Threatening Shakespeare Quotes

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Claire: Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - love to leave loved ones for, love to cross oceans for but I'd like to believe if I ever were to feel it, that I will have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet
Lise Friedman (Letters to Juliet: Celebrating Shakespeare's Greatest Heroine, the Magical City of Verona, and the Power of Love)
If we want to resist the powers that threaten to suppress intellectual and individual freedom, we must be clear what is at stake,” he said. “Without such freedom there would have been no Shakespeare, no Goethe, no Newton, no Faraday, no Pasteur, no Lister.” Freedom was a foundation for creativity.
Walter Isaacson (Einstein: His Life and Universe)
Coward dogs most spend their mouths when what they seem to threaten runs far before them.
William Shakespeare (Henry V)
When heaven doth weep, doth not the earth o'erflow? If the winds rage, doth not the sea wax mad, Threatening the welking with his big-swoln face? And wilt though have a reason for this coil? I am the sea; hark, how her sighs do blow! She is the weeping welkin, I the earth: Then must my sea be moved with her sighs; Then must my earth with her continual tears Become a deluge, overflow'd and drown'd; For why my bowels cannot hide her woes, But like a drunkard must I vomit them. Then give me leave, for losers will have leave To ease their stomachs with their bitter tongues.
William Shakespeare
Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like: love to leave loved ones for, love to cross oceans for, but I'd like to believe if I ever were to feel it, that I'd have the courage to seize it. And Claire, if you didn't, I hope one day that you will. All my love, Juliet
Lise Friedman (Letters to Juliet: Celebrating Shakespeare's Greatest Heroine, the Magical City of Verona, and the Power of Love)
We look back on history, and what do we see? Empires rising and falling; revolutions and counter-revolutions succeeding one another; wealth accumulating and wealth dispersed; one nation dominant and then another. As Shakespeare’s King Lear puts it, “the rise and fall of great ones that ebb and flow with the moon.” In one lifetime I’ve seen my fellow countrymen ruling over a quarter of the world, and the great majority of them convinced – in the words of what is still a favorite song – that God has made them mighty and will make them mightier yet. I’ve heard a crazed Austrian announce the establishment of a German Reich that was to last for a thousand years; an Italian clown report that the calendar will begin again with his assumption of power; a murderous Georgian brigand in the Kremlin acclaimed by the intellectual elite as wiser than Solomon, more enlightened than Ashoka, more humane than Marcus Aurelius. I’ve seen America wealthier than all the rest of the world put together; and with the superiority of weaponry that would have enabled Americans, had they so wished, to outdo an Alexander or a Julius Caesar in the range and scale of conquest. All in one little lifetime – gone with the wind: England now part of an island off the coast of Europe, threatened with further dismemberment; Hitler and Mussolini seen as buffoons; Stalin a sinister name in the regime he helped to found and dominated totally for three decades; Americans haunted by fears of running out of the precious fluid that keeps their motorways roaring and the smog settling, by memories of a disastrous military campaign in Vietnam, and the windmills of Watergate. Can this really be what life is about – this worldwide soap opera going on from century to century, from era to era, as old discarded sets and props litter the earth? Surely not. Was it to provide a location for so repetitive and ribald a production as this that the universe was created and man, or homo sapiens as he likes to call himself – heaven knows why – came into existence? I can’t believe it. If this were all, then the cynics, the hedonists, and the suicides are right: the most we can hope for from life is amusement, gratification of our senses, and death. But it is not all.
Malcolm Muggeridge
Even in systems that have multiple moderating institutions, the chief executive almost always has considerable power. But what happens when that executive is not mentally fit to hold office? What if he begins to make decisions that threaten the well-being and security of the realm?
Stephen Greenblatt (Tyrant: Shakespeare on Politics)
John was prosecuted (or threatened with prosecution—the records are sometimes a touch unclear) for trading in wool and for money-lending, both highly illegal activities.
Bill Bryson (Shakespeare: The World as Stage)
Negroes want to be treated like men: a perfectly straightforward statement, containing only seven words. People who have mastered Kant, Hegel, Shakespeare, Marx, Freud, and the Bible find this statement utterly impenetrable. The idea seems to threaten profound, barely conscious assumptions. A kind of panic paralyzes their features, as though they found themselves trapped on the edge of a steep place.
James Baldwin (Nobody Knows My Name)
Thou seest, the heavens, as troubled with man's act, Threaten his bloody stage: by the clock, 'tis day, And yet dark night strangles the travelling lamp: Is't night's predominance, or the day's shame, That darkness does the face of earth entomb, When living light should kiss it?
William Shakespeare (Macbeth)
Hold thy desperate hand: Art thou a man? thy form cries out thou art: Thy tears are womanish; thy wild acts denote The unreasonable fury of a beast: Unseemly woman in a seeming man! Or ill-beseeming beast in seeming both! Thou hast amazed me: by my holy order, I thought thy disposition better temper’d. Hast thou slain Tybalt? wilt thou slay thyself? And stay thy lady too that lives in thee, By doing damned hate upon thyself? Why rail’st thou on thy birth, the heaven, and earth? Since birth, and heaven, and earth, all three do meet In thee at once; which thou at once wouldst lose. Fie, fie, thou shamest thy shape, thy love, thy wit; Which, like a usurer, abound’st in all, And usest none in that true use indeed Which should bedeck thy shape, thy love, thy wit: Thy noble shape is but a form of wax, Digressing from the valour of a man; Thy dear love sworn but hollow perjury, Killing that love which thou hast vow’d to cherish; Thy wit, that ornament to shape and love, Misshapen in the conduct of them both, Like powder in a skitless soldier’s flask, Is set afire by thine own ignorance, And thou dismember’d with thine own defence. What, rouse thee, man! thy Juliet is alive, For whose dear sake thou wast but lately dead; There art thou happy: Tybalt would kill thee, But thou slew’st Tybalt; there are thou happy too: The law that threaten’d death becomes thy friend And turns it to exile; there art thou happy: A pack of blessings lights up upon thy back; Happiness courts thee in her best array; But, like a misbehaved and sullen wench, Thou pout’st upon thy fortune and thy love: Take heed, take heed, for such die miserable. Go, get thee to thy love, as was decreed, Ascend her chamber, hence and comfort her: But look thou stay not till the watch be set, For then thou canst not pass to Mantua; Where thou shalt live, till we can find a time To blaze your marriage, reconcile your friends, Beg pardon of the prince, and call thee back With twenty hundred thousand times more joy Than thou went’st forth in lamentation. Go before, nurse: commend me to thy lady; And bid her hasten all the house to bed, Which heavy sorrow makes them apt unto: Romeo is coming.
William Shakespeare (Romeo and Juliet)
PLAYER 'But who, O, who had seen the mobled queen--' HAMLET 'The mobled queen?' LORD POLONIUS That's good; 'mobled queen' is good. PLAYER 'Run barefoot up and down, threatening the flames With bisson rheum; a clout upon that head Where late the diadem stood, and for a robe, About her lank and all o'er-teemed loins, A blanket, in the alarm of fear caught up; Who this had seen, with tongue in venom steep'd, 'Gainst Fortune's state would treason have pronounced: But if the gods themselves did see her then When she saw Pyrrhus make malicious sport In mincing with his sword her husband's limbs, The instant burst of clamour that she made, Unless things mortal move them not at all, Would have made milch the burning eyes of heaven, And passion in the gods.
William Shakespeare (Hamlet)
Not for Fun, Why so Hilarious? [Part 3] If someone wants you to be bad, you have every right to make him feel bad; If someone wants you to bend, you have every right to make him to take you a bow; If someone wants to lock you, you have every right to keep his key with you; If someone wants to shout at you, you have every right to slip your tongue with him; If someone wants to disbelief you, you have every right to cheat him; If someone wants to blop you, you have every right to make him clap for you; If someone wants to know your potent, you have every right to make him impotent; If someone wants to slap you, you have every right to make his mind block; If someone wants to make you weak, you have every right to pull him down; If someone wants to point at you, you have every right to cut his tail; If someone wants to define you, you have every right to refine him; If someone wants to enmity you, you have every right to make him die for you; If someone wants to threaten you, you have every right to disclose his secrets; If someone wants to play with your bad time, you have every right to make him as your comedy time; If someone wants to scold you, you have every right to talk with him in your mother slang; If someone wants to see your downfall, you have every right to fuck him off; If someone wants to kill you, you have every right to fix his funeral; Afterall, our life is full of air with a body full of hair …. !!! ‘Indian Shakespeare
P.S. Jagadeesh Kumar
He strode forward, heedless of the murmuring that began among the women when they saw him. Then Sara turned, and her gaze met his. Instantly a guilty blush spread over her cheeks that told him all he needed to know about her intent. “Good afternoon, ladies,” he said in steely tones. “Class is over for today. Why don’t you all go up on deck and get a little fresh air?” When the women looked at Sara, she folded her hands primly in front of her and stared at him. “You have no right to dismiss my class, Captain Horn. Besides, we aren’t finished yet. I was telling them a story—” “I know. You were recounting Lysistrata.” Surprise flickered briefly in her eyes, but then turned smug and looked down her aristocratic little nose at him. “Yes, Lysistrata,” she said in a sweet voice that didn’t fool him for one minute. “Surely you have no objection to my educating the women on the great works of literature, Captain Horn.” “None at all.” He set his hands on his hips. “But I question your choice of material. Don’t you think Aristophanes is a bit beyond the abilities of your pupils?” He took great pleasure in the shock that passed over Sara’s face before she caught herself. Ignoring the rustle of whispers among the women, she stood a little straighter. “As if you know anything at all about Aristophanes.” “I don’t have to be an English lordling to know literature, Sara. I know all the blasted writers you English make so much of. Any one of them would have been a better choice for your charges than Aristophanes.” As she continued to glower at him unconvinced, he scoured his memory, searching through the hundreds of verse passages his English father had literally pounded into him. “You might have chosen Shakespeare’s The Taming of the Shrew, for example—‘fie, fie! Unknit that threatening unkind brow. / And dart not scornful glances from those eyes / to wound thy lord, thy king, thy governor.’” It had been a long time since he’d recited his father’s favorite passages of Shakespeare, but the words were as fresh as if he’d learned them only yesterday. And if anyone knew how to use literature as a weapon, he did. His father had delighted in tormenting him with quotes about unrepentant children. Sara gaped at him as the other women looked from him to her in confusion. “How . . . I mean . . . when could you possibly—” “Never mind that. The point us, you’re telling them the tale of Lysistrata when what you should be telling them is ‘thy husband is thy lord, thy life, thy keeper. /thy head, thy sovereign; one that cares for thee / and for thy maintenance commits his body / to painful labour by both sea and land.’” Her surprise at this knowledge of Shakespeare seemed to vanish as she recognized the passage he was quoting—the scene where Katherine accepts Petruchio as her lord and master before all her father’s guests. Sara’s eyes glittered as she stepped from among the women and came nearer to him. “We are not your wives yet. And Shakespeare also said ‘sigh no more, ladies, sigh no more / men were deceivers ever / one foot on sea and one on shore / to one thing constant never.’” “Ah, yes. Much Ado About Nothing. But even Beatrice changes her tune in the end, doesn’t she? I believe it’s Beatrice who says, ‘contempt, farewell! And maiden pride, adieu! / no glory lives behind the back of such./ and Benedick, love on, I will requite thee, / taming my wild heart to thy loving hand.’” “She was tricked into saying that! She was forced to acknowledge him as surely as you are forcing us!” “Forcing you?” he shouted. “You don’t know the meaning of force! I swear, if you—” He broke off when he realized that the women were staring at him with eyes round and fearful. Sara was twisting his words to make him sound like a monster. And succeeding, too, confound her.
Sabrina Jeffries (The Pirate Lord)
Think of yourself rather as something much humbler and less spectacular, but to my mind, far more interesting—a poet in whom live all the poets of the past, from whom all poets in time to come will spring. You have a touch of Chaucer in you, and something of Shakespeare; Dryden, Pope, Tennyson—to mention only the respectable among your ancestors—stir in your blood and sometimes move your pen a little to the right or to the left. In short you are an immensely ancient, complex, and continuous character, for which reason please treat yourself with respect and think twice before you dress up as Guy Fawkes and spring out upon timid old ladies at street corners, threatening death and demanding twopence–halfpenny.
Virginia Woolf (A Letter to a Young Poet: Including the Essay 'Craftsmanship')
Behind the observations that “a settled scholarly tradition can inhibit free thought” and “heretics are not necessarily wrong” lay the whole history of knowledge: of truth perverted by confirmation bias and groupthink; of scholars clinging to outdated theories, contemptuous of ideas that threaten their authority; of long-held certainties rendered quaint by new knowledge; of entire fields revolutionized by heresy. The trial had the effect of displacing the authority of the scholars, making them mere witnesses—biased, partial—and putting the truth in the hands of the court, which concluded, in fact, that the truth was not certain.
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
The 1997 album Time Out of Mind was released after, though written prior to, a brush with mortality for the singer himself when he contracted histoplasmosis whose symptoms range from being flu like to being life threatening. Dylan was seriously ill and, upon returning to public view from his recuperation, wryly remarked that: “I really thought I’d be seeing Elvis soon.
Andrew Muir (Bob Dylan & William Shakespeare: The True Performing of It)
the thoughts that were no longer repressed—in the history of the past and the Utopian speculation on the future; in noble theology, capable statesmanship, and science at once brilliant and profound; in the voyage of discovery, and the change of the swan-like merchantman into a very fire-drake of war for the defence of the threatened shores; in the first brave speech of the Puritan in Elizabeth's Parliament, the first murmurs of the voice of liberty, soon to thunder throughout the land; in the naturalizing of foreign genius by translation, and the invention, or at least adoption, of a new and transcendent rhythm; in the song, in the epic, in the drama.
George MacDonald (A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare)
Not steel, but eloquence hath wrought this good: You have redeemed us from much threatened blood.
Anthony Munday, Henry Chettle, Shakespeare
Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - love to leave loved ones for, love to cross oceans for but I'd like to believe if I ever were to feel it, that I will have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet
Lise Friedman, Letters to Juliet: Celebrating Shakespeare's Greatest Heroine, the Magical City of Ve
Cicero - Good even, Casca. Brought you Cæsar home? Why are you breathless and why stare you so? Casca - Are not you moved, when all the sway of earth shakes like a thing unfirm? O Cicero, I have seen tempests, when the scolding winds have rived the knotty oaks, and I have seen the ambitious ocean swell and rage and foam, to be exalted with the threatening clouds. But, never till tonight, never till now, did I go through a tempest dropping fire. Either there is a civil strife in heaven, or else the world, too saucy with the gods, incenses them to send destruction. Cicero - Why, saw you anything more wonderful? Casca - A common slave—you know him well by sight—held up his left hand, which did flame and burn like twenty torches joined. And yet his hand, not sensible of fire, remained unscorched. Besides, I had not since put up my sword 'gainst the Capitol I met a lion, who glared upon me, and went surly by, without annoying me. And there were drawn upon a heap a hundred ghastly women, transformed with their fear who swore they saw men all in fire walk up and down the streets. And yesterday the bird of night did sit even at noon-day upon the marketplace, hooting and shrieking. When these prodigies do so conjointly meet, let not men say "These are their reasons; they are natural," for I believe they are portentous things unto the climate that they point upon. Cicero - Indeed, it is a strange-disposed time, but men may construe things after their fashion, clean from the purpose of the things themselves. Come Cæsar to the Capitol tomorrow? Casca - He doth, for he did bid Antonius send word to you he would be there tomorrow. Cicero - Good night then, Casca. This disturbed sky is not to walk in. Casca - Farewell, Cicero.
William Shakespeare
Sontag, Susan (1967). "What's Happening to America? (A Symposium)". Partisan Review. 34 (1): 57–58. The truth is that Mozart, Pascal, Boolean algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Marx and Balanchine ballets don’t redeem what this particular civilization has wrought upon the world. The white race is the cancer of human history; it is the white race and it alone –its ideologies and inventions –which eradicates autonomous civilizations wherever it spreads, which has upset the ecological balance of the planet, which now threatens the very existence of life itself. What the Mongol hordes threaten is far less frightening than the damage that Western “Faustian” man, with his idealism, his magnificent art, his sense of intellectual adventure, his world-devouring energies for conquest, has already done, and further threatens to do.
Susan Sontag
If America is the culmination of Western white civilization, as everyone from the Left to the Right declares, then there must be something terribly wrong with Western white civilization. This is a painful truth; few of us want to go that far.... The truth is that Mozart, Pascal, Boolean algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Marx, Balanchine ballets, et al, don't redeem what this particular civilization has wrought upon the world. The white race is the cancer of human history; it is the white race and it alone—its ideologies and inventions—which eradicates autonomous civilizations wherever it spreads, which has upset the ecological balance of the planet, which now threatens the very existence of life itself
Susan Sontag
She had run from men's anger all her life, and when she could not run, she had hidden within herself. But now, standing with Pembroke, she did not feel threatened. Some secret part of her soul was certain that he would never hurt her.
Christy English (Love on a Midsummer Night (Shakespeare in Love, #2))
When Fortune means to men most good, She looks upon them with a threatening eye.
William Shakespeare (King John)
plays were tolerated, they were strictly regulated. The Master of the Revels licensed all dramatic works (at a cost of 7 shillings per license) and made sure that companies performed in a manner that he considered respectful and orderly. Those who displeased him could in theory be jailed at his indefinite pleasure, and punishments were not unknown. In 1605, soon after the accession of James I, Ben Jonson and his collaborators on Eastward Ho! made some excellent but unwisely intemperate jokes about the sudden influx of rough and underwashed Scots to the royal court and were arrested and threatened with having their ears and noses lopped off. It was because of these dangers (and the Vagrancy Act of 1572, which specifically authorized the whipping of unlicensed vagabonds) that acting troupes attached themselves to aristocratic patrons. The patron afforded the actors some measure of protection, and they in turn carried his name across the land, lending him publicity and prestige. For a time patrons collected troupes of actors rather in the way rich people of a later age collected racehorses or yachts.
Bill Bryson (Shakespeare: The World as Stage)