Top Wrestling Quotes

Unconditional love. That's what this is. I love him, as is, fully. I've had to stop arm wrestling with the facts. Why me? Didn't I already have a big love once? And lost it? So why should I get it again? I've had to stop trying to look for cracks and flaws to prove that it's not as good as it seems. Because it's as good as it seems. Even when we fight, we fight inside the container of good. Somehow, through a flip of the coin, I ended up here. Feeling like somebody at the top of the heart-lung transplant recipient list. Damaged but invigorated and fucking lucky.

None of them seem as crazy obsessive about everything as I am. It's strange 'cause I had the same feeling in high school that I have here. It's like, well, it just seems so easy for everyone else and so difficult for me. I turn from these extremes of feeling on top of the fucking world - to feeling so despondent. They don't have to struggle like I do - or maybe that's just me comparing my goddamn insides to everyone else's outsides. But I swear to God, I just seem to wrestle with everything more than anyone else.

I know the rules. I've been living here longer than you have." He cracks a smile then. He nudges me back. "Hardly." "Born and raised. You're a transplant." I nudge him again, a little harder, and he laughs and tries to catch hold of my arm. I squirm away, giggling, and he stretches out to tickle my stomach. "Country bumpkin!" I squeal, as he grabs out and wrestles me back onto the blanket, laughing. "City slicker," he says, rolling over on top of me, and then kisses me. Everything dissolves: heat, explosions of color, floating.

On the warm stone walls, climbing roses were just coming into bloom and great twisted branches of honeysuckle and clematis wrestled each other as they tumbled up and over the top of the wall. Against another wall were white apple blossoms on branches cut into sharp crucifixes and forced to lie flat against the stone. Below, the huge frilled lips of giant tulips in shades of white and cream nodded in their beds. They were almost finished now, spread open too far, splayed, exposing obscene black centers. I've never had my own garden but I suddenly recognized something in the tangle of this one that wasn't beauty. Passion, maybe. And something else. Rage.

This “who’s on top” banter continues until one wrestler (who has slyly gone to hide behind a chair) leaps upon his rival with an animal cry. The pair then proceeds to create a series of tableaux that appear to be from the Kama Sutra, Vatsyayana's ancient Indian textbook of carnal satisfaction. Occasionally, the tension is broken by a wrestler who picks up a large object, such as a table, to throw on the other's head, as if suddenly disgusted by his forbidden love.

I can’t believe you have a fear of spiders!” “Why? So do you! And it’s a bloody tarantula! It’s as big as my hand!!” “Yeah but you’re a man.” “Well, I’m sorry, I didn’t realize you needed tarantula-wrangling skills on top of a massive cock and orgasms to go. Want me to go into the jungle and wrestle an alligator, too?

Horses At Midnight Without A Moon" Our heart wanders lost in the dark woods. Our dream wrestles in the castle of doubt. But there's music in us. Hope is pushed down but the angel flies up again taking us with her. The summer mornings begin inch by inch while we sleep, and walk with us later as long-legged beauty through the dirty streets. It is no surprise that danger and suffering surround us. What astonishes is the singing. We know the horses are there in the dark meadow because we can smell them, can hear them breathing. Our spirit persists like a man struggling through the frozen valley who suddenly smells flowers and realizes the snow is melting out of sight on top of the mountain, knows that spring has begun.

No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her. "I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow. "We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used. "Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him. "Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face. "If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye. She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her. "You're not laughing at me, are you?" she asked warily, just as a precaution. "No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard. "But for some reason, you and I will never happen," she said, feeling calm. "Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes." Lucas ran his lips around her throat and let her put her arms around him, but that was all.

My other chore is to buy a tree- a thankless task. The only truly well-proportioned Christmas trees are the ones they use in advertisements. If you try and find one in real life you face inevitable disapointment. Your tree will lean to the left or the right. It will be too bushy at the base, or straggly at the top. Even if you do, by some miracle, find a perfect tree, if won't fit in the car and by the time you strap it to the rooftop and drive it home the branches are broken and twisted out of shape. You wrestle it through the door, gagling on pine needles and sweating profusely, only to hear the maddening question from countless Christmases past: 'Is that really the best one you could find?

For my birthday that August, Conrad gave me a glass unicorn. Not the small one, but the big one that cost twenty dollars. Its horn broke off during one of Jeremiah and Steven's wrestling matches, but I kept it. I kept it right on top of my bureau. How could I have thrown such a gift away?

I learned a long time ago never to wrestle with a pig. You get dirty and besides, the pig likes it.

