city over to them. I said I would be willing to risk it, but... I don't know who I hate more: the king, those queens, or myself.' I brushed the hair out of his face. He gripped my hand, halting my fingers. 'You shut me out,' he breathed. 'You- shielded against me. Completely. I couldn't find a way in.' 'I'm sorry.' Rhys let out a bitter laugh. 'Sorry? Be impressed. That shield... What you did to the Attor...' He shook his head. 'You could have been killed.' 'Are you going to scold me for it?' His brow furrowed. Then he buried his face in my shoulder. 'How could I scold you for defending my people? I want to throttle you, yes, for not going back to the town house, but... You chose to fight for them. For Velaris.' He kissed my neck. 'I don't deserve you.' My heart strained. He meant it- truly felt that way. I stroked his hair again. And I said to him, the words the only sound in the silent, dark city, 'We deserve each other. And we deserve to be happy.' Rhys shuddered against me. And when his lips found mine, I let him lay me down upon the roof tiles and make love to me under the stars.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
My head takes off. I imagine her red lips wrapped around my cock as she sucks me off, her lipstick marking me while my hands tug on her hair. Can’t help my sexual appetite when I fuck like I race—wild, risky, and often.
Lauren Asher (Throttled (Dirty Air, #1))
You need to stop sighing every time Steve is on the screen. This crush has gotten out of hand.
Lauren Asher (Throttled (Dirty Air, #1))
Setting the water bottle down, I turned my hands over to look at the angry scars and then up at Lainey. “These will heal. I will dance. I will fly. But I can’t lose you. I don’t even dare risk you. At the same time, I’m selfish because I’m glad you’re here.” Closing her eyes, Lainey dragged me in for a hug. “I could throttle you,” she said in a voice misty with unshed tears. “I love you.” “I love you, too,” I whispered, clinging to her. “You have saved me so many times.” “Not enough,” she complained and I chuckled. “More than you know.
Heather Long (Brutal Fighter (82 Street Vandals, #5))
So Nesta held her sister tightly, with Time halted around them, and she whispered, “If you show me how to save her, you can have it back.” The world paused. Worlds beyond their own paused. Nesta buried her face in the cold sweat of Feyre’s neck. She opened that place within herself, and said to the Mother, to the Cauldron, “I’ll give back what I took from you. Just show me how to save them—her and Rhysand and the baby.” Rhysand—her brother. That’s what he was, wasn’t he? Her brother, who had offered her kindness even when she knew he wanted to throttle her. And she him. And the baby … her nephew. Blood of her blood. She would save him, save them, even if it took everything. “Show me,” she pleaded. No one answered. The Harp stopped its echoing. As Time resumed, noise and movement roaring into the room, Nesta whispered to the Cauldron, her promise rising above the din, “I’ll give it all back.” And a soft, invisible hand brushed her cheek in answer.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Peak performers engage the caudate nucleus to keep themselves in states of flow. They “throttle down” emotions such as fear and anger so they can engage fully with the task at hand. When meditators use the caudate nucleus to throttle back their negative emotions repeatedly, the process becomes automatic, like riding a bike. This makes them resilient in the face of stress. We encountered the nucleus accumbens, another important part of the striatum, in Chapter 2. It’s associated with rewarding experiences and the reinforcement that reward produces in the brain. It’s activated by pleasurable experiences, during which it secretes large amounts of dopamine, the brain’s primary reward neurotransmitter. This reward system plays a role in addiction. Drugs like alcohol, heroin, and cocaine trigger the release of dopamine in the nucleus accumbens. It also kicks in when you find a $20 bill on the beach, have an orgasm, or help yourself to a generous portion of cherry pie. But when a meditator contemplates altruism, her nucleus accumbens lights up. She gets the same rush of dopamine that an addict gets when he sniffs a line of cocaine. Same for the chocoholic unwrapping her Ferrero Rocher truffle. Meditation makes meditators feel good using the exact same neurotransmitters and brain regions active in the addict, as we’ll see in Chapter 5. This reward system explains why long-term meditators maintain a regular practice. They’re addicted to feeling wonderful!
