Thrilled Travel Quotes

The sound of a thousand whispering ghosts surrounded her.

Assemble the links
Piece by piece.
Then travel through time And earn your release.

Imagine that you traveled all over the world, looking for happiness, looking for thrills to pass the time. Imagine seeing everything there is to see and still not finding happiness. Well, that would give you a very bleak outlook on life, would it not?

After lunch, they went for a walk around the island. The sun was out, but the wind was brisk, bringing a chill into their hands and faces. They arrived at the viewing point on the northwest corner of the island. The waves from the Atlantic crashed relentlessly against the rocks. They took a seat together on a large, smooth stone and gazed out at the sea and the barrier islands. Orla sat between Aideen and Dani. They all held hands. For a while, no words were spoken, but then Orla broke the silence. “What do ya’ think will happen to us in 2253?” she asked.

I'll be there at ten." "Oh," I said suprised. "For some reason I thought that this was a day thing." "Halarious. Ten in the morning, darling." "Can't a girl sleep in on the weekend!" "You don't sleep. See you Sunday, and don't wear stupid shoes." Noah said, and hung up before I could reply. I stood, staring at the phone. He was so aggravating. But a nervous thrill traveled through my stomach. Me and Noah. Sunday. Just us.

For the special thrilling quality of their friendship was in their complete surrender. Like two open cities in the midst of some vast plain their two minds lay open to each other. And it wasn't as if he rode into hers like a conqueror, armed to the eyebrows and seeing nothing but a gay silken flutter--nor did she enter his like a queen walking on soft petals. No, they were eager, serious travellers, absorbed in understanding what was to be seen and discovering what was hidden--making the most of this extraordinary absolute chance which made it possible for him to be utterly truthful to her and for her to be utterly sincere with him.

Imagine that you traveled all over the world, looking for happiness, looking for thrills to pass the time. Imagine seeing everything there is to see and still not finding happiness.

He began to read at haphazard. He entered upon each system with a little thrill of excitement, expecting to find in each some guide by which he could rule his conduct; he felt himself like a traveller in unknown countries and as he pushed forward the enterprise fascinated him; he read emotionally, as other men read pure literature, and his heart leaped as he discovered in noble words what himself had obscurely felt.

Perhaps there is no thrill so great as that which comes with a walk in the freshness of morning air.

All of life is a trust fall, and I'm awakening to the thrill, rather than the fear, of being suspended midair.

I will tell a thrilling tale of intrigue,” said Queen Noor. “So thrilling that you might think yourself to be in the presence of a fine, traveling storyteller.

There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.

Night-time train travel is wonderful again! No standing in the corridors for hours, no being shunted off for a troop train to pass, and above all, no black-out curtains. All the windows we passed were lighted, and I could snoop once more. I missed it so terribly during the war. I felt as if we had all turned into moles scuttling along in our separate tunnels. I don't consider myself a real peeper-they go in for bedrooms, but it's families in sitting rooms or kitchens that thrill me. I can imagine their entire lives from a glimpse of bookshelves, or desks, or lit candles, or bright sofa cushions.

Why is your species so dissatisfied?” “How so?” “Humans are individuals, quite social in nature. You strive to become more than yourselves using Silicon reconstructions in your bodies and filaments in your brains connecting you, unnaturally, to the NET.” “Our bodies are mortal. We employ silicon and alloys to extend our bodies’ existence.” “You appear to be attempting the same strategy with your brains’ architectures.” “By using the NET? Is that what you mean?” “You will never accomplish this. You must know it.” “Surely you can understand that as we are now, we have what we consider a limited lifespan, and, it seems, so does this planet. When the inevitable happens, we will not be able to travel any substantial distance in space. We cannot escape our dying planet. Humanity will cease to exist if we fail. We face our ultimate existential crisis as a species. Our most basic instinct is the survival of our species, so you see we must try. It is in our nature. It is evolution or elimination.

I have no desire to change things because I am the youngest in my family. I like meeting new people when I travel: these brief and inconsequential encounters have the thrill of beginnings and the sadness of separations.

Dear ignoramuses, Halloween is not 'a yankee holiday' celebrated only by gigantic toddlers wearing baseball caps back to front and spraying 'automobiles' with eggs. This is ignorance. Halloween is an ancient druidic holiday, one the Celtic peoples have celebrated for millennia. It is the crack between the last golden rays of summer and the dark of winter; the delicately balanced tweak of the year before it is given over entirely to the dark; a time for the souls of the departed to squint, to peek and perhaps to travel through the gap. What could be more thrilling and worthy of celebration than that? It is a time to celebrate sweet bounty, as the harvest is brought in. It is a time of excitement and pleasure for children before the dark sets in. We should all celebrate that. Pinatas on the other hand are heathen monstrosities and have no place in a civilised society.

Something that’s bothered me for a while now is the current profligacy in YA culture of Team Boy 1 vs Team Boy 2 fangirling. [...] Despite the fact that I have no objection to shipping, this particular species of team-choosing troubled me, though I had difficulty understanding why. Then I saw it applied to Suzanne Collins’s The Hunger Games trilogy – Team Peeta vs Team Gale – and all of a sudden it hit me that anyone who thought romance and love-triangles were the main event in that series had utterly missed the point. Sure, those elements are present in the story, but they aren’t anywhere near being the bones of it, because The Hunger Games, more than anything else, is about war, survival, politics, propaganda and power. Seeing such a strong, raw narrative reduced to a single vapid argument – which boy is cuter? – made me physically angry. So, look. People read different books for different reasons. The thing I love about a story are not necessarily the things you love, and vice versa. But riddle me this: are the readers of these series really so excited, so thrilled by the prospect of choosing! between! two! different! boys! that they have to boil entire narratives down to a binary equation based on male physical perfection and, if we’re very lucky, chivalrous behaviour? While feminism most certainly champions the right of women to chose their own partners, it also supports them to choose things besides men, or to postpone the question of partnership in favour of other pursuits – knowledge, for instance. Adventure. Careers. Wild dancing. Fun. Friendship. Travel. Glorious mayhem. And while, as a woman now happily entering her fourth year of marriage, I’d be the last person on Earth to suggest that male companionship is inimical to any of those things, what’s starting to bother me is the comparative dearth of YA stories which aren’t, in some way, shape or form, focussed on Girls Getting Boyfriends, and particularly Hot Immortal Or Magical Boyfriends Whom They Will Love For All Eternity. Blog post: Love Team Freezer

I'll take you to Mickey D's," said Sean. "I'll buy you a hamburger." Annie was not thrilled. Sean's offer did not compare to offers made in other centuries. "And fries," Sean said. "And a vanilla milkshake." Annie remained unthrilled. "Okay, okay. You can have a Big Mac." Romance in my century, she thought, is pitiful.

Up to a point, having fun is good for you. But it’s not an adequate substitute for serious, purposeful activity. For lack of this kind of activity people in our society get bored. They try to relieve their boredom by having fun. They seek new kicks, new thrills, new adventures. They masturbate their emotions by experimenting with new religions, new art-forms, travel, new cultures, new philosophies, new technologies. But still they are never satisfied, they always want more, because all of these activities are purposeless. People don’t realize that what they really lack is serious, practical, purposeful work—work that is under their own control and is directed to the satisfaction of their own most essential, practical needs.

Because no matter how far you may travel, you are what you are, and even when you are flying at thrilling new heights, circling the sun and thinking you belong in the halo of that perfect golden light, you do not. The wings always melt, and you always crash-land in your same old self.

Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers. One day, a woman saw this bird and fell in love with him. She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird. But then she thought: He might want to visit far-off mountains! And she was afraid, afraid that she would never feel the same way about any other bird. And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.” The bird, who was also in love, returned the following day, fell into the trap and was put in a cage. She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.” However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest. The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage. One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds. If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body. Without the bird, her life too lost all meaning, and Death came knocking at her door. “Why have you come?” she asked Death. “So that you can fly once more with him across the sky,” Death replied. “If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.

The human mind prefers something which it can recognize to something for which it has no name, and, whereas thousands of persons carry field glasses to bring horses, ships, or steeples close to them, only a few carry even the simplest pocket microscope. Yet a small microscope will reveal wonders a thousand times more thrilling than anything which Alice saw behind the looking-glass.

Each of us has our definition of adventure: ending an unsatisfying relationship, returning to school, parachute jumping or training for a marathon. Go ahead. Get your thrill on.

When you're traveling you need to take care of yourself to get by, you have to keep an eye on yourself and your place in the world. It means concentrating on yourself, thinking about yourself and looking after yourself. So when you travel all you really encounter is yourself, as if that were the whole point of it. When you're at home you simply are, you don't have to struggle with anything or achieve anything. You don't have to worry about the railways connections, and timetables, you don't need to experience any thrills or disappointments. You can put yourself to one side - and that's when you see the most.

The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. The wilderness gave them their first taste of those rewards and penalties for wise and foolish acts which every woodsman faces daily, but against which civilization has built a thousand buffers.

Wandering aimlessly, I love the thrill of unknown paths. I am a nomad. I am a wanderer. I am a drifter. Why do I keep on drifting? Yes, I wish I knew why? I am not aware of the reason myself. Why do I keep on drifting?

This is astounding, amazing, so incredibly thrilling. Only today a world travelling cabaret performing drag queen took me out for lunch and named me as his new best friend. The idea plunges my black and white world into a vibrant techni-colour rainbow.

Tokyo is a very safe city. At night it becomes quiet the way New York never does.

Those who say traveling is expensive, are just ill-informed.

It’s daunting to find the language so foreign, so distant, but also so thrilling. One is absolved of responsibility when the language is incomprehensible.

Satan’s Affair is a traveling fair that comes to town every year, staying for two nights before moving on to the next town. They set up loads of haunted houses and thrill rides. Daya and I go every year religiously.

To what a world does the illustrious bard carry me! To wander over pathless wilds, surrounded by impetuous whirlwinds, where, by the feeble light of the moon, we see the spirits of our ancestors; to hear from the mountain-tops, mid the roar of torrents, their plaintive sounds issuing from deep caverns, and the sorrowful lamentations of a maiden who sighs and expires on the mossy tomb of the warrior by whom she was adored. I meet this bard with silver hair; he wanders in the valley; he seeks the footsteps of his fathers, and, alas! he finds only their tombs. Then, contemplating the pale moon, as she sinks beneath the waves of the rolling sea, the memory of bygone days strikes the mind of the hero, days when approaching danger invigorated the brave, and the moon shone upon his bark laden with spoils, and returning in triumph. When I read in his countenance deep sorrow, when I see his dying glory sink exhausted into the grave, as he inhales new and heart-thrilling delight from his approaching union with his beloved, and he casts a look on the cold earth and the tall grass which is so soon to cover him, and then exclaims, "The traveller will come, -- he will come who has seen my beauty, and he will ask, 'Where is the bard, where is the illustrious son of Fingal?' He will walk over my tomb, and will seek me in vain!

Truth be told, I was far from horrified by the prospect of “traveling from city to city and living in hotels.” I was rather looking forward eagerly to that—a life filled with music and travel—and completely thrilled with the whole idea.

People who have never canoed a wild river, or who have done so only with a guide in the stern, are apt to assume that novelty, plus healthful exercise, account for the value of the trip. I thought so too, until I met the two college boys on the Flambeau. Supper dishes washed, we sat on the bank watching a buck dunking for water plants on the far shore. Soon the buck raised his head, cocked his ears upstream, and then bounded for cover. Around the bend now came the cause of his alarm: two boys in a canoe. Spying us, they edged in to pass the time of day. ‘What time is it?’ was their first question. They explained that their watches had run down, and for the first time in their lives there was no clock, whistle, or radio to set watches by. For two days they had lived by ‘sun-time,’ and were getting a thrill out of it. No servant brought them meals: they got their meat out of the river, or went without. No traffic cop whistled them off the hidden rock in the next rapids. No friendly roof kept them dry when they misguessed whether or not to pitch the tent. No guide showed them which camping spots offered a nightlong breeze, and which a nightlong misery of mosquitoes; which firewood made clean coals, and which only smoke. Before our young adventurers pushed off downstream, we learned that both were slated for the Army upon the conclusion of their trip. Now the motif was clear. This trip was their first and last taste of freedom, an interlude between two regimentations: the campus and the barracks. The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. The wilderness gave them their first taste of those rewards and penalties for wise and foolish acts which every woodsman faces daily, but against which civilization has built a thousand buffers. These boys were ‘on their own’ in this particular sense. Perhaps every youth needs an occasional wilderness trip, in order to learn the meaning of this particular freedom.

There was religion, then there was God. Lianne wanted to disbelieve. Disbelief was the line of travel that led to clarity of thought and purpose. Or was this simply another form of superstition? She wanted to trust in the forces and processes of the natural world, this only, perceptible reality and scientific endeavor, men and women alone on earth. She knew there was no conflict between science and God. Take one with the other. But she didn't want to. There were the scholars and philosophers she'd studied in school, books she'd read at thrilling dispatches, personal, making her shake at times, and there was the sacred art she'd always loved. Doubters created this work, and ardent believers, and those who'd doubted and then believed, and she was free to think about doubt and believe simultaneously. But she didn't want to. God would crowd her, make her weaker. God would be a presence that remained unimaginable. She wanted this only, to snuff out the pulse of the shaky faith she'd held for much of her life.

A common and traditionally masculine marital problem is created by the husband who, once he is married, devotes all his energies to climbing mountains and none to tending to his marriage, or base camp, expecting it to be there in perfect order whenever he chooses to return to it for rest and recreation without his assuming any responsibility for its maintenance. Sooner or later this “capitalist” approach to the problem fails and he returns to find his untended base camp a shambles, his neglected wife having been hospitalized for a nervous breakdown, having run off with another man, or in some other way having renounced her job as camp caretaker. An equally common and traditionally feminine marital problem is created by the wife who, once she is married, feels that the goal of her life has been achieved. To her the base camp is the peak. She cannot understand or empathize with her husband’s need for achievements and experiences beyond the marriage and reacts to them with jealousy and never-ending demands that he devote increasingly more energy to the home. Like other “communist” resolutions of the problem, this one creates a relationship that is suffocating and stultifying, from which the husband, feeling trapped and limited, may likely flee in a moment of “mid-life crisis.” The women’s liberation movement has been helpful in pointing the way to what is obviously the only ideal resolution: marriage as a truly cooperative institution, requiring great mutual contributions and care, time and energy, but existing for the primary purpose of nurturing each of the participants for individual journeys toward his or her own individual peaks of spiritual growth. Male and female both must tend the hearth and both must venture forth. As an adolescent I used to thrill to the words of love the early American poet Ann Bradstreet spoke to her husband: “If ever two were one, then we.”20 As I have grown, however, I have come to realize that it is the separateness of the partners that enriches the union. Great marriages cannot be constructed by individuals

Trekking means a travelling experience with a thrilling excitement.

T- Thrilling R- Road A- Along the V- Vibrant E - Experiences Of L - Life

Thrilled about my giveaway winners! Book will be mailed Tuesday (after the holiday! Hope you enjoy Libby's Journey and come back for more! Share with friends and I'd appreciate reviews!

All that travel is inevitably exhausting, but it never gets old. Arriving in the next city for the next opportunity is always a thrill. As busy as I am, wherever I am, I try to get out and walk the streets, to check out the sidewalks for cracks, to remember how far I’ve come and appreciate every baby step of the way, to stand in amazement and joy that the pursuit never ends.

But I believe that the grand unifying theory that explains the paradox of tragedy is (like most such theories) deceptively simple: We don’t actually welcome tragedy per se. What we like are sad and beautiful things—the bitter together with the sweet. We don’t thrill to lists of sad words, for example, or slide shows of sad faces (researchers have actually tested this). What we love is elegiac poetry, seaside cities shrouded in fog, spires reaching through the clouds. In other words: We like art forms that express our longing for union, and for a more perfect and beautiful world. When we feel strangely thrilled by the sorrow of “Moonlight Sonata,” it’s the yearning for love that we’re experiencing—fragile, fleeting, evanescent, precious, transcendent love. The idea of longing as a sacred and generative force seems very odd in our culture of normative sunshine. But it’s traveled the world for centuries, under many different names, taking many different forms.

Behold her, single in the field, Yon solitary Highland Lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain; O listen! for the vale profound Is overflowing with the sound. No nightingale did ever chaunt More welcome notes to weary bands Of travellers in some shady haunt, Among Arabian sands: A voice so thrilling ne'er was heard In spring-time from the cuckoo-bird Breaking the silence of the seas Among the farthest Hebrides. Will no one tell me what she sings? Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago: Or is it some more humble lay, Familiar matter of today? Some natural sorrow, loss, or pain, That has been, and may be again! Whate'er the theme, the maiden sang As if her song could have no ending; I saw her singing at her work, And o'er the sickle bending; I listened, motionless and still; And as I mounted up the hill The music in my heart I bore, Long after it was heard no more.

Don’t giggle,” he said, and taking her hand, he turned it over and pressed his lips into the palm. Something vital, electric, leaped from him to her at the touch of his warm mouth, something that caressed her whole body thrillingly. His lips traveled to her wrist and she knew that he must feel the leap of her pulse as her heart quickened and she tried to draw back her hand. She had not bargained on this—this treacherous warm tide of feeling that made her want to run her hands through his hair, to feel his lips upon her mouth. She wasn’t in love with him, she told herself confusedly. She was in love with Ashley.

He traveled, he studied, he taught ... He learned to appreciate the singular little thrill of following dark byways in strange towns, knowing well that he would discover nothing, save filth and ennui and discarded merry cans with labels and the jungle jingles of exported jazz. He often felt that the famed cities, the museums, the ancient torture house and the suspended garden were but places on the map of his own madness.

Something vital, electric, leaped from him to her at the touch of his warm mouth, something that caressed her whole body thrillingly. His lips traveled to her wrist and she knew that he must feel the leap of her pulse as her heart quickened and she tried to draw back her hand. She had not bargained on this—this treacherous warm tide of feeling that made her want to run her hands through his hair, to feel his lips upon her mouth.

I wish I were rich enough to endow a prize for the sensible traveler: £10,000 for the first man to over Marco Polo’s outward route, reading three fresh books a week, and another £10,000 if he a drinks a bottle of wine a day as well. That man might tell one something about the journey. He might or might not be naturally observant. But at least he would use what eyes he had, and would not think it necessary to dress up the result in thrills that never happened and science no deeper than its own jargon.

As a teenager, she’d envisioned herself as a historian in some grand library, holed up with mountains of books in barely legible handwriting. Then she’d toyed with archaeology when the library hadn’t felt big enough to hold her ambitions. Anthropologist, travel writer, journalist, diplomat, translator—it didn’t matter that she hadn’t quite settled on a choice yet. For a wild, thrilling moment in her life, it seemed the future was opening up to her, and everything had felt possible. How easily it’s been taken from her.

I like traveling to other places to do the exact same things I do at home: read books in bed, occasionally get over-priced takeout, and groan exasperatedly at tourists chattering excitedly outside my door over whatever thrilling activity they are about to go do.

When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")

Her hair is troublesome and curly ... It falls in long, black strands, but each strand has a gentle, complicated undulation travelling through it, like a mild electric shock or a thrill, hat gives it a life of its own; it is visually analogous to a tremolo on a musical note.

Now the motif was clear. This trip was their first and last taste of freedom, an interlude between two regimentations: the campus and the barracks. The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. The wilderness gave them their first taste of those rewards and penalties for wise and foolish acts which every woodsman faces daily, but against which civilization has built a thousand buffers. These boys were ‘on their own’ in this particular sense.

Linc remembered the dark thrill he felt. It started in his chest, just below his heart, and traveled down his body, ending at his groin. It was like a seed had been planted in him, and it now bloomed. The tendrils snaked through his veins, the leaves unfurling in his bloodstream. He couldn't speak, afraid that he would spit up leaves and petals.

His eyes are so heavy-lidded I can only see a slit of silver gleaming down at me. Then he licks his lips, and a thrill shoots up my spine. I know that look. I love that look. Wes shoves his trousers down. His thick erection slaps my abs. “I want to touch you,” I beg. “No.” His tone is commanding. It only intensifies the thrill. “Gotta hold you down so you don’t go running off again.” He gives me another lingering kiss just to drive the point home. And when he finally releases my wrists, he’s off the bed before I can reach for him. “Don’t move,” he whispers, and I go still, watching in near fascination as he charges across the room to where he dropped his wallet. He opens it, extracts one of his handy packets of travel lube, and returns to the bed. “Arms over your head.

As Rockwell Kent said in his Alaskan journal, 'The wonder of wilderness was its tranquility.' I wish I had said that first. It grasps the salient point: not just tranquility, but wonder at tranquility. Wilderness is a surprise. We were raised on nature films that converted nature into thrilling entertainment; we still expect to find predators lurking everywhere in the wildness, and danger and excitement. But instead we find tranquility. And wonder at it. Interesting word, "wonder." From Old English wundrain: 'to be affected with astonishment.' Its antonyms name the most pervasive symptoms of modern life: indifference, boredom, ennui. The dictionary strains to explain wonder, mentioning awe, astonishment, marvel, miracle, wizardry, bewilderment (note the 'wild' in 'bewilderment'). Finally it offers this: 'Far superior to anything formerly recognized or foreseen.' Indeed.

This?' he demands, looking down at the waves far beneath them. 'This is how you travelled? What if the enchantment ended while Vivi wasn't with you?' 'I suppose I would have plummeted out of the air,' Jude tells him with troubling equanimity, her expression saying, Horrible risks are entirely normal to me. Cardan has to admit that the ragwort steeds are swift and that there is something thrilling about tangling his hand in a leafy mane and racing across the sky. It's not as though he doesn't enjoy a little danger, just that he doesn't gorge himself on it, unlike some people.

These memories of former times do not awaken desire so much as sorrow - a vast, inapprehensible melancholy. Once we had such desires - but they return not. They are past, they belong to another world that is gone from us. In the barracks they called forth a rebellious, wild craving for their return; for then they were still bound to us, we belonged to them and they to us, even though we were already absent from them. They appeared in the soldiers' songs which we sang as we marched between the glow of the dawn and the black silhouettes of the forests to drill on the moor, they were a powerful remembrance that was in us and came from us. But here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong - but they are unattainable, and we know it. And even if these scenes of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. We could never regain the old intimacy with those scenes. It was not any recognition of their beauty and their significance that attracted us, but the communion, the feeling of a comradeship with the things and events of our existence, which cut us off and made the world of our parents a thing incomprehensible to us--for then we surrendered ourselves to events and were lost in them, and the least little thing was enough to carry us down the stream of eternity. Perhaps it was only the privilege of our youth, but as yet we recognised no limits and saw nowhere an end. We had that thrill of expectation in the blood which united us with the course of our days. To-day we would pass through the scenes of our youth like travellers. We are burnt up by hard facts; like tradesmen we understand distinctions, and like butchers, necessities. We are no longer untroubled--we are indifferent. We might exist there; but should we really live there? We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial - I believe we are lost.

Have you ever listened to a song from a long time ago; from your past; a song that was filled with so many memories tied to it, that you felt it so deeply- that it made you cry? And did you listen to it again, intentionally, for a second time? So you could travel back in time through that song; back when everything seemed so much simpler, basic, carefree? Those are the songs that are the soundtracks of our lives… the ones that bring back childhood memories, deep feelings, snapshots of our lives (or short videos), best friends, first loves, first heartbreaks… births, deaths. Our lives are like the record albums that we used to play just a few years ago; just yesterday. We played some of the songs over and over again- to the point of which we can sing along with every word as we play it. Other songs seem somewhat unfamiliar, as we rarely go back to listen to them; we skip over them or we barely listen to the start of it before we turn off the record player. But just like on a record album and just like in our memories, you can't cut a song out off an album... just like you can't cut out a memory. The songs and memories remain there, side by side; the good ones, the bad ones, the ones that thrill us and the ones that hurt. Those are the songs that our lives are composed of. Those are the songs that we chase back, back into our our own memories in our private and personal musical time machines.

recorded his family’s experiences year after year. He did so in such an entertaining and original manner that his films have gradually become classics. In Disneyland Dream, the family – father, mother, and three children aged between four and eleven – enters a competition sponsored by the then-new Scotch tape. The winners are to be treated to a trip – by airplane! – to the recently opened Disneyland in Anaheim, California. Lo and behold the youngest child, Danny, wins first prize with the indomitable slogan: ‘I like “Scotch” brand cellophane tape because when some things tear then I can just use it.’ Excitement all round, and the Barstows’ neighbours step out into their front gardens to wave the family off. Then comes the thrilling

Hand in hand, my love, come away with me into the blackness— by the trunk of an old strong oak: I long to hold you all through the night and, knowing not of dawn, to not talk once— a pair of hands nightswept-earth…. Dawning starlight above splinters the sky to nerves— now's time for leaving: poised on the verge of shorelines burgeoning everything inside is raw and tingling…. Over the mountain in utter aloneness winds are blowing in a cold void…. Just a few promises I’d packed when I made my way east like a cloud torn from moorings always there've been those of us who sought their origins on the road — under an empty moon— and the origins of origins…. In electrical well-spring vision nuzzled in the bosom of hills on the roaming magnetic earth— far away though they are the cloud-river of stars configures over and over these visions of you…. Shaking off its dust— that glittering icy swirl abides…. On the roaming magnetic earth lying flat, my eyes shocked awake by the electric liquid light: chilling winds do not chill me I know no harm can hold me even a killing wound will only seep me back into the stars... be seeping out from me: in the float of her womb and cradled from the cold— that cradle-of-stars hanging the milky way…. Over the bay just-beginning—a cusp and crescent sliver—by the constellations paling fading…. Transient as I am from before and into after— like blue vapor, breath travels in a light from long ago… here though I knew she'd be to be here with her in scorn of all happenstance is more than a choice: a joy that's almost loss— lightning and paralysis…. The blue fire of delight flickers through sockets of her skull— so all the world knows not or pretends not to know: a person takes a lifetime to get to know but the thrill of remembrance when our eyes met was just one instant: it happens all the time….

Hand in hand, my love, come away with me into the blackness— by the trunk of an old strong oak: I long to hold you all through the night and, knowing not of dawn, to not talk once— a pair of hands nightswept-earth…. Dawning starlight above splinters the sky to nerves— now's time for leaving: poised on the verge of shorelines burgeoning everything inside is raw and tingling…. Over the mountain in utter aloneness winds are blowing in a cold void…. Just a few promises I’d packed when I made my way east like a cloud torn from moorings always there've been those of us who sought their origins on the road — under an empty moon— and the origins of origins…. In electrical well-spring vision nuzzled in the bosom of hills on the roaming magnetic earth— far away though they are the cloud-river of stars configures over and over these visions of you…. Shaking off its dust— that glittering icy swirl abides…. On the roaming magnetic earth lying flat, my eyes shocked awake by the electric liquid light: chilling winds do not chill me I know no harm can hold me even a killing wound will only seep me back into the stars... be seeping out from me: in the float of her womb and cradled from the cold— that cradle-of-stars hanging the milky way…. Over the bay just-beginning—a cusp and crescent sliver—by the constellations paling fading…. Transient as I am from before and into after— like blue vapor, breath travels in a light from long ago… here though I knew she'd be to be here with her in scorn of all happenstance is more than a choice: a joy that's almost loss— lightning and paralysis…. The blue fire of delight flickers through sockets of her skull— so all the world knows not or pretends not to know: a person takes a lifetime to get to know but the thrill of remembrance when our eyes met was just one instant: it happens all the time….

THE SOLITARY REAPER. Behold her, single in the field, Yon solitary highland lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain; O listen! for the vale profound Is overflowing with the sound. No nightingale did ever chaunt More welcome notes to weary bands Of travellers in some shady haunt Among Arabian sands: A voice so thrilling ne'er was heard In spring-time from a cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides. Will no one tell me what she sings?— Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago: Or is it some more humble lay, Familiar matter of to-day? Some natural sorrow, loss, or pain, That has been, or may be again? Whate'er the theme, the maiden sang As if her song could have no ending; I saw her singing at her work, And o'er the sickle bending;— I listened, motionless and still; And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more.

He thought the best thing he had gained in Paris was a complete liberty of spirit, and he felt himself at last absolutely free. In a desultory way he had read a good deal of philosophy, and he looked forward with delight to the leisure of the next few months. He began to read at haphazard. He entered upon each system with a little thrill of excitement, expecting to find in each some guide by which he could rule his conduct; he felt himself like a traveller in unknown countries and as he pushed forward the enterprise fascinated him; he read emotionally, as other men read pure literature, and his heart leaped as he discovered in noble words what himself had obscurely felt. His mind was concrete and moved with difficulty in regions of the abstract; but, even when he could not follow the reasoning, it gave him a curious pleasure to follow the tortuosities of thoughts that threaded their nimble way on the edge of the incomprehensible. Sometimes great philosophers seemed to have nothing to say to him, but at others he recognised a mind with which he felt himself at home. He

It is very difficult for wealth seekers to understand the motives of powerseekers. A wealth seeker tried to improve his condition by, we hope, producing goods or services of value to trade for what he wants. This process of production and trade is satisfying in itself, and it moves the wealth seeker in the direction he wishes to travel. The powerseeker is willing to trade his wealth for the privilege of forcing others to bend to his will. If you watch closely in every election, you will see people investing thousands or millions of their own dollars for campaigns to acquire political jobs paying small salaries that can never repay the investment. Are these people trying to get government jobs to get rich? Or are they after something else, for the ability to impose their plans on others? If you are not a powerseeker, war is just a big waste (unless you are an arms maker). Bur war is the most thrilling and, therefore, most satisfying expression of political power. If you are a powerseeker, war is nirvana. Very important: war is not the route to nirvana; it is nirvana. War is the end in itself, the big payoff.

But I believe that the grand unifying theory that explains the paradox of tragedy is (like most such theories) deceptively simple: We don’t actually welcome tragedy per se. What we like are sad and beautiful things—the bitter together with the sweet. We don’t thrill to lists of sad words, for example, or slide shows of sad faces (researchers have actually tested this). What we love is elegiac poetry, seaside cities shrouded in fog, spires reaching through the clouds. In other words: We like art forms that express our longing for union, and for a more perfect and beautiful world. When we feel strangely thrilled by the sorrow of “Moonlight Sonata,” it’s the yearning for love that we’re experiencing—fragile, fleeting, evanescent, precious, transcendent love. The idea of longing as a sacred and generative force seems very odd in our culture of normative sunshine. But it’s traveled the world for centuries, under many different names, taking many different forms. Writers and artists, mystics and philosophers, have long tried to give voice to it. García Lorca called it the “mysterious power which everyone senses and no philosopher explains.

It’s talk like this that thrills and amazes people in the aerospace industry, who have long been hoping that some company would come along and truly revolutionize space travel. Aeronautics experts will point out that twenty years after the Wright brothers started their experiments, air travel had become routine. The launch business, by contrast, appears to have frozen. We’ve been to the moon, sent research vehicles to Mars, and explored the solar system, but all of these things are still immensely expensive one-off projects. “The cost remains extraordinarily high because of the rocket equation,” said Carol Stoker, the planetary scientist at NASA. Thanks to military and government contracts from agencies like NASA, the aerospace industry has historically had massive budgets to work with and tried to make the biggest, most reliable machines it could. The business has been tuned to strive for maximum performance, so that the aerospace contractors can say they met their requirements. That strategy makes sense if you’re trying to send up a $1 billion military satellite for the U.S. government and simply cannot afford for the payload to blow up.

I have never lost the thrill of travel. I still crave the mental and physical jolt of being somewhere new, of descending aeroplane steps into a different climate, different faces, different languages. It’s the only thing, besides writing, that can meet and relieve my ever-simmering, ever-present restlessness. If I have been too long at home, stuck in the routine of school-runs, packed lunches, swimming lessons, laundry, tidying, I begin to pace the house in the evenings. I might start to cook something complicated very late at night. I might rearrange my collections of Scandinavian glass. I will scan the bookshelves, sighing, searching for something I haven’t yet read. I will start sorting through my clothes, deciding on impulse to take armfuls to the charity shop. I am desperate for change, endlessly seeking novelty, wherever I can find it. My husband might return from an evening out to discover that I have moved all the furniture in the living room. I am not, at times like this, easy to live with. He will raise his eyebrows as I single-handedly shove the sofa towards the opposite wall, just to see how it might look. “Maybe,” he will say, as he unlaces his shoes, “we should book a holiday.

POEM – MY AMAZING TRAVELS [My composition in my book Travel Memoirs with Pictures] My very first trip I still cannot believe Was planned and executed with such great ease. My father, an Inspector of Schools, was such a strict man, He gave in to my wishes when I told him of the plan. I got my first long vacation while working as a banker One of my co-workers wanted a travelling partner. She visited my father and discussed the matter Arrangements were made without any flutter. We travelled to New York, Toronto, London, and Germany, In each of those places, there was somebody, To guide and protect us and to take us wonderful places, It was a dream come true at our young ages. We even visited Holland, which was across the Border. To drive across from Germany was quite in order. Memories of great times continue to linger, I thank God for an understanding father. That trip in 1968 was the beginning of much more, I visited many countries afterward I am still in awe. Barbados, Tobago, St. Maarten, and Buffalo, Cirencester in the United Kingdom, Miami, and Orlando. I was accompanied by my husband on many trips. Sisters, nieces, children, grandchildren, and friends, travelled with me a bit. Puerto Rico, Los Angeles, New York, and Hialeah, Curacao, Caracas, Margarita, Virginia, and Anguilla. We sailed aboard the Creole Queen On the Mississippi in New Orleans We traversed the Rockies in Colorado And walked the streets in Cozumel, Mexico. We were thrilled to visit the Vatican in Rome, The Trevi Fountain and the Colosseum. To explore the countryside in Florence, And to sail on a Gondola in Venice. My fridge is decorated with magnets Souvenirs of all my visits London, Madrid, Bahamas, Coco Cay, Barcelona. And the Leaning Tower of Pisa How can I forget the Spanish Steps in Rome? Stratford upon Avon, where Shakespeare was born. CN Tower in Toronto so very high I thought the elevator would take me to the sky. Then there was El Poble and Toledo Noted for Spanish Gold We travelled on the Euro star. The scenery was beautiful to behold! I must not omit Cartagena in Columbia, Anaheim, Las Vegas, and Catalina, Key West, Tampa, Fort Lauderdale, and Pembroke Pines, Places I love to lime. Of course, I would like to make special mention, Of two exciting cruises with Royal Caribbean. Majesty of the Seas and Liberty of the Seas Two ships which grace the Seas. Last but not least and best of all We visited Paris in the fall. Cologne, Dusseldorf, and Berlin Amazing places, which made my head, spin. Copyright@BrendaMohammed

I am your shower curtain and I am watching you. I surround you, I shield you, and I like you. I like to see the water touch you, travel down upon you, searching, falling away from you. I like to see you lather. I like to see you rinse. I like to see you thinking your thoughts with your eyes closed. I do not like to hear you hum. I do not like to hear you sing. I like you quiet. I like you thinking, silently, your lips moving, your eyes closed tight. I like your fingers. Your wrists, your toes. I like your shins. Your knees. I like the way the water funnels between your legs and cascades down, turning in corkscrews. I like it when you like yourself. When you give a moment to your thighs. When you give a moment to the back of your neck, to the inner fold of your arm. Take a moment. Give yourself time. Take the soap and make circles on your flesh. Make slow circles on your flesh. Make long elliptical shapes upon your beautiful flesh. Your beautiful flesh today. Tomorrow your flesh will be different. It will be older. Appreciate it now. Your flesh is a miracle. You started from nothing. From an egg too small to see. Then a relentless multiplication of cells, each one a miracle, each one a preposterous happening. And from this ridiculous profusion now you are you. You are a giant. You are a giant and water is falling upon you and you are cleaning yourself because you are beautiful. Please don’t think about anything else. I know I said I liked to see you think but that, i realize now, is not true. I don’t want to see you think. I only want the elliptical touching of your flesh. throw your mind away and enjoy your wet flesh. thrill in your existence. Your persistence. the fact that you can be here, under this falling water. this, as much as any other reason, is why you are here, why you exist. to enjoy this. to feel this. it is good enough. It is good enough to justify everything else.

The Marquis de V... - whose falsetto voice and little watery eyes I have always detested - was saying to me with a wicked smile: 'Then again, the master gymnast might break his neck at any moment. What he is doing now is very dangerous, my dear, and the pleasure you take in his performance is the little frisson that danger affords you. Wouldn't it be thrilling, if his sweaty hand failed to grip the bar? The velocity acquired by his rotation about the bar would break his spine quite cleanly, and perhaps a little of the cervical matter might spurt out as far as this! It would be most sensational, and you would have a rare emotion to add to the field of your experience - for you collect emotions, don't you? What a pretty stew of terrors that man in tights stirs up in us! 'Admit that you almost wish that he will fall! Me too. Many others in the auditorium are in the same state of attention and anguish. That is the horrible instinct of a crowd confronted with a spectacle which awakens in it the ideas of lust and death. Those two agreeable companions always travel together! Take it from me that at the very same moment - see, the man is now holding on to the bar by his fingertips alone - at the very same moment, a good number of the women in these boxes are ardently lusting after that man, not so much for his beauty as for the danger he courts.' The voice subtly changed its tone, suddenly becoming more interested. 'You have singularly pale eyes this evening, my dear Freneuse. You ought to give up bromides and take valerian instead. You have a charming and curious soul, but you must take command of its changes. You are too ardently and too obviously covetous, this evening, of the death - or at least the fall - of that man.' I did not reply. The Marquis de V... was quite right. The madness of murder had taken hold of me again; the spectacle had me in its hallucinatory grip. Straitened by a penetrating and delirious anguish, I yearned for that man to fall. There are appalling depths of cruelty within me.

It describes a significantly different way of life. For instance, the Manuscript predicts that we humans will voluntarily decrease our population so that we all may live in the most powerful and beautiful places on the Earth. But remarkably, many more of these areas will exist in the future, because we will intentionally let the forests go uncut so that they can mature and build energy. “According to the Ninth Insight, by the middle of the next millennium,” he continued, “humans will typically live among five hundred year old trees and carefully tended gardens, yet within easy travel distance of an urban area of incredible technological wizardry. By then, the means of survival—foodstuffs and clothing and transportation—will all be totally automated and at everyone’s disposal. Our needs will be completely met without the exchange of any currency, yet also without any overindulgence or laziness. “Guided by their intuitions, everyone will know precisely what to do and when to do it, and this will fit harmoniously with the actions of others. No one will consume excessively because we will have let go of the need to possess and to control for security. In the next millennium, life will have become about something else. “According to the Manuscript,” he went on, “our sense of purpose will be satisfied by the thrill of our own evolution—by the elation of receiving intuitions and then watching closely as our destinies unfold. The Ninth depicts a human world where everyone has slowed down and become more alert, ever vigilant for the next meaningful encounter that comes along. We will know that it could occur anywhere: on a path that winds through a forest, for instance, or on a bridge that traverses some canyon. “Can you visualize human encounters that have this much meaning and significance? Think how it would be for two people meeting for the first time. Each will first observe the other’s energy field, exposing any manipulations. Once clear, they will consciously share life stories until, elatedly, messages are discovered. Afterward, each will go forward again on their individual journey, but they will be significantly altered. They will vibrate at a new level and will thereafter touch others in a way not possible before their meeting.

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.

Fascism rested not upon the truth of its doctrine but upon the leader’s mystical union with the historic destiny of his people, a notion related to romanticist ideas of national historic flowering and of individual artistic or spiritual genius, though fascism otherwise denied romanticism’s exaltation of unfettered personal creativity. The fascist leader wanted to bring his people into a higher realm of politics that they would experience sensually: the warmth of belonging to a race now fully aware of its identity, historic destiny, and power; the excitement of participating in a vast collective enterprise; the gratification of submerging oneself in a wave of shared feelings, and of sacrificing one’s petty concerns for the group’s good; and the thrill of domination. Fascism’s deliberate replacement of reasoned debate with immediate sensual experience transformed politics, as the exiled German cultural critic Walter Benjamin was the first to point out, into aesthetics. And the ultimate fascist aesthetic experience, Benjamin warned in 1936, was war. Fascist leaders made no secret of having no program. Mussolini exulted in that absence. “The Fasci di Combattimento,” Mussolini wrote in the “Postulates of the Fascist Program” of May 1920, “. . . do not feel tied to any particular doctrinal form.” A few months before he became prime minister of Italy, he replied truculently to a critic who demanded to know what his program was: “The democrats of Il Mondo want to know our program? It is to break the bones of the democrats of Il Mondo. And the sooner the better.” “The fist,” asserted a Fascist militant in 1920, “is the synthesis of our theory.” Mussolini liked to declare that he himself was the definition of Fascism. The will and leadership of a Duce was what a modern people needed, not a doctrine. Only in 1932, after he had been in power for ten years, and when he wanted to “normalize” his regime, did Mussolini expound Fascist doctrine, in an article (partly ghostwritten by the philosopher Giovanni Gentile) for the new Enciclopedia italiana. Power came first, then doctrine. Hannah Arendt observed that Mussolini “was probably the first party leader who consciously rejected a formal program and replaced it with inspired leadership and action alone.” Hitler did present a program (the 25 Points of February 1920), but he pronounced it immutable while ignoring many of its provisions. Though its anniversaries were celebrated, it was less a guide to action than a signal that debate had ceased within the party. In his first public address as chancellor, Hitler ridiculed those who say “show us the details of your program. I have refused ever to step before this Volk and make cheap promises.” Several consequences flowed from fascism’s special relationship to doctrine. It was the unquestioning zeal of the faithful that counted, more than his or her reasoned assent. Programs were casually fluid. The relationship between intellectuals and a movement that despised thought was even more awkward than the notoriously prickly relationship of intellectual fellow travelers with communism. Many intellectuals associated with fascism’s early days dropped away or even went into opposition as successful fascist movements made the compromises necessary to gain allies and power, or, alternatively, revealed its brutal anti-intellectualism. We will meet some of these intellectual dropouts as we go along. Fascism’s radical instrumentalization of truth explains why fascists never bothered to write any casuistical literature when they changed their program, as they did often and without compunction. Stalin was forever writing to prove that his policies accorded somehow with the principles of Marx and Lenin; Hitler and Mussolini never bothered with any such theoretical justification. Das Blut or la razza would determine who was right.

-How many stories do you have to tell? - Stories? What do you mean? -How many amusing or exciting anecdotes have you lived that you'd be able to relate during an evening with friends? - I dunno. Maybe five or six. Less than ten, anyway. Why? -It's been eating at me. Claire wanted to do so much... Travel, experience news things. All I wanted was to stay home and watch tv. She told me she was bored and i'm sure she was. My life isn't exactly a thrill a minute. - In others words, what you're saying is, whoever dies with the most anecdotes, wins? Is that it? -Well, no, but if you've got a bagful of stories it means you've led a rich life, and I'm way behind on that count. - okay, but consider Hemingway. He expierenced life to the hilt, he traveled and lived all over the world, but he blew his brains out. How do you account for that? -I dunno. I guess I can't. I was just, y'know, ruminating about life and stuff.

-How many stories do you have to tell? - Stories? What do you mean? -How many amusing or exciting anecdotes have you lived that you'd be able to relate during an evening with friends? - I dunno. Maybe five or six. Less than ten, anyway. Why? -It's been eating at me. Claire wanted to do so much... Travel, experience news things. All I wanted was to stay home and watch tv. She told me she was bored and i'm sure she was. My life isn't exactly a thrill a minute. - In others words, what you're saying is, whoever dies with the most anecdotes, wins? Is that it? -Well, no, but if you've got a bagful of stories it means you've led a rich life, and I'm way behind on that count. - Okay, but consider Hemingway. He expierenced life to the hilt, he traveled and lived all over the world, but he blew his brains out. How do you account for that? -I dunno. I guess I can't. I was just, y'know, ruminating about life and stuff.

The thrill of walking comes not so much from movement—except for the initial turning of a step out the door into a journey—but from its gifts of freedom and nonconformity. In a world built on speed, walking somewhere is an act of rebellion. You reject every type of contraption that your forebears have invented to get you there faster—including the bicycle—for your own two legs. You head out into the world while turning your back on its ways.

With its glass walls, you can enjoy the view even when it’s raining. It has a huge outdoor terrace with a panoramic view across the city, but the big draw is that you are up high, directly in front of the ‘cricket cage’ balustrade of Brunelleschi’s dome. Just between you and me, the Folco Portinari–Dante connection had me sold before I even arrived. It could have had a view of the men’s toilets and I still would have been thrilled, just because I love the Alighieri-Portinari story! (See Chapter 23: A Walk With Dante.) My first time here was with the city archivist I told you about in the chapter on the Duomo, so I associate this place with cool local 30-somethings with fascinating jobs in the city and endless stories about Florence, dating back to Julius Caesar. Caffeteria della Oblate is a little tricky to find, but that means the tourist crowd can’t find it either, so walking around in circles trying to get here is worth it. And of course, there’s that view… Address: Via dell’ Oriuolo, 26

Lou Perlman dreamed he was on the threshold of a thrilling new life, even as he understood he was travelling steerage on the same old battered boat of wishful thinking.

How do I know I have lived? How can I be certain my days were not squandered? What criteria, which principles qualify life as lived? Certainly, I have endured trials and troubles, and I learned from life’s lessons. I grew wise as well as empathetic. But is edification and its accompanying traits the ultimate aim for living? I have traveled. Oh, I have seen marvelous wonders in this world. Skies that were artic blue, emerald green, soft lilac, and rosy red. Mountains fixed like monuments to the gods. Waters as clear as crystal, as blue as larimar, deeper than a leviathan’s lair, and as vast as the night’s sky. I have witnessed pyramids and castles, colosseums, great walls, and temples. Is this living? To travel, to see, to awe at the world’s aesthetic wonders? I have experienced great joys in my days: laughter, kindness, fun, love, thrills, successes. I have suffered a great many sorrows: sickness, loss, pain, cruelty, vengeance, disparagement. I have valued the good and abhorred the bad. Is this the ultimate feat of living? I have been actively doing: from sailing to flying, acting to singing, hiking to biking. I have dived, danced, drummed, battled, built, raced, and used my incredible body to perform every activity I desired. I gained strength and endurance in the process. Is this a sure sign of living? I have been part of a family and raised my own. I have formed lasting, loyal friendships that have passed the test of time. I have felt what it means to sacrifice for loved ones, shared in their joys and sorrows, prayed for tender mercies and miracles in their lives. I have loved and been loved in return. Is it connection to family and friends, the relationships developed between kindred, is this what it means to truly live? How do I know I have lived? As my days near an end, how can I be certain my life was worthwhile and not wasted? Did I accomplish what life mandates of those who truly live? What qualifies life as lived?

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The window glass was cold as Jude touched his nose to its surface. He looked north over the centre of Tirana and drank in the thrill of the panorama. From a restaurant in the Sky Tower he could see down over the lush, green square of land criss-crossed with paths that was Rinia Park. He had arranged to meet Edona there at 3pm. To his left the apartment blocks clustered densely away to the horizon in colours of mustard, olive and denim blue. Ahead he could make out the rouge and yellow government ministry buildings on the edge of Skanderbeu Square, and the white needle of the Et’hem Bey Mosque. His eyes turned to the east past the black glass panelled Twin Towers and concrete Pyramid to the traffic flowing up the Gjergj Fishta Boulevard, where the harsh mid-day sunlight was glinting off car roofs and windscreens. Beyond that, through a haze of heat and light smog, Mount Dajti rose up to the blue, utterly cloudless sky. (From 'The Silencer').

The meticulous work and the discovery still thrill me, but ever since grad school, I’ve become more strategic, a careerist intent on job security with ample funding and a travel stipend. So why the sudden revolutionary zeal?

The window glass was cold as Jude touched his nose to its surface. He looked north over the centre of Tirana and drank in the thrill of the panorama. From a restaurant in the Sky Tower he could see down over the lush, green square of land criss-crossed with paths that was Rinia Park. He had arranged to meet Edona there at 3pm. To his left the apartment blocks clustered densely away to the horizon in colours of mustard, olive and denim blue. Ahead he could make out the rouge and yellow government ministry buildings on the edge of Skanderbeu Square, and the white needle of the Et’hem Bey Mosque. His eyes turned to the east past the black glass panelled Twin Towers and concrete Pyramid to the traffic flowing up the Gjergj Fishta Boulevard, where the harsh mid-day sunlight was glinting off car roofs and windscreens. Beyond that, through a haze of heat and light smog, Mount Dajti rose up to the blue, utterly cloudless sky.

O, the thrill when each knows its own guilt, travels the thorny paths. Thus did he find the white form of the child in the thorn bush, bleeding after the cloak of its bride-groom. Yet he stood before her buried in his steely hair, mute and suffering. O, the radiant angels scattered by the purple night winds. Long nights did he dwell in a crystal cave and leprosy grew all silvery upon his brow. A shadow, he walked down the boundary path beneath autumnal stars. Snow fell and the blue darkness filled the house. As a blind man's, Father's harsh voice resounded and called up dread. Woe, the bowed appearance of women. Beneath petrified hands fruit and implements mouldered to the appalled race. A wolf devoured the first-born and my sisters fled into dark gardens to skeletal old men. A deranged seer, that man sang by the derelict walls and God's wind consumed his voice. O ecstasy of death. O you children of a midnight race. All silver the evil flowers of the blood shimmer about that man's brow, the cold moon within his broken eyes. O, the creatures of night; O, those who are accursed.

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Lonely Road of Faith [Verse] I see you standing there, a smile that could light up the night Your eyes are calling me, but I know it wouldn’t be right Cause I got one at home who loves me, waiting by the fireside It's a lonely road of faith, that's kept me on the righteous side [Verse 2] Whiskey on my breath, the neon lights, they start to fade The jukebox playing songs of lovers lost and a debt to be paid But her love's a lighthouse, guiding me through this rough tide It's a lonely road of faith, where temptation and truth collide [Chorus] Oh, this heart might wander, but it knows where it belongs A wandering outlaw, but her love keeps me strong Lonely road of faith, where I'm tempted every night But I got one at home who loves me, and she's my guiding light [Verse 3] Wild times and smoky bars, they offer me a fleeting thrill But the thought of her touch keeps me steady, against my will In the dark of night, it's her voice that whispers clear On this lonely road of faith, her love's the one I hold dear [Bridge] The rebel in me fights, for the freedom of my soul But her love's a gentle tether, keeping me whole Every mile that I travel, it's her face that I see On this lonely road of faith, her love will set me free [Chorus] Oh, this heart might wander, but it knows where it belongs A wandering outlaw, but her love keeps me strong Lonely road of faith, where I'm tempted every night But I got one at home who loves me, and she's my guiding light

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the man who passes from a distinguished University career to a distinguished public life may do more for the poor by his pen, by his power of awakening sympathy, by the opportunity that may be his to obtain the reversal of unjust laws or the establishment of good laws, than he ever could have done by living in a slum as the friend and helper of a small group of needy men and women. Decisive victories are won more often by lateral movements than by frontal attacks. The wave of force which travels on a circle may arrive with more thrilling impact on a point of contact than that which travels on a horizontal line. Society is best served after all by the fullest development of our best faculties; and whether we check this development from pious or selfish motives, the result is still the same; we have robbed society of its profit by us, which is the worst kind of evil which we can inflict on the community.

The fabled mind-broadening power of travel is usually a gradual affair, something that creeps up on you the more you put yourself out in the world, but in Iran it was a sledgehammer effect. I found myself rethinking, recalibrating just about everything every minute of the day. It was like being whacked in the face with my own prejudices and misconceptions at every turn; but it wasn’t an unpleasant experience, it was thrilling.

The two men who led the expedition across the North American continent on Earth, Meriwether Lewis and William Clark, were set a mission to explore an expanse of unknown wilderness, to chart the lands they traveled, to seek out what new life there might be, to befriend the peoples they might encounter, to keep a record of their journey, and to bring that knowledge home.” He paused, thrilled that this moment had come at last. “They called themselves the Corps of Discovery. Let us therefore, on this stardate, rededicate ourselves to that ideal.

The TSA liked having fresh agents on the job. Fresh agents with a clear mind and steady hand. Time travel wasn’t for the faint of heart. The pay was good though, but as Scrooby had decided long ago, that even if he didn’t get paid for it, the thrill alone was payment enough. Then again, the TSA realized they couldn’t afford to have disgruntled employees with too much time on their hands and the power of the gods at their fingertips, so the pay was very, very good. Debriefing was routine. And how he hated routine! His supervisor was a senior agent called Guy Krummeck, a rather drab character who liked his shiny silver suits almost as much as he liked to go over every little detail at least three times. Minimum. This time everything went right, so it went quick. Twenty minutes later, tired, he clocked out and went home to his small apartment. Tomorrow, after all, was another day again.

It's daunting to find the language so foreign, so distant, but also so thrilling. One is absolved of responsibility when the language is incomprehensible. Is this one of the mysteries of travel? One returns to preverbal pointing, smiling, shaping the air with gestures.

Wordlessly, Darren sits at the edge of the next bed, which leaves the one between him and the wall for me. I’m going to have to sleep next to Darren. For THREE nights. What if I dream about him? What if I say something during those dreams? What if he says something in his sleep? What if I roll over and bump into him? I set my camera and backpack down on the desk, dig out a pink tank top, matching pajama shorts, and my toiletry pouch, and get ready for bed in the bathroom. When I come back out, Darren’s sitting at the desk, elbow propped on it, head supported in his hand. He’s already changed into a pair of red-and-white plaid pants and a black T-shirt. For some reason, the sight of him in his PJs gives me a little thrill. He motions toward the beds. “They’re passed out.” I glance at the fully clothed spooning figures and look away before my cheeks get the better of me. The clock on the desk shows that it’s only 8:25. I know traveling wears you out but I feel completely wired. “Are you ready to go to bed or…?” I let my voice trail off and swallow. I don’t know why I’m so nervous about sleeping one bed over from him. “You want to go for a walk?” I pinch the fabric of my shorts as if to say, In these? and frown. He looks down at my bare legs, then meets my eyes. “Just throw on your sneakers.” There’s a flutter in my chest, but I imagine myself squashing the little winged creatures. No butterflies allowed. I can do this.

Their love, however, was the epitome of what we today would label “platonic.” They loved each other’s minds. Michelangelo was thrilled to find an intellectual peer and fellow spiritual traveler in Vittoria. Just as he had thrown himself so passionately into new ideas and movements in the past, he now became heart and soul one of the Spirituali.

for one morning Susi came running at the top of his speed and gasped out, "An Englishman! I see him!" and off he darted to meet him. The American flag at the head of a caravan told of the nationality of the stranger. Bales of goods, baths of tin, huge kettles, cooking pots, tents, &c, made me think "This must be a luxurious traveller, and not one at his wits' end like me." (28th October, 1871.) It was Henry Moreland Stanley, the travelling correspondent of the New York Herald, sent by James Gordon Bennett, junior, at an expense of more than 4000l., to obtain accurate information about Dr. Livingstone if living, and if dead to bring home my bones. The news he had to tell to one who had been two full years without any tidings from Europe made my whole frame thrill. The

His warm breath, smelling of clean spice, stroked her cheek and ear. A thrilling shiver coursed over her, the wound on her arm only a minor sting. Then his lips—those full, sensuous lips—grazed her jaw and the soft spot behind her ear, the hairs of his beard brushing her sensitive skin. Her shivers locked her muscles tight. A bolt of tantalizing heat shot down her center. He leveraged closer, all that warrior brawn pressing hard against her side, linen rasping over skin, an exquisite feeling. Yes. This.

Freedom was my daring travel companion on the thrilling ride of life.

No, there's going to be no even tenor with me. The more uneven it is the happier I shall be. And when my time comes to die, I'll be able to die happy, for I will have done and seen and heard and experienced all the joy, pain, thrills — every emotion that any human ever had — and I'll be especially happy if I am spared a stupid, common death in bed.” ― Richard Halliburton

simple theory of phusics subodh kumar "No one knows who wrote the laws of physics or where they come from. Physics is about questioning, studying, probing nature. Scientists are motivated by the thrill of seeing or figuring out something that no one has before." Science will never be "finished." Every person feels the effects of science in every sphere of life. It is not merely the electric light or the electric fan, the radio or the cinema that displays the power of science in our daily life, but everything we do or is done to us is in some way or another connected with science. The knowledge generated by science is powerful and reliable. It can be used to develop new technologies, treat diseases, and deal with many other sorts of problems. Science is continually refining and expanding our knowledge of the universe, and as it does, it leads to new questions for future investigation. Physics is a way of discovering what's in the universe and how those things work today, how they worked in the past, and how they are likely to work in the future. And what means new cosmos? What is hidden nature problem? Who knows future? Is time travel possible? If you want to know the answer to it all, read the book.

I began my effort at improving my flight experiences by reading purposefully during my flights. My airplane reading would often be centered on themes. On some flights I would read only newspapers and magazines, catching up on one particular event. On other flights I would read a short novel, and finishing the entire book during the flight would give me a great thrill, as if I'd just flown a cross-Atlantic mission with Amelia Earhart.