I’m gonna admit it: When one of those nuns showered with us after wrestling practice there were more than a few boners on display.

And he saw a youth approaching, Dressed in garments green and yellow, Coming through the purple twilight, Through the splendor of the sunset; Plumes of green bent o'er his forehead, And his hair was soft and golden. Standing at the open doorway, Long he looked at Hiawatha, Looked with pity and compassion On his wasted form and features, And, in accents like the sighing Of the South-Wind in the tree-tops, Said he, "O my Hiawatha! All your prayers are heard in heaven, For you pray not like the others, Not for greater skill in hunting, Not for greater craft in fishing, Not for triumph in the battle, Nor renown among the warriors, But for profit of the people, For advantage of the nations. "From the Master of Life descending, I, the friend of man, Mondamin, Come to warn you and instruct you, How by struggle and by labor You shall gain what you have prayed for. Rise up from your bed of branches, Rise, O youth, and wrestle with me!

What's it like for a young teen of barely 14, trying to cope with all the normal problems of adolescence, and wrestling with the realization that he's gay on top of all that? Juvenalius struggles with accepting himself and with the idea of coming out, as well as trying to find a boy who he can love and be loved back in return. Narrated by him, find out how he deals with it all and how those important to his life help.

Big Cyndi is six-six and on the planetoid side of three hundred pounds, the former intercontinental tag-team wrestling champion with Esperanza, aka Big Chief Mama to Esperanza's Little Pocahontas. Her head was cube shaped and topped with hair spiked to look like the Statue of Liberty on a bad acid trip. She wore more makeup than the cast of Cats, her clothing form-fitted like sausage casing, her scowl the stuff of sumos.

All these feelings started when we were ten. I have this real clear memory of us wrestling in Malik’s front yard. I was The Rock and he was John Cena. We were obsessed with wrestling videos on YouTube. I pinned Malik down, and while sitting on top of him in his front yard, I suddenly wanted to kiss him. It. Freaked. Me. Out. So I punched him and said in my best The Rock voice, “I’m laying the smackdown on your candy ass!” Basically, I tried to ignore my sexual awakening by imitating The Rock.

Freedom means we have to be free to be Stupid, and Banal, and Perverse, free to generate both Absalom, Absalom!, and Swapping Pets: The Alligator Edition. Freedom means that if some former radio DJ can wrestle his way to the top of the heap and provoke political upheavals by spouting his lame opinions and bullying his guests, he too has a right to have a breakfast cereal named after him. American creative energy has always teetered on the bring of insanity. "Rhapsody in Blue" and "The Night Chicago Died" have, alas, common DNA, the DNA for "joyfully reckless confidence.

But you should know it’s not because I don’t like you, or want to be your friend. I do want to be your friend. I think you’re smart, and funny, and cool. It’s just that … when you talk like that …” He hesitates, clearly wrestling with his next words. I understand why, however. I’d wrestle with them, if he turned them into people and forced them to get in a ring with me. They make me slide sideways into another dimension, so really when you think about it they deserve to be jumped on from the top rope. “It makes me feel insane. More than insane. Obviously you know now what it does to me.

Even more importantly, there simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twenty-somethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organized crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labor. This may reflect homo sapiens position in the food chain. If all that counted were raw physical abilities, sapiens would have found themselves on a middle rung of the ladder. But their mental and social skills placed them at the top. It is therefore only natural that the chain of power within the species will also be determined by mental and social abilities more than by brute force. It is therefore hard to believe that the most influential and most stable social hierarchy in history is founded on men's ability to physically coerce women.

He lifted the envelope. It felt stiff in his hands. On the top were two words, written in black, blocky letters: DON’T FORGET. He slid the envelope open. Inside was a photograph. His eyes stung as he looked down at it. Zoe must have taken the picture. He didn’t even remember seeing her with a camera. It was the first adventure they’d taken through the woods to her house. In it, Lucy and Talia were laughing. Sal sat with Theodore in his lap. Chauncey and Phee were wrestling over the last roll. Arthur and Linus sat together. Linus was watching the children with amusement. And Arthur was watching Linus, that quiet smile on his face.

Wanna dance?" she asked. "I think they're playing our song." "Oh yeah? What's that?" "The hokey-pokey." "No shit." "Sure," she said, "don't you hear it?" She left her bikini top on, but she removed the bottom and then wrestled off my trunks. She held our suits in one hand and with the other grabbed hold of the horn of plenty. "Salve work?" she asked. "Miracle drug," I said "And how to you do the hokey-pokey?" she asked. "I forget." "You put your right foot in." "Right." "You put your right foot out." "Good." "You put your right foot in and you shake it all about." "Great. What's next?" she asked and kissed me sweetly. "After the foot?

They were flying back from a big show in London, the whole roster on the plane. The story goes that much alcohol was consumed and things quickly got uncomfortable: Hennig and Scott Hall went wild with some shaving cream; Dustin Rhodes awkwardly serenaded his ex-wife, Terri; the legendary wrestler turned booker Michael “P.S.” Hayes got punched out by JBL and later, after he had fallen asleep, had his ponytail chopped off by Sean Waltman; Ric Flair paraded in front of a flight attendant in nothing but his sequined ring robe; and, to top it all off, Hennig challenged collegiate wrestling star (and WWE golden boy) Brock Lesnar to a Greco-Roman wrestling match that ended when Lesnar tackled Hennig into the exit door, and they were pulled apart just before they jeopardized the flight.

People in their sixties usually exercise power over people in their twenties, even though twentysomethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organised crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labour. This may reflect Homo sapiens’ position in the food chain. If all that counted were raw physical abilities, Sapiens would have found themselves on a middle rung of the ladder. But their mental and social skills placed them at the top. It is therefore only natural that the chain of power within the species will also be determined by mental and social abilities more than by brute force. It is therefore hard to believe that the most influential and most stable social hierarchy in history is founded on men’s ability physically to coerce women.

You don’t want this butterblast, do you?” He took a huge bite of a round, golden pastry topped with giant sugar crystals. If it weren’t for her injuries, she would’ve leaped out of bed and wrestled it away from him. “Don’t worry, I’ll save you a bite. But first you need to go one solid hour without your stomach growling. So ignore me”—he took another giant bite of the butterblast—“and focus on Krakie. Or you can focus on Krakie’s new buddies.” He set three Prattles pins on her tray—a jaculus, a kelpie, and a sasquatch. “Meet Bitey, Scaley Butt, and The Stink—your new bandage buddies! We need to figure out the perfect place to put them. I think Scaley Butt should be near Krakie so it looks like they’re swimming together. And then Bitey could be close to The Stink so it looks like he’s trying to chomp him.” “You’re a very strange person, you know that?” she asked as he pinned the new creatures in place. “I think the word you’re looking for is ‘awesome.’ I’m an awesome person—who stopped you from thinking about how hungry you are for, like, five minutes.” “And then reminded me,” Sophie noted with a stomach growl. “Oops. Well . . . okay, your new hour starts now!” It was a very long afternoon. But it was worth it when Keefe gave her the last bite of butterblast, which was chewy like a doughnut but tasted like pancakes hot off the griddle and was filled with some sort of thick, maple-y cream. It was quite possibly the most amazing thing she’d ever put in her mouth—and that was saying something, considering she lived in a world with mallowmelt and custard bursts and ripplefluffs and pudding puffs. “If you want another,” Keefe told her, “you’re going to have to let Ro carry you with me into the secret cafeteria.” “Not happening,” Elwin warned. Keefe smirked. “Keep telling yourself that.

A slow smile curved his lips. “Lillian, I’ve wanted you every moment since I first held you in my arms. And it has nothing to do with your damned perfume. However”— he inhaled the scent one last time before replacing the tiny stopper—“ I do know what the secret ingredient is.” Lillian stared at him with wide eyes. “You do not!” “I do,” he said smugly. “What a know-all,” Lillian exclaimed with laughing annoyance. “Perhaps you’re guessing at it, but I assure you that if I can’t figure out what it is, you certainly couldn’t—” “I know conclusively what it is,” he informed her. “Tell me, then.” “No. I think I’ll let you discover it on your own.” “Tell me!” She pounced on him eagerly, thumping him hard on the chest with her fists. Most men would have been driven back by the solid blows, but he only laughed and held his ground. “Westcliff, if you don’t tell me this instant, I’ll—” “Torture me? Sorry, that won’t work. I’m too accustomed to it by now.” Lifting her with shocking ease, he tossed her onto the bed like a sack of potatoes. Before she could move an inch, he was on top of her, purring and laughing as she wrestled him with all her might. “I’ll make you give in!” She hooked a leg around his and shoved hard at his left shoulder. The childhood years of fighting with her boisterous brothers had taught her a few tricks. However, Marcus countered every move easily, his body a mass of steely, flexing muscles. He was very agile, and surprisingly heavy. “You’re no challenge at all,” he teased, allowing her to roll atop him briefly. As she sought to pin him, he twisted and levered himself over her once more. “Don’t say that’s your best effort?” “Cocky bastard,” Lillian muttered, renewing her efforts. “I could win… if I didn’t have a gown on…” “Your wish may yet be granted,” he replied, smiling down at her.

My mother made me into the type of person who is at ease standing in the middle of moving traffic, the type of person who ends up having more adventures and making more mistakes. Mum never stopped encouraging me to try, fail and take risks. I kept pushing myself to do unconventional things because I liked the reaction I got from her when I told her what I'd done. Mum's response to all my exploits was to applaud them. Great, you're living your life, and not the usual life prescribed for a woman either. Well done! Thanks to her, unlike most girls at the time, I grew up regarding recklessness, risk-taking and failure as laudable pursuits. Mum did the same for Vida by giving her a pound every time she put herself forward. If Vida raised her hand at school and volunteered to go to an old people's home to sing, or recited a poem in assembly, or joined a club, Mum wrote it down in a little notebook. Vida also kept a tally of everything she'd tried to do since she last saw her grandmother and would burst out with it all when they met up again. She didn't get a pound if she won a prize or did something well or achieved good marks in an exam, and there was no big fuss or attention if she failed at anything. She was only rewarded for trying. That was the goal. This was when Vida was between the ages of seven and fifteen, the years a girl is most self-conscious about her voice, her looks and fitting in, when she doesn't want to stand out from the crowd or draw attention to herself. Vida was a passive child – she isn't passive now. I was very self-conscious when I was young, wouldn't raise my voice above a whisper or look an adult in the eye until I was thirteen, but without me realizing it Mum taught me to grab life, wrestle it to the ground and make it work for me. She never squashed any thoughts or ideas I had, no matter how unorthodox or out of reach they were. She didn't care what I looked like either. I started experimenting with my clothes aged eleven, wearing top hats, curtains as cloaks, jeans torn to pieces, bare feet in the streets, 1930s gowns, bells around my neck, and all she ever said was, 'I wish I had a camera.

The door was still open, so I shut it and was returning to my desk when I braked. There was a backpack resting on the other side of my desk chair. It wasn’t mine. It wasn’t Missy’s. I was pretty sure it wasn’t Holly’s or the cousin’s. “Shit,” I muttered under my breath. “Huh?” she barked, her head swinging around to me. A quick glance confirmed what I already knew. She was drunk. “Nothing.” She pulled out one of her shirts, but it wasn’t her normal pajama top. She was really drunk. I picked up Shay’s bag and checked the contents to make sure it was his. It was. I saw his planner with his name scrawled at the top, so I zipped that bag and put it in the back of my closet. No one needed to go through it. I didn’t think Missy would, but I just never knew. Dropping into my chair, I picked up my phone to text Shay as Missy fell to the floor. I looked up to watch. I couldn’t not see this. I was tempted to video it, but I was being nice. For once. As Missy wrestled with her jeans and lifted them over her head to throw into her closet, I texted Shay. Me: You left your bag here. Missy let out a half-gurgled moan and a cry of frustration at the same time. She didn’t stand, instead crawling to the closet. She grabbed another pair of pants. Those weren’t her pajamas, either. As she pulled them on—or tried since her feet kept eluding the pants’ hole—my phone buzzed back. Coleman: Can I pick it up in the morning? I texted back. Me: When? Missy got one leg in. Success. I wanted to thrust my fist in the air for her. My phone buzzed again. Coleman: Early. My playbook is in there. I groaned. Me: When is early? I’m in college, Coleman. Sleeping in is mandatory. Coleman: Nine too early for you? I can come back to get it now. Nine was doable. Me: Let’s do an exchange. You bring me coffee, and I’ll meet you at the parking lot curb with your bag. Coleman: Done. Decaf okay? I glared at my phone. Me: Back to hating you. Coleman: Never stop that. The world’s equilibrium will be fucked up. I have to know what’s right and wrong. Don’t screw with my moral compass, Cute Ass. Oh, no! No way. Me: Third rule of what we don’t talk about. No nicknames unless they reconfirm our mutual dislike for each other. No Cute Ass. His response was immediate. Coleman: Cunt Ass? A second squeak from me. Me: NO! I could almost hear him laughing. Coleman: Relax. I know. Clarke’s Ass. That’s how you are in my phone. The tension left my shoulders. Me: See you in the morning. 9 sharp. Coleman: Night. I put my phone down, but then it buzzed once again. Coleman: Ass. I was struggling to wipe this stupid grin off my face. All was right again. I plugged my phone in, pulled my laptop back toward me, and sent a response to Gage’s email. I’ll sit with you, but only if we’re in the opposing team’s section. He’d be pissed, but that was the only way. I turned the computer off, and by then Missy was climbing up the ladder in a bright pink silk shirt. The buttons were left buttoned, and her pajama bottoms were a pair of corduroy khakis. I was pretty sure she didn’t brush her teeth, but before my head even hit the pillow, she was snoring

I woke up at five-thirty that morning with great singleness of purpose. I had my outfit all set. Unfortunately, I couldn’t find my Speedo, so I substituted long underwear from when I was eight—super-tight, very WWE. Up top, I wore a sweatshirt that I’d carefully cut open with a pair of scissors, so it was only closed by a few threads. It took me hours, but it was totally worth it. If Hashtag got physical, I could tear it off in a heartbeat, just like the real superstars did. Since I had no wrestling gloves, I substituted the gloves Mom used for gardening. I tried to cut off the fingertips, but the fabric was really thick. On my feet I wore patent leather dress shoes, but I blackened the bottom of my long underwear with spray paint, so it would look like boots.

Aubade with a Book and the Rattle from a String of Pearls" The color of the moon bleached the tops of trees and you left a book on the table, face down with its spine reaching for air. I thought the book might hate you for that. With my pre-dawn coffee and mouth full of sleep syllables I whistled the title, held the book in my arms like something would reach for it and carry it to another galaxy. I would go on preaching to windows about how the screens needed replacing, or how the dust motes settle the shelves. You were in agony yet you would not speak about things such as age and the body gestures that come to claim your mornings. Neck-sure, arm-sure, I think about you and your book coming to some agreement . . . some place of rest. Though the mica glittered like stars . . . though you breathed circles in the dark of your skin, you entered a slow recessional. It was a kind of starvation, knowing the dawn would come with its larks and cars stuttering past your house. You in your bed shut tight against the tide of sound refusing to believe that the book held your world in such simple connotations. A book is a book, you said. I take that for granted sometimes. Perhaps you were right to press its mouth to the table. My imaginings sometimes take me away from you. So morning breathes in my ear like the mutterings of a book title that I’ve forgotten . . . tip of the tongue. Each room carried us from clock to clock. Each tick an earful about ourselves. God knows, the way night moves its shoes from side to side or how day wrestles syllables from us in our sleep. What am I trying to say? Dawn on the spine of the book simply stood for you many years ago. I thought of the denim dress you had saved for gardening. You had asked if I could remove your necklace. I fumbled at the clasp and touched one of the ridges of your spine as the necklace broke and the days fell around us.

The only truly well proportioned Christmas trees are the ones they use in advertisements. If you try to find one in real life you face inevitable disappointment. Your tree will lean to the left or the right. It will be too bushy at the base, or straggly at the top. It will have bald patches, or the branches on either side will be oddly spaced. Even if you do, by some miracle, find a perfect tree, it won’t fit in the car and by the time you strap it to the roof rack and drive home the branches are broken or twisted out of shape. You wrestle it through the door, gagging on pine needles and sweating profusely, only to hear the maddening question that resonates down from countless Christmases past: “Is that really the best one you could find?

Okonomiyaki, meanwhile, is to American pancakes what Japanese wrestling is to American wrestling. The basic batter contains flour and water, grated nagaimo (that big slimy yam again), eggs, and diced cabbage. You then augment this base by ordering little bits and nibbles a la carte to be added to the batter. We could not figure out the ordering system, but we listed off ingredients we liked and ended up with two pancakes' worth of batter teeming with squid, octopus, sliced negi, and pickled ginger. The waiter dropped off a big bowl of unmixed pancake fixings and a couple of spatulas and assumed we would know how to do the rest. Every time we did something wrong, he sucked in his breath (a very common sound in Japan, at least in my presence) and intervened. Every time we did something right, he gave the thumbs-up and a Fonzie-like grunt of approval. Now that I've cooked two okonomiyaki and am certified by the Vera Okonomiyaki Napoletana Association, I can tell you how it's done. If your okonomiyaki has a large featured ingredient like strips of pork belly, set it aside to go on top; don't mix it in. Stir everything else together really well. Pour some oil onto the griddle and smooth it out into a thin film with a spatula. Dump the batter onto the griddle and shape it into a pancake about 1/2 to 3/4 inch thick. If you have pork strips, lay them over the top now like you're making bacon-wrapped meatloaf. Now wait. And wait. And wait. If little bits of egg seep out around the edge of your pancake, coax them back in. It takes at least five minutes to cook the first side of an okonomiyaki. Maybe ten. Maybe thirty. If you're not hungry enough to drink a tureen of raw batter, it's not ready. Finally, when it's brown on the bottom, slide two spatulas underneath and flip with confidence. Now wait again. When the center is set and the meat is crispy, cut it into wedges and serve with okonomiyaki sauce, mayo, nori, and fish flakes. If you haven't had okonomiyaki sauce, it's a lot like takoyaki sauce. Sorry, just kidding around. It's a lot like tonkatsu sauce.

Sam and I locked arms on the rigging. T.J. straddled the top of the mast, screaming like he was riding the world’s most terrifying carousel pony. Halfborn wrestled the rudder, though I didn’t see what good that would do in a downward plunge. Belowdecks, I heard Mallory and Alex getting thrown around, KA-FLUMP, KA-FLUMP, KA-FLUMP, like a pair of human dice.

I found myself on the edge of my chair screaming for Fritz to win. To this day, I am still not quite sure why I started cheering for Fritz Von Erich. Maybe it was the way he seemed to take total control of the match. About five minutes into the third round, he knocked Gene Kiniski down to the mat. With a sneer on his face, Fritz dropped to his knees in the center of the ring and clamped a very large right hand around the top of Gene Kiniski's head.

A deep voice behind me makes me jump. I quickly turn around to see a tanned, tall man, about my age, in a pair of khaki shorts, tank top, tennis shoes, and dark shades. He has about two days’ growth of stubble on his face. He smiles broadly when I ask, “What?” “Can I help you with that? It looks like you’re wrestling an octopus.” I nervously giggle and step back, giving him room to try to wrangle the bike into the back of the SUV. After a few attempts, he turns to me. “If you want, we can put it in the back of my truck, and I can take it home for you.” Warning signs immediately start flashing in my brain. I am not at all comfortable talking to men. I’ve been with one man my entire life; as in comfortable with, talked with, been friends with. Before him, it was my Dad. Every other male makes me nervous. I feel like I’m being judged. I’m not comfortable in my own skin, much less around a man. I start stammering as I quickly try to think of a response that isn’t rude or make me sound like an idiot or an inexperienced school girl. “Um, you don’t have to do that. Thank you though.” Geez girl! He doesn’t give up. “I don’t mind. Do you live on Coronado? If so, no place is too far. If you tell me you live in Rancho Bernardo, I might have to think twice about it.” He offers me a huge smile. He removes his shades, placing them on top of his head. The brightest blue eyes look at me with such warmth that I feel like a fool for thinking he may be a serial killer. I think for a moment and finally agree.

Anger provides the No. 1 difference between a fist-fight and a boxing bout. Anger is an unwelcome guest in any department of boxing. From the first time a chap draws on gloves as a beginner, he is taught to "keep his temper"-never to "lose his head." When a boxer gives way to anger, he becomes a "natural" fighter who tosses science into the bucket. When that occurs in the amateur or professional ring, the lost-head fighter leaves himself open and becomes an easy target for a sharpshooting opponent. Because an angry fighter usually is a helpless fighter in the ring, many prominent professionals-like Abe Attell and the late Kid McCoy- tried to taunt fiery opponents into losing their heads and "opening up." Anger rarely flares in a boxing match. Different, indeed, is the mental condition governing a fist-fight. In that brand of combat, anger invariably is the fuel propelling one or both contestants. And when an angry, berserk chap is whaling away in a fist-fight, he usually forgets all about rules-if he ever knew any. That brings us to difference No. 2: THE REFEREE ENFORCES THE RULES IN A BOXING MATCH; BUT THERE ARE NO OFFICIALS AT A FIST-FIGHT. Since a fist-fight has no supervision, it can develop into a roughhouse affair in which anything goes. There's no one to prevent low blows, butting, kicking, eye-gouging, biting and strangling. When angry fighters fall into a clinch, there's no one to separate them. Wrestling often ensues. A fellow may be thrown to earth, floor, or pavement. He can be hammered when down, or even be "given the boots"- kicked in the faceunless some humane bystander interferes. And you can't count on bystanders. A third difference is this: A FIST-FIGHT IS NOT PRECEDED BY MATCHMAKING. In boxing, matches are made according to weights and comparative abilities. For example, if you're an amateur or professional lightweight boxer, you'll probably be paired off against a chap of approximately your poundage-one who weighs between 126 and 135 pounds. And you'll generally be matched with a fellow whose ability is rated about on a par with your own, to insure an interesting bout and to prevent injury to either. If you boast only nine professional fights, there's little danger of your being tossed in with a top-flighter or a champion.

Kakugawa knew that Barry “was going through a tough time” that spring and was experiencing a lot of “inner turmoil,” but “it wasn’t a race thing . . . Barry’s biggest struggles then were missing his parents. His biggest struggles were his feelings of abandonment. The idea that his biggest struggle was race is bullshit.” The crux of what his friend was wrestling with was “the hurt he felt about being abandoned by his mother” on top of his long-absent father.

Release from a Mouth Cover and a Wrist Grab Hand grabs can be used with a mouth grab to keep a person quiet. This could be done with chloroform as well. You may need to hold your breath while getting out of this hold quickly. Note that in this scenario, the attacker’s wrist grab is ignored as we do not want to waste time wrestling out of it. 1. The attacker grabs the defender’s hand and mouth, pulling him backwards. 2.     The defender scoops the attacker’s wrist, pulling it down while the defender twists his chin away from the attacker’s palm. 3.     The defender steps away from the direction of the pull to avoid ending up on the ground. 4. The defender stomps on top of the attacker’s foot. 5.     The defender releases the attacker’s wrist and quickly punches him in the groin. 6.     As the attacker bends, the defender hits him with a hammer punch or elbow on his head.

How would you describe your ability to act in your metaphor? Ambiguity happens to me. I can choose to take part in ambiguity. Ambiguity is a tool and a resource. What does your metaphor say about your openness and adaptability? I need to get to certainty and find the “right” outcome. I accept that there are many possible outcomes. The more possible outcomes, the better. Does your metaphor include any of these elements? Feeling lost or disoriented, like seeking the exit of a maze Overcoming a fear or challenge, like climbing to the top of a mountain Wrestling with the “right” choice, like standing at a crossroads Choosing or creating your own path, like swimming in the ocean Taking the plunge, like paragliding Sensing danger and excitement simultaneously, like watching a summer storm Working to find something of great value, like making a scientific discovery Actively making something better with time, like painting a blank canvas Choosing to turn challenges into opportunities

Throw me the ball,” I say. Sam looks at me like I’m nuts, so I say, “What? Are you afraid to play with a girl?” He smiles and hurls the ball at me. I take off running with it cradled in my arm. Logan runs after me, but I’m faster than any of them expected. Just before I reach the bench Matt’s sitting on, Logan snakes an arm around my waist, swinging me around. While he holds me tightly, Sam wrestles the ball from me. “That’s cheating!” I scream. “Cheating is allowed!” Sam yells back. “In whose rule book?” I ask, stamping my foot. “What rule book?” Matt says with a chuckle. He hefts himself to his feet. “Me and you against them?” he says. He grins at me. “We can take them any day,” I say, throwing my arms around him. He squeezes me gently and sets me away from him. He rubs my head, messing my hair all up. Logan runs down the field, and I chase him. He turns to catch the ball Sam throws, and as soon as he has it, I tackle him. I hit him as hard as I can. He stumbles with me holding his shirt until I can wrap around his legs. He goes down like a big oak tree falling. He lies on his stomach, but he’s smiling at me. I climb on his back and sit on him, plucking the ball from his grip. I hold it in the air and cheer, flailing my feet wildly. He lets me sit there on top of him for a minute as his breath heaves in and out under me. But then he upends me. He rolls me under him. “You cheated,” he says. His hands hold my wrists in a strong grip. “There’s no rule book, remember?” I giggle when he tickles beneath my ribs. “Stop!” I cry. He looks into my eyes. “I think I might be falling in love with you,” he says softly. My breath catches. “Yeah, me too,” I say. He smiles and gets to his feet, tugging me up beside him. His face is flushed, and he’s grinning. “If you two are done playing lovey-dovey,” Matt yells, “we have a game to win.” He waggles his eyebrows at me.

You love her?” Paul asks quietly. I can’t bite back my grin. “Yeah.” “He’s got the coochie disease,” Sam says. “You know, the one where you get some and can’t stop thinking about getting some more.” I throw another pillow at his head. “We haven’t even done that,” I say quietly. I look toward the door. I don’t want her to hear me. “You haven’t?” Matt asks. He walks over and sits down on top of Emily, who’s still in Logan’s lap, and steals the nuts back from her. She squirms under him and finally gives up. He holds out a cashew for her, and she opens her mouth like a baby bird so he can pop it in. Then he climbs off her. “Nope.” God, they’re nosy. “She has an apartment across town, over near where Emily lives.” “Oh, then we can take her home,” Emily chirps. But she’s already harassing Matt for the can of nuts again. He pins her down on the couch with his elbow and eats them while refusing to let her up. “Logan!” she whines, but she’s laughing. Logan just smiles. She gets herself into these messes; she can get herself out. “I want her to stay here,” I say, shaking my head at Emily. Matt lets her up, and she leans against him with her head on his shoulder. He likes to cuddle with her. She’s like a sister to all of us, and I hope Reagan will fit in as well as Emily does one day. But I really can’t imagine her wrestling with them the way Emily does.

Do you want to kiss and make up now?” he says, grinning. I reach over and hug him, knocking him to the bed in the process, and he wraps his arms around me. His grappling quickly becomes wrestling, and he pins me for a minute on the sheets. But we’re pretty evenly matched. I wiggle out of his hold and flip him over, and it’s my turn to be on top. He makes a noise because he knows I have him, and then he flips me over his head. I live for this shit, but then I hear Maggie. Sam freezes on top of me and looks down. Shit. Maggie has her teeth bared at him, and she’s gnashing them. “You might want to let me up,” I warn. “Is she going to bite me?” he asks. “Fuck, I don’t know.” He lifts his hands and moves to the other side of the room. Maggie hops onto the bed, gets between me and him, and growls. “Mags,” I say, just like Reagan would. Maggie turns and slides her head under my hand. A laugh bursts from my throat. “Now that shit’s funny,” I say. Sam doesn’t agree, if his scowl is any indication. “You cheated with a fucking dog,” he says. But a grin breaks across his face. I scratch Maggie behind the ears. She loves me. Already. “He’s all right, girl,” I tell her. She nuzzles my hand, her eyes going back and forth between Sam and me. “She can tell us apart. Ain’t that some shit?” I ask.

It was a hand-drawn crossword puzzle. Messy and a little lopsided, the whole square leaning to the right. At the top of the page, Larkin had tried to recreate the doodled ‘S’ I’d shown him before, writing out Seb’s Special Crossword in the same style.

The people at the shoot were lovely, of course, and this shoot was much more professional and classier than the last one. However, the magazines they ended up in? Not so much. I was horrified, but also too meek to stand up and say anything to the agency. “Very popular magazine,” they said. Yeah… I can see why.… It was the top porno magazine in Japan, and, as a result of my very Catholic upbringing and my intentions on how I wanted to be portrayed in general, I was mortified. Meanwhile in wrestling… the agency had booked me on a show called The Woman, which included some of my idols. But I was facing a lady dressed like a bull.

The OOC met weekly, and Smith actively encouraged debate among his top executives. Longtime General Cinema investment banker Caesar Sweitzer characterized these sessions as “wrestling matches conducted in a constructive, collegial way.”4

I never thought there had been need of so much wrestling to win to the top of that steep mountain as now I find.

Not even when she had to spend seventeen minutes and twenty-nine seconds—yes, she counted—standing at the top of the stairs outside her bedroom while Sandor, Tarina, and Flori performed the most ridiculously exhaustive security sweep in the history of the universe. They checked places no enemy could possibly be hiding, like inside her desk drawers and behind her bookshelves and on top of her bed’s fancy canopy. They also inspected every single one of the thousands of flowers woven into her carpet for any trace of a footprint. And when they finally finished, they lowered the shades over her walls of windows and made her promise to stay away from the glass, which felt both unnecessary and unsettling. But none of it mattered. She was home. She could train. Even better—she could shower. As soon as Sandor gave her the all clear, she nearly sprinted to her bathroom, wrestled her way out of her sling, and prepared to set a new world record for longest, hottest, steamiest shower.

It’s worth keeping Jony Ive’s quote, “new ideas are fragile,” top of mind before a 1:1. This meeting should be a safe place for people to nurture new ideas before they are submitted to the rough-and-tumble of debate. Help them clarify both their thinking about these ideas and their understanding of the people to whom they need to communicate these ideas. The ideas may need to be described in one way for an engineer and another for a salesperson. Here are some questions that you can use to nurture new ideas by pushing people to be clearer: “What do you need to develop that idea further so that it’s ready to discuss with the broader team? How can I help?” “I think you’re on to something, but it’s still not clear to me. Can you try explaining it again?” “Let’s wrestle some more with it, OK?” “I understand what you mean, but I don’t think others will. How can you explain it so it will be easier for them to understand?” “I don’t think ‘so-and-so’ will understand this. Can you explain it again to make it clearer specifically for them?” “Is the problem really that they are too stupid to understand, or is it that you are not explaining it clearly enough?

Ron snapped. Before Malfoy knew what was happening, Ron was on top of him, wrestling him to the ground. Neville hesitated, then clambered over the back of his seat to help.