Three Hots And A Cot Quotes

We've searched our database for all the quotes and captions related to Three Hots And A Cot. Here they are! All 5 of them:

One morning Jeanette, bucking Daddy on some point, hit on the argument probably every child in the world has used against his or her parents: 'I didn't ask to be born'. Daddy had an answer for it. 'I know you didn't ask to be born, honey, and as your father responsible for gettin' you into the world, I owe you something'. I owe you three hots and a cots, which is to say, I owe you three meals a day and a place to sleep. That's what I'm obliged for, and that's what I'm lookin' to see you get.' He nodded several times, overcome by the seriousness of this obligation, then leaned back in his chair with a curl to his mouth like a villain's mustache. ''Course, nobody says the meals has got to be chicken. S'pose I just give you bread and water? An' s'pose I let you sleep on the floor'? 'No, Daddy'! 'That's all I'm obliged for, honey. Everything else is gratis. Everything else I do for you is 'cause I want to, not 'cause I have to'. For days afterward, because Daddy had a tenacious mind of the sort that doesn't easily turn loose one idea and go on to another, he would set a plate in front of Jeanette with, 'See, I ain't obliged to give you this. I could give you bread and water and soup with just a little bit of fat floatin' in it, just to keep you alive. That's all I'm asked to give you. But you get more, right? You get this nice plateful, and I imagine when it comes to dessert, you'll have some of that, will you? All right, dessert, and all the other good stuff. But just remember, the good stuff I do for you is because I want to, because I'm your daddy and I love you and I want to, not because I have to'. The subtext to this was that it was not enough for us, the children, to behave in minimal ways either, that filial respect and dutifulness might be all that was basically required of us, but the good stuff, like doing well in school and sticking together as a family and paying attention to what Mommy and Daddy were trying to each us, we would do because we loved them and wanted them to love us.
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
Chapter One Vietnam 1967 I am Jason Snowblood. This is my journal. 1967 April 21. Vietnam–day one. Cu Chi. We are the only two assigned to this tent. It is about thirty feet by twenty feet and filled with cots, but Benny and I are alone. The others both enlisted and draftees have been sent elsewhere. Benny is sitting on the next cot. He is still, head down, face in his hands. Outside the mud is four inches deep. It is thick and sucks hard when you try to walk. The rain keeps coming. We’ve been in this tent for twenty-three hours and it has not let up for a second. It is hot. It might be a mirage, but I see steam rising off my arms and Benny’s neck. The mud stinks. It gives off the odor of something freshly dead and quietly rotting. The rain and the air smell old and dying. We thought we were going to Bien Hoa to be assigned to the 173rd Airborne Division, but were told to board the bus to Cu Chi, home of the 25th Infantry Division. The lieutenant who directed this was frustrated and tentative. He kept checking his clipboard and walking over to a sergeant for quick conferences. The sergeant was busy with two groups. He rolled his eyes at one of the lieutenant’s questions, and caught my stare with a smile and a wink. Body bags were being staged next to the plane that delivered us to the Tan Son Nhut complex outside Saigon. He pointed at us and said “Soldiers to Vietnam,” then to the bags and added, “Soldiers going home.” We had been separated into enlisted and draftee squads. Enlisted soldiers have the letters RA for regular army in their numbers. Benny and I volunteered for the draft, it is not the same as enlisting. We carried US. The lieutenant pointed to a battered Isuzu bus and said, “All draftees are going to replace wiped out platoons.” It took us less than two hours to get here. It started raining before we left. I hoped the rain would wash the stink from the air, but it has not. The smell of jet fuel faded quickly but was replaced by this rotting mud and the continual roar of 175mm howitzers. Benny is shaking. He is crying. I have never seen him cry. This is going to be a bad year.
Bob Linsenman (Snowblood's Journal)
Many of the construction workers chafed at the primitive living conditions. Still, many remember the experience as a great adventure and as their own contribution to winning the war. “It was exciting,” said one many years later. “I had three hots and a cot. I had a good-paying job that wasn’t too hard. I was free to come and go as I pleased, and nobody was shooting at me.” They were patriotic about what they were doing, even though they had no idea what the gigantic plants they were building would make. In 1944, the craft unions organized a campaign to ask everyone for a day’s pay, raising $162,000 in seven weeks. With the funds, the unions bought a four-engine B-17 bomber for the US Army Air Forces. Named “Day’s Pay,” the bomber flew from Boeing Field in Seattle to the Hanford airstrip to be presented to the Fourth Air Force. “This activity, conceived by the workmen and handled by them, . . . was the most effective single morale booster during the job,” Matthias recalled. It did more “to develop an attitude of teamwork and desire to help the war than any other thing.
Steve Olson (The Apocalypse Factory: Plutonium and the Making of the Atomic Age)
While legislators kept increasing jail time for offenses, they appropriated funds insufficient to build additional jails or prisons, or hire staff, or pay probation officers. As a result, judges were hesitant to throw anyone but the most dangerous into jail—it was simply too expensive to give offenders three-hots-and-a-cot for every little offense, and the overcrowding was serious.
James Chandler (Misjudged (Sam Johnstone, #1))