Those Little Kicks Quotes

We've searched our database for all the quotes and captions related to Those Little Kicks. Here they are! All 100 of them:

Oh, Callie-mine," Anne said, her voice taking on a tone she'd used when Callie was a little girl and crying over some injustice, "your white knight, he will come." One side of Callie's mouth kicked up in a wry smile. Anne had said those words countless times over the last two decades. "Forgive me, Anne, but I'm not so certain that he will." Oh, he will," Anne said firmly. "And when you least expect." I find I'm rather tired of waiting." Callie laughed half-heartedly. "Which is probably why I've turned my attentions to such a dark knight.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Growled. Like a pissed-off wolf. No, like a whiny dog, I told myself firmly. One of those little yappy ones. Wolves kicked ass and Hunter didn’t. He was a giant, fake asshole.
Joanna Wylde (Devil's Game (Reapers MC, #3))
So this is what you do when it all slows down and the minutes that tick by feel a little longer than before. You take your time. You breathe slowly. You open your eyes a little wider and look at everything. Take it all in. Rehash stories of old, remember people, times, and occasions gone by. Allow everything you see to remind you of something. Talk about those things. Find out the answers you didn’t know to yesterday’s crosswords. Slow down. Stop trying to do everything now, now, now. Hold up the people behind you for all you care, feel them kicking at your heels but maintain your pace. Don’t let anybody else dictate your speed.
Cecelia Ahern (Thanks for the Memories)
There are moments in every relationship that define when two people start to fall in love. A first glance A first smile A first kiss A first fall… (I remove the Darth Vader house shoes from my satchel and look down at them.) You were wearing these during one of those moments. One of the moments I first started to fall in love with you. The way you gave me butterflies that morning Had absolutely nothing to do with anyone else, and everything to do with you. I was falling in love with you that morning because of you. (I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.) This ugly little gnome With his smug little grin… He's the reason I had an excuse to invite you into my house. Into my life. You took a lot of aggression out on him over those next few months. I would watch from my window as you would kick him over every time you walked by him. Poor little guy. You were so tenacious. That feisty, aggressive, strong-willed side of you…. The side of you that refused to take crap from this concrete gnome? The side of you that refused to take crap from me? I fell in love with that side of you because of you. (I set the gnome down on the stage and grab the CD) This is your favorite CD ‘Layken’s shit.’ Although now I know you intended for shit to be possessive, rather than descriptive. The banjo started playing through the speakers of your car and I immediately recognized my favorite band. Then when I realized it was your favorite band, too? The fact that these same lyrics inspired both of us? I fell in love with that about you. That had absolutely nothing to do with anyone else. I fell in love with that about you because of you. (I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.) This is a receipt I kept. Only because the item I purchased that night was on the verge of ridiculous. Chocolate milk on the rocks? Who orders that? You were different, and you didn’t care. You were being you. A piece of me fell in love with you at that moment, because of you. This? (I hold up another sheet of paper.) This I didn’t really like so much. It’s the poem you wrote about me. The one you titled 'mean?' I don’t think I ever told you… but you made a zero. And then I kept it to remind myself of all the things I never want to be to you. (I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.) This is that ugly shirt you wear. It doesn’t really have anything to do with why I fell in love with you. I just saw it at your house and thought I’d steal it.
Colleen Hoover (Point of Retreat (Slammed, #2))
What pet name would you like me to call you?” “Whatever makes you the happiest. Just pick one.” In that moment, the effect of the baby came back with a vengeance. “I don’t know,” I said, kicking that one out of my head. “I guess one in Spanish makes sense. Bollito? Cuchi cuchi? Pocholito?” “Bollito?” “It’s little bun.” I smiled. “Like those bread buns that are spongey and shiny and so cute that—" “Okay, no.” He frowned. “I think it’s better if we stick to our names,” he said, taking both drinks from the attendant who had just reappeared and placing mine in front of me. “I don’t think I can trust you to pick one in Spanish without knowing what it means.” “I’m very trustworthy—you should know that by now.” I brought a finger to my chin, tapping it a few times. “How about conejito? That’s little bunny.” With a long sigh, Aaron let his massive body fall deeper into the seat. “You are right; you are not a bunny.” I paused. “Osito?” I made a show of looking him up and down, as if I were testing the name on him. “Yeah, that one is way more fitting. You are more of a bear.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
It’s the great undoing of my heart as I know it. She’s made herself at home, kicked off those fucking cerulean heels, put her feet up on my left rib. Over the mantelpiece she hung her own portrait up herself, that little minx. Best painting I’ve ever seen, too. Better than any woman anyone has ever painted in the history of time, a face I’d win battles for. A face I’d lose anything for. Even her.
Jessa Hastings (Daisy Haites: The Great Undoing (Magnolia Parks Universe, #4))
It's a simple choice! We can all be good boys and wear our letter sweaters around and get our little degrees and find some nice girl to settle, you know, down with... Take up what a friend of ours calls the hearty challenges of lawn care... Or we can blaze! Become legends in our own time, strike fear in the hearts of mediocre talent everywhere! We can scald dogs, put records out of reach! Make the stands gasp as we blow into an unearthly kick from three hundred yards out! We can become God's own messengers delivering the dreaded scrolls! We can race satan himslef till he wheezes fiery cinders down the back straight away... They'll speak our names in hushed tones, 'those guys are animals' they'll say! We can lay it on the line, bust a guy, show them a clean pair of heels. We can sprint the turn on a spring breeze and feel the winter leave our feet! We can, by god, let out demons loose and just wail on!
John L. Parker Jr. (Once a Runner)
Those boys at the counter are too dreamy and young to do anything but drool as they watch Gillian. And, to her credit, Gillian is especially kind to them, even when Ephraim, the cook, suggests she kick them out. She understands that theirs might just be the last hearts she will break. When you're thirty-six and tired, when you've been living in places where the temperature rising to a hundred and ten and the air is so dry you have to use gallons of moisturizer, when you've been smacked around, late at night, by a man who loves bourbon, you start to realize that everything is limited, including your own appeal. You begin to look at young boys with tenderness, since they know so little and think they know so much. You watch teenage girls and feel shivers up and down your arms - those poor creatures don't know the first thing about time or agony or the price they're going to have to pay for just about anything.
Alice Hoffman (Practical Magic (Practical Magic, #1))
I understand, my lord. I…don’t wish to embarrass you again.” “Embarrass me? Jean, you misunderstand.” Maranzalla kicked idly at the toy rapier, and it clattered across the tiles of the rooftop. “Those prancing little pants-wetters come here to learn the colorful and gentlemanly art of fencing, with its many sporting limitations and its proscriptions against dishonorable engagements. “You, on the other hand,” he said as he turned to give Jean a firm but friendly poke in the center of his forehead, “you are going to learn how to kill men with a sword.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Reality is such pain. And for those of us who get fed up with that kind of reality, we simply choose to make a new one. We create little walls, and separate the trash from the stuff we like, and when that’s all done we keep the things we care about and kick the rest to the curb. You’d be amazed how well it works! A whole world made out of just moe, tsundere, and BL it’s the best discovery ever! If you ask me that really it the best way to separate reality, from fiction.
Ryohgo Narita
The full tigers watched him silently. All females. Thankfully. He would be less than happy if he had to take on some territorial male. Well, this little adventure was only going to last through today. As soon as night came, he would get his furry ass out of here. Even if he had to scare some poor security guard to death. Then he would be heading to California. He had some dog butt to kick. Sighing, Nik looked up to find a small child staring at him. A small child busy picking his nose. Could this get any worse? The females stirred restlessly near him and he caught the scent they had. Oh no. Please. Not that. They stood in front of him, completely unaware of his presence and arguing like two ten-year-olds. Nik didn't bother searching for a way out. There was no way out. Those two evil witches trapped him. Trapped him in hell. Throwing up his hands in anger, Alek turned away from Ban, facing the tiger display. Alek's gold eyes stared at Nik for a moment, a frown of confusion pulling his brows down. Then he smiled. And then he just became plain hysterical. Bastard! This wasn't and never would be funny! Ban stared at Alek for several confused moments before catching sight of Nik. As his brothers literally rolled on the ground laughing hysterically--and freaking out all the zoo visitors--Nik seethed
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
I'd only seen Julius play a few times, but he had that gift, that grace, those fingers like a goddamn medicine man. One time, when the tribal school traveled to Spokane to play this white high school team, Julius scored sixty-seven points and the Indians won by forty. I didn't know they'd be riding horses," I heard the coach of the white team say when I was leaving. ... Hey," I asked Adrian. "Remember Silas Sirius?" Hell," Adrian said. "Do I remember? I was there when he grabbed that defensive rebound, took a step, and flew the length of the court, did a full spin in midair, and then dunked that fucking ball. And I don't mean it looked like he flew, or it was so beautiful it was almost like he flew. I mean, he flew, period." I laughed, slapped my legs, and knew that I believed Adrian's story more as it sounded less true. Shit," he continued. "And he didn't grow no wings. He just kicked his legs a little. Held that ball like a baby in his hand. And he was smiling. Really. Smiling when he flew. Smiling when he dunked it, smiling when he walked off the court and never came back. Hell, he was still smiling ten years after that.
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
All those posters and PSAs and health class presentations on body image and the way you can burst blood vessels in your face and rupture your esophagus if you can’t stop ramming those sno balls down your throat every night, knowing they’ll have to come back up again, you sad weak girl. Because of all this, Coach surely can’t tell a girl, a sensitive, body-conscious teenage girl, to get rid of the tender little tuck around her waist, can she? She can. Coach can say anything. And there’s Emily, keening over the toilet bowl after practice, begging me to kick her in the gut so she can expel the rest, all that cookie dough and cool ranch, the smell making me roil. Emily, a girl made entirely of donut sticks, cheese powder, and haribo. I kick, I do. She would do the same for me.
Megan Abbott (Dare Me)
He slowed to a walk. As he approached her he was surprised at just how pretty she was. She looked a little like Maureen O'Hara in those old pirate movies. His writer's mind kicked in and he thought, This woman could break my heart. I could crash and burn on this woman. I could lose this woman, drink heavily, write profound poems, and die in the gutter of turberculosis over this woman. This was not an unusual reaction for Tommy. He had it often, mostly with girls who worked the drive-through windows at fast-food places. He would drive off with the smell of fries in his car and the bitter taste of unrequited love on his tongue. It was usually good for at least one short story.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.' 'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.' 'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
Emily Brontë (Wuthering Heights)
I'm sorry I was short with him--but I don't like a man to approach me telling me it for my sake. "Maybe it was," said Wylie "It's poor technique." "I'd all for it," said Wylie. "I'm vain as a woman. If anybody pretends to be interested in me, I'll ask for more. I like advice." Stahr shook his head distastefully. Wylie kept on ribbing him--he was one of those to whom this privilege was permitted. "You fall for some kinds of flattery," he said. "this 'little Napoleon stuff.'" "It makes me sick," said Stahr, "but it's not as bad as some man trying to help you." "If you don't like advice, why do you pay me?" "That's a question of merchandise," said Stahr. "I'm a merchant. I want to buy what's in your mind." "You're no merchant," said Wylie. "I knew a lot of them when I was a publicity man, and I agree with Charles Francis Adams." "What did he say?" "He knew them all--Gould, Vanderbilt, Carnegie, Astor--and he said there wasn't one he'd care to meet again in the hereafter. Well--they haven't improved since then, and that's why I say you're no merchant." "Adams was probably a sourbelly," said Stahr. "He wanted to be head man himself, but he didn't have the judgement or else the character." "He had brains," said Wylie rather tartly. "It takes more than brains. You writers and artists poop out and get all mixed up, and somebody has to come in and straighten you out." He shrugged his shoulders. "You seem to take things so personally, hating people and worshipping them--always thinking people are so important-especially yourselves. You just ask to be kicked around. I like people and I like them to like me, but I wear my heart where God put it--on the inside.
F. Scott Fitzgerald (The Last Tycoon)
In the distant past, in what might be described as the Golden Days of War, the business of wreaking havoc on your neighbours (these being the only people you could logistically expect to wreak havoc upon) was uncomplicated. You—the King—pointed at the next-door country and said, “I want me one of those!” Your vassals—stalwart fellows selected for heft and musculature rather than brain—said, “Yes, my liege,” or sometimes, “What’s in it for me?” but broadly speaking they rode off and burned, pillaged, slaughtered and hacked until either you were richer by a few hundred square miles of forest and farmland, or you were rudely arrested by heathens from the other side who wanted a word in your shell-like ear about cross-border aggression. It was a personal thing, and there was little doubt about who was responsible for kicking it off, because that person was to be found in the nicest room of a big stone house wearing a very expensive hat.
Nick Harkaway (The Gone-Away World)
California, Labor Day weekend...early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Fricso, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur...The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches...like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they'll never know...Ah, these righteous dudes, they love to screw it on...Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more...tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder...
Hunter S. Thompson (Hell's Angels)
How long are you going to wait for this guy?” I’m thrown by his sudden shift. “Ah . . . I don’t know.” “Give me your keys.” “What?” “Give me your keys. I’m going to change your tire while we’re waiting.” I fish in my purse and come up with a handful of keys. “You’re going to—” “Stay in the car.” He grabs the keys and practically yanks them out of my fingers. Then he slams the door in my face. I watch him in the path of his headlights, mystified. He opens my trunk, and, moments later, emerges with the spare tire. He lays it beside the car, then pulls something else from the darkened space. I’ve never changed a tire, so I have no idea what he’s doing. His movements are quick and efficient, though. I shouldn’t be sitting here, just watching, but I can’t help myself. There’s something compelling about him. Dozens of cars have passed, but he was the only one to stop—and he’s helping me despite the fact that I’ve been less than kind to him all night. He gets down on the pavement—on the wet pavement, in the rain—and slides something under the car. A hand brushes wet hair off his face. I can’t sit here and watch him do this. He doesn’t look at me when I approach. “I told you to wait in the car.” “So you’re one of those guys? Thinks the ‘little woman’ should wait in the car?” “When the little woman doesn’t know her tires are bald and her battery could barely power a stopwatch?” He attaches a steel bar to . . . something . . . and starts twisting it. “Yeah. I am.” My pride flinches. “So what are you saying?” I ask, deadpan. “You don’t want my help?” His smile is rueful. “You’re kind of funny when you’re not so busy being judgmental.” “You’re lucky I’m not kicking you while you’re down there.” He loses the smile but keeps his eyes on whatever he’s doing. “Try it, sister.
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
If, by the virtue of charity or the funded Ennet House, you will acquire many exotic new facts. You will find out that once MA’s Department of Social Services has taken a mother’s children away for any period of time, they can always take them away again, D.S.S ., like at will, empowered by nothing more than a certain signature-stamped form. I.e. once deemed Unfit— no matter why or when, or what’s transpired in the meantime— there’s nothing a mother can do.(...)That a little-mentioned paradox of Substance addiction is: that once you are sufficiently enslaved by a Substance to need to quit the Substance in order to save your life, the enslaving Substance has become so deeply important to you that you will all but lose your mind when it is taken away from you. Or that sometime after your Substance of choice has just been taken away from you in order to save your life, as you hunker down for required A.M. and P.M. prayers , you will find yourself beginning to pray to be allowed literally to lose your mind, to be able to wrap your mind in an old newspaper or something and leave it in an alley to shift for itself, without you.(...)That certain persons simply will not like you no matter what you do. Then that most nonaddicted adult civilians have already absorbed and accepted this fact, often rather early on.(...)That evil people never believe they are evil, but rather that everyone else is evil. That it is possible to learn valuable things from a stupid person. That it takes effort to pay attention to any one stimulus for more than a few seconds.(...)That it is statistically easier for low-IQ people to kick an addiction than it is for high-IQ people.(...)That you will become way less concerned with what other people think of you when you realize how seldom they do.(...)That most Substance -addicted people are also addicted to thinking, meaning they have a compulsive and unhealthy relationship with their own thinking. That the cute Boston AA term for addictive -type thinking is: Analysis-Paralysis. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good.(...)That other people can often see things about you that you yourself cannot see, even if those people are stupid.(...)That certain sincerely devout and spiritually advanced people believe that the God of their understanding helps them find parking places and gives them advice on Mass. Lottery numbers.
David Foster Wallace (Infinite Jest)
Decker grinned, taking the cup and then blowing over it. "What';; you give me for my silence?" Austin flipped him off. "I won't kick your ass." "You can try , old man." "You're getting closer to the big number, too." Decker grinned. "I'm twenty-nine. You're thirty-eight. Those are two different big numbers, bro. Just saying." "Fuck you." "No thanks. I prefer my bedmates with a little less chest hair.
Carrie Ann Ryan (Delicate Ink (Montgomery Ink, #1))
During those days before the girl from the lake was finally buried in her hometown, Jay had been the one who kept Violet sane. He slipped candy bars into her backpack for her to find and left little notes in her locker just to let her know he was thinking about her. She leaned on him every step of the way, and he never once complained. And afterward, when she felt back to her old self again, at least mostly anyway, he was still there. She wondered what she’d done to deserve a friend like him, someone who never wavered and never questioned. Someone who was always there . . . being supportive, and funny, and thoughtful. Violet stood in the hallway and watched him. He was digging through his locker looking for his math book, and even though she knew it wasn’t there, Violet just let him search, smiling to herself. Crumpled wads of paper fell out onto the floor at his feet. He seemed to sense that she was staring and he looked back at her. “What?” he asked. “Nothing,” she responded, the smile finding her lips. He narrowed his eyes, realizing that he was the butt of some private joke. “What?” She sighed and kicked a toe at his backpack, which was lying crookedly against the wall of lockers. “Your book’s in your bag, dumbass,” she announced as she turned away and started walking toward class. She heard him groan, followed by the sound of his locket slamming, before he finally caught up with her. “Why didn’t you say anything? Sometimes you really piss me off.” It was easy to ignore the harsh words when his tone was anything but scolding. She shrugged. “It’s fun to watch you scramble.” “Yeah, fun. That’s what I was thinking.
Kimberly Derting (The Body Finder (The Body Finder, #1))
From the moment I was first pregnant, and those around me insisted that treats such as cold cuts and nail polish could cut my unborn child's potential IQ in half, I got into the habit of NOT seeking out the little things that brought me joy. Like soft cheese. And getting too close to a Starbucks. Then my son came, and I was too busy crying while searching for his User Manual to consider a manicure or massage. I lasted about a week as a new mom before reaching out to others in my situation online. As exhausted, cranky, and confused as I was, I needed friends. It didn't take long for this gaggle of desperate, sleepless women to meet up in person...
Kim Bongiorno (I Just Want to Pee Alone: A Collection of Humorous Essays by Kick Ass Mom Bloggers)
I thought of kissing Astrid under the fire escape. I thought of Norm’s rusty microbus and of his father, Cicero, sitting on the busted-down sofa in his old trailer, rolling dope in Zig-Zag papers and telling me if I wanted to get my license first crack out of the basket, I’d better cut my fucking hair. I thought of playing teen dances at the Auburn RolloDrome, and how we never stopped when the inevitable fights broke out between the kids from Edward Little and Lisbon High, or those from Lewiston High and St. Dom’s; we just turned it up louder. I thought of how life had been before I realized I was a frog in a pot. I shouted: “One, two, you-know-what-to-do!” We kicked it in. Key of E. All that shit starts in E.
Stephen King (Revival)
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?" "Because we can't handle this on our own. At least I don't think we can." "You said yourself you already have some Prodigium working with you. Why not go to them?" "We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me." Most girls got flowers. I got a dirt put used for demon raising. Nice. "Thanks," I replied. "But don't you want in on this?" He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said. Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo. And even though I'm a twisty and complicated girl, I knew what my answer had to be. "It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue. Not that I could say any of that. Archer's face was blank as he said, "Cool. Got it." "Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers. Still, I was not prepared for the nightmares climbing out of the crater.
Rachel Hawkins (Demonglass (Hex Hall, #2))
So why don’t you eat meat, Cam?” Jeremiah asked, stuffing half his burger into his mouth. Cam swallowed his water and said, “I’m morally opposed to eating animals.” Jeremiah nodded seriously. “But Belly eats meat. You let her kiss you with those lips?” Then he cracked up. Susannah and my mother exchanged a knowing kind of smile. I could feel my face getting hot, and I could feel how tense Cam was beside me. “Shut up, Jeremiah.” Cam glanced at my mother and laughed uneasily. “I don’t judge people who choose to eat meat. It’s a personal choice.” Jeremiah continued, “So you don’t mind when her lips touch dead animal and then touch your, um, lips?” Susannah chuckled lightly and said, “Jere, give the guy a break.” “Yeah, Jere, give the guy a break,” I said, glaring at him. I kicked him under the table, hard. Hard enough to make him flinch. “No, it’s fine,” Cam said. “I don’t mind at all. In fact-“ Then he pulled me to him and kissed me quickly, right in front of everyone. It was only a peck, but it was embarrassing. “Please don’t kiss Belly at the dinner table,” said Jeremiah, gagging a little for effect. “You’re making me nauseous.” My mother shook her head at him and said, “Belly’s allowed to kiss.” Then she pointed her fork at Cam. “But that’s it.” She burst out laughing like it was the funniest thing she’d ever said, and Susannah tried not to smile and told her to hush. I wanted to kill my mother and then myself. “Mom, please. You’re so not funny,” I said. “No more wine for Mom.” I refused to look anywhere near Jeremiah’s direction, or Cam’s, for that matter.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Imagine you have to choose something out of ten options and you have very little time. You will choose what is best for you. But if you have a lot of time, you will set aside the best option and try other options. This is the trick of Time. Subconsciously, we are assured that we have a lot of time. So the best option doesn’t seem attractive to us. We ignore it. Other options give us more kick. They seem more attractive. That is why most of us fall into wrong relationships. And the rest of us get rejected by those for whom we were the best option.
Shunya
I got kicked out of my first home for poking a wire hanger into an electrical outlet. My foster mom caught me, shrieked, and called the DCFS to come cart me away, because I was clearly suicidal and no one had told her that I was a child with ‘special needs.’” “Were you? Suicidal?” “I was five.” “Still.” “No, I wasn’t trying to off myself. I was curious. Little kids spend half their waking hours being warned not to do things. Don’t run with scissors. Don’t lick a flagpole in winter. Don’t stick anything into electrical outlets. Those three little holes looked so mysterious. I had to know if they were as dangerous as everyone said.” “What happened?” A smile curled the corner of Conn’s mouth, indicating he’d already guessed the answer—which wasn’t exactly hard, given that I was standing right there in front of him, and not buried in an early grave with the tombstone Here Lies Darcy Jones, electrocuted orphan.
Marie Rutkoski (The Shadow Society (The Shadow Society, #1))
You bastard, I thought you wanted my help,” I say. Famine doesn’t know that I can’t be killed, which makes this situation all the more twisted. “Oh, I’m fully convinced those self-preservation instincts of yours will kick in and you’ll be an obedient little woman.” “Fuck you,” I hiss. “Hard pass on the offer, but consider me flattered.
Laura Thalassa (Death (The Four Horsemen, #4))
Footsteps thudded in the hall, and I stretched in the large bed, nudging the woman sleeping on my chest to wake up. “Your husband’s back. Pretty sure he won’t be so happy to see a stud like me in his bed.” Mom looked up, blinking the sleep from her eyes. She swatted my chest, then coughed. “Hide. I wouldn’t mess with him.” “I wouldn’t mess with me.” I flexed my biceps behind her, and her coughs became loud barks that made me want to kill someone. Dad threw the door open, already untying his tie. He reached the bed, planted a kiss on Mom’s nose, and flicked the back of my head. “You’re too old to cuddle with your mama.” “Don’t say that!” Rosie shrieked. “Seems like she’s not really in agreement with you.” I yawned. Dad went into the bathroom and closed the door behind him. I squeezed Mom into my chest and kissed the crown of her head. “He’s probably crying while listening to Halsey on repeat like a little bitch.” I yawned again. “Language, boy.” “C’mon, we’re not one of those fake families.” “What kind of family are we?” she asked. “A real, kick-ass one.
L.J. Shen (Broken Knight (All Saints High, #2))
They are taking away all the nice things there because they are impractical, as if that were reason enough – the red phone-boxes, the pound note, those open London buses that you can leap on and off. There is almost no experience in life that makes you look and feel more suave than jumping on or off a moving London bus. But they aren’t practical. They require two men (one to drive and one to stop thugs from kicking the crap out of the Pakistani gentleman at the back) and that is uneconomical, so they have to go. And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs and the countryside will be mostly shopping centres and theme parks. Forgive me. I don’t mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
Bill Bryson (The Lost Continent: Travels in Small-Town America (Bryson Book 12))
We may go to the house of mirth, to a party, where we have fun, kick back, have a good time, and enjoy entertainment. Parties are not all that serious; we don't have to be contemplative in order to enjoy ourselves there. Certainly there is a time to laugh, a time to dance, a time to celebrate-a time to have a party. But how much do we learn in those circumstances? Times of mirth do very little for the good of our souls.
R.C. Sproul (Surprised by Suffering: The Role of Pain and Death in The Christian Life)
The whiff of whatever I’d gotten in the ladies’ room had definitely taken a big chunk out of any embarrassment I may have had left. Tonight had been my first time in a big-city club of any kind, let alone a strip or sex club. I had questions, was intensely curious, and between the clover weed and my partner’s hands all over me less than a half hour before, I wasn’t the least bit shy anymore about asking those questions. The little voice in my head was frantically waving for me to stop. I kicked the door shut on my little voice. Party pooper. I half turned on my tuffet toward Ian, my right leg crossing over my left, also toward Ian. My little voice was banging on the door and screaming at me. “Are people listening with our table anymore?” I whispered. Ian glanced at the glowing surface. “No.” “Good. So, what is it with men and titty bars?
Lisa Shearin (Night Shift (World of Kate Daniels, #8.5; SPI Files, #0.5; Psy-Changeling, #12.5; Barbarian, #1))
I started thinking about how many contented, happy people there are in actual fact! What an oppressive force! Think about this life of ours: the insolence and idleness of the strong, the ignorance and bestiality of the weak, unbelievable poverty everywhere, overcrowding, degeneracy, drunkenness, hypocrisy, deceit... Meanwhile all is quiet and peaceful in people's homes and outside on the street; out of the fifty thousand people who live in the town, there is not one single person prepared to shout out about it or kick up a fuss. We see the people who go to the market for their groceries, travelling about in the daytime, sleeping at night, the kind of people who spout nonsense, get married, grow old, and dutifully cart their dead off to the cemetery; but we do not see or hear those who are suffering, and all the terrible things in life happen somewhere offstage. Everything is quiet and peaceful, and the only protest is voiced by dumb statistics: so many people have gone mad, so many bottles of vodka have been drunk, so many children have died from malnutrition... And this arrangement is clearly necessary: it's obvious that the contented person only feels good because those who are unhappy bear their burden in silence; without that silence happiness would be inconceivable. It's a collective hypnosis. There ought to be someone with a little hammer outside the door of every contented, happy person, constantly tapping away to remind him that there are unhappy people in the world, and that however happy he may be, sooner or later life will show its claws; misfortune will strike - illness, poverty, loss - and no one will be there to see or hear it, just as they now cannot see or hear others. But there is no person with a little hammer; happy people are wrapped up in their own lives, and the minor problems of life affect them only slightly, like aspen leaves in a breeze, and everything is just fine.
