Throat Coat Quotes

We've searched our database for all the quotes and captions related to Throat Coat. Here they are! All 100 of them:

They fuck you up, your mum and dad. They may not mean to, but they do. They fill you with the faults they had And add some extra, just for you. But they were fucked up in their turn By fools in old-style hats and coats, Who half the time were soppy-stern And half at one another's throats. Man hands on misery to man. It deepens like a coastal shelf. Get out as early as you can, And don't have any kids yourself.
Philip Larkin (High Windows)
Well, the flannel-coated pussy stealer won’t be taking care of her for much longer,” I said, unbuckling my seatbelt. She looked at me blankly. Perhaps she didn’t appreciate her sister being referred to as “pussy”. I cleared my throat. “I meant flannel-coated…ginger douche.” She dipped her chin and said dryly, “Dude, the term is douchecanoe.
Karina Halle (And With Madness Comes the Light (Experiment in Terror, #6.5))
I made my song a coat Covered with embroideries Out of old mythologies From heel to throat; But the fools caught it, Wore it in the world's eyes As though they'd wrought it. Song, let them take it, For there's more enterprise In walking naked
W.B. Yeats (The Collected Poems of W.B. Yeats)
Solar Eclipse Each morning I wake invisible. I make a needle from a porcupine quill, sew feet to legs, lift spine onto my thighs. I put on my rib and collarbone. I pin an ear to my head, hear the waxwing's yellow cry. I open my mouth for purple berries, stick on periwinkle eyes. I almost know what it is to be seen. My throat enlarges from anger. I make a hand to hold my pain. My heart a hole the size of the sun's eclipse. I push through the dark circle's tattered edge of light. All day I struggle with one hair after another until the moon moves from the face of the sun and there is a strange light as though from a kerosene lamp in a cabin. I pun on a dress, a shawl over my shoulders. My threads knotted and scissors gleaming. Now I know I am seen. I have a shadow. I extend my arms, dance and chant in the sun's new light. I put a hat and coat on my shadow, another larger dress. I put on more shawls and blouses and underskirts until even the shadow has substance
Diane Glancy
I let my kids make decisions for themselves, but some things are not up for discussion. When it's cold, they wear a coat.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
As we drove back to Enugu, I laughed loudly,above Fela's stringent singing. I laughed because Nsukka's untarred roads coat cars with dust in the harmattan and with sticky mud in the rainy season. Because the tarred roads spring potholes like surprise presents and the air smells of hills and history and the sunlight scatters the sand and turns it into gold dust. Because Nsukka could free something deep inside your belly that would rise up to your throat and come out as freedom song. As laughter.(299)
Chimamanda Ngozi Adichie (Purple Hibiscus)
Finnikin waited, thinking of all the things he had to tell her. That perhaps he was the resurdus of Seranonna's prophecy, the one to break the spell at the main gate. And that she, Evanjalin, was the light of his sometimes very dark heart who would lead him. Then he heard the crunch of footsteps and she was there and he opened his coat and wrapped her inside, holding her tight until the beat of their hearts slowed to the same pace and her lips were against the base of his throat.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
The last time you came to see me there were anchors in your eyes, hardback books in your posture. You were the five star general of sureness, a crisp white tuxedo of a man. I was fiddling with my worn coat pockets, puffing false confidence ghosts in the cold January air. My hands were shitty champagne flutes brimming with cheap merlot. I couldn’t touch you without ruining you, so I didn’t touch you at all. It’s when you’re on the brink of something that you lose your balance. You told me that once. When I can’t bring myself to say what I need to, my heart plays Russian Roulette with my throat. I swear I fired that night, but, nothing. Someday, I’ll show you the bullet I had for you, after time has done the wash. I’ll take it out of the jar of missed opportunities. We’ll hold it up to the light. You’ll roll it around your mouth like a fallen tooth. You won’t forgive me exactly, but we’ll laugh about how small it is. We’ll wonder how such a little thing could ever have meant so much.
Mindy Nettifee
I want to make love to you, Rhone. I want to fill your ass with my penis and fuck you until you love it just as much as I do. I want to suck your dick and eat your balls until your cum coats my tongue and throat. I want you to do the same to me. I want to come inside you, in your mouth, in your ass, on your chest, marking you as mine in a way you can feel even when I’m not by your side. That’s what I want. It’s what I’ve wanted ever since you told me I could have a different, better life and then took the time to care and to show me how to care about myself. I want everything you can give, and I want to offer you everything that I am.
Cameron Dane (Finding Home (Quinn Security, #1))
huigan—causes us to turn inward and reflect as the liquor coats our tongues, shimmers down our throats, and then rises again as fragrance. The Daoists see tea as a way to regulate internal alchemy, be in harmony with the natural world, and serve as an ingredient in the elixir of immortality. Together, these three
Lisa See (The Tea Girl of Hummingbird Lane)
If you're not Gryffindor, we'll disinherit you," said Ron, "but no pressure." "Ron!" Lily and Hugo laughed, but Albus and Rose looked solemn. "He doesn't mean it," said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry's eye, he nodded covertly to a point of some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist. "Look who it is" Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, with emphasised the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, Ginny staring at him, nodded curtly and turned away again. "So that's little Scorpius" said Ron under his breath. "Make sure you beat him in every test, Rosie. Thank God you inherited your mother's brains." "Ron for heaven's sake," said Hermione, half-stern, half-amused. "Don't try to turn them against each other before they've even started school!" "You're right, sorry" said Ron, but unable to help himself, he added, "don't get too friendly with him, though Rosie. Granddad Weasley would never forgive you if you married a pure-blood." "Hey!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I dreamt I woke upon a boat. A rocking boat. A quiet boat. On a smooth black sea we float. Away, away away. I dreamt a Captain dressed in grey. I dreamt I wore a long white coat. I dreamt a stone caught in my throat. I dreamt I choked and choked and choked. A grey shore, slopes decorated with dead trees and littered with our limbs. I dreamt my legs were long and pale made of smoke. I choked and choked. And when I woke I wrote and wrote as though it all might just float away!
Emily Carroll (Through the Woods)
Checking the address, he knocked on the door. The door opened a crack. “We’re closed.” He recognized those violet eyes. His throat went dry. “Oh. You again.” Her eyes narrowed as she chuckled. “You must have women throwing themselves at you with lines like that. What are you doing here?” “I came to see if Flynn Enterprises has made an offer to buy your property.” His gaze wandered against his better judgement. On his ship, she’d been wearing jeans and a t-shirt. Now her curves were covered by a quality replica of a pirate’s frock coat, complete with deck boots, a bandana covering her hair, and a single hoop earring. “Didn’t take you for a pirate earlier today.” “You seriously came over here to talk to a stranger about private financial information, and then you have the balls to comment on her work attire?” She raised a brow. “We’re hardly strangers.” He struggled to hold back a smile and offered his hand. “I don’t think I introduced myself earlier. I’m Colton. Colton Hayes.” She looked at his hand and finally opened the door. “Skye Olson. And apparently I’m a glutton for punishment.
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
Megan noisily sucked in air for a scream that froze in her lungs. The cat stood in front of the open fire escape window, tail twitching, eyes focused intently on her face. Cursing inwardly at the stupidity of leaving the window open even a little bit, she made a mental note to never do it again…if she lived. The sheer size of the body under that sleek black coat was breathtaking, not to mention the power evident in those muscles. Megan whimpered as she caught sight of the sharp claws just visible on its feet. “Holy crap, someone up there has a really sick sense of humor. When I said I should get a cat, this is not what I meant!” she whispered. The cat snorted and her heart lodged in her throat.
Cait Miller (Stray Magic)
I hate milk. Coats your throat as bad as okra. Something just downright disgusting about it.
Marsha Norman ('night, Mother)
She chewed the tender meat and sucked out the juices and felt the sauce coat her tongue and roll down her throat. After that, he looked still better. Another
Jane Smiley (Moo)
I’ll sing you a tale, Of evil and woe, On his way to school, was little Joe, All that was found was his bloody coat, His bastard tormentor had cut his throat.
Anthony Hulse (Tales of Enticement (Volume I))
It was a pretty sight, and a seasonable one, that met their eyes when they flung the door open. In the fore-court, lit by the dim rays of a horn lantern, some eight or ten little field-mice stood in a semicircle, red worsted comforters round their throats, their fore-paws thrust deep into their pockets, their feet jigging for warmth. With bright beady eyes they glanced shyly at each other, sniggering a little, sniffing and applying coat-sleeves a good deal. As the door opened, one of the elder ones that carried the lantern was just saying, "Now then, one, two, three!" and forthwith their shrill little voices uprose on the air, singing one of the old-time carols that their forefathers composed in fields that were fallow and held by frost, or when snow-bound in chimney corners, and handed down to be sung in the miry street to lamp-lit windows at Yule-time.
Kenneth Grahame (The Wind in the Willows)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Well, at least someone around here is getting pregnant,” Alexander said through clenched teeth, bending in his own stricken fury. “And it didn’t take fifteen fucking years.” “Like I’d keep any baby that was yours!” cried Tatiana. “I’d take a coat hanger to it before I kept one of your babies!” Alexander hit her so hard across the face that she reeled sideways and fell to the ground. Blinded he stood over her. Guttural sounds were coming from his throat. Her arms covered her head. “You have stepped out of all bounds, all decency,” he said, yanking her up. “I can’t believe how much you hate me.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
She knew that I had no idea how close I was, would always be, to the edge, how easily boys like me were erased in absurd, impractical ways. One minute we were tossing snowballs at taxis, firing up in front the 7-Eleven, speeding down side streets and the next we’re surrounded by unholstered guns, a false move away from going down. I would always be a false move away. I would always have the dagger at my throat.
Ta-Nehisi Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood)
Do you remember the night the moon dropped from the sky? And we ran through the forest to find where it lie, I was tripping on tree roots and slipping on snow, You were holding my hand sayig not to let go, When we found it at last there were twings in our hair, A rose on our cheeks and our breath in the air, And the words to describe it got caught in our throats, As its silver light danced through the threads of our coats, We knew that our eyes had not seen such a view, You were looking at it, I was looking at you.
Erin Hanson
Leo stood behind him, his suit coat and tie off, rolling up his sleeves. "Oh, crap," I said, my voice full of gravel and bigger rocks, grinding over one another. I cleared my throat and tried again. "I'm too old for a spanking and not quite up to defending myself from a butt whupping. Can we do this another time?
Faith Hunter (Skinwalker (Jane Yellowrock, #1))
He was walking through the desert, over burning sands, past bones whitening in the sun. He had never been so thirsty. When he swallowed, his mouth felt as if it were coated with sand, his throat lined with knives.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
It brings a lump into the throat to see how they go over, and run and fall. A man would like to spank them, they are so stupid, and to take them by the arm and lead them away from here where they have no business to be. They wear grey coats and trousers and boots, but for most of them the uniform is far too big, it hangs on their limbs, their shoulders are too narrow, their bodies too slight; no uniform was ever made to these childish measurements.
Erich Maria Remarque (All Quiet on the Western Front)
Give me, you said, on our very first night, the forest. I rose from the bed and went out, and when I returned, you listened, enthralled, to the shadowy story I told. Give me the river, you asked the next night, then I’ll love you forever. I slipped from your arms and was gone, and when I came back, you listened, at dawn, to the glittering story I told. Give me, you said, the gold from the sun. A third time, I got up and dressed, and when I came home, you sprawled on my breast, for the dazzling story I told. Give me, the hedgerows, give me the fields, I slid from the warmth of our sheets, and when I returned, to kiss you from sleep, you stirred at the story I told. give me the silvery cold, of the moon. I pulled on my boots and my coat, but when i came back, moonlight on your throat outshone the story I told Give me, you howled on our sixth night together, the wind in the trees. You turned to the wall as I left, and when I came home, I saw you were deaf to the blustering story I told. Give me the sky, all the space it can hold. I left you, the last night we loved, and when I returned, you were gone with the gold, and the silver, the river, the forest, the fields, and this is the story I’ve told. "Give
Carol Ann Duffy (Rapture)
Straining to hear, I can make out something acoustic. Coming from...the backyard? I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve. But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan. What an asshole. The mesh screen and two floors between us don't seem like enough to protect him from my anger. "Nice apology," I call down to him. "I've apologised thirteen times," he yells back, "and so far you haven't called me back." I open my mouth to say it doesn't matter, but he's already redirecting the song. "Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here." (...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!" The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..." I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him. (...) "Dad. How did Matt know which window was mine?" "Well..." he peeks over the sports section. "I reckon I told him." "You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!" He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned." "It's not any of those things! I hate him!
Emery Lord (Open Road Summer)
Oh, don’t be afraid of dreams,” a voice said right next to me. I looked over. Somehow, I wasn’t surprised to find the homeless guy from the rail yard sitting in the shotgun seat. His jeans were so worn out they were almost white. His coat was ripped, with stuffing coming out. He looked kind of like a teddy bear that had been run over by a truck. “If it weren’t for dreams,” he said, “I wouldn’t know half the things I know about the future. They’re better than Olympus tabloids.” He cleared his throat, then held up his hands dramatically:   “Dreams like a podcast, Downloading truth in my ears. They tell me cool stuff.”   “Apollo?” I guessed, because I figured nobody else could make a haiku that bad. He put his finger to his lips. “I’m incognito. Call me Fred.” “A god named Fred?” “Eh, well…Zeus insists on certain rules. Hands off, when there’s a human quest. Even when something really major is wrong. But nobody messes with my baby sister. Nobody.” “Can
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
Goosebumps on his skin coalesced into reptilian-like scales the color of rust. The scales rippled up his arms, in and out of existence, as the shimmer of the faerie realm faded, and her world was thrust into complete darkness. Chloe tried to swallow, but burning cinders coated her throat. “Oh God!” she choked. “You’re one of them!
C.K. Dawn (Shades of Fae)
How did you find out?” he asked. I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.” He sighed and sat on the arm of my couch and stared into space. “That’s it? You have nothing else to say?” I asked. “I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.” “Were you ever going to tell me?” “Yeah...of course.” His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.” I sank down into the arm chair opposite him. “Then…then…what happened?” It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…” “Aroused? Horny? Lust-filled?” He grimaced. “Something like that. But, I don’t know. There was more to it than just that.” The tape in my mind rewound. “Did you say you were going to call Niphon?” “Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.” “Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. “Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.” He tilted his head curiously. “What do you mean?” “This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.” A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. “Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.” My hand froze on Aubrey’s back. “What are you saying?” “I…don’t have flings.” “Are you saying you want to start something with her?” He looked miserable. “I don’t know.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
He attacked her throat and she was so startled by the sudden move that she squeaked. He was laving her with his tongue, openmouthed, and she moaned, arching, wondering wildly if this was the same man who wore pink silk coats and black velvet bows. This seemed so base, so animal. Not at all like the effete aristocrat she thought she knew.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
She could taste the swampy stink coating the roof of her mouth, turning her saliva bitter and sending it trickling down the back of her throat.
Grady Hendrix (Horrorstör)
Find them in your pockets, Find them in your coat; If you aren’t careful, You’ll find them in your throat...
M.A. Carrick (The Mask of Mirrors (Rook & Rose, #1))
We’re all walking around like lava coats our throats. Painfully silent.
Colleen Hoover (Regretting You)
They wept no animal's tears. They mourned in a great wickerwork of hard muscle and ragged breath. The hot smell of their coats, their black lips pulled back over ivory teeth, stiff sprays of white whiskers; their heavy hair plaited with silver and faience. Their thick hides shivered, as cattle will shiver away flies. I sweated and tried not to clear my throat.
Carla Speed McNeil (Finder, Vol. 03: King of the Cats)
Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room. "I heard a noise from the drop box," Jean said. "What kind of noise?" "I think it's an animal." "A what?" "An animal," Jean said. "I think there's an animal in the drop box." That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat. Gurr-gug-gug. Gurr-gug-gug. But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk. What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe. I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole. At that moment, I lost every bone in my body and just melted.
Vicki Myron (Dewey the Library Cat: A True Story)
Percy turns to me quickly, his eyes catching the light and reflecting a mischievous glint. I'm suddenly aware of my body in a way I wasn't a moment before, every twitch and blink, the way my shoulders sit inside this too-big coat, the bob of my throat as I swallow hard, every point of my silhouette that his gaze touches. Love may be a grand thing, but goddamn if it doesn't take up more than its fair share of space inside a man.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
Coat I made my song a coat Covered with embroideries Out of old mythologies From heel to throat; But the fools caught it, Wore it in the world’s eyes As though they’d wrought it. Song, let them take it, For there’s more enterprise In walking naked.
W.B. Yeats (The Collected Poems)
I made my song a coat Covered with embroideries Out of old mythologies From heel to throat; But the fools caught it, Wore it in the world’s eyes As though they’d wrought it. Song, let them take it For there’s more enterprise In walking naked.
W.B. Yeats
Arthur, too, wore a suit. His coat and trousers were navy blue, his dress shirt covered in blooms that reminded him of Talia’s garden. The top plastic button at his throat had been replaced by a brass one, sewn on with care. His tie was a wonderful shade of green, not unlike a certain bellhop. His shortened trousers revealed gray socks with little fluffy Pomeranians on them. Pinned to his shirt, a small gold leaf plucked from a tree on the island grown by a forest sprite. On his jacket, a pocket square, black with little red devil horns on it.
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
In build and coat and brush he was a huge timber-wolf; but the lie was given to his wolf-hood by his color and marking. There the dog unmistakably advertised itself. No wolf was ever colored like him. He was brown, deep brown, red-brown, an orgy of browns. Back and shoulders were a warm brown that paled on the sides and underneath to a yellow that was dingy because of the brown that lingered in it. The white of the throat and paws and the spots over the eyes was dirty because of the persistent and ineradicable brown, while the eyes themselves were twin topazes, golden and brown.
Jack London (Brown Wolf)
West was the only officer on the quarterdeck, and it so happened that the party of hands making dolphins and paunch-mats on the forecastle were all Shelmerstonians. West was gaping rather vacantly over the taffrail when he saw an extraordinarily handsome woman ride along the quay, followed by a groom. She dismounted at the height of the ship, gave the groom her reins, and darted straight across the brow and so below.    'Hey there,' he cried, hurrying after her, 'this is Dr Maturin's cabin. Who are you, ma'am?'    'I am his wife, sir,' she said, 'and I beg you will desire the carpenter to sling a cot for me here.' She pointed, and then bending and peering out of the scuttle she cried 'Here they are. Pray let people stand by to help him aboard: he will be lying on a door.' She urged West out of the cabin and on deck, and there he and the amazed foremast hands saw a blue and gold coach and four, escorted by a troop of cavalry in mauve coats with silver facings, driving slowly along the quay with their captain and a Swedish officer on the box, their surgeon and his mate leaning out of the windows, and all of them, now joined by the lady on deck, singing Ah tutti contenti saremo cosí, ah tutti contenti saremo, saremo cosí with surprisingly melodious full-throated happiness.
Patrick O'Brian (The Letter of Marque (Aubrey & Maturin, #12))
There was a chill in the air, to be sure, a damp cool vapour drifting round corners and rising from drains. But I had just come from London, where November vapours were like ill-intentioned hands sliding beneath your collar to encircle your coat-chafed, chicken-skinned throat, where November winds cut more deeply than my stolen scalpel ever did.
Poppy Z. Brite (Exquisite Corpse)
Sometimes concentrating on one lovely thing about each memory helped her remain upright. Like the foxes... she had 'hunted' with 'foxes'! Beautiful red-coated beasts who sometimes tangled under her feet like cats and let her scratch their throats. That had really happened. Focusing on their beauty kept her walking- shakily- and kept her stomach from reeling.
Liz Braswell (Once Upon a Dream)
The door to the kitchen yard was open. A few snowflakes swirled into the hallway and vanished. Maybe now. Maybe now was the moment when she would flee. Kestrel took another step. Her heartbeat trembled in her throat. Then the door sang wide on its hinges, light flooded the hallway, and Arin walked in. She bit back a gasp. He, too, was surprised to see her. He straightened suddenly under the weight of the grain sack over his shoulder. Quick as thought, his eyes went to the open door. He set down the sack and locked the door behind him. “You’re back,” she said. “I’m leaving again.” “To steal more grain from a captured country estate?” His smile was perfectly mischievous. “Rebels must eat.” “And I suppose you use my horse in these battles and thefts of yours.” “He’s happy to support a good cause.” Kestrel huffed and would have turned to wend her way back through the workrooms, but he said, “Would you like to see him? Javelin?” She stood still. “He misses you,” said Arin. She said yes. After Arin had stacked his final load of grain in the pantry and given her his coat, they walked out into the kitchen yard and crossed its slate flagstones to reach the grounds and the stables.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Dylan's voice was awful, an aged quaver that sounded nothing like the deep-throated or silky R&B that Dad took as gospel. But the lyrics wore him down, until he played Dylan in that addicted manner of college kids who cordon off portions of their lives to decipher the prophecies of their favorite band. Dad heard poetry, but more than that an angle that confirmed what a latent part of him already suspected. This was was bullshit.
Ta-Nehisi Coates (The Beautiful Struggle: A Father, Two Sons and an Unlikely Road to Manhood)
She said, Then there's the beatings. I can feel them in my bones. I cleared my throat. Beatings for what? She shrugged. You might be made an example of for sleeping in the wrong position, or sneezing at mass. Writing with your left hand, losing a stud off your boot. Having hair that was curly, or red. I reached out to the faint fuzz of amber escaping from her pins. Why on earth— They said it was a mark of badness and hung me up by my bun from a coat hook. I pulled back my hand and put it over my mouth.
Emma Donoghue (The Pull of the Stars)
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
A cold moon rises over glittering cages & you fasten the lock on each silver door. The sparrows are nesting & I begin to count the buttons on your black wool coat. My eyes adrift along its luminous satin inlay. Now the night has been opened like a box of exotic blue canaries & I'm brushing feathers from my long dark sleeves. You smile as the song rises, hesitant, in my cool white throat— —Kristina Marie Darling, “Aviary,” The Body is a Little Gilded Cage: A Story in Letters and Fragments. (Gold Wake Press February 4, 2012)
Kristina Marie Darling (The Body is a Little Gilded Cage: A Story in Letters and Fragments)
Armand towed me up and Jesse hustled me away. I staggered against him, looking past his shoulder just in time to see my nightgown dance over the rim of the roof, a twirling, empty ballerina blowing away to the stars. “That was stupid,” I said loudly. “Too right it was.” None of Armand’s fury had left him. “No, I mean you. Both of you. Following me like that. You could have been killed!” “We were doing well enough until you-did that! Went to smoke like that.” “He couldn’t shoot smoke!” “He could have shot the half-wit on top of him!” “But he didn’t!” I swallowed, a lump of something sick rising in my throat. “I didn’t kill him, did I?” Armand seemed to shrink a little. He looked back at the duke and shook his head. “No. I think you knocked him out. He’s breathing.” “Has anyone a coat?” I asked, and found myself crumpling down to the roof, a leisurely sort of collapse. Armand grabbed me by the arm again and I managed to remain seated instead of prone. “Dragon-girl.” Jesse was stripping off his shirt. “Bravest girl. I keep telling you to eat more.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
It didn’t get sick. Someone”—Iran cleared her throat and went on huskily—“someone came here, got the goat out of its cage, and dragged it to the edge of the roof.” “And pushed it off?” he said. “Yes.” She nodded. “Did you see who did it?” “I saw her very clearly,” Iran said. “Barbour was still up here fooling around; he came down to get me and we called the police, but by then the animal was dead and she had left. A small young-looking girl with dark hair and large black eyes, very thin. Wearing a long fish-scale coat. She had a mail-pouch purse. And she made no effort to keep us from seeing her. As if she didn’t care.” “No, she didn’t care,” he said. “Rachael wouldn’t give a damn if you saw her; she probably wanted you to, so I’d know who had done it.” He kissed her. “You’ve been waiting up here all this time?” “Only for half an hour. That’s when it happened; half an hour ago.” Iran, gently, kissed him back. “It’s so awful. So needless.” He turned toward his parked car, opened the door, and got in behind the wheel. “Not needless,” he said. “She had what seemed to her a reason.” An android reason, he thought.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
A lean heron of a fellow darted ahead of the others, and Lan danced the forms. Time like cool honey. The graylark sang, and the lean man shrieked as Cutting the Clouds removed his right hand at the wrist, and Lan flowed to one side so the rest could not all come at him together, flowed from form to form. Soft Rain at Sunset laid open a fat man’s face, took his left eye, and a ginger-haired young splinter drew a gash across Lan’s ribs with Black Pebbles on Snow. Only in stories did one man face six without injury. The Rose Unfolds sliced down a bald man’s left arm, and ginger-hair nicked the corner of Lan’s eye. Only in stories did one man face six and survive. He had known that from the start. Duty was a mountain, death a feather, and his duty was to Bukama, who had carried an infant on his back. For this moment he lived, though, so he fought, kicking ginger-hair in the head, dancing his way toward death, danced and took wounds, bled and danced the razor’s edge of life. Time like cool honey, flowing from form to form, and there could only be one ending. Thought was distant. Death was a feather. Dandelion in the Wind slashed open the now one-eyed fat man’s throat—he had barely paused when his face was ruined—a fork-bearded fellow with shoulders like a blacksmith gasped in surprise as Kissing the Adder put Lan’s steel through his heart. And suddenly Lan realized that he alone stood, with six men sprawled across the width of the stableyard. The ginger-haired youth thrashed his heels on the ground one last time, and then only Lan of the seven still breathed. He shook blood from his blade, bent to wipe the last drops off on the blacksmith’s too-fine coat, sheathed his sword as formally as if he were in the training yard under Bukama’s eye.
Robert Jordan (New Spring (The Wheel of Time, #0))
When they rolled to a stop, she found herself pinned by a tremendous, huffing weight. And pierced by an intense green gaze. “Wh-?” Her breath rushed out in question. Boom, the world answered. Susanna ducked her head, burrowing into the protection of what she’d recognized to be an officer’s coat. The knob of a brass button pressed into her cheek. The man’s bulk formed a comforting shield as a shower of dirt clods rained down on them both. He smelled of whiskey and gunpowder. After the dust cleared, she brushed the hair from his brow, searching his gaze for signs of confusion or pain. His eyes were alert and intelligent, and still that startling shade of green-as hard and richly hued as jade. She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
This isn't a situation, okay? I save that word for when things get really bad.' 'Really bad? This isn't really bad? what do you want, a nuclear -' She broke off with a scream as Lily, braving the light, launched herself at Jace, her teeth bared in a searing snarl. Jace seized the second blade from his belt and hurled it through the air; Lily fell back screeching, a long gash sizzling down her arm. As she staggered, the other vampires surged forward around her. There were so many of them, Clary thought, so many- She fumbled at her belt, her fingers closing around the hilltop the dagger. It felt cold and foreign in her hand. She didn't know how to use a knife. She'd never hit anyone, let alone stabbed them. She'd even skipped gym class the day they'd learned how to ward off muggers and rapists with ordinary objects like car keys and pencils. She pulled the knife red, raised it in a shaking hand - The windows exploded inwards in a shower of broken glass. She heard herself cry out, saw the vampires - barely an arms length from her and Jace - whirl in astonishment, shock mingling with terror on their faces. Through the shattered windows came dozens of sleek shapes, four-footed and low to the ground, their coats scattering the moonlight and broken bits of glass. Their eyes were blue fire, and from their throats came a combined low growl that sounded like the roiling crash of a waterfall. Wolves. 'Now this,' said Jace, 'is a situation.
Cassandra Clare (섀도우 헌터스 : 뼈의 도시. 1)
Talking with Merritt was like slipping into one of those silk-lined borrowed coats from the Challons. Comfortable, luxurious. She was whip-smart, understanding the details, the unsaid words. She had a way of wrapping people in empathy that extended to everyone from the duke down to the young assistant groundskeeper. It was the kind of charm that made people feel wittier, more attractive, more interesting, in her reflected glow. Keir was doing his level best to resist her lure. But he was so drawn to her, so damn besotted. He adored her fancy words... "prevarication"... "resplendent"... her easy smiles... her perfumed wrists and throat. She was like a beautiful gift that begged to be unwrapped. Just being near her made the blood sing in his veins.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The aching and faintness of my body, the labouring of my heart, the soreness of my hands, and the smarting of my throat and eyes in the continual smoke of dust and ashes, had soon grown to be so unbearable that I would gladly have given up. Nothing but the fear of Alan lent me enough of a false kind of courage to continue. As for himself (and you are to bear in mind that he was cumbered with a great-coat) he had first turned crimson, but as time went on the redness began to be mingled with patches of white; his breath cried and whistled as it came; and his voice, when he whispered his observations in my ear during our halts, sounded like nothing human. Yet he seemed in no way dashed in spirits, nor did he at all abate in his activity, so that I was driven to marvel at the man’s endurance.
Robert Louis Stevenson (Kidnapped (Foundation Classics))
The dogs skittered across the wet blacktop as silently as cockroaches, each so small it amazes me that they hadn’t been squashed underfoot. Easy to love. Easy to kill. I thought again of Ping Xi’s stuffed dogs, the preposterous myth of his industrial dog-killing freezer. A tight sheet of wind slapped me in the face. I pulled the collar of my fur coat up around my throat, and I pictured myself as a white fox curling up in the corner of Ping Xi’s freezer, the room whirling with smoky air, swinging sides of cow creaking through the the hum of cold, my mind slowing down until single syllables of thought abstracted from their meanings and I heard them stretched out as long-held notes, like foghorns or sirens for a blackout curfew or an air raid. “This has been a test.” I felt my teeth chatter but my face was numb. Soon. The freezer sounded really good.
Ottessa Moshfegh (My Year of Rest and Relaxation)
But he wasn’t done with her. Before she could catch her breath, he pulled out, flipped her over, and yanked her onto all fours. Rearing up behind her, he bit her again, on the other side, and then he was in her once more, taking her from the rear, one hand running up between her slapping breasts and locking on the base of her throat, the other planted on the floor, holding them both up. She was facing the fire, and her vision swung wildly with each of his pounding thrusts—the flames jumping this way and that, her hair flying around until some lashed into her open mouth. At some point, her upper body just collapsed onto the blanket, her sex up in the air, his for the taking as he drilled her over and over again, coming so many times, he coated her with his marking scent. Elise forgot how many orgasms she had. All she cared about was that he never, ever stop.
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
Remove this quote from your collection “The dogs skittered across the wet blacktop as silently as cockroaches, each so small it amazes me that they hadn’t been squashed underfoot. Easy to love. Easy to kill. I thought again of Ping Xi’s stuffed dogs, the preposterous myth of his industrial dog-killing freezer. A tight sheet of wind slapped me in the face. I pulled the collar of my fur coat up around my throat, and I pictured myself as a white fox curling up in the corner of Ping Xi’s freezer, the room whirling with smoky air, swinging sides of cow creaking through the the hum of cold, my mind slowing down until single syllables of thought abstracted from their meanings and I heard them stretched out as long-held notes, like foghorns or sirens for a blackout curfew or an air raid. “This has been a test.” I felt my teeth chatter but my face was numb. Soon. The freezer sounded really good.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Now, as they pressured perfect footprints into the snow that had been accumulating all day, his father took Harry's hand. "Heshele, how are you?" "OK, I guess." "Are you very sad?" "I don't know. I know I should be. But what does it mean to be sad?" His father stopped. He cupped his free hand to let the snow gather. It quickly turned from an inviting white coating to black-specked gray water. "Sadness is in my hand. In a second, a thing of beauty becomes dirty water; innocence leaves a child's eyes; he who strived for immortality lies forgotten under weeds. Sad is missing the love that death has sealed in the ground or that life has denied life to." "Then I'm sad. When you took my hand, I remembered how he took my hand when we went to the pier to fish. And I thought: That will never happen again. And then I thought: Up until now I never understood the word never, and there was a lump in my throat.
Amram Ducovny (Coney)
The fat man sitting in the armchair, his eyes still tightly closed, continued: “We look about in puzzlement at our world, with a sense of unease and disquiet. We think of ourselves as scholars in arcane liturgies, single men trapped in worlds beyond our devising. The truth is far simpler: there are things in the darkness beneath us that wish us harm.” His head was lolled back on the armchair, and the tip of his tongue poked out of the corner of his mouth. “You read my mind?” The man in the armchair took a slow deep breath that rattled in the back of his throat. He really was immensely fat, with stubby fingers like discolored sausages. He wore a thick old coat, once black, now an indeterminate gray. The snow on his boots had not entirely melted. “Perhaps. The end of the world is a strange concept. The world is always ending, and the end is always being averted, by love or foolishness or just plain old dumb luck.
Neil Gaiman (Smoke and Mirrors)
He didn't overpower, exploring her mouth with confident thoroughness, as if they had all the time in the world. Gradually, he increased the intensity, his mouth sliding this way and that, angling his head to find the perfect fit. Then, before she had any idea what he truly wanted, he coaxed her lips to part so he could slide his tongue inside. He dipped and sipped, licked and pressed, teasing her in ways that made her thoughts turn to ash. Her fingers opened and closed spasmodically against the fine wool of his coat, and she rocked up onto her toes to get more. He chuckled low in his throat as he slowly eased away, leaving her momentarily confused and bereft, her body keenly aware of the abrupt loss of pleasure. His eyes gleamed like gold coins. "You taste every bit as sweet as you look, my dear." He skimmed the back of one finger over her cheek. "Maybe this bargain we're making won't be such a bad one after all.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
It was a lovely night, so warm that he threw his coat over his arm, and did not even put his silk scarf round his throat. As he strolled home, smoking his cigarette, two young men in evening dress passed him. He heard one of them whisper to the other, ‘That is Dorian Gray.’ He remembered how pleased he used to be when we was pointed out, or stared at, or talked about. He was tired of hearing his own name now. Half the charm of the little village where he had been so often lately was that no one knew who he was. He had often told the girl whom he had lured to love him that he was poor, and she had believed him. He had told her once that he was wicked, and she had laughed at him, and answered that wicked people were always very old and very ugly. What a laugh she had! – just like a thrush singing. And how pretty she had been in her cotton dresses and her large hats! She knew nothing, but she had everything that he had lost.
Oscar Wilde (The Picture of Dorian Gray)
From Sister by ROSAMUND LUPTON    The rain hammered down onto your coffin, pitter-patter; ‘Pitter-patter, pitter-patter, I hear raindrops’; I was five and singing it to you, just born. Your coffin reached the bottom of the monstrous hole. And a part of me went down into the muddy earth with you and lay down next to you and died with you. Then Mum stepped forwards and took a wooden spoon from her coat pocket. She loosened her fingers and it fell on top of your coffin. Your magic wand. And I threw the emails I sign ‘lol’. And the title of older sister. And the nickname Bee. Not grand or important to anyone else, I thought, this bond that we had. Small things. Tiny things. You knew that I didn’t make words out of my alphabetti spaghetti but I gave you my vowels so you could make more words out of yours. I knew that your favourite colour used to be purple but then became bright yellow; (‘Ochre’s the arty word, Bee’) and you knew mine was orange, until I discovered that taupe was more sophisticated and you teased me for that. You knew that my first whimsy china animal was a cat (you lent me 50p of your pocket money to buy it) and that I once took all my clothes out of my school trunk and hurled them around the room and that was the only time I had something close to a tantrum. I knew that when you were five you climbed into bed with me every night for a year. I threw everything we had together - the strong roots and stems and leaves and beautiful soft blossoms of sisterhood - into the earth with you. And I was left standing on the edge, so diminished by the loss, that I thought I could no longer be there. All I was allowed to keep for myself was missing you. Which is what? The tears that pricked the inside of my face, the emotion catching at the top of my throat, the cavity in my chest that was larger than I am. Was that all I had now? Nothing else from twenty-one years of loving you. Was the feeling that all is right with the world, my world, because you were its foundations, formed in childhood and with me grown into adulthood - was that to be replaced by nothing? The ghastliness of nothing. Because I was nobody’s sister now. I saw Dad had been given a handful of earth. But as he held out his hand above your coffin he couldn’t unprise his fingers. Instead, he put his hand into his pocket, letting the earth fall there and not onto you. He watched as Father Peter threw the first clod of earth instead and broke apart, splintering with the pain of it. I went to him and took his earth-stained hand in mine, the earth gritty between our soft palms. He looked at me with love. A selfish person can still love someone else, can’t they? Even when they’ve hurt them and let them down. I, of all people, should understand that. Mum was silent as they put earth over your coffin. An explosion in space makes no sound at all.
Rosamund Lupton
History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?” The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away. “Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite. “Mr. Agyekum, sah?” Peter said. “What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear. Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.” “Anyone else?” Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.” Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.” Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.” All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him. Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man. “Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance. Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.” Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?” The boys were silent. They stared at him, waiting. “We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
Yaa Gyasi (Homegoing)
It was a sordid scene. Philip leaned over the rail, staring down, and he ceased to hear the music. They danced furiously. They danced round the room, slowly, talking very little, with all their attention given to the dance. The room was hot, and their faces shone with sweat. It seemed to Philip that they had thrown off the guard which people wear on their expression, the homage to convention, and he saw them now as they really were. In that moment of abandon they were strangely animal: some were foxy and some were wolflike; and others had the long, foolish face of sheep. Their skins were sallow from the unhealthy life the led and the poor food they ate. Their features were blunted by mean interests, and their little eyes were shifty and cunning. There was nothing of nobility in their bearing, and you felt that for all of them life was a long succession of petty concerns and sordid thoughts. The air was heavy with the musty smell of humanity. But they danced furiously as though impelled by some strange power within them, and it seemed to Philip that they were driven forward by a rage for enjoyment. They were seeking desperately to escape from a world of horror. The desire for pleasure which Cronshaw said was the only motive of human action urged them blindly on, and the very vehemence of the desire seemed to rob it of all pleasure. The were hurried on by a great wind, helplessly, they knew not why and they knew not whither. Fate seemed to tower above them, and they danced as though everlasting darkness were beneath their feet. Their silence was vaguely alarming. It was as if life terrified them and robbed them of power of speech so that the shriek which was in their hearts died at their throats. Their eyes were haggard and grim; and notwithstanding the beastly lust that disfigured them, and the meanness of their faces, and the cruelty, notwithstanding the stupidness which was the worst of all, the anguish of those fixed eyes made all that crowd terrible and pathetic. Philip loathed them, and yet his heart ached with the infinite pity which filled him. He took his coat from the cloak-room and went out into the bitter coldness of the night.
W. Somerset Maugham (Of Human Bondage)
Hands- there were hands on my shoulders, shaking me, squeezing me. I thrashed against them, screaming, screaming- 'FEYRE.' The voice was at once the night and the dawn and the stars and the earth, and every inch of my body calmed at the primal dominance in it. 'Open your eyes,' the voice ordered. I did. My throat was raw, my mouth full of ash, my face soaked and sticky, and Rhysand- Rhysand was hovering above me, his eyes wide. 'It was a dream,' he said, his breathing as hard as mine. The moonlight trickling through the windows illuminated the dark lines of swirling tattoos down his arm, his shoulders, across his sculpted chest. Like the ones I bore on my arm. He scanned my face. 'A dream,' he said again. Velaris. I was in Velaris, at his house. And I had- my dream- The sheets, the blankets were ripped. Shredded. But not with a knife. And that ashy, smoky taste coating my mouth... My hand was unnervingly steady as I lifted it to find my fingers ending in simmering embers. Living claws of flame that had sliced through my bed linens like they were cauterising wounds-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
It’s 56.43 N, 2.87 W, I think,” the awful voice continued. “Osman is dead, and Baines and Boswell and Rudd are dead, and I think Wilton may be gone as well. There are just too many—” Phillip had written down all coordinates but underlined the last set. He hated the voice’s gasping quality. The way every breath seemed to pain it. The phlegmy gurgle at the back of its throat. “What’s your situation? What happened?” “They’re in the walls.” The voice gasped, a choked laugh that curdled and quickly died. It seemed to say something else, but a hissing burst of static cut through the channel. Phillip frowned, straining to hear. “Repeat, please.” “In the walls…” The voice from the radio groaned, and the sound seemed to travel not only through Phillip’s headset but into his bones as well, causing them to ache. “The walls.” “Please repeat—” The bridge’s lights shimmered, flickering. Phillip pressed himself back against the desk as he stared up at the bulbs that sparked and threatened to blow. Then the voice rose, flooding his ears, filling his head, raw and battered with terror: “There are bodies in the walls.
Darcy Coates (From Below)
They were fighting for your dog. But when Rask caught sight of me, he gave such a bound that the rope broke, and in the twinkling of an eye the rogue was after me. I did not stop to explain, but off I ran, with all the English at my heels. A regular hail of balls whistled past my ears. Rask barked, but they could not hear him for their shouts of ‘French dog! French dog!’ just as if Rask was hot of the pure St. Domingo breed. In spite of all I crushed through the thicket, and had almost got clean away when two red coats confronted me. My saber accounted for one, and would have rid me of the other had his pistol not unluckily had a bullet in it. My right arm suffered; but ‘French dog’ leaped at his throat as if he were an old acquaintance. Down fell the Englishman, for the embrace was so tight that he was strangled in a moment — and here we both are. My only regret is that I did not get my wound in to-morrow’s battle.” “Thaddeus, Thaddeus!” exclaimed the captain in tones of reproach; “were you mad enough to expose your life thus for a dog?” “It was not for a dog, it was for Rask.” D’Auverney’s face softened as Thaddeus added: “For Rask, for Bug’s dog.
Victor Hugo (Complete Works of Victor Hugo)
She broke off abruptly as she heard her name being called, and glanced over her shoulder, fearing that St. Vincent had discovered her escape. Her entire body stiffened in battle readiness. But there was no sign of St. Vincent, no betraying gleam of golden-amber hair. She heard the voice again, a deep sound that penetrated to her soul. “Lillian.” Her legs quivered beneath her as she saw a lean, dark-haired man coming from the front entryway. It can’t be, she thought, blinking hard to clear her vision, which must surely have been playing tricks on her. She stumbled a little as she turned to face him. “Westcliff,” she whispered, and took a few hesitant steps forward. The rest of the room seemed to vanish. Marcus’s face was pale beneath its tan, and he stared at her with searing intensity, as if he feared she might disappear. His stride quickened, and as he reached her, she was seized and caught in a biting grip. He wrapped his arms around her, pulling her hard against him. “My God,” he muttered, and buried his face in her hair. “You came,” Lillian gasped, trembling all over. “You found me.” She couldn’t conceive how it was possible. He smelled of horses and sweat, and his clothes were chilled from the outside air. Feeling her shiver, Marcus drew her tightly inside his coat, murmuring endearments against her hair. “Marcus,” Lillian said thickly. “Have I gone mad? Oh, please be real. Please don’t go away—” “I’m here.” His voice was low and shaken. “I’m here, and I’m not going anywhere.” He drew back slightly, his midnight gaze scouring her from head to toe, his hands searching urgently over her body. “My love, my own… have you been hurt?” As his fingers slid along her arm, he encountered the locked manacle. Lifting her wrist, he stared at the handcuffs blankly. He inhaled sharply, and his body began to shake with primitive fury. “G**damn it, I’ll send him to hell—” “I’m fine,” Lillian said hastily. “I haven’t been hurt.” Bringing her hand to his mouth, Marcus kissed it roughly, and kept her fingers against his cheek while his breath struck her wrist in swift repetitions. “Lillian, did he…” Reading the question in his haunted gaze, the words he couldn’t yet bring himself to voice, Lillian whispered scratchily, “No, nothing happened. There wasn’t time.” “I’m still going to kill him.” There was a deadly note in his voice that made the back of her neck crawl. Seeing the open bodice of her gown, Marcus released her long enough to pull off his coat and place it over her shoulders. He suddenly went still. “That smell… what is it?” Realizing that her skin and clothes still retained the noxious scent, Lillian hesitated before replying. “Ether,” she finally said, trying to form her trembling lips into a reassuring smile as she saw his eyes dilate into pools of black. “It wasn’t bad, actually. I’ve slept through most of the day. Other than a touch of queasiness, I’m—” An animal growl came from his throat, and he pulled her against him once more. “I’m sorry. I’m so sorry. Lillian, my sweet love… you’re safe now. I’ll never let anything happen to you again. I swear it on my life. You’re safe.” He took her head in his hands, and his mouth slid over hers in a kiss that was brief, soft, and yet so shockingly intense that she swayed dizzily. Closing her eyes, she let herself rest against him, still fearing that none of this was real, that she would awaken to find herself with St. Vincent once more. Marcus whispered comforting words against her parted lips and cheeks, and held her with a grip that seemed gentle but could not have been broken by the combined efforts of ten men.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Lucille would tell this story differently. She would say I fell asleep, but I did not. I simply let the darkness in the sky become coextensive with the darkness in my skull and bowels and bones. Everything that falls upon the eye is apparition, a sheet dropped over the world’s true workings. The nerves and the brain are tricked, and one is left with dreams that these specters loose their hands from ours and walk away, the curve of the back and the swing of the coat so familiar as to imply that they should be permanent fixtures of the world, when in fact nothing is more perishable. Say that my mother was as tall as a man, and that she sometimes set me on her shoulders, so that I could splash my hands in the cold leaves above our heads. Say that my grandmother sang in her throat while she sat on her bed and we laced up her big black shoes. Such details are merely accidental. Who could know but us? And since their thoughts were bent upon other ghosts than ours, other darknesses than we had seen, why must we be left, the survivors picking among flotsam, among the small, unnoticed, unvalued clutter that was all that remained when they vanished, that only catastrophe made notable? Darkness is the only solvent.
Marilynne Robinson (Housekeeping)
He shook hands. With greening faces, with eyes full of sparks, his two friends leaned upon their canes. One had on a crushed bowler (why?)... Both were weary. Both knew that what was approaching was the end. Both had spent the day in their offices and when they interrupted their work with an indiscreet nod, when they turned the conversation toward that end, both broke in "Lord, we have strayed from our business." And ever deeper sunk their eyes, a deathly shadow was descending. The words of his friends had been bought with blood, but they were stolen. Someone, listening, recorded them on a phonograph and thousands of cylinders began to twang. A new enterprise opened, on sale a bronze throat, a screaming cavity; an experienced mechanic installed the throat phonograph. The purchased throat squealed day and night and his friends grew exhausted and one day he said to them both "Lord, I am going." He grinned. And they grinned: they understood everything. Now they stood on the platform, stood with him and saw him off. Someone long and dark with the face of an ox, shoulders crooked as a sorrowful cemetery cross and wrapped up in a frock-coat, swept into the coach. And then the bell rang, and then they waved their bowlers; three wooden arms swung in the air. ("Adam")
Andrei Bely (Silver Age of Russian Culture (An Anthology))
He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room. Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him. When their eyes met, she smiled a little. And then a lot. His first impulse was to hide his own grin behind his Goose. But then he stopped himself. New world order. Come on, smile, motherfucker, he thought. Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something. “Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be. He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her. “Hi, V . . . How are—” Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.” And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . . He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate. But whatever. This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer. As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti. “Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn. Vishous cleared his throat. “I have an announcement to make.” Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out. Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.” Dead. Quiet. Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Write me a story, Kitt,” she whispered, kissing his brow, the hollow of his cheek. His lips and his throat, until she felt like love was an axe that had cleaved her chest open. Her very heart was beating in the air. “Write me a story where you keep me up late every night with your typing, and I hide messages in your pockets for you to find while you’re at work. Write me a story where we first met on a street corner, and I spilled coffee on your expensive trench coat, or when we crossed paths at our favorite bookshop, and I recommended poetry, and you recommended myths. Or that time when the deli got our sandwich orders wrong, or when we ended up sitting next to each other at the ball game, or I dared to take the train west just to see how far I could go, and you just so happened to be there too.” She swallowed the ache in her throat, leaning back to meet his gaze. Gently, as if he were a dream, she touched his hair. She smoothed the dark tendrils from his brow. “Write me a story where there is no ending, Kitt. Write to me and fill my empty spaces.” Ronan held her gaze, desperation gleaming in his eyes. An expression flickered over his face, one she had never seen before. It looked like both pleasure and pain, like he was drowning in her and her words. They were iron and salt, a blade and a remedy, and he was taking a final gasp of air.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
Inside, the air was warm, humid. A mist hung. As this husband and wife strolled the rows arm in arm, the plants seemed to take notice—their swiveling blossoms followed in our lovers’ wake, as if to drink in the full flavor of Sun Moon’s honor and modesty. The couple stopped, deep in the hothouse, to recumbently enjoy the splendor of North Korea’s leadership. An army of hummingbirds hovered above them, expert pollinators of the state, the buzzing thrum of their wing beats penetrating the souls of our lovers, all the while dazzling them with the iridescent flash of their throats and the way their long flower-kissing tongues flicked in delight. Around Sun Moon, blossoms opened, the petals spreading wide to reveal hidden pollen pots. Commander Ga dripped with sweat, and in his honor, groping stamens emanated their scent in clouds of sweet spoor that coated our lovers’ bodies with the sticky seed of socialism. Sun Moon offered her Juche to him, and he gave her all he had of Songun policy. At length, in depth, their spirited exchange culminated in a mutual exclaim of Party understanding. Suddenly, all the plants in the hothouse shuddered and dropped their blossoms, leaving a blanket upon which Sun Moon could recline as a field of butterflies ticklishly alighted upon her innocent skin. Finally, citizens, Sun Moon has shared her convictions with her husband!
Adam Johnson (The Orphan Master's Son)
Back on the platform, they found Lily and Hugo, Rose’s younger brother, having an animated discussion about which House they would be sorted into when they finally went to Hogwarts. “If you’re not in Gryffindor, we’ll disinherit you,” said Ron, “but no pressure." “Ron!” Lily and Hugo laughed, but Albus and Rose looked solemn. “He doesn’t mean it,” said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry’s eye, he nodded covertly to a point some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist. “Look who it is.” Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, which emphasized the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, and Ginny staring at him, nodded curtly, and turned away again. “So that’s little Scorpius,” said Ron under his breath. “Make sure you beat him in every test, Rosie. Thank God you inherited your mother’s brains.” “Ron, for heaven’s sake,” said Hermione, half stern, half amused. “Don’t try to turn them against each other before they’ve even started school!” “You’re right, sorry,” said Ron, but unable to help himself, he added, “Don’t get too friendly with him, though, Rosie. Granddad Weasley would never forgive you if you married a pureblood.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...
Liz Braswell (Straight On Till Morning)
As we came off, you were moving at the dawdling speed of a small child. A white woman pushed you and said, “Come on!” Many things now happened at once. There was the reaction of any parent when a stranger lays a hand on the body of his or her child. And there was my own insecurity in my ability to protect your black body. And more: There was my sense that this woman was pulling rank. I knew, for instance, that she would not have pushed a black child out on my part of Flatbush, because she would be afraid there and would sense, if not know, that there would be a penalty for such an action. But I was not out on my part of Flatbush. And I was not in West Baltimore. And I was far from The Mecca. I forgot all of that. I was only aware that someone had invoked their right over the body of my son. I turned and spoke to this woman, and my words were hot with all of the moment and all of my history. She shrunk back, shocked. A white man standing nearby spoke up in her defense. I experienced this as his attempt to rescue the damsel from the beast. He had made no such attempt on behalf of my son. And he was now supported by other white people in the assembling crowd. The man came closer. He grew louder. I pushed him away. He said, “I could have you arrested!” I did not care. I told him this, and the desire to do much more was hot in my throat. This desire was only controllable because I remembered someone standing off to the side there, bearing witness to
Ta-Nehisi Coates (Between the World and Me)
One thing I'm sure, you can't tell about love, or the lack of it, except from the outside, from the way two people look at each other, from the things they do. It's like the way you can tell about a house, about the people in it, whether they're happy, from the way it looks from the street: A small pot of marigolds, a couple of chairs in the shade, tells you pretty much everything you need to know. I could tell what they had. I could tell by the way he'd wrapped her up in that big coat of his that day in the rain, like he was a magician who could make them both disappear, by the way she'd walk next to him, or look at him when he talked to other people, that look saying, "This man is mine and I like how he is -- how he moves, how he laughs -- and he knows it and it's the two of us from here on, for everything." It was easy, unforced -- walking down the hall, she'd touch his elbow with a finger and he'd turn like a ship; she'd sigh and he'd look up. Sometimes at lunch, or in the library, you'd catch them looking at each other, a kind of calm in their eyes like after a smile, or before it, and know they were talking. She loved him -- what more is there to say? There were times I'd look at them and feel something in my chest and throat, an ache that made it harder to breathe, but I was OK with it. I can say that now. I was OK with it. I didn't know it then, but I loved them both. Who's to say which one of them more? It was the pot of flowers, the chair in the shade. . . .
Mark Slouka (Brewster)
Rebecca,why haven't you burned his wardrobe yet?" Rebecca turned to see what had provoked that question, then just stared. Her husband was wearing one of those horribly bright satin coats better suited to a costume ball, this one in a ghastly orange, with excesive lace at the wrists and the throat. With his long black hair and his soft cheeks so smoothly shaved,it made him look somewhat effeminate when she knew he was anything but. But he actually looked to be trying not to laugh when he said to his mother, "She'll do nothing of the sort. She likes my taste in clothes. It reminds her of when we first met." Rebecca continued to just stare, her mind in a whirl. It sounded as if he was just teasing, but she couldn't be sure. To imply that she had fond memories of their first meeting wasn't even remotely amusing. She had nothing of the sort. "You can't seriously intend to take your wife out wearing something like that?" Julie continued. "What's wrong with what she's wearing?" "Not her,you fool.You! You're married now. Your old taste in clothes-" "Marriage has nothing to do with taste, Mother," Rupert cut in. "Well, perhaps a little,at least in women, but nothing a'tall to do with one's wardrobe.Shall we go, m'dear?" The last was added for Rebecca as he put an arm around her to lead her out of the room. His hand on her hip was all she could think about. But his mother refused to be dismissed so easily. Julie actually shouted at him, "Find a new tailor! You're mortifying your wife!
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
What, Lara Jean?” He looks at me like he’s waiting for something, and suddenly I’m afraid to give it. I tighten my fist around the letter, shove it into my coat pocket. My hands are freezing. I don’t have any gloves or hat; I should probably just go home. “I just came to say…to say I’m sorry for the way things turned out. And…I hope we can still be friends, and happy new year.” His eyes narrow at this. “‘Happy new year’?” he repeats. “That’s what you came here to say? Sorry and happy new year?” “And I hope we can still be friends,” he repeats, and there is a note of sarcasm in his voice that I don’t understand or like. “That’s what I said.” I start to stand up. I was hoping he’d give me a ride home, but now I don’t want to ask. But it’s so cold outside. Maybe if I hint…Blowing on my hands, I say, “Well, I’m gonna head home.” “Wait a minute. Let’s go back to the apology part. What are you apologizing for, exactly? For kicking me out of your house, or for thinking I’m a dirtbag who would go around telling people we had sex when we didn’t?” A lump forms in my throat. When he puts it that way, it really does sound terrible. “Both of those things. I’m sorry for both of those things.” Peter cocks his head to the side, his eyebrows raised. “And what else?” I bristle. What else? “There is no ‘what else.’ That’s it.” Thank God I didn’t give him the letter, if this is how he’s going to be. It’s not like I’m the only one with stuff to apologize for. “Hey, you’re the one who came here talking about ‘I’m sorry’ and ‘let’s be friends.’ You don’t get to force me into accepting your half-assed apology.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
One guy brought his hands up like a boxer, pretty high, so I hit him in the gut, which was a better close-quarters blow anyway, a tight body shot, no extension required. The other guy crowded in like he was going for a bear hug, which would have been a reasonable move, but he didn’t get all the way there, because however crowded the quarters, there was always room for a head butt, which cracked in right on target, an inch of backswing, and a lot of fast-twitch muscle. He went down and I turned back to the guy I had hit in the gut and I popped a knee under his chin, and he went down, by which time we were about three seconds into it, and certainly noisy, but I wasn’t worried about Joey rushing in, partly because Joey couldn’t rush in, not through any kind of a normal doorway, and partly because even if he did, I wouldn’t worry about him immediately. Because I knew something about Joey. Bennett was doing OK. He had a thumb in his guy’s eye, and his other hand was crushing the guy’s throat. In the active sense of the word. His fingertips were right in behind the guy’s larynx, squeezing and tearing. They didn’t rule the world by being nice. That was for damn sure. I picked up the flashlight and waited until Bennett’s guy hit the deck, and then I searched the floor and under coats and came back with our original three handguns, plus four identical Browning High Power Model 1935s, from Joey’s guys. The Brownings were all recent, with the ambidextrous safeties. Up for safe, down for fire. They were all fully loaded. But their chambers were empty. We had been safer than I thought. We shared them around, one each, and I took the magazine out of the fourth and gave it to Nice to put in her pocket.
Lee Child (Personal (Jack Reacher, #19))
Moving with infinite reluctance, Westcliff gingerly put his arms around her. The escalation of Lillian’s heartbeat seemed to drive the air from her lungs. One of his broad hands settled between her tense shoulder blades, while the other pressed at the small of her back. He touched her with undue care, as if she were made of some volatile substance. And as he brought her body gently against his, her blood turned to liquid fire. Her hands fluttered in search of a resting place until her palms grazed the back of his coat. Flattening her palms on either side of his spine, she felt the flex of hard muscle even through the layers of silk-lined broadcloth and linen. “Is this what you were asking for?” he murmured, his low voice at her ear. Lillian’s toes curled inside her slippers as his hot breath tickled her hairline. She responded with a wordless nod, feeling crestfallen and mortified as she realized that she had lost her gamble. Westcliff was going to show her how easy it was to release her, and then he would forever afterward subject her to ruthless mockery. “You can let me go now,” she whispered, her mouth twisting in self-derision. But Westcliff didn’t move. His dark head dropped a little lower, and he drew in a breath that wasn’t quite steady. Lillian perceived that he was taking in the scent of her throat…absorbing it with slow but ever-increasing greed, as if he were an addict inhaling lungfuls of narcotic smoke. The perfume, she thought in bemusement. So it hadn’t been her imagination. It was working its magic again. But why did Westcliff seem to be the only man to respond to it? Why— Her thoughts were scattered as the pressure of his hands increased, causing her to shiver and arch. “Damn it,” Westcliff whispered savagely. Before she quite knew what was happening, he had pushed her up against a nearby wall. His fiercely accusing gaze moved from her dazed eyes to her parted lips, his silent struggle lasting another burning second, until he suddenly gave in with a curse and brought their mouths together with an impatient tug.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The persistence of superannuated institutions in striving to perpetuate themselves is like the obstinacy of a rancid odour clinging to the hair; the pretension of spoiled fish that insists on being eaten, the tenacious folly of a child's garment trying to clothe a man, or the tenderness of a corpse returning to embrace the living. "Ingrates!" exclaims the garment. "I shielded you in weakness. Why do you reject me now?" "I come from the depths of the sea," says the fish; "I was once a rose," cries the odour; "I loved you," murmurs the corpse; "I civilized you," says the convent. To this there is but one reply; "In the past." To dream of the indefinite prolongation of things dead and the government of mankind by embalming; to restore dilapidated dogmas, regild the shrines, replaster the cloisters, reconsecrate the reliquaries, revamp old superstitions, replenish fading fanaticism, put new handles in worn-out sprinkling brushes, reconstitute monasticism; to believe in the salvation of society by the multiplication of parasites; to foist the past upon the present, all this seems strange. There are, however, advocates for such theories as these. These theorists, men of mind too, in other things, have a very simple process; they apply to the past a coating of what they term divine right, respect for our forefathers, time-honored authority, sacred tradition, legitimacy; and they go about, shouting, "Here! take this, good people!" This logic was familiar to the ancients; their soothsayers practised it. Rubbing over a black heifer with chalk, they would exclaim, "She is white" Bos cretatus. As for ourselves, we distribute our respect, here and there, and spare the past entirely, provided it will but consent to be dead. But, if it insists upon being alive, we attack it and endeavor to kill it. Superstitions, bigotries, hypocrisies, prejudices, these phantoms, phantoms though they are, are tenacious of life; they have teeth and nails in their shadowy substance, and we must grapple with them, body to body, and make war upon them and that, too, without cessation; for it is one of the fatalities of humanity to be condemned to eternal struggle with phantoms. A shadow is hard to seize by the throat and dash upon the ground.
Victor Hugo (Les Misérables)
So he could talk to Jane and find out what had happened between her and Blakeborough after he left. He could finally get an answer to his marriage proposal. Proposal? Jane would probably call it a marriage command. He groaned. Perhaps it wouldn’t be a bad idea to talk to her while he waited. He could always pack her off in another hackney before it was time for Meredith to return home. Yes, that would be best. Climbing inside the hackney, he doffed his hat and shrugged out of his box coat. But all of his perfectly logical reasons for being there went right out of his head the moment he saw her looking so luscious and lovely in her sunny gown. Because he desired only one thing. Jane. In his arms. Now. She must have seen the feral need flare in his face, for her eyes went wide. That was the only reaction she had time for, however, before he dragged her into his embrace so he could take her mouth in a hard, urgent kiss. God, he wanted her. He would never stop wanting her. Fisting his hands in her puffy sleeves to hold her still, he plundered her mouth the way he ached to plunder her body. Suddenly she shoved him back. “What are you doing? That’s not why--” He clasped her head in his hands, dislodging her bonnet, which tumbled to the floor. Then he kissed her again, demanding her to kiss him back, to need him back. It took her a moment, but then she moaned low in her throat and melted against him. And he exulted. She was soft, so wonderfully soft, his Jane. So wonderfully giving. Surely she wouldn’t be responding to him this way if she had cemented her engagement to Blakeborough. But then, he’d thought that last night. He jerked back, gratified to see from her flushed cheeks, reddened lips, and bright eyes that she was now as eager and aroused as he. Indeed, she was already looping her arms about his neck to draw him close once more. Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Say you’ll marry me, angel. You have to marry me.” With his tale of heartbreak in her mind, she feared that he wanted this for all the wrong reasons. “You just want to save me from Nathan.” “Nothing so unselfish, I assure you.” He trailed his mouth down her throat. “I want you. I need you. God, how I need you.” He spoke of need, but not of love. Then again, he didn’t believe in love. And though that stung, at least he was honest about it. He’d always been perfectly frank about what he wanted. “You need me in your bed, you mean.” “Not just there, and you know it.” He drew back, firm resolve sharpening his features. Cupping her head in his large hands, he met her gaze with an intense look. “I’ll prove it. Agree to marry me, and I’ll leave you to sleep alone tonight and every night until we’re joined in matrimony. I’ll behave like a respectable gentleman. And I’ve never done that for anyone.” Her blood thundered in her ears. She could well believe it. And something beyond desire shone in his face. Or was she just wishing on rainbows? “I don’t know, Oliver. Until I can find Nathan-“ “Nathan!” A change came over him, dark and tempestuous. “Forget about Nathan. I won’t let him have you.” His eyes smoldered with a passion like the one seething in her own breast. “I won’t.” He started backing her toward the bed in an unconscious imitation of his blatantly sensual steps in the waltz earlier, and a thrill shot through her. “You said you would leave me to sleep alone.” “Not so you can think about him and what you owe him. I’ll make love to you before I let that happen. Because one way or the other, I mean to have you as my wife.” Raw determination shone in his harsh features. “Even if I have to ruin you to manage it.” That errant thrill made her shiver again, no matter how she tried to suppress it. “Then you won’t need to marry me. You’ll have everything you desire from me.” A ragged laugh escaped his lips. “It will take a lifetime to have everything I desire from you.” His words gave her pause. Perhaps he really did need her. Perhaps he felt something even more. “Besides,” he said with a wry smile as he shucked his coat, then his waistcoat, “my family will roast my ballocks on a spit if I ruin you without making an honest woman of you.” “I haven’t agreed to let you ruin me,” she pointed out. His black eyes glittered in the candlelight. “Ah, but you will.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Mr. Hazlit!” She kept her voice down with effort, but when a man sneaked up behind a lady and slid his arms around her waist, some exclamation was in order. “Hush.” He turned her in his arms, though part of Maggie was strongly admonishing herself to wrestle free. He’d let her go. She trusted him that far, when a servant was likely to appear any moment with a tea tray. “Something has you in a dither. Tell me.” His embrace was the most beguiling, irresistible mockery of a kindness. Gayle had offered her a hug a few days ago, a brusque, brotherly gesture as careful as it was brief. This was different. This was… Benjamin Hazlit’s warm, strong male body, available for her comfort. No conditions, no awkwardness, no dissembling for the benefit of an audience. She sighed and tucked her face against his throat, unwilling—or unable—to deny herself what he offered. For a few moments, she was going to pretend she wasn’t alone in a sea of trouble. She was going to pretend they were friends—cousins, maybe—and stealing this from him was permitted. She was going to hold on to the fiction that she was as entitled to dream of children and a husband to dote upon as the next woman. “You are wound as tight as a fiddle string, Maggie Windham.” Hazlit’s hand settled on her neck, kneading gently. “Are the domestics feuding, or has Her Grace been hounding you?” “She never hounds or scolds.” Maggie rested her forehead on his shoulder, her bones turning to butter at his touch. “She looks at us, disappointment in the prettiest green eyes you’ve ever seen, and you want to disappear into the ground, never to emerge until you can make her smile again. His Grace says it’s the same for him.” When she was held like this, Maggie could detect a unique scent about Hazlit’s person: honeysuckle and spice, like an exotic incense. It clung to his clothing, and when she turned her head to rest her cheek on the wool of his coat, she caught the same fragrance rising from the exposed flesh of his neck. That hand of his went wandering, over her shoulder blades, down her spine. “You are tired,” he said, his voice resonating through her physically. “What is disturbing your sleep, Maggie? And don’t think I’ll be distracted by more hissing and arching your back.” “I’m not a cat.” “You’ve cat eyes.” He turned her so his arm was around her waist. “Let’s sit by the fire, and you can tell me your troubles.” Such
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Something diseased and furry had crawled into her mouth and expired while she slept. That was the only possible explanation as to why Neve had a rancid taste in her mouth and a heavy, viscous paste coating her teeth and tongue. ‘I think I’m dying,’ she groaned. The wretched state of her mouth was the least of it. There was a pounding in her head, echoed in the roiling of her gut, and her bones ached, her vital organs ached, her throat ached, even her hair follicles ached. ‘You’re not dying,’ said a voice in her ear, which sounded like nails scraping down a blackboard, even though Max’s voice had barely risen above a whisper. ‘You’ve got a hangover.’ Neve had had hangovers before and they just made her feel a tiny bit nauseous and grouchy. This felt like the bastard child of bubonic plague and the ebola virus. ‘Dying,’ she reiterated, and now she realised that she was in bed, which had been a very comfy bed the last time she’d slept in it, but now it felt as if she was lying on a pile of rocks, and even though she had the quilt and Max’s arm tucked around her, she was still cold and clammy. Neve tried to raise her head but her gaze collided with the stripy wallpaper and as well as searing her retinas, it was making her stomach heave. ‘Sick. Going to be sick.’ ‘Sweetheart, I don’t think so,’ Max said, stroking the back of her neck with feather-soft fingers. ‘You’ve already thrown up just about everything you’ve eaten in the last week.’ ‘Urgh …’ Had she? The night before was a big gaping hole in her memory. ‘What happened?’ ‘I don’t know what happened but I got a phone call from the Head of Hotel Security at three in the morning asking me if I could identify a raving madwoman in a silver dress who couldn’t remember her room number but insisted that someone called Max Pancake was sleeping there. They thought you might be a hack from the Sunday Mirror pretending to be absolutely spannered as a way of getting into the hotel.’ ‘Oh, no …’ ‘Yeah, apparently Ronaldo’s staying in one of the penthouse suites and I saw Wayne and Coleen in the bar last night. Anyway, as you were staggering down the corridor, you told me very proudly that you’d lost your phone and you’d just eaten two pieces of KFC and a bag of chips.’ ‘KFC? Oh, God …’ ‘But I wouldn’t worry about that because after you’d tried to persuade me to have my wicked way with you, you started throwing up and you didn’t stop, not for hours. I thought you were going to sleep curled around the toilet at one point.’ ‘Goodness …
Sarra Manning (You Don't Have to Say You Love Me)
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Jeff Rice (The Night Stalker)
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
S.R. Crawford (Bloodstained Betrayal)
He hadn’t been aware of staring, but when her questioning gaze locked with his, Grey felt as though he’d been smacked upside the head by the open palm of idiocy. “Is something troubling you, Grey?” He loved the sound of his name on her tongue, and hated that he loved it. She made him weak and stupid. One sweet glance from her and he was ready to drop to his knees. It wasn’t love. It wasn’t even infatuation. It was pure unmitigated lust. He could admit that. Hell, he embraced it. Lust could be managed. Lust could be mastered. And lust would eventually fade once she was out of his care and out of his life. That was the cold, hard, blessed truth of it. “I was wondering if you were eagerly anticipating Lady Shrewsbury’s ball tomorrow evening?” How easily the lie rolled off his tongue as he lifted a bite of poached salmon to his mouth. She smiled softly, obviously looking forward to it very much. “I am. Thank you.” Camilla shared her daughter’s pleasure judging from her coy grin. “Rose has renewed her acquaintance with the honorable Kellan Maxwell. He requested that she save the first waltz of the evening for him.” The fish caught in Grey’s throat. He took a drink of wine to force it down. “The same Kellan Maxwell who courted you during your first season?” Rose’s smile faded a little. No doubt she heard the censure in his tone, his disapproval. “The same,” she replied with an edge of defensiveness. The same idiot who abandoned his pursuit of Rose when Charles lost everything and scandal erupted. The little prick who hadn’t loved her enough to continue his courtship regardless of her situation. “Mm,” was what he said out loud. Rose scowled at him. “We had no understanding. We were not engaged, and Mr. Maxwell behaved as any other young man with responsibilities would have.” “You defend him.” It was difficult to keep his disappointment from showing. He never thought her to be the kind of woman who would forgive disloyalty when she was so very loyal herself. She tilted her head. “I appreciate your concern, but I’m no debutante, Grey. If I’m to find a husband this season I shouldn’t show prejudice.” Common sense coming out of anyone else. Coming out of her it was shite. “You deserve better.” She smiled a Mona Lisa smile. “We do not always get what we deserve, or even what we desire.” She knew. Christ in a frock coat, she knew. Her smile faded. “If we did, Papa would be here with us, and Mama and I wouldn’t be your responsibility.” She didn’t know. Damn, what a relief. “The two of you are not a responsibility. You are a joy.” For some reason that only made her look sadder, but Camilla smiled through happy tears. She thanked him profusely, but Grey had a hard time hearing what she was saying-he was too intent on Rose, who had turned her attention to her plate and was pushing food around with little interest. He could bear this no longer. He didn’t know what was wrong with her, or why she seemed so strange with him. And he couldn’t stand that he cared. “Ladies, I’m afraid I must beg your pardon and take leave of you.” Rose glanced up. “So soon?” He pushed his chair back from the table. “Yes. But I will see you at breakfast in the morning.” She turned back to her dinner. Grey bid farewell to Camilla and then strode from the room as quickly as he could. If he survived the Season it would be a miracle.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’ ‘You’ve got a brother?’ She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile. Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’ ‘Who was it?’ ‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything. ‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said. ‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’ It took a moment for the horror of what she was saying to sink in. ‘Don’t tell me any more if you don’t want to,’ I said gently. She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old. ‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’ She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’ Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
Emma Carroll (Letters from the Lighthouse)
He loves you,’ I said, and smoothed the tumbled hair off her flushed face. ‘He won’t stop.’ I got up, brushing yellow leaves from my skirt. ‘We’ll have a bit of time, then, but none to waste. Jamie can send word downriver, to keep an eye out for Roger. Speaking of Roger …’ I hesitated, picking a bit of dried fern from my sleeve. ‘I don’t suppose he knows about this, does he?’ Brianna took a deep breath, and her fist closed tight on the leaf in her hand, crushing it. ‘Well, see, there’s a problem about that,’ she said. She looked up at me, and suddenly she was my little girl again. ‘It isn’t Roger’s.’ ‘What?’ I said stupidly. ‘It. Isn’t. Roger’s. Baby,’ she said, between clenched teeth. I sank down beside her once more. Her worry over Roger suddenly took on new dimensions. ‘Who?’ I said. ‘Here, or there?’ Even as I spoke, I was calculating – it had to be someone here, in the past. If it had been a man in her own time, she’d be farther along than two months. Not only in the past, then, but here, in the Colonies. I wasn’t planning to have sex, she’d said. No, of course not. She hadn’t told Roger, for fear he would follow her – he was her anchor, her key to the future. But in that case – ‘Here,’ she said, confirming my calculations. She dug in the pocket of her skirt, and came out with something. She reached toward me, and I held out my hand automatically. ‘Jesus H. Roosevelt Christ.’ The worn gold wedding band sparked in the sun, and my hand closed reflexively over it. It was warm from being carried next to her skin, but I felt a deep coldness seep into my fingers. ‘Bonnet?’ I said. ‘Stephen Bonnet?’ Her throat moved convulsively, and she swallowed, head jerking in a brief nod. ‘I wasn’t going to tell you – I couldn’t; not after Ian told me about what happened on the river. At first I didn’t know what Da would do; I was afraid he’d blame me. And then when I knew him a little better – I knew he’d try to find Bonnet – that’s what Daddy would have done. I couldn’t let him do that. You met that man, you know what he’s like.’ She was sitting in the sun, but a shudder passed over her, and she rubbed her arms as though she was cold. ‘I do,’ I said. My lips were stiff. Her words were ringing in my ears. I wasn’t planning to have sex. I couldn’t tell … I was afraid he’d blame me. ‘What did he do to you?’ I asked, and was surprised that my voice sounded calm. ‘Did he hurt you, baby?’ She grimaced, and pulled her knees up to her chest, hugging them against herself. ‘Don’t call me that, okay? Not right now.’ I reached to touch her, but she huddled closer into herself, and I dropped my hand. ‘Do you want to tell me?’ I didn’t want to know; I wanted to pretend it hadn’t happened, too. She looked up at me, lips tightened to a straight white line. ‘No,’ she said. ‘No, I don’t want to. But I think I’d better.’ She had stepped aboard the Gloriana in broad daylight, cautious, but feeling safe by reason of the number of people around; loaders, seamen, merchants, servants – the docks bustled with life. She had told a seaman on the deck what she wanted; he had vanished into the recesses of the ship, and a moment later, Stephen Bonnet had appeared. He had on the same clothes as the night before; in the daylight, she could see that they were of fine quality, but stained and badly crumpled. Greasy candle wax had dripped on the silk cuff of his coat, and his jabot had crumbs in it. Bonnet himself showed fewer marks of wear than did his clothes; he was fresh-shaven, and his green eyes were pale and alert. They passed over her quickly, lighting with interest. ‘I did think ye comely last night by candlelight,’ he said, taking her hand and raising it to his lips. ‘But a-many seem so when the drink is flowin’. It’s a good deal more rare to find a woman fairer in the sun than she is by the moon.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Barrons’ hand shot out and closed around V’lane’s throat. “You lying fuck.” V’lane grabbed Barrons’ arm with one hand, his throat with the other. I stared, fascinated. I was so discombobulated by recent developments that I hadn’t even realized Barrons and V’lane were standing face-to-face on a crowded dance floor for what was probably the first time in all eternity—close enough to kill each other. Well, close enough for Barrons to kill V’lane. Barrons was staring at the Fae prince as if he’d finally caught a fire ant that had been torturing him for centuries while he’d lay spread-eagled on the desert, coated in honey. V’lane was glaring at Barrons as if he couldn’t believe he’d be so stupid. “We have larger concerns than your personal grievances,” V’lane said with icy disdain. “If you cannot remove your head from your ass and see that, you deserve what will happen to your world.” “Maybe I don’t care what happens to the world.” V’lane’s head swiveled my way, cool appraisal in his gaze. “I have permitted you to retain your spear, MacKayla. You will not let him harm me. Kill him—” Barrons squeezed. “I said shut up.” “He has the fourth stone,” I reminded Barrons. “We need him.” “Keltars!” V’lane said, staring up at the foyer. He hissed through his teeth. “I know. Big fucking party tonight,” said Barrons. “Where? Is that who just came in?” I said. Barrons leaned closer to V’lane and sniffed him. His nostrils flared, as if he found the scent both repulsive and perfect for a fine, bloody filet. “Where is she?” a man roared. The accent was Scottish, like Christian’s but thicker. V’lane ordered, “Shut him up before his next question is, ‘Where is the queen,’ and every Unseelie in this place discovers she is here.” Barrons moved too fast for me to see. One second, V’lane was his usual gorgeous self, then his nose was crushed and gushing blood. Barrons said, “Next time, fairy,” and was gone. “I said, where the bloody hell is the—” I heard a grunt, then the sounds of fists and more grunts, and all hell broke loose at Chester’s.
Karen Marie Moning (Shadowfever (Fever, #5))
The belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness.” Joseph Conrad   PROLOGUE     Washington, D.C. – 1945   It was one a.m. and the small pub was closing. The D.C. night was quiet and had died down, and he was spent. A long week of college classes and a part-time job in a small diner had left him purely exhausted. He slipped out of Joe’s Tavern and looked both ways down the foggy street before making his way along the sidewalk. Dim orange streetlights barely lit his way, every other one seemed to flicker, as if about to go out. The snapping of his shoes on the concrete was the only sound to keep him company. The quiet February night was cold and blustery, and the whiskey he’d consumed in the tavern was the only thing keeping him warm. He walked quickly past businesses, such as butcher shops and beauty shops. They were closed up tight for the night, and the weekend for that matter, and lay silent and dark as he passed. His breath turned to mist in the air as he hurried along. He pulled the collar of his beige trench coat up tighter around his throat as he walked with his head down. He only had five blocks to make it to his modest downtown apartment. His father was a high-ranking government official in the FBI and was paid very well for his talents. As a World War I vet, his father had seen his share of horrors and dumped every last ounce of his energy into his job at the FBI, fighting crime. He was well respected and valued amongst his civil service peers, supervisors, and subordinates. He thought about his father and how much he, too, respected him. It was hard to grow up
C.J. Pinard (BSI: Bureau of Supernatural Investigation (Enchanted Immortals #4.5))
There was nothing to be said, only the happiness she had dreamed now to be seized. But the hurt was too fresh. She brandished the broadsheet. “I admit, my lord, that your theory about Christmas gifts chosen to suit the recipient for greatest effect has merit.” “Only if the effect is to inspire mercy,” he replied quietly. She could not bear the confusion. She dipped her gaze. “When?” she whispered. “At the chateau.” Her eyes came up. “At first?” “I was intrigued. I had never known a woman like you.” His throat moved awkwardly. “I came to understand that there are no others.” The page crinkled between her fingers. “Why did you do it?” “Because I wanted you, and I think I didn’t know how to have you otherwise. Jacqueline, I have been a great fool, but I never wished to hurt you. I beg of you, if you can someday forgive m—” Her palm upon his chest stayed his words. Then she leaned forward, released a shaking breath, and buried her face in his shoulder. He wrapped his arms about her and held her tight. “I assume from this response that you will not, after all, be marrying Tarleton?” he said into her hair. “I will not. I could not.” Tears of joy arose in her eyes and soaked his shoulder. He stroked her hair. “Then perhaps you might consider marrying me instead? If you don’t, you know, you will never live this down, embracing a man with a hundred people looking on.” “Are they looking?” “Yes. I think they’re all eager to hear you sing ‘God Rest Ye, Merry Gentlemen.’ I know I am.” “Is there perhaps a black veil lying anywhere about?” “No, but I could remove my coat and you could throw that over your head. No one would recognize you, I’m certain.” She laughed and he held her tighter yet. “My darling,” he whispered close. “My love.” -Jacqueline & Cam
Katharine Ashe (Kisses, She Wrote (The Prince Catchers, #1.5))
There was one slight delay while the pilot went off in search of a thicker coat for McColl—“It’s bloody cold up there!”—and another when Plumley arrived to wish them luck. Eventually McColl and his suitcase were squeezed into the underslung sidecar, Lansley and his bombs into the B.E.12’s single seat, the propeller set in motion. The biplane drove steadily across the field, suddenly accelerated, and seemed to almost leap into the sky. As it climbed and turned, McColl could see the distant rows of lights that marked the two front lines. It was indeed “bloody cold,” and the exposed area of skin between flying cap and scarf soon felt coated with ice. McColl clasped his collar shut in front of his throat and tried to look on the bright side—he might be freezing to death, but at least he was still aloft, with an hour’s respite until the dreaded moment arrived. Or moments. If the chute surprised him and actually opened, there was still the small matter of getting down in one piece. At least he didn’t have a basketful of restless pigeons in his lap, as most of his predecessors had done. According to Lansley, hundreds had been taken into occupied Belgium, each with a tightly rolled piece of paper containing a list of questions about the occupation, which locals were asked to answer and return with the homing bird. The pilot had also told him, with a perfectly straight face, that scientists in England were trying to crossbreed pigeons and parrots, so that verbal reports might be delivered.
David Downing (One Man's Flag (Jack McColl, #2))