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
Float chamber. Choke valve. Throttle valve. Piston valve… As I drive the guys back to the stadium, I mentally review all the parts of a carburetor. It’s something my older brother David drilled into my head when I was younger because he assumed I’d work for him someday. And as much as I hate the idea of toiling in his garage, I find the exercise takes my mind off Charlotte’s perfect, bouncy tits. Her tiny waist. And that flimsy strip of silk between her slender thighs. Billy taps on the window. “So we’re not gonna talk about it?” My hands tighten on the steering wheel. “Nope.” “Really? Because I just wanna say I always knew underneath her prim little exterior, Chuck was a stone-cold fox. Talk about spank bank material.” “Shut the fuck up, asshole. We’re not talking about Charlotte.” When he doesn’t say anything, I look over to find him smirking. “What?” “Just wondering when you’re gonna admit you have a thing for her.
Lex Martin (Second Down Darling (Varsity Dads #4))
Let’s stop playing this game, Gasket.” “What game?” “The no-strings one. I’m in love with you. Can’t you see that? Baggy clothes. No clothes. A Mount Everest of clothes, I don’t fucking care. You’re it for me, Camilla. The kind of it I never expected, I never wanted. I thought love was for weak men and saps. I’ll be the first to admit I was wrong. Hands down. Head over heels wrong. You drive me crazy but fuck if that madness doesn’t make me love you more. You challenge me. You make me the kind of man who would give up his dream because it’s the right thing to do. And that’s fucking saying a lot. Because I would. I did. And I’d do it a million times over if that’s what you needed, because I’m in fucking love with you.
K. Bromberg (Off the Grid (Full Throttle, #1))
You’re being set up again, I told myself. But sometimes your only option is to play out the hand, no matter what the consequences. Sometimes when you’re deep in Indian country, the only speeds available are full throttle and fuck it.
James Lee Burke (Crusader's Cross (Dave Robicheaux, #14))
My smile reaches higher, deeper. I’ll stick to throttling your cock in one of our two beds. Speaking of cocks, shall we go retrieve yours, mo khrà? Retrieve my cock, he mutters right before popping my ass cheek. Did you just spank me? Well, you did just call me dickless. He spins me around, his hands kneading the skin he tapped, and then he tilts my hips, and I flail forward, my fingers locking around the edge of the chest of drawers that sits like an island in the middle of his dressing chamber. My cock may not be made of flesh, Fallon, but it can fill you up just the same. Allow me to demonstrate. When he slams home, I wheeze. Can you feel me, my love? I can feel nothing else. To punish me once again for having alluded to his missing manhood, he rubs my ass, then gives it a brisk smack. A dizzying current whizzes through my body, zapping a throaty mewl from my lungs. Oh, Gods, Lore. Oh—I choke as Lore pounds into me, stretching me with his shadows—Gods—my climax roars through my body, jostling both my skin and marrow—Lore! He keeps rocking his shadow-hips. Reassured? I didn’t mean to make you feel like less of a man. He doesn’t respond, merely recalls his shadows. When a translucent trail of wetness dribbles down my inner thighs, he rips a fresh tunic off a hanger and cleans my skin. I hook up an eyebrow. Was any of that yours? His gaze remains locked on the fabric absorbing my pleasure. No. Because he cannot come in this form . . . If I need to come, I’ll penetrate your mind before I penetrate your body. Now get dressed and meet me in the war room. His gruff timbre makes me glance over my shoulder at where he stands, delineated in dark wisps. How do I reach the war room? Use the door beside my fireplace. It’ll lead to a sitting room, which will lead you to the war room. His tone is laced with so much frost that it ices my heart. “Lore, I’m sorry. I . . .” He leaves before I can finish speaking.