Anton Chekhov (About Love and Other Stories)
Love is funny thing. I don´t know if you can call it a "thing" precisely. It´s a force. An energy. A feeling. A moment. A look, a kiss, a smile. All those things in one. It sneaks up on you; you never see it coming. And when it does finally hit you, It isn´t a small little poke. It´s like a rhinoceros rammed itself against your chest. Or you just got run over by a car. It knocks the wind out of you. Slams you against wall. Kick-starts yout heart. You lose your apetite. You can´t sleep. Some can call love a sickness. Seriously, you´re sick over another human being. You belong to them. They control your feelings with the look in their eye. They change the way you see yourself, feel about yourself. You feel like your world shifted, and everything´s the same, but you aren´t. I say it´s funny because it seems to bend and twist every concept of reality you have. You can survive off nothing. The only thing sustaining you is the feeling, energy, force. You can go days without decent sleep. You´re not hungry for anything exept that one person who seems to occupy your every thought. Time slows down when you´re without them. Seconds feel like hours, minutes like days, And whenn you´re together, time moves at the spped of light. It´s alla blur, and when it´s over, you don´t remember half the things you were doing but you just remember this feeling. This bliss. And it is all over in a flash. And you´re back to counting the long, eternal minutes until you see him again.
Katy Evans (Legend (Real, #6))
But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. it's just their defencelessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden- the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow on vice, gout, kidney disease, and so on. "This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty- shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her? Do you understand that, friend and brother, you pious and humble novice? Do you understand why this infamy must be and is permitted? Without it, I am told, man could not have existed on earth, for he could not have known good and evil. Why should he know that diabolical good and evil when it costs so much? Why, the whole world of knowledge is not worth that child's prayer to dear, kind God'! I say nothing of the sufferings of grown-up people, they have eaten the apple, damn them, and the devil take them all! But these little ones! I am making you suffer, Alyosha, you are not yourself. I'll leave off if you like
Fyodor Dostoevsky (The Brothers Karamazov)
You can tell you are a soccer girl if. You dont mind falling in the mud You dont care if you get tripped. You get back up again when you get pushed. You out run all the guys. You dont care to get a little sweat and blood on you. You dont care about getting kicked in the ankles a million times. You dont care about people stepping on your toes with there cleats. You dont care what your hair looks like after you play. All your makeup is washed off! If you are all those you are definitely a soccer player! :)
anonymise
I use my mom’s shampoo sometimes,” I blurt out. “I know I shouldn’t. I know it’s lady shampoo. But it smells better than mine, and I think my hair might like it better, and – but that doesn’t change the fact that that stuff, that’s for chicks. And, that, that’s probably gay, isn’t it? Like, at least a little.” “I don’t know whether—” “And I cried once listening to ‘The Scientist’ by Coldplay. I don’t know, I was in sort of a lousy mood anyway, but it’s not like that excuses that stuff. Like, that was gay, wasn’t it? Guys don’t just sit around and cry over Coldplay.” “Howie—” “And I loved Mamma Mia. Like, loved it. Amber made me watch it with her on TV once, and I didn’t want to, and she wound up thinking it was this sentimental piece of crap, but I loved it. It was all sunny and happy and there was all that blue sky and blue ocean, and everyone was just, like, so chill, all bouncing and singing and being so happy, and I just wanted to, I don’t know, live there or something. Jump right into the screen and sing backup to Dancing Queen. That’s gay, right? That’s queeriest queerdom. There’s no way that’s not totally gay. It’s gay. It’s so gay. I’m … I …” “If I may,” Arthur says. I take a deep breath. “Yeah, okay.” “I don’t like any of those things,” Arthur says, “and I am gay. So maybe you’re just girly.” That? That’s his answer? “I’m not girly,” I say, affronted. “Just an observation,” Arthur replies innocently. “You didn’t like Mamma Mia?” I ask, feeling like I just got kicked. “I’m not even really sure what it is,” Arthur replies, frowning thoughtfully. Useless bastard.
Hannah Johnson (Know Not Why (Know Not Why, #1))
Yes. Do you remember?” Once more a shrug of the shoulders. “How should I remember? We have questioned thousands—” “Questioned! Beaten into unconsciousness, kidneys crushed, bones broken, thrown into cellars like sacks, dragged up again, faces torn, testicles crushed—that was what you called questioning! The hot frightful moaning of those who were no longer able to cry—questioned! The whimpering between unconsciousness and consciousness, kicks in the belly, rubber clubs, whips—yes, all that you innocently called ‘questioning’!” “Don’t move your hands! Or I’ll shoot you down! Do you remember little Max Rosenberg who lay beside me in the cellar with his torn body and who tried to smash his head on the cement wall to keep from being questioned again—questioned, why? Because he was a democrat! And Willmann who passed blood and had no teeth and only one eye left after he had been questioned by you for two hours—questioned, why? Because he was a Catholic and did not believe your Fuehrer was the new Messiah. And Riesenfeld whose head and back looked like raw lumps of flesh and who implored us to bite open his arteries because he was toothless and no longer able to do it himself after he had been questioned by you—questioned, why? Because he was against war and did not believe that culture is most perfectly expressed by bombs and flame throwers. Questioned! Thousands have been questioned, yes—don’t move your hands, you swine! And now finally I’ve got you and we are driving to a house with thick walls and we will be all alone and I’ll question you—slowly, slowly, for days, the Rosenberg treatment
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Later when I woke up, I found Patra had curled up around Paul. Back to me. But I could feel her curved spine through her jacket when I pushed in closer, all those little vertebrae linked up, all those bones laid out, like a secret. The night had come down hard, finally. Thunder was rumbling far away. Wind had kicked up waves, and they were loud enough now that I could hear them on the shore of the lake, shoving pebbles forward and back. I could hear pine needles whipping the roof of the house. I could hear Paul and Patra, breathing in syncopation.
Emily Fridlund (History of Wolves)
Well, you have my gun so I’m trusting you to be a gentleman.” Big mistake. “Show me how to stand, again? Like so?” he asked, all innocence and absorption. His forward direction purposely atrocious, his boots together. His arm bent at a shameful angle. “You really are bad at this.” There it was. At least the ghost of a smile. She adjusted his position again, this time from the front. Kicking her boot between his. “Part your legs,” she ordered. “And bend your knees a little.” He swallowed around a tongue gone suddenly dry. “Generally speaking, bonny, those are commands given by me.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
All right, you. Stand straight. Pull your belly in. Pull your chin in. Keep your shoulders back. Hold your head level. Look straight front. Turn left. Turn right. Face front again and hold your hands out. Palms up. Palms down. Pull your sleeves back. No visible scars. Hair dark brown, some gray. Eyes brown. Height six feet, one half inch. Weight about one ninety. Name Philip Marlowe. Occupation private detective. Well, well, nice to see you, Marlowe. That’s all. Next man.” Much obliged, Captain. Thanks for the time. You forgot to have me open my mouth. I have some nice inlays and one very high-class porcelain jacket crown. Eighty-seven dollars worth of porcelain jacket crown. You forgot to look inside my nose too, Captain. A lot of scar tissue in there for you. Septum operation and was that guy a butcher! Two hours of it in those days. I hear they do it in twenty minutes now. I got it playing football, Captain, a slight miscalculation in an attempt to block a punt. I blocked the guy’s foot instead—after he kicked the ball. Fifteen yards penalty, and that’s about how much stiff bloody tape they pulled out of my nose an inch at a time the day after the operation. I’m not bragging, Captain. I’m just telling you. It’s the little things that count.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
We’re walking to our cars when Gabe says, “Hey, Lara Jean, did you know that if you say your name really fast, it sounds like Large? Try it! LaraJean.” Dutifully I repeat, “LaraJean. Larjean. Largy. Actually I think it sounds more like Largy, not Large.” Gabe nods to himself and announces, “I’m going to start calling you Large. You’re so little it’s funny. Right? Like those big guys who go by the name Tiny?” I shrug. “Sure.” Gabe turns to Darrell. “She’s so little she could be our mascot.” “Hey, I’m not that small,” I protest. “How tall are you?” Darrell asks me. “Five two,” I fib. It’s more like five one and a quarter. Tossing his spoon in the trash, Gabe says, “You’re so little you could fit in my pocket!” All the guys laugh. Peter’s smiling in a bemused way. Then Gabe suddenly grabs me and throws me over his shoulder like I’m a kid and he’s my dad. “Gabe! Put me down!” I shriek, kicking my legs and pounding on his chest. He starts spinning around in a circle, and all the guys are cracking up. “I’m going to adopt you, Large! You’re going to be my pet. I’ll put you in my old hamster cage!” I’m giggling so hard I can’t catch my breath and I’m starting to feel dizzy. “Put me down!” “Put her down, man,” Peter says, but he’s laughing too. Gabe runs toward somebody’s pickup truck and sets me down in the back. “Get me out of here!” I yell. Gabe’s already running away. All the guys start getting into their cars. “Bye, Large!” they call out. Peter jogs over to me and extends his hand so I can hop down. “Your friends are crazy,” I say, jumping onto the pavement. “They like you,” he says. “Really?” “Sure. They used to hate when I would bring Gen places. They don’t mind if you hang out with us.” Peter slings his arm around me. “Come on, Large. I’ll take you home.” As we walk to his car, I let my hair fall in my face so he doesn’t see me smiling. It sure is nice being part of a group, feeling like I belong.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
If it used to be okay, but it’s not okay anymore, then maybe you should do something about it. Don’t compare your circumstances with how they were yesterday. Look at how they were years ago. We’re supposed to be making the world… the universe… a better place for our children. If it’s not better, if you’re dealing with cruelty, with neglect, then you should do something about it. So, yeah. Fuck ‘em. Fuck King Rust and his asshole child. If you’re unhappy with your government, then kick them out and set up your own, one that represents the people’s best interests. You shouldn’t have to put up with some loser who’s going to take the people’s money and waste it on games, especially when those games entail killing people weaker than him with little or no real danger to himself. What a pussy. That’s my opinion.
Matt Dinniman (Carl's Doomsday Scenario (Dungeon Crawler Carl, #2))
My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.” “Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.” “It’s French,” retorted Runny-Nose, before Chloe could speak. “Then she smells like a French whore.” “Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.” “I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.” I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.” “How dare you threaten me, you little tart!” “I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.” Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“ “I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.” “What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?” Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed. “You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.” “I’m the one he wants,” I said evenly. “No one’s pretending that.” I didn’t have to say who. She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes. “That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.” “As if you could,” she scoffed, but there was apprehension behind those tears. “Try me.” I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug. “Cheerio,” I said to them all, and turned around and left.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
I saw a guy the other day at a wedding, and I told him my theory on why we’ve seen this explosion in comedies in the past fifteen years. Number one, America is tacking hard to the right. That sort of extremism always kind of kicks up the need to create comedy. But the second thing is Avid. What’s Avid? It’s a digital movie-editing program that directors use, and it’s incredibly helpful. I think Avid is hugely responsible for this boom in comedy. In the past, one would have to shoot the film and edit it, which was a big deal. Now, filmmakers can record the laughs from a test audience at a screening, and we can then cut to the rhythm of those laughs, the rhythm of the audience. We synchronize the laughs with the film. We can really get our timing down to a hundredth of a second. You can decide where you want your story to kick in, where you want a little bit of mood, where you want a hard laugh line. All of this can really be calibrated to these test screenings that we do. It doesn’t mean that it becomes mathematical. It still ultimately means that you have to make creative choices, but you can just really get a lot out of it. Sort of like surgery with a laser compared with a regular scalpel. We’re able to download a movie onto the computer and literally do all our edits in minutes. The precision is incredible. You play back the audio of the test screening and get everything timed just right. Like, “This laugh is losing this next line; let’s split the difference here.” You’re able to achieve this rolling energy. You can try experimental edits, and do multiple test screenings, and it’s all because you can move so fast with this program. Comedy is the one genre that I think has just really benefited from this more than any other.
Mike Sacks (Poking a Dead Frog: Conversations with Today's Top Comedy Writers)
Syn pulled Furi to his chest. “Furi, I want you to go back through the bar and go wait at my place. I’m going to have a little chat with your ex-husband,” Syn said extra loudly. Furi huffed in annoyance, “Syn, I took six months of self-defense courses at the YMCA this year. I can fight for myself.” Syn looked at Furi like he’d lost his damn mind. “At the Y? Well hell, that’s great Furious. If you ever get jumped by the Village People, feel free to pull out those moves. As for now, I want you to take your karate-kicking-YMCA-going-ass back to my apartment,” Syn snarled at Furi, urging him toward the door, having neither the time nor the patience to argue with his ridiculous pride. Thankfully, with one final glare Furi went back into the pub. When Syn turned back, God and Day were looking back and forth between him and his two foes. “What’s going on here, fellas?” God asked casually, not acknowledging Syn.
A.E. Via
Cade eyes traveled over her when she answered the door, coming to rest on her shoes. “Are those the ones from Monday night?” “They are.” He stepped inside her apartment and kicked the door shut. Well, then. “I have good memories of those shoes.” With a warm gleam in his eye, he reached up and cupped the nape of her neck, leaning in to kiss her. Hmm. She might have to wear these shoes all the time around Cade, if they put him in this good of a moo— He jerked back, cursing under his breath. Brooke blinked in surprise, still feeling the warm press of his lips on hers. “Um . . . what just happened?” He winced, rotating his arm gingerly. “I reached around to grab your ass.” “And . . . it electrocuted you?” He chucked her under the chin. “No, sassy. My shoulder’s a little sore after playing football today.” That was news to her. “I didn’t know you still played football.” “I don’t. I was helping out someone else and got caught up in the moment.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
You weren’t supposed to choose me,” he said. Behind them, Ira approached, stunned and speechless for what must have been the first time in his life. He helped lift Samuel, whose cheeks had blanched as well. Camille prodded Oscar’s arms and stomach and face. It was truly him. The unbearable grief over losing him flipped inside out. Her joy ran so deep and strong she thought she might burst from it. “The night the Christina went down, you rowed to me,” she answered, her throat knotted as she thought of her father. She forced it down. “This time, I must have needed to row to you.” Oscar kissed her, his lips still cold but filled with life. She leaned into him and hung on as though he might disappear. Ira let out a playful high-pitched whistle. Samuel coughed. Oscar and Camille reluctantly pulled apart and blushed. “Holy gallnipper,” Ira said. Camille grinned, not minding in the least that he was using that annoying turn of phrase again. “I can’t believe that little rock…I mean you were dead, mate. Dead as this bloke right here.” Ira kicked McGreenery in the leg. Oscar nodded, rubbing his hand over the fading red mark, as if to feel for himself that the deadly wound was gone. “I was in the dory,” he whispered. Ira cocked his head. “Say again?” Camille lifted her ear from his chest, where she’d wanted to listen to the smooth rhythm of his heart. She looked up at him before hearing its strong beat. “The dory?” Oscar nodded again, eyebrows creased. “I heard your voice. At the cave,” he said to Camille. “This force kept pulling me backward, away from you, like I was being sucked into the ground.” So this was how it had felt for him to die. She remembered the way he’d looked right through her and how it had chilled her to the marrow. Her own brush with death had been different, and somehow better, if death could even be measured in levels of bad or good. The image of her father had drawn her to safety, making her forget her yearning for air. He had been there for her, but she hadn’t been able to do the same for him. All this time, all this trouble, and all she’d wanted was to bring him back, make him proud of the lengths to which she’d gone for him. In the end, she’d failed him miserably. “And then you were gone. Your voice faded, and I was in the dory, adrift in the Tasman, the dawn after the Christina went down,” Oscar continued. Samuel and Ira glanced at each other with marked expressions of doubt and confusion. “But I wasn’t alone.” He gently pulled Camille away from him and gripped her arms. “Your father was with me. He was sitting there, smiling. It all seemed so real. I could taste the salt air, and…and I remember touching the water, and it was cold. It wasn’t like in a dream, when you can’t do those things.” Camille sucked in a deep breath, trying to inflate her crushing lungs. Oscar had seen him, too. She’d give anything to see her father again, to hear his voice, to feel at home by just being in his presence. At least, that’s what she’d once believed. But Camille hadn’t been willing to give up Oscar. Did that mean she loved her father less? Never. She could never love her fatherless. So then why hadn’t her heart chosen him? "Did he say anything?" she asked, anxious to know yet afraid to hear. "It's all jumbled," Oscar said, again shaking his head and rubbing his chest. "I remember him saying a few things. Bits and pieces." Camille looked to Ira and Samuel. Their parted mouths and bugged eyes hung on Oscar's every word. Oscar squinted at the ground and seemed to be working hard to piece together what her father had said on the other side. "I'm still here to guide her?" he said, questioning his own memory. "It doesn't make any sense, I'm sorry." She shook her head, eyes tearing up again. It had been real. He really had come to her in the black water of the underground pool. "No, don't be sorry," she said, tears spilling. "It does make sense. It makes sense to me.
Angie Frazier (Everlasting (Everlasting, #1))
Be the one who cares. Be the one who’s vulnerable and proud of it. Be the one who takes a chance on openness, even while knowing how sharp the pain can be. Be the one who forgives—the one who understands that our mistakes make us humans. Be the one who’d rather be wrong and kind than mean and trying to be right. Be the one who dares to be different, who seeks to know themselves. Be the one who shows up, the one who gives second chances. Be the one who lives unapologetically and authentically, without fear of judgement. Be the one who listens to their heart. Be the one who doesn’t take the little things others do for granted. Be the one who hears “I need you” behind their friends’ “I’m good.” Be the one for those who need you, but above all else, do it for you. Be the one who works to be the best one they can be—the one who’s not defined by others’ judgment. Be the one who takes the box they’ve been put in and kicks down all the walls. Be uncool. Be too cool. Be quiet. Be loud. Be soft, be kind, be brave. Be the one. Be you.
Eileen Lamb (Be The One)
So I saw more than a thousand souls of the ruined Flee before one who strode across the Styx Dry-shod as though on land. With his left hand He cleared the polluted air before his face And only in that annoyance did he seem tired I knew assuredly he was sent to us From Heaven, and I turned my head to regard The Master - who signaled that I should be mute And bow before him. Ah, to me he appeared So full of high disdain! he went to the gate And opened it by means of a little wand And there was no resistance. "O race cast out From Heaven, exiles despised there," he intoned From that grim threshold, "Why this insolence? Why do you kick against that Will whose end Cannot be thwarted, and whose punishments Many times over have increased your pain? What use to butt at what the fates dispence? Remember, Cerberus's throat and chin, For just this reason, still are stripped of fur." Then he turned back on the filthy path again Not speaking a word to us, but with the air Of one whom other matters must concern Than those who stand before him. And so, secure Afer those holy words, we in our turn Stepped forward toward the city & through the gate, Entering without dispute. Anxious to learn
Dante Alighieri (The Inferno: A New Verse Translation)
The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here? When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy. I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too. Dad spoke first. “Son, are you ready to change?” Everything else seemed to go silent and fade away, and all I heard was my dad’s voice. “I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.” He paused for a second then went on, a little quieter. “Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.” I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment. My breath left me in a rush, and I fell to my knees in front of them all and started crying. “Dad, what took y’all so long?” I burst out. I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too. I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord. Suddenly, I felt guilty. “Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.” “No, son,” he answered. “You’ve told me enough.” I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.” “I know. I want to come back home,” I said. I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found. By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.” “My prodigal son has returned,” Dad said, with tears of joy streaming down his face. It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness. A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment. That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment. “Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
You are personally responsible for so much of the sunshine that brightens up your life. Optimists and gentle souls continually benefit from their very own versions of daylight saving time. They get extra hours of happiness and sunshine every day. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life The secret joys of living are not found by rushing from point A to point B, but by slowing down and inventing some imaginary letters along the way. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life “There is nothing more important than family.” Those words should be etched in stone on the sidewalks that lead to every home. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life I may be uncertain about exactly where I’m headed, but I am very clear regarding this: I’m glad I’ve got a ticket to go on this magnificent journey. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life When your heart is filled with gratitude for what you do have, your head isn’t nearly so worried about what you don’t. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life Don’t let cynical people transfer their cynicism off on you. In spite of its problems, it is still a pretty amazing world, and there are lots of truly wonderful people spinning around on this planet. – Douglas Pagels, from Required Reading for All Teenagers All the good things you can do – having the right attitude, having a strong belief in your abilities, making good choices and responsible decisions – all those good things will pay huge dividends. You’ll see. Your prayers will be heard. Your karma will kick in. The sacrifices you made will be repaid. And the good work will have all been worth it. – Douglas Pagels, from Required Reading for All Teenagers The more you’re bothered by something that’s wrong, the more you’re empowered to make things right. – Douglas Pagels, from Everyone Should Have a Book Like This to Get Through the Gray Days May you be blessed with all these things: A little more joy, a little less stress, a lot more understanding of your wonderfulness. Abundance in your life, blessings in your days, dreams that come true, and hopes that stay. A rainbow on the horizon, an angel by your side, and everything that could ever bring a smile to your life. – Douglas Pagels, from May You Be Blessed with All These Things Each day brings with it the miracle of a new beginning. Many of the moments ahead will be marvelously disguised as ordinary days, but each one of us has the chance to make something extraordinary out of them. – Douglas Pagels, from May You Be Blessed with All These Things Keep planting the seeds of your dreams, because if you keep believing in them, they will keep trying their best to blossom for you. – Douglas Pagels, from May You Be Blessed with All These Things I hope your dreams take you... to the corners of your smiles, to the highest of your hopes, to the windows of your opportunities, and to the most special places your heart has ever known. – Douglas Pagels, from May You Be Blessed with All These Things Love is what holds everything together. It’s the ribbon around the gift of life. – Douglas Pagels, from May You Be Blessed with All These Things There are times in life when just being brave is all you need to be. – Douglas Pagels, from May You Be Blessed with All These Things When it comes to anything – whether it involves people or places or jobs or hoped-for plans – you never know what the answer will be if you don’t ask. And you never know what the result will be if you don’t try. – Douglas Pagels, from Make Every Day a Positive One Don’t just have minutes in the day; have moments in time. – Douglas Pagels, from Chasing Away the Clouds A life well lived is simply a compilation of days well spent. – Douglas Pagels, from Chasing Away the Clouds
Douglas Pagels
Lies. Everyones lies. Not everyone lies well. I'm one of those people, a bad liar. My truths are like little flashes of light, stars blinking in the inky black sky. They beacon to the sea of people beneath me, revealing I'm nothing more than a plastic smile melting away in the harsh burn of reality. And my reality, hurts like hell. Beneath my weak attempts at pretend happiness, I'm a void. Emptying emptiness. Dripping nothing into a endless pool of nothingness. My pain is the truth i know best. Aching, soul shattering, longing. The loneliness pulling my every cell into its dark depths is almost too much to bare. Somedays I can barley breathe. This suffering is a sadist, cutting me little by little, day by day. Until one day I'll be completely drained, dried up and hollow. One last kick to the heart before I'm scattered into the wind. Forgotten. I’m in love with my best friend. Lie. I’m in love with my enemy. Truth. But they’re the same. They. Are. The. Same. Lines in my world are blurry between fantasy and reality. Truth and lies. Love and hate. Copeland Justice is my enemy. My once best friend. The sadist in my heart plucking and pulling at every thread of who I am until I’m unraveled at his feet. His mouth says he hates me. His eyes burn with animosity for me. His heart beats for someone else. But Copeland Justice is the best liar of us all.
K. Webster (Wicked Lies Boys Tell)
They had very little grub and they usually run out of that and lived on straight beef; they had only three or four horses to the man, mostly with sore backs, because the old time saddle ate both ways, the horse's back and the cowboy's pistol pocket; they had no tents, no tarps, and damn few slickers. They never kicked, because those boys was raised under just the same conditions as there was on the trail―corn meal and bacon for grub, dirt floors in the houses, and no luxuries. They used to brag they could go any place a cow could and stand anything a horse could. It was their life. In person the cowboys were mostly medium-sized men, as a heavy man was hard on horses, quick and wiry, and as a rule very good natured; in fact it did not pay to be anything else. In character there like never was or will be again. They were intensely loyal to the outfit they were working for and would fight to the death for it. They would follow their wagon boss through hell and never complain. I have seen them ride into camp after two days and nights on herd, lay down on their saddle blankets in the rain, and sleep like dead men, then get up laughing and joking about some good time they had had in Ogallala or Dodge City. Living that kind of a life, they were bound to be wild and brave. In fact there was only two things the old-time cowpuncher was afraid of, a decent woman and being set afoot.
E.C. "Teddy Blue" Abbott
Love is funny thing. I don´t kno if you can call it a "thing" precisely. It´s a force. An energy. A feeling. A moment. A look, a kiss, a smile. All those things in one. It sneaks up on you; you never see it coming. And when it does dinall< hit you, it isn´t a small little poke. It´s like a rhinoceros rammed itself against our chest. Or you just got run over by a car. It knocks the wind out of you. Slams you against wall. Kick-starts yout heart. You lose your apetite. You can´t sleep. Some can call love a sickness. Seriously, you´re sick over another human being. You belong to them. They control your feelings. with the look in their eye. They change the way you see yourself, feel about yourself. You feel like your world shifted, and everything´s the same, but you aren´t. I say it´s funny because it seems to bend and twist every concept of reality you have. You can survive off nothing. The only thing sustaining you is the feeling, energy, force. You can go days without decent sleep. You´re not hungry for anything exept that one person who seems to occupy your every thought. Time slows down when you´re without them. Seconds feel like hours, minutes like days, And whenn you´re together, time moves at the spped of light. It´s alla blur, and when it´s over, you don´t remember half the things you were doing but you just remember this feeling. This bliss. And it is all over in a flash. And you´re back to counting the long, eternal minutes until you see him again.
Katy Evans (Legend (Real, #6))
The difference between success and failure is not dramatic. In fact, the difference between success and failure is so subtle, so mundane, that most people miss it. They may not realize they have a philosophy, but they do, and it goes like this: What I do right now doesn’t really matter. It’s not hard to see how people come to this understanding of life. I don’t blame them. It’s completely understandable. It’s just not the truth. The truth is, what you do matters. What you do today matters. What you do every day matters. Successful people are those who understand that the little choices they make matter, and because of that they choose to do things that seem to make no difference at all in the act of doing them, and they do them over and over and over until the compound effect kicks in. Those little things that will make you successful in life, that will secure your health, your happiness, your fulfillment, your dreams, are simple, subtle, mundane things that nobody will see, nobody will applaud, nobody will even notice. They are those things that, at the time you do them, often feel like they make absolutely no difference. Things that are ridiculously easy to do—but just as easy not to do. Things that don’t seem to bring you any visible results—at first. Things that seem so insignificant, they couldn’t possibly matter. But they do. Things that, when you look at them as single occurrences, don’t seem like they’d have any impact at all—yet when compounded over time they add up to outrageous success.
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
Muggles have garden gnomes, too, you know,” Harry told Ron as they crossed the lawn. “Yeah, I’ve seen those things they think are gnomes,” said Ron, bent double with his head in a peony bush, “like fat little Santa Clauses with fishing rods. . . .” There was a violent scuffling noise, the peony bush shuddered, and Ron straightened up. “This is a gnome,” he said grimly. “Gerroff me! Gerroff me!” squealed the gnome. It was certainly nothing like Santa Claus. It was small and leathery looking, with a large, knobby, bald head exactly like a potato. Ron held it at arm’s length as it kicked out at him with its horny little feet; he grasped it around the ankles and turned it upside down. “This is what you have to do,” he said. He raised the gnome above his head (“Gerroff me!”) and started to swing it in great circles like a lasso. Seeing the shocked look on Harry’s face, Ron added, “It doesn’t hurt them — you’ve just got to make them really dizzy so they can’t find their way back to the gnomeholes.” He let go of the gnome’s ankles: It flew twenty feet into the air and landed with a thud in the field over the hedge. “Pitiful,” said Fred. “I bet I can get mine beyond that stump.” Harry learned quickly not to feel too sorry for the gnomes. He decided just to drop the first one he caught over the hedge, but the gnome, sensing weakness, sank its razor-sharp teeth into Harry’s finger and he had a hard job shaking it off — until — “Wow, Harry — that must’ve been fifty feet. . . .” The air was soon thick with flying gnomes.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Can I?” Bash asks. Peter Pan drops into a chair and nods his consent. Bash gets behind me, still bent over the table. He’s bare for me in seconds and nestles into my heat. “Little Darling whore, such a filthy little mess.” I shiver beneath his words. “Brother,” he says. “Get over here.” Kas hesitates and I lift off the table to look down the length of it at him. There is something dark in his eyes. A hunger he doesn’t want to satiate. Kas is the nice one, but I don’t think he’s nice enough to deny what he wants to take. He gets up, kicks a chair aside and comes to the edge of the table by my face. “Fuck yeah,” Bash says as he pushes into me. “Wrap those pretty little lips around my brother’s cock.” Kas doesn’t wait. Now that he’s made his decision, he’s ready to act on it. He takes a length of my hair, wraps it around his fist and guides my mouth over his length. He fills me up as Bash starts pumping into me. My heart races in my ears and thuds heavily in my chest. Kas fucks my mouth roughly, hitting the back of my throat. I gasp, choking on him, and Bash tightens his grip on my hips. “Take it all, Darling. Be a good girl.” Holy shit. Fuck, this is hot. Tears fill my eyes as the twins fill me up, fucking me in both holes, relentlessly, mercilessly. And as they do, I catch sight of Peter Pan in the shadows, watching me get fucked with a look on his face that I think is satisfaction. And out of all of it tonight, that is what makes me feel most powerful. I am so fucking alive. Bash thrusts harder, faster. Kas pumps into my mouth, groaning deep in his chest. “You ready to fill her up, brother?” Bash says.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
The buffalo will return," Kicking Wolf said. "They have only gone to the north for a while. The buffalo have always returned." "You are a fool," Buffalo Hump said. "The buffalo won't return, because they are dead. The whites have killed them. When you go north you will only find their bones." "The whites have killed many, but not all," Kicking Wolf insisted. "They have only gone to the Missouri River to live. When beaten the whites back we have they will return." But, as he was speaking, Kicking Wolf suddenly lost heart. He realized that Buffalo Hump was right, and that the words he had just spoken were the words of a fool. The Comanches were not beating the whites, and they were not going to beat them. Only their own band and three or four others were still free Comanches. The bands that were free were the bands that could survive on the least, those who would eat small animals and dig roots from the earth. Already the bluecoat soldiers had come back to Texas and begun to fill up the old forts, places they had abandoned while they fought one another. Even if all the free tribes banded together there would not be enough warriors to defeat the bluecoat soldiers. With the buffalo gone so far north, the white soldiers had only to drive them farther and farther into the llano, until they starved or gave up. "The whites are not foolish," Buffalo Hump said. "They know that it is easier to kill a buffalo than it is to kill one of us. They know that if they kill all the buffalo we will starve – then they won't have to fight us. Those who don't want to starve will have to go where the whites want to put them." The two men sat in silence for a while. Some young men were racing their horses a little farther down the canyon. Kicking Wolf usually took a keen interest in such contests. He wanted to know which horses were fastest. But today he didn't care. He felt too sad. "The medicine men are deceiving the young warriors when they tell them the buffalo will return," Buffalo Hump said. "If any buffalo come back they will only be ghost buffalo. Their ghosts might return because they remember these lands. But that will not help us. We cannot eat their ghosts.
Larry McMurtry (Comanche Moon (Lonesome Dove, #4))
Excuse me,” someone said, interrupting a lively discussion about whom they’d each buy a drink for in the cantina. The whole line looked up. There were two women standing on the sidewalk with bakery boxes. One of them cleared her throat. “We heard that people were camping out for Star Wars . . .” “That’s us!” Troy said, only slightly less enthusiastically than he’d said it yesterday. “Where’s everybody else?” she asked. “Are they around the back? Do you do this in shifts?” “It’s just us,” Elena said. “We’re the Cupcake Gals,” the other woman said. “We thought we’d bring Star Wars cupcakes? For the line?” “Great!” Troy said. The Cupcake Gals held on tight to their boxes. “It’s just . . .” the first woman said, “we were going to take a photo of the whole line, and post it on Instagram . . .” “I can help you there!” Elena said. Those cupcakes were not going to just walk away. Not on Elena’s watch. Elena took a selfie of their line, the Cupcake Gals and a theater employee all holding Star Wars cupcakes—it looked like a snapshot from a crowd— and promised to post it across all her channels. The lighting was perfect. Magic hour, no filter necessary. #CupcakeGals #TheForceACAKEns #SalaciousCrumbs The Gals were completely satisfied and left both boxes of cupcakes. “This is the first time I’ve been happy that there were only three of us,” Elena said, helping herself to a second cupcake. It was frosted to look like Chewbacca. “You saved these cupcakes,” Gabe said. “Those women were going to walk away with them.” “I know,” Elena said. “I could see it in their eyes. I would’ve stopped at nothing to change their minds.” “Thank God they were satisfied by a selfie then,” Gabe said. His cupcake looked like Darth Vader, and his tongue was black. “I’m really good at selfies,” Elena said. “Especially for someone with short arms.” “Great job,” Troy said. “You’ll make someone a great provider someday.” “That day is today,” Elena said, leaning back against the theater wall. “You’re both welcome.” “Errrggh,” Troy said, kicking his feet out. “Cupcake coma.” “How many did you eat?” Gabe asked. “Four,” Troy said. “I took down the Jedi Council. Time for a little midday siesta—the Force asleepens.
Rainbow Rowell (Kindred Spirits)
For years now I have heard the word “Wait!” It rings in the ear of every Negro with piercing familiarity. This “Wait” has almost always meant “Never.” We must come to see, with one of our distinguished jurists, that “justice too long delayed is justice denied.” We have waited for more than 340 years for our constitutional and God-given rights. The nations of Asia and Africa are moving with jet-like speed toward gaining political independence, but we still creep at horse-and-buggy pace toward gaining a cup of coffee at a lunch counter. Perhaps it is easy for those who have never felt the stinging darts of segregation to say, “Wait.” But when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate-filled policemen curse, kick, and even kill your black brothers and sisters; when you see the vast majority of your twenty million Negro brothers smothering in an airtight cage of poverty in the midst of an affluent society; when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can’t go to the public amusement park that has just been advertised on television, and see tears welling up in her eyes when she is told that Funtown is closed to colored children, and see ominous clouds of inferiority beginning to form in her little mental sky, and see her beginning to distort her personality by developing an unconscious bitterness toward white people; when you have to concoct an answer for a five-year-old son who is asking: “Daddy, why do white people treat colored people so mean?”; when you take a cross-county drive and find it necessary to sleep night after night in the uncomfortable corners of your automobile because no motel will accept you; when you are humiliated day in and day out by nagging signs reading “white” and “colored”; when your first name becomes “nigger,” your middle names becomes “boy” (however old you are), and your last name becomes “John,” and your wife and mother are never given the respected title “Mrs.”; when you are harried by day and haunted by night by the fact that you are a Negro, living constantly at tiptoe stance, never quite knowing what to expect next, and are plagued with inner fears and outer resentments; when you are forever fighting a degenerating sense of “nobodiness”—then you will understand why we find it difficult to wait.
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
Remind yourself where you come from. I spent the majority of my life running away from Utah, from the life I led there, from the memories I associated with those early years. It felt very someone-else-ago to me. London changed me profoundly. When we were dancing on DWTS together, Jennifer Grey called me one night. She was having trouble with her back and wanted to see a physiotherapist. “Can you come with me?” she asked. She drove us through a residential section of Beverly Hills. We pulled into a house with a shed out back. Oddly, it didn’t look like a doctor’s office. There was a couch and incense burning. An Australian guy with a white beard came in : “Hey, mates.” I looked at Jen and she winked at me. This was no physical therapy. She’d signed us up for some bizarre couples therapy! The guy spoke to us for a while, then he asked Jennifer if she wouldn’t mind leaving us to chat. I thought the whole thing was pretty out there, but I didn’t think I could make a run for it. “So, Derek,” he said. “Tell me about your childhood.” I laid it all out for him--I talked for almost two hours--and he nodded. “You can go pick him up now.” I raised an eyebrow. “Pick who up?” The therapist smiled. “That younger boy, that self you left in Utah. You left him there while you’ve been on a mission moving forward so vigorously. Now you can go get him back.” I sat there, utterly stunned and speechless. It was beyond powerful and enlightening. Had I really left that part of me behind? Had I lost that fun-loving, wide-eyed kid and all his creative exuberance? When I came out of my therapy session, Jennifer was waiting for me. “If I’d told you this was where we were going, you wouldn’t have come,” she said. She was right. She had to blindside me to get me to grapple with this. She’s a very spiritual person, and she saw how I was struggling, how I seemed to be in some kind of emotional rut. Just visualizing myself taking the old Derek by the hand was an incredible exercise. I think we often tuck our younger selves away for safekeeping. In my case, I associated my early years with painful memories. I wanted to keep young Derek at a distance. But what I forgot was all the good I experienced with him as well: the joy, the hope, the excitement, the wonder. I forgot what a great kid Derek was. I gave myself permission to reconnect with that little boy, to see the world through his eyes again. It was the kick in the butt I needed. Jennifer would say, “Told ya so.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat. Oh no no no no. Please, no. Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand. “Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.” My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter. “All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me. The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!” I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw. Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?” “Everybody saw us.” “Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I've got the kids in my room," she explained, while Jubal strove to keep up with her, "so that Honey Bun can watch them." Jubal was mildly startled to see, a moment later, what Patricia meant by that. The boa was arranged on one of twin double beds in squared-off loops that formed a nest - a twin nest, as one bight of the snake had been pulled across to bisect the square, making two crib-sized pockets, each padded with a baby blanket and each containing a baby. The ophidian nursemaid raised her head inquiringly as they came in. Patty stroked it and said, "It's all right, dear. Father Jubal wants to see them. Pet her a little, and let her grok you, so that she will know you next time." First Jubal coochey-cooed at his favorite girl friend when she gurgled at him and kicked, then petted the snake. He decided that it was the handsomest specimen of Bojdae he had ever seen, as well as the biggest - longer, he estimated, than any other boa constrictor in captivity. Its cross bars were sharply marked and the brighter colors of the tail quite showy. He envied Patty her blue-ribbon pet and regretted that he would not have more time in which to get friendly with it. The snake rubbed her head against his hand like a cat. Patty picked up Abby and said, "Just as I thought. Honey Bun, why didn't you tell me?"- then explained, as she started to change diapers, "She tells me at once if one of them gets tangled up, or needs help, or anything, since she can't do much for them herself - no hands - except nudge them back if they try to crawl out and might fall. But she just can't seem to grok that a wet baby ought to be changed - Honey Bun doesn't see anything wrong about that. And neither does Abby." "I know. We call her 'Old Faithful.' Who's the other cutie pie?" "Huh? That's Fatima Michele, I thought you knew." "Are they here? I thought they were in Beirut!" "Why, I believe they did come from some one of those foreign parts. I don't know just where. Maybe Maryam told me but it wouldn't mean anything to me; I've never been anywhere. Not that it matters; I grok all places are alike - just people. There, do you want to hold Abigail Zenobia while I check Fatima?" Jubal did so and assured her that she was the most beautiful girl in the world, then shortly thereafter assured Fatima of the same thing. He was completely sincere each time and the girls believed him - Jubal had said the same thing on countless occasions starting in the Harding administration, had always meant it and had always been believed. It was a Higher Truth, not bound by mundane logic. Regretfully he left them, after again petting Honey Bun and telling her the same thing, and just as sincerely.
