β
Oh, earth, you're too wonderful for anybody to realize you.
β
β
Thornton Wilder (Our Town)
β
We can only be said to be alive in those moments when our hearts are conscious of our treasures.
β
β
Thornton Wilder
β
The highest tribute to the dead is not grief but gratitude.
β
β
Thornton Wilder
β
The knowledge that she would never be loved in return acted upon her ideas as a tide acts upon cliffs.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
EMILY: "Does anyone ever realize life while they live it...every, every minute?"
STAGE MANAGER: "No. Saints and poets maybe...they do some.
β
β
Thornton Wilder (Our Town)
β
There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Only it seems to me that once in your life before you die you ought to see a country where they don't talk in English and don't even want to.
β
β
Thornton Wilder (Our Town)
β
Oh, earth, you're too wonderful for anybody to realize you. Do any human beings ever realize life while they live it -- every, every minute?
β
β
Thornton Wilder (Our Town)
β
Do any human beings ever realize life while they live it?
β
β
Thornton Wilder (Our Town)
β
People are meant to go through life two by two. βTainβt natural to be lonesome.
β
β
Thornton Wilder (Our Town)
β
Now he discovered that secret from which one never quite recovers, that even in the most perfect love one person loves less profoundly than the other. There may be two equally good, equally gifted, equally beautiful, but there may never be two that love one another equally well.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
We all know that something is eternal. And it ainβt houses and it ainβt names, and it ainβt earth, and it ainβt even the stars . . . everybody knows in their bones that something is eternal, and that something has to do with human beings. All the greatest people ever lived have been telling us that for five thousand years and yet youβd be surprised how people are always losing hold of it. Thereβs something way down deep thatβs eternal about every human being.
β
β
Thornton Wilder (Our Town)
β
My advice to you is not to inquire why or whither, but just enjoy your ice cream while it is on your plate.
β
β
Thornton Wilder
β
I have a feeling that inside you somewhere,there's somebody nobody knows about
β
β
Alfred Hitchcock
β
Money is like manure; it's not worth a thing unless it's spread around encouraging young things to grow.
β
β
Thornton Wilder (The Matchmaker)
β
Good-by, Good-by, world. Good-by, Grover's Corners... Mama and Papa. Good-by to clocks ticking... and Mama's sunflowers. And food and coffee. And new-ironed dresses and hot baths...and sleeping and waking up. Oh, earth, you're too wonderful for anybody to realize you.
β
β
Thornton Wilder (Our Town)
β
We ourselves shall be loved for awhile and forgotten. But the love will have been enough; all those impulses
of love return to the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Choose the least important day in your life. It will be important enough.
β
β
Thornton Wilder (Our Town)
β
Being employed is like being loved: you know that somebody's thinking about you the whole time.
β
β
Thornton Wilder (The Matchmaker)
β
If you write to impress it will always be bad, but if you write to express it will be good
β
β
Thornton Wilder
β
Wherever you come near the human race thereβs layers and layers of nonsense.
β
β
Thornton Wilder (Our Town)
β
Some say that we shall never know, and that to the gods we are like the flies that the boys kill on a summer's day, and some say, to the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Look at that moon. Potato weather for sure.
β
β
Thornton Wilder (Our Town)
β
Either we live by accident and die by accident, or we live by plan and die by plan.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
I want you to try and remember what it was like to have been very young.
And particularly the days when you were first in love; when you were like a person sleepwalking, and you didnβt quite see the street you were in, and didnβt quite hear everything that was said to you.
Youβre just a little bit crazy. Will you remember that, please?
β
β
Thornton Wilder (Our Town)
β
But soon we shall die and all memory of those five will have left the earth, and we ourselves shall be loved for a while and forgotten. But the love will have been enough; all those impulses of love return to the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.
β
β
Thornton Wilder
β
Yes, now you know. Now you know! That's what it was to be alive. To move about in a cloud of ignorance; to go up and down trampling on the feelings of those...of those about you. To spend and waste time as though you had a million years. To be always at the mercy of one self-centered passion, or another. Now you know β that's the happy existence you wanted to go back to. Ignorance and blindness.
β
β
Thornton Wilder (Our Town)
β
Without your wounds where would your power be? It is your melancholy that makes your low voice tremble into the hearts of men and women. The very angels themselves cannot persuade the wretched and blundering children on earth as can one human being broken on the wheels of living. In Loveβs service, only wounded soldiers can serve. Physician, draw back.
β
β
Thornton Wilder (The Collected Short Plays of Thornton Wilder)
β
[Dona Maria] saw that the people of this world moved about in an armor of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
I didn't marry you because you were perfect. I didn't even marry you because I loved you. I married you because you gave me a promise. That promise made up for your faults. And the promise I gave you made up for mine. Two imperfect people got married and it was the promise that made the marriage. And when our children were growing up, it wasn't a house that protected them; and it wasn't our love that protected them--it was that promise.
β
β
Thornton Wilder (The Skin of Our Teeth)
β
Never support two weaknesses at the same time. It's your combination sinners - your lecherous liars and your miserly drunkards - who dishonor the vices and bring them into bad repute.
β
β
Thornton Wilder
β
Seek the lofty by reading, hearing and seeing great work at some moment every day.
β
β
Thornton Wilder
β
Throughout the hours of the night, though there had been few to hear it, the whole sky had been loud with the singing of these constellations.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Many who have spent a lifetime can tell us less of love than the child that lost a dog yesterday.
β
β
Thornton Wilder
β
Imprisonment of the body is bitter; imprisonment of the mind is worse
β
β
Thornton Wilder (The Ides of March)
β
There is no need for me to curse you -the murderer survives the victim only to learn that it was himself that he longed to be rid of. Hatred is self-hatred.
β
β
Thornton Wilder (The Ides of March)
β
The test of an adventure is that when you're in the middle of it, you say to yourself "Oh now I've got myself into an awful mess; I wish I were sitting quietly at home. And the sign that something's wrong with you is when you sit quietly at home wishing you were out having lots of adventure.
β
β
Thornton Wilder
β
Itβs when youβre safe at home that you wish you were having an adventure. When youβre having an adventure you wish you were safe at home.
β
β
Thornton Wilder
β
The public for which masterpieces are intended is not on this earth.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
the whole purport of literature...is the notation of the heart. Style is but the faintly contemptible vessel in which the bitter liquid is recommended to the world.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
He regarded love as a sort of cruel malady through which the elect are required to pass in their late youth and from which they emerge, pale and wrung, but ready for the business of living.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
There is no drunkenness equal to that of remembering whispered words in the night.
β
β
Thornton Wilder
β
Hope, like faith, is nothing if it is not courageous; it is nothing if it is not ridiculous.
β
β
Thornton Wilder
β
Faith is a never-ending pool of clarity, reaching far beyond the margins of consciousness. We all know more than we know we know.
β
β
Thornton Wilder (The Eighth Day)
β
Does anybody realize what life is
while they're living it- every, every minute?
β
β
Thornton Wilder (Our Town)
β
But such occasions of excellence became less and less frequent. As her technique became sounder, [her] sincerity became less necessary.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Everybody has a right to their own troubles.
β
β
Thornton Wilder (Our Town)
β
[Camila] was quite incapable of establishing any harmony between the claims of her art, of her appetites, or her dreams, and of her crowded daily routine. Each of these was a world in itself.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
You've got to love life to have life, and you've got to have life to love life.
β
β
Thornton Wilder (Our Town)
β
If a man has no vices, he's in great danger of making vices out of his virtues, and there's a spectacle. We've all seen them: men who were monsters of philanthropy and women who were dragons of purity. ... No, no - nurse one vice in your bosom. Give it the attention it deserves and let your virtues spring up modesly around it.
β
β
Thornton Wilder (The Matchmaker)
β
Simon Stimson: "...That's what it was to be alive. To move about in a cloud of ignorance; to go up and down trampling on the feelings of those about you. To spend and waste time as though you had a million years. To be always at the mercy of one self-centered passion, or another.
β
β
Thornton Wilder (Our Town)
β
All that we know about those we have loved and lost is that they would wish us to remember them with a more intensified realization of their reality. What is essential does not die but clarifies. The highest tribute to the dead is not grief but gratitude.
β
β
Thornton Wilder
β
[Whenever] you get near the human race, there's layers and layers of nonsense.
β
β
Thornton Wilder
β
There are the stars--doing their old, old crisscross journeys in the sky. Scholars haven't settled the matter yet, but they seem to think there are no living beings out there. Just chalk... or fire. Only this one is straining away, straining away all the time to make something of itself. Strain's so bad that every sixteen hours everybody lies down and gets a rest.
β
β
Thornton Wilder (Our Town)
β
You swore you loved me, and laughed and warned me that you would not love me forever.
I did not hear you. You were speaking in a language I did not understand. Never, never, I can conceive of a love which is able to foresee its own termination. Love is its own eternity. Love is in every moment of its being: all time. It is the only glimpse we are permitted of what eternity is. So I did not hear you. The words were nonsense.
β
β
Thornton Wilder (The Ides of March)
β
Let's really look at one another!...It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed... Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? (Emily)
β
β
Thornton Wilder (Our Town)
β
The best thing about animals is they don't talk much
β
β
Thornton Wilder
β
Henceforth letter-writing had to take the place of all the affection that could not be lived.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Love is its own eternity.
β
β
Thornton Wilder
β
Her religious beliefs went first, for all she could ask of a god, or of immortality, was the gift of a place where daughters love their mothers; the other attributes of Heaven you could have for a song.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
It was full of wounding remarks rather brilliantly said, perhaps said for the sheer virtuosity of giving pain neatly. Each of its phrases found its way through the eyes of the Marquesa, then, carefully wrapped in understanding and forgiveness, it sank into her heart.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Thatβs what it was like to be alive. To move about in a cloud of ignorance; to go up and down trampling on the feelings of those...of those about you. To spend and waste time as though you had a million years. To be always at the mercy of one self-centered passion, or another. Now you know- thatβs the happy existence you wanted to go back to. Ignorance and blindness.
-Simon Stimson, OUR TOWN
β
β
Thornton Wilder
β
The art of biography is more difficult than is generally supposed.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Leadership is for those who love the public good and are endowed and trained to administer it.
β
β
Thornton Wilder (The Ides of March)
β
Esteban fell face downward upon the floor. "I am alone, alone, alone," he cried. The Captain stood above him, his great plain face ridged and gray with pain; it was his own old hours he was reliving. He was the awkwardest speaker in the world apart from the lore of the sea, but there are times when it requires a high courage to speak the banal. He could not be sure the figure on the floor was listening, but he said, "We do what we can. We push on, Esteban, as best we can. It isn't for long, you know. Time keeps going by. You'll be surprised at the way time passes.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
This assumption that she need look for no more devotion now that her beauty had passed proceeded from the fact that she had never realized any love save love as passion. Such love, though it expends itself in generosity and thoughtfulness, though it give birth to visions and to great poetry, remains among the sharpest expressions of self-interest. Not until it has passed through a long servitude, through its own self-hatred, through mockery, through great doubts, can it take its place among the loyalties. Many who have spent a lifetime in it can tell us less of love than the child that lost a dog yesterday.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
They had been brought up to think that the domestic virtues were self-evident and universal; they had been starved of the knowledge that most attracts the young mind: that the crown of life is the exercise of choice
β
β
Thornton Wilder (The Ides of March)
β
The marriage is a bribe to make a housekeeper think she is a householder.
β
β
Thornton Wilder (The Matchmaker)
β
The most exhausting of all our adventures is that journey down the long corridors of the mind to the last halls where belief is enthroned.
β
β
Thornton Wilder (Woman of Andros)
β
On Friday noon, July twentieth, 1714, the finest bridge in all Peru broke and precipitated five travellers into the gulf below.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Many who have dedicated their life to love, can tell us less about this subject than a child who lost his dog yesterday.
β
β
Thornton Wilder
β
All of us have failed. One wishes to be punished. One is willing to assume all kinds of penance, but do you know, my daughter, that in love -- I scarcely dare say it -- but in love our very mistakes don't seem to be able to last long?
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Everybody should eavesdrop once in a while. There's nothing like eavesdropping to show you that the world outside your head is different from the world inside your head.
β
β
Thornton Wilder (The Matchmaker)
β
The past and the future are always present within us.
β
β
Thornton Wilder (Theophilus North)
β
If there were any plan in the universe at all, if there were any pattern in human life, surely it could be discovered mysteriously latent in those lives so suddenly cut off. Either we live by accident and die by accident, or we live by plan and die by plan.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
It is difficult, my dear Lucius, to escape becoming the person others believe one to be. A slave is twice enslaved, once by his chains and once again by the glances that fall upon him and say "thou slave.
β
β
Thornton Wilder (The Ides of March)
β
Like all solitary persons he had invested friendship with a divine glamour: he imagined that the people he passed on the street, laughing together and embracing when they parted, the people who dined together with so many smiles, you will scarcely believe me, but he imagined that they were extracting from all that congeniality great store of satisfaction.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Style is but the faintly contemptible vessel in which the bitter liquid is recommended to the world.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
A dramatist is one who believes that the pure event, an action involving human beings, is more arresting than any comment that can be made upon it.
β
β
Thornton Wilder
β
It is only dogs that never bite their masters.
β
β
Thornton Wilder (The Ides of March)
β
Once in a thousand times, it's interesting.
β
β
Thornton Wilder (Our Town)
β
It is in this sense that responsibility is liberty; the more decisions that you are forced to make alone, the more you are aware of your freedom to choose.
β
β
Thornton Wilder (The Ides of March)
β
He possessed the six attributes of the adventurer-- a memory for names and faces, with the aptitude for altering his own; the gift of tongues; inexhaustible invention; secrecy; the talent for falling into conversation with strangers; and that freedom from conscience that springs from a contempt for the dozing rich he preyed upon.
β
β
Thornton Wilder
β
Let us at least say of religion that it means that every part of the body is infused with mind, not that the mind is overwhelmed and drowned in body. For the principal attribute of the Gods, without or within us, is mind.
β
β
Thornton Wilder (The Ides of March)
β
Love as education is one of the great powers of the world, but it hangs in a delicate suspension; it achieves its harmony as seldom as does love by the senses. Frustrated, it creates even greater havoc, for like all love it is a madness.
β
β
Thornton Wilder (The Ides of March)
β
There is not a single untruth, no -but after ten lines Truth shrieks, she runs distraught and disheveled through her temple's corridors; she does not know herself. 'I can endure lies,' she cries. 'I cannot survive this stifling verisimilitude
β
β
Thornton Wilder (The Ides of March)
β
the condition of leadership adds new degrees of solitariness to the basic solitude of mankind. Every order that we issue increases the extent to which we are alone, and every show of deference which is extended to us separates us from our fellows.
β
β
Thornton Wilder (The Ides of March)
β
But the love will have been enough; all those impulses of love return to the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
The Marquesa would even have been astonished to learn that her letters were very good, for such authors live always in the noble weather of their own minds and those productions which seem remarkable to us are little better than a day's routine to them.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
And oh, Claudia, Claudilla, ask me to do something -something that I can do. Do not ask me to forget you or to be indifferent to you. Do not ask me to have no interest in how you pass your time. But if we are separated, set me a task, something that will be a daily link with you.
β
β
Thornton Wilder (The Ides of March)
β
Now there are some things we all know, but we don't take'm out and look at'm very often. We all know that something is eternal. And it ain't houses and it ain't names, and it ain't earth, and it ain't even the stars⦠everybody knows in their bones that something is eternal, and that something has to do with human beings. All the greatest people ever lived have been telling us that for five thousand years and yet you'd be surprised how people are always losing hold of it. There's something way down deep that's eternal about every human being.
β
β
Thornton Wilder (Our Town)
β
He respected the slight nervous shadow that crossed her face when he came too near her. But there arose out of this denial itself the perfume of a tenderness, that ghost of passion which, in the most unexpected relationship, can make even a whole lifetime devoted to irksome duty pass like a gracious dream.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
It required all his delicate Epicurean education to prevent his doing something about it; he had to repeat over to himself his favorite notions: that the injustice and unhappiness in the world is a constant; that the theory of progress is a delusion; that the poor, never having known happiness, are insensible to misfortune. Like all the rich he could not bring himself to believe that the poor (look at their houses, look at their clothes) could really suffer. Like all the cultivated he believed that only the widely read could be said to know that they were unhappy.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
The knowledge that she would never be loved in return acted upon her ideas as a tide acts upon cliffs. Her religious beliefs went first, for all she could ask of a god, or of immortality, was the gift of a place where daughters love their mothers; the other attributes of Heaven you could have for a song. Next she lost her belief in the sincerity of those about her. She secretly refused to believe that anyone (herself excepted) loved anyone. All families lived in a wasteful atmosphere of custom and kissed one another with secret indifference. She saw that the people of this world moved about in an armor of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires. These were the sons and daughters of Adam from Cathay to Peru. And when on the balcony her thoughts reached this turn, her mouth would contract with shame for she knew that she too sinned and that though her love for her daughter was vast enough to include all the colors of love, it was not without a shade of tyranny: she loved her daughter not for her daughter's sake, but for her own. She longed to free herself from this ignoble bond; but the passion was too fierce to cope with.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Thornton Wilderβs one-act play βThe Angel That Troubled the Waters,β based on John 5:1-4, dramatizes the power of the pool of Bethesda to heal whenever an angel stirred its waters. A physician comes periodically to the pool hoping to be the first in line and longing to be healed of his melancholy. The angel finally appears but blocks the physician just as he is ready to step into the water. The angel tells the physician to draw back, for this moment is not for him. The physician pleads for help in a broken voice, but the angel insists that healing is not intended for him. The dialogue continuesβand then comes the prophetic word from the angel: βWithout your wounds where would your power be? It is your melancholy that makes your low voice tremble into the hearts of men and women. The very angels themselves cannot persuade the wretched and blundering children on earth as can one human being broken on the wheels of living. In Loveβs service, only wounded soldiers can serve. Physician, draw back.β Later, the man who enters the pool first and is healed rejoices in his good fortune and turning to the physician says: βPlease come with me. It is only an hour to my home. My son is lost in dark thoughts. I do not understand him and only you have ever lifted his mood. Only an hour.β¦ There is also my daughter: since her child died, she sits in the shadow. She will not listen to us but she will listen to you.β13 Christians who remain in hiding continue to live the lie. We deny the reality of our sin. In a futile attempt to erase our past, we deprive the community of our healing gift. If we conceal our wounds out of fear and shame, our inner darkness can neither be illuminated nor become a light for others. We cling to our bad feelings and beat ourselves with the past when what we should do is let go. As Dietrich Bonhoeffer said, guilt is an idol. But when we dare to live as forgiven men and women, we join the wounded healers and draw closer to Jesus.
β
β
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging with Bonus Content)
β
Emily: Oh, Mama, look at me one minute as though you really saw me. Mama, fourteen years have gone by. I'm dead. You're a grandmother, Mama! Wally's dead, too. His appendix burst on a camping trip to North Conway. We felt just terrible about it - don't you remember? But, just for a moment now we're all together. Mama, just for a moment we're happy. Let's really look at one another!...I can't. I can't go on.It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed. Take me back -- up the hill -- to my grave. But first: Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute?
Stage Manager: No. (pause) The saints and poets, maybe they do some.
Emily: I'm ready to go back.
β
β
Thornton Wilder (Our Town)
β
The mind of Caesar. It is the reverse of most men's. It rejoices in committing itself. To us arrive each day a score of challenges; we must say yes or no to decisions that will set off chains of consequences. Some of us deliberate; some of us refuse the decision, which is itself a decision; some of us leap giddily into the decision, setting our jaws and closing our eyes, which is the sort of decision of despair. Caesar embraces decision. It is as though he felt his mind to be operating only when it is interlocking itself with significant consequences. Caesar shrinks from no responsibility. He heaps more and more upon his shoulders.
β
β
Thornton Wilder (The Ides of March)
β
Y'know β Babylon once had two million people in it, and all we know about 'em is the names of the kings and some copies of wheat contracts . . . and contracts for the sale of slaves. Yet every night all those families sat down to supper, and the father came home from his work, and the smoke went up the chimney,β same as here. And even in Greece and Rome, all we know about the real life of the people is what we can piece together out of the joking poems and the comedies they wrote for the theatre back then.
So I'm going to have a copy of this play put in the cornerstone and the people a thousand years from now'll know a few simple facts about us β more than the Treaty of Versailles and the Lind-bergh flight.
See what I mean?
So β people a thousand years from now β this is the way we were in the provinces north of New York at the beginning of the twentieth century. β This is the way we were: in our growing up and in our marrying and in our living and in our dying.
Said by the Stage Manager
β
β
Thornton Wilder (Our Town)
β
He divided the inhabitants of this world into two groups, into those who had loved and those who had not. It was a horrible aristocracy, apparently, for those who had no capacity for love (or rather for suffering in love) could not be said to be alive and certainly would not live again after their death. They were a kind of straw population, filling the world with their meaningless laughter and tears and chatter and disappearing still lovable and vain into thin air. For this distinction he cultivated his own definition of love that was like no other and that had gathered all its bitterness and pride from his odd life. He regarded love as a sort of cruel malady through which the elect are required to pass in their late youth and from which they emerge, pale and wrung, but ready for the business of living. There was (he believed) a great repertory of errors mercifully impossible to human beings who had recovered from this illness. Unfortunately there remained to them a host of failings, but at least (from among many illustrations) they never mistook a protracted amiability for the whole conduct of life, they never again regarded any human being, from a prince to a servant, as a mechanical object.
β
β
Thornton Wilder (The Bridge of San Luis Rey)
β
Cesar is not a philosophical man. His life has been one long flight from reflection. At least he is clever enough not to expose the poverty of his general ideas; he never permits the conversation to move toward philosophical principles. Men of his type so dread all deliberation that they glory in the practice of the instantaneous decision. They think they are saving themselves from irresolution; in reality they are sparing themselves the contemplation of all the consequences of their acts. Moreover, in this way they can rejoice in the illusion of never having made a mistake; for act follows so swiftly on act that it is impossible to reconstruct the past and say that an alternative decision would have been better. They can pretend that every act was forced on them under emergency and that every decision was mothered by necessity
β
β
Thornton Wilder (The Ides of March)