Olivia Wildenstein (House of Striking Oaths (The Kingdom of Crows, #3))
Two-One Alpha, ready for you. Move it. We’re in kind of a hurry to find a quieter place!” Two wounded men were hauled to the helicopter first by four of their buddies, with the rest strafing the hill to keep the Taliban heads down. The fright and panic in the eyes and faces of the soldiers were clearly visible. Their screams rose above the thundering noise of the engines as they pushed the wounded in and then took up position outside the chopper to provide covering fire for the remaining men to get in. “All in. Let’s get out of here!” Leo shouted. “Grab tight. It’s going to be a rough ride boys!” John pulled the chopper into a steep climb while banking away from the hill. With no fire coming from the doorgun to keep them down, the full force and frustration of the enemy was now directed at the chopper and its occupants. They saw their prey escaping out of their hands right in front of their eyes. A burning pain shot through John’s back and legs as the body of the helicopter shuddered under the power of the two Rolls-Royce Gem turboshaft engines at full throttle. Smoke started to billow from the starboard engine. I have to get over that hill three miles away. Why am I dizzy? I have to get these boys out of trouble. I have to level the chopper and save power. I must get over that hill. I must get out of the reach of the bullets. “Doug! Doug! Can you hear me? What’s wrong man?” Leo screamed in a high-pitched, panicked voice. “Oh my God, you’ve been hit! Are you ok? Shit man, put the chopper down now. You’ll crash and kill us all!” “That hill … I have to get over it … out of range … I must get us there ...” Doug stuttered. “What was that? I can’t hear you. For God’s sake put the chopper down!” Leo shouted at the top of his voice. “Going down, going down … radio for help!” John whispered, a few seconds before everything went dark. The nightmare and the math Doug paid little heed to his passengers as he banked away from the canyon rim. Max was back there to help them. Doug had plenty on his mind, between the flashback to his crash in Afghanistan and wondering when whoever had shot two of his passengers would show up and try to shoot the chopper down here and now, over the Grand Canyon. Not to mention nursing the aging machine to do his bidding. Within minutes after takeoff from the canyon site, lying in the back of the chopper, JR and Roy were oblivious to their surroundings due to the morphine injection administered to them by Max Ellis – an ex-Marine medic and the third member of the Rossler boys’ rescue expedition. Others on the chopper had more on their minds. Raj was in his own world, eyes closed, wondering about his wife Sushma, their child, and the future. He and Sushma were not the outdoors adventure and camping types – living in a cave with other people was going to take some getting used to for them. They both grew up and had lived in the city all their lives. How was this going to work out
J.C. Ryan (The Phoenix Agenda (Rossler Foundation, #6))
So this was passion, these intense sensations centered below her belly that made her feel boneless as satin and…and hot as… Faith, she couldn’t think what. Her knees were open and her bosom bare, and she just wanted more. More. More heat, more stroking, more… A keening began low in her throat that matched the building intensity between her legs. His fingers inside her fell into a provocative, rushing rhythm that was like…like… “That’s it, my lovely Jane,” Dom whispered against her breast. “Give yourself to the dance.” Ah, yes, like dancing. Only better. Because the music rising inside her came from her pounding heart and beating blood, from Dom’s devilish playing upon her privates, from the crescendo…of her own…quickening…gasps… Someone screamed. Her, apparently, for Dom uttered an oath seconds before he swallowed her cry with his kiss. And just like that, she vaulted out of the dance into heaven. Her body shook and her hand gripped his neck hard enough to leave marks, and it was marvelous. Every inch of her felt alive, from bones to flesh to skin. She wanted to shout, but Dom’s mouth wouldn’t leave hers. His tongue slid silkily in and out, slowing, softening, bringing her down from wherever it was she’d been. After a while, his kiss gentled to a tender sweetness that made her ache in a different way. In her heart. Her stupid, foolish heart. Regretfully, she drew her lips from his, and he let her, though his gaze didn’t leave her face. He drew up her bodice, pulled down her skirts, and lifted her until she was sitting straight up on his lap. His thing felt like a rod of iron beneath her bottom, but he made no move to have her touch it again. Which was good because at the moment, she could only sit there, limp and panting. He briefly kissed her forehead. “That, sweeting, is passion,” he said in a throttled voice. She nodded. It was all she could manage. “And if you wish to leave this room an innocent, you’d best go without delay.” That startled her. But she was grateful for the warning. Because now that their encounter was done, and she was returning to reality, she realized how mad this was. If she still meant to marry Edwin… No, she couldn’t think about that. Not right now, when she had Dom’s taste in her mouth and his scent engulfing her senses. Blushing, she rose from his lap and straightened her clothes, sure that if she came across anyone in the halls, they would guess at once what she’d been doing. Thank heaven the servants had probably already retired to their quarters. She would die if any of them saw her and guessed she’d been playing the wanton. “Dom…” she began, not sure what to say. Thank you? That was lovely? When may we do it again? Not that. If they ever did this again, she wouldn’t rest until he made her his. And she still wasn’t sure she wanted that. “It’s all right, Jane,” he said tightly, as if he could read the conflict inside her. “Get some sleep. We’ll talk tomorrow.” She bobbed her head and fled.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Ruxs lifted Green’s limp cock and sucked into his mouth, making an obscene slurping noise. He gripped Green’s ass and yanked him hard against his face, taking all of the flaccid meat, down to Green’s pubic hair. He swallowed and licked, keeping his nose buried in that scratchy bush. Green was growing by the millisecond and he knew he’d have to pull back soon, only being able to take half of Green’s erect cock. It was exhilarating for him to have his lips pressed against Green’s pelvis and his own cock was hard as steel. He just barely stroked himself; he didn’t want to come yet. Green was more than half-hard and Ruxs could feel his throat resisting the intrusion. He eased back but Green grabbed the back of his head with both hands and held him there. Kept his nose buried in his pubes. Forcing him to take it. Ruxs squeezed Green’s ass, slapped him hard on it. Hard enough to leave a mark. Green grunted his name, kept forcing him to take more. Ruxs felt the head of Green’s cock against the back of his tongue; he tasted the saltiness from the precome. He balked hard, his choke muffled. Green held him tight. The bastard rocked his hips forward, making him take even more. Damn, it was hot as fuck. He got a solid grip on Green’s hip and tried unsuccessfully to push him back. He gagged hard. And oh how his lover was loving it. Ruxs’ eyes watered as he tried to fight his gag reflex. Tried to relax his throat. Wasn’t working. But the domination Green was exhibiting was sure as hell working on his cock. His dick pulsed untouched, twitched on its own. Fuck, he needed to come. He was gonna come.  “Take it.” Green’s voice was barely recognizable. The command was made on a throaty growl. Almost evil. The thick steam billowing from the shower engulfed his lover and made him appear as if he had emerged from fire. Green thrust again, his solid grip on the back of Ruxs’ head still uncompromising. His strength unyielding. Ruxs rose up higher, gagged and spit, trying to open his mouth wider. He scrambled at Green’s tight ass, took his middle finger, and pressed it deep into him. No spit, no lube. You fuckin’ take it. Green shouted, releasing Ruxs’ head. Ruxs yanked back, gasping in a much need breath, still coughing and choking from the lack of oxygen. “Motherfucker,” he gasped. Ruxs pushed his finger in further, pressed against that spongy bundle of nerves that had Green cursing him back and clasping his big hand around his throat. Green’s knees buckled but he didn’t go down. The look on his face was absolute feral ecstasy. Ruxs watched him through hooded eyes as Green’s orgasm hurtled to the surface, full throttle. Green pulled on his shaft one, two, three times, and then he was coming all over Ruxs’ neck, his cheek, his lips. Green’s body jerked and jolted with each jet of come that hit Ruxs’ face. Ruxs just barely got out his own guttural shout before his balls tightened exquisitely and come burst from him, hitting Green’s shins, coating his foot. With his head bowed, and bathed in his partner’s come, he bit into the fleshy part of Green’s thigh and let his orgasm course through him. Lived in it. Loved it. “Fuuuuck,” he moaned. No one could make him come this hard but the man he loved. They
A.E. Via (Here Comes Trouble (Nothing Special #3))
The four of them stand in the cockpit of the Misdemeanor as they motor from one town to another. They pass their house, which is not theirs any longer. Libby cuts the throttle, and they stall there in front of their sprawling memory. The four of them have come up for the closing; since all of them are owners, they all must be present to sign away this place. They have given most of the land to the Maine Preservation Society, and the house, they have sold to a family who promises not to tear the whole thing down, though they know that is a lie. The oak is yellow and peeks from behind the house. The glossy white windows of the great room look down upon them. It is cold and they all wear their foul-weather gear, bright-yellow slickers, except Gwen, in a red poncho to accommodate the swell of her belly. Libby keeps one hand on the tiller and the other she slips into Tom’s hand. He gives it a squeeze and then puts his arm around her. Danny moves from the stern to stand between Tom and Gwen. They all stand on the starboard side looking at the house. Libby and Tom, then Danny, his hand resting on his brother’s shoulder, and Gwen next to him, her arms crossed over her protruding belly, her hair long and dark hanging down her back. She is no longer a beacon, but a buoy in her poncho, red right returning. The sky is gray and low and promises a choppy ferry ride to the mainland, but there in the safe haven of the harbor it is calm and windless, and the house isn’t empty, but expectant. The flat water, dark green now, lies empty, the float pulled out the month before. Going from town dock to town dock, there is no need for a tender. There is no way for them to come ashore, even if they wanted to. A house like this is not supposed to exist now. It comes from another era. It is a ghost, like the schooners that sail through the thoroughfare every summer. It is an aberration, a figment. It is their great shingled memory.
Sarah Moriarty (North Haven)
If there was one thing I'd learned, it was that you were responsible for your own ship. You had to look after the engine and make sure the plane was in order and ready to be flown. You were in charge of plotting your course. When you were in the pilot's seat, it was your hand on the throttle, no one else's. If your oil ran out or you lost your engine or the engine caught fire and you had to crash, you were the one saving yourself. No one else could do it for you.
Jennifer Niven (Velva Jean Learns to Fly (Velva Jean, #2))
Why have your passions cooled?” “I expected--hoped--that you would be more like you were in the letters.” Christopher paused, staring at her closely. “I’ve often wondered…did someone help you to write them?” Although Prudence had the face of an angel, the fury in her eye was the exact opposite of heavenly serenity. “Oh! Why are you always asking me about those stupid letters! They were only words. Words mean nothing!” “You’ve made me realize that words are the most important things in the world…” “Nothing,” Christopher repeated, staring at her. “Yes.” Prudence looked slightly mollified as she saw that she had gained his entire attention. “I’m here, Christopher. I’m real. You don’t need silly old letters now. You have me.” “What about when you wrote to me about the quintessence?” he asked. “Did that mean nothing?” “The--” Prudence stared at him, flushing. “I can’t recall what I meant by that.” “The fifth element, according to Aristotle,” he prompted gently. Her color drained, leaving her bone-white. She looked like a guilty child caught in an act of mischief. “What has that to do with anything?” she cried, taking refuge in anger. “I want to talk about something real. Who cares about Aristotle?” “I do like the idea that there’s a little starlight in each of us…” She had never written those words. For a moment Christopher couldn’t react. One thought followed another, each connecting briefly like the hands of men in a torch race. Some entirely different woman had written to him…with Prudence’s consent…he had been deceived…Audrey must have known…he had been made to care…and then the letters had stopped. Why? “I’m not who you think I am…” Christopher felt his throat and chest tightening, heard a rasp of something that sounded like a wondering laugh. Prudence laughed as well, the sound edged with relief. She had no idea in hell what had caused his bitter amusement. Had they wanted to make a fool of him? Had it been intended as revenge for some past slight? By God, he would find who had done it, and why. He had loved and been betrayed by someone whose name he didn’t know. He loved her still--that was the unforgivable part. And she would pay, whoever she was. It felt good to have a purpose again, to hunt someone for the purpose of inflicting damage. It felt familiar. It was who he was. His smile, thin as a knife edge, cut through the cold fury. Prudence gazed at him uncertainly. “Christopher?” she faltered. “What are you thinking?” He went to her and took her shoulders in his hands, thinking briefly of how easy it would be to slide his hands up to her neck and throttle her. He shaped his mouth into a charming smile. “Only that you’re right,” he said. “Words aren’t important. This is what’s important.” He kissed her slowly, expertly, until he felt her slender body relax against his. Prudence made a little sound of pleasure, her arms linking around his neck. “Before I leave for Hampshire,” Christopher murmured against her blushing cheek, “I’ll ask your father for formal permission to court you. Does that please you?” “Oh, yes,” Prudence cried, her face radiant. “Oh, Christopher…do I have your heart?” “You have my heart,” Christopher said tonelessly, holding her close, while his cold gaze fastened on a distant point outside the window. Except that he had no heart left to give.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Katsa smiled then and stepped across the stream. “It’ll only take me a few minutes. And I never get lost, even in the pitch dark.” “You won’t even take your bow? Are you planning to throttle a moose with your bare hands, then?” “I’ve a knife in my boot,” she said, and then wondered, for a moment, if she could throttle a moose with her bare hands. It seemed possible.
Kristin Cashore (Graceling (Graceling Realm #1))
The Khoisan people of Southern Africa (Hottentots and Bushmen) were well known for being able to run down swift prey, including steenboks, gemsboks, wildebeests, and zebras, provided they could hunt in the heat of the day. The Tarahumara Indians of northern Mexico chase down deer till the animals are exhausted, then throttle them to death by hand. The Paiutes and Navajos were reported to do the same with pronghorn antelopes. Australian Aborigines chase down kangaroos, but only by forcing them to reach lethal body temperatures.
Bernd Heinrich (Why We Run: A Natural History)
His hand shone dully in its light. No good for throttling eunuchs, but heavy enough to smash that slimy smile into a fine red ruin.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
Get out,” Alex said and raised a hand, summoning a guard. “But my lord,” Byron protested even as he stared with alarm at the man advancing on him. “I meant no harm! I hold Lord Hawkforte in the highest possible esteem, as I do you all, most especially Her Highness, the Princess Kassandra. It was only with thought for her tender concern and wishing to prevent her from hearing this from a source less simpatico that I-“ It would never occur to Alex to repeat an order nor would there be any reason for him to do so. The door was opened and Byron was through it, his legs tangling in the air as he was unceremoniously ejected. Scarcely had he gone than Kassandra was in the hall, beseeching her brother. “I must go with you! For pity’s sake, do not say otherwise. I cannot sit here waiting to know-“ He looked at her just a touch oddly. “Of course you can’t. I’ll get a carriage brought round while you dress. Only hurry.” A few months before, he would have insisted she remain where she was while he handled the matter. But between then and now lay a world of change. She had ceased to be the protected princess of the royal house and emerged instead as a woman of maturity and grace. She would need both as she rushed upstairs and began pulling on the first gown that came to hand. Fortunately, it was a simple day dress and she was able to manage the buttons down the back without great difficulty. She had just finished the last when Joanna hurried in. She, too, had dressed hastily. Brianna, who had accompanied them back in England, came right behind, holding Amelia. “You’re ready?” Joanna asked. She was pale but composed. Kassandra nodded. “You know?” “I woke when Alex went to see what was happening. Should we thank Byron or throttle him? He is hardly the most reliable source yet if there is anything to what he says-“ “We will find out for ourselves,” Kassandra concluded.
Josie Litton (Kingdom Of Moonlight (Akora, #2))
Can I see your sword?” I asked casually. “Sure,” he said with a broad grin. “I got this from the best blacksmith in Cedis. He was doing a demonstration last spring, and I managed to--” The impressively wrought sword melted the second I closed my hand around the hilt, and in seconds it was reformed into shackles. Kurna looked ready to throttle me, but I swiftly turned my back on him and sent the shackles to Hulsan’s wrists, and then I bolted them to the stone he was sitting on.
Eric Vall (Metal Mage 9 (Metal Mage, #9))
Too late, I realize the error in my judgment. These voices are no longer individuals but an eerie sort of collective. A hive. Annoyance quickly churns to anger. Longing for hands with which to throttle them, I try to speak, but a new voice interrupts.
Shelby Mahurin (Gods & Monsters (Serpent & Dove, #3))
Danger to her was just another game that her smarts and good looks and privelege would see her through safely, but danger is not a game. Danger is a casually violent Viking. It doesn’t care about motivation or intention or explanations. When it sits opposite and offers you the cup and dice, you either walk away or play full throttle. Danger, with its well-used axe and huge ham hands, is out to take you for all you’re worth. Luck can work for or against you, but danger loads the dice, it cheats, and when it does have to pin its hard to the boards with a knife, no hesitation. She wasn’t ruthless enough, she didn’t understand enough.
Nicola Griffith (The Blue Place (Aud Torvingen, #1))
He never should have pushed Hebert to keep the line of the dress so low. What had he been thinking? Every man in attendance would be watching her...... His hand fell to the curve of her lower back, and he shepherded her through the throngs of people clustered around the door, resisting the urge to throttle the men nearby whose roving eyes lingered on the high swell of Mara’s breasts. He cast a sidelong gaze at the bosom in question, considering the perfect pink skin there, the three small freckles that stood sentry just above the edge of the jade green silk. His mouth went dry. Then watered. He cleared his throat, and she looked up at him, eyes wide and questioning behind the mask. “Well, Your Grace? You have me here now—what do you intend to do with me?” What he wanted to do to her was to take her home and spread her bare in his bed and rectify the missing events of that evening, twelve years prior.
