Torch Quotes

We've searched our database for all the quotes and captions related to Torch. Here they are! All 200 of them:

I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.
John Green (Looking for Alaska)
Student is not a container you have to fill but a torch you have to light up.
Albert Einstein (Ideas and Opinions)
But you, Helene Aquilla, are no swift-burning spark. You are a torch against the night - if you dare to let yourself burn.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
Margaret Atwood
So long as you fight the darkness, you stand in the light.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
It is like a lighted torch whose flame can be distributed to ever so many other torches which people may bring along; and therewith they will cook food and dispel darkness, while the original torch itself remains burning ever the same. It is even so with the bliss of the Way.
Gautama Buddha (The Sutra Of The Forty-Two Sections)
Your emotions make you human. Even the unpleasant ones have a purpose. Don't lock them away. If you ignore them, they just get louder and angrier.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Failure doesn't define you. It's what you do after you fail that determines whether you are a leader or a waste of perfectly good air.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The wind was moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!
J.R.R. Tolkien (The Hobbit, or There and Back Again)
What is admired in one generation is abhorred in another. We cannot say who will survive the holocaust of memory… We are men only, a brief flare of the torch.
Madeline Miller (The Song of Achilles)
A word to the unwise. Torch every book. Char every page. Burn every word to ash. Ideas are incombustible. And therein lies your real fear.
Ellen Hopkins
Sometimes life gets in your way. it gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it Learn how to make it your own. it wants you to grab and axe and hack through the wood. It wants you to get a sledgehammer and break through concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it.
Colleen Hoover (Slammed (Slammed, #1))
This is the true joy in life, being used for a purpose recognized by yourself as a mighty one. Being a force of nature instead of a feverish, selfish little clod of ailments and grievances, complaining that the world will not devote itself to making you happy. I am of the opinion that my life belongs to the whole community and as long as I live, it is my privilege to do for it what I can. I want to be thoroughly used up when I die, for the harder I work, the more I live. I rejoice in life for its own sake. Life is no brief candle to me. It is a sort of splendid torch which I have got hold of for the moment and I want to make it burn as brightly as possible before handing it on to future generations.
George Bernard Shaw
We each have a special something we can get only at a special time of our life. like a small flame. A careful, fortunate few cherish that flame, nurture it, hold it as a torch to light their way. But once that flame goes out, it’s gone forever.
Haruki Murakami (Sputnik Sweetheart)
I could torch him if you would like,” Tairn offers. “But you do seem attached.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
Life is no brief candle to me. It is a sort of splendid torch which I have got a hold of for the moment, and I want to make it burn as brightly as possible before handing it on to future generations.
George Bernard Shaw
If you hear the dogs, keep going. If you see the torches in the woods, keep going. If there's shouting after you, keep going. Don't ever stop. Keep going. If you want a taste of freedom, keep going.
Harriet Tubman
Fools pay attention to words in a fight. Warriors take advantage of them.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Perhaps I have become so accustomed to the burden of secrets that I do not notice their weight until I am free of it.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Oskar Scultetus said, “Two of my men have been ordered to cut two of the guy wires holding the transmission tower in place, and they are already doing so  using  oxy-acetylene torches. When they have done it, the tower will fall!
Michael G. Kramer (His Forefathers and Mick)
O! she doth teach the torches to burn bright It seems she hangs upon the cheek of night Like a rich jewel in an Ethiop's ear; Beauty too rich for use, for earth too dear. - Romeo -
William Shakespeare (Romeo and Juliet)
Don't lock yourself away from those who care about you because you think you'll hurt them or they'll hurt you. What point is there in being human if you don't let yourself feel anything?
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Laia is curled in a ball on the other, one hand on her armlet, fast asleep. "You are my temple", I murmur as I knee beside her. "You are my priest. You are my prayer. You are my release."- Elias
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
We're here for a reason. I believe a bit of the reason is to throw little torches out to lead people through the dark.
Whoopi Goldberg
The real damage is done by those millions who want to 'survive.' The honest men who just want to be left in peace. Those who don’t want their little lives disturbed by anything bigger than themselves. Those with no sides and no causes. Those who won’t take measure of their own strength, for fear of antagonizing their own weakness. Those who don’t like to make waves—or enemies. Those for whom freedom, honour, truth, and principles are only literature. Those who live small, mate small, die small. It’s the reductionist approach to life: if you keep it small, you’ll keep it under control. If you don’t make any noise, the bogeyman won’t find you. But it’s all an illusion, because they die too, those people who roll up their spirits into tiny little balls so as to be safe. Safe?! From what? Life is always on the edge of death; narrow streets lead to the same place as wide avenues, and a little candle burns itself out just like a flaming torch does. I choose my own way to burn.
Sophie Scholl
It takes only a split second for life to go horribly wrong. To fix the mess, I need a thousand things to go right. The distance from one bit of luck to the next feels as great as the distance across oceans. But, I decide in this moment, I will bridge that distance, again and again, until I win. I will not fail.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
You are my temple. You are my priest. You are my prayer. You are my release.