Robert A. Heinlein (Stranger in a Strange Land)
The man who had him pinned kicked him over again and pointed down at the tire. "Stay down, you little bastard, or we'll rape your mum and skin her alive." Chris clamped his hands over Michael's ears. When Dean edged the truck forwards, Tommy's eyes jumped from his face. "Mum! Mummy! Help me, Mummy! Mum!" The engine bellowed, Tommy cried, Marie screamed, Frank roared, and Chris' pulse thumped in his ears. Locked in a maniacal fit, Dean cackled at the sky, his pointy nose and gaunt face making him look like a satanic Mr. Punch. He edged forward again. As Michael fought against Chris' restraint, he eased off a little. Should he just let him go? Were the images in his mind worse than those outside? When the truck moved forward again, the thick treads of the huge tires biting into the back of Tommy's head, he squeezed tightly once more. No mind could create anything worse than that. Chris looked away too.  Tommy's scream was so shrill Chris thought all of the glass in the cul-de-sac would crack, and he fought harder against his thrashing son to keep him restrained. When he felt like he couldn't fight the boy's will any more, he let go.  Instead of looking outside, Michael fell to the floor in a ball, scuttled beneath some blankets, and covered his ears. From beneath the sheets, Chris heard his small voice singing, "Twinkle Twinkle Little Star." Nudging his boy, Chris waited for him to resurface and put a finger to his lips again. They couldn't afford for the looters to hear them no matter how much it took his son away from their dark reality. The sound of a beeping horn was accompanied by Dean howling and laughing, the vehicle's engine releasing a war cry under the weight of his heavy foot. The cacophony of chaos outside got louder. Frank wailed, Marie let out louder screams, the engine roared, the horn beeped, Dean laughed, and Tommy shrieked. Looking outside again, Chris kept his eyes away from Tommy. Instead, he watched George. If there was anyone who would save them, it was him.  Crunch! Crash!  The truck dropped by six inches. Tommy stopped screaming.  When Dean cut the engine, silence settled over the cul-de-sac, spreading outwards like the thick pool of blood from Tommy's crushed head. Marie's face was locked in a silent scream. Frank slumped further and shook with inaudible sobs. The men, even the weasel with the tennis racket, stood frozen. None of them looked at the dead boy.  Turning away from the murder, Chris looked down to find Michael staring back at him. What could he say to him? Tommy was his best friend. Then, starting low like a distant air-raid siren, Marie began to wail.  After rapidly increasing in volume, it turned into a sustained and brutal cry as if she was being torn in two. Chilled
Michael Robertson (Crash (Crash, #1))
What would the ton do without us to feed them scandal broth?” Grey returned her grin. “The lot of them would starve.” They chuckled and as the humor faded, Grey tilted his head to look at her. “You look beautiful tonight.” She flushed, pleasure lighting the dark depths of her eyes. “You don’t have to say such things.” “I know I don’t, but you are my fiancée and it’s perfectly acceptable for me to voice my thoughts aloud. It’s rather refreshing after keeping them to myself for so long.” That got her attention. One of her fine, high brows twitched. “How long?” He grinned. “Since you were old enough for me to think such thoughts without being lecherous.” They stood no more than six inches apart. Close enough that he could see how amazingly flawless her skin was-not a freckle in sight. Close enough that she could see every twist and knot in his scar-and yet she barely glanced at it. Her gaze was riveted on his. She didn’t care that he was disfigured-at least not on the outside. Not on the inside either, so it seemed. “I’ve never been a good man,” he confessed-a little more hoarse than he liked-“but I promise to be a faithful husband.” It was the best he could offer, because as much as he would like to be the man she wanted, it wasn’t going to happen. Her smooth brow puckered. “I haven’t actually consented, you know.” “Rose, we have to marry.” “No.” She raised sparkling eyes to his. “I want you to ask me to marry you-not demand it. I don’t care if it has to be done. I want to feel like I have a choice.” “If you did have a choice, what would it be?” He was on dangerous ground with her, inching into territory better left unexplored for both their sakes. Rose smiled, and everything was right with the world. “Ask me and find out.” His hands came up, seemingly of their own volition, to cup her face. She was so delicate, yet so strong. Her entire world had been turned upside down, and yet she faced him with a teasing glint in her eyes and a soft flush of color in her cheeks. “Rose Danvers, will you do me the extreme honor of becoming my wife?” Were those tears dampening her eyes? And was it joy or sorrow that put them there? “I will.” He knew that they had to marry regardless, but hearing her say those two little words was like someone kicking his heart through his ribs. It hurt, but there was such unfathomable joy that came with it-such terrible happiness that Grey had no idea what to do with it. He’d never felt anything like it before. Holding her face, he lowered his head and hungrily claimed her mouth with his own. Her lips parted for his tongue as her fingers bit into his arms. A trickle of warm wetness brushed against his thumb. She was crying. A sharp gasp came from the open door. “What the devil is going on here?” The kiss and its magic were broken. Rose stepped back, and Grey dropped his hands, but he wasn’t willing to let her go just yet. He placed one arm behind her back, holding her close so that they faced her mother together. Camilla did not look happy. In fact, she looked like any mother would to walk into a room and find her daughter being molested. “Mama,” Rose begun. “It’s not what you think.” “It is exactly what you think,” Grey countered, drawing his friend’s stormy and narrow gaze. “I have asked Rose for her hand in marriage and she has accepted. I regret that you had to find out this way, but I was too overcome with joy to contain my feelings.” He could feel Rose gaping at him. He didn’t look at her, not because the words were a lie, but because they were all too damnably true.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
This rich pork flavor, which lands on the tongue with a thump... It's Chinese Dongpo Pork! He seasoned pork belly with a blend of spices and let it marinate thoroughly... ... before finely dicing it and mixing it into the fried rice!" "What? Dongpo Pork prepared this fast?! No way! He didn't have nearly enough time to simmer the pork belly!" "Heh heh. Actually, there's a little trick to that. I simmered it in sparkling water instead of tap water. The carbon dioxide that gives sparkling water its carbonation helps break down the fibers in meat. Using this, you can tenderize a piece of meat in less than half the normal time!" "That isn't the only protein in this dish. I can taste the seafood from an Acqua Pazza too!" "And these green beans... it's the Indian dish Poriyal! Diced green beans and shredded coconut fried in oil with chilies and mustard seeds... it has a wonderfully spicy kick!" "He also used the distinctly French Mirepoix to gently accentuate the sweetness of the vegetables. So many different delicious flavors... ... all clashing and sparking in my mouth! But the biggest key to this dish, and the core of its amazing deliciousness... ... is the rice!" "Hmph. Well, of course it is. The dish is fried rice. If the rice isn't the centerpiece, it isn't a..." "I see. His dish is fried rice while simultaneously being something other than fried rice. A rice lightly fried in butter before being steamed in some variety of soup stock... In other words, it's actually closer to that famous staple from Turkish cuisine- a Pilaf! In fact, it's believed the word "pilaf" actually comes from the Turkish word pilav. To think he built the foundation of his dish on pilaf of all things!" "Heh heh heh! Yep, that's right! Man, I've learned so much since I started going to Totsuki." "Mm, I see! When you finished the dish, you didn't fry it in oil! That's why it still tastes so light, despite the large volume and variety of additional ingredients. I could easily tuck away this entire plate! Still... I'm surprised at how distinct each grain of rice is. If it was in fact steamed in stock, you'd think it'd be mushier." "Ooh, you've got a discerning tongue, sir! See, when I steamed the rice... ... I did it in a Donabe ceramic pot instead of a rice cooker!" Ah! No wonder! A Donabe warms slowly, but once it's hot, it can hold high temperatures for a long time! It heats the rice evenly, holding a steady temperature throughout the steaming process to steam off all excess water. To think he'd apply a technique for sticky rice to a pilaf instead! With Turkish pilaf as his cornerstone... ... he added super-savory Dongpo pork, a Chinese dish... ... whitefish and clams from an Italian Acqua Pazza... ... spicy Indian green bean and red chili Poriyal... ... and for the French component, Mirepoix and Oeuf Mayonnaise as a topping! *Ouef is the French word for "egg."* By combining those five dishes into one, he has created an extremely unique take on fried rice! " "Hold it! Wait one dang minute! After listening to your entire spiel... ... it sounds to me like all he did was mix a bunch of dishes together and call it a day! There's no way that mishmash of a dish could meet the lofty standards of the BLUE! It can't nearly be gourmet enough!" "Oh, but it is. For one, he steamed the pilaf in the broth from the Acqua Pazza... ... creating a solid foundation that ties together the savory elements of all the disparate ingredients! The spiciness of the Poriyal could have destabilized the entire flavor structure... ... but by balancing it out with the mellow body of butter and soy sauce, he turned the Poriyal's sharp bite into a pleasing tingle!
Yūto Tsukuda (食戟のソーマ 36 [Shokugeki no Souma 36] (Food Wars: Shokugeki no Soma, #36))
So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
Sarra Manning (You Don't Have to Say You Love Me)
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James (Dead at First Sight (Roy Grace, #15))
Just as I was pulling over he started shifting in his seat, and I glanced over to see him pulling a slim black wallet out. Jesus. I pulled over to the curb in front of the square white stone home. “Don’t.” His silence was deafening as he sat there, duffel on his lap, one hand on the car door, and the other holding a slim coffee-colored leather wallet. “I’m giving you a ride as a favor. I don’t want your money,” I explained to him carefully. He started to pull out a bill from his wallet regardless. “Hey, I’m not joking. I don’t want your money.” Kulti started to shove a fifty at me. “Here.” I reached up and cupped his hand, crushing the bill between us. “I don’t want it.” “Take it.” He pushed against me. I pushed back. “No.” “Stop being stubborn and take the money,” Kulti argued, his face exasperated. Well if he thought he was the only one getting aggravated, he was dead wrong. “I said no. I don’t want it. Just get out.” It was his turn to start with the one-word replies. “No.” Screw this. I put some muscle behind it and slowly started pushing our hands back toward him. Well I made it two inches before he realized what I was doing and then began pushing back, only he was stronger and he advanced more than two inches. “Quit it. I’m not joking. Take your money.” I grunted a little, putting more weight into my push, almost futilely. Those green-brown eyes flicked up to with an even look that had annoyance written all over it. “I said I would pay you—“ “I don’t want your money, you hardheaded ass—“ Oh dear God. I stopped pushing the second I realized what I said. It must have been so unexpected that he wasn’t paying attention because the next thing that I knew, he was punching me in the shoulder. It didn’t hurt at all. But for some reason, instinct had me saying “oww” anyway. We both looked like we’d violated the other. Like I’d backstabbed him for saying ‘oww’ and I’m sure I looked at him like I couldn’t believe he had the nerve to hit me. Sure it was an accident, and an accident that didn’t hurt on top of that, but… “I’m sorry,” he said quickly, looking down at his hand like he couldn’t believe what he’d done. I opened my mouth and then I closed it. Reiner Kulti had just punched me in the shoulder. I had driven him home, argued with him over how I didn’t want his money, and then he punched me in the shoulder. I closed my eyes, pinched my nose and burst out laughing. “Get outta here,” I said when I started laughing harder. “I didn’t mean to—“ I threw my head back against the headrest and felt myself shake with how stupid this was. “I know. I know you didn’t. But just get out, it’s fine. I need to get to work before you punch me in the other shoulder.” “This isn’t funny,” he snapped. “It was an accident.” Suddenly I stopped laughing and snapped right back at him, “I know it was, jeez. I was just messing with you.” I gave him a wide-eyed look. “A joke, do you know what that is?” I mean, I’d already gone for calling him a hardheaded ass, and he hadn’t thought twice about it, but that might have been because he’d punched me immediately afterward. “Yes, I know what a joke is,” he grumbled back. Whether it was because I was tired of this shit, his shit or whatever, I found myself caring less and less who he was and how I should probably treat him differently. Maybe not totally, but at least a little bit. “I’m happy to hear that.” I scooped the fifty bucks that had fallen on my lap after the meeting of his fist and my shoulder and tossed it at him. “I really do need to get to work though, so…” I tipped my head in the direction of the door at his side, indifferent to how rude I was being. Did he look confused that I was kicking him out? I think so but he didn’t argue, and he took the wadded-up money and held onto it as he got out of the car. Straightening up, he held the door in one hand and looked inside. “Thank you.” Finally. I blinked at him and nodded. “You’re welcome.” Just like that, he shut the door.
Mariana Zapata (Kulti)
If you hadn’t been there, I’m not entirely sure I would’ve been able to stop myself from hurting the guy worse. That’s why I need to get to the lake house and be alone.” She sniffed. There was so much in that one little derisive sound that he had to look her way. “What?” Her expression went deadpan. “You realize that is a completely ridiculous plan, right?” He frowned. “Come on, Finn.” She pursed those red-glossed lips like she could barely tolerate his foolishness. “That is such a man plan.” “A man plan.” “Yes. You don’t know how to be among the living anymore so you’re going to…go live alone in a cave. Right. Good thinking. That will pop your how-to-be-human skills right back into place.” He made a frustrated sound and pulled into the lot of the hotel to park so he could face her, make her understand. “You saw what happened today. I’m not fit to be around other people right now. I beat a guy down for taking a picture. And I was…aggressive with you last night.” “Aggressive?” Her mouth flattened, and she put a finger to her chest. “I kissed you. I was the aggressor. You were just…complicit in the aggressiveness. And you’re lucky I haven’t gone two years’ celibate, because had I been in your shoes, I would’ve convinced you to go up to my room and used you eight ways to Sunday and back again by now. You’d be limping.” His libido gave a hard kick and knocked the logical thoughts out of his head for a moment. “I—” “You need to be around people.” That snapped his attention back to where it needed to be—mostly. “No.” “You promised your boss you’d be around friends. You made me promise your boss that I’d make sure you did that. You made me lie to the FBI. That’s got to be a federal offense or something.” “Made is a strong word.” “Finn.” He groaned. “What would you have me do? You want to babysit me, Livvy? Come stay at my lake house and make sure I don’t turn into a deviant?” She stared at him, her gaze way too sharp, and then tipped her chin up in challenge. “Is that an invitation? Because you know you shouldn’t test me. I could babysit the hell out of you, Finn Dorsey. I know who you used to be. You don’t get to become a bad guy. I will make you do slumber-party things like play charades or watch crappy nineties movies or incessant reruns of Friends. You won’t be able to fight your old goofy side. It will emerge like a freaking butterfly and smother scary Finn.” He blinked and stared, and then he couldn’t help it—he laughed. “A freaking butterfly?” She smiled triumphantly. “A goofy freaking butterfly.” He let out a long breath, some of the tension from the morning draining out of him. “You’re weird.” “So are you.
Roni Loren (The Ones Who Got Away (The Ones Who Got Away, #1))
will get better. But of course it won’t get better all by itself. So stop and ask yourself: how, exactly, will it get better? What are you going to do differently? What will the person in question do differently? How might circumstances change? Even if things have gotten a little better, have they improved enough? If you don’t have a pretty precise answer to those questions, it probably won’t get better.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
Often we looked at each other, my husband and I, when we both thought of Ethan, and touched foreheads and gave each other a little kiss ... and those moments when we kissed gradually took on a greater significance than when we first kicked off this strange marriage of ours, wherein both of us knew that although we didn't much like each other, we did somehow belong together ..
Bohumil Hrabal (Gaps)
My pulse thunders in my ears. It feels like my heart’s rattling my ribs loose, it’s pounding so violently inside my chest. If he touches me any further, I won’t be strong enough to resist Ren anymore. I’ll throw myself at him, beg him to give me everything for just a little while. To give me for now until he can have forever with her. Her. God, my blood boils, and a kick of anger surges through my veins. I hate her. I’m wildly jealous of this woman, who I can only assume is entirely, completely worthy of him. And I know, I trust that she is, because I trust Ren. He’s measured and thoughtful. He has his head screwed on straight. He values the right things. She’s probably an understated beauty, because Ren’s too wholesome to need a knockout—he only asks for beauty from within. She’s one of those rescue-shelter volunteers who bakes perfectly circular chocolate chip cookies and makes friends with all the grandmas on the block. She wants three kids—two boys and a girl—and she loves to scrapbook. She also reads those criminally sex-free romances and is the least erotically adventurous woman on the planet— Whoa, there, Francesca. Getting a little nasty, aren’t we? Well, yes. My thoughts have turned uncharitable. That’s my jealousy talking. That’s my covetous envy. A fierce possessiveness for someone I have no right to. An unwarranted, unfair animosity toward a woman I should be happy for. “I want to apologize, Frankie. About last night.” I spin, tugged out of my thoughts. “What?” Ren frowns up at me from his crouched position, petting Pazza. “I don’t remember everything, because that headache was…unearthly painful, and I’d taken one of the pills for it that Amy prescribed me, but I have a vague memory of being very into hand holding.” Heat rushes through me as I bite my lip. God, you’d think we’d made out, the way thinking of it affects me. “You were.” He grimaces. “It was unprofessional of me. I’m sorry.” His face transforms to a wide smile as Pazza licks his face, perching her muddy paws on his knees. “Pazza, down.” My voice is sharp, and she drops immediately, jogging over to me. Ren slowly stands with a look of wariness on his face. “What’s the matter?” “Nothing. Just Pazza. Sh-she’ll ruin your slacks.” I point at the grass and mud staining his knees. He smiles and shrugs. “I don’t care, Frankie. I can do my laundry. I’m a spot-treating wizard, actually.” “Of course, you are.” I can’t get a stain out of my clothes to save my life. Why do all these little things about him add up to something so perfectly right to me? Why does he have to be so wonderful? Why do I have to be so fucked up?
Chloe Liese (Always Only You (Bergman Brothers, #2))
The only area I can think of where the moon experience might have any edge at all over the walking trails of Knox County, Tennessee, would be in the symbolism department, in the sheer majesty of it all. When you think about how the moon is a celestial phenomenon that has dominated the nights of humans since before humans were even humans, a place so foreign to our understanding that, until recently in the history of our species, people didn’t even think of it as a place, or even as an object, but as an abstraction tied to God; a place that is still, even now that we do understand it, so alien to our everyday thinking that it is never included on any of our maps or globes and can only be reached by a dangerous voyage across hundreds of thousands of miles of literal, actual nothingness; and to know that you have been there and stood on that rock/God/place, with your own two feet, and kicked the dust and moved it a little, and come back home, with the story to tell … . And then, no matter where you are in life, to be able to always look down at those ten little toes that carry you through your house or the hallways of your job or around the same walking path you’ve been walking for years that you still love in a way even though, somehow, at some point, its loveliness lost its dust of luster in your eyes—to know that no matter where you are, no matter how dull the favorite colors of your life become, you can always look down at those ten little toes and think about how they have been with you to a place that almost no one alive can imagine, and no one dead could have conceived of. And then someday, when you’re about to die yourself, and you’re scared, at least you know you’ve already been somewhere mysterious. That’s honestly all I can come up with, pro-moon-wise. To each his own, I suppose.
B.J. Novak (One More Thing: Stories and Other Stories)
It’s a little bit funny, this feeling inside I’m not one of those who can easily hide I don’t have much money, but boy, if I did I’d buy a big house where we both could live If I was a sculptor, but then again, no Or a man who makes potions in a travelin’ show Oh, I know it’s not much, but it’s the best I can do My gift is my song and this one’s for you And you can tell everybody this is your song It may be quite simple but now that it’s done I hope you don’t mind I hope you don’t mind That I put down in words How wonderful life is while you’re in the world I sat on the roof and kicked off the moss Well, a few of the verses, well, they’ve got me quite cross But the sun’s been quite kind while I wrote this song It’s for people like you that keep it turned on So excuse me forgetting, but these things I do You see, I’ve forgotten if they’re green or they’re blue Anyway, the thing is, what I really mean Yours are the sweetest eyes I’ve ever seen And you can tell everybody this is your song It may be quite simple but now that it’s done
Brandi Carlile (Broken Horses)
At the heart of TCP congestion control is an algorithm called Additive Increase, Multiplicative Decrease, or AIMD. Before AIMD kicks in, a new connection will ramp up its transmission rate aggressively: if the first packet is received successfully it sends out two more, if both of those get through it sends out a batch of four, and so on. But as soon as any packet’s ACK does not come back to the sender, the AIMD algorithm takes over. Under AIMD, any fully received batch of packets causes the number of packets in flight not to double but merely to increase by 1, and dropped packets cause the transmission rate to cut back by half (hence the name Additive Increase, Multiplicative Decrease). Essentially, AIMD takes the form of someone saying, “A little more, a little more, a little more, whoa, too much, cut way back, okay a little more, a little more…” Thus it leads to a characteristic bandwidth shape known as the “TCP sawtooth”—steady upward climbs punctuated by steep drops.
Brian Christian (Algorithms to Live By: The Computer Science of Human Decisions)
A good but plain-Jane drill you prob’ly know pits the shooter against two to four standard IDPA/ USPSA cardboard torso targets. Using a shot-timer like the PACT Club Timer III, from the beep, put two rounds in each, slow enough to assure all hits are in top-scoring zones. Check your elapsed times. Push faster until you start dropping rounds outside the sweet spots, then back off, slow down and work your way up again. Maybe you integrate a reload. It’s sound, but it lacks panache. Kick it up. Between and around those full-size cardboards, add in half-size*, and some 10" and 5" mini-torsos**. Vary your drills; don’t just shoot left-to-right and back again. Shoot the little guys first, then the larger ones or vice versa or “Connor-versa,” which appears to onlookers to be a spazz-pattern. It is actually coldly calculated — by a spazz. Me. The variety is healthy. You can snap-shoot the full and half-size targets, but the minis force you to concentrate, bear down and get squinty. Sure, program reloads in too, and switching from right to left hand. Now add more fun with malfunction drills: Say you have 10 identical 15-round magazines and six inert dry-fire rounds. In six mags, stagger placement of duds, like second round in one, sixth round in another, blah-blah. Then mix the mags up so you don’t know where the surprises are. And on the timer, give yourself no slack for correcting your malf’s. Now for the spicy stir-fry sauce: Between sweeps of the targets, while gripping your pistol in one hand, bring your other hand back, touch your thumb to your nose, waggle your fingers vigorously, and shout as loudly as possible “O ye sinners, now shall ye repent! Let the Great Slaying begin!” or, “For freedom, Fritos and chicken-fried steak!” or, “Back awaaay from the bulgogi and nobody gets hurt!” Note: Never mess with my bulgogi. Never. Or, try shouting “I love you and blood sausage too!” — but shout it in German; makes it confusing and terrifying. Ich liebe dich und blutwurst auch! Exercising exemplary muzzle control and strictly observing all range safety protocols, slump your shoulders, hang your head and slowly turn around, looking dazed, lost, spaced-out ... Then, by degrees, “recover consciousness” and smile. It’s unlikely anyone will be there by this point, so that smile can be very genuine. If any looky-lou’s are still present, they’ll prob’ly be frozen like deer caught in headlights. Perfecto! If you see me at the range and I’m munchin’ a sammich and sippin’ coffee, stop and say howdy. But if I’m shooting drills, well ... Trouble not, etcetera. Connor OUT
John Connor (Guncrank Diaries)
Jazz is a strange music. Jazz is where you find it. You dig all day in the mine, handling those big lumpy dead rocks; that’s the popular music, the dead stuff. And then all of a sudden you come on a bright gleaming streak embedded in the dead rock; it’s alive, it’s gold. That’s how you find jazz. So many people have never heard jazz, because they’ve found nothing but the slag, the dead ore in which it’s cased. They hear the raw material, the nondescript popular song; they may never be lucky enough to be present when inspired musicians strike away the lumpy death and bring out the life. The trumpet states a theme; it isn’t a hell of a good theme and in the song it means little or nothing. He strips it down to its bare chords, throws its thin line of melody out there for a start. The clarinet invents a counter-melody for himself, an invention as carefully wrought, as musicianly, as anything Bach ever wrote down. And then the trombone sings; there is a complete perfection, coming close to the unbearable, in the addition of that third voice to the polyphony of true jazz. Out of nothing something of beauty has been created; you have heard jazz, and you are lucky. You are even more lucky if you have created jazz, if you can sit with the gut-searing vibrations of a trombone mouthpiece kicking back against your face and feel the music down into your feet.
Dale Curran (Dupree Blues)
The Supreme Soul is Father to some, Mother to some. Those who think of it as Mother always have their eyes on Mother's breast. It is a breast ever flowing with milk. Those who drink it can't take their mouth off that breast. They don't ask for other breasts. Those who think of it as Father, raise their heads and look at the Lord in his eye, and they are roused. They want to look and they want to see; they want to swallow the whole world. Can the hunger of the eye ever be quenched? I am one of those who drinks. In sleep, you too drink. When children drink they kick their mothers. But before your heroic passion to bend the world to your desires is born, should or shouldn't your belly be soothed a little first?
U.R. Ananthamurthy (Stallion of the Sun and Other Stories)
If you’ve traveled the long, often confounding road of talk therapy, you may know the feeling of giving your power over to a total stranger and struggling to translate what you hear into feeling better, all the while trailed by the never-ending stream of bills (or bar tabs). We are all too susceptible to seduction by navel-gazing. It can be titillating to dig down into the past, lift up the rocks and see what’s down there. You never know what interesting creature will be staring up at you and what fascinating things it will have to say. Over the years I’ve orated a few hundred riveting TED Talks to a rapt audience of one. During those strainings I picked up an encyclopedia’s worth of knowledge about what’s kicking around in my psyche. But all too often the return on investment wasn’t particularly high. The optimal response to our dilemma has little to do with running our mouths.
Lev Metropol (unGlommed: The Guerrilla Approach to Beating Depression)
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James
Stay down, Seren, where you belong, in the dirt, with your kind. And get yourself a new hood. This one’s beyond repair and does little to hide those cursed eyes of yours.” With a swift kick, Max tore the hood further, its fabric ripping apart easily. “See? It’s worthless now,” he said coldly before turning away.
Laura Vega (The Crimson Snow (A Realm of Chaos and Void, #1))
She turned another page, another black-tie affair. “It’s not as clean or impersonal as a break or a shatter. Besides, those are easy to repair if you can find all the pieces. Truly crushing a soul—now that requires a certain level of…personal violence. Your ears fill with this desperate”—flip— “rasping”—flip—“gasp. Like you’re fighting for air, suffocating in plain sight. Strangled by life and someone else’s shitty, selfish decisions.” “Georgia,” I whispered as my stomach turned, my chest pulling tight at the agony and anger in her words, pausing over a picture from the red-carpet premiere of The Wings of Autumn. Her smile was bright but her eyes flat as she posed at Damian’s side like a trophy, both generations of Stanton women at her right. She was freezing over right in front of my eyes, each picture a little colder than the last. “And the thing is,” she continued with a little shake of her head and another mocking smile, “you don’t always recognize that wet sound for what it is—an assassination. You don’t register what’s actually happening as the air disappears. You hear that gurgle, and it somehow convinces you that the next breath is coming—you’re not broken. This is fixable, right? So you fight, holding on to whatever air there is.” Her eyes filled with unshed tears, but she raised her chin and held them back as the pages flew by with every sentence. “You fight and you thrash because this fated, deep-rooted thing you called love refuses to go down with a single shot. That would be far too merciful. Real love has to be choked out, held under the water until it stops kicking. That’s the only way to kill it.
Rebecca Yarros (The Things We Leave Unfinished)
your body can repair itself better when it isn’t constantly diverting energy to digestion. Third, fasting causes major changes in several crucial hormones that impact aging and weight, including insulin and growth hormone. Fourth, fasting is one of those hormetic “small stresses” that stimulate the longevity gene pathways. Fifth—and this is big—fasting kicks in autophagy, the cellular detox process critical to strong immunity and aging well. So here’s the plan: A couple of times a week, have dinner on the early side, and the first meal the next day a little later, leaving a good 16 hours in between.
Frank Lipman (The New Rules of Aging Well: A Simple Program for Immune Resilience, Strength, and Vitality)
Fuck. I hate loving her. It’s the great undoing of my heart as I know it. She’s made herself at home, kicked off those fucking cerulean heels, put her feet up on my left rib. Over the mantelpiece she hung her own portrait up herself, that little minx. Best painting I’ve ever seen, too. Better than any woman anyone has ever painted in the history of time, a face I’d win battles for. A face I’d lose anything for. Even her. It’s time.
Jessa Hastings (Daisy Haites: The Great Undoing (Magnolia Parks Universe, #4))
You know, I was always good to you. I never lost my temper. I never complained when you bought five billion pairs of shoes.” He kicks the luggage containing all my hidden shoes. “I came home every single night. What more did you want from me?” He looks up at me, and I realize this isn’t a rhetorical question. He truly believes all those things were enough to make him a good husband. That you can check all the right boxes, and it’s okay, even if you don’t love your wife. Even if you cheat on her with a little girl.
Freida McFadden (The Teacher)
The muscles of Sue’s legs tensed, and the saddle lurched. One of the little girls screamed. And then the Tyrannosaur came down from the leap that had carried her over the besieged Wardens. Sue landed with one clawed foot on the street, and the other came down squarely on the Caddy’s hood, like a falcon descending upon a rabbit. There was an enormous sound of shrieking metal and breaking glass, and the saddle lurched wildly again. I leaned over to see what had happened. The car’s hood and engine block had been compacted into a two-foot-thick section of twisted metal. Even as I looked, Sue leaned over the car in a curiously birdlike movement, opened her enormous jaws, and ripped the roof off. Inside was Li Xian, dressed in a black shirt and trousers. The ghoul’s forehead had a nasty gash in it, and green-black blood had sheeted over one side of his face. His eyes were blank and a little vague, and I figured he’d clipped his head on the steering wheel or window when Sue brought his sliding car to an abrupt halt. Li Xian shook his head and then started to scramble out of the car. Sue roared again, and the sound must have terrified Li Xian, because all of his limbs jerked in spasm and he fell on his face to the street. Sue leaned down again, her jaws gaping, but the ghoul rolled under the car to get away from them. So Sue kicked the car, and sent it tumbling end over end three or four times down the street. The ghoul let out a scream and stared up at Sue in naked terror, covering his head with his arms. Sue ate him. Snap. Gulp. No more ghoul. “What’s with that?” Butters screamed, his voice high and frightened. “Just covering his head with his arms? Didn’t he see the lawyer in the movie?” “Those who do not learn the lessons of history are doomed to repeat them,” I replied, turning Sue around. “Hang on!” I rode the dinosaur into the stream of zombies following in the Wardens’ wake and let her go to town. Sue chomped and stomped and smacked zombies fifty feet through the air with swinging blows of her snout. Her tail batted one particularly vile-looking zombie into the brick wall of the nearest building, and the zombie hit so hard and so squishily that it just stuck to the wall like a refrigerator magnet, arms and legs spread in a sprawl.
Anonymous
What’s this?” he asks, sitting forward. I remove the top off the box and take out a pile of pictures. I hand him one. “This is Jacob,” I say. My eyes fill with tears, and I don’t even try to blink them back. I let them fall over my lashes and onto my cheeks. Paul brushes them away, but I really don’t want him to. I want to feel all of this because I have forced myself not to feel it for so very long. “This is when he was born.” I point to the squirmy little ball of red skin and dark hair. Paul looks from me to it. “He looks like you,” he says. I shake my head. “He looks more like his dad, I think.” These fucking tears keep falling. I’m not crying. It’s like someone opened an emotional dam in me and I can’t get it to close. I don’t want it to. “What happened to his dad?” Paul asks. “He died,” I say. I have to stop and clear my throat. “Drug overdose a few years after Jacob was born. I read about it in the paper.” “I’m so sorry.” I sniff. “I am, too.” I feel like I need to explain, and for the first time ever, I want to. “We were young, and we played around with marijuana and stuff. But I cut it all out when I found out I was pregnant with Jacob. He didn’t. He wasn’t able. It was really sad when I couldn’t be with him anymore. I didn’t have anyone else. But I didn’t really have him, either. The drugs had him, you know?” He nods. I hand him more pictures, and he flips through them. I have looked at them so much that they’re dog-eared in places. He holds one up from when Jacob was about three. “You can’t tell me he doesn’t look like you. Look at those eyes! He’s so handsome.” My eyes fill with tears again, but I smile through them. He is perfect. And I should be able to hear someone say so. “Look at that smirk!” Paul cries when he sees the most recent one. “That is so you!” I grin. I guess he’s right. “Where is your family, Friday?” he asks. “I don’t know,” I tell him. I lay my head on his shoulder and watch as he takes in the photos over and over, poring through the stack so he can point out ways that Jacob looks like me. “They kicked me out when I got pregnant. Terminated their rights.” Paul presses his lips to my forehead and doesn’t say anything. “I thought I knew everything back then.” I laugh and wipe my eyes with the hem of my dress. “Turns out I didn’t know shit.” “Do you ever think about looking for them?” I shake my head. “No. Never.” I point to special pictures of my son. “His mom—her name is Jill—she sometimes sends me special milestone pictures. This is his first tooth he got and the first tooth he lost. And this one is from his first step. That wasn’t even part of the agreement. She just does it because she wants me to know how he’s doing.” I try to grin through the tears. “He’s doing so great. He’s smart. And they can send him to college and to special schools. He takes piano, and he plays sports. And Jill says he likes to paint.” My voice cracks, and I don’t hate that it does. I just let it. “Of course, he does. You’re his mother.” “I just wanted to do what was best for him, you know?” This time, I use Paul’s sleeve to wipe my eyes. I blink hard trying to clear my vision. “That’s what parents do. We do what’s in the best interest of our children.” He kisses me softly. “Thank you for showing me these.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Ericka had thought of them as her glory days when she had wanted to march on every capitol; kick down the doors of the most powerfully entrenched; when she had wanted to right every wrong, and stomp out villainy everywhere. Gene had called her the “Rebel with too many causes”. But that had been different. It was as if all that had just been a training period, mere preparation for the way she felt now. That had been student idealism. This was the pain of a grieving mom who couldn’t watch anyone else’s kid suffer. In her short time on the planet, their sweet daughter Madie, their little Bitsie, had taught them so much. About priorities. About courage. About how they could truly love and treasure another single human life, not just hold some general, pro-active fondness for all of humanity everywhere. In loving that tiny child; knowing all the while that they were losing her, Ericka and Gene had suffered immensely. But they had also grown. In tending to their frail, courageous little girl, Ericka had once again unleashed her inner need to help others; an essential part of her being, but now with renewed, and focused passion. Once, when Ericka had broken down and wept as she’d had to hand her baby off for more tests, it had been little Madie who had comforted Mommy. She’d told Ericka she was glad she could do this so they could find out what was wrong with her, and then maybe other little kids wouldn’t have to hurt this way ever again. One way or another, her mommy now would make that little life count for something. Ericka wanted to; she needed to cram all her pain into something she could change. Someone somewhere she could actually help, but not lose in the end. She had to find causes she could pour her almost fierce, hard-charging nature into, and actually save somebody this time. It didn’t have to be one particular disease; it could be hunger; it could be anything, but she had to get out there and do something. Before she had fought for causes. But now those causes would have little faces. - A taste of my new book, "The Soul Hides in Shadows
Edward Fahey
I made myself listen to the music I loved as I worked. I would not be a coward anymore. If I acted like a lunatic, so be it! In my mind I raged and I vowed that Samuel’s leaving would not make me resort to musical holocaust. I was done with that nonsense! I played Grieg until my fingers were stiff, and I worked with the frenzy of Balakirev’s ‘Islamey’ pounding out of the loud speakers. My dad came inside during that one and turned around and walked right back out again. On day 15, I made a chocolate cake worthy of the record books. It was disgustingly rich and fattening, teetering several stories high, weighing more than I did, laden with thick cream cheese frosting, and sprinkled liberally with chocolate shavings. I sat down to eat it with a big fork and no bib. I dug in with a gusto seen only at those highly competitive hotdog eating contests where the tiny Asian girl kicks all the fat boys’ butts. “JOSIE JO JENSEN!” Louise and Tara stood at the kitchen door, shock and revulsion, and maybe just a little envy in their faces. Brahms ‘Rhapsodie No. 2 in G Minor’ was making my little kitchen shake. Eating cake to Brahms was a new experience for me. I liked it. I dug back in, ignoring them. “Well Mom,” I heard Tara say, “what should we do?!” My Aunt Louise was a very practical woman. “If you can’t beat ’em, join ’em!” She quoted cheerfully. Before I knew it, Tara and Louise both had forks, too. They didn’t seem to need bibs either. We ate, increasing our tempo as the music intensified. “ENOUGH!” My dad stood in the doorway. He was good and mad, too. His sun-browned face was as ruddy as my favorite high heels. “I sent you two in for an intervention! What is this?! Eater’s Anonymous Gone Wild?” “Aww, Daddy. Get a fork,” I replied, barely breaking rhythm. My dad strode over, took the fork from my hand and threw it, tines first, right into the wall. It stuck there, embedded and twanging like a sword at a medieval tournament. He pulled out my chair and grabbed me under the arms, pushing me out of the kitchen. I tried to take one last swipe at my cake, but he let out this inhuman roar, and I abandoned all hope of making myself well and truly sick. “Tara! Aunt Louise!” I shouted frantically. “I want you gone!!! That’s my cake! You can’t have any more without me!” My dad pushed me through the front door and out onto the porch, the screen banging behind him. I sunk to the porch swing, sullenly wiping chocolate crumbs from my mouth. My dad stomped back inside the house and suddenly the music pouring from every nook and cranny stopped abruptly. I heard him tell Louise he’d call her later, and then the kitchen door banged, indicating my aunt’s and Tara’s departure. Good. They would have eaten that whole cake. I saw the way they were shoveling it in.
Amy Harmon (Running Barefoot)
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Joanna Kellogg, one of Joseph’s sisters, was stumbling. For Joanna, the world was blurred. Her eyes didn’t focus the way other people’s did. Leaves on trees were green blots against a blue sky. She couldn’t recognize people until they were within a dozen paces. When an Indian brave took Joanna’s hand, she had not seen her mother die and did not know this was the killer. She was only ten, but her pack was nearly as large as the ones grown men carried. Joanna did not complain or call out. She just walked more and more slowly. Ruth Catlin lost her temper. She flung the pack she had been given into the snow. She grabbed Joanna by the shoulders and ripped off Joanna’s pack, flinging that into the snow too. She hurled an iron frying pan across the snow and then a whole leg of lamb. Indian and captive alike were mesmerized. “You savages!” Ruth screamed. “Don’t you even think about hurting Joanna. She’s too little! You are vicious and mean! I hate you!” She dragged Joanna forward as if the two of them meant to reach Canada first, by God. “Go ahead and kill me!” she yelled, holding out her hair to be scalped. “I dare you!” She made a fist around her own hair, yanked it tight and waved the bristles in Indian faces. Nobody tomahawked Ruth. She stomped past Indian after Indian, calling them names. Ruth stormed right up to the front of the line, where the lead Indians were trampling out the path. She could go no farther. The Indians politely stepped back and gestured north, making it clear that Ruth was welcome to lead the way. Ruth kicked wildly at one of the braves, but he stepped back and Ruth’s burst of energy vanished. She wanted to lie down on her own soft bed, bury her face in her pillow and weep for the family that had died around her. Even more, she wanted to kill an Indian. Or ten of them. But she had no weapon and as for softness, even the snow was not soft today. Well, at least she would not give those Indians the satisfaction of seeing her cry. Glaring, dragging poor Joanna, she marched on.
Caroline B. Cooney (The Ransom of Mercy Carter)
to Freyja.” and Odin is like “Can I at least have the octohorse?” and Loki is like “Only if I don’t have to do what you say anymore.” and Odin is like “FINE.” and Loki is like “HAHA, I PRANKED YOU THAT HORSE CAME OUT OF MY HORSE VAGINA.” And Odin is like “Ew, ick. I still want the horse though.” So the moral of the story is that only a sucker pays full price for masonry. Oh, speaking of which let me tell you about another really gross thing Loki had sex with . . . FENRIR IS A DILF So one day, Loki’s wandering around Jotunheim and he sees this chick Angrboða pronounced ANGER BOW THE and he is like “Well, I know she’s pretty ugly and her name is kinda like a reference book entry for THE ANGER BOW but you know what? I’m gonna tap that and have three kids with that and all three of those kids are going to be horrible beasts that bring on the apocalypse. I see no problems with this.” So for now, let’s just focus on the first kid: a giant wolf named Fenrir. Now Loki brings baby Fenrir to Asgard and the Aesir all instantly know that this wolf is gonna be the death of them mainly because it is a GIANT WOLF NAMED FENRIR. But instead of doing anything about it they decide to see if they can just raise it as their own presumably because they don’t want to hurt Loki’s feelings. So this god Tyr the god of single combat and being awesome gets put in charge of feeding Fenrir because he’s the only person with sufficient testicular mass to actually go near the wolf and Fenrir gets bigger and bigger and holy shit bigger until the gods start to be like “Uhh . . . we should really do something about this wolf.” So what they do is they make a big metal chain. This chain is so incredibly massive that they don’t feel right until they give it a name that name is Leyding. So they go up to Fenrir like “Hey, man I bet you totally can’t break out of this chain.” And Fenrir is like “Okay, bring it.” So they tie him up and he pretty much just breaks the chains like cobwebs and he gets famous because of that and the gods are like “Fuck, that backfired. Okay, let’s make a better chain.” so they make a chain that is TWO TIMES AS STRONG and they name it Dromi and they go back to Fenrir like “Bet you can’t break THIS chain.” And Fenrir is like “I don’t know if I want to let you tie me up again.” And the gods are like “Don’t you want to be double famous?” and Fenrir is like “Ugh, okay.” So he lets them tie him up again and he flexes a little, but the chain doesn’t break so then he kicks the chain, and it does break and the gods are all like “Okay we definitely need a better chain. Somebody call some dwarves.” So the dwarves are like “Okay the mistake you guys have been making is you have been trying to make a chain out of actual things that exist such as metal instead of abstract concepts such as the sound of a cat’s footfall.” So what the dwarves do is they take the sound of a cat’s footfall along with the roots of a mountain the sinews of a bear the beard of a woman— remember, these are dwarves— and the breath of a fish, and the spit of a bird so that’s why you can’t hear cats walking around and mountains don’t have roots and fish don’t breathe, and birds don’t spit but I think bears still probably have sinews and I have definitely met me some bearded ladies so I guess the dwarves were not that thorough. But anyway somehow they manage to distill all this shit into THE ULTIMATE
Cory O'Brien (Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology)
She felt as wild and free as a little kid, running up the steps with Shane in hot pursuit, and when he grabbed her around the waist and spun her around into his room and kicked the door shut, she squealed in delight. And wiggled to fit herself against his warm, hard body as she kissed him again, breathless and flying. He kissed like their lives depended on it. Like it was an Olympic event and he intended to earn a medal. Somewhere in the back of her head she was chattering to herself, warning that this was going to go too far, that she was just making things worse for both of them, but she couldn't help it. Before long they were stretched out together on Shane's bed, and his big, warm hands were teasing under the hem of her shirt, stroking the fluttering skin of her stomach and stealing her breath. She lost it all when he spread his fingers out, pressing his palm flat against her, and she felt an almost irresistible impulse to feel those hands all over. Everywhere. Her heart was hammering hard enough to make her dizzy, and it was all just so ... Perfect.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
I kicked my flip-flops off and pulled my knees to my chest. Mason sprawled next to me, his head propped on a pillow. His legs, which almost hung off the end of the tiny bed, were crossed at the ankle. “How was work?” I asked. He rolled his eyes and grumbled about the students who used the computer lab, compatibility issues and a whole bunch of other stuff I didn’t understand. Being that he was a computer science major, he was always frustrated by questions he found dumb. I tried to be supportive by letting him vent, but I also enjoyed giving him a hard time about it. I stared blankly at him. “I’m sorry, you’re speaking nerd again.” “You’re hilarious. Considering you’re fluent in it.” He made his voice girly. “Did you hear about the nucleotide enzymatic compound synthesis?” I bit back my smile. “That doesn’t even make sense. And I don’t sound like that. But I am impressed you remembered all that from Biology.” “You have no idea how long I’ve been waiting to use all those words in one sentence.” I laughed as he grinned proudly
Renita Pizzitola (Just a Little Crush (Crush, #1))
All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense. "Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?" Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification. That'd be his headline. "Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream." That was exactly what I wanted. But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything. There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?" "Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words. "Say yes," he added, lips tipping up at one corner. "Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too. "Good girl," he said as he turned away. And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane. "Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow. I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef. "Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience. She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for." She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me. "Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet. "Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure. Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well.
Jessica Gadziala (Peace, Love, & Macarons)