Thriller Song Quotes

We've searched our database for all the quotes and captions related to Thriller Song. Here they are! All 37 of them:

Now I gazed out of my office window. Slowly the world was changing from old-gold to the deep purple which, in the words of that dreamy song Mum was fond of humming, bathes garden walls under the twinkle of starlight.
Michael Wyndham Thomas (The Erkeley Shadows)
After so many successes on the battlefield, I learned one lesson too late. Standing alone, I defeated many external enemies. But alone I could not defeat the enemies that were inside of me.
Stephen Alder (Deehabta’s Song)
What is the nature of your emergency?” “I was assaulted in the street,” Krissa responds. “What is the location of the assault?” “At my current coordinates.” “Do you need medical attention?” “No, but my attackers do.
Stephen Alder (Deehabta’s Song)
The caption reads, “Emperor Andon-Roon enjoys a surge in popularity after brokering a peace deal with Caderyn after twelve cycles of war.” For some reason this evokes strong emotions in her—deep sorrow, anger—and she stares at the screen transfixed, as if straining to find herself in the story.
Stephen Alder (Deehabta’s Song)
Insanity is the only real escape from the banality of our lives. - Clara Bayliss
John Hennessy (Clara's Song (Haunted Minds, #2))
The greatest book in the world, the Mahabharata, tells us we all have to live and die by our karmic cycle. Thus works the perfect reward-and-punishment, cause-and-effect, code of the universe. We live out in our present life what we wrote out in our last. But the great moral thriller also orders us to rage against karma and its despotic dictates. It teaches us to subvert it. To change it. It tells us we also write out our next lives as we live out our present. The Mahabharata is not a work of religious instruction. It is much greater. It is a work of art. It understands men will always fall in the shifting chasm between the tug of the moral and the lure of the immoral. It is in this shifting space of uncertitude that men become men. Not animals, not gods. It understands truth is relative. That it is defined by context and motive. It encourages the noblest of men - Yudhishtra, Arjuna, Lord Krishna himself - to lie, so that a greater truth may be served. It understands the world is powered by desire. And that desire is an unknowable thing. Desire conjures death, destruction, distress. But also creates love, beauty, art. It is our greatest undoing. And the only reason for all doing. And doing is life. Doing is karma. Thus it forgives even those who desire intemperately. It forgives Duryodhana. The man who desires without pause. The man who precipitates the war to end all wars. It grants him paradise and the admiration of the gods. In the desiring and the doing this most reviled of men fulfils the mandate of man. You must know the world before you are done with it. You must act on desire before you renounce it. There can be no merit in forgoing the not known. The greatest book in the world rescues volition from religion and gives it back to man. Religion is the disciplinarian fantasy of a schoolmaster. The Mahabharata is the joyous song of life of a maestro. In its tales within tales it takes religion for a spin and skins it inside out. Leaves it puzzling over its own poisoned follicles. It gives men the chance to be splendid. Doubt-ridden architects of some small part of their lives. Duryodhanas who can win even as they lose.
Tarun J. Tejpal (The Alchemy of Desire)
Concert pianists get to be quite chummy with dead composers. They can't help it. Classical music isn't just music. It's a personal diary. An uncensored confession in the dead of night. A baring of the soul. Take a modern example. Florence and the Machine? In the song 'Cosmic Love,' she catalogs the way in which the world has gone dark, distorting her, when she, a rather intense young woman, was left bereft by a love affair. 'The stars, the moon, they have all been blown out.
Marisha Pessl (Night Film)
Gerhard was the lyric to her melody. Together, they made a beautiful song.
Belle Ami (The Girl Who Knew Da Vinci (Out of Time Thriller, #1))
Sometimes a song is more than just a song. First the fire...then the rain.
Randolph Randy Camp (...Then The Rain)
He read legal thrillers by John Grisham and the entire Song of Ice and Fire series. He was a big fan of Tyrion Lannister.
Stephen King (The Institute)
That’s a medley of promise, fairy tales, and magic bullets all welded together in a chorus of a cloud nine song.
JoDee Neathery (A Kind of Hush)
Everything is an echo of something I once read. Dream, hope, and celebrate life! Love always comes back in a song. One thing we all have in common is a love for food and drink. Memories never die, and dreams never end! What is time?
John Siwicki
He read legal thrillers by John Grisham and the entire Song of Ice and Fire series. He was a big fan of Tyrion Lannister. Tim knew there was a TV show based on the Martin books, but felt no need to watch it; his imagination provided all the dragons he needed.
Stephen King (The Institute)
Thistle and I had the same start in life - rescued by police from the clutches of our dead parents. But she's become a smart, tough FBI agent who can learn a new song on the viola in only one week or two. I'm a poor, unemployed cannibal. Where did our worlds divide? Where did I go wrong?
Jack Heath (Hangman (Timothy Blake #1))
On his days off, he sometimes slept for twelve hours at a stretch. He read legal thrillers by John Grisham and the entire Song of Ice and Fire series. He was a big fan of Tyrion Lannister. Tim knew there was a TV show based on the Martin books, but felt no need to watch it; his imagination provided all the dragons he needed.
Stephen King (The Institute)
Other books depended less on personal contacts than on certain abiding concerns. Early in his career, Dreiser had become interested in a crime that he saw as a dark version of the American success motif: the murder of a woman who stood in the way of her lover’s dreams of social and material advancement through a more advantageous marriage. For An American Tragedy (1925) he investigated numerous case histories, many of them sensational murders involving well-known figures such as Roland Molineux and Harry Thaw. He finally settled on the 1906 Chester Gillette trial for the murder of Grace Brown that occurred in the lake district of upstate New York. The novel benefited from the popular interest in criminal biography, a form to which Dreiser’s masterpiece gave new life as the progenitor of documentary novels of crime such as Richard Wright’s Native Son, Truman Capote’s In Cold Blood, and Norman Mailer’s The Executioner’s Song. The Cambridge Companion to Theodore Dreiser
Thomas P. Riggio (An American Tragedy)
Wanna dance?" she asked. "I think they're playing our song." "Oh yeah? What's that?" "The hokey-pokey." "No shit." "Sure," she said, "don't you hear it?" She left her bikini top on, but she removed the bottom and then wrestled off my trunks. She held our suits in one hand and with the other grabbed hold of the horn of plenty. "Salve work?" she asked. "Miracle drug," I said "And how to you do the hokey-pokey?" she asked. "I forget." "You put your right foot in." "Right." "You put your right foot out." "Good." "You put your right foot in and you shake it all about." "Great. What's next?" she asked and kissed me sweetly. "After the foot?
Scott Turow (Pleading Guilty (Kindle County Legal Thriller, #3))
For the bus ride, which Delaney estimated would be ninety minutes, she had prepared a mix of happy journeying music, which she activated as they pulled out of the campus gate. The first song was by Otis Redding, and the first message came via her phone. Woman-hater, it said, with a link to an unsigned and evidence-less post hinting that he had been unkind to an ex-girlfriend who he’d met shortly before the bay and the dock and the sitting. Thanks for the early-morning pick-me-up! the writer said, meaning that Delaney had ruined the day and tacitly endorsed Redding’s newly alleged misogyny. Delaney skipped to the next song, Lana Del Rey’s “High by the Beach,” and then quickly figured it was too big a risk so skipped ahead. The third song, the Muppets’ “Movin’ Right Along,” was unknown to most on the bus, and survived its three-minute length, during which a handful of passengers furiously tried to find a reason the song was complicit in evil committed or implied. Delaney skipped the next song, by Neil Diamond, thinking any Jewish singer dubious in light of the Israeli sandwich debacle, skipped songs six and seven (from Thriller), briefly considered the Ronettes’ “Be My Baby” but then remembered Phil Spector, and so finally settled on a young Ghanian rapper she’d recently discovered. His first song was hunted down quickly in a hail of rhetorical buckshot—as a teen, the rapper had zinged a borderline joke about his female trigonometry teacher—so Delaney turned off the shared music, leaving everyone, for the next eighty-one minutes, to their earbuds and the safety of their individualized solitude.
Dave Eggers (The Every)
Rule number one: There will be no large gatherings of the people to preach to each other. Rule number two: You will not sing your stupid little songs to your imaginary savior or God. Rule number three: You will not quote passages from that book you so adore. Rule number four: You will get up in the mornings when your person in charge says you will get up. You will also go to bed when your person in charge says to go to bed. Rule number five: The person in charge can appoint someone to be their eyes and ears. Video cameras can only pick up so much, so we need to know who the subversives in your groups are so we can deal with them before they cause too much trouble. “If even one of you does not abide by these rules, there will be consequences for your group. Punishment is completely up to your person in charge. If you abide by these rules and be good boys and girls, I’m sure we’ll get along famously. Too-da-loo and so long for now.
Cliff Ball (Times of Trial: Christian End Times Thriller (The End Times Saga Book 3))
Every scrape, site, range and page; every game, download, hack, song, movie and virrie on the Web. Everything on your phone. Everything on your 'puta. Even the content directories of your cupboards. Almost every system has been brute-forced; passwords cracked, firewalls breached. Nothing has been left untouched.
A. Ashley Straker (Connected Infection)
The strands of her golden hair danced through her liquid nightmare to an unheard song. She was gone. "Enlightenment" C.O.A series
Kim Cormack (Sweet Sleep (Children of Ankh, #1 ))
You're being selfish by keeping your songs to yourself. It's better to be a selfless somebody than to be a selfish nobody
Colleen Hoover (Layla)
with the
Shelley Singer (The Complete Jake Samson Mystery Series Vol 1-6: With Bonus Book--Torch Song: A Dystopian Thriller!)
Now I gazed out of my office window.  Slowly the world was changing from old-gold to the deep purple which, in the words of that dreamy song Mum was fond of humming, bathes garden walls under the twinkle of starlight.
Michael W. Thomas (The Erkeley Shadows)
He was making up for it now, even if only to himself, because he still felt impelled to put on a good face for the world, it seemed bad manners to do otherwise. 'If you can't say something nice.', his mother had tutored him, 'then don't say anything at all.' The hair was real. Crystal had no idea who it had once belonged to. She'd worried it might have come from a corpse but her hairdresser said, 'Nah, from a temple in India. The women shave their heads for some kind of religious thing and the monks sell it.' That's how Crystal referred to it - 'Got your head stuck in a book again, Harry?' It would be funny if his head did actually get stuck in a book. Her heart wasn't shattered, just cracked, although cracked was bad enough. "Are you Mrs Bragg?' Reggie asked. "Maybe," the woman said. Well, you either are or you aren't. Reggie thought. You're not Schrodinger's cat. What do you call a nest of lesbians? A dyke eyrie. "Great,' she said, so he knew she wasn't listening. An increasing number of people, Jackson had noticed lately, were not listening to him. Dogs, you know, stay by their master's side after they've died. Fido, Hachiko, Ruswrap, Old Shep, Squeak, Spot. There was a list on Wikipedia. I am the repository of useless knowledge. Jackson had never really seen the point of existential angst. if you didn't like something you changed it and if you couldn't change it you sucked it up and soldiered on, one foot after the other. ('Remind me not to come to you for therapy,' Julia said.) This was better, Jackson thought, all he had to do was utilize the lyrics from country songs, they contained better advice than anything he could conjure up himself. Best to avoid Hank, though - 'I'm so lonesome I could cry. I'll never get out of this world alive. I don't care if tomorrow never comes. Poor old Hank, not good mental fodder of a man who had just tried to jump off a cliff. 'Diaeresis - the two little dots above the "e", its not an umlaut. Reggie thought if a day would ever goes by when she is not disappointed in people. "Jesus Christ, Crystal,' he said, dropping the baseball bat and pulling off his shoes, prepare to jump in and save Tommy. So he could kill him later.
Kate Atkinson (Big Sky (Jackson Brodie, #5))
The lines began to sing, a shrill, electric song, and then the cacophony of the train roared out of the darkness. The carriages were almost empty and painfully bright as they hurtled along the tracks to the heart of the city. In the fleeting light she saw the meadow, dotted with stunted hawthorns, their twisted limbs dense with red berries, and then a shape: achingly familiar, child-sized, shockingly still.
Sanjida Kay (Bone by Bone)
Director: Saravana Rajan Producer: Dayanidhi Azhagiri Written : Saravana Rajan Starring: Jai,Swati Reddy Music: Yuvan Shankar Raja Cinematography: Venkatesh S. Release Date: Jan 24, 2014 Editing: Praveen K. L, N. B. Srikanth Director Saravana Rajan’s debut comedy thriller ‘Vadacurry’ features actors Swati Reddy and Jai in lead role. ‘Vadacurry’ is produced by Dhayanidhi Alagiri with Yuvan Shankar Raja’s music. Bollywood actress Sunny Leone has shaken her legs for ‘Vadacurry’ Tamil film’s dream song with actor Jai in Bangkok. The shooting of the song was held in December 2013. It’s a dream sequence of Jai’s character in the ‘Vadacurry’ where, Sunny will be grooving with him. Sunny was given half-sari, bangles and anklets to portray a typical south Indian look in this song. However, the hot diva loved trying these accessories to shake her legs for her debut film in Kollywood ‘Vadacurry’. ‘Vadacurry’ Tamil movie’s cinematography is handled by Venkatesh. ‘Vadacurry’ team started rolling on floors from August 19, 2013. Interestingly, ‘Vadacurry’ Tamil movie’s music composer Yuvan Shankar Raja is cousin of director Saravana Rajan. Director Saravana Rajan has followed the steps of his tutor Venkat Prabhu in coining food names as title for his movie ‘Vadacurry’ that matched with Venkat Prabhu’s recent release ‘Biriyani’. The charming beauty Anusha Dhayanidhi has made a debut as costume designer in ‘Vadacurry’. Anusha Dhayanidhi has transformed the looks of female lead Swathi in ‘Vadacurry’ Tamil film. It should be noted that ‘Subramaniyapuram’ pairs, who had portrayed good chemistry have joined this comedy entertainer ‘Vadacurry’. However, ‘Vadacurry’ Tamil film is ready to be served on 24January, 2014 to give a punch of full-on comedy with its taste and essence.
vada curry movie review
It is not surprising that music can incite a broad range of motions, including passion, serenity, and fear. Most of us can recall instances when music caused changes in our own emotional levels, perhaps when we listened to Handel’s Hallelujah Chorus or the background music in a movie thriller. The reason for the emotional arousal appears to be that music affects levels of several brain chemicals, including epinephrine, endorphins, and cortisol, the hormone involved in the “fight-or-flight” response. In Chapter 9, we saw that one of the links between emotion and memory involves these same neurotransmitters and hormones. Perhaps this is why a mere snippet of a song from our past can trigger highly vivid memories.
Patricia Wolfe (Brain Matters: Translating Research into Classroom Practice)
It is not surprising that music can incite a broad range of emotions, including passion, serenity, and fear. Most of us can recall instances when music caused changes in our own emotional levels, perhaps when we listened to Handel’s Hallelujah Chorus or the background music in a movie thriller. The reason for the emotional arousal appears to be that music affects levels of several brain chemicals, including epinephrine, endorphins, and cortisol, the hormone involved in the “fight-or-flight” response. In Chapter 9, we saw that one of the links between emotion and memory involves these same neurotransmitters and hormones. Perhaps this is why a mere snippet of a song from our past can trigger highly vivid memories.
Patricia Wolfe (Brain Matters: Translating Research into Classroom Practice)
The Kiss of the Sun for Pardon, The Song of the Birds for Mirth, One is Nearer God's Heart in a Garden, Than Anywhere Else on Earth.
Nicola Furlong (A Hemorrhaging of Souls: A Psychological Suspense Mystery Thriller)
She was a woman who'd foolishly married a handsome, smooth-talking man. Now she was living a bad country song.
B.J. Daniels (Ambush Before Sunrise (Cardwell Ranch: Montana Legacy, Book 3))
We need to find more body parts if possible, and we need divers and evidence retrieval specialists. You got those, too?” “Just say the word, and they are yours, like the song goes.” “What song?” “The Tom Jones song. ‘Help Yourself.’ Do you guys remember that one?” “You’re really old, Micah. How old is Tom Jones, anyway? Eighty?” “I don’t know. So what? Is it illegal to remember Tom Jones?” Micah turned his fist into a microphone, held it up to his mouth, and began to sing and gyrate his lower torso in a circular manner, his best imitation of Tom Jones in his prime years. “Now there’s an image that will be impossible to erase from my mind,” Zack said, looking repulsed.
Mark M. Bello (Betrayal In Blue (Zachary Blake Legal Thriller, #3))
I believe in spirits. I believe sometimes the people you love and lose, they stay with you. It can be little things. A song coming on the radio at just the right time. Or sometimes it’s like you can hear them say something, some reaction that’s just so perfect for what they would have said if they’d been standing right next to you. Or you feel them still ... loving you.
Robin James (Stolen Justice (Cass Leary Legal Thriller #4))
Because he knew, deep down, that all people in the end, must, as the song said, do the final dance alone.
John Ellsworth (The Post Office (Thaddeus Murfee Legal Thrillers #14))
Padraig smiled. Like the moonshine he brewed, Brendan O’Rourke was raw spirit; a man distilled into a single notion – that though rough and unpalatable to some – was undeniably intoxicating. He believed in a free Ireland and would fight for it when the chance came.
Finn Dervan (Serenity Song)
Every now and then a vampire group would play a few sets at Shreveport’s only vamp bar, and this seemed to be one of those nights. Newly turned vampires played covers of music they had loved in life, recent human music, but the old vampires would play things that living people had never heard, mixed in with some human songs they found appealing. I’d never met a vampire who didn’t love “Thriller.
Charlaine Harris (Dead Ever After (Sookie Stackhouse, #13))
ANASTASIA: By the time he’d finished the song, I was so wrapped up in his playing and the sound of his voice that I hadn’t realized how much my imagination had run wild. I was having a vivid daydream about those very fingers, imagining how well he could play—me—and betting mentally that he could make me sing too.
Evie James (Day Shift)