Thrill Of Speed Quotes

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Faster, Faster, until the thrill of speed overcomes the fear of death.
Hunter S. Thompson
Anyone who imagines that bliss is normal is going to waste a lot of time running around shouting that he has been robbed. The fact is that most putts don’t drop, most beef is tough, most children grow up to be just like people, most successful marriages require a high degree of mutual toleration, and most jobs are more often dull than otherwise. Life is just like an old time rail journey ... delays, sidetracks, smoke, dust, cinders, and jolts, interspersed only occasionally by beautiful vistas and thrilling bursts of speed. The trick is to thank the Lord for letting you have the ride.
Jenkin Lloyd Jones
There are times when friendship feels like running down a hill together as fast as you can, jumping over things, spinning around, and you don't care where you're going, and you don't care where you've come from, because all that matters is speed, and the hands holding your hands.
M.T. Anderson (Whales on Stilts: M. T. Anderson's Thrilling Tales (Pals in Peril, #1))
Life is just like an old time rail journey ... delays, sidetracks, smoke, dust, cinders, and jolts, interspersed only occasionally by beautiful vistas and thrilling bursts of speed. The trick is to thank the Lord for letting you have the ride.
Jenkin Lloyd Jones
Anyone who imagines that bliss is normal is going to waste a lot of time running around shouting that he’s been robbed. The fact is that most putts don’t drop, most beef is tough, most children grow up to just be people, most successful marriages require a high degree of mutual toleration, most jobs are more often dull than otherwise. Life is like an old time rail journey…delays…sidetracks, smoke, dust, cinders and jolts, interspersed only occasionally by beautiful vistas and thrilling burst of speed. The trick is to thank the Lord for letting you have the ride.
Jenkin Lloyd Jones
People who claim to know jackrabbits will tell you they are primarily motivated by Fear, Stupidity, and Craziness. But I have spent enough time in jack rabbit country to know that most of them lead pretty dull lives; they are bored with their daily routines: eat, fuck, sleep, hop around a bush now and then....No wonder some of them drift over the line into cheap thrills once in a while; there has to be a powerful adrenalin rush in crouching by the side of a road, waiting for the next set of headlights to come along, then streaking out of the bushes with split-second timing and making it across to the other side just inches in front of the speeding front wheels
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
Methamphetamine is so Flowers for Algernon: All that super-human cerebral ability fades to limited physical activities like stapling carpet scraps to the wall or masturbation antics worthy of The Guinness Book of World Records.
Clint Catalyst (Pills, Thrills, Chills, and Heartache: Adventures in the First Person)
Biking is about rhythm and flow. It's the wind in you face and the challenge of hammering up along hill. It's the reward at the top and the thrill of a high-speed descent. Biking lets you come alive in both body and spirit. After awhile the bike disappears beneath you and you feel as if you're suspended in midair.
Gary Klein
When a sex tape gets made a star is born with a publicity agent on speed dial a six figure payout and a line of tacky lingerie in the works
Saira Viola (Jukebox: A thrilling crime satire)
It's time now to rent a car, roll down the windows and prepare for your first big thrill: the freeways. They're so much fun they should charge admission. Never fret about zigzagging back and forth through six lanes of traffic at high speeds; it erases jet lag in a split second. You're now heading toward Hollywood, like any normal tourist. Breathe in that smog and feel lucky that only in L.A. will you glimpse a green sun or a brown moon. Forget the propaganda you've heard about clean air; demand oxygen you can see in all its glorious discoloration.
John Waters (Crackpot: The Obsessions of John Waters)
The world’s people are in peril. We no doubt live in a noisy, numb, narcissistic age. The talents and attentions of the majority are not invested in personal mastery and social responsibility but squandered on games, voyeurism, and base sensationalism. We have recklessly abandoned what truly matters—the striving to be great as individuals and as a society—for the glamour and thrill of speed, convenience, and vain expression, in a kind of humanity-wide midlife crisis. Gone are the big visions; here are the quick wins and the sure things. Effort has lost out to entitlement. In the transition to our age of self-adoration and conceit, the page turned long ago on the dreams to rise as a people. Greatness is so rarely sought, and generation after generation fail to hold the line of human goodness and advancement. Why? Because
Brendon Burchard (The Motivation Manifesto: 9 Declarations to Claim Your Personal Power)
There seems to be a superstition among many thousands of our young who hold hands and smooch in the drive-ins that marriage is a cottage surrounded by perpetual hollyhocks, to which a perpetually young and handsome husband comes home to a perpetually young and ravishing wife. When the hollyhocks wither and boredom and bills appear, the divorce courts are jammed. Anyone who imagines that bliss is normal is going to waste a lot of time running around shouting that he's been robbed. The fact is that most putts don't drop. Most beef is tough. Most children grow up to be just ordinary people. Most successful marriages require a high degree of mutual toleration. Most jobs are more often dull than otherwise. . . . Life is like an old-time rail journey—delays, sidetracks, smoke, dust, cinders, and jolts, interspersed only occasionally by beautiful vistas and thrilling bursts of speed. The trick is to thank the Lord for letting you have the ride.
Jenkin Lloyd Jones
I’ve spent enough time in jackrabbit country to know that most of them lead pretty dull lives . . . No wonder some of them drift over the line into cheap thrills once in a while; there has to be a powerful adrenaline rush in crouching by the side of a road, waiting for the next set of headlights to come along, then streaking out of the bushes with split-second timing and making it across to the other side just inches in front of the speeding front wheels.
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
These nineteenth-century horses were stronger and healthier, capable of massive endurance as well as thrilling speed. They ran four miles, you know—heats—up to three times in a single day. They were tough.
Geraldine Brooks (Horse)
Metal is starter-pack rock. It works as both a gateway to other forms of modern pop, via volume, speed, and power, and as a model of pure escapism—the roar of the fairground, the cheap thrills of the slasher movie, sex, and horror. Besides,
Bob Stanley (Yeah! Yeah! Yeah!: The Story of Pop Music from Bill Haley to Beyoncé)
I reach now for a victim who is not easy for me to overcome: my own past. Perhaps this victim will flee from me with a speed that equals my own. Whatever, I seek now a victim that I have never faced. And there is the thrill of the hunt in it, what the modern world calls investigation.
Anne Rice (Pandora (New Tales of the Vampires, #1))
He knew now that he was going to die. But he had one last mission from Beckett. I have to finish this. The man leaned in close, and Mouse jabbed his arm out and up, thrilled to see the speed his hand provided for his final act as Beckett’s bodyguard. All three were dead. I did it, Beckett. I saved your brother.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
So let us praise the distinctive pleasures of re-reading: that particular shiver of anticipation as you sink into a beloved, familiar text; the surprise and wonder when a book that had told one tale now turns and tells another; the thrill when a book long closed reveals a new door with which to enter. In our tech-obsessed, speed-obsessed, throw-away culture let us be truly subversive and praise instead the virtues of a long, slow relationship with a printed book unfolding over many years, a relationship that includes its weight in our hands and its dusty presence on our shelves. In an age that prizes novelty, irony, and youth, let us praise familiarity, passion, and knowledge accrued through the passage of time. As we age, as we change, as our lives change around us, we bring different versions of ourselves to each encounter with our most cherished texts. Some books grow better, others wither and fade away, but they never stay static.
Terri Windling
Since the 1980s, Attention Deficit Disorder (ADD) has been on the rise, not just among children, but now among the adult population as well. The sudden rise of adult ADD, while it may have genetic components, certainly receives a major boost from our kinetic, hyper-speed, information-bombarded society. Victims of adult ADD are likely to initiate more tasks and projects that they'll ever finish, get bored easily, seek thrills readily, have a propensity to be late while loathing having to wait, and not be averse to taking foolish risks.
Jeff Davidson (The Complete Idiot's Guide to Getting Things Done)
Speed is an aphrodisiac!
Avijeet Das
...I love to drive fast. It's a rush.
Stephen Few (Signal: Understanding What Matters in a World of Noise)
Speed did not feel exhilarating or thrilling anymore. It only felt like a rapid approach toward something distant that she couldn’t make out through the dirty windshield.
Abby Slovin (Letters In Cardboard Boxes)
The darkness was such a captivating ride, like a roller coaster I never wanted to get off of. Full of thrills, speed, and ups and downs, the darkness was magnificent in all its glory
LeTeisha Newton (Whispers in the Dark)
To write, to be able to write, what does it mean? It means spending long hours dreaming before a white page, scribbling unconsciously, letting your pen play round a blot of ink and nibble at a half-formed word, scratching it, making it bristle with darts and adorning it with antennae and paws until it loses all resemblance to a legible word and turns into a fantastic insect or a fluttering creature half butterfly, half fairy. To write is to sit and stare, hypnotized, at the reflection of the window in the silver ink-stand, to feel the divine fever mounting to one's cheeks and forehead while the hand that writes grows blissfully numb upon the paper. It also means idle hours curled up in the hollow of the divan, and then the orgy of inspiration from which one emerges stupefied and aching all over, but already recompensed and ladened with treasures that one unloads slowly on to the virgin page in the little round pool of light under the lamp. To write is to pour one's innermost self passionately upon the tempting paper, at such frantic speed that sometimes one's hand struggles and rebels, overdriven by the impatient god who guides it — and to find, next day, in place of the golden bough that bloomed miraculously in that dazzling hour, a withered bramble and a stunted flower. To write is the joy and torment of the idle. Oh to write! From time to time I feel a need, sharp as thirst in summer, to note and to describe. And then I take up my pen again and attempt the perilous and elusive task of seizing and pinning down, under its flexible double-pointed jib, the many-hued, fugitive, thrilling adjective.… The attack does not last long; it is but the itching of an old scar.
Colette Gauthier-Villars (The Vagabond)
Britain’s Royal Veterinary College, where Catherine worked, had come into being in 1792 to study the skeleton of a famous English racehorse named Eclipse, an undefeated champion popular for his thrilling speed. The file contained lively newspaper reports on Eclipse’s races
Geraldine Brooks (Horse)
Let’s blow their little minds. A mind is not blown, in spite of whatever Hollywood seems to teach, merely by action sequences, things exploding, thrilling planetscapes, wild bursts of speed. Those are all good things; but a mind is blown when something that you always feared but knew to be impossible turns out to be true; when the world turns out to be far vaster, far more marvelous or malevolent than you ever dreamed; when you get proof that everything is connected to everything else, that everything you know is wrong, that you are both the center of the universe and a tiny speck sailing off its nethermost edge.
Michael Chabon (Maps and Legends: Reading and Writing Along the Borderlands)
God says that he will give you grace to handle the disappointments that lie ahead; your task is to live for him in the present. At first, this feels reckless, as if you were enjoying the thrill of a speeding car when you are courting devastation at the next turn. But it isn’t reckless to trust in God rather than yourself.
Edward T. Welch (Depression: Looking Up from the Stubborn Darkness)
Jared laughed. “Come on, I brought a spare helmet for you,” he said, reaching into his locker again. As he spoke, she reached for him in her mind, and felt the pleasure he felt in his motorbike. She could taste some of the thrill, the speed and the danger. “Ahahaha!” said Kami. “No, you didn’t. You brought it for someone else, someone who doesn’t know that you have crashed that bike fifty-eight times!” “Technically speaking, only fifty-one of those times were my fault.” “Technically speaking, you drive like a rabid chicken who has hijacked a tractor.” “Like a bat out of hell,” Jared said. “Nice simile. Sounds sort of dangerous and cool. Consider it.” “Not a chance. I like my brains the way they are, not lightly scrambled and scattered across a road. And speaking of bad boy clichés, really, a motorcycle?” “Again, I say: rugged,” Jared told her. “Manly.” “I often see Holly on hers,” Kami said solemnly. “When she stops for traffic, sometimes she puts on some manly lip gloss. I’m not getting on a bike.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
I gestured upward, which told Adam to tell my brother to speed up. Adam knew what I planned to do and shook his head at me. What a pain, to stop the boat and argue with him about it. He didn’t consult anyone before he tried a trick and busted ass. If we stopped, Sean would insist my turn was over, and I’d be done for the day. I wasn’t done. So I nodded my head vigorously. Adam shook his finger at me, scolding. Then he turned around and spoke to my brother. The drone pitched higher as the boat sped up. I relaxed, relaxed, relaxed and let the boat and the wave do the work for me. My muscles remembered what they’d tried to do last summer, and this time they were able to do it. I caught miles of air, a huge thrill, and one glance at the boat: four boys with their mouths open. Then I almost panicked as I lost my balance when my board hit its high point behind me. Almost- but I kept myself together. I rode gravity down the opposite wave. Immediately I arced out and back to pick up speed, and did a 360 with a grab. Landed it. Then a 540. Landed it. I thought I might be pushing my luck. I’d probably break my leg climbing back into the boat.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
You aren’t going to insist that you and the guys go in—guns blazing—while I remain behind, are you?” “DREK no.” She studied him intently. “Really?” He nodded. “After seeing the strength you displayed earlier and the skills you exhibited while training with my men, not to mention the amazing speed you revealed while leaping up to the escape pod’s hatch . . .” His lips quirked up. “I’m not at all reluctant to admit you’re our greatest asset, Eliana. Unless you object to us using you as a weapon . . .” “Hell no, I don’t object,” she declared, thrilled that he valued her skills. “Just point me in the right direction.
Dianne Duvall (The Segonian (Aldebarian Alliance, #2))
   As these examples show, the physiology of the brain makes such reproductions possible. But, for them to take place, an abnormal mental state is always needed, which can justifiably be conjectured in Nietzsche’s case at the time when he wrote Zarathustra. One has only to think of the incredible speed with which this work was produced. There is an ecstasy so great that the tremendous strain of it is at times eased by a storm of tears, when your steps now involuntarily rush ahead, now lag behind; a feeling of being completely beside yourself, with the most distinct consciousness of innumerable delicate thrills tingling through you to your very toes; a depth of happiness, in which pain and gloom do not act as its antitheses, but as its condition, as a challenge, as necessary shades of colour in such an excess of light.9 So he himself describes his mood. These shattering extremes of feeling, far transcending his personal consciousness, were the forces that called up in him the remotest and most hidden associations. Here, as I said before, consciousness only plays the role of slave to the daemon of the unconscious, which tyrannizes over it and inundates it with alien ideas. No one has described the state of consciousness when under the influence of an automatic complex better than Nietzsche himself:
C.G. Jung
As they walked toward the dance floor, Pamela barely felt the bruises on her feet from Henry. The thrill of waltzing with Mr. Carter practically banished the ache. On the floor, he took her into his arms. She liked the feel of his hand on her waist, the press of their gloved palms together. For the first time, the intimate posture, which had always made her feel uncomfortable and stiff, seemed right, and she wished he would pull her closer. Throughout the beginning of the waltz, they remained silent. She had the sense that Mr. Carter was concentrating on his steps, and she didn't want to distract him. He frowned. "I'm sorry I'm not a very good dancer." "Not at all." Pamela thought of Henry and had to restrain a laugh. She didn't want Mr. Carter to think she was making fun of him. "You couldn't possibly be worse than my previous partner, who led me in the wrong direction and trod on my toes!" His troubled expression cleared. "Well, then, I'm grateful you decided to risk your toes again with me. I promise, I'll try to keep my boots on the floor where they belong." He wiggled his eyebrows. Pamela laughed at his playful act. "I watched you with Elizabeth, and you were fine. So accepting your invitation to dance was not such a risk as you're making it out to be." As they bantered, Pamela found herself relaxing. Conversing with this stranger she'd only met twenty minutes ago was far easier than talking with some men she'd known all her life. Mr. Carter also seemed to become comfortable. His lead became more expert, and he picked up their speed. As they became in tune with each other, they flowed in perfect step to the music. Exhilaration welled up in Pamela. She'd never known dancing could feel like this. She glanced up at him, feeling a smile as wide as the moon stretch across her face. "We're flying!
Debra Holland (Beneath Montana's Sky (Mail-Order Brides of the West, #0.5; Montana Sky, #0.5))
I went straight upstairs to my bedroom after Marlboro Man and I said good night. I had to finish packing…and I had to tend to my face, which was causing me more discomfort by the minute. I looked in the bathroom mirror; my face was sunburn red. Irritated. Inflamed. Oh no. What had Prison Matron Cindy done to me? What should I do? I washed my face with cool water and a gentle cleaner and looked in the mirror. It was worse. I looked like a freako lobster face. It would be a great match for the cherry red suit I planned to wear to the rehearsal dinner the next night. But my white dress for Saturday? That was another story. I slept like a log and woke up early the next morning, opening my eyes and forgetting for a blissful four seconds about the facial trauma I’d endured the day before. I quickly brought my hands to my face; it felt tight and rough. I leaped out of bed and ran to the bathroom, flipping on the light and looking in the mirror to survey the state of my face. The redness had subsided; I noticed that immediately. This was a good development. Encouraging. But upon closer examination, I could see the beginning stages of pruney lines around my chin and nose. My stomach lurched; it was the day of the rehearsal. It was the day I’d see not just my friends and family who, I was certain, would love me no matter what grotesque skin condition I’d contracted since the last time we saw one another, but also many, many people I’d never met before--ranching neighbors, cousins, business associates, and college friends of Marlboro Man’s. I wasn’t thrilled at the possibility that their first impression of me might be something that involved scales. I wanted to be fresh. Dewy. Resplendent. Not rough and dry and irritated. Not now. Not this weekend. I examined the damage in the mirror and deduced that the plutonium Cindy the Prison Matron had swabbed on my face the day before had actually been some kind of acid peel. The burn came first. Logic would follow that what my face would want to do next would be to, well, peel. This could be bad. This could be real, real bad. What if I could speed along that process? Maybe if I could feed the beast’s desire to slough, it would leave me alone--at least for the next forty-eight hours. All I wanted was forty-eight hours. I didn’t think it was too much to ask.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
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Faster, faster, faster, until the thrill of speed overcomes the fear of death. —HUNTER S. THOMPSON
Marc Cameron (State of Emergency (Jericho Quinn #3))
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The world was solidifying, my future opening up into a potential that terrified and thrilled me in equal measure. I wanted to charge ahead, gallop full speed into the unknown, damn the possible cliffs. This was new. This was petrifying. This was what I wanted more than I wanted to breathe.
Tal Bauer (The Rest of the Story)
the other, I whimper as my pussy pulses with growing arousal. I stroke his smooth head, barely able to keep on my feet. When he withdraws, we stare at each other for several long seconds. Then I know exactly what to do. Somehow Mack must have read my mind because he helps guide me down to my knees in front of him. I reach over to undo his trousers and pull his cock out of his underwear. He’s already fully erect. I swipe a drop of liquid off the tip with my thumb. When he’s scooted a few inches closer to the edge of the mattress, he reaches over to remove the clip from my bun so my hair falls loose down my back. He takes my head in both his big hands and guides it forward toward his groin. I hold him steady with my fingers around the base of his hard shaft, giving him a few teasing licks that make his breath hitch. Then I slide my mouth around him until my lips meet my hand. I suck hard. His whole body twitches as he gasps out, “Fuck!” Thrilling with excitement from his responsiveness, I take a minute to coordinate a rhythm of sucking and squeezing with my hand. The muscles of his thighs on either side of me are tensing up as I work. He’s taking long, loud, thick breaths. When I’ve gotten comfortable, I speed up my rhythm and apply harder suction with my mouth. “Oh fuck, Anna.” He’s still holding my head in position with both hands, and they tighten in my hair, like he’s fisting handfuls of it. “That’s right. That’s good. Just like that.
Claire Kent (Beacon (Kindled #8))
How tall are you, anyway?” she asked. “About two hundred centimeters,” he said, his glance flicking from her eyes to her lips. “Six-foot-six to you, Miss American Pie.” She held on to his neck and he held her against the door, kissing until they couldn’t breathe. Making out with Martin was perhaps the most fun kissing she’d ever had. His hands seemed impatient, and she marveled at his ability to keep them out of the No Fly Zones. The result was the passion didn’t escalate to frenzy. It was soft and ardent, the focus just on the kissing, just on the pressure of two bodies near, and the exhilarating restraint. For Jane, the thrill and danger felt like an extreme sport. “You should probably go,” he said. “Mm-hm,” she mumbled, her mouth on his, her hands investigating the girth of his chest. She didn’t want to go. He didn’t want her to go, either. She could feel the eagerness in his hands, the speed of his breathing. He groaned regret, but he grabbed her waist and placed her back on her feet. “As much as I hate to, I really should walk you to the door.” She laughed. She was already at the door--pressed against it, in fact. He turned the knob, letting in the drenched smell of night. “Good night, Miss Erstwhile.” He kissed her hand. Jane went through the door backward as though she departed from the presence of a king, turned around, and found herself walking crooked.
Shannon Hale (Austenland (Austenland, #1))
GROWING UP changes one’s definition of what is fun — maturation does that, thankfully — so I hate to admit now that as a boy I thoroughly enjoyed throwing rocks at cars. It was a thrill to wait in hiding, ambush the car driving by, and then make our escape. Occasionally, a driver would stop their vehicle and get out to yell at us. But if we were really fortunate, they would chase us. We would run just far enough ahead to encourage them, but when they got close, we would turn on the afterburners of youth, leaving them far behind while we laughed hysterically. Once in a while, the police would come by — usually in unmarked cars — and the chase would be much more dramatic until we reached the ten-foot-tall fences at the end of the neighborhood field. To the police, it must have appeared as if they had us trapped. They had no idea, however, how practiced we were at vaulting those fences. We treated it like an Olympic event, running at full speed toward the fence and then leaping high into the air, grabbing the chain links, and allowing the momentum of our feet to swing us over the top and down on the other side. We would laugh at the police as we ran off, knowing there was no way they would follow us. Today I have great admiration for the police, who risk their lives on a daily basis to protect our lives, freedom, and property.
Ben Carson (America the Beautiful: Rediscovering What Made This Nation Great)
That speed always comes with a thrill of fear.
M. Pierce (After Dark (Night Owl #3))
The sudden shift caused the buckskin still holding him to cartwheel into a nosedive. The two of them spiraled toward the dry foothills, Star’s free wing whipping uselessly in the wind. The speed of the drop, the thrill of the heights, and the fear of the landing coursed through his veins like liquid lightning. Was this what it felt like to fly? Star wondered.
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
for one morning Susi came running at the top of his speed and gasped out, "An Englishman! I see him!" and off he darted to meet him. The American flag at the head of a caravan told of the nationality of the stranger. Bales of goods, baths of tin, huge kettles, cooking pots, tents, &c, made me think "This must be a luxurious traveller, and not one at his wits' end like me." (28th October, 1871.) It was Henry Moreland Stanley, the travelling correspondent of the New York Herald, sent by James Gordon Bennett, junior, at an expense of more than 4000l., to obtain accurate information about Dr. Livingstone if living, and if dead to bring home my bones. The news he had to tell to one who had been two full years without any tidings from Europe made my whole frame thrill. The
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
The few inches of air shrank. Matthew did not know who had first leaned toward the other, but did it really matter? One leaned and one met, and that was both the geometry and poetry of their kiss. Though Matthew had never before done this, it seemed a natural act. What was most alarming was the speed of his heart, which if it had been a horse might have reached Boston by first star. Something inside him seemed molten, like blue-flamed glass being changed and reshaped by the power of a breath. It was both strengthening and weakening, thrilling and frightening—again that conjunction of God and Devil that seemed to be at the essence of all things. It was a moment he would remember the rest of his life. Their lips remained sealed together, melded by bloodheat and heartbeat. Who drew away first was also unknown to Matthew, as time had slipped its boundaries like rain and river.
Anonymous
Youth is like being carried through life by a strong current," Admiral Winter said. "All you feel is the speed of the river, the thrill of rapids, never comprehending your utter lack of control, your constant peril.
Andrea Cremer (The Turncoat's Gambit (The Inventor's Secret, #3))
The towns and the players are all different. But the game is always the same, its speed and power. Hockey’s grace and poetry make men beautiful. The thrill of it lifts people out of their seats.Dreams unfold right before your eyes, conjured by a stick and a puck on a hundred and eighty feet of ice. The players? The good ones? The great ones? They’re the ones who can harness that lightning. They’re the conjurers. They become one with the game and it lifts them up and out of their lives too.
Richard Wagamese (Indian Horse)
You have to be strong and agile to ride a bicycle in city traffic. You need excellent balance and vision. (Children and seniors, for example, have worse peripheral vision than fit adults, and more trouble judging the speed of approaching objects.17) Most of all, you must possess a high tolerance for risk.18 Even the blood of adventurous riders gets flooded with beta-endorphins – the euphoria-inducing chemical that has been found in bungee-jumpers and rollercoaster riders – not to mention a stew of cortisol and adrenaline, the stress hormones that are so useful in moments of fight and flight, but toxic if experienced over the long term. The biologist Robert Sapolsky once said that the way to understand the difference between good and bad stress is to remember that a rollercoaster ride lasts for three minutes rather than three days. A super-long roller-coaster would not only be a lot less fun but poisonous. I personally like rollercoasters, and I loved the challenge of riding in the Paris traffic. But what is thrilling to me – a slightly reckless, forty-something male – would be terrifying for my mother, or my brother or a child. So if we really care about freedom for everyone, we need to design for everyone – not just the brave. This means we have got to confront the shared-space movement, which has gradually found favour since the sharing concept known as the woonerf emerged on residential streets in the Dutch city of Delft in the 1970s. In the woonerf, walkers, cyclists and cars are all invited to mingle in the same space, as though they are sharing a living room. Street signs and marked kerbs are replaced with flowerpots and cobblestones and even trees, forcing users to pay more attention as they move. It’s a bit like the vehicular cyclist paradigm, except that in a woonerf, everyone is expected to share the road.fn8
Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
Ahead of them, over the mountains to the north, the pale arcs and loops of the Northern Lights began to glow and tremble. Lyra saw through half-closed eyes, and felt a sleepy thrill of perfect happiness, to be speeding north under the Aurora.
Philip Pullman (Northern Lights)
The thrill of walking comes not so much from movement—except for the initial turning of a step out the door into a journey—but from its gifts of freedom and nonconformity. In a world built on speed, walking somewhere is an act of rebellion. You reject every type of contraption that your forebears have invented to get you there faster—including the bicycle—for your own two legs. You head out into the world while turning your back on its ways.
Thomas Swick (The Joys of Travel: And Stories That Illuminate Them)
The length of the blackout was not absolutely fixed. If all went well, it would last about thirty-five minutes—a bit longer if the engine fired successfully and the ship slowed to 3,700 miles per hour and settled into orbit, a bit shorter if the engine failed to fire and the ship continued to speed along at 5,800 miles per hour. If something worse happened, the radio silence would last forever.
Jeffrey Kluger (Apollo 8: The Thrilling Story of the First Mission to the Moon)
I had to remind myself of all the ways that he might be Buffalo Bill, and my erotically charged moment was his puts the lotion on its skin. He could take me anywhere. He looked like the kind of guy who'd be savvy about which highway exit had the best wooded area for dumping a body. Maybe that was why he drove a truck. Which I was currently sitting in. Which of those options honestly scared me more--- that he could be up to some dark shit, or just that I had a crush? Maybe my true crime reading had desensitized me after all, because I knew which of those made my heart speed up.
Alicia Thompson (Love in the Time of Serial Killers)
And then he flipped us with an inhuman speed that made me breathless, leaving me flat on my back before I'd realized it had even happened. I'd seen hints of his more-than-human strength before, but there was something primal, wild about the way he climbed atop me now. He leaned over me, his dark hair falling into his eyes. "Please," he rasped, his voice thick with his fraying restraint. His forearms were all corded muscle and shaking tension as he held himself perfectly still above me. My finger was still between his lips. He looked like he might die if I withdrew it. "I want to feel you." I nodded, understanding from the desperate look in his eyes what he was asking me. "Please," I whispered. With a grunt and one delicious thrust of his hips he was fully seated inside me. I gasped, stunned, the sheer enormity of him stealing the breath from my lungs. My body clenched and unclenched involuntarily, struggling to adjust to his size as he tried to hold himself back. I wrapped my arms around him and pulled him down into a searing kiss. I'd never been with someone this big before, and the delicious way my body had to stretch to accommodate him felt incredible. He was everywhere, all at once, and I wanted him to move, to feel the glorious sensual pleasure of him sliding in and out of my body. I wanted to have him in my arms as we moved together, to fall apart in ecstasy as I held him close. On a shaky exhale he slowly pulled out, and then thrust back into me with so much force the headboard knocked against the wall. I slid my hands down his backside, gripping the hard muscle beneath my fingertips as I tried to pull him even deeper inside me. "Is this okay?" The cords in his neck stood out in sharp relief as he fought to hold on. "Yes." He groaned, feral, his lips so close to the overly sensitive skin of my neck I felt it more than heard it. Whatever thin filament of restraint he'd been clinging to seemed to snap with another sharp thrust of his hips. And then another. And another. "Mine," he growled, the speed of his thrusts increasing, his voice taking on a deep rumbling timbre I'd never heard from him before. I answered with an incoherent moan, writhing beneath him, pinned to the mattress by his strong hands and the relentless pace of his hips. He'd been a patient and giving lover earlier. Now, he was using me, my body--- my blood--- for his own pleasure. The realization that he wasn't going to let me out of his bed until he'd thoroughly had his way with me thrilled me.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
Crowe accepted a job with Morrison-Knudsen at some point in April or May 1925. He would build three dams in five years for the partnership. After Guernsey came Van Giesen Dam outside Sacramento, finished in 1928 for the state of California, and Deadwood Dam in Idaho, another Reclamation project, in 1930. As always, he worked at breakneck speed, poring over the blueprints of the next dam even before he was finished with the present one.
Michael A. Hiltzik (Colossus: The Turbulent, Thrilling Saga of the Building of the Hoover Dam)
But when my spirits were at their lowest ebb, the good Samaritan was close at hand, for one morning Susi came running at the top of his speed and gasped out, "An Englishman! I see him!" and off he darted to meet him. The American flag at the head of a caravan told of the nationality of the stranger. Bales of goods, baths of tin, huge kettles, cooking pots, tents, &c, made me think "This must be a luxurious traveller, and not one at his wits' end like me." (28th October, 1871.) It was Henry Moreland Stanley, the travelling correspondent of the New York Herald, sent by James Gordon Bennett, junior, at an expense of more than 4000l., to obtain accurate information about Dr. Livingstone if living, and if dead to bring home my bones. The news he had to tell to one who had been two full years without any tidings from Europe made my whole frame thrill. The terrible fate that had befallen France, the telegraphic cables successfully laid in the Atlantic, the election of General Grant, the death of good Lord Clarendon—my constant friend, the proof that Her Majesty's Government had not forgotten me in voting 1000l. for supplies, and many other points of interest, revived emotions that had lain dormant in Manyuema.
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death, Volume II (of 2), 1869-1873 Continued By A Narrative Of His Last Moments ... From His Faithful Servants Chuma And Susi)
If there’s any symbol for the transformation that had occurred in the lives of American women as they approached the twentieth century, it ought to be the bicycle. The pictures of Willard tooling around in her long black skirt and high-necked blouse might remind modern readers of the villainous Margaret Hamilton in The Wizard of Oz, pedaling off with Toto in her basket. But women who had spent their lives wrapped in corsets and weighed down by heavy skirts must have been thrilled to be able to go flying down the street on two wheels. “Wheeling” offered independence as well as speed, and it was not only respectable; it was fashionable
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
He'd forgotten the sensation of novely, the thrill of desiring a woman so intensely it was pure magnetism of her female presence that made him tremble, more than her physical beauty or the slightly exotic elegance of her dress or the spontaneity with which she had leaned on his arm, holding it tighter when a speeding care passed close to them
Antonio Muñoz Molina (In the Night of Time)
Most readers might now expect a closing paragraph in which I extoll the nonscientific benefits of manned space exploration: the thrill of the exploration of the unknown; the idea that mankind needs new frontiers if it is not to stagnate; the worry that if mankind is stuck on one planet, a disaster could destroy us. These are appealing ideas. But manned space exploration clearly will not happen unless we find better ways of getting off-planet and creating homelike places elsewhere. I’d like to construct an analogy: we are in the same situation with regard to manned spaceflight today as Charles Babbage was with respect to computing in the 1860s. He invented the basic ideas for the modern computer and tried to implement them using the mechanical technology of his day. The technology was marginally not good enough to allow his analytical engine to be built. We seem to be in the same situation today: chemical rockets with exhaust speeds of a few thousand meters per second are marginally good enough to launch unmanned probes traveling slowly through the Solar System but are completely inadequate for manned missions.
Charles L. Adler (Wizards, Aliens, and Starships: Physics and Math in Fantasy and Science Fiction)
Speed is the last excitement left, the one thing we haven't used up, still naked in its potential, the mysterious black gift that thrills the millions.
Don DeLillo (End Zone)
Now, in a complex, post-industrial world, System 2 should be king. Only it is not. Why? One reason is that inside our twenty-first-century heads we are still roaming the savannah. System 1 holds sway because it takes a lot less time and effort. When it kicks in, the brain floods with reward chemicals, like dopamine, which deliver the kind of feel-good jolt that keeps us coming back for more. That’s why you get a little thrill every time you graduate to the next level in Angry Birds or cross an item off your to-do list: job done, reward delivered, move on to the next thrill.
Carl Honoré (The Slow Fix: Solve Problems, Work Smarter, and Live Better In a World Addicted to Speed)
I reach now for a victim who is not easy for me to overcome: my own past. Perhaps this victim will flee from me with a speed that equals my own. Whatever, I seek now a victim that I have never faced. And there is a thrill of the hunt in it, what the modern world calls investigation.
Anne Rice (Pandora (New Tales of the Vampires, #1))
Faster, Faster, until the thrill of speed overcomes the fear of death.” This is how I wanted to live my life. I was in the middle of an adrenaline-fueled camp of modern-day outlaws. I would leave Australia with an entirely new level of addiction to adrenaline.
J.B. Zielke (The Lost Cowboy)
Sandseter and Kennair analyzed the kinds of risks that children seek out when adults give them some freedom, and they found six: heights (such as climbing trees or playground structures), high speed (such as swinging, or going down fast slides), dangerous tools (such as hammers and drills), dangerous elements (such as experimenting with fire), rough-and-tumble play (such as wrestling), and disappearing (hiding, wandering away, potentially getting lost or separated). These are the major types of thrills that children need.
Jonathan Haidt (The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness)