Though We're Far Apart Quotes

When tomorrow starts without me, And I’m not there to see, If the sun should rise and find your eyes All filled with tears for me; I wish so much you wouldn’t cry The way you did today, While thinking of the many things, We didn’t get to say. I know how much you love me, As much as I love you, And each time you think of me, I know you’ll miss me too; But when tomorrow starts without me, Please try to understand, That an angel came and called my name, And took me by the hand, And said my place was ready, In heaven far above And that I’d have to leave behind All those I dearly love. But as I turned to walk away, A tear fell from my eye For all my life, I’d always thought, I didn’t want to die. I had so much to live for, So much left yet to do, It seemed almost impossible, That I was leaving you. I thought of all the yesterdays, The good ones and the bad, The thought of all the love we shared, And all the fun we had. If I could relive yesterday Just even for a while, I’d say good-bye and kiss you And maybe see you smile. But then I fully realized That this could never be, For emptiness and memories, Would take the place of me. And when I thought of worldly things I might miss come tomorrow, I thought of you, and when I did My heart was filled with sorrow. But when I walked through heaven’s gates I felt so much at home When God looked down and smiled at me, From His great golden throne, He said, “This is eternity, And all I’ve promised you. Today your life on earth is past But here it starts anew. I promise no tomorrow, But today will always last, And since each day’s the same way, There’s no longing for the past. You have been so faithful, So trusting and so true. Though there were times You did some things You knew you shouldn’t do. But you have been forgiven And now at last you’re free. So won’t you come and take my hand And share my life with me?” So when tomorrow starts without me, Don’t think we’re far apart, For every time you think of me, I’m right here, in your heart.

Her kiss is hungry, as if long deprived. As if they didn’t already spend the morning doing just exactly this, making up for the lost time they were apart. Triton’s trident, I could do this all day. Then he catches himself. No, I couldn’t. Not without wanting more. Which is why we need to stop. Instead, he entwines his hands in her hair, and she teases his lips with her tongue, trying to get him to fully open his mouth to her. He gladly complies. Her fingers sneak their way under his shirt, up his stomach, sending a trail of fire to his chest. He is about to lose his shirt altogether. Until Antonis’s voice booms from the doorway. “Extract yourself from Prince Galen, Emma,” he says. “You two are not mated. This behavior is inappropriate for any Syrena, let alone a Royal.” Emma’s eyes go round as sand dollars. He can tell she’s not sure what to think about her grandfather telling her what to do. Or maybe she’s caught off guard that he called her a Royal. Either way, like most people, Emma decides to obey. Galen does, too. They stand up side by side, not daring to be close enough to touch. They behold King Antonis in a polka-dot bathrobe, and though he’s the one who looks silly, they are the ones who look shamed. Galen feels like a fingerling again. “I apologize, Highness,” he says. It seems like all he does lately is apologize to the Poseidon king. “It was my fault.” Antonis gives him a reproving look. “I like you, young prince. But you well know the law. Do not disappoint me, Galen. My granddaughter is deserving of a proper mating ceremony.” Galen can’t meet his eyes. He’s right. I shouldn’t be flirting with temptation like this. With the Archives on their way-or possibly here already-there is a distant but small chance that he and Emma can still live within the confines of the law. That they can still live as mates under the Syrena tradition. And he almost just blew it. What if it had gone too far? Then his mating with Emma would forever be blemished by breaking the law. “It won’t happen again, Highness.” Not until we’re mated, anyway. “Um. Did you just promise not to kiss me ever again?” Emma whispers. “Can we talk about this later? The Archives are obviously here, angelfish.” She’s on the verge of a fit, he can tell. “He’s just looking out for us,” Galen says quickly. “I agree, we need to respect the law-“ At this her fit subsides as if it was never there. She smiles wide at him. He can’t decide if it’s genuine, or if it’s the kind of smile she gives him when he’ll pay for something later. “Okay, Galen.” “Galen, Emma,” Nalia calls from the dining room, saving him from making a fool of himself. “Everyone is here.” Emma gives him a look that clearly says, “We’re so not done with this conversation.” Then she turns and walks away. Galen takes a second to regain a little bit of composure-which kissing Emma tends to steal from him. Then there’s the mortification of being interrupted by-Get it together, idiot.

The others disappeared. I only had eyes for him. He nodded slowly. He said, “I know.” He said, “I know you’re scared. Confused.” He said, “But we’re not going to hurt you. You’re safe, Robbie.” He said, “You’re home.” I took another step toward him. “That’s it,” he said, stepping away from the Alphas. Joe looked like he wanted to stop him, but he kept his hands at his side. “Hey. It’s okay, Robbie. It’s okay now. You’re here.” He smiled, though it was broken. “You’re with me now.” It would be so easy. To go to him. To let him fix all of this. To have him take me away. And part of me wanted to. Part of me believed him. A quiet part, whispering in the dark, but there nonetheless. But it was a trick. It had to be. They were Bennetts. And they were the enemy. He knew then. The moment before I made my decision. I didn’t know how. But he did. Even as my muscles coiled, the skin around his eyes tightened. There was an opening to my right. Chris and Tanner were spread too far apart. The secret part of me whispered for me to stop. To stay. To listen. I ran.

The story was told in five minutes, by the end of which Ron’s indignation had been replaced by a look of total incredulity. “He brought one back and hid it in the forest?” “Yep,” said Harry grimly. “No,” said Ron, as though by saying this he could make it untrue. “No, he can’t have . . .” “Well, he has,” said Hermione firmly. “Grawp’s about sixteen feet tall, enjoys ripping up twenty-foot pine trees, and knows me,” she snorted, “as Hermy.” Ron gave a nervous laugh. “And Hagrid wants us to . . . ?” “Teach him English, yeah,” said Harry. “He’s lost his mind,” said Ron in an almost awed voice. “Yes,” said Hermione irritably, turning a page of Intermediate Transfiguration and glaring at a series of diagrams showing an owl turning into a pair of opera glasses. “Yes, I’m starting to think he has. But unfortunately, he made Harry and me promise.” “Well, you’re just going to have to break your promise, that’s all,” said Ron firmly. “I mean, come on . . . We’ve got exams and we’re about that far,” he held up his hand to show thumb and forefinger a millimeter apart, “from being chucked out as it is. And anyway . . . remember Norbert? Remember Aragog? Have we ever come off better for mixing

But we have, if not our understanding, our own experience, and it feels to me sealed, inviolable, ours. We have a last, deep week together, because Wally is not on morphine yet, because he has just enough awareness, just enough ability to communicate with me. I’m with him almost all day and night- little breaks, for swimming, for walking the dogs. Outside it snows and snows, deeper and deeper; we seem to live in a circle of lamplight. I rub his feet, make him hot cider. All week I feel like we’re taking one another in, looking and looking. I tell him I love him and he says I love you, babe, and then when it’s too hard for him to speak he smiles back at me with the little crooked smile he can manage now, and I know what it means. I play music for him, the most encompassing and quiet I can find: Couperin, Vivaldi, the British soprano Lesley Garret singing arias he loved, especially the duet from Lakme: music of freedom, diving, floating. How can this be written? Shouldn’t these sentences simply be smithereened apart, broken in a hurricane? All that afternoon he looks out at us though a little space in his eyes, but I know he sees and registers: I know that he’s loving us, actively; if I know nothing else about this man, after nearly thirteen years, I know that. I bring all the animals, and then I sit there myself, all afternoon, the lamps on. The afternoon’s so quiet and deep it seems almost to ring, like chimes, a cold, struck bell. I sit into the evening, when he closes his eyes. There is an inaudible roaring, a rush beneath the surface of things, beneath the surface of Wally, who has now almost no surface- as if I could see into him, into the great hurrying current, that energy, that forward motion which is life going on. I was never this close to anyone in my life. His living’s so deep and absolute that it pulls me close to that interior current, so far inside his life. And my own. I know I am going to be more afraid than I have ever been, but right now I am not afraid. I am face to face with the deepest movement in the world, the point of my love’s deepest reality- where he is most himself, even if that self empties out into no one, swift river hurrying into the tumble of rivers, out of individuality, into the great rushing whirlwind of currents. All the love in the world goes with you.

Something was flickering and swimming exactly on the spot he was looking at, so that he couldn’t see it clearly, though everything around it seemed clear, at least until he moved his gaze to look at something else and the flickery thing moved too. It was always in the way, and he could see nothing behind it. He brushed the page, but there was nothing there. He rubbed his eyes, but it still didn’t go away. In fact, it was even more curious because he could still see it when his eyes were closed. And it was very slowly getting bigger. It wasn’t a spot anymore. It was a line: a curved line, like a loosely scribbled letter C, and it was sparkling and flickering in a zigzag pattern of blacks and whites and silvers. Asta said, “What is it?” “Can you see it?” “I can feel something. What can you see?” He described it as well as he could. “And what can you feel?” he added. “Something strange, like a sort of far-off feeling…as if we’re a long way apart and I can see for miles and everything’s very clear and calm….I’m not afraid of anything, just calm….What’s it doing now?” “Just getting bigger. I can see past it now. It’s getting closer, and I can see the words on the page and everything through the middle of it. It’s making me feel dizzy, a bit. If I try and look at it directly, it slides away. It’s about this big now.” He held out his left hand with the thumb and forefinger curved round, indicating the gap between them to be about as long as the thumb itself. “Are we going blind?” said Asta. “I don’t think so, ’cause I can see perfectly well through it. It’s just getting closer and bigger, but sort of sliding out of the way too, out towards the edge…as if it’s just going to float past and behind my head.” They sat in the quiet little room, in the warm lamplight, and waited until the sparkling line had drifted closer and closer to the edge of his vision, and eventually just beyond it, and then was gone. Altogether, from beginning to end, the experience lasted about twenty minutes. “That was very strange,” he said. “Like spangled. Like that hymn—you remember: And the Hornèd moon at night, ’Mid her spangled sisters bright. It was spangled.” “Was it real?” “Of course it was real. I saw it.” “But I couldn’t see it. It wasn’t outside. It was in you.” “Yeah…but it was real. And you were feeling something. That was real too. So it must be part of it.” “Yeah…I wonder what it means.” “Maybe…I don’t know. Maybe nothing.” “No, it must be something,” she said firmly.

That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm. Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?” “Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.” “I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.” “It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.” “Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything. “He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.” “I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.” “Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?” Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?” “Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened. “The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical. “Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?” “No, did you?” “Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.

July 20 The Opening Lines Then they cried to the LORD in their trouble, and he saved them from their distress. He sent out his word and healed them; he rescued them from the grave. Let them give thanks to the LORD for his unfailing love. Psalm 107:19–21 NIV Some of you live in such road-weary bodies: knees ache, eyes dim, skin sags. Others exited the womb on an uphill ride. While I have no easy answers for your struggle, I implore you to see your challenge in the scope of God’s story. View these days on earth as but the opening lines of his sweeping saga. Let’s stand with Paul on the promise of eternity. So we’re not giving up. How could we! Even though on the outside it often looks like things are falling apart on us, on the inside, where God is making new life, not a day goes by without his unfolding grace. These hard times are small potatoes compared to the coming good times, the lavish celebration prepared for us. There’s far more here than meets the eye. The things we see now are here today, gone tomorrow. But the things we can’t see now will last forever. (2 Corinthians 4:16–18 MSG) Your suffering isn’t the end of the story. It’s the opening scene of God’s saga. God’s Story, Your

I knew the instant I saw you that you were not her.” “But you didn’t say anything!” He smirks. “To be honest, I was intrigued. I intended to question you in private, so as not to alarm my mother or Emily. But then I saw the change in my cousin. She had been quite despondent over her impending marriage--until your arrival. I admit I had no intention of interfering in her engagement, yet I could hardly take away what happiness you brought. Perhaps it was a way of alleviating my guilt for not helping her. And aside from that, you seemed to be doing no harm.” He grins at that last statement, as it’s obvious I was up to far more mischief than he realized. “You mean all this time I’ve been freaking out over you hating me and you knew?” He smiles sheepishly. It’s the closest thing to embarrassment I’ve ever seen on his face. “Yes.” I groan. “I guess I deserve that.” I turn back to the sky, and for the first time, an odd sense of peace washes over me. I want to stay here. I know now, without a shadow of a doubt, I want to stay here. Those mixed feelings have been replaced by something else: fear. Fear that it’s not really my choice to make. His thumb picks up its soft circling on my hand. “What will you do now?” “I don’t…I don’t know. I mean, I’m so lost I can’t find my way home. And maybe that sounds weird, but it’s true.” “You may stay here. As long as you need to.” I squeeze his hand. “Thank you. I’m not sure if I should, though. I belong somewhere else, and there may come a day when I need to go. When I…have to go. And I don’t want you to…I don’t want you to put anything on hold because of me.” I can’t believe I just said that. I can’t believe I implied he’d be so stuck on me that he wouldn’t pay attention to the other girls and his supposed duty to find a wife. A Duchess for Harksbury. “I would not wish you to leave if it is not your desire.” I nod and swallow the boulder-sized lump forming in my throat. I don’t know if he feels quite as strongly for me as I do for him, but he does care about me. And it feels good. “Thank you.” We turn back to the sky again, and I edge closer to him. I feel strange, dressed in my jeans and T-shirt, while he is still dressed as he always is. It makes it so painfully obvious that we’re from different worlds. Worlds that will never see one another. Worlds much too far apart. I turn toward him, so my cheek is resting on the cool grass. When he looks back at me, his eyes nearly blend with the blades until all I see is a sea of intense green. And then I do it. I edge closer to him, close my eyes, and kiss him. His lips are as soft and full as before, but I enjoy it this time, because my mind isn’t reeling like it was. I lose myself to the moment as he presses back against me. It is perfect. It is everything I want it to be and more. And then we both retreat, and I open my eyes. He moves his arm so that it wraps around my shoulders, and I have somewhere to rest my head, and then I snuggle up against him and close my eyes again, as the heavy draw of sleep lulls me under.

JAMIE'S SONG 'SLIPPING': I feel as though I’m slipping out of mind, You’re slipping out of my life. I feel as though we’re slipping out of time, I’m slipping out of your mind. And even though we’ve drifted far apart, You’re still inside my heart. But I know that you’re at the very end, While I’m still at the start. I walk down familiar streets, but they change, With every step I take. I don’t know what to say, And then I lose my way. I see the faces of people I should know, And they look at me as though, I saw them yesterday. But I don’t recall a thing. And it feels as though I’m slipping out of mind, You’re slipping out of my life. I feel as though we’re slipping out of time, I’m slipping out of your mind. And even though we’ve drifted far apart, You’re still inside my heart. But I know that you’re at the very end, While I’m still at the start. I wonder if I’m losing my mind, And maybe that’s why, You’re not by my side. I don’t know if I should still try. And maybe somehow, We’ll work it out.

There’s a train going west at half past nine. We'll sneak onto it and go where it takes us, and go somewhere else from there, and stop when we’ve gone as far as we can. And I promise I don’t expect you to forgive me, or anything else. But I’m so tired of not being with you. Come with me. Please?” “We’re not good for each other,” Ben repeated, mostly to himself. He had to hold on to that, he knew, though he wasn’t sure why anymore, or what it meant. “Perhaps not,” Jonah said. “But we’re not doing very well apart.

July 20 The Opening Lines Then they cried to the LORD in their trouble, and he saved them from their distress. He sent out his word and healed them; he rescued them from the grave. Let them give thanks to the LORD for his unfailing love. Psalm 107:19–21 NIV Some of you live in such road-weary bodies: knees ache, eyes dim, skin sags. Others exited the womb on an uphill ride. While I have no easy answers for your struggle, I implore you to see your challenge in the scope of God’s story. View these days on earth as but the opening lines of his sweeping saga. Let’s stand with Paul on the promise of eternity. So we’re not giving up. How could we! Even though on the outside it often looks like things are falling apart on us, on the inside, where God is making new life, not a day goes by without his unfolding grace. These hard times are small potatoes compared to the coming good times, the lavish celebration prepared for us. There’s far more here than meets the eye. The things we see now are here today, gone tomorrow. But the things we can’t see now will last forever. (2 Corinthians 4:16–18 MSG) Your suffering isn’t the end of the story. It’s the opening scene of God’s saga.

A series of light bulbs dangling from raw wires illuminated its progression to a far-off end… and she wasn’t sure what she was seeing. The walls had cutouts in them, little curve-topped holes stacked three to a group and spaced far enough apart to accommodate ladders that led up to the middle and top levels. It was almost as though they were sleeping compartments of some kind— “Come on,” Apex hissed. “We don’t want to be caught here.” “Then why did you stop.” She glanced back at him. “What are all those spaces?” “None of your business.” As he pulled her away, she did some math in her head. Assuming they were a kind of bunk system, there had to be—Jesus, several hundred workers in the facility. “How many people are here?” she said, even though she’d already done the estimate, and even if she hadn’t, he would certainly not help her. It was more like she couldn’t believe the total. “We’re going all the way up to the main floor. It’s more dangerous in some ways and less so in others.” “Well, I’ll put that in my Yelp! review of this place. Thanks.” When they got to the next floor, he didn’t give her a chance to stop at the fire door. She caught only a glance through its window down another long corridor. Unlike the one under it, the level seemed to be far more brightly lit, and there were no sleeping pods. The walls were also finished, although only with raw Sheetrock from what she glimpsed. At the next landing, Apex stopped at a steel door that had no window in it. Pressing his ear against the steel panel, he seemed to not even breathe as he listened. Then he turned to her. “The lowest two floors are totally underground. The next one up is mostly so. This one is not at all, however, so I’m going to have to move fast. As soon as I open the way, we’re heading to the first door on the left that’s unlocked. It’s a break room. It will be empty and the windows are boarded up, so it’s safer. On three. One… two… three—” Apex ripped open the metal panel, and then recoiled as if he had been hit with toxic gas. Lifting his arm to his face, he ducked down low—and jumped forward

They were, David decided, a very colourful lot, but apart from Herries himself he was unable, during those first weeks, to strike up a friendship with any one of them. It was as though he had joined a band of castaways on a desert island, the lone survivor of a subsequent wreck, and at first he was inclined to view his isolation as the inevitable result of his own mental confusion. In the end he took his problem to Herries. 'In a sense you are an outsider, my dear chap,' he said, 'and that's the reason I grabbed you the moment you showed up. You're the bridge, don't you see? A passage over a generation gap, and it isn't the conventional generation gap we all have to cross if we know our business properly. Your gap, caused by the war, is semi permanent. It might take twenty years to close.' 'But some of the chaps on the staff are only a year or so older than I am,' David argued. 'There's the C.3 men, and Carter.' 'It's not a matter of years, but of experience, don't you see? What are our casualties to date? Not far short of three million, I'd say, and a third of them dead at eighteen-plus. No one who hasn't been out can imagine what it's like. Mentally a man like you must have aged about a year every month, and that makes you immeasurably senior to theorists like me, and faithful old buffers like Cordwainer, Acton and Gibbs. Someone has to tackle the job of nudging all those young rascals over the threshold into what I sincerely hope will be an entirely new world. We can't do it because we're even more adrift than they are and haven't a compass reading between us. In a year or so I daresay we can find you some help. Hang it all, everyone in his early twenties can't be dead or maimed or gassed. In the meantime you're on your own, lad.

by David M. Romano in 1993, and was called “When Tomorrow Starts Without Me.” When tomorrow starts without me, And I’m not there to see, If the sun should rise and find your eyes All filled with tears for me; I wish so much you wouldn’t cry The way you did today, While thinking of the many things, We didn’t get to say. I know how much you love me, As much as I love you, And each time you think of me, I know you’ll miss me too; But when tomorrow starts without me, Please try to understand, That an angel came and called my name, And took me by the hand, And said my place was ready, In heaven far above And that I’d have to leave behind All those I dearly love. But as I turned to walk away, A tear fell from my eye For all my life, I’d always thought, I didn’t want to die. I had so much to live for, So much left yet to do, It seemed almost impossible, That I was leaving you. I thought of all the yesterdays, The good ones and the bad, The thought of all the love we shared, And all the fun we had. If I could relive yesterday Just even for a while, I’d say good-bye and kiss you And maybe see you smile. But then I fully realized That this could never be, For emptiness and memories, Would take the place of me. And when I thought of worldly things I might miss come tomorrow, I thought of you, and when I did My heart was filled with sorrow. But when I walked through heaven’s gates I felt so much at home When God looked down and smiled at me, From His great golden throne, He said, “This is eternity, And all I’ve promised you. Today your life on earth is past But here it starts anew. I promise no tomorrow, But today will always last, And since each day’s the same way, There’s no longing for the past. You have been so faithful, So trusting and so true. Though there were times You did some things You knew you shouldn’t do. But you have been forgiven And now at last you’re free. So won’t you come and take my hand And share my life with me?” So when tomorrow starts without me, Don’t think we’re far apart, For every time you think of me, I’m right here, in your heart.