“
Much of my life had been devoted to trying not to cry in front of people who loved me, so I knew what Augustus was doing. You clench your teeth. You look up. You tell yourself that if they see you cry, it will hurt them, and you will be nothing but a Sadness in their lives, and you must not become a mere sadness, so you will not cry, and you say all of this to yourself while looking up at the ceiling, and then you swallow even though your throat does not want to close and you look at the person who loves you and smile.
”
”
John Green (The Fault in Our Stars)
“
When someone cries so hard that it hurts their throat, it is out of frustration or knowing that no matter what you can do or attempt to do can change the situation. When you feel like you need to cry, when you want to just get it out, relieve some of the pressure from the inside - that is true pain. Because no matter how hard you try or how bad you want to, you can't. That pain just stays in place. Then, if you are lucky, one small tear may escape from those eyes that water constantly. That one tear, that tiny, salty, droplet of moisture is a means of escape. Although it's just a small tear, it is the heaviest thing in the world. And it doesn't do a damn thing to fix anything.
”
”
Chase Brooks (Hello, My Love 2: First Love Deserves a Second Chance)
“
I cannot go to school today"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry.
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox.
And there's one more - that's seventeen,
And don't you think my face looks green?
My leg is cut, my eyes are blue,
It might be the instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke.
My hip hurts when I move my chin,
My belly button's caving in.
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My toes are cold, my toes are numb,
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There's a hole inside my ear.
I have a hangnail, and my heart is ...
What? What's that? What's that you say?
You say today is .............. Saturday?
G'bye, I'm going out to play!
”
”
Shel Silverstein
“
She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it's there, because it can't hurt, and because what difference does it make?
”
”
Toni Morrison (Song of Solomon)
“
Goodbys always make my throat hurt... I need more hellos...
”
”
Charles M. Schulz (The Complete Peanuts, Vol. 9: 1967-1968)
“
I’m sorry for screwing everything up. I hurt you again, and for that I’m sorry. I’m so sorry. I don’t want to do that anymore. So … I’m not going to stay
for the wedding. I’m just going to take off now. I won’t see you again, not for a long time. Probably for the best. Being near you like this, it hurts. And
Jere”—Conrad cleared his throat and stepped backward, making space between us—“he’s the one who needs you.”
Hoarsely, he said, “I need you to know that no matter what happens, it was worth it to me. Being with you, loving you. It was all worth it
”
”
Jenny Han (We'll Always Have Summer (Summer #3))
“
Goodbyes always make my throat hurt...I need more hellos
”
”
Charlie Brown
“
To fall in love with the world isn’t to ignore or overlook suffering, both human or otherwise. For me anyway, to fall in love with the world is to look up at the night sky and feel your mind swim before the beauty and the distance of the stars. It is to hold your children while they cry and watch the sycamore trees leaf out in June. When my breastbone starts to hurt, and my throat tightens and tears well in my eyes, I want to look away from feeling. I want to deflect with irony or anything else that will keep me from feeling directly. We all know how loving ends. But I want to fall in love with the world anyway, to let it crack me open. I want to feel what there is to feel while I am here.
”
”
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
“
It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb… Robb… please, Ned, please, make it stop, make it stop hurting… The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. “Mad,” someone said, “she’s lost her wits,” and someone else said, “Make an end,” and a hand grabbed her scalp just as she’d done with Jinglebell, and she thought, No, don’t, don’t cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.— Catelyn Stark
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Hey, Mikey? You get her hurt and I'll end you.'
'You let anything happen to Eve and I'll do the same,' Michael said. He'd just finished kissing Eve, too. 'While you're at it, don't get yourself killed, either, bro.'
'Ditto. And don't kiss me.'
Claire cocked her head at him, exasperated. 'Seriously, Shane? Ditto? That's the best you can do?'
Shane and Michael exchanged identical looks and shrugs. Guys.
'Let me show you idiots how it's done,' Eve said, and hugged Claire fiercely. She kissed her on the cheek. 'I love you, CB. Please take care of yourself, okay?'
'I love you, too,' Claire said, and suddenly her throat felt tight and her eyes burned with tears. 'I really do.'
Shane and Michael watched them with identical expressions of blank bemusement, and finally Shane said, 'So basically, it's what I said. Ditto.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
I. Those of us born by water are never afraid enough of drowning. Bruises used to trophy my knees from my death-defying tree climb jumps. Growing up, my backyard was a forest of blackberry bushes. I learned early nothing sweet will come to you unthorned.
II. At twelve your body becomes a currency. So Jenny and I sat down and cut up all our clothes into nothing. That year I failed math class but knew the exact number of calories in a carrot stick. I learned early being desired goes hand in hand with hunger.
III. The last time I tried to scream I felt my father climbing up through my throat and into my mouth.
IV. There is a certain kind of girl who reads Lolita at fourteen and finds religion. I painted my eyes black and sucked barroom cherries to red my tongue. There was a boy who promised Judas really did love Jesus. I learned early every kiss and betrayal are up for interpretation.
V. I think he must have conferenced with my nightmares on exactly how to hurt me.
VI. He never broke my heart. He only turned it into a compass that always points me back to him.
”
”
Clementine von Radics
“
I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
”
”
Madeline Miller (Circe)
“
My heart- dammit-- my heart stopped in my chest as I stared at them. He had me by the throat because he had my whole world in his hands. I said one word I thought I'd never utter to the bastard.
"Please." I swallowed hard, but the words came out easier than I could've ever imagined. "Please don't hurt her."
"You'd beg for a human who wouldn't do the same for you?"
"I'd do anything for her."
"And I would do anything for him." Kat gasped out.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
...the secret to writing is to get your own pain - shout it out till it hurts your throat - weep it into your pillow - then write it down ...
”
”
John Geddes (A Familiar Rain)
“
One thing, though," Qhuinn murmured.
"What?"
The voice that came out his throat was unlike anything he'd ever heard from himself before. "If any guy breaks your heart or treats you like shit, I will bust him apart with my bare hands and leave his broken, bloody body for the sun."
Blay's laughter rumbled around the tiled walls. "Of course you will--"
"I'm dead fucking serious."
Blay's blue eyes shot over his shoulder.
"If there are any who dare to hurt you," Qhuinn growled in the Old Language, "I shall see them staked afore me and shall leave their bodies in ruin.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
It's all right,' she said. Her throat hurt. Her chest hurt. Love hurt. So why was she happy? 'The world is good. Go see it.'
And the bird leaped into the sky and flew away.
”
”
Kelly Barnhill (The Girl Who Drank the Moon)
“
None of them were easy or soft or simple. They were like me, nursing hurts and hidden wounds, all broken in different ways. We didn't quite fit together. We had edges so jagged we cut each other sometimes, but as I curled up on my side, the warmth of the fire at my back, I felt a rush of gratitude so sweet it made my throat ache. Fear came with it. Keeping them close was a luxury I would pay for. Now I had more to lose.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
It's not a loup cage, you know,' I told her. 'It's a holding cell. Or safe room. or secure room. I don't think Jim ever settled on a term he could live with.'
'Aha. It's a loup cage.' Andrea cleared her throat. 'I touched it with my finger and it hurt. Is that in case of marital problems?
”
”
Ilona Andrews (Magic Slays (Kate Daniels, #5))
“
I knew you were out there somewhere,” I tell her, quirking a sad smile. “The girlfriends, women I dated, Cole’s mother…. I never wanted to marry anyone, because they weren’t what I was looking for. I had started to think I had my sights set too high, and you didn’t exist.” I clasp the back of her neck and run my thumbs down her throat. “Turns out my dream girl belongs to the one person it would kill me to hurt.
”
”
Penelope Douglas (Birthday Girl)
“
His own voice was older than he was. Ancient, unearthed from some mystical subterranean place...The voice seemed to make his whole body ache. Maybe it made him bleed inside. I wondered if it hurt, if it burned in his throat.
”
”
Francesca Lia Block
“
We're going to right the world and live. I mean live our lives the way lives were meant to be lived. With the throat and wrists. With rage and desire, and joy and grief, and love till it hurts, maybe. But goddamn, girl. Live.
”
”
Sandra Cisneros
“
You missed the point completely! You're acting..." The word stuck in my throat.
He didn't hesitate to say it. "Jealous?" When I nodded, he continued. "Now you're missing the point. It isn't jealousy. It's fear."
"Fear?" Not the emotion I expected.
"Yes. Fear. I'm afraid you'll be hurt or killed. I'm afraid I won't be able to protect you. I'm afraid I'll lose you to another man.
”
”
Maria V. Snyder (Storm Glass (Glass, #1))
“
My fingers caught on something else as I withdrew them. It was his T-shirt, the white one with the holes in it. I filled my hands with the fabric and brought it up to my face.
I caught the barest, faintest scent of him, soap and sandalwood and smoke, and in that moment, I felt not loss but need. Noah was there for me when I had no one else. He believed me when no one else did. He could not be gone, I thought, but my throat began to hurt and my chest began to tighten and I curled up in bed, knees to chest, head to knees, waiting for tears that never came and sleep that did.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
Who’s got you feeling out of control, duchess?”
Hayden shook her head, knocking against his chin in a way he found so endearing, his throat hurt.
“Tell me so I can set them straight.
”
”
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
“
I want it all to go away. I want to go away. I don't want to be here. I don't want to be in this suspended state where I can see what's happening, where I'm aware of what I'm feeling without being able to actually feel it. I cannot scream until my throat hurts or break a window with my fist until my hand bleeds, or pull my hair out in clumps until the pain in my scalp overcomes the one in my heart.
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
Love is all that other stuff, but love is also heart-ripping, reality-checking, mad-like-crazy, hurt-like-impossible, throat-clenching, eye-burning, soul-taking, mean, torturous, spiteful, conditional—so, so conditional. It's scratches-from-another, and it's a secret-so-does-any-of-this-even-matter?
”
”
YellowBella (Dusty)
“
You don't need an ocean to feel like you're drowning. You feel it, between your chest and your throat, the weight of it stretching you outside your self, like a dead fish on the shore.
”
”
Malak El Halabi
“
Beati bellicosi. Blessed are the warriors.”
“Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.”
Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?”
Magnus’s cat eyes widened. “Alexander!”
“Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.”
Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?”
Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.”
“I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.”
“You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?”
Alec gave him a very unpleasant look. “What’s true?”
“Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.”
Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.”
“Hey, now,” said Jordan mildly.
Magnus put his head in his hands.
“Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?”
“Mermaids,” said Magnus into his fingers. “They always smell like seaweed.”
“It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
My mouth is a fire escape.
The words coming out
don't care that they are naked.
There is something burning in here.
When it burns I hold my own shell to my ear,
listen for the parade from when I was seven,
when the man who played the bagpipes
wore a skirt.
He was from Scotland.
I wanted to move there.
Wanted my spine to be the spine
of an unpublished book,
my faith the first and last page.
The day my ribcage became monkey bars
for a girl hanging on my every word
they said, "You are not allowed to love her."
Tried to take me by the throat
to teach me, "You are not a boy."
I had to unlearn their prison speak,
refusing to make wishes on the star
on the sheriff's chest.
I started taking to the stars in the sky instead.
I said, "Tell me about the big bang."
The stars said, "It hurts to become.
”
”
Andrea Gibson (The Madness Vase)
“
I won’t tolerate her hurting you, my son. I’ll kill the bitch first.”
“Weren’t you the one who tried to cut father’s throat before he Claimed you?”
"He deserved it,
”
”
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
“
At the end of his life, the great picture book author and illustrator Maurice Sendak said on the NPR show Fresh Air, 'I cry a lot because I miss people. I cry a lot because they die, and I can't stop them. They leave me, and I love them more.'
He said, 'I'm finding out as I'm aging that I'm in love with the world.'
It has taken me all my life up to now to fall in love with the world, but I've started to feel it the last couple of years. To fall in love with the world isn't to ignore or overlook suffering, both human and otherwise. For me anyway, to fall in love with the world is to look up at the night sky and feel your mind swim before the beauty and the distance of the stars. It is to hold your children while they cry, to watch as the sycamore trees leaf out in June. When my breastbone starts to hurt, and my throat tightens, and tears well in my eyes, I want to look away from the feeling. I want to deflect with irony, or anything else that will keep me from feeling directly. We all know how loving ends. But I want to fall in love with the world anyway, to let it crack me open. I want to feel what there is to feel while I am here.
”
”
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
“
She has been hurt before, but always, always has found her way back from pain. You see, her heart was born a wolf. If anyone has tried to break it with their callousness, it has always gone for their throat.
”
”
Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
“
Noah fit his hands to the curve of my waist. "Tell me," he said.
He looked inhumanly beautiful under the lights. It almost hurt to look at him, but it would have hurt more to look away.
"Tell me," he said again. There was need in his voice, and I didn't have the strength to refuse.
"She said I have to let you go."
He drew me closer. Brushed a strand of hair from my face, trailed his fingers along the curve of my neck. "Why?"
I closed my eyes. The words ached as they left my throat. "Because you'll die by my side if I don't."
Noah slid his arms around me and fitted me against him. "It isn't real," he whispered into my hair.
Maybe it wasn't. But even if it was... "I'm too selfish to leave you," I said.
Noah pulled back so I could see his smile. "I'm too selfish to let you.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
His expression became serious, and his hand almost slipped from mine. "I've had a long time to think about it."
"This can't work!"
He looked down, then jerked his head up in frustration as his finger tightened on mine. "I'm not asking you to marry me, Rachel. I just ..."
My heart pounded, and he stepped closer, so close the scent of cinnamon and wine enveloped me.
"I like walking into a room and seeing your face light up when you see me," he said earnestly, the sun from the open window making his hair glow. "I like arguing with Quen over the wisdom of employing a demon to be my security."
My throat caught. This wasn't going to happen, but something in me was withering. I wanted more--and I knew I couldn't have it.
He touched my hair, and I twitched as he tucked a strand of hair behind my ear. “I want to wake up beside you, see your curls on my pillow. I want a chance at falling in love.”
My breath came fast. That was what I wanted too, and it hurt more than I thought was possible to survive.
”
”
Kim Harrison (The Undead Pool (The Hollows, #12))
“
When it came to Cage West, my mistakes were plenty and my regrets were numerous. If my past were a person, I would grab the throat of that motherfucker, drag her ass down Re-do Street, and once I’d beaten the ever loving shit out of her, I’d stand over her beaten-down, broken body and say:
“You stupid bitch. You ignorant, stupid bitch. Love isn’t a fucking answer. It hurts more than it doesn’t, it’s harder than it is easy, it takes work, guts and perseverance.
”
”
Madeline Sheehan (Unattainable (Undeniable, #3))
“
No one ever tells you that when your heart breaks, you can feel it. But you can. It feels like something has crumbled inside you and the pieces are falling into your stomach. It hurts more than any punch ever could. You stop breathing, and for a while you can’t remember how. When you finally do, it feels like your throat has closed up, like you’re trying to suck air through a straw.
”
”
Michael Thomas Ford (Suicide Notes)
“
I know you are hurting. Believe me, I know how it feels to get your emotional teeth kicked down your throat so far that it makes you choke on the last shred of your dignity. That sick feeling in your gut that tells you, you can´t take it anymore. That life sucks hard and it won´t ever get better. That you´re walking on the tightrope, trying to hang on with your toes ´cause you ain´t got no safety net, and you´re barely one sneeze away from being a stain on the floor. But you´re not alone. You´re not. You´ve got a lot of people who care about you. People who love you and who would be devastated if something ever happened to you.
”
”
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
“
She'll never understand. The realization washes all the fight out of me, leaving behind only heartache. I gently pull my wrist from her grip. "Because," I say, my voice so soft it's nearly swallowed up by the trees, "I'm standing here, telling you how much you hurt me, and you can't hear it." Tears fill my eyes. I've lost the strength to hide them. "You broke my heart, and you didn't even notice. How can I ..." My throat closes up, I look away. "How could I ever trust you to put the pieces back together?
”
”
Isabel Sterling (These Witches Don't Burn (These Witches Don't Burn, #1))
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
You have failed. You can't control me!" I scream,so loud it hurts my throat. I stop struggling and sag against Peter's chest. "You will never be able to control me."
I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her.
I broke her.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Knight Sebring was loaded. On the surface of it, and Joker suspected some of that leaked into his skin, he was also total class. But if you hurt a woman, he’d slit your throat, do it personally, and walk away forgetting you existed.
”
”
Kristen Ashley (Ride Steady (Chaos, #3))
“
I keep my eyes closed as tightly as I can, but in my mind, everyone in the square looks like my father and they all have his voice. I hate you all. I imagine my hands at their throats, choking, silencing them, one by one.
”
”
Marie Lu (The Young Elites (The Young Elites, #1))
“
Bonnie who had never hurt a - a harmless thing for malice. Bonnie who was like a kitten making airy pounces at no prey at all. Bonnie with her hair that was called something strawberry but that looked simply as if it was on fire. Bonnie of the translucent skin with the delicate violet fjords and estuaries of veins all over her throat and inner arms. Bonnie who had lately taken to looking at him sideways with her large childlike eyes big and brown under lashes like stars...
”
”
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
“
Chase.” He cleared his throat and shook his head once. “That girl means everything to me. Which means her baby does, too. I will never do to you what you did to Harper and me. But know this. If you do not take care of them, and cherish them . . . I will not hesitate again to beat the living shit out of you. You get me?”
“I got you. I love them, I’ll always take care of them.
”
”
Molly McAdams (Stealing Harper (Taking Chances, #1.5))
“
How is it different?"
He rolled his head back, sable hair falling down on his shoulders. "With Rose I knew what to say. I could take a step back and talk to her. I remembered all the crap from the magaznies. It was easy."
"And with me, it's hard?" Why? Because she was a swamp girl? And how did the magazines fit into it?
William looked away from her. "I don't like it when you're away. If I don't see you, I can't settle down. If I see you talking with another man, I want to claw his throat out. And none of the things you're supposed to say fit."
Oh, this had to be good. "What sort of things?"
He sighed. "The lines. Like, 'You're my everything,' or 'Did it hurt when you fell from heaven?
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
I have to go home, Masi.
You are my home, bella. I am lost without you. He couldn’t speak. There were no words to recoil the loss consuming him. Massimo brought his hands up to her face. Kissing her one last time. He had to for his sanity. And he did with great passion, knowing he’d hurt her face when she kissed him back. But she did. He heard the cry in her throat as their tongues danced. Warm tears touched his palms as they continued to kiss. His fingertips were wet with sadness. He kept on kissing her. Unable to stop, he needed ten more seconds. Ti amo, I love you. Please don’t leave. I’ve waited my whole life for you. When he pulled his face back, she cried, and he realized he did also.
”
”
Avery Aster (Undressed (The Manhattanites, #2))
“
Just before you went into the ICU, I started to feel this ache in my hip.” “No,” I said. Panic rolled in, pulled me under. He nodded. “So I went in for a PET scan.” He stopped. He yanked the cigarette out of his mouth and clenched his teeth. Much of my life had been devoted to trying not to cry in front of people who loved me, so I knew what Augustus was doing. You clench your teeth. You look up. You tell yourself that if they see you cry, it will hurt them, and you will be nothing but A Sadness in their lives, and you must not become a mere sadness, so you will not cry, and you say all of this to yourself while looking up at the ceiling, and then you swallow even though your throat does not want to close and you look at the person who loves you and smile. He flashed his crooked smile, then said, “I lit up like a Christmas tree, Hazel Grace. The lining of my chest, my left hip, my liver, everywhere.
”
”
John Green (The Fault in Our Stars)
“
You know why you won fights as an initiate?” I say as I get to my feet. “Because you’re cruel. Because you like to hurt people. And you think you’re special, you think everyone around you is a bunch of sissies who can’t make the tough choices like you can.”
He starts to get up, and I kick him in the side so he goes sprawling again. Then I press my foot to his chest, right under his throat, and our eyes meet, his wide and innocent and nothing like what’s inside him.
“You are not special,” I say. “I like to hurt people too. I can make the cruelest choice. The difference is, sometimes I don’t, and you always do, and that makes you evil.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
He placed his hands against the Jeep on either side of my head and leaned forward, forcing me to press back against the door. He leaned in even closer, his face inches from mine. I had no room to escape.
"Now," he breathed, and just his smell disturbed my thought processes, "what exactly are you worrying about?"
"Well, um, hitting a tree -" I gulped "- and dying. And then getting sick."
He fought back a smile. Then he bent his head down and touched his cold lips softly to the hollow at the base of my throat.
"Are you still worried now?" he murmured against my skin.
"Yes." I struggled to concentrate. "About hitting trees and getting sick."
His nose drew a line up the skin of my throat to the point of my chin. His cold breath tickled my skin.
"And now?" His lips whispered against my jaw.
"Trees," I gasped. "Motion sickness."
He lifted his face to kiss my eyelids. "Bella, you don't really think I would hit a tree, do you?"
"No, but I might." There was no confidence in my voice. He smelled an easy victory.
He kissed slowly down my cheek, stopping just at the corner of my mouth.
"Would I let a tree hurt you?" His lips barely brushed against my trembling lower lip.
"No," I breathed. I knew there was a second part to my brillant defense, but I couldn't quite call it back.
"You see," he said, his lips moving against mine. "There's nothing to be afraid of, is there?"
"No," I sighed, giving up.
Then he took my face in his hands almost roughly, and kissed me in earnest, his unyielding lips moving against mine.
There was really no excuse for my behavior. Obviously I knew better by now. And yet I couldn't seem to stop from reacting exactly as I had the first time. Instead of keeping safely motionless, my arms reached up to twine tightly around his neck, and I was suddenly welded to his stone figure. I sighed, and his lips parted.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
J_Doe032692 wrote: I am not a thin person. However this does not give people the right to taunt me, calling me ugly and worthless, telling me to kill myself because no one will ever want me, or to make up songs about why I am so fat and how much food I eat. NO ONE, I repeat, NO ONE HAS THE RIGHT TO HURT ANOTHER HUMAN BEING THIS BADLY.
My throat constricts. The neck brace feels as if it's shrinking and cutting off my esophagus. I reach up and cover the words with my hand and the web site dissolves.
I want to go.
Now.
”
”
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
“
You had a fucking friend who needed you. What the hell was that, Jocelyn?"
He shook his head slowly. "Don't," he whispered hoarsely, dipping his head so our noses were almost touching. "Don't do this. Not now. Whatever shit your spinning in that head of yours, stop. She needs you, babe." He shallowed hard, his eyes glimmering in the streetlights. "I need you."
I felt that familiar choking in the bottom of my throat. "I didn't ask you to need me," I whispered back.
I saw it. The hurt flickered across his face before he quickly banked it. Abruptly, he let go of me. "Fine. I don't have time for your multitude of emotional issues. I have a wee sister who may or may not have brain cancer, and she needs me, even if you don't. But I'll tell you something Jocelyn," he stepped forward, point a finger in my face, his own hardened with anger, "If you don't see her through this, you'll hate yourself for the rest of your life. You can pretend you don't give a shit about me, but you can't pretend Ellie means nothing to you. I've seen you. Do you hear me?" He hissed, his hot breath blowing across my face, his words cutting though my soul. "You love her. You can't sweep that under the rug because it's easier to pretend she means nothing to you than it is to bear the thought of losing her. She deserves better than that.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
I want you, godammit!" I scream at him. "The thought of you leaving and never seeing you again tears-me-up-Inside!" My throat burns like fire. "I can't fucking breathe withough you!"
"SAY IT! Son-of-a-bitch," he says, exasperated, "just say it!"
"I want you to own me!" I can hardly stand on my own anymore. Sobs rock my entire body. My eyes sting and my heart hurts like i never has before.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
Much of my life has been devoted to trying not to cry in front of people who love me, so I knew what Augustus was doing. You clench your teeth. You look up. You tell yourself that if they see you cry, it will hurt them, and you will be nothing but A Sadness in their lives, and you must not become a mere sadness, so you will not cry, and you say all of this to yourself while looking up at the ceiling, and then you swallow even though your throat does not want to close and you look at the person who loves you and smile.
”
”
John Green (The Fault in Our Stars)
“
Billy's Adam's apple bobbed. "Don't-" The knife at his throat cut him short.
Black Tom cocked a thick brow. "Don't, wha? Hurt your littl' toffer?" Rotted teeth flashed. "She mean that much ta ye, then?"
Bill licked his lips quickly. His skin took on a grayish hue as sweat seeded over his high brow. "Don't piss 'er off," he managed.
”
”
Kristen Callihan (Firelight (Darkest London, #1))
“
Did you really think you could quit?" He moved closer, his steps slow, purposeful. "Just fax me a damned piece of paper and I‘d be forced to let you walk away from me?"
"You don‘t have a choice." Lydia swallowed the lump in her throat and moved around the chair. Putting furniture between them seemed like a smart idea. "I quit, end of story."
"The hell it is," he growled as he stopped and crossed his arms over his chest. "I‘ve given you space, Lydia, but it‘s time we talk."
"There‘s nothing to say."
He pointedly glanced at the chair and quirked a brow. "Afraid, little Lydia?"
Afraid of her own ability to keep her hands off him, yeah. "You don‘t scare me, Dane. You‘d never hurt me."
"Then quit acting so skittish and come here.
”
”
Anne Rainey (Body Rush (Masters of Pleasure, #1))
“
Something terrible was clawing up her throat.
“I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.”
“Damn your god.”
Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.”
“Why not? I can say anything. Anything except what really matters.”
“Kestrel, take it back. You’ll offend him.”
“Your god risks you.”
“He protects me.”
“You’re his plaything.”
“You’re wrong. He loves me.”
Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe.
“It’s true,” Arin insisted.
She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I drag the body out into the snowdrifts, as far away from our shack as I can muster. I put her in a thicket of trees, where the green seems to still have a voice in the branches, and try not to think about the beasts that’ll soon be gathering. There’s no way of burying her; the ground is a solid rock of ice beneath us.
I kneel beside her and want desperately to weep. My throat tightens and my head aches. Everything hurts inside. But I have no way of releasing it. I’m locked up and hard as stone.
“I’m sorry, Mamma,” I whisper to the shell in front of me. I take her hand. It could belong to a glass doll. There’s no life there anymore.
So I gather rocks, one by one, and set them over her, trying my best to protect her from the birds, the beasts, keep her safe as much as I can now. I pile the dark stones gently on her stomach, her arms, and over her face, until she becomes one with the mountain.
I stand and study my work, feeling like the rocks are on me instead, then I leave the body for the forest and ice.
”
”
Rachel A. Marks (Winter Rose)
“
Alone in her shelter, she allowed herself tears. When her shelter cooled to the touch she called to Gull, “Coming out!” She eased her head out into the smoky air, looked over at Gull. She imaged they both looked like a couple of sweaty, parboiled turtles climbing out of their shells.
“Hello, gorgeous.”
She laughed. It hurt her throat, but she laughed. “Hey, handsome.
”
”
Nora Roberts (Chasing Fire)
“
George who is out somewhere there in the dark... George who is good to me, and whom I revile; who understands me, and whom I push off; who can make me laugh, and I choke it back in my throat; who can hold me, at night, so that it's warm, and whom I will bite so there's blood; who keeps learning the games we play as quickly as I can change the rules; who can make me happy and I do not wish to be happy, and yes I do wish to be happy. George and Martha: sad, sad, sad... whom I will not forgive for having come to rest; for having seen me and having said: yes; this will do; who has made the hideous, the hurting, the insulting mistake of loving me and must be punished for it. George and Martha: sad, sad, sad... who tolerates, which is intolerable; who is kind, which is cruel; who understands, which is beyond comprehension...
”
”
Edward Albee (Who's Afraid of Virginia Woolf?)
“
I turn away from him and walk, swiftly and completely directionless through the garden. He runs after me, grabbing my arm. I haul around and slap him. Its a stinging blow, smearing the gold on his cheekbone and causing his skin to redden. We stare at each other for long moments, breathing hard. His eyes are bright with something entirely different from anger. I am in over my head. I am drowning. ¨I didnt mean to hurt you.¨ He grabs my hand,possibly to keep me from hitting him again. Our fingers lace together. ¨No, it not that, not exactly. I didnt think I could hurt you. And i never thought you would be afraid of me.¨ ¨And did you like it?¨"I ask. He looks away from me then, and I have my answer. Maybe he doesnt want to admit to that impulse, but he has it. ¨Well, I was hurt, and yes, you scare me.¨ Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. ¨You´ve always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the court of shadows. I was afraid of you when i had a knife to your throat. And i am scared of you now.¨ Cardan looks more suprised then he did when I slapped him. He was always a symbol of everything about Elfhame that I couldnt have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armor, and without it, I am afraid I am going to be entirely exposed. But i keep talking anyway, as though I no longer have control of my tongue. ¨You despised me. When you said you wanted me, it felt like the world has turned upside down.
Page 160-161
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
„We gave your way a try,” he said to Annabelle. „Now it's time for my way.” He flattened his palm on Brax's chest and pushed. Just a little push, but the man flew backward and slammed into the foyer wall. […]
In a blink, Zacharel had a hand wrapped around Brax's throat and his body pinned against the wall, his legs dangling. […]
A soft hand on his shoulder, a beseeching voice in his ear. „Zacharel. Let him down, please. Despite everything, I love him the way you love Hadrenial. I don't want to see him hurt.”
Golden eyes widened, bulged, really, as Zacharel increaed the pressure. „Just a little longer. He disrespected you.
”
”
Gena Showalter (Wicked Nights (Angels of the Dark, #1))
“
Sometimes when we were hiding behind the breakers with the crowd, he'd hold me so tight, I'd think he's not just holding me, he's holding onto me, like I'm stopping him from falling off. I'd see him looking at me and his eyes were so full of...I dunno. Like he was about to cry. And, it's stupid, I know, but I think maybe he's hurting because he loves me and I don't love him, and this great lump used to come up into my throat and I'd hold him tight and try and squeeze him as tight as I could and try as hard as I could to fall in love with him the way he loved me.
And then other times I'd think, it's just the way his face is that makes him look like that.
”
”
Melvin Burgess (Smack)
“
Sooo, I'm tired of people thinking I'm a freak. I know you can't relate to that but -"
"Get over it already, will ya?" Candace stood. "You're not Smellody anymore. You're pretty. You can get hot guys now. Tanned ones with good vision. Not geeky hose jousters." She shut the window. "Don't you ever want to use your lips as something other than veneer protectors?"
Melody felt a familiar pinch behind her eyes. Her throat dried. Her eyes burned. And then they came. Like salty little paratroopers, tears descended en masse. She hated Candace thought she had never made out with a boy. But how could she convince a seventeen-year-old with more dates than a fruitcake that Randy the Starbucks cashier (aka Scarbucks, because of his acne scars) was a great kisser? She couldn't.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
Whenever I hurt myself, my mother says
it is the universe’s way of telling me to
slow down. She also tells me to put some
coconut oil on it. It doesn’t matter what it
is. She often hides stones underneath my
pillow when I come home for the weekend.
The stones are a formula for sweet dreams
and clarity. I dig them out from the streets,
she tells me what each one is for. My throat
hurts, so she grinds black pepper into a
spoonful of honey, makes me eat the entire
thing. My mother knows how to tie knots
like a ship captain, but doesn’t know how
I got that sailor mouth. She falls asleep
in front of the TV only until I turn it off,
shouts, I was watching that! The sourdough
she bakes on Friday is older than I am.
She sneaks it back and forth across the country
when she flies by putting the starter in small
containers next to a bag of carrots.
They think it’s ranch dressing, she giggles.
She makes tea by hand. Nettles, slippery elm,
turmeric, cinnamon- my mother is a recipe
for warm throats and belly laughs. Once
she fell off of a ladder when I was three.
She says all she was worried about was
my face as I watched her fall.
”
”
Sarah Kay (No Matter the Wreckage: Poems)
“
Peter Parker: I mean, what I do sometimes requires violence, but I'm not a violent man, I'm really not. But I just--
Mary Jane: You wanted to deck her.
Peter: Twice. And I hate feeling that way. Why is it that people feel the need to take whatever little authority they have and shove it down your throat? And the smaller the authority, the bigger the shove.
Aunt May: It offends you, doesn't it?
Peter: Yeah, it does.
Aunt May: Why?
Peter: I -- What do you mean, why?
Aunt May: Why does it offend you?
Peter: Shouldn't it?
Aunt May: If a lion broke out of its cage at the zoo, and bit you, it would hurt, sure, and you'd be upset, of course. But would you be offended?
Peter: No, of course not.
Aunt May: Why?
Peter: Because that's the nature of a lion.
Aunt May: Some people by nature are kind and charitable. You could say that some people, including at least one person at this table, are by their nature heroes. Ben always reminded me that we each contain all the nobler and meaner aspects of humanity, but some get a bigger dose than others of one thing or another.
Some are petty, and mean, and uncharitable. That's their nature. You can hope for better, even try to lead them to be and you may even succeed. But when they behave badly, it's right to be upset by it, or hurt by it, but you can be no more offended by it than you can when a lion bites you.
”
”
J. Michael Straczynski
“
Do you remember when I told you that I sometimes believe that you’re not real? That I imagined you just to hurt myself?” Reed says softly with a bitterly self-effacing laugh that has nothing to do with humor. “I know now that you have to be real. This kind of pain cannot exist if you were imaginary,” Reed’s sexy voice breathes. I feel like I could reach out and touch him, he feels that close to me. “I know you exist, but you’re like a sunset to me now—beautiful and so distant that no matter how fast I fly, I cannot reach you. You are always on the next horizon,” Reed says sadly, and my breath catches in my throat as an unbelievable ache throbs in my chest. “Tel me where you are. I wil meet you—
wherever you are in the world. I wil be there. Just you and me, I swear it. We don’t have to endanger anyone else—
we’l make sure Buns and Brownie and Zephyr are safe. Just you and me, I promise…I wil meet you anywhere at anytime…I wil …
”
”
Amy A. Bartol
“
Keeping The City
"Unless the Lord keepeth the city, the watchman guardeth in vain" - John F. Kennedy's unspoken words in Dallas on November 23, 1963.
Once,
in August,
head on your chest,
I heard wings
battering up the place,
something inside trying to fly out
and I was silent
and attentive,
the watchman.
I was your small public,
your small audience
but it was you that was clapping,
it was you untying the snarls and knots,
the webs, all bloody and gluey;
you with your twelve tongues and twelve wings
beating, wresting, beating, beating
your way out of childhood,
that airless net that fastened you down.
Since then I was more silent
though you had gone miles away,
tearing down, rebuilding the fortress.
I was there
but could do nothing
but guard the city
lest it break.
I was silent.
I had a strange idea I could overhear
but that your voice, tongue, wing
belonged solely to you.
The Lord was silent too.
I did not know if he could keep you whole,
where I, miles away, yet head on your chest,
could do nothing. Not a single thing.
The wings of the watchman,
if I spoke, would hurt the bird of your soul
as he nested, bit, sucked, flapped.
I wanted him to fly, burst like a missile from your throat,
burst from the spidery-mother-web,
burst from Woman herself
where too many had laid out lights
that stuck to you and left a burn
that smarted into your middle age.
The city
of my choice
that I guard
like a butterfly, useless, useless
in her yellow costume, swirling
swirling around the gates.
The city shifts, falls, rebuilds,
and I can do nothing.
A watchman
should be on the alert,
but never cocksure.
And The Lord -
who knows what he keepeth?
”
”
Anne Sexton (45 Mercy Street)
“
No one's said a word to them since they said we couldn't see you." Nathaniel's heart skipped a beat. The heat that gnawed at his chest was an ugly mix of gratitude and shame. He tried to speak but had to clear his throat before trying again. "But why? I've done nothing but lie to them. I willingly put them all in danger so I could play a little longer. They got hurt last night because of me. Why would they protect me now?" "You are a Fox," Andrew said, like it was that simple, and maybe it was. Nathaniel dropped his eyes and worked his jaw, fighting for a center he was quickly losing hold of.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Unscrewing the cap, Gabriel squeezed a bit of clear jelly onto his fingers and understood. Covering Joey’s body with his own, Gabriel kissed his lips. “But you said – something we haven’t tried …” “We haven’t.” Reaching up, Joey cupped Gabriel’s cheek. “What happened before was one stranger attacking another. What happens now is between you and me.” “Joey.” Gabriel kissed the other man’s earlobe, his jawline, the hollow of his throat. “I can’t hurt you again. I’ll kill myself first.
”
”
S.A. Reid (Protection)
“
I hurt you," Baker cries. "I hurt the one person I love more than anything else in the world." The swelling in Hannah's throat threatens to explode. Her sinuses prickle; her body rushes with uncontrollable feeling. "I hurt you, Han. I hurt you," Baker says, her body convulsing. The sobs burst out of Hannah's throat. "Yeah," she cries, choking on the word, hating that she needs to release it. "Yeah, you did. You hurt me. You really hurt me." Baker's face contorts with anguish. Her chin trembles; her mouth gaps around shuddering breaths. Her eyes bleed with agony. "I'm so-" she heaves. "I'm so-" "But Baker," Hannah says, touching a hand to her tears, "you also saved me." Baker's face screws up again. She heaves with more sobs, placing a hand over her ribs. "You saved me, too," she cries.
”
”
Kelly Quindlen (Her Name in the Sky)
“
What would you decide?” Darrow’s question was quiet, tentative. She considered it. No one had ever asked her such a thing. “I should have very much liked to live at Caraverre,” Evangeline admitted. She knew he did not recognize it, but it didn’t matter now, did it? “Murtaugh showed me the land—the rivers and mountains right nearby, the forests and hills.” An ache throbbed in her chest. “I saw the gardens by the house, and I would have liked to have seen them in spring.” Her throat tightened. “I would have liked for that to have been my home. For this … for all of Terrasen to have been my home.” Darrow said nothing, and Evangeline set a hand on the castle stones, gazing to the west now, as if she could see all the way to Allsbrook and the small territory in its shadow. To Caraverre. “That’s what Terrasen has always meant to me, you know,” Evangeline went on, speaking more to herself. “As soon as Aelin freed Lysandra, and offered to let us join her court, Terrasen has always meant home. A place where … where the sort of people who hurt us don’t get to live. Where anyone, regardless of who they are and where they came from and what their rank is can dwell in peace. Where we can have a garden in the spring, and swim in the rivers in the summer. I’ve never had such a thing before. A home, I mean. And I would have liked for Caraverre, for Terrasen, to have been mine.” She chewed on her lip. “So I would choose to fight. Until the very end. For my home, new as it is. I choose to fight.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
He touched me. He… he whispered things in my ear, things I never would’ve expected to affect me the way they did. I feel like I lose control when I’m near him. I’m like a leaf fluttering in the wind—when he zigs, I zag. He talks and I jump. He walks and I turn into a blithering idiot. I admit it, I’m clumsy, but when I find myself near him…” He didn’t have the courage to finish the sentence. With a sudden lump in his throat, he added: “I don’t want to hope, and I certainly don’t want to delude myself. Damn it, the thought of deluding myself terrifies me!”
“I think I know what your problem is.”
“And what would that be?”
He sat up, offering a sly smile. “You’re hopelessly in love with him.
”
”
Valentina C. Brin (Rise of a Nobleman (Possession, #1))
“
What may I do to get back into your good graces?”
“You’ve done nothing to offend me.”
“Then why did you acknowledge Robart before me?”
What?
“You addressed him before you addressed me.”
I cleared my throat. “Just to be clear, you’re upset because I spoke to Robart before I spoke to you? In the ballroom just before we went to check on the car?”
“I understand that the circumstances of the summit prevent frank exchanges,” Arland said. “An appearance of propriety must be maintained and any hint of favoritism is to be avoided at all costs. But when one travels so far, one looks for the small things. A chance glance. A brief kindness, freely offered and gone unnoticed by all except its intended recipient. Some hint, some indication that he has not been forgotten. One might take an acknowledgment of a bitter rival before him, in public, as an indication of certain things.”
It dawned on me. His feelings were actually hurt.
”
”
Ilona Andrews (Sweep in Peace (Innkeeper Chronicles, #2))
“
He wanted you to be the small, quiet girl from Abnegation," Four says softly. "He hurt you because your strength made him feel weak. No other reason."
I nod and try to believe him.
"The others won't be as jealous if you show some vulnerability. Even if it isn't real."
"You think I have to pretend to be vulnerable?" I ask, raising an eyebrow.
"Yes,I do." He takes the ice pack from me, his fingers brushing mine, and holds it against my head himself. I put my hand down, too eager to relax my arm to object. Four stands up. I stare at the hem of his T-shirt.
Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache.
"You're going to want to march into breakfast tomorrow and show your attackers they had no effect on you," he adds, "but you should let that bruise on your cheek show, and keep your head down."
The idea nauseates me.
"I don't think I can do that," I say hollowly. I lift my eyes to his.
"You have to."
"I don't think you get it." Heat rises into my face. "They touched me."
His entire body tightens at my words, his hand clenching around the ice pack. "Touched you," he repeates, his dark eyes cold.
"Not...in the way you're thinking." I clear my throat. I didn't realize when I said it how awkward it would be to talk about. "But...almost."
I look away.
He is silent and still for so long that eventually,I have to say something.
"What is it?"
"I don't want to say this," he says, "but I feel like I have to.It is more important for you to be safe than right, for the time being. Understand?"
His straight eyebrows are drawn low over his eyes. My stomach writhes, partly because I know he makes a good point but I don't want to admit it, and partly because I want something I don't know how to express; I want to press against te space between us until it disappears.
I nod.
"But please,when you see an opportunity..." He pesses his hand to my cheek,cold and strong, and tilts my head up so I have to look at him. His eyes glint. They look almost predatory. "Ruin them."
I laugh shakily. "You're a little scary, Four."
"Do me a favor," he says, "and don't call me that."
"What should I call you,then?"
"Nothing." He takes his hand from my face. "Yet.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Were you ever going to tell me?”
“About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.”
She knocked back the rum and swallowed, setting the empty glass on the table. Impressive.
She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.”
He took a swig, his gaze locked on hers. “Would you have believed me?”
“No.” She shrugged. “Just wondering how long you would have lied to me.”
“I could ask you the same thing.”
She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.”
“I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.”
She raised a brow. “Are you saying I should feel…special?”
“Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.”
“Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.”
He chuckled. “It’s less heroic when you’re certain you won’t die.”
“But you knew it would hurt.”
He nodded slowly. “True.”
She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.”
Her dark eyes sparkled with the mischief he was growing much too fond of.
“Not bad for a pirate.” He admitted.
”
”
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
“
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
My blood, sweat and tears
Even my blood, sweat and tears
Even my body, heart and soul
I know that it’s all yours
This is a spell that’ll punish me
Peaches and cream
Sweeter than sweet
Chocolate cheeks
And chocolate wings
But your wings are wings of the devil
In front of your sweet is bitter bitter
Kiss me, I don’t care if it hurts,
Hurry and choke me
So I can’t hurt any more
Baby, I don’t care if I get drunk, I’ll drink you in now
Your whiskey, deep into my throat
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I don’t care if it hurts, tie me up
So I can’t run away
Grab me tightly and shake me
So I can’t snap out of it
Kiss me on the lips lips,
Our own little secret
I wanna be addicted to your prison
So I can’t serve anyone that’s not you
Even though I know,
I drink the poisonous Holy Grail
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
Kill me softly
Close my eyes with your touch
I can’t even reject you anyway
I can’t run away anymore
You’re too sweet, too sweet
Because you’re too sweet
My blood, sweat and tears
My blood, sweat and tears
”
”
BTS
“
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud,
but I walked numbly through the park, round and round,
40 times for 4 hours
just wanting to make it through the day.
There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through
and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories,
but the panic kept growing, exploding in my chest. Tears falling on the desk
tick tick tick
me not making a sound
and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind,
but anxiety eats you up and I just want to be fine.
This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways
but you can not let it.
I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use.
the smoking and the starving, the running, the madness,
thinking it will help but it only feeds the fire
and I don't want to hurt myself anymore.
I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all.
And I have people around that I like and can laugh with, and it's spring again.
It will always be spring again.
And there will always be a new day.
”
”
Charlotte Eriksson
“
Click.
The salamander flared, etching the room with searing white light and dark shadows.
Otto screamed. He fell to the floor, clutching at his throat. He sprang to his feet, goggle-eyed and gasping, and staggered, knock-kneed and wobbly-legged, the length of the room and back again. He sank down behind a desk , scattering paperwork with a wildly flailing hand.
"Aarghaarghaaaargh..."
There was a shocked silence.
Otto stood up, adjusted his cravat, and dusted himself off. Only then did he look up at the row of shocked faces.
"Vel?" he said sternly. "Vat are you all looking at? It is just a normal reaction, zat is all. I am vorking on it. Light in all its forms is mine passion. Light is my canvas, shadows are my brush."
But strong light hurts you!" said Sacharissa. "It hurts vampires!"
"Yes. It iss a bit of a bugger, but zere you go.
”
”
Terry Pratchett (The Truth: Stage Adaptation)
“
Friendship is a difficult thing to define. Oscar here is my oldest friend. How would you define friendship, Oscar?"
Oscar grunts slightly, as though the answer is obvious.
"Friendship is about choice and chemistry. It cannot be defined."
"But surely there's something more to it than that."
"It is a willingness to overlook faults and to accept them. I would let a friend hurt me without striking back," he says, smiling. "But only once."
De Souza laughs. "Bravo, Oscar, I can always rely on you to distill an argument down to its purest form. What do you think, Dayel?"
The Indian rocks his head from side to side, proud that he has been asked to speak next.
"Friendship is different for each person and it changes throughout our lives. At age six it is about holding hands with your best friend. At sixteen it is about the adventure ahead. At sixty it is about reminiscing." He holds up a finger. "You cannot define it with any one word, although honesty is perhaps the closest word-"
"No, not honesty," Farhad interrupts. "On the contrary, we often have to protect our friends from what we truly think. It is like an unspoken agreement. We ignore each other's faults and keep our confidences. Friendship isn't about being honest. The truth is too sharp a weapon to wield around someone we trust and respect. Friendship is about self-awareness. We see ourselves through the eyes of our friends. They are like a mirror that allows us to judge how we are traveling."
De Souza clears his throat now. I wonder if he is aware of the awe that he inspires in others. I suspect he is too intelligent and too human to do otherwise.
"Friendship cannot be defined," he says sternly. "The moment we begin to give reasons for being friends with someone we begin to undermine the magic of the relationship. Nobody wants to know that they are loved for their money or their generosity or their beauty or their wit. Choose one motive and it allows a person to say, 'is that the only reason?'"
The others laugh. De Souza joins in with them. This is a performance.
He continues: "Trying to explain why we form particular friendships is like trying to tell someone why we like a certain kind of music or a particular food. We just do.
”
”
Michael Robotham (The Night Ferry)
“
The Amy of today was abrasive enough to want to hurt, sometimes. I speak specifically of the Amy of today, who was only remotely like the woman I fell in love with. It had been an awful fairy-tale reverse transformation. Over just a few years, the old Amy, the girl of the big laugh and the east ways, literally shed herself, a pile of skin and soul on the floor, and out stepped this new, brittle, bitter Amy. My wife was no longer my wife but a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of solving Amy. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebook on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings. My old Amy, damn, she was fun. She was fun. She made me laugh. I'd forgotten that. And she laughed, From the bottom of her throat, from right behind that small finger-shaped hollow, which is the best place to laugh from. She released her grievances like handfuls of birdseed: They are there, and they are gone.
”
”
Gillian Flynn (Gone Girl)
“
I hated being a kid.” He folds his arm beneath his head and looks almost furtively in my direction. “I’d have no idea how to get someone else through it, and I definitely wouldn’t enjoy it. I like them, but I don’t want to be responsible for any.”
“Agreed,” I say. “I love my nieces more than anything on the planet, but every time Tala falls asleep in my lap, her dad gets all teary-eyed and is like, Doesn’t it just make you want to have some of your own, Nora? But when you have kids, they count on you. Forever. Any mistake you make, any failure—and if something happens to you . . .”
My throat twists.
“People like to remember childhood as all magic and no responsibilities, but that’s not really how it is. You have absolutely no control over your environment. It all comes down to the adults in your life, and . . . I don’t know. Every time Libby has a new kid, it’s like there’s this magic house in my heart that rearranges to make a new room for the baby.
“And it always hurts. It’s terrifying. One more person who needs you.
”
”
Emily Henry (Book Lovers)
“
I wish I could give you your due,” Rangi muttered after some time had passed. “The wisest teachers. Armies to defend you. A palace to live in.” Kyoshi raised an eyebrow. “The Avatar gets a palace?” “No, but you deserve one.” “I don’t need it,” Kyoshi said. She smiled into Rangi’s hair, the soft strands caressing her lips. “And I don’t need an army. I have you.” “Psh,” Rangi scoffed. “A lot of good I’ve been so far. If I were better at my job you would never feel scared. Only loved. Adored by all.” Kyoshi gently nudged Rangi’s chin upward. She could no more prevent herself from doing this than she could keep from breathing, living, fearing. “I do feel loved,” she declared. Rangi’s beautiful face shone in reflection. Kyoshi leaned in and kissed her. A warm glow mapped Kyoshi’s veins. Eternity distilled in a single brush of skin. She thought she would never be more alive than now. And then— The shock of hands pushing her away. Kyoshi snapped out of her trance, aghast. Rangi had flinched at the contact. Repelled her. Viscerally, reflexively. Oh no. Oh no. This couldn’t—not after everything they’d been through—this couldn’t be how it— Kyoshi shut her eyes until they hurt. She wanted to shrink until she vanished within the cracks of the earth. She wanted to become dust and blow away in the wind. But the sound of laughter pulled her back. Rangi was coughing, drowning herself with her own tears and mirth. She caught her breath and retook Kyoshi by the hips, turning to the side, offering up the smooth, unblemished skin of her throat. “That side of my face is busted up, stupid,” she whispered in the darkness. “Kiss me where I’m not hurt.
”
”
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
“
Her eyes heated with the anger and hurt that had been held inside her
for too long. "Your trips to the village have not gone unnoticed."
A look of confusion crossed his too-handsome face. "What does my
going to the village have to do with us?"
"I know there are women--"
He swore and gripped her arm, jerked her up against his chest. "Who
put such nonsense in your head?"
She didn't say anything, her throat hot and tight from the ball of tears
constricting it.
"Finlay," he said flatly. She looked at him in surprise. " 'Tis no secret
that he despises me, but I am surprised that you listened to his venom."
"It's not too difficult to believe. You are a man."
"Aye," he said softly. "But I've not had another woman, Elizabeth."
Her heart faltered. Her eyes shot to his, not daring to believe ... He
cradled her cheek tenderly in his big hand.
"How can I when I want someone else?"
He hasn't been with a woman ... he wants me.
”
”
Monica McCarty (Highland Outlaw (Campbell Trilogy, #2))
“
Sick"
"I cannot go to school today,"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry,
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox
And there's one more--that's seventeen,
And don't you think my face looks green?
My leg is cut--my eyes are blue--
It might be instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke--
My hip hurts when I move my chin,
My belly button's caving in,
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My nose is cold, my toes are numb.
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There is a hole inside my ear.
I have a hangnail, and my heart is--what?
What's that? What's that you say?
You say today is. . .Saturday?
G'bye, I'm going out to play!
”
”
Shel Silverstein
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
This man had saved his life, which was something; but, further, he was the ideal master. Other men saw to the welfare of their dogs from a sense of duty and business expediency; he saw to the welfare of his as if they were his own children, because he could not help it. And he saw further. He never forgot a kindly greeting or a cheering word, and to sit down for a long talk with them ("gas" he called it) was as much his delight as theirs. He had a way of taking Buck's head roughly between his hands, and resting his own head upon Buck's, of shaking him back and forth, the while calling him ill names that to Buck were love names. Buck knew no greater joy than that rough embrace and the sound of murmured oaths, and at each jerk back and forth it seemed that his heart would be shaken out of his body so great was its ecstasy. And when, released, he sprang to his feet, his mouth laughing, his eyes eloquent, his throat vibrant with unuttered sound, and in that fashion remained without movement, John Thornton would reverently exclaim, "God! you can all but speak!"
Buck had a trick of love expression that was akin to hurt. He would often seize Thornton's hand in his mouth and close so fiercely that the flesh bore the impress of his teeth for some time afterward. And as Buck understood the oaths to be love words, so the man understood this feigned bite for a caress.
”
”
Jack London
“
Do you even feel anything, Chad? Will you for once stop walking around, all in control and f'ing calm? Do you have any idea what you all have done. I lost everything, Chad. Everything, when Kyle died. I lost myself. I had finally begun to build a new life with new friends. With people I thought cared about me. I have started to be just a little bit happy again. Was it too much to ask? Did I ask for too much by just wanting to have a little bit of a life again? Now, it’s all screwed up again and you walk around here like you don’t feel anything about what’s happened.”
Chad spun around, and for only the second time since she’d known him, she saw the flash of anger so fierce her breath caught in her throat and she took an involuntary step back, away from him. Jennie knew Chad would never hurt her on purpose, but the anger rolling off of him was palpable. It seemed to force her backwards as if it had a life of its own, a power of its own.
“Not feel anything, Jennie? Are you f'ing kidding me? I walk around here every day and I ache every f'ing minute I’m with you. I’m so twisted up with loving you and hating you, I can’t breathe. I can’t keep my hands off you, but I can’t let myself kiss you because I might lose myself in you. I can’t make love to you because I’m afraid you’ll pretend I’m him. I know you want his arms around you, not mine. I know you want it to be his baby inside you, not mine. And I know you can’t love me back, no matter what I do, because you’re still so in love with your husband, you can’t even begin to see me.”
Chad didn’t stop and Jennie didn’t try to stop him.
“And every day, I have to sit here and wonder how I’ll be a part of my baby’s life. I wonder if you’ll let me be in the delivery room, if you’ll let me help you name the baby. I wonder how much money I’d have to offer the people who live across the street from you to get them to sell me their house, just so I can see my child grow up. If you’ll let me...” Chad stopped as if he’d run out of steam.
They stood in uneasy silence for a long time before Chad spoke again. He sounded worn out and bitter and angry, mirroring Jennie’s chaos of emotions.
“Am I feeling anything? Yeah. I’m feeling some f'ing sh**, Jen.
”
”
Lori Ryan (Negotiation Tactics (Sutton Capital #3))
“
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
”
”
Gabby Rivera (Juliet Takes a Breath)
“
Having shaved, washed, and dexterously arranged several artificial teeth, standing in front of the mirror, he moistened his silver-mounted brushes and plastered the remains of his thick pearly hair on his swarthy yellow skull. He drew on to his strong old body, with its abdomen protuberant from excessive good living, his cream-colored silk underwear, put black silk socks and patent-leather slippers on his flat-footed feet. He put sleeve-links in the shining cuffs of his snow-white shirt, and bending forward so that his shirt front bulged out, he arranged his trousers that were pulled up high by his silk braces, and began to torture himself, putting his collar-stud through the stiff collar. The floor was still rocking beneath him, the tips of his fingers hurt, the stud at moments pinched the flabby skin in the recess under his Adam's apple, but he persisted, and at last, with eyes all strained and face dove-blue from the over-tight collar that enclosed his throat, he finished the business and sat down exhausted in front of the pier glass, which reflected the whole of him, and repeated him in all the other mirrors.
" It is awful ! " he muttered, dropping his strong, bald head, but without trying to understand or to know what was awful. Then, with habitual careful attention examining his gouty-jointed short fingers and large, convex, almond-shaped finger-nails, he repeated : " It is awful. . . .
”
”
Ivan Bunin (The Gentleman from San Francisco and Other Stories)
“
Outsong in the Jungle
[Baloo:] For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
When thy Pack would make thee pain,
Say: "Tabaqui sings again."
When thy Pack would work thee ill,
Say: "Shere Khan is yet to kill."
When the knife is drawn to slay,
Keep the Law and go thy way.
(Root and honey, palm and spathe,
Guard a cub from harm and scathe!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[Kaa:] Anger is the egg of Fear--
Only lidless eyes see clear.
Cobra-poison none may leech--
Even so with Cobra-speech.
Open talk shall call to thee
Strength, whose mate is Courtesy.
Send no lunge beyond thy length.
Lend no rotten bough thy strength.
Gauge thy gape with buck or goat,
Lest thine eye should choke thy throat.
After gorging, wouldst thou sleep ?
Look thy den be hid and deep,
Lest a wrong, by thee forgot,
Draw thy killer to the spot.
East and West and North and South,
Wash thy hide and close thy mouth.
(Pit and rift and blue pool-brim,
Middle-Jungle follow him!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[Bagheera:] In the cage my life began;
Well I know the worth of Man.
By the Broken Lock that freed--
Man-cub, ware the Man-cub's breed!
Scenting-dew or starlight pale,
Choose no tangled tree-cat trail.
Pack or council, hunt or den,
Cry no truce with Jackal-Men.
Feed them silence when they say:
"Come with us an easy way."
Feed them silence when they seek
Help of thine to hurt the weak.
Make no bandar's boast of skill;
Hold thy peace above the kill.
Let nor call nor song nor sign
Turn thee from thy hunting-line.
(Morning mist or twilight clear,
Serve him, Wardens of the Deer!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[The Three:] On the trail that thou must tread
To the threshold of our dread,
Where the Flower blossoms red;
Through the nights when thou shalt lie
Prisoned from our Mother-sky,
Hearing us, thy loves, go by;
In the dawns when thou shalt wake
To the toil thou canst not break,
Heartsick for the Jungle's sake;
Wood and Water, Wind air Tree,
Wisdom, Strength, and Courtesy,
Jungle-Favour go with thee!
”
”
Rudyard Kipling
“
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration.
“What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me.
“What is it that clues you in? Tell me. Tell me or I will kill you.”
I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel.
“You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?”
“You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!”
I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face.
A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter.
“Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.”
Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling.
“You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.”
I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her.
I broke her.
”
”
Veronica Roth
“
You look … ,” Gavriel breathed, sinking into his chair. “You look so much like her.” Aedion knew Gavriel didn’t mean Aelin. Even Fenrys looked at the Lion now, at the grief rippling in those tawny eyes. But Aedion barely remembered his mother. Barely recalled anything more than her dying, wrecked face. So he said, “She died so your queen wouldn’t get her claws on me.” He wasn’t sure his father was breathing. Lysandra stepped closer, a solid rock in the thrashing sea of his rage. Aedion pinned his father with a look, not sure where the words came from, the wrath, but there they were, snapping from his lips like whips. “They could have cured her in the Fae compounds, but she wouldn’t go near them, wouldn’t let them come for fear of Maeve”—he spat the name—“knowing I existed. For fear I’d be enslaved to her as you were.” His father’s tan face had drained of all color. Whatever Gavriel had suspected until now, Aedion didn’t care. The Wolf snarled at the Lion, “She was twenty-three years old. She never married, and her family shunned her. She refused to tell anyone who’d sired me, and took their disdain, their humiliation, without an ounce of self-pity. She did it because she loved me, not you.” And he suddenly wished he’d asked Aelin to come, so he could tell her to burn this warrior into ashes like that commander in Ilium, because looking at the face—his face … he hated him. He hated him for the twenty-three-year-old his mother had been, younger than he now was when she’d died, alone and sorrowful. Aedion growled, “If your bitch of a queen tries to take me, I’ll slit her throat. If she hurts my family any more than she already has, I’ll slit yours, too.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
But for now, I would be the happiest of men if I could just swallow the overflow of saliva that endlessly floods my mouth. Even before first light, I am already practicing sliding my tongue toward the rear of my palate in order to provoke a swallowing reaction. What is more, I have dedicated to my larynx the little packets of incense hanging on the wall, amulets brought back from Japan by pious globe-trotting friends. Just one of the stones in the thanksgiving monument erected by my circle of friends during their wanderings. In every corner of the world, the most diverse deities have been solicited in my name. I try to organize all this spiritual energy. If they tell me that candles have been burned for my sake in a Breton chapel, or that a mantra has been chanted in a Nepalese temple, I at once give each of the spirits invoked a precise task. A woman I know enlisted a Cameroon holy man to procure me the goodwill of Africa's gods: I have assigned him my right eye. For my hearing problems I rely on the relationship between my devout mother-in-law and the monks of a Bordeaux brotherhood. They regularly dedicate their prayers to me, and I occasionally steal into their abbey to hear their chants fly heavenward. So far the results have been unremarkable. But when seven brothers of the same order had their throats cut by Islamic fanatics, my ears hurt for several days. Yet all these lofty protections are merely clay ramparts, walls of sand, Maginot lines, compared to the small prayer my daughter, Céleste, sends up to her Lord every evening before she closes her eyes. Since we fall asleep at roughly the same hour, I set out for the kingdom of slumber with this wonderful talisman, which shields me from all harm.
”
”
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
”
”
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
“
There is no shame in what you are feeling, Harry,' said Dumbledore's voice. 'On the contrary ... the fact that you can feel pain like this is your greatest strength.'
Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words.
'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...'
'What don't I know?' asked Dumbledore calmly.
It was too much. Harry turned around, shaking with rage.
'I don't want to talk about how I feel, all right?'
'Harry, suffering like this proves you are still a man! This pain is part of being human--'
'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!'
'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--'
He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions.
'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.'
'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself.
'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.'
'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--'
But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
What's Toraf's favorite color?"
She shrugs. "Whatever I tell him it is."
I raise a brow at her. "Don't know, huh?"
She crosses her arms. "Who cares anyway? We're not painting his toenails."
"I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact.
Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color."
Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before.
When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me.
"Yes, I do," I say, searching Rachel's face for the answer. She shrugs.
Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time.
Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue.
"Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?"
Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted."
Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers.
"Not as much as I missed you," he tells her.
Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish.
If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before."
Rayna slaps her knee in triumph. "Ha!"
Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck.
Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock.
Okay, it looked as bad as I thought it did.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
He took up another long strip of towel in his right hand. He had to lean in to loop it behind her. He was so close now. His mind took in the shell of her ear, the hair tucked behind it, that rapid pulse fluttering in her throat. Alive, alive, alive.
It isn’t easy for me either.
He looped the bandage around again. The barest touches. Unavoidable. Shoulder, clavicle, once her knee. The water rose around him.
He secured the knot. Step back. He did not step back. He stood there, hearing his own breath, hers, the rhythm of them alone in this room.
The sickness was there, the need to run, the need for something else too. Kaz thought he knew the language of pain intimately, but this ache was new. It hurt to stand here like this, so close to the circle of her arms. It isn’t easy for me either. After all she’d endured, he was the weak one. But she would never know what it was like for him to see Nina pull her close, watch Jesper loop his arm through hers, what it was to stand in doorways and against walls and know he could never draw nearer. But I’m here now, he thought wildly. He had carried her, fought beside her, spent whole nights next to her, both of them on their bellies, peering through a long glass, watching some warehouse or merch’s mansion. This was nothing like that. He was sick and frightened, his body slick with sweat, but he was here. He watched that pulse, the evidence of her heart, matching his own beat for anxious beat. He saw the damp curve of her neck, the gleam of her brown skin. He wanted to … He wanted.
Before he even knew what he intended, he lowered his head. She drew in a sharp breath. His lips hovered just above the warm juncture between her shoulder and the column of her neck. He waited. Tell me to stop. Push me away.
She exhaled. “Go on,” she repeated. Finish the story.
The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
“Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back.
“You’re safe,” he told me, in his usual soft, rumbling voice.
“Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…”
“I know, I believe you.”
At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket.
“Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger.
Any hope I had felt bubbling up inside me burst into a thousand tiny pieces.
“Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?”
I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself.
“You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—”
I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!”
“You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.”
“No!” I shrieked. “No!”
He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door.
I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them.
But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room.
“—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
She felt him relax and his voice softened. “Is that what this is all about? You feel like you can’t talk to me anymore? We haven’t changed; we’re still the same people.”
She slipped her hands beneath the front of his shirt, slowly running her fingertips over his chest and back down to his waist. He turned in her arms and smiled, but his grin was filled with mocking suspicion. “Are you trying to distract me, Violet Ambrose?”
“I guess you’re smarter than you look,” she teased as he pushed her backward so that they both fell on her bed.
“And you are not as funny as you think you are.” His mouth hovered over hers, his arms tightening, crushing her against him. Violet giggled and tried to squirm free, but Jay wouldn’t let her. He kissed her throat, his lips teasing her until it wasn’t his grip that made it hard for Violet to breathe.
“Oh, and Violet,” he whispered against her ear, his breath tickling her cheek, “I’m still your best friend. Don’t ever forget it.” His words were fervent and touching.
Violet tried to think of a response that made sense, something appropriate, but all she could manage was: “Please. Don’t stop.”
She didn’t mind begging if it meant getting her way.
Apparently that was enough to satisfy Jay, and he kissed her possessively. Thoroughly. Deeply.
He eased her back until she was lying against the pillows, and she waited for him to stop, to tell her that they’d gone far enough for tonight. But she didn’t want him to. She wanted him to keep going. She wanted him to touch her, to kiss her, to explore her. Her body ached for it. She reached for him, clinging so tightly that her fingers hurt. Everything inside of her hurt.
Jay settled over her, covering her with his body, reacting to her. Violet wrapped her legs around him, pulling his hip closer, telling him with her every movement that she wanted him, that she wanted this. Now.
“Are you sure?” Jay asked into the warm breath between them, barely lifting his mouth from hers.
She nodded, but when she tried to speak, her voice trembled. She hoped he didn’t read it wrong. “Of course I am.” She was nervous and terrified and thrilled all at the same time.
He smiled against her mouth, still kissing her, and she melted into him, unable to stop her heart from thundering.
He reached around for his wallet. “I have a condom.” His voice was rough.
Violet smiled. She’d been waiting for this moment for far too long not to be prepared, but she was happy to hear that he’d been considering it seriously also. “Me too,” she told him, reaching into her nightstand drawer and pulling out a handful of them. “I knew you’d give in.”
He groaned, his lips moving to her neck as he tugged at his shirt and pulled it over his head.
Violet thought he was beautiful. He was right for her; he always had been.
And as he slowly slid her shirt up, his fingertips stroking her bare skin and making goose bumps prickle in the wake of his touch, she wondered why it had taken them so long to get to this place.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))