Sarah MacLean (No Good Duke Goes Unpunished (The Rules of Scoundrels, #3))
Are we almost there?” I asked. “You won’t be sleeping on the beach tonight,” he replied. “Not unless you’re fool enough to insist on it.” “I don’t mind sleeping under the stars.” “Well, isn’t that what a legendary huntress always does?” He winked at me. “Or have you become someone else already?” He kept his teasing to a whisper. “Very funny.” “Put your quills down, little hedgehog, I’m not your enemy,” Argus replied. “I owe you plenty for what you’ve brought to this voyage. Thanks to you, I only felt like throttling Jason every second day. I wish I knew your true name so when I die, I can tell Hades, ‘See that girl? She’s sharp as a shark’s tooth, brave enough to battle the worst storm Poseidon could throw at her, and one of these days she’ll be as beautiful as a sunrise on a summer sea. So you tell the Fates to spin the thread of her life good and long, or you’ll have Argus to answer to!’” He chuckled. I placed my hand over his on the prow. “I hope the Pythia was wrong,” I told him. “Not because I like you, but so Hades doesn’t have to put up with you too soon.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
Esther.” He nuzzled her crown. “I find I am fully recovered.” “This is amazing,” his wife replied, “as you have neither a medical degree nor powers of divination.” “True.” He nuzzled her again. “But two things are restored to me that indicate my health is once again sound.” “And these would be?” the duchess inquired as she watched Westhaven take a polite leave of Miss James. The duke frowned at his son’s retreating back. “The first is a nigh insatiable urge to meddle in that boy’s affairs. Devlin and Valentine dragooned me into a shared tea pot, and for once, we three are in agreement over something.” “It’s about time.” “You don’t mind if I take a small hand in things?” the duke asked warily. “I am ready to throttle them both.” The duchess sighed, leaning into her husband. “And I suspect the girl is breeding and doesn’t even know it.” “St. Just is of like mind. He and Val all but asked me what I intend to do about it.” “You will think of something. I have every faith in you, Percy.” “Good to know.” “What was the second piece of evidence confirming your restored health?” “Come upstairs with me, my love, and I will explain it to you in detail.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Sean checked his watch, grimaced, and lengthened his stride down the hallway. He’d make it to the high school—but only if he skirted around town instead of cutting through. It was 12:40 p.m. and the downtown streets would be clogged with motorists battling for lunch hour parking. He was halfway down the granite steps when he spotted Dave and Evelyn standing beside his car in the lot reserved for official use. He raised an eyebrow at the twin smiles of angelic innocence on their faces. “What are you two doing, camped out here?” “That should be obvious,” his secretary replied. “You tipped your hand when you canceled your lunch with Ferrucci and the oh-so-friendly developers. So Dave and I decided we might as well share the ride. No point in taking separate cars when we can carpool.” He made a show of looking at his watch. “You want a lift to the deli for sandwiches? Fine, hop on in.” Evelyn made a clucking noise with her tongue. Her pink curls shook slightly. “Sean, we’re your friends. If we’re willing to admit to unholy curiosity, then you should, too.” Dave merely nodded in agreement, wisely holding his tongue. A good thing, too. These days, Sean’s temper had a real short fuse, wired to explode. He didn’t want to throttle his best friend in the town hall parking lot. Sean had thought it would be easier not to see Lily, but he’d been wrong. Just knowing she was near had him craving even a glimpse of her. It was a gnawing hunger that nothing could appease . . . except her.
Laura Moore (Night Swimming: A Novel)
Your country? How came it yours? Before the Pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song--soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation's heart we have called all that was best to throttle and subdue all that was worst; fire and blood, prayer and sacri- fice, have billowed over this people, and they have found peace only in the altars of the God of Right. Nor has our gift of the Spirit been merely passive. Actively we have woven ourselves with the very warp and woof of this nation,--we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this work and striving? Would America have been America without her Negro people?
W.E.B. Du Bois (The Souls of Black Folk)
Here is the story, which I have abridged (with acknowledgement to Sergey Parkhomenko, journalist and broadcaster, who reported it): The River Ob makes a turn at Kolpashevo, and every year it eats away a few feet of a sand cliff there. On April 30, 1979, the Ob's waters eroded another six-foot section of bank. Hanging from the newly exposed wall were the arms, legs and heads of people who had been buried there. A cemetery at least several yards wide had been exposed. The bodies had been packed in and layered tightly. Some of the skulls from the uppermost layer rolled out from the sandbank, and little boys picked them up and began playing with them. News of the burial spread quickly and people started gathering at the sandbank. The police and neighbourhood watch volunteers quickly cordoned off the whole thing. Shortly afterwards, they built a thick fence around the crumbling sandbank, warning people away. The next day, the Communist Party called meeting in the town, explaining that those buried were traitors and deserters from the war. But the explanation wasn't entirely convincing. If this were so, why was everyone dressed in civilian clothes? Why had women and children been executed as well? And from where, for that matter, did so many deserters come in a town of just 20,000 people? Meanwhile, the river continued to eat away at the bank and it became clear that the burial site was enormous; thousands were buried there. People could remember that there used to be a prison on these grounds in the late 1930s. It was general knowledge that there were executions there, but nobody could imagine just how many people were shot. The perimeter fence and barbed wire had long ago been dismantled, and the prison itself was closed down. But what the town's people didn't know was that Kolpashevo's prison operated a fully-fledged assembly line of death. There was a special wooden trough, down which a person would descend to the edge of a ditch. There, he'd be killed by rifle fire, the shooter sitting in a special booth. If necessary, he'd be finished off with a second shot from a pistol, before being added to the next layer of bodies, laid head-to-toe with the last corpse. Then they'd sprinkle him lightly with lime. When the pit was full, they filled in the hole with sand and moved the trough over a few feet to the side, and began again. But now the crimes of the past were being revealed as bodies fell into the water and drifted past the town while people watched from the shore. In Tomsk, the authorities decided to get rid of the burial site and remove the bodies. The task, it turned out, wasn't so easy. Using heavy equipment so near a collapsing sandbank wasn't wise and there was no time to dig up all the bodies by hand. The Soviet leadership was in a hurry. Then from Tomsk came new orders: two powerful tugboats were sent up the Ob, right up to the riverbank, where they were tied with ropes to the shore, facing away from the bank. Then they set their engines on full throttle. The wash from the ships' propellers quickly eroded the soft riverbank and bodies started falling into the water, where most of them were cut to pieces by the propellers. But some of the bodies escaped and floated away downstream. So motorboats were stationed there where men hooked the bodies as they floated by. A barge loaded with scrap metal from a nearby factory was moored near the boats and the men were told to tie pieces of scrap metal to the bodies with wire and sink them in the deepest part of the river. The last team, also composed of local men from the town, worked a bit further downstream where they collected any bodies that had got past the boats and buried them on shore in unmarked graves or sank them by tying the bodies to stones. This cleanup lasted almost until the end of the summer.
Lawrence Bransby (Two Fingers On The Jugular)
People sometimes mistakenly imagined that we were “flying” the shuttle, that our hands were on the controls and that we could move Discovery around in the sky if we wanted to, like an airplane. In fact, as long as those solid rocket boosters were burning, we were all essentially just along for the ride. The boosters can’t be throttled or shut down.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
If there was one thing I'd learned, it was that you were responsible for your own ship. You had to look after the engine and make sure the plan was in order and ready to be flown. You were in charge of plotting your course. When you were in the pilot's seat, it was your hand on the throttle, no one else's. If your oil ran out or you lost an engine or the engine caught fire and you had to crash, you were the one saving yourself. No one else could do it for you.
Jennifer Niven (Velva Jean Learns to Fly (Velva Jean, #2))
For her part, Kathleen was the same as she had always been, talkative, earnest, amusing, ready to argue when she disagreed with him. He was the one who was different. He had become obsessed with Kathleen, so fascinated by everything she thought and did that he couldn’t tear his gaze from her. Half the time he wanted to do everything possible to fill her with happiness, while the rest of the time he was tempted to throttle her. He had never known such agonizing frustration, wanting her, wanting far more than she was willing to give. He was reduced to pursuing her, trying to catch her in corners like some lecherous lord playing a game of slap-and-tickle with a housemaid. Fondling and kissing her in the library, sliding his hand beneath her skirts on the back stairs. One morning, after having gone out on an early ride with her, he pulled her into a dark corner of the harness room, coaxing and caressing until he’d finally had his way with her against the wall. And even then, in the disorienting seconds after a magnificent release, he wanted more of her. Every second of the day.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
She came at him with her two hands, though she didn’t quite know what her intent was. Perhaps she was to throttle him, or pluck out his eyes, or go for the gun he had in his pocket, but Roma was faster even in his inebriated state. He caught her by the wrists and pushed, until she was on her back again and Roma was hovering over her, smug. “You were saying?” Roma asked. He didn’t move away once he had proved his point. He remained—his hands holding her wrists down over her head, his body hovering over hers, his eyes strange and dark and on fire. Something had changed in Roma’s expression. Juliette inhaled sharply, a small, quick breath. It might have gone unnoticed, if Roma hadn’t been so close. He noticed. He always noticed. “Why do you flinch?” Roma asked. His voice dropped to a conspiring, merciless whisper. “Do you fear me?” A hot fury swept into Juliette’s stilled veins. Such an insolent question reawakened all of her dulled senses, sweeping back the numbness of the alcohol. “I have never feared you.” Juliette reversed their bodies in one deft push. Bitter and resentful and aggrieved, she hooked her legs around his and twisted her hips until Roma was the one flat on his back and she loomed over him, kneeling on the sheets.
Chloe Gong (These Violent Delights (These Violent Delights, #1))