Threw It All Quotes

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Demon pox, oh demon pox Just how is it acquired? One must go down to the bad part of town Until one is very tired. Demon pox, oh demon pox, I had it all along— Not the pox, you foolish blocks, I mean this very song— For I was right, and you were wrong!" "Will!" Charlotte shouted over the noise, "Have you LOST YOUR MIND? CEASE THAT INFERNAL RACKET! Jem—" Jem, rising to his feet, clapped his hands over Will's mouth. "Do you promise to be quiet?" he hissed into his friend's ear. Will nodded, blue eyes blazing. Tessa was staring at him in amazement; they all were. She had seen Will many things—amused, bitter, condescending, angry, pitying—but never giddy before. Jem let him go. "All right, then." Will slid to the floor, his back against the armchair, and threw up his arms. "A demon pox on all your houses!" he announced, and yawned. "Oh, God, weeks of pox jokes," said Jem. "We're in for it now.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
But these words people threw around - humans, monsters, heroes, villains - to Victor it was all just a matter of semantics. Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human.
Victoria E. Schwab (Vicious (Villains, #1))
Percy smiled at her - that sarcastic troublemaker smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago - tanner and taller, leaner and more muscular. Percy threw his arms around her. They kissed and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, and Annabeth wouldn't have cared.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
You never called me back," he said. "I called you so many times and you never called me back." Magnus looked at Alec as if he'd lost his mind. "Your city is under attack," he said. "The wards have been broken, and the streets are full of demons. And you want to know why I haven't called you?" Alec set his jaw in a stubborn line. "I want to know why you haven't called me back." Magnus threw his hands up in the air in a gesture of utter exasperation. Alec noted with interest that when he did it, a few sparks escaped from his fingertips, like fireflies escaping from a jar. "You're an idiot." "Is that why you haven't called me? Because I'm an idiot?" "No." Magnus strode toward him. "I didn't call you because I'm tired of you only wanting me around when you need something. I'm tired of watching you be in love with someone else - someone, incidentally, who will never love you back. Not the way I do." "You love me?" "You stupid Nephilim," Magnus said patiently. "Why else am I here? Why else would I have spent the past few weeks patching up all your moronic friends every time they got hurt? And getting you out of every ridiculous situation you found yourself in? Not to mention helping you win a battle against Valentine. And all completely free of charge!
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Humans were so stupid. They had something so precious, and they barely safeguarded it at all. They threw away their lives for money, for packets of powder, for a stranger's charming smile.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You are your mother's trueborn son of Lannister." "Am I?" the dwarf replied, sardonic. "Do tell my lord father. My mother died birthing me, and he's never been sure." "I don't even know who my mother was," Jon said. "Some woman, no doubt. Most of them are." He favored Jon with a rueful grin. "Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs." And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
You threw everything away."I bring a hand up to touch her face,to wipe the rain from her eyelashes."Your entire life-your beliefs...Why would you do that for me?" June has never looked more beautiful than she does now,unadorned and honest,vulnerable yet invincible.When lightning streaks over the sky,her dark eyes shine like gold."Because you were right,"she whispers."About all of it.
Marie Lu (Legend (Legend, #1))
There was something I needed to say. “Sorry. About before.” Fang shot a sideways glance at me, his eyes dark and inscrutable, as always. He looked back out at the water. I didn’t expect any more acknowledgment than that. Fang never- “You almost gave me a heart attack,” he said quietly. “When I saw you, and all that blood . . .” He threw a small rock as hard as he could down the beach. “I’m sorry.” “Don’t do it again,” he said. I swallowed hard. “I won’t.” Something changed right then, but I didn’t know what.
James Patterson (School's Out—Forever (Maximum Ride, #2))
If we all threw our problems in a pile and saw everyone else's, we'd grab ours back.
Regina Brett
Nudge threw her arms around my neck. 'I love you Max! I love all of us too!' Yeah, me too,' Said the Gasman. 'I don't care if we have our house, or a cliff ledge, or a cardboard box. Home is wherever we all are, together.
James Patterson
It took me two years to give him all of my heart, and he threw it away in one night.
Dannika Dark (Seven Years (Seven, #1))
Jealous?' Luce asked. They were alone now. She threw her arms around his broad shoulders and looked deep into his violet eyes. 'Why would you be jealous?' 'Because,' he said, rubbing his hands across her back. 'Your dance card is full. For all eternity.
Lauren Kate (Torment (Fallen, #2))
This is about all the bad days in the world. I used to have some little bad days, and I kept them in a little box. And one day, I threw them out into the yard. "Oh, it's just a couple little innocent bad days." Well, we had a big rain. I don't know what it was growing in but I think we used to put eggshells out there and coffee grounds, too. Don't plant your bad days. They grow into weeks. The weeks grow into months. Before you know it you got yourself a bad year. Take it from me. Choke those little bad days. Choke 'em down to nothin'. They're your days. Choke 'em!
Tom Waits
Needless to say, the fact that he actually spoke to me at all practically caused me to pass out. And then the fact that he was actually saying something that sounded like it might be a prelude to asking me out - well, I nearly threw up. I mean it. I felt really sick, but in a good way.
Meg Cabot (The Princess Diaries (The Princess Diaries, #1))
Once upon a time, there was a wise man who used to go to the ocean to do his writing. He had a habit of walking on the beach before he began his work. One day, as he was walking along the shore, he looked down the beach and saw a human figure moving like a dancer. He smiled to himself at the thought of someone who would dance to the day, and so, he walked faster to catch up. As he got closer, he noticed that the figure was that of a young man, and that what he was doing was not dancing at all. The young man was reaching down to the shore, picking up small objects, and throwing them into the ocean. He came closer still and called out "Good morning! May I ask what it is that you are doing?" The young man paused, looked up, and replied "Throwing starfish into the ocean." "I must ask, then, why are you throwing starfish into the ocean?" asked the somewhat startled wise man. To this, the young man replied, "The sun is up and the tide is going out. If I don't throw them in, they'll die." Upon hearing this, the wise man commented, "But, young man, do you not realize that there are miles and miles of beach and there are starfish all along every mile? You can't possibly make a difference!" At this, the young man bent down, picked up yet another starfish, and threw it into the ocean. As it met the water, he said, "It made a difference for that one.
Loren Eiseley
It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually--if this is the way things started, if there was a big bang in the beginning-- you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as--Mr so-and- so, Ms so-and-so, Mrs so-and-so--I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it.
Alan W. Watts
Paris answered for him. "Last time he spread the flashing love, Reyes threw up all over his shirt. I never laughed so hard in my life. Lucien, though, has no sense of humor and vowed never to take us again." "I'm surprised you didn't mention the part where you fainted," Lucien said wryly. Strider chortled. "Oh, man. You fainted? What a baby!" "Hey," Paris said, frowning at Lucien. "I told you I hit my head midflash." Lucien
Gena Showalter (The Darkest Kiss (Lords of the Underworld, #2))
Very slowly, using only two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water. Octavian made a squeaking sound. “What was that for? I didn’t say toss it! That could’ve been evidence. Or spoils of war!” Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation. “You other two…” He pointed his blade at Hazel and Piper. “Put your weapons on the dock. No funny bus—” All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth’s dagger. “You dropped this,” he said, totally poker-faced. Annabeth threw her arms around him. “I love you!” “Guys,” Hazel interrupted. She had a little smile on her face. “We need to hurry.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
She threw up her hands. "All right. Why not?" Why not?" Sure." His arms fell to his sides. "That's it? I pour my heart out. I love you so much I've got freakin' tears in my eyes. And all I get in return is 'Why not'?" What did you expect? Am I supposed to fall all over you just because you've finally come to your senses?" Would it be too much to ask?"...He'd begun to glare at her again, his eyes growing stormier by the minute."When do you think you might be ready? To fall all over me, that is.
Susan Elizabeth Phillips (Breathing Room)
You forget all of it anyway. First, you forget everything you learned-the dates of the Hay-Herran Treaty and Pythagorean Theorem. You especially forget everything you didn't really learn, but just memorized the night before. You forget the names of all but one or two of your teachers, and eventually you'll forget those, too. You forget your junior class schedule and where you used to sit and your best friend's home phone number and the lyrics to that song you must have played a million times. For me, it was something by Simon & Garfunkel. Who knows what it will be for you? And eventually, but slowly, oh so slowly, you forget your humiliations-even the ones that seemed indelible just fade away. You forget who was cool and who was not, who was pretty, smart, athletic, and not. Who went to a good college. Who threw the best parties Who could get you pot. You forget all of them. Even the ones you said you loved, and even the ones you actually did. They're the last to go. And then once you've forgotten enough, you love someone else.
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
Through an arrow loop in the wall she saw a familiar horse and rider tearing across the camp toward the healing rooms. Brigan pulled up at Nash's feet and dropped from the saddle. The two brothers threw their arms around each other and embraced hard. Shortly thereafter he stepped into the healing rooms and leaned in the doorway, looking across at her quietly. Brocker's son with the gentle gray eyes. She abandoned all pretense of decorum and ran at him.
Kristin Cashore (Fire (Graceling Realm, #2))
The nurse whirled and fixed him with a gimlet eye. “You—” she began, then threw her hands up. “Go get ready, idiot. You’ve been hovering at the door like a lost puppy all day. Tell the prince we’ll be leaving as soon as Miss Chase is ready. Now, get.” Puck retreated, grinning, and the nurse sighed. “Those two,” she muttered. “They’re either best friends or darkest enemies, I can’t tell which. Come with me, Miss Chase.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
I threw myself against the bars, so rapidly that even Mikhail flinched. "But I love you!" I hissed. "And I know you love me too. Do you really think you can spend the rest of your life ignoring that when you're around me?" [...] "...All my feelings...my emotions for you...they changed. I don't feel the way I used to. I might be a dhampir again, but after what I went through...well, it's scarred me. It altered my soul. I can't love anyone now. I can't—I don't—love you. There's nothing more between you and me. My blood turned cold. I refused to believe his words, not after the way he'd looked at me earlier. "No! That's not true! I love you and you—" "Guards!
Richelle Mead (Spirit Bound (Vampire Academy, #5))
You know," he said, "I keep wanting to say that it's like Simon Snow threw up in here... but it's more like someone else ate Simon Snow—like somebody went to an all-you-care-to-eat Simon Snow buffet—and then threw up in here.
Rainbow Rowell (Fangirl)
Jealousy—at least as far as he understood it from his dream—was the most hopeless prison in the world. Jealousy was not a place he was forced into by someone else, but a jail in which the inmate entered voluntarily, locked the door, and threw away the key. And not another soul in the world knew he was locked inside. Of course if he wanted to escape he could do so. The prison, was after all, his own heart. But he couldn't make that decision. His heart was as hard as a stone wall. This was the very essence of jealousy.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
Relationships are a battle. They are a chess game. And what did I do? I just threw all my chess pieces down on the board at once, and said, "Here! Have them all!
Sophie Kinsella (Can You Keep a Secret?)
I'm making a list of things that make you agreeable." I scoffed, pushing my foot into his leg. "And all you got is sex and vacations?" "The length of the list is not my fault." "Are you saying I'm disagreeable?" He raised an eyebrow. "Woman, how stupid do you think I am? You really think I'm answering that? I want to get laid tonight?" I pushed him harder. "Watch it, or you might get laid to rest." Braden threw his head back and laughed.
Samantha Young (On Dublin Street (On Dublin Street, #1))
Mircea must have heard us come in, but he continued what he was doing. He stood with his back to us, the candlelight on his bare skin causing his muscles to fall into sharp relief. He’d washed the river gunk out of his hair and now he threw it back, the water droplets shimmering in the light. The scene looked for all the world like a really good romance novel cover.
Karen Chance (Embrace the Night (Cassandra Palmer, #3))
Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs." And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
People like me are aware of their so-called genius at ten, eight, nine. . . . I always wondered, ``Why has nobody discovered me?'' In school, didn't they see that I'm cleverer than anybody in this school? That the teachers are stupid, too? That all they had was information that I didn't need? I got fuckin' lost in being at high school. I used to say to me auntie ``You throw my fuckin' poetry out, and you'll regret it when I'm famous, '' and she threw the bastard stuff out. I never forgave her for not treating me like a fuckin' genius or whatever I was, when I was a child. It was obvious to me. Why didn't they put me in art school? Why didn't they train me? Why would they keep forcing me to be a fuckin' cowboy like the rest of them? I was different I was always different. Why didn't anybody notice me? A couple of teachers would notice me, encourage me to be something or other, to draw or to paint - express myself. But most of the time they were trying to beat me into being a fuckin' dentist or a teacher
John Lennon
Hang on – what are you wearing?” Keefe asked as she threw back her covers, revealing the sparkly slogans on her tunic. “Is that a Bangs Boy reference? Because you know I haven’t let him into the Foster Fan Club, right?” Sophie rolled her eyes. “It’s an inside joke – and Linh made this for me.” ”Yeah, well, it still breaks the fan club rules. As penance, I’m giving you a tunic that says, ‘Empaths Give Me All the Feels,” and I expect to see you wear it twice as much as Bang Boys.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
I turned and reached over,wrapping my arms around his all too stiff body. I hugged him, squeezing him as tightly as I could. And then I let him go before he overreacted and threw me off the rock. Daemon still didn’t move. He stared at me, eyes wide, like he’d never been hugged before.
Jennifer L. Armentrout (Obsidian (Lux, #1))
If he'd had to judge based on the two of them, then ExtraOrdinaries were damaged, to say the least. But these words people threw around--humans, monsters, heroes, villains--to Victor it was all just a matter of semantics.
Victoria E. Schwab (Vicious (Villains, #1))
I threw the baseball I held after all. Not hard and it didn’t even hit him but it almost did. His eyes went wide with surprise. “So you weren’t really offering me a target?” He gave a small laugh. “I didn’t think you’d take me up on it.
Kasie West (The Fill-In Boyfriend)
He's better-looking then the last vagabond I had to take in," Eddie said, standing and carrying empty bowls to the sink. "I'll give him that." The insult slid off of Bobby like water. "So, you know, kid, according to thief culture, if you're going to court Kat, you now owe me two dozen goats." "It's a dozen," Eddie corrected. "Yeah, but Kat's worth two," Hamish said with a wink. Through it all, Hale said nothing. Then, finally, he smiled. "I'm afraid I'm all out of goats at the moment, but I've got some ruby cuff links you can have." "No." Bobby shook his head. "It's goats or nothing." "Sorry, Kat." Hale shrugged, disappointed. "It was fun while it lasted." "Don't look at me." Kat threw up her hands. "I'm officially ignoring all of you.
Ally Carter (Perfect Scoundrels (Heist Society, #3))
Kat, who sat beside us, shouted, "Rewind that!" and threw popcorn at the screen. "Mr. Holland's expression was all, like, oh, no, I'm going to need to my balls reattached, and Cole's was all, you're about to lose something else, sucka.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
She loved him. But he didn’t know how to love. He could talk about love. He could see love and feel love. But he couldn’t give love. He could make love. But he couldn’t make promises. She had desperately wanted his promises. She wanted his heart, knew she couldn’t have it so she took what she could get. Temporary bliss. Passionate highs and lows. Withdrawal and manipulation. He only stayed long enough to take what he needed and keep moving. If he stopped moving, he would self-destruct. If he stopped wandering, he would have to face himself. He chose to stay in the dark where he couldn’t see. If he exposed himself and the sun came out, he’d see his shadow. He was deathly afraid of his shadow. She saw his shadow, loved it, understood it. Saw potential in it. She thought her love would change him. He pushed and he pulled, tested boundaries, thinking she would never leave. He knew he was hurting her, but didn’t know how to share anything but pain. He was only comfortable in chaos. Claiming souls before they could claim him. Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her. His dark heart concealed. She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender. Wide open, exposed to deception. It had never occurred to her that this desire was not love. It was blinding the way she wanted him. She couldn’t see what was really happening, only what she wanted to happen. She suspected that he would always seek to minimize the risk of being split open, his secrets revealed. He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs. Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake. When she discovered his indiscretions, she threw love in his face and beat him with it. Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem. She felt a sense of privilege for having such passion in her life. He stirred her core. The place she dared not enter. The place she could not stir for herself. But something wasn’t right. His eyes were cold and dark. His energy, unaffected. He laughed at her and her antics, told her she was a mess. Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain. And her heart stopped.
G.G. Renee Hill (The Beautiful Disruption)
I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper. “I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.” He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.
Joe Abercrombie (The Blade Itself (The First Law, #1))
Are you mad?" I ask. "I was." He glances at the ceiling then back at me. "Or confused, anyway. The whole thing threw me through for a loop. I thought I'd finally met a guy at Underwood I could relate to, and it turns out he wasn't a guy at all." I swallow. "I can see how that would be weird." "In a way though, I was relieved." "Relieved?" I echo. "Why?" He looks around embarrased. "Let's just say you had me questioning my sexual orientation.
Jody Gehrman (Babe in Boyland)
I don’t know what you’re referencing, madam,” the chairman says, his voice raised over mine. “I’m talking about menstruation, sir!” I shout in return. It’s like I set the hall on fire, manifested a venomous snake from thin air, also set that snake on fire, and then threw it at the board. The men all erupt into protestations and a fair number of horrified gasps. I swear one of them actually swoons at the mention of womanly bleeding.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Zach shoveled another spoonful of Fruit Loops cereal with milk into his mouth. “It is not possible!” “How do you know? Just because there’s no proof to prove it, there’s no proof to disprove it either.” “You’re trying to make me crazy, aren’t you?” “Not at all.” Sara put her bowl down. “I’m just saying there could be bunny shifters.” “There are no bunny shifters!” Shaking her head she accused, “You’re a bunny bigot.” Zach threw his spoon back in the near-empty bowl. “And there is no such thing as bunny bigots.
Shelly Laurenston (Pack Challenge (Magnus Pack, #1))
Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth. 
 You still feel warmth.
Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you.  Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less. Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work.
Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you. Work until your eyes are tired and head is heavy, and keep working even after that. Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes.
Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. 
You’re doing just fine.
You’re doing fine. I’m doing just fine.
Charlotte Eriksson (You're Doing Just Fine)
The Cyclops was about to roll the stone back into place, when from somewhere outside Annabeth shouted, "Hello, ugly!" Polyphemus stiffened. "Who said that?" "Nobody!" Annabeth yelled. That got exactl;y the reaction she'd been hoping for. The monster's face turned red with rage. "Nobody!" Polyphemus yelled back. "I remember you!" "You're too stupid to remember anybody," Annabeth taunted. "Much less Nobody." I hoped to the gods she was already moving when she said that, because Polyphemus bellowed furiously, grabbed the nearest boulder (which happened to be his front door) and threw it toward the sound of Annabeth's voice. I heard the rock smash into a thousand fragments. To a terrible moment, there was silence. Then Annabeth shouted, "You haven't learned to throw any better, either!" Polyphemus howled. "Come here! Let me kill you, Nobody!" "You can't kill Nobody, you stupid oaf," she taunted. "Come find me!" Polyphemus barreled down the hill toward her voice. Now, the "Nobody" thing would have confused anybody, but Annabeth had explained to me that it was the name Odysseus had used to trick Polyphemus centuries ago, right before he poked the Cyclops's eye out with a large hot stick. Annabeth had figured Polyphemus would still have a grudge about that name, and she was right. In his frenzy to find his old enemy, he forgot about resealing the cave entrance. Apparently, he did even stop to consider that Annabeth's voice was female, whereas the first Nobody had been male. On the other hand, he'd wanted to marry Grover, so he couldn't have been all that bright about the whole male/female thing. I just hoped Annabeth could stay alive and keep distracting him long enough for me to find Grover and Clarisse.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
I think we need food.” “As long as I don’t have to cook it.” He threw his arm around my shoulder as we turned back to the palace. It felt like a very boyfriendish thing to do. “But we did so great last time.” “All I learned about was butter.” “Then you know everything.
Kiera Cass (The Crown (The Selection, #5))
Anyway, here.” He handed me a bag. “Thought you might be hungry. Since you’re our guests, it would be impolite if we didn’t share our food with you. That’s your rations for the week. Try to make it last.” At my surprised look, he rolled his eyes. “Not all of us live on oil and electricity, you know.” “What about Ash and Puck?” “Well, I’m pretty sure eating our food won’t melt their insides to gooey paste. But you never know.” (Glitch) ----------------- Puck sat and gazed mournfully into the bowl I handed him. “Not an apple slice to be found,” he sighed, picking through the gooey mess with his fingers. “How can mortals even pass this off as fruit? It’s like a peach farmer threw up in a bowl.” Ash picked up the spoon, gazing at it like it was an alien life form.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Ali wrinkled her forehead and cocked her head to the side. Clearly, she hadn't prepared herself for me to be pleasant. After a moment, her eyes narrowed. "What exactly did you and Lake did yesterday?" she asked, like we might have held up a gas station and gone on a crime spree across the country, all in the span of just a few hours. "We went to Mexico, had some tequila, eloped with a pair of drug smugglers, and took part-time jobs as exotic dancers. You know, same old, same old." Ali snorted. "I'm torn on stripper names. It's either going to be Lady Love or Wolfsbane Lane. Thoughts?" Ali threw a onesie at me. "Brat.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
For the longest time I studied revenge to the exclusion of all else. I built my first torture chamber in the dark vaults of imagination. Lying on bloody sheets in the Healing Hall I discovered doors within my mind that I’d not found before, doors that even a child of nine knows should not be opened. Doors that never close again. I threw them wide.
Mark Lawrence
You knocked out Ben McCrary?' he asked, eyes wide. 'It was an accident,' I said again. 'I threw the ball harder than I meant to.' Dex burst into laughter. 'Oh my God, that is the greatest thing I've heard all week. You are my new hero.' Squinting at me, he leaned in and said, 'Serious, I might actually be in love with you now. Would it be awkward if we made out?
Rachel Hawkins (School Spirits (Hex Hall, #4))
You are going, Jane?" "I am going, sir." "You are leaving me?" "Yes." "You will not come? You will not be my comforter, my rescuer? My deep love, my wild woe, my frantic prayer, are all nothing to you?" What unutterable pathos was in his voice! How hard was it to reiterate firmly, "I am going!" "Jane!" "Mr. Rochester." "Withdraw then, I consent; but remember, you leave me here in anguish. Go up to your own room, think over all I have said, and, Jane, cast a glance on my sufferings; think of me." He turned away, he threw himself on his face on the sofa. "Oh, Jane! my hope, my love, my life!" broke in anguish from his lips. Then came a deep, strong sob.
Charlotte Brontë (Jane Eyre)
We ate the birds. We ate them. We wanted their songs to flow up through our throats and burst out of our mouths, and so we ate them. We wanted their feathers to bud from our flesh. We wanted their wings, we wanted to fly as they did, soar freely among the treetops and the clouds, and so we ate them. We speared them, we clubbed them, we tangled their feet in glue, we netted them, we spitted them, we threw them onto hot coals, and all for love, because we loved them. We wanted to be one with them. We wanted to hatch out of clean, smooth, beautiful eggs, as they did, back when we were young and agile and innocent of cause and effect, we did not want the mess of being born, and so we crammed the birds into our gullets, feathers and all, but it was no use, we couldn’t sing, not effortlessly as they do, we can’t fly, not without smoke and metal, and as for the eggs we don’t stand a chance. We’re mired in gravity, we’re earthbound. We’re ankle-deep in blood, and all because we ate the birds, we ate them a long time ago, when we still had the power to say no.
Margaret Atwood
He stepped forward and wrapped his arms around the small of my back, tugging me to his chest. I threw my arms around his shoulders, sliding my nails up and down his neck gently. “Stay with me. And with Nathaniel and Lauren. All day. Be happy today.” “That’s it?” He bent down and kissed me richly. “Each time I look at you, I want to see a smile on your beautiful face.” “Will you be looking at me a lot?” “I’m always stealing glances,” he confessed. “You rarely notice.
Courtney Allison Moulton (Wings of the Wicked (Angelfire, #2))
People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are The Advertisers and they are laughing at you. You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity. Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head. You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs.
Banksy
I invited a few people to help celebrate your birthday," Cameron said sheepishly. She threw up her hands. "Surprise." "We sort of come with the package," Collin explained. "Think of it as a collective gift from all of us to you: five bona fide annoying and overly intrusive new best friends." "It's the gift that keeps on giving," Wilkins said. Jack grinned. "I'm touched. Really. And since it appears I'm going to be moving in, let me be the first to say that all of you are always welcome at my and Cameron's house. Subject to a minimum of forty-eight hours prior notification.
Julie James (Something About You (FBI/US Attorney, #1))
If she suddenly threw herself in a river or off a building or into traffic, there would be plenty of warning signs to point to. Did she seem depressed? She was distant. She didn’t make many friends. She was struggling in her classes. All true. But would it have mattered if she’d been someone else? If she’d been a social butterfly, they would have said she liked to drink away her pain. If she’d been a straight-A student, they would have said she’d been eaten alive by her perfectionism. There were always excuses for why girls died.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Then I said, “Matt’s got a big mouth.” “They all got big mouths, girl, learn that quick. These boys talk more than a pack of women. I lost fifty bucks on you.” I was stunned speechless again, this time it didn’t last as long. “What?” “See, Lee nailed Indy the first night they were together. Not nailed her nailed her but she was in his bed. Eddie, with Jet, it took a few days. Hank and Roxie, like, a day. Vance, like three, but Jules was a virgin and he had to interrupt the festivities once to go out and shoot someone.” I was blinking rapidly and feeling kind of faint at the amount and sensitivity of information Shirleen was imparting, not to mention what it might mean to me. “So we had a pool. Everyone threw down money on when they thought Luke would nail you. Mace won five hundred dollars.” Ho-ly crap. “So,” she went on. “Did he nail you nail you or did you two just sleep?” For some reason, I answered her unbelievably nosy question. “We just slept.” “New pool!” she shouted.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
I had once believed that we were all masters of our fate--that we could mold our lives into any form we pleased... I had overcome deafness and blindness sufficiently to be happy, and I supposed that anyone could come out victorious if he threw himself valiantly into life's struggle. But as I went more and more about the country I learned that I had spoken with assurance on a subject I knew little about... I learned that the power to rise in the world is not within the reach of everyone.
Helen Keller
I look at him with the nostalgic affection men are said to feel for their wars, their fellow veterans. I think, I once threw things at this man. I threw a glass ashtray, a fairly cheap one which didn't break. I threw a shoe (his) and a handbag (mine), not even snapping the handbag shut first, so that he was showered with a metal rain of keys and small change. The worst thing I threw was a small portable television set, standing on the bed and heaving it at him with the aid of the bouncy springs, although the instant I let fly I thought, Oh God, let him duck! I once thought I was capable of murdering him. Today I feel only a mild regret that we were not more civilized with each other at the time. Still, it was amazing, all those explosions, that recklessness, that Technicolor wreckage. Amazing and agonizing and almost lethal.
Margaret Atwood (Cat's Eye)
Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram
Cathleen Schine (The Love Letter)
Ellen drank long and deep from her water bottle and wiped her mouth with her gauntleted arm. "Are you feeling all right, Jack? Your play's flat, all in all. I was hoping to give Seph more of a show." Jack tested the edge of his blade with his thumb. "Actually, Ellen, I wondered if you were coming down with something. You were downright lethargic. I nearly dozed off once or twice." "Well, that explains it. You looked like you were asleep." With that, they threw down their weapons and it dissolved into a wrestling match. In the end they were kissing each other. It was certainly a different kind of courtship, but there was a chemistry, an understanding, a kinship between Jack and Ellen that Seph envied.
Cinda Williams Chima (The Wizard Heir (The Heir Chronicles, #2))
I really am sorry, Micky, for what it's worth. You were the greatest thing that ever happened to me. You were my life. I mean, I know I didn't show that to you, and I'll forever hate myself for that. But you need to know, I loved you so fucking much. I still love you. Whenever I look at my future, it was always you... When I thought about my life... You were the one walking down the aisle towards me, raising our kids. I always smiled to myself when I thought about it, that it was you that was going to be there for me every night, when I got home from work, you in your study, writing your books. A few kids, a decent house. It was perfect in my mind. You were perfect. You are perfect and I threw it all away, because I'm such a fucking asshole, and I can't take it back. I can't fucking take it back, and I can't have you back, and all of this... this life I have, none of this shit is worth it, not without you.
Jay McLean (More Than This (More Than, #1))
Brown Penny I WHISPERED, 'I am too young,' And then, 'I am old enough'; Wherefore I threw a penny To find out if I might love. 'Go and love, go and love, young man, If the lady be young and fair.' Ah, penny, brown penny, brown penny, I am looped in the loops of her hair. O love is the crooked thing, There is nobody wise enough To find out all that is in it, For he would be thinking of love Till the stars had run away And the shadows eaten the moon. Ah, penny, brown penny, brown penny, One cannot begin it too soon.
W.B. Yeats
One day Dostoevsky threw out the enigmatic remark: "Beauty will save the world". What sort of a statement is that? For a long time I considered it mere words. How could that be possible? When in bloodthirsty history did beauty ever save anyone from anything? Ennobled, uplifted, yes - but whom has it saved? There is, however, a certain peculiarity in the essence of beauty, a peculiarity in the status of art: namely, the convincingness of a true work of art is completely irrefutable and it forces even an opposing heart to surrender. It is possible to compose an outwardly smooth and elegant political speech, a headstrong article, a social program, or a philosophical system on the basis of both a mistake and a lie. What is hidden, what distorted, will not immediately become obvious. Then a contradictory speech, article, program, a differently constructed philosophy rallies in opposition - and all just as elegant and smooth, and once again it works. Which is why such things are both trusted and mistrusted. In vain to reiterate what does not reach the heart. But a work of art bears within itself its own verification: conceptions which are devised or stretched do not stand being portrayed in images, they all come crashing down, appear sickly and pale, convince no one. But those works of art which have scooped up the truth and presented it to us as a living force - they take hold of us, compel us, and nobody ever, not even in ages to come, will appear to refute them. So perhaps that ancient trinity of Truth, Goodness and Beauty is not simply an empty, faded formula as we thought in the days of our self-confident, materialistic youth? If the tops of these three trees converge, as the scholars maintained, but the too blatant, too direct stems of Truth and Goodness are crushed, cut down, not allowed through - then perhaps the fantastic, unpredictable, unexpected stems of Beauty will push through and soar to that very same place, and in so doing will fulfil the work of all three? In that case Dostoevsky's remark, "Beauty will save the world", was not a careless phrase but a prophecy? After all he was granted to see much, a man of fantastic illumination. And in that case art, literature might really be able to help the world today?
Aleksandr Solzhenitsyn (Nobel Lecture (Bilingual Edition) (English and Russian Edition))
You're a freak. But I really can't accept these-' Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.' Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.' Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?' Blay blushed. 'Come on-' Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.' Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.' Agasp sounds better.' Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind. Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance. Touché.' Blay laughed. 'That's en garde, you damn fool.' Qhuinn shot a look over his shoulder. 'ça va, Brutus?' Et tu?' That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.' Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.' Try sanitarium.' No, thanks, I had a big lunch.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
Then must you speak Of one that loved not wisely but too well, Of one not easily jealous but, being wrought, Perplexed in the extreme; of one whose hand, Like the base Indian, threw a pearl away Richer than all his tribe; of one whose subdued eyes, Albeit unused to the melting mood, Drop tears as fast as the Arabian trees Their medicinable gum. Set you down this, And say besides that in Aleppo once, Where a malignant and a turbaned Turk Beat a Venetian and traduced the state, I took by th' throat the circumcised dog And smote him thus.
William Shakespeare (Othello)
Cracking his knuckles, Cary dramatically prepared to open his fortune cookie. “Let’s see. Will I be rich? Famous? About to meet Mr. or Ms. Tall, Dark, and Tasty? Traveling to distant lands? What’d you guys get?” “Mine’s lame,” I said. “In the end all things will be known. Duh. I didn’t need a fortune to figure that out.” Gideon opened his and read, “Prosperity will knock on your door soon.” I snorted. Cary shot me a look. “I know, right? You snatched someone else’s cookie, Cross.” “He better not be anywhere near someone else’s cookie,” I said dryly. Reaching over, Gideon plucked half of mine out of my fingers. “Don’t worry, angel. Your cookie is the only one I want.” He popped it in his mouth with a wink. “Gag,” Cary muttered. “Get a room.” He cracked his fortune with a flourish, and then scowled. “What the fuck?” I leaned forward. “What’s it say?” “Confucius say,” Gideon ad-libbed, “man with hand in pocket feel cocky all day.” Cary threw half his cookie at Gideon, who caught it deftly and grinned. “Give me that.” I snatched the fortune out from between Cary’s fingers and read it. Then laughed. “Fuck you, Eva.” “Well?” Gideon prodded. “Pick another cookie.” Gideon smiled. “Pwned by a fortune.” Cary threw the other half of his cookie.
Sylvia Day (Bared to You (Crossfire, #1))
You've always been there for me. Always. Even when I…" V "Even when you what?" B "You know." V "What?" B "Fuck. Even when I was in love with you. Or some shit." V Butch clasped his hands to his chest. "Was? Was? I can't believe you've lost interest." He threw one arm over his eyes, all Sarah Bernhardt. "My dreams of our future are shattered—" B "Shut it, cop." V Butch looked out from under his arm. "Are you kidding me? The reality show I had planned was fantastic. Was going to pitch it to VH1. Two Bites Are Better Than One. We were going to make millions ." B "Oh, for the love.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
David furrowed his brow. "I ... I don't understand half of what goes on around me. I don't get jokes or sunsets or poetry, but I know metal." His fingers flexed unconsciously as if he were physically grasping for words. "Beauty was your armor. Fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing." He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her. Genya went regid. I thought she'd push him away. But then she threw her arms around him and kissed him back. Emphatically. Mal cleared his throat, and Tamar gave a low whistle. I had to bite my lip to stifle a nervous laugh. They broke apart. David was blushing furiously. Genya's grin was so dazzling it made my heart twist in my chest.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
You’re the one getting ready to bolt, Jesper. You just want me to run with you so you don’t have to feel so bad about it. For all your love of a fight, you’re always the first to talk about running for cover.” “I made a mistake. I let my bad get the best of my good, but for Saints’ sake, Kaz, how long are you going to make me pay for a little forgiveness? [...] How many times have I had your back in a fight? How many times have I gotten it right? Doesn’t that count for anything?” Jesper threw up his hands. “I can’t win with you. No one can.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
„You're Ned Stark's bastard, aren't you?“ Jon felt a coldness pass right through him. He pressed his lips together and said nothing. „Did I offend you?“ Lannister said. „Sorry. Dwarfs don't have to be tactful. Generations of capering fools in motley have won me the right to dress badly and say any damn thing that comes into my head.“ He grinned. „You are the bastard, though.“ „Lord Eddard Stark is my father,“ Jon admitted stiffly. Lannister studied his face. „Yes,“ he said. „I can see it. You have more of the north in you than your brothers.“ „Half brothers,“ Jon corrected. He was pleased by the dwarf's comment, but he tried not to let it show. „Let me give you some counsel, bastard,“ Lannister said. „Never forget what you are, for surely the world will not. Make it your strenght. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.“ Jon was in no mood for anyone's counsel. „What do you know about being a bastard?“ „All dwarfs are bastards in their father's eyes.“ „You are your mother's trueborn son of Lannister.“ „Am I?“ the dwarf replied, sardonic. „Do tell my lord father. My mother died birthing me, and he's never been sure.“ „I don't even know who my mother was,“ Jon said. „Some woman, no doubt. Most of them are.“ He favored Jon with a rueful grin. „Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs.“ And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Talaith leaned forward, studied her youngest daughter. “You think you’re evil?” “Pure evil,” Izzy clarified, which got her a rather vicious glare from Rhi. An expression Dagmar had never thought the young, perpetually smiling or sobbing girl was capable of. “Why would you think you’re evil?” “It’s a feeling I have.” “No. Someone told her.” Rhi glowered at her sister. “I never said that.” “You didn’t have to,” Izzy shot back. “I know you.” “Well, who told her that?” Talaith demanded. And, as one, they all turned and looked at Gwenvael. He blinked, sat up straight. “I would never say such a thing to my dear sweet niece!” “You said it to me,” Talwyn snapped. “That’s because you’re not my dear sweet niece. You’re the rude little cow who threw a knife at my head.” “I wasn’t aiming for you. I was aiming for Mum.” “She’s right,” Annwyl admitted. “I just ducked behind you.” She shrugged. “Sorry.
G.A. Aiken (How to Drive a Dragon Crazy (Dragon Kin, #6))
I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned
Daphne Gottlieb (Final Girl)
In his rearview mirror, I saw something flash in his eyes. "You want to know?" he sneered. "Let me imagine, Agha sahib. You probably lived in a big two- or three-story house with a nice backyard that your gardener filled with flowers and fruit trees. All gated, of course. Your father drove an American car. You had servants, probably Hazaras. Your parents hired workers to decorate the house for the fancy mehmanis they threw, so their friends would come over to drink and boast about their travels to Europe or America. And I would bet my first son's eyes that this is the first time you've ever worn a pakol." He grinned at me, revealing a mouthful of prematurely rotting teeth. "Am I close?" Why are you saying these things?" I said. Because you wanted to know," he spat. He pointed to an old man dressed in ragged clothes trudging down a dirt path, a large burlap pack filled with scrub grass tied to his back. "That's the real Afghanistan, Agha sahib. That's the Afghanistan I know. You? You've always been a tourist here, you just didn't know it.
Khaled Hosseini (The Kite Runner)
But there’s a reason. There’s a reason. There’s a reason for this, there’s a reason education sucks, and it’s the same reason that it will never, ever, ever be fixed. It’s never gonna get any better. Don’t look for it. Be happy with what you got. Because the owners of this country don't want that. I'm talking about the real owners now, the real owners, the big wealthy business interests that control things and make all the important decisions. Forget the politicians. The politicians are put there to give you the idea that you have freedom of choice. You don't. You have no choice. You have owners. They own you. They own everything. They own all the important land. They own and control the corporations. They’ve long since bought and paid for the senate, the congress, the state houses, the city halls, they got the judges in their back pockets and they own all the big media companies so they control just about all of the news and information you get to hear. They got you by the balls. They spend billions of dollars every year lobbying, lobbying, to get what they want. Well, we know what they want. They want more for themselves and less for everybody else, but I'll tell you what they don’t want: They don’t want a population of citizens capable of critical thinking. They don’t want well informed, well educated people capable of critical thinking. They’re not interested in that. That doesn’t help them. Thats against their interests. Thats right. They don’t want people who are smart enough to sit around a kitchen table to figure out how badly they’re getting fucked by a system that threw them overboard 30 fucking years ago. They don’t want that. You know what they want? They want obedient workers. Obedient workers. People who are just smart enough to run the machines and do the paperwork, and just dumb enough to passively accept all these increasingly shittier jobs with the lower pay, the longer hours, the reduced benefits, the end of overtime and the vanishing pension that disappears the minute you go to collect it, and now they’re coming for your Social Security money. They want your retirement money. They want it back so they can give it to their criminal friends on Wall Street, and you know something? They’ll get it. They’ll get it all from you, sooner or later, 'cause they own this fucking place. It's a big club, and you ain’t in it. You and I are not in the big club. And by the way, it's the same big club they use to beat you over the head with all day long when they tell you what to believe. All day long beating you over the head in their media telling you what to believe, what to think and what to buy. The table is tilted folks. The game is rigged, and nobody seems to notice, nobody seems to care. Good honest hard-working people -- white collar, blue collar, it doesn’t matter what color shirt you have on -- good honest hard-working people continue -- these are people of modest means -- continue to elect these rich cocksuckers who don’t give a fuck about them. They don’t give a fuck about you. They don’t give a fuck about you. They don't care about you at all -- at all -- at all. And nobody seems to notice, nobody seems to care. That's what the owners count on; the fact that Americans will probably remain willfully ignorant of the big red, white and blue dick that's being jammed up their assholes everyday. Because the owners of this country know the truth: it's called the American Dream, because you have to be asleep to believe it.
George Carlin
Bramble's lips were tight. Her fists still shook. "Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!" Teddie drew himself up to his full, towering taffy height. "N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!" The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white. "Young man," said the King gently. "Your ship leaves soon?" Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved. "Do you mean it?" Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow. "Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!" "Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!" In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his. "Oh...my," said Clover. No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
Heather Dixon Wallwork (Entwined)
A sociopath is often described as someone with little or no conscience. I’ll leave it to the psychologists to decide whether Holmes fits the clinical profile, but there’s no question that her moral compass was badly askew. I’m fairly certain she didn’t initially set out to defraud investors and put patients in harm’s way when she dropped out of Stanford fifteen years ago. By all accounts, she had a vision that she genuinely believed in and threw herself into realizing. But in her all-consuming quest to be the second coming of Steve Jobs amid the gold rush of the “unicorn” boom, there came a point when she stopped listening to sound advice and began to cut corners. Her ambition was voracious and it brooked no interference. If there was collateral damage on her way to riches and fame, so be it.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
What struck me on the beach–and it struck me indeed, so that I staggered as at a blow–was that if the Eternal Principle had rested in that curved thorn I had carried about my neck across so many leagues, and if it now rested in the new thorn (perhaps the same thorn) I had only now put there, then it might rest in everything, in every thorn in every bush, in every drop of water in the sea. The thorn was a sacred Claw because all thorns were sacred Claws; the sand in my boots was sacred sand because it came from a beach of sacred sand. The cenobites treasured up the relics of the sannyasins because the sannyasins had approached the Pancreator. But everything had approached and even touched the Pancreator, because everything had dropped from his hand. Everything was a relic. All the world was a relic. I drew off my boots, that had traveled with me so far, and threw them into the waves that I might not walk shod on holy ground.
Gene Wolfe (The Citadel of the Autarch (The Book of the New Sun, #4))
Once, on ancient Earth, there was a human boy walking along a beach. There had just been a storm, and starfish had been scattered along the sands. The boy knew the fish would die, so he began to fling the fish to the sea. But every time he threw a starfish, another would wash ashore. "An old Earth man happened along and saw what the child was doing. He called out, 'Boy, what are you doing?' " 'Saving the starfish!' replied the boy. " 'But your attempts are useless, child! Every time you save one, another one returns, often the same one! You can't save them all, so why bother trying? Why does it matter, anyway?' called the old man. "The boy thought about this for a while, a starfish in his hand; he answered, "Well, it matters to this one." And then he flung the starfish into the welcoming sea.
Loren Eiseley (The Star Thrower)
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
Didn't you," he asked, "have me exorcised?" "Me?" My own voice rocketed up about ten octaves. "Me? Jesse, of course not. I would never do that. I mean, you know I would never do something like that. That kid Jack did it. Your girlfriend Maria made him do it. She was trying to get rid of you. She told Jack you were bothering me, and he didn't know any better, so he exorcised you, and then Felix Diego threw me off the porch roof, and Jesse, they found your body, I mean your bones, and I saw them and I threw up all over the side of the house, and Spike really misses you and I was just thinking, you know, if you wanted to come back, you could, because that's why I've got this rope, so we can find our way back.
Meg Cabot (Darkest Hour (The Mediator, #4))
Where are you? And why did you go? I guess I'll never know this. Was it because I made you mad? Because I tried to help? Because I didn't answer when you threw rocks at my window? What if I had answered? What would you have said to me? Would I have been able to talk you into staying or talk you out of doing what you did? Or would that have happened anyway? Do you know my life is forever changed now? I used to think that was true because you came into it and, in doing that, forced me out of my room and into the world. Even when we weren't wandering, even from the floor of your closet, you showed the world to me. I didn't know that my life forever changing would be because you loved me and then left, in such a final way. So I guess there was no Great Manifesto after all, even though you made me believe there was. I guess there was only a school project. I'll never forgive you for leaving me. I just wish you could forgive me. You saved my life. And, finally, I simply write: Why couldn't I save yours?
Jennifer Niven (All the Bright Places)
Cole!" Cassandra smacked him on the shoulder. "Wha-?" When he opened his mouth all you could see was half-chewed goo. "How old are you?" I demanded. I threw shrimp at him and it got stuck in his tangle of wig hair. Bergman fished it out, wiped it off, and put it back on the serving dish. "Now, thats disgusting," said Cassandra. "Children!" Vayl's voice boomed in our ears, loud and sudden enough to make us all jump guiltily. "I trust you are all preforming actual work right now." "Chill out, Vayl," I replied. "Bergman is just conducting and experiment to see how vampires respond to ingesting brown hair dye." "That makes me curious, Vayl," said Cole in a sticky, goodie-between-the-gums voice that reminded me of Winnie the Pooh after a major honey binge. "Have you ever colored your hair? You know blonds have more fun." "Not when they are in the hospital.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
Satisfied, Sundae trotted to a bush near the lake, dug vigorously for some seconds and pulled out a bone deliciously covered in mud and bits of vegetation. She took her prize to a still-sunny patch of grass and began to gnaw at it. Two magpies, their greyish necks identifying them as juveniles, landed on a nearby branch. Sundae paused, eyes flicking up to stare at the birds, then returned to attend to the bone. One of the magpies swooped down and landed on the lawn a couple of metres away from the dog. Sunny’s top lip trembled up in the prelude of a snarl. The magpie approached the dog. Sundae’s body tensed, lip furling up further, eyes focused on the agitator. The magpie inched closer. When it was half a metre away, Sundae launched. The bird flew back to the branch next to its companion. Then both birds threw their heads back and let out a rollicking call; it sounded like laughter. Rumbling a growl, Sundae returned to her bone, casting baleful glares at the birds as she gnawed. Saskia and Tania chuckled. “For all of my life, I have watched the magpies and dogs of Woodgrove play this game,” Tania said. “And every time I see it, I have to laugh.
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Saskia van Essen crime thrillers))
we had goldfish and they circled around and around in the bowl on the table near the heavy drapes covering the picture window and my mother, always smiling, wanting us all to be happy, told me, “be happy, Henry!” and she was right: it’s better to be happy if you can but my father continued to beat her and me several times a week while raging inside his 6-foot-2 frame because he couldn’t understand what was attacking him from within. my mother, poor fish, wanting to be happy, beaten two or three times a week, telling me to be happy: “Henry, smile! why don’t you ever smile?” and then she would smile, to show me how, and it was the saddest smile I ever saw. one day the goldfish died, all five of them, they floated on the water, on their sides, their eyes still open, and when my father got home he threw them to the cat there on the kitchen floor and we watched as my mother smiled. A smile to remember
Charles Bukowski (The Pleasures of the Damned)
There is a story I would like to tell you about a woman who practices the invocation of the Buddha Amitabha's name. She is very tough, and she practices the invocation three times daily, using a wooden drum and a bell, reciting, "Namo Amitabha Buddha" for one hour each time. When she arrives at one thousand times, she invites the bell to sound. (In Vietnamese, we don't say "strike" or "hit" a bell.) Although she has been doing this for ten years, her personality has not changed. She is still quite mean, shouting at people all the time. A friend wanted to teach her a lesson, so one afternoon when she had just lit the incense, invited the bell to sound three times, and was beginning to recite "Namo Amitabha Buddha," he came to her door, and said, "Mrs. Nguyen, Mrs. Nguyen!" She found it very annoying because this was her time of practice, but he just stood at the front gate shouting her name. She said to herself, "I have to struggle against my anger, so I will ignore that," and she went on, "Namo Amitabha Buddha, Namo Amitabha Buddha." The gentleman continued to shout her name, and her anger became more and more oppressive. She struggled against it, wondering, "Should I stop my recitation and go and give him a piece of my mind?" But she continued chanting, and she struggled very hard. Fire mounted in her, but she still tried to chant "Namo Amitabha Buddha." The gentleman knew it, and he continued to shout, "Mrs. Nguyen! Mrs. Nguyen!" She could not bear it any longer. She threw away the bell and the drum. She slammed the door, went out to the gate and said, "Why, why do you behave like that? Why do you call my name hundreds of times like that?" The gentleman smiled at her and said, "I just called your name for ten minutes, and you are so angry. You have been calling the Buddha's name for ten years. Think how angry he must be!
Thich Nhat Hanh (Being Peace (Being Peace, #1))
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate. "I'm here to tell you I'm suing you," he announced. Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate. Tate stared at Brad then he said, "Come again?" "I'm suing you," Brad repeated. "For what?" Tate asked. "Alienation of affection," Brad answered. Without hesitation, Tate threw his head back and burst out laughing. Then he looked at me and remarked, "You're right, babe, this is fun." Ignoring Tate's comment, Brad declared, "You stole my wife." Tate looked back at Brad. "Yeah, bud, I did." Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses." "Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine." Sorry, it's just too long; I have to cut it off. But it continues…like that: "This is the good life?" (Brad) "Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?" I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong. "Jesus, you're disgusting," Brad muttered, calling up revulsion to save face. "She does that to me," Tate continued. "Fuck off," Brad snapped. "All the fuckin' time," Tate pushed. "Fuck off," Brad repeated. "It's fuckin' magnificent," Tate declared. "Thanks, honey," I whispered and grinned at him when his eyes came to me. I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face. Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Saskia groaned again. She threw back her bed covers, the last vestiges of sleep leaving her. It would be evening in Lyon. Clarissa would be expecting to hear from her. A call-in at least once every 24 hours was part of several protocols Clarissa had established. The instruction at the end of the conversation, “Give the dogs a pat for me”, reassured Clarissa that all was well. Leave the words out, replace any one of the words in the sentence with another or not place a call in a 24-hour period, and Clarissa would alert authorities. In her younger years, Clarissa had served in the British army. Her experiences in those years had caused the trauma she now lived with, though she used her expertise by teaching her three partners basic self-defence, how to operate firearms and how to wield weapons. She also programmed their watches and phones to enable her to constantly track their whereabouts, explaining, “I want to know that my three charges are safe”. Another protocol was to always check accommodation venues for listening devices. Saskia did this before calling Clarissa. “Clarissa. Ça va?” “What have you to report?
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Saskia van Essen crime thrillers))
Adam relented. As they kept walking and the Orphan Girl kept piping her song and the fish kept darting through the air around them, he threw out intention of his own. The volume of the resulting boom surprised even him; he heard it in one ear and felt it in both feet. The others all startled as another bass-heavy boom sounded at the beginning of the next measure of the tune. By the time the third thud came, it was obviously pounding in time with the music. Each of the trees they passed sounded with a processed thud, until the sound around them was the pulsing electronic beat that invariably played in Ronan’s car or headphones. “Oh God,” Gansey said, but he was laughing. “Do we have to endure that here, too? Ronan! ” “It wasn’t me,” Ronan said. He looked to Blue, who shrugged. He caught Adam’s eye. When Adam’s mouth quirked, Ronan’s expression stilled for a moment before turning to the loose smile he ordinarily reserved for Matthew’s silliness. Adam felt a surge of both accomplishment and nerves. He skated an edge here. Making Ronan Lynch smile felt as charged as making a bargain with Cabeswater. These weren’t forces to play with.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste. (He paused, then claimed that Chapman had whipered in his ear while he was writing the speech): All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.
John Cleese
Annabeth didn’t mean to, but she surged forward. Percy rushed toward her at the same time. The crowd tensed. Some reached for swords that weren’t there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, and Annabeth wouldn’t have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. “Gods, I never thought—” Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, “Hold! Stand down!” Annabeth put her knee on Percy’s chest. She pushed her forearm against his throat. She didn’t care what the Romans thought. A white-hot lump of anger expanded in her chest—a tumor of worry and bitterness that she’d been carrying around since last autumn. “If you ever leave me again,” she said, her eyes stinging, “I swear to all the gods—” Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. “Consider me warned,” Percy said.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.” I looked at him, quizzical. Again, it was a strange enough concept to hold my attention. “There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face. My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?” “Sad things,” Beck said. “Do you have a lot of sad things in your head?” “No,” I said. Beck sucked in his lower lip and released it slowly. “Well, I do.” This was shocking. I didn’t ask a question, but I tilted toward him. “And these things would make me cry,” Beck continued. “They used to make me cry all day long.” I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable. “You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.” “Brain tape?” I suggested, with a little smirk. I was eight, after all. Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.” “How did you use the brain tape?” “You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?” I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open. “Mom,” I whispered. I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow. “What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars. Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken. “Me,” I said.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Nobody looks like what they really are on the inside. You don’t. I don’t. People are much more complicated than that. It’s true of everybody.' I said, 'Are you a monster? Like Ursula Monkton?' Lettie threw a pebble into the pond. 'I don't think so,' she said. 'Monsters come in all shapes and sizes, Some of them are things people are scared of. Some of them are things that look like things people used to be scared of a long time ago. Sometimes monsters are things people should be scared of, but they aren't.' I said, 'People should be scared of Ursula Monkton.' 'P'raps. What do you think Ursula Monkton is scared of?' 'Dunno. Why do you think she's scared of anything? She's a grown-up, isn't she? Grown-ups and monsters aren't scared of things.' Oh, monsters are scared," said Lettie. "That's why they're monsters. And as for grown-ups...' She stopped talking, rubbed her freckled nose with a finger. Then, 'I'm going to tell you something important. Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world.
Neil Gaiman (The Ocean at the End of the Lane)
Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.
Mark Z. Danielewski (House of Leaves)
Yawn... I believe that I love sleep much more than anybody I’ve ever met. I have the ability to sleep for 2 or 3 days and nights. I will go to bed at any given moment. I often confused my girlfriends this way— say it would be about onethirty in the afternoon: “well, I’m going to bed now, I’m going to sleep…” most of them wouldn’t mind, they would go to bed with me thinking I was hinting for sex but I would just turn my back and snore off. this, of course, could explain why so many of my girlfriends left me. as for doctors, they were never any help: “listen, I have this desire to go to bed and sleep, almost all the time. what is wrong with me?” “do you get enough exercise?” “yes…” “are you getting enough nourishment?” “yes…” they always handed me a prescription which I threw away between the office and the parking lot. it’s a curious malady because I can’t sleep between 6 p.m. and midnight. it must occur after midnight and when I arise it can never be before noon. and should the phone ring say at 10:30 a.m. I go into a mad rage don’t even ask who the caller is scream into the phone: “WHAT ARE YOU CALLING ME FOR AT THIS HOUR!” hang up… every person, I suppose, has their eccentricities but in an effort to be normal in the world’s eye they overcome them and therefore destroy their special calling. I’ve kept mine and do believe that they have lent generously to my existence. I think it’s the main reason I decided to become a writer: I can type anytime and sleep when I damn well please.
Charles Bukowski
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you." Jocelyn sounded defensive. "Amatis-" "It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go." Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned? Amatis gave a little gasp. "Unless- you do love him?" "Amatis, I can't-" "You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!" "It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke." "I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council." "But they want him to be their Council member! And he wants to-" "All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go." Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise. "Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here." Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter. "If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you." For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that." A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it. Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?" "My mom's spent her whole life chasing me around," Clary said. "She moves fast.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Filled with rapture, his soul yearned for freedom, space, vastness. Over him the heavenly dome, full of quiet, shining stars, hung boundlessly. From the zenith to the horizon the still-dim Milky Way stretched its double strand. Night, fresh and quiet, almost unstirring, enveloped the earth. The white towers and golden domes of the church gleamed in the sapphire sky. The luxuriant autumn flowers in the flowerbeds near the house had fallen asleep until morning. The silence of the earth seemed to merge with the silence of the heavens, the mystery of the earth touched the mystery of the stars... Alyosha stood gazing and suddenly, as if he had been cut down, threw himself to the earth. He did not know why he was embracing it, he did not try to understand why he longed so irresistibly to kiss it, to kiss all of it, but he was kissing it, weeping, sobbing, and watering it with his tears, and he vowed ecstatically to love it, to love it unto ages of ages. "Water the earth with the tears of your joy, and love those tears...," rang in his soul. What was he weeping for? Oh, in his rapture he wept even for the stars that shone on him from the abyss, and "he was not ashamed of this ecstasy." It was as if threads from all those innumerable worlds of God all came together in his soul, and it was trembling all over, "touching other worlds." He wanted to forgive everyone and for everything, and to ask forgiveness, oh, not for himself! but for all and for everything, "as others are asking for me," rang again in his soul. But with each moment he felt clearly and almost tangibly something as firm and immovable as this heavenly vault descend into his soul. Some sort of idea, as it were, was coming to reign in his mind-now for the whole of his life and unto ages of ages. He fell to the earth a weak youth and rose up a fighter, steadfast for the rest of his life, and he knew it and felt it suddenly, in that very moment of his ecstasy. Never, never in all his life would Alyosha forget that moment. "Someone visited my soul in that hour," he would say afterwards, with firm belief in his words...
Fyodor Dostoevsky
Eventually, I developed my own image of teh "befriending" impulse behind my depression. Imagine that from early in my life, a friendly figure, standing a block away, was trying to get my attention by shouting my name, wanting to teach me some hard but healing truths about myself. But I-- fearful of what I might hear or arrogantly trying to live wihtout help or simply too busy with my ideas and ego and ethics to bother-- ignored teh shouts and walked away. So this figure, still with friendly intent, came closer and shouted more loudly, but AI kept walking. Ever closer it came, close enough to tap me on the shoulder, but I walked on. Frustrated by my unresponsiveness, the figure threw stones at my back, then struck me with a stick, still wanting simply to get my attention. But despite teh pain, I kept walking away. Over teh years, teh befriending intent of this figure never disapppeared but became obscured by the frustration cuased by my refusal to turn around. Since shouts and taps, stones and sticks had failed to do the trick, there was only one thing left: drop the nuclear bomb called depression on me, not with the intent to kill but as a last-ditch effort to get me to turn and ask the simple question, "What do you want?" When I was finally able to make the turn-- and start to absorb and act on the self-knowledge that then became available to me-- I began to get well. The figure calling to me all those years was, I believe, what Thomas Merton calls "true self." This is not the ego self that wants to inflate us (or deflate us, another from of self-distortion), not the intellectual self that wants to hover above the mess of life in clear but ungrounded ideas, not the ethical self that wants to live by some abstract moral code. It is the self-planted in us by the God who made us in God's own image-- the self that wants nothing more, or less, than for us to be who we were created to be. True self is true friend. One ignores or rejects such friendship only at one's peril.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic. One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these: "I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
Marisha Pessl