Sabaa Tahir (A Reaper at the Gates (An Ember in the Ashes, #3))
Children are born to break their mothers’ hearts, my boy.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
This was why people got mated, Rehv suddenly thought. Fuck the sex and the social position. If they were smart, they did it to make a house that had no walls and an invisible roof and a floor that no could walk on-and yet the structure was a shelter no storm could blow down, no match could torch up, no passage of years could degrade. That was when it hit him. A mated bond like that helped you through shit nights like this.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Don't look so worried. Most successful missions are just a series of barely averted disasters.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
I will not die an unlived life. I will not live in fear of falling or catching fire. I choose to inhabit my days, to allow my living to open me, to make me less afraid, more accessible; to loosen my heart until it becomes a wing, a torch, a promise. I choose to risk my significance, to live so that which came to me as seed goes to the next as blossom, and that which came to me as blossom, goes on as fruit.
Dawna Markova (I Will Not Die an Unlived Life: Reclaiming Purpose and Passion)
So you've made a few bad decisions. So have I. So has Elias. So has everyone attempting to do something difficult. That doesn't mean that you give up, you fool. Do you understand?
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Elias and Laia are each other’s countermelodies. I am just a dissonant note.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Whatever torch we kindle, and whatever space it may illuminate, our horizon will always remain encircled by the depth of night.
Arthur Schopenhauer (The World as Will and Representation, Volume II)
He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?
Ray Bradbury (Fahrenheit 451)
Chiron, I don't think the attic is the proper place for our new Oracle, do you?" "No, indeed." Chiron looked a lot better now that Apollo had worked some medical magic on him. "Rachel may use a guest room in the Big House for now, until we give the matter more thought." "I'm thinking a cave in the hills," Apollo mused. "With torches and a big purple curtain over the entrance . . . really mysterious. But inside, a totally decked-out pad with a game room and one of those home theater systems.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never - could never - set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
True suffering lies in the expectation of pain as much as in the pain itself.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Islam and Christianity promise eternal paradise to the faithful. And that is a powerful opiate, certainly, the hope of a better life to come. But there's a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe'a al-Adiwiyah, a great woman saint of Sufism, was seem running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, 'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven of fear of hell, but because He is God.
John Green (Looking for Alaska)
His love for her was a gift he gave her daily, expecting nothing in return. He walked at her side, his love for her a torch to guide her footsteps along the dark path she walked.
Margaret Weis (Dragons of a Fallen Sun (Dragonlance: The War of Souls, #1))
The Somebody Else's Problem field is much simpler and more effective, and what's more can be run for over a hundred years on a single torch battery. This is because it relies on people's natural disposition not to see anything they don't want to, weren't expecting, or can't explain.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
After the keen still days of September, the October sun filled the world with mellow warmth...The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her...In October any wonderful unexpected thing might be possible.
Elizabeth George Speare (The Witch of Blackbird Pond)
But there’s a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe’a al-Adiwiyah, a great woman saint of Sufism, was seen running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, ‘I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.
John Green (Looking for Alaska)
She chuckles again. “Because sane plans never work, girl,” she says. “Only the mad ones do.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Every challenge you encounter in life is a fork in the road. You have the choice to choose which way to go - backward, forward, breakdown or breakthrough.
Ifeanyi Enoch Onuoha (Overcoming the Challenges of Life)
You are a torch against the night - if you dare to let yourself burn.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Please don't go." He let out an uneven breath. "You'll be fine without me. You always have been." Maybe once, but not now. "How can I convince you to stay?" "You can't." She threw down the torch. "Do you want me to beg, is that it?" "No-never." "Then tell me-" "What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.” “But why? Why can’t you let it go?” He grabbed her shoulders and shook her. “Because I love you!” Her mouth fell open. “I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.” The only sounds were their breathing, an uneven beat against the rushing of the sewer river. “You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you." And then she kissed him.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
There is in every village a torch - the teacher; and an extinguisher - the priest.
Victor Hugo
Mercy is weakness. Offer it to your enemies and you might as well fall upon your own sword.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
You must reach inside yourselves where I live like a story, not old, not young laughing at my own sorrow, weeping pearls at weddings, wielding a torch to melt sand into something clear and bright.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
I am of the opinion that my life belongs to the community, and as long as I live, it is my privilege to do for it whatever I can. I want to be thoroughly used up when I die, for the harder I work, the more I live. Life is no 'brief candle' to me. It ia a sort of splendid torch which I have got hold of for a moment, and I want to make it burn as brightly as possible before handing it on to the future generations.
George Bernard Shaw
A light which lives on what the flames devour, a grey landscape surrounding me with scorch, a crucifixion by a single wound, a sky and earth that darken by each hour, a sob of blood whose red ribbon adorns a lyre without a pulse, and oils the torch, a tide which stuns and strands me on the reef, a scorpion scrambling, stinging in my chest-- this is the wreath of love, this bed of thorns is where I dream of you stealing my rest, haunting these sunken ribs cargoed with grief. I sought the peak of prudence, but I found the hemlock-brimming valley of your heart, and my own thirst for bitter truth and art. - Stigmata of Love
Federico García Lorca
Don't lose yourself to anger. It's gasoline. You can burn it as fuel, or you can use it to torch everything you care about and end up standing on a scorched battlefield, with everybody dead, even you-only your body doesn't have the good grace to quit breathing
Karen Marie Moning
The rest is just wishes and hope, the most fragile of things.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Ever hold your hand over a torch (sorry, a flashlight for you Americans).
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I felt the fangs against my neck and knew I was going to die. It was horrible. I wanted to live so, so badly...but this was how it would end. With my last moments, I started to yell at Christian to run, but then the Strigoi above my suddenly lit up like a torch. He jerked back, and I rolled out from underneath him. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I turned to Christian, who was crouched on the ground. "Wow," I said, helping him up. Obviously, he was the one who had saved me. "No shit," he said. "Didn't know I had that much power.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
But you are not finished. You are my masterpiece, Helene Aquilla, but I have just begun. If you survive, you shall be a force to be reckoned with in this world. But first you will be unmade. First, you will be broken.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Maybe there is another who sees life not as a flickering candle but as a torch that can illuminate an undiscovered world.
Jimmy Buffett (A Salty Piece of Land)
Alone in the hallway, Celaena watched the shadows cast by the torches. It hadn't been the mere impossibility of a relationship with Ilias that had made her pull away. No; it was the memory of Sam's face that had stopped her from kissing him.
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
Sometimes loneliness is a choice.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Science knows no country, because knowledge belongs to humanity, and is the torch which illuminates the world.
Louis Pasteur
Neither torch nor dagger," Annabeth said firmly. "There is a third test, which I will pass." "A third test?" the pater demanded. "Mithras was born from rock," Annabeth said, hoping she was right. "He emerged fully grown from the stone, holding his dagger and torch." The screaming and wailing told her she had guessed correctly. "The big mother knows all!" a ghost cried. "That is our most closely guarded secret!" Then maybe you shouldn't put a statue of it on your altar, Annabeth thought.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
I just want to be loved, is that so wrong?!
Harvey Fierstein (Torch Song Trilogy)
I know what love feels like, but this, this man... fuck me. Steals my breath. Knots me up. Torches me." "No, this is what denying love feels like, man. Why you denying your heart?
Adrian Phoenix (In the Blood (The Maker's Song, #2))
Poverty can turn a person into a flaming torch for change and revolution, without which mankind would come to a standstill.
Jean Sasson
And how I watched my little sister become a human torch. Closing my eyes doesn't help. Fire burns brighter in the darkness.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Patriotism, n. Combustible rubbish ready to the torch of any one ambitious to illuminate his name. In Dr. Johnson's famous dictionary patriotism is defined as the last resort of a scoundrel. With all due respect to an enlightened but inferior lexicographer I beg to submit it is the first.
Ambrose Bierce
Look back, hold a torch to light the recesses of the dark. Listen to the footsteps that echo behind, when you walk alone. All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see the shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our ghosts; we haunt ourselves. Each ghost comes unbidden from the misty grounds of dream and silence. Our rational minds say, "No, it isn't." But another part, an older part, echoes always softly in the dark, "Yes, but it could be.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I carry a torch in one hand And a bucket of water in the other: With these things I am going to set fire to Heaven And put out the flames of Hell So that voyagers to God can rip the veils And see the real goal.
Rābiʻah al-ʻAdawīyah
Let us each take up our flaming torches and mount as the blazing fireballs of light that we are and let's burn the skies and leave it with deep scars and let them be our signatures upon eternity as we go forth!
C. JoyBell C.
Family is worth dying for, killing for. Fighting for them is all that keeps us going when everything else is gone.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Write with your eyes like painters, with your ears like musicians, with your feet like dancers. You are the truthsayer with quill and torch. Write with your tongues on fire.
Gloria E. Anzaldúa
Not every story has a happy ending, but that doesn't mean it's not worth telling.
Steven dos Santos (The Culling (The Torch Keeper, #1))
It is almost impossible to carry the torch of truth through a crowd without singeing somebody's beard.
Georg Christoph Lichtenberg
I want to be thoroughly used up when I die, for the harder I work, the more I live. I rejoice in life for its own sake. Life is no ‘brief candle’ to me. It is sort of a splendid torch which I have a hold of for the moment, and I want to make it burn as brightly as possible before handing it over to future generations.
George Bernard Shaw
His eyes are unfathomably sad as he lifts my chin. "Most people," Cain says, "are nothing but glimmers in the great darkness of time. But you, Helene Aquilla, are no swift-burning spark. You are a torch against the night -- if you dare to let yourself burn.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Every poem is a coat of arms. It must be deciphered. How much blood, how many tears in exchange for these axes, these muzzles, these unicorns, these torches, these towers, these martlets, these seedlings of stars and these fields of blue!
Jean Cocteau
In Flanders fields the poppies blow Between the crosses, row on row That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below We are the Dead. Short days ago We lived, felt dawn saw sunset glow Loved and were loved, and now we lie In Flanders fields Take up our quarrel with the foe; To you, from falling hands we throw The torch; be yours to hold it high If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields.
John McCrae
The stars are so different when you're free.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Books are flesh-and-blood ideas and cry out, silently, when put to the torch.
Ray Bradbury
Few people want witnesses to their pain, and grief is the worst pain of all.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Let the word go forth from this time and place, to friend and foe alike, that the torch has been passed to a new generation of Americans, born in this century, tempered by war, disciplined by a hard and bitter peace, proud of our ancient heritage, and unwilling to witness or permit the slow undoing of those human rights to which this nation has always been committed, and to which we are committed today at home and around the world. Let every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.
John F. Kennedy
Failure doesn’t define you. It’s what you do after you fail that determines whether you are a leader or a waste of perfectly good air.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Some people today are wandering generalities instead of meaningful specifics because they have failed to discover and mine the wealth of potentials in them.
Ifeanyi Enoch Onuoha
Veturius is a Mask like the rest of us, yes. Bold, brave, strong, swift. But those were afterthoughts for him. Elias sees people as they should be, not as they are. He laughs at himself. He gives of himself - in everything he does. [...] He's the things that I can't be. He's good.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Man is born to trouble. Man is born for trouble. Man is born to battle trouble. Man is born for the fight, to be forged and molded--under torch and hammer and chisel--into a sharper, finer, stronger image of God.
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
Rise, Elias Veturius.” Tas smacks my face, and I blink at him in surprise. His eyes are fierce. “You gave me a name,” he says. “I want to live to hear it on the lips of others. Rise.” I
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Libraries are a force for good. They wear capes. They fight evil. They don’t get upset when you don’t send them a card on their birthdays. (Though they will charge you if you’re late returning a book.) They serve communities. The town without a library is a town without a soul. The library card is a passport to wonders and miracles, glimpses into other lives, religions, experiences, the hopes and dreams and strivings of ALL human beings, and it is this passport that opens our eyes and hearts to the world beyond our front doors, that is one of our best hopes against tyranny, xenophobia, hopelessness, despair, anarchy, and ignorance. Libraries are the torch of the world, illuminating the path when it feels too dark to see. We mustn’t allow that torch to be extinguished.
Libba Bray
Willpower alone cannot change one’s fate.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Sun gives light; torch gives light, candle gives light; smiling gives light.
Mehmet Murat ildan
Astonishingly, at some point, a sputtering torch was thrust into her hands. Alma did not see who gave it to her. She had never before been entrusted with fire. The torch spit sparks and sent chunks of flaming tar spinning into the air behind her as she bolted across the cosmos-the only body in the heavens who was not held to a strict elliptical path. Nobody stopped her. She was a comet. She did not know that she was not flying.
Elizabeth Gilbert (The Signature of All Things)
Perhaps grief is like battle: After experiencing enough of it, your body’s instincts take over. When you see it closing in like a Martial death squad, you harden your insides. You prepare for the agony of a shredded heart. And when it hits, it hurts, but not as badly, because you have locked away your weakness, and all that’s left is anger and strength.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Teamwork is the secret that make common people achieve uncommon result.
Ifeanyi Enoch Onuoha
Far over the Misty Mountains cold, To dungeons deep and caverns old, We must away, ere break of day, To seek our pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells, In places deep, where dark things sleep, In hollow halls beneath the fells. The pines were roaring on the heights, The wind was moaning in the night, The fire was red, it flaming spread, The trees like torches blazed with light.
J.R.R. Tolkien (The Hobbit, or There and Back Again)
There is more to this life than love, Helene Aquilla. There is duty. Empire. Family. Gens. The men you lead. The promises you make.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
If your sins were blood, child, you would drown in a river of your own making.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Burn, burn tree and fern! Shrivel and scorch! A fizzling torch To light the night for our delight, Ya hey! Bake and toast ‘em, fry and roast ‘em! till beards blaze, and eyes glaze; till hair smells and skins crack, fat melts, and bones black in cinders lie beneath the sky! So dwarves shall die, and light the night for our delight, Ya hey! Ya-harri-hey! Ya hoy!
J.R.R. Tolkien (The Hobbit, or There and Back Again)
All great movements are popular movements. They are the volcanic eruptions of human passions and emotions, stirred into activity by the ruthless Goddess of Distress or by the torch of the spoken word cast into the midst of the people.
Adolf Hitler
Their useless torches on dry hedges throw, That catch the flames, and kindle all the row; So burns the God, consuming in desire, And feeding in his breast a fruitless fire
Ovid (Ovid: Metamorphoses Books IX–XII (Aris & Phillips Classical Texts) (Latin Edition))
I admit that reason is a small and feeble flame, a flickering torch by stumblers carried in the star-less night, -- blown and flared by passion's storm, -- and yet, it is the only light. Extinguish that, and nought remains.
Robert G. Ingersoll
Before she came ill, David's mother would often tell him that stories were alive. They weren't alive in the way that people were alive, or even dogs or cats. (...) Stories were different, though: they came alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by torch light beneath a blanket, they had no real existence in our world. (...) They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination and transform the reader. Stories wanted to be read, David's mother would whisper. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
Secrets are a snake’s way of doing business.” “And snakes survive,
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
How like a mirror, her face. Impossible; for how many people did you know who refracted your own light to you? People were more often - he searched for a simile, found one in his work - torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?
Ray Bradbury (Fahrenheit 451)
The problem with greedy people, Pop once said to me, is that they think everyone else is as greedy as they are
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
This is what it means to have faith, to believe in something greater than yourself.” A
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Like Rabe'a, I didn't think people should believe in God because of heaven and hell. But I didn't feel a need to run around with a torch. You can't burn down a made-up place. 
John Green (Looking for Alaska)
He came to this country like a torch on fire and he swallowed air as he walked forward and he gave out light
Michael Ondaatje (In the Skin of a Lion (Vintage International))
So long as you fight in the darkness, you stand in the light.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
My pen.’ Funny, I wrote that without noticing. ‘The torch’, ‘the paper’, but ‘my pen’. That shows what writing means to me, I guess. My pen is a pipe from my heart to the paper. It’s about the most important thing I own.
John Marsden (The Dead of Night (Tomorrow, #2))
Oh, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope’s ear, Beauty too rich for use, for earth too dear. So shows a snowy dove trooping with crows As yonder lady o'er her fellows shows. The measure done, I’ll watch her place of stand, And, touching hers, make blessèd my rude hand. Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night.
William Shakespeare
Find out what makes you kinder, what opens you up and brings out the most loving, generous, and unafraid version of you—and go after those things as if nothing else matters. Because, actually, nothing else does.
Nick Offerman (Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers)
Death never mattered at those times - in the early days I even used to pray for it: the shattering annihilation that would prevent for ever the getting up, the putting on of clothes, the wathchign her torch trail across to the opposite side of the common like the tail-light of a low car driving away.
Graham Greene (The End of the Affair)
You are my priest. You are my prayer. You are my release.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
You fool, Helene. When you love, there is always more pain.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
That's what resistance looks like, Merlin. It's not one glorious, shining victory. It's a torch that you keep burning, no matter what.
A.R. Capetta (Once & Future (Once & Future, #1))
Dumbledore was on his feet again, pale as any of the surrounding Inferi, but taller than any too, the fire dancing in his eyes; his wand was raised like a torch and from its tip emanated the flames, like a vast lasso, encircling them all with warmth.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
It's a long life, sweetheart, and time heals all wounds.
Cheryl Strayed (Torch)
And then the third night was after we broke up, which was worth a million matches but instead just took all I had. That night it felt that somehow by flicking them off the roof, the matches would burn down everything, the sparks from the tips of the flames torching the world and all the heartbroken people in it. Up in smoke I wanted everything, up in smoke I wanted you, although in a movie that wouldn’t work, even, too many effects, too showy for how tiny and bad I felt. Cut that fire from the film, no matter how much I watch it in dailies. But I want it anyway, Ed, I want what can’t possibly happen, and that is why we broke up.
Daniel Handler (Why We Broke Up)
However bright a torch might burn it could never match the rising sun.
George R.R. Martin
Disappear! I scream the word in my mind, queen of the desolate landscape therein, ordering her ragged troops to a last stand.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
You think you can see the light at the end of the tunnel, but it’s only some bugger with a torch bringing you more work.
David Brent
You want a torch or a candle, maybe? You've got your head so far up your own arse, it must be dark in there." -Sam
Kady Cross (The Girl in the Clockwork Collar (Steampunk Chronicles, #2))
How can a body be safe when it's only a body? How can we expect that no stranger will be tempted to torch an empty house?
Lillian Fishman (Acts of Service)
There in the city's steam-and-smoke-smudged harbor is the most extraordinary sight of all: a great copper-clad lady with a torch in one hand and a book in the other. It is not a statesman or a god or a war hero who welcomes us to this new world. It is but an ordinary woman lighting the way- a lady offering us the liberty to pursue our dreams if we've the courage to begin.
Libba Bray
I keep my kindness in my eyes Gently folded around my iris Like a velvety, brown blanket That warms my vision I keep my shyness in my hair Tucked away into a ponytail Looking for a chance to escape On a few loose strands in the air I keep my anger on my lips Just waiting to unleash into the world But trust me; it’s never in my heart It evaporates into words I keep my dignity upon my chin Like a torch held up high For those who have betrayed me Radiating a silent, strong message I keep my gratitude in my smile A glistening waterfall in the sun Gently splashing at that person Who made me happy for some reason I keep my sensitivity in my hands Reaching out for your wet cheek Holding you, with all the love The love I want to share, and feel I keep my passion in my writing My words breathing like fire Screeching against an endless road As I continue to be inspired I keep my simplicity in my soul Spread over me like a clear sky Reflecting all that I am And all that’s ever passed me by And I hope you will look Beyond my ordinary face My simple, tied hair My ordinary tastes And I hope you will see me From everyone...apart As I keep my beauty in my heart.
Sanober Khan
The New Colossus Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. Keep ancient lands, your storied pomp!" cries she with silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!
Emma Lazarus
Children being children, however, the grotesque Hopping Pot had taken hold of their imaginations. The solution was to jettison the pro-Muggle moral but keep the warty cauldron, so by the middle of the sixteenth century a different version of the tale was in wide circulation among wizarding families. In the revised story, the Hopping Pot protects an innocent wizard from his torch-bearing, pitchfork-toting neighbours by chasing them away from the wizard's cottage, catching them and swallowing them whole.
J.K. Rowling (The Tales of Beedle the Bard (Hogwarts Library, #3))
You say: "There are persons who lack education" and you turn to the law. But the law is not, in itself, a torch of learning which shines its light abroad. The law extends over a society where some persons have knowledge and others do not; where some citizens need to learn, and others can teach. In this matter of education, the law has only two alternatives: It can permit this transaction of teaching-and-learning to operate freely and without the use of force, or it can force human wills in this matter by taking from some of them enough to pay the teachers who are appointed by government to instruct others, without charge. But in the second case, the law commits legal plunder by violating liberty and property.
Frédéric Bastiat (The Law)
He was the most ordinary man in all the world, and yet in her memory he'd become luminous, like the prince in a fairy tale.
Cheryl Strayed (Torch)
I thought you told me you loved stories Have you ever heard a story of an adventurer with a sane plan?" "Well... no." "And why do you think that is?" I am at loss. "Because... ah, because—" She chuckles again. "Because sane plans never work girl," she says. "Only the mad ones do.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Some read to remember the home they had left behind, others to forget the hell that surrounded them. Books uplifted their weary souls and energized their minds…books had the power to sooth an aching heart, renew hope for the future, and provide a respite when there was no other escape.
Molly Guptill Manning
You’re sure this is what you want?” I search her eyes for doubt, fear, uncertainty, but all I see is that fire. Ten hells “I’m sure” “Then I’ll find a way
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
I miss you. I'll always miss you. Even when I'm a ghost.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Sorrow. Anger. An expanse of emptiness that takes form as a separate entity living inside of you. It digs, takes root, and dwells there. And somehow, you know that even if it worms its way out, there will be no relief. If it leaves, there will be nothing left but charred remains, like the inside of a house torched by fire.
Ruta Sepetys (I Must Betray You)
[...] Traditionally these are questions for philosophy, but philosophy is dead. Philosophy has not kept up with modern developments in science, particularly physics. Scientists have become the bearers of the torch of discovery in our quest for knowledge.
Stephen W. Hawking (The Grand Design)
You are my temple,” I murmur as I kneel beside her. “You are my priest. You are my prayer. You are my release.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
I met a girl in a U-Haul. A beautiful girl And I fell for her. I fell hard. Unfortunately, sometimes life gets in the way. Life definitely got in my way. It got all up in my damn way, Life blocked the door with a stack of wooden 2x4's nailed together and attached to a fifteen inch concrete wall behind a row of solid steel bars, bolted to a titanium frame that no matter how hard I shoved against it- It wouldn't budge. Sometimes life doesn't budge. It just gets all up in your damn way. It blocked my plans, my dreams, my desires, my wishes, my wants, my needs. It blocked out that beautiful girl That I fell so hard for. Life tries to tell you what's best for you What should be most important to you What should come in first Or second Or third. I tried so hard to keep it all organized, alphabetized, stacked in chronological order, everything in its perfect space, its perfect place. I thought that's what life wanted me to do. This is what life needed for me to do. Right? Keep it all in sequence? Sometimes, life gets in your way. It gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it. It wants you to grab an axe and hack through the wood. It wants you to get a sledgehammer and break through the concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it. Life doesn't want you to let it tell you that your little brother should be the only thing that comes first. Life doesn't want you to let it tell you that your career and your education should be the only thing that comes in second. And life definitely doesn't want me To just let it tell me that the girl I met, The beautiful, strong, amazing, resilient girl That I fell so hard for Should only come in third. Life knows. Life is trying to tell me That the girl I love, The girl I fell So hard for? There's room for her in first. I'm putting her first.
Colleen Hoover
I’d say it’s impossible, but the Commandant trained the word out of me.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
When they got to thew bottom of the stairwell, they stopped dead. Blay's father was facing off with a lesser, a Civil War sword in one hand, a dagger in the other. Behind his Joe Friday glasses, his eyes were lit like torches, and they flicked over for a split second. "Stay out of this. This one's mine." The shit was done faster than you can say, Ninja Dad. Blay's father went Ginsu on the slayer, carving the thing up like a turkey, then stabbing it back to the Omega.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
We've got a generation now who were born with semiequality. They don't know how it was before, so they think, this isn't too bad. We're working. We have our attache' cases and our three piece suits. I get very disgusted with the younger generation of women. We had a torch to pass, and they are just sitting there. They don't realize it can be taken away. Things are going to have to get worse before they join in fighting the battle.
Erma Bombeck
They rode out together from the shadows of the trees, leaving the Bala Hissar and the glowing torch of the burning Residency behind them, and spurred away across the flat lands towards the mountains... And it may even be that they found their Kingdom.
M.M. Kaye (The Far Pavilions)
The first flash of color always excites me as much as the first frail, courageous bloom of spring. This is, in a sense, my season--sometimes warm and, when the wind blows an alert, sometimes cold. But there is a clarity about September. On clear days, the sun seems brighter, the sky more blue, the white clouds take on marvelous shapes; the moon is a wonderful apparition, rising gold, cooling to silver; and the stars are so big. The September storms--the hurricane warnings far away, the sudden gales, the downpour of rain that we have so badly needed here for so long--are exhilarating, and there's a promise that what September starts, October will carry on, catching the torch flung into her hand.
Faith Baldwin (Evening Star (Thorndike Large Print General Series))
Your heart is burning strong with righteous indignation... That flame is scattering sparks that may set fire elsewhere. That fire of yours will one day spread to others seeking a just world. The point is whether you have a torch in your heart or not. To light a fire to others.
Sui Ishida (東京喰種トーキョーグール 2 (Tokyo Ghoul, #2))
Be wary of paramilitaries. When the men with guns who have always claimed to be against the system start wearing uniforms and marching with torches and pictures of a leader, the end is nigh. When the pro-leader paramilitary and the official police and military intermingle, the end has come.
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
Several minutes passed. Several more. Nothing but silence and darkness. "I think they're gone," Brenda whispered. She flicked on her torch. "Hello, noses!" a hideous voice yelled from the room. Then a bloody hand reached through the doorway and grabbed Thomas by the shirt.
James Dashner (The Scorch Trials (The Maze Runner, #2))
Daisy. She seem to blaze like a torch. James had always known she was beautiful-How he always known? Have there been a moment he had realized it? – But still the sight of her hit him like a blow. She was all fire, or heat and light, from the gold silk roses woven into her dark red hair to the ribbons and beads on her golden dress. The hilt of Cortana was visible over her left shoulder; the straps that secured it had been fashioned from thick gold ribbons.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
I knew this was still here somewhere." He pulls a knife from the back of the drawer, takes it out of its sheath and shines the torch on it. I move closer until our shoulders touch. "That's beautiful," I whisper. "You gave this to me." I take the knife. It's heavier than I expect. "Please, tell me it was a gift and not something I stabbed you with.
Paula Weston (Shimmer (The Rephaim, #3))
Humanity looked in awe upon the beauty and the everlasting duration of creation. The exquisite sky flooded with sunlight. The majesty of the dark night lit by celestial torches as the holy planetary powers trace their paths in the heavens in fixed and steady metre - ordering the growth of things with their secret infusions.
Hermes Trismegistus (Corpus Hermeticum)
I had long ago discovered that when a word or formula refused to come to mind the best thing for it was to think of something else: tigers for instance or oatmeal. Then when the fugitive word was least expecting it I would suddenly turn the full blaze of my attention back onto it catching the culprit in the beam of my mental torch before it could sneak off again into the darkness.
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce #3))
Sign on, young man, and sail with me. The stature of our homeland is no more than the measure of ourselves. Our job is to keep her free. Our will is to keep the torch of freedom burning for all. To this solemn purpose we call on the young, the brave, the strong, and the free. Heed my call, Come to the sea. Come Sail with me.
John Paul Jones
It’s the reductionist approach to life: if you keep it small, you’ll keep it under control. If you don’t make any noise, the bogeyman won’t find you. But it’s all an illusion, because they die too, those people who roll up their spirits into tiny little balls so as to be safe. Safe?! From what? Life is always on the edge of death; narrow streets lead to the same place as wide avenues, and a little candle burns itself out just like a flaming torch does. I choose my own way to burn.
Sophie Scholl
Do you still have feelings for him?” And she wants to be honest, to say that of course she does. She never gets closure, never gets to say good-bye—no periods, or exclamations, just a lifetime of ellipses. Everyone else starts over, they get a blank page, but hers are full of text. People talk about carrying torches for old flames, and it’s not a full fire, but Addie’s hands are full of candles. How is she supposed to set them down, or put them out? She has long run out of air. But it is not love. It is not love, and that is what he’s asking.
Victoria Schwab (The Invisible Life of Addie LaRue)
Sorry is a callous inadequacy.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Work hard. Do good. Be incredible!
Cheryl Strayed (Torch)
A kind of joyous hysteria moved into the room, everything flying before the wind, vehicles outside getting dented to hell, the crowd sweaty and the smells of aftershave, manure, clothes dried on the line, your money’s worth of perfume, smoke, booze; the music subdued by the shout and babble through the bass hammer could be felt through the soles of the feet, shooting up the channels of legs to the body fork, center of everything. It is the kind of Saturday night that torches your life for a few hours, makes it seem like something is happening.
Annie Proulx (Close Range: Wyoming Stories)
Paine suffered then, as now he suffers not so much because of what he wrote as from the misinterpretations of others... He disbelieved the ancient myths and miracles taught by established creeds. But the attacks on those creeds - or on persons devoted to them - have served to darken his memory, casting a shadow across the closing years of his life. When Theodore Roosevelt termed Tom Paine a 'dirty little atheist' he surely spoke from lack of understanding. It was a stricture, an inaccurate charge of the sort that has dimmed the greatness of this eminent American. But the true measure of his stature will yet be appreciated. The torch which he handed on will not be extinguished. If Paine had ceased his writings with 'The Rights of Man' he would have been hailed today as one of the two or three outstanding figures of the Revolution. But 'The Age of Reason' cost him glory at the hands of his countrymen - a greater loss to them than to Tom Paine. I was always interested in Paine the inventor. He conceived and designed the iron bridge and the hollow candle; the principle of the modern central draught burner. The man had a sort of universal genius. He was interested in a diversity of things; but his special creed, his first thought, was liberty. Traducers have said that he spent his last days drinking in pothouses. They have pictured him as a wicked old man coming to a sorry end. But I am persuaded that Paine must have looked with magnanimity and sorrow on the attacks of his countrymen. That those attacks have continued down to our day, with scarcely any abatement, is an indication of how strong prejudice, when once aroused, may become. It has been a custom in some quarters to hold up Paine as an example of everything bad. The memory of Tom Paine will outlive all this. No man who helped to lay the foundations of our liberty - who stepped forth as the champion of so difficult a cause - can be permanently obscured by such attacks. Tom Paine should be read by his countrymen. I commend his fame to their hands. {The Philosophy of Paine, June 7, 1925}
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
Well,” said a very amused voice. “This is unexpected.” Tessa sat bolt upright, pulling the heavy coverlet around her. Beside her, Will stirred, propping himself up on his elbows, eyelids fluttering open slowly. “What—” The room was filled with bright light. The torches had come on at full strength, and it was like the place was lit with daylight. Tessa could see the wreck of the room that they had made: their clothes scattered across the floor and the bed, the rug before the fireplace rucked up, the bedclothes wound about them. On the other side of the invisible wall was lounging a familiar figure in an elegant dark suit, one thumb hooked into the waistband of his trousers. His cat-pupilled eyes glimmered with mirth. Magnus Bane. “You might want to get up,” he said. “Everyone will be here quite soon to rescue you, and you may prefer to have clothes on when they arrive.” He shrugged. “I would, at any rate, but then, I am well known to be remarkably shy.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her. The dried brown leaves crackled beneath her feet and gave off a delicious smoky fragrance. No one had ever told her about autumn in New England. The excitement of it beat in her blood. Every morning she woke with a new confidence and buoyancy she could not explain. In October any wonderful unexpected thing might be possible.
Elizabeth George Speare (The Witch of Blackbird Pond)
Right now we live in an age of extreme Political Correctness. It has gone way too far. I hope it's just a phase. Political Correctness is now just a fancy word for censorship. It's no longer about protecting the weak. It has become an excuse to persecute others, because persecuting people is fun. Don't you dare say or think the wrong thing, or a Twitter mob of angry villagers will come after you with digital torches and metaphorical pitchforks.
Oliver Markus Malloy (Why Creeps Don't Know They're Creeps - What Game of Thrones can teach us about relationships and Hollywood scandals (Educated Rants and Wild Guesses, #2))
I only wanted to . . . I mean, just now, when Mr. George interrupted us, there was something very important I wanted to say to you.” “It is about what I told you in the church yesterday? I mean, I can understand that you may think me crazy because I see these beings, but a psychiatrist wouldn’t make any difference.” Gideon frowned. “Just keep quiet for a moment, would you? I have to pluck up all my courage to make you a declaration of love . . . I’ve had absolutely no practice in this kind of thing.” “What?” “Gwyneth,” he said, perfