The Iron Heel Quotes

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Ash just does that to people. No silly mortal can look at him and not fall head over heels. How many hearts do you think he´s already broken
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
The press of the United States? It is a parasitic growth that battens on the capitalist class. Its function is to serve the established by moulding public opinion, and right well it serves it.
Jack London (The Iron Heel)
It is far easier to see brave men die than to hear a coward beg for life.
Jack London (The Iron Heel)
No man can be intellectually insulted. Insult, in its very nature, is emotional.
Jack London (The Iron Heel)
When one watches some tired hack on the platform mechanically repeating the familiar phrases - bestial atrocities, iron heel, blood-stained tyranny, free peoples of the world, stand shoulder to shoulder - one often has a curious feeling that one is not watching a live human being but some kind of dummy, the appropriate noises are coming out of his larynx, but his brain is not involved
George Orwell (Politics and the English Language)
Then, like a scene in a comedy - their lips but a breath away from touching - the door to the library burst open and Sam charged into the room like a bull, a map in his hands and Jasper hot on his heels. Bloody hell, they had brilliant timing.
Kady Cross (The Girl with the Iron Touch (Steampunk Chronicles, #3))
They, as a class, believed that they alone maintained civilization.
Jack London (The Iron Heel)
I know nothing that I may say can influence you," he said. "You have no souls to be influenced. You are spineless, flaccid things. You pompously call yourselves Republicans and Democrats. There is no Republican Party. There is no Democratic Party. There are no Republicans nor Democrats in this House. You are lick-spittlers and panderers, the creatures of the Plutocracy.
Jack London (The Iron Heel)
All my reading and studying of them has taught me that law is one thing and right is another thing. Ask any lawyer. You go to Sunday-school to learn what
Jack London (The Iron Heel)
Times have changed since Christ's day. A rich man to-day who gives all he has to the poor is crazy. There is no discussion. Society has spoken.
Jack London (The Iron Heel)
Wherever there is an ascendant class, a large portion of the morality emanates from its class interests and its class feelings of superiority.
Jack London (The Iron Heel)
For Man's grim Justice goes its way, And will not swerve aside: It slays the weak, it slays the strong, It has a deadly stride: With iron heel it slays the strong, The monstrous parricide!
Oscar Wilde (The Ballad of Reading Gaol)
It is what we of the working class preach. We know, and well we know by bitter experience, that no appeal for the right, for justice, for humanity, can ever touch you.
Jack London (The Iron Heel)
All my reading and studying of them has taught me that law is one thing and right is another thing. Ask any lawyer.
Jack London (The Iron Heel)
Then the business game is to make profits out of others, and to prevent others from making profits out of you.
Jack London (The Iron Heel)
I sit back on my heels watching him, falling in love with my son all over again. His mind is more curious than mine. More delighted by the nuances of knowledge. An overwhelming desire to protect him rises up in me.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
To Galen’s relief, they reached the silver and pearl gate before Rose could convince Pansy to tell her any more. He rode in the boat with Jonquil and her prince, who was not as stoic as his brothers. “What did you eat for dinner?” the dark prince huffed. “What do you mean?” Jonquil frowned at her escort as he rowed. “You’re so heavy, it’s like you’re wearing iron underthings,” he panted. “Oh!” Jonquil whacked her prince on the shoulder with her fan. “How rude!” When their boat reached the island and the black palace, Jonquil leaped out without waiting for assistance. She stalked into the palace ahead of everyone else, with her prince scuttling at her heels, apologizing every step of the way.
Jessica Day George (Princess of the Midnight Ball (The Princesses of Westfalin Trilogy, #1))
You are metaphysicians. You can prove anything by metaphysics; and having done so, every metaphysician can prove every other metaphysician wrong—to his own satisfaction. You are anarchists in the realm of thought. And you are mad cosmos-makers. Each of you dwells in a cosmos of his own making, created out of his own fancies and desires. You do not know the real world in which you live, and your thinking has no place in the real world except in so far as it is phenomena of mental aberration.
Jack London (The Iron Heel)
Primitive communism, chattel slavery, serf slavery, and wage slavery were necessary stepping-stones in the evolution of society.
Jack London (The Iron Heel)
it should serve as a warning to those rash political theorists of to-day who speak with certitude of social processes. Capitalism
Jack London (The Iron Heel)
Without them, anarchy would reign and humanity would drop backward into the primitive night out of which it had so painfully emerged.
Jack London (The Iron Heel)
My mind to me a kingdom is." "That's another way of saying that you live up in the air. But you come back to earth at meal-time, I am sure, or when an earthquake happens along.
Jack London (The Iron Heel)
Those haughty English aristocrats are like that. Tough babies. Comes of treading the peasantry underfoot with an iron heel, I guess.
P.G. Wodehouse
We will grind you revolutionists down under our heel, and we shall walk upon your faces. The world is ours, we are its lords, and ours it shall remain. As for the host of labor, it has been in the dirt since history began, and I read history aright. And in the dirt it shall remain so long as I and mine and those that come after us have the power. There is the word. It is the king of words—Power. Not God, not Mammon, but Power. Pour it over your tongue till it tingles with it. Power.
Jack London (The Iron Heel)
I call you metaphysicians because you reason metaphysically," Ernest went on. "Your method of reasoning is the opposite to that of science. There is no validity to your conclusions. You can prove everything and nothing, and no two of you can agree upon anything. Each of you goes into his own consciousness to explain himself and the universe. As well may you lift yourselves by your own bootstraps as to explain consciousness by consciousness.
Jack London (The Iron Heel)
I know nothing that I may say can influence you," he said. "You have no souls to be influenced. You are spineless, flaccid things. You pompously call yourselves Republicans and Democrats. There is no Republican Party. There is no Democratic Party. There are no Republicans nor Democrats in this House. You are lick-spittlers and panderers, the creatures of the Plutocracy. You talk verbosely in antiquated terminology of your love of liberty, and all the while you wear the scarlet livery of the Iron Heel." Here
Jack London (The Iron Heel)
There is a greater strength than wealth, and it is greater because it cannot be taken away. Our strength, the strength of the proletariat, is in our muscles, in our hands to cast ballots, in our fingers to pull triggers.
Jack London (The Iron Heel)
Insanity? The mental processes of a man with whom one disagrees, are always wrong. Where is the line between wrong mind and sane mind? It is inconceivable that any sane man can radically disagree with one's most sane conclusions.
Jack London (The Iron Heel)
My story was not a fairy tale of a cruel-hearted girl whose shoes danced her to death, or a kindhearted one who threw her red shoes into the river. This was not a story about a wicked queen made to wear iron heels, or a lovely, golden-haired girl in slippers of glass. This had been about a fever, a nightmare, a dance made into a curse. It was about women turning their own fears into their sharpest blades.
Anna-Marie McLemore (Dark and Deepest Red)
We must accept the capitalistic stage in social evolution as about on a par with the earlier monkey stage. The human had to pass through those stages in its rise from the mire and slime of low organic life. It was inevitable that much of the mire and slime should cling and be not easily shaken off.
Jack London (The Iron Heel)
A business man who was also a biologist and a sociologist would know, approximately, the right thing to do for humanity. But, outside the realm of business, these men are stupid. They know only business. They do not know mankind nor society, and yet they set themselves up as arbiters of the fates of the hungry millions and all the other millions thrown in. History, some day, will have an excruciating laugh at their expense." I was not surprised when I had my
Jack London (The Iron Heel)
When they want to do a thing, in business of course, they must wait till there arises in their brains, somehow, a religious, or ethical, or scientific, or philosophic, concept that the thing is right. And then they go ahead and do it, unwitting that one of the weaknesses of the human mind is that the wish is parent to the thought.
Jack London (The Iron Heel)
The surpluses will have to be expended somehow, and trust the oligarchs to find a way. Magnificent roads will be built. There will be great achievements in science, and especially in art. When the oligarchs have completely mastered the people, they will have time to spare for other things. They will become worshippers of beauty. They will become art-lovers. And under their direction and generously rewarded, will toil the artists. The result will be great art; for no longer, as up to yesterday, will the artists pander to the bourgeois taste of the middle class. It will be great art, I tell you, and wonder cities will arise that will make tawdry and cheap the cities of old time. And in these cities will the oligarchs dwell and worship beauty
Jack London
I know nothing that I may say can influence you," he said. "You have no souls to be influenced. You are spineless, flaccid things. You pompously call yourselves Republicans and Democrats. There is no Republican Party. There is no Democratic Party. There are no Republicans nor Democrats in this House. You are lick-spittlers and panderers, the creatures of the Plutocracy. You talk verbosely in antiquated terminology of your love of liberty, and all the while you wear the scarlet livery of the Iron Heel.
Jack London (The Iron Heel)
Too late did the socialist movement of the early twentieth century divine the coming of the Oligarchy. Even as it was divined, the Oligarchy was there—a fact established in blood,
Jack London (The Iron Heel)
You are metaphysicians. You can prove anything by metaphysics; and having done so, every metaphysician can prove every other metaphysician wrong—to his own satisfaction.
Jack London (The Iron Heel)
Each of you dwells in a cosmos of his own making, created out of his own fancies and desires. You do not know the real world in which you live,
Jack London (The Iron Heel)
The metaphysician reasons deductively out of his own subjectivity. The scientist reasons inductively from the facts of experience.
Jack London (The Iron Heel)
There is no God but Fact, and Mr. Everhard is its prophet,
Jack London (The Iron Heel)
Oh, I am not challenging your sincerity," Ernest continued. "You are sincere. You preach what you believe. There lies your strength and your value—to the capitalist class.
Jack London (The Iron Heel)
In the day you rise in your strength, toothless and clawless, you will be as harmless as an army of clams.
Jack London (The Iron Heel)
On the other hand, the great helpless mass of the population, the people of the abyss, was sinking into a brutish apathy of content with misery.
Jack London (The Iron Heel)
You can no more make water run up hill than can you cause the tide of economic evolution to flow back in its channel along the way it came.
Jack London (The Iron Heel)
I must give the events in their proper sequence.
Jack London (The Iron Heel)
Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.
Ian McEwan (Amsterdam)
Though, like Everhard, they did not dream of the nature of it, there were men, even before his time, who caught glimpses of the shadow. John C. Calhoun said: "A power has risen up in the government greater than the people themselves, consisting of many and various and powerful interests, combined into one mass, and held together by the cohesive power of the vast surplus in the banks." And that great humanist, Abraham Lincoln, said, just before his assassination: "I see in the near future a crisis approaching that unnerves me and causes me to tremble for the safety of my country. . . . Corporations have been enthroned, an era of corruption in high places will follow, and the money-power of the country will endeavor to prolong its reign by working upon the prejudices of the people until the wealth is aggregated in a few hands and the Republic is destroyed.
Jack London (The Iron Heel)
John Stuart Mill, in his essay, ON LIBERTY, wrote: "Wherever there is an ascendant class, a large portion of the morality emanates from its class interests and its class feelings of superiority.
Jack London (The Iron Heel)
This country, already ancient when I was born in 1982, has changed every instant I’ve been alive. Titanic events have ripped it apart year after year, each time rearranging it along slightly different seams and I have been touched by none of it: prime ministers assassinated, peasant-guerrillas waging war in emerald jungles, fields cracking under the iron heel of a drought, nuclear bombs catering the wide desert floor, lethal gases blasting from pipes and into ten thousand lungs, mobs crashing against mobs and always coming away bloody. Consider this: even now, at this very moment, people are huddled in a room somewhere, wanting to die. This is what I have told myself for the last six years, each time I have had the urge to speak. It will make no difference in the end.
Madhuri Vijay (The Far Field)
Power will be the arbiter, as it always has been the arbiter. It is a struggle of classes. Just as your class dragged down the old feudal nobility, so shall it be dragged down by my class, the working class.
Jack London (The Iron Heel)
The people of that age were phrase slaves. The abjectness of their servitude is incomprehensible to us. There was a magic in words greater than the conjurer's art. So befuddled and chaotic were their minds that the utterance of a single word could negative the generalizations of a lifetime of serious research and thought. Such a word was the adjective UTOPIAN. The mere utterance of it could damn any scheme, no matter how sanely conceived, of economic amelioration or regeneration. Vast populations grew frenzied over such phrases as "an honest dollar" and "a full dinner pail." The coinage of such phrases was considered strokes of genius.
Jack London (The Iron Heel)
the workingman, being selfish, wants all he can get in the division. The capitalist, being selfish, wants all he can get in the division. When there is only so much of the same thing, and when two men want all they can get of the same thing, there is a conflict of interest between labor and capital. And it is an irreconcilable conflict. As long as workingmen and capitalists exist, they will continue to quarrel over the division.
Jack London (The Iron Heel)
Bankruptcy—a peculiar institution that enabled an individual, who had failed in competitive industry, to forego paying his debts. The effect was to ameliorate the too savage conditions of the fang-and-claw social struggle.
Jack London (The Iron Heel)
Furthermore, the revolutionary parties in all countries gave public utterance to the socialist principle of international peace that must be preserved at all hazards, even to the extent of revolt and revolution at home. The
Jack London (The Iron Heel)
Then she washed and dressed very attentively, putting on high-heeled court shoes, silk stockings, a black skirt and crisply ironed white blouse, because she was Viennese and one dressed properly even when one's world had ended.
Eva Ibbotson (The Morning Gift)
And don’t forget that it is the press, the pulpit, and the university that mould public opinion, set the thought-pace of the nation. As for the artists, they merely pander to the little less than ignoble tastes of the Plutocracy.
Jack London (The Iron Heel)
You are my Avis,” he said, “and you are also some one else. You are two women, and therefore you are my harem. At any rate, we are safe now. If the United States becomes too hot for us, why, I have qualified for citizenship in Turkey.
Jack London (The Iron Heel)
There is a greater strength than wealth, and it is greater because it cannot be taken away. Our strength, the strength of the proletariat, is in our muscles, in our hands to cast ballots, in our fingers to pull triggers. This strength we cannot be stripped of. It is the primitive strength, it is the strength that is to life germane, it is the strength that is stronger than wealth, and that wealth cannot take away. "But your strength is detachable. It can be taken away from you. Even now the Plutocracy is taking it away from you. In the end it will take it all away from you. And then you will cease to be the middle class. You will descend to us. You will become proletarians. And the beauty of it is that you will then add to our strength. We will hail you brothers, and we will fight shoulder to shoulder in the cause of humanity. "You
Jack London (The Iron Heel)
It must always remain the great curiosity of history—a whim, a fantasy, an apparition, a thing unexpected and undreamed; and it should serve as a warning to those rash political theorists of to-day who speak with certitude of social processes. Capitalism
Jack London (The Iron Heel)
I sit back on my heels watching him, falling in love with my son all over again. His mind is more curious than mine. More delighted by the nuances of knowledge. An overwhelming desire to protect him rises up in me. If only he could hold this joy for the rest of his life.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
Proletariat: Derived originally from the Latin PROLETARII, the name given in the census of Servius Tullius to those who were of value to the state only as the rearers of offspring (PROLES); in other words, they were of no importance either for wealth, or position, or exceptional ability.
Jack London (The Iron Heel)
; but do not come down to the working class and serve as false leaders. You cannot honestly be in the two camps at once. The working class has done without you. Believe me, the working class will continue to do without you. And, furthermore, the working class can do better without you than with you.
Jack London (The Iron Heel)
Abraham Lincoln, said, just before his assassination: "I see in the near future a crisis approaching that unnerves me and causes me to tremble for the safety of my country. . . . Corporations have been enthroned, an era of corruption in high places will follow, and the money-power of the country will endeavor to prolong its reign by working upon the prejudices of the people until the wealth is aggregated in a few hands and the Republic is destroyed.
Jack London (The Iron Heel)
The Bishop was aghast, and my father chuckled. "Yes, pig-ethics," Ernest went on remorselessly. "That is the meaning of the capitalist system. And that is what your church is standing for, what you are preaching for every time you get up in the pulpit. Pig-ethics! There is no other name for it." Bishop
Jack London (The Iron Heel)
When one watches some tired hack on the platform mechanically repeating the familiar phrases -- bestial atrocities, iron heel, bloodstained tyranny, free peoples of the world, stand shoulder to shoulder -- one often has a curious feeling that one is not watching a live human being but some kind of dummy: a feeling which suddenly becomes stronger at moments when the light catches the speaker's spectacles and turns them into blank discs which seem to have no eyes behind them. And this is not altogether fanciful. A speaker who uses that kind of phraseology has gone some distance toward turning himself into a machine. The appropriate noises are coming out of his larynx, but his brain is not involved as it would be if he were choosing his words for himself. If the speech he is making is one that he is accustomed to make over and over again, he may be almost unconscious of what he is saying, as one is when one utters the responses in church. And this reduced state of consciousness, if not indispensable, is at any rate favorable to political conformity.
George Orwell (All Art is Propaganda: Critical Essays)
The metaphysician reasons deductively out of his own subjectivity. The scientist reasons inductively from the facts of experience. The metaphysician reasons from theory to facts, the scientist reasons from facts to theory. The metaphysician explains the universe by himself, the scientist explains himself by the universe.
Jack London (The Iron Heel)
The rise of the Oligarchy will always remain a cause of secret wonder to the historian and the philosopher. Other great historical events have their place in social evolution. They were inevitable. Their coming could have been predicted with the same certitude that astronomers to-day predict the outcome of the movements of stars. Without
Jack London (The Iron Heel)
The swift changes in our industrial system are causing equally swift changes in our religious, political, and social structures. An unseen and fearful revolution is taking place in the fibre and structure of society. One can only dimly feel these things. But they are in the air, now, to-day. One can feel the loom of them—things vast, vague, and terrible.
Jack London (The Iron Heel)
I feel like I've been ironing all day in high heels and no brassiere. ~Tizzy Donovan, Laid Out and Candle Lit
Ann Everett
Kelimeyi gördünüz mü, şahane kelimeyi: İktidar! Tanrı değil, zenginlik değil, iktidar! Bunu alın ve dilinizde tüy bitinceye kadar tekrar edin: İktidar!
Jack London (The Iron Heel)
Yükselen bir sınıfın bulunduğu her yerde ahlakın büyük kısmı menfaatlerden ve bu sınıfın üstünlük duygusundan doğar.
Jack London (The Iron Heel)
...herkes suçlu olunca kimse cezalandırılamazdı.
Jack London (The Iron Heel)
Sizin dişleriniz sökülmüştür baylar, tırnaklarınız köreltilmiştir! Dişsiz ve tırnaksız ayaklanacağınız gün bir koyun sürüsü kadar zararsız ve yumuşak bir durumda olacaksınız!
Jack London (The Iron Heel)
As we view the achievements of aggregated capital, we discover the existence of trusts, combinations, and monopolies, while the citizen is struggling far in the rear or is trampled to death beneath an iron heel. Corporations, which should be the carefully constrained creatures of the law and the servants of the people, are fast becoming the people's masters.
Grover Cleveland (State of the Union 1885--1888)
I'm afraid Mr. Everhard is right," he said. "LAISSEZ-FAIRE, the let-alone policy of each for himself and devil take the hindmost. As Mr. Everhard said the other night, the function you churchmen perform is to maintain the established order of society, and society is established on that foundation." "But that is not the teaching of Christ!" cried the Bishop. "The
Jack London (The Iron Heel)
In the early 1830s the writer George Sand, a woman, had a man's overcoat and a pair of boots made for her so she could have the same pleasure - to walk the streets of Paris free to look at whatever she liked. In her autobiography she writes: "I can't express the pleasure my boots gave me ... With those little iron-shot heels, I was on solid pavement. I flew from one end of Paris to the other. It seemed to me that I could go round the world. And then, my clothes feared nothing. I ran out in every kind of weather, I came home at every sort of hour ... No one paid any attention to me, and no one guessed at my disguise ... No one knew me, no one looked at me, no one found fault with me; I was an atom lost in that immense crowd.
Randon Billings Noble (Be with Me Always: Essays)
Io non credo alle fiamme e allo zolfo dell’inferno; ma in momenti come questo rimpiango la mia miscredenza. No, in momenti come questo io quasi ci credo. Deve esistere per forza un inferno, perché in nessun altro posto voi potrete ricevere una punizione adeguata ai vostri crimini. Fino a quando esisterà gente come voi, l’inferno sarà un’esigenza essenziale del cosmo.
Jack London (The Iron Heel)
We all know that, as things actually are, many of the most influential and most highly remunerated members of the Bar in every centre of wealth, make it their special task to work out bold and ingenious schemes by which their wealthy clients, individual or corporate, can evade the laws which were made to regulate, in the interests of the public, the uses of great wealth.
Jack London (The Iron Heel)
spoke of the professional men and the artists as villeins. What else are they? One and all, the professors, the preachers, and the editors, hold their jobs by serving the Plutocracy, and their service consists of propagating only such ideas as are either harmless to or commendatory of the Plutocracy. Whenever they propagate ideas that menace the Plutocracy, they lose their jobs, in which case, if they have not provided for the rainy day, they descend into the proletariat and either perish or become working-class agitators. And don't forget that it is the press, the pulpit, and the university that mould public opinion, set the thought-pace of the nation. As for the artists, they merely pander to the little less than ignoble tastes of the Plutocracy. "But
Jack London (The Iron Heel)
But most of all, as summer slanted to an end, he was learning to love idleness, idleness no longer as stretches of freedom reclaimed by stealth here and there from involuntary labour, surreptitious thefts to be enjoyed sitting on his heels before a flowerbed with the fork dangling from his fingers, but as a yielding up of himself to time, to a time flowing slowly like oil from horizon to horizon over the face of the world, washing over his body, circulating in his armpits and his groin, stirring his eyelids. He was neither pleased nor displeased when there was work to do; it was all the same. He could lie all afternoon with his eyes open, staring at the corrugations in the roof-iron and the tracings of rust; his mind would not wander, he would see nothing but the iron, the lines would not transform themselves into pattern or fantasy; he was himself, lying in his own house, the rust was merely rust, all that was moving was time, bearing him onward in its flow.
J.M. Coetzee (Life & Times of Michael K)
It was not a column, but a mob, an awful river that filled the street, the people of the abyss, mad with drink and wrong, up at last and roaring for the blood of their masters. I had seen the people of the abyss before, gone through its ghettos, and thought I knew it; but I found that I was now looking on it for the first time. Dumb apathy had vanished. It was now dynamic—a fascinating spectacle of dread.
Jack London (The Iron Heel)
And then there were our sweet stolen moments in the midst of our work—just a word, or caress, or flash of love-light; and our moments were sweeter for being stolen. For we lived on the heights, where the air was keen and sparkling, where the toil was for humanity, and where sordidness and selfishness never entered. We loved love, and our love was never smirched by anything less than the best. And this out of all remains: I did not fail.
Jack London (The Iron Heel)
Tell me, Blaise, are we very far from Montmartre?' Worries Forget your worries All the stations full of cracks tilted along the way The telegraph wires they hang from The grimacing poles that gesticulate and strangle them The world stretches lengthens and folds in like an accordion tormented by a sadistic hand In the cracks of the sky the locomotives in anger Flee And in the holes, The whirling wheels the mouths the voices And the dogs of misfortune that bark at our heels The demons are unleashed Iron rails Everything is off-key The broun-roun-roun of the wheels Shocks Bounces We are a storm under a deaf man's skull... 'Tell me, Blaise, are we very far from Montmartre?' Hell yes, you're getting on my nerves you know very well we're far away Overheated madness bellows in the locomotive Plague, cholera rise up like burning embers on our way We disappear in the war sucked into a tunnel Hunger, the whore, clings to the stampeding clouds And drops battle dung in piles of stinking corpses Do like her, do your job 'Tell me, Blaise, are we very far from Montmartre?
Blaise Cendrars (Prose of the Trans-Siberian and of the Little Jeanne de France)
When there is only so much of the same thing, and when two men want all they can get of the same thing, there is a conflict of interest between labor and capital. And it is an irreconcilable conflict. As long as workingmen and capitalists exist, they will continue to quarrel over the division. If you were in San Francisco this afternoon, you'd have to walk. There isn't a street car running." "Another strike?"* the Bishop queried with alarm. *
Jack London (The Iron Heel)
The people of that age were phrase slaves. The abjectness of their servitude is incomprehensible to us. There was a magic in words greater than the conjurer's art. So befuddled and chaotic were their minds that the utterance of a single word could negative the generalizations of a lifetime of serious research and thought. Such a word was the adjective UTOPIAN. The mere utterance of it could damn any scheme, no matter how sanely conceived, of economic amelioration or regeneration.
Jack London (The Iron Heel)
Delilik! Kendisiyle uyuşulamayan bir insanın zihin halleri daima delicedir ve tabi sahibi de delidir. Yanılmak ile delirmek arasındaki sınır nerededir? Sıhhatli bir insanın, yine sıhhatli başka bir insanla tam bir çelişme halinde bulunması akla sığmaz!
Jack London (The Iron Heel)
A fraqueza dessa posição reside no fato de que eles são meramente homens de negócios. Não são filósofos. Não são biólogos e nem mesmo sociólogos. Se fossem, certamente tudo estaria bem. Um homem de negócios que seja também biólogo, ou sociólogo, saberia algo do que é certo fazer para a humanidade. Porém, fora do reino dos negócios, esses homens são estúpidos. Eles só entendem de negócios. Nada sabem a respeito da espécie humana, ou da sociedade, e mesmo assim se arvoram em árbitros do destino de milhões de famintos e multidões de desprezados. Um dia, a história ainda rirá dolorosamente às suas custas.
Jack London (The Iron Heel)
It was during a misunderstanding conducted with crowbars with a fellow we used to call Hercules. He laid me out with a crusher alongside the head that made everything crack, and seemed to spring every joint in my skull and made it overlap its neighbor.  Then the world went out in darkness, and I didn't feel anything more, and didn't know anything at all—at least for a while. When I came to again, I was sitting under an oak tree, on the grass, with a whole beautiful and broad country landscape all to myself—nearly.  Not entirely; for there was a fellow on a horse, looking down at me—a fellow fresh out of a picture-book.  He was in old-time iron armor from head to heel, with a helmet on his head the shape of a nail-keg with slits in it; and he had a shield, and a sword, and a prodigious spear; and his horse had armor on, too, and a steel horn projecting from his forehead, and gorgeous red and green silk trappings that hung down all around him like a bedquilt, nearly to the ground. "Fair sir, will ye just?" said this fellow.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
The streets were full of hurrying people who walked as though they had been wound up and were directed by some unseen control. Many of the men carried dispatch cases and brief cases and I gripped mine with a sense of importance. And here and there I saw Negroes who hurried along with leather pouches strapped to their wrists. They reminded me fleetingly of prisoners carrying their leg irons as they escaped from a chain gang. Yet they seemed aware of some self-importance, and I wished to stop one and ask him why he was chained to his pouch. Maybe they got paid well for this, maybe they were chained to money. Perhaps the man with rundown heels ahead of me was chained to a million dollars!
Ralph Ellison (Invisible Man)
Perched upon the stones of a bridge The soldiers had the eyes of ravens Their weapons hung black as talons Their eyes gloried in the smoke of murder To the shock of iron-heeled sticks I drew closer in the cripple’s bitter patience And before them I finally tottered Grasping to capture my elusive breath With the cockerel and swift of their knowing They watched and waited for me ‘I have come,’ said I, ‘from this road’s birth, I have come,’ said I, ‘seeking the best in us.’ The sergeant among them had red in his beard Glistening wet as he showed his teeth ‘There are few roads on this earth,’ said he, ‘that will lead you to the best in us, old one.’ ‘But you have seen all the tracks of men,’ said I ‘And where the mothers and children have fled Before your advance. Is there naught among them That you might set an old man upon?’ The surgeon among this rook had bones Under her vellum skin like a maker of limbs ‘Old one,’ said she, ‘I have dwelt In the heat of chests, among heart and lungs, And slid like a serpent between muscles, Swum the currents of slowing blood, And all these roads lead into the darkness Where the broken will at last rest. ‘Dare say I,’ she went on,‘there is no Place waiting inside where you might find In slithering exploration of mysteries All that you so boldly call the best in us.’ And then the man with shovel and pick, Who could raise fort and berm in a day Timbered of thought and measured in all things Set the gauge of his eyes upon the sun And said, ‘Look not in temples proud, Or in the palaces of the rich highborn, We have razed each in turn in our time To melt gold from icon and shrine And of all the treasures weeping in fire There was naught but the smile of greed And the thick power of possession. Know then this: all roads before you From the beginning of the ages past And those now upon us, yield no clue To the secret equations you seek, For each was built of bone and blood And the backs of the slave did bow To the laboured sentence of a life In chains of dire need and little worth. All that we build one day echoes hollow.’ ‘Where then, good soldiers, will I Ever find all that is best in us? If not in flesh or in temple bound Or wretched road of cobbled stone?’ ‘Could we answer you,’ said the sergeant, ‘This blood would cease its fatal flow, And my surgeon could seal wounds with a touch, All labours will ease before temple and road, Could we answer you,’ said the sergeant, ‘Crows might starve in our company And our talons we would cast in bogs For the gods to fight over as they will. But we have not found in all our years The best in us, until this very day.’ ‘How so?’ asked I, so lost now on the road, And said he, ‘Upon this bridge we sat Since the dawn’s bleak arrival, Our perch of despond so weary and worn, And you we watched, at first a speck Upon the strife-painted horizon So tortured in your tread as to soak our faces In the wonder of your will, yet on you came Upon two sticks so bowed in weight Seeking, say you, the best in us And now we have seen in your gift The best in us, and were treasures at hand We would set them humbly before you, A man without feet who walked a road.’ Now, soldiers with kind words are rare Enough, and I welcomed their regard As I moved among them, ’cross the bridge And onward to the long road beyond I travel seeking the best in us And one day it shall rise before me To bless this journey of mine, and this road I began upon long ago shall now end Where waits for all the best in us. ―Avas Didion Flicker Where Ravens Perch
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
The Elsinore's bow tilted skyward while her stern fell into a foaming valley. Not a man had gained his feet. Bridge and men swept back toward me and fetched up against the mizzen-shrouds. And then that prodigious, incredible old man appeared out of the water, on his two legs, upright, dragging with him, a man in each hand, the helpless forms of Nancy and the Faun. My heart leapt at beholding this mighty figure of a man-killer and slave-driver, it is true, but who sprang first into the teeth of danger so that his slaves might follow, and who emerged with a half-drowned slave in either hand. I knew augustness and pride as I gazed--pride that my eyes were blue, like his; that my skin was blond, like his; that my place was aft with him, and with the Samurai, in the high place of government and command. I nearly wept with the chill of pride that was akin to awe and that tingled and bristled along my spinal column and in my brain. As for the rest--the weaklings and the rejected, and the dark-pigmented things, the half-castes, the mongrel-bloods, and the dregs of long-conquered races--how could they count? My heels were iron as I gazed on them in their peril and weakness. Lord! Lord! For ten thousand generations and centuries we had stamped upon their faces and enslaved them to the toil of our will.
Jack London (The Mutiny of the Elsinore)
He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead. In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had been…..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment. The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
Judge them by their works. What have they done for mankind beyond the spinning of airy fancies and the mistaking of their own shadows for gods? They have added to the gayety of mankind, I grant; but what tangible good have they wrought for mankind? They philosophized, if you will pardon my misuse of the word, about the heart as the seat of the emotions, while the scientists were formulating the circulation of the blood. They declaimed about famine and pestilence as being scourges of God, while the scientists were building granaries and draining cities. They builded gods in their own shapes and out of their own desires, while the scientists were building roads and bridges. They were describing the earth as the centre of the universe, while the scientists were discovering America and probing space for the stars and the laws of the stars. In short, the metaphysicians have done nothing, absolutely nothing, for mankind. Step by step, before the advance of science, they have been driven back.
Jack London (The Iron Heel)
I know you are tired. I know you are hurting. I know that even among the crowds and or with your closest loved ones, you feel terribly alone in the world. I know that in the quietness, a thousand hell hounds are barking and snarling at your heels. They tell you, "Everything is wrong with you. You are a failure. You will never live to see your dreams and visions come to pass. You know you should just throw in the towel. No one would even miss you if you were gone. Exit from this cruel insane assylum you call home. We will even tell you how to end 'it'." But don't you dare entertain those hounds of hell, no, not even for one moment. See, you not only have the elixir of Life inside of your organs and your veins; you are the Elixir of Life of a Celestial domain. For every hell hound nipping at your ears, there are eight hundred angels rushing to you with every holy breath....you take. Every step you make fuels the fire of Love in your behalf. See, nothing is wrong with you. Every thing is right with you. You are cut from iron. You have long exchanged your velveteen fabric and cotton stuffing for blazen guts and a heart of gold. You are the head and not the tail. You are the water in the desert, the ripple in the steam, the sword AND the stone and you, glorious being, are not alone! We are one and we are many. We've known lack, but we are plenty. We are not on the cusp of a break through. We are the cusp and we are the break --- through. We are the old and we are the new. Who knew? You did. You do. And don't you ever forget that.
Mishi McCoy (The Lovely Knowing)
I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they , whatever became of them. When I was twelve I dreamed of Hongkong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement. When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a coloured print of London Bridge or the Eiffel Tower. One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the colour of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassières and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.
J.M.G. Le Clézio (The Book of Flights)
During a famine, the father and stepmother of Hansel and Gretel abandon them in a forest so that they will starve to death. The children stumble upon an edible house inhabited by a witch, who imprisons Hansel and fattens him up in preparation for eating him. Fortunately Gretel shoves the witch into a fiery oven, and “the godless witch burned to death in a horrible way.” 41 • Cinderella’s stepsisters, when trying to squeeze into her slippers, take their mother’s advice and cut off a toe or heel to make them fit. Doves notice the blood, and after Cinderella marries the prince, they peck out the stepsisters’ eyes, punishing them “for their wickedness and malice with blindness for the rest of their lives.” Snow White arouses the jealousy of her stepmother, the queen, so the queen orders a hunter to take her into the forest, kill her, and bring back her lungs and liver for the queen to eat. When the queen realizes that Snow White has escaped, she makes three more attempts on her life, two by poison, one by asphyxiation. After the prince has revived her, the queen crashes their wedding, but “iron slippers had already been heated up for her over a fire of coals.... She had to put on the red-hot iron shoes and dance in them until she dropped to the ground dead.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
Women also wore extremely tight corsets that covered much of the body, and shoes with very high heels, usually made of wood. When they were outdoors, they balanced their shoes on pattens—leather or iron or wooden clogs mounted on rings of iron. The pattens kept the thin-soled shoes out of the mud, but they made a stroll down the street as challenging as stilt-walking. When women went outside in daylight, they also wore masks to protect their complexion, as well as gloves to keep their hands smooth. (It’s hard to imagine how someone encumbered with a body-length corset and huge hoop skirt would be able to get involved in any activity conducive to nail breakage, let alone chapping.) Well-born little girls wore the same clothes as their mothers. Their stiffness in colonial portraits may reflect the fact that they had already been bound up in corsets. The
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]
François Rabelais (Gargantua and Pantagruel)
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan. I was supposed to check the monitor and announce if the temperature was above ninety-degrees. The first one was fine. But before I had a chance to remove the probe, Tim set the hot branding iron against the steer’s left hip. The animal let out a guttural Mooooooooooooo!, and as he did, the contents of its large intestine emptied all over my hand and forearm. Tim said, “Okay, Ree, you can take it out now.” I did. I didn’t know what to do. My arm was covered in runny, stinky cow crap. Was this supposed to happen? Should I say anything? I glanced at my sister, who was looking at me, completely horrified. The second animal entered the chute. The routine began again. I stuck it in. Tim branded. The steer bellowed. The crap squirted out. I was amazed at how consistent and predictable the whole nasty process was, and how nonchalant everyone--excluding my sister--was acting. But then slowly…surely…I began to notice something. On about the twentieth animal, I began inserting the thermometer. Tim removed his branding iron from the fire and brought it toward the steer’s hip. At the last second, however, I fumbled with my device and had to stop for a moment. Out of the corner of my eye, I noticed that when I paused, Tim did, too. It appeared he was actually waiting until I had the thermometer fully inserted before he branded the animal, ensuring that I’d be right in the line of fire when everything came pouring out. He had planned this all along, the dirty dog. Seventy-eight steers later, we were finished. I was a sight. Layer upon layer of manure covered my arm. I’m sure I was pale and in shock. The cowboys grinned politely. Tim directed me to an outdoor faucet where I could clean my arm. Marlboro Man watched as he gathered up the tools and the gear…and he chuckled. As my sister and I pulled away in the car later that day, she could only say, “Oh. My. God.” She made me promise never to return to that awful place. I didn’t know it at the time, but I’d found out later that this, from Tim’s perspective, was my initiation. It was his sick, twisted way of measuring my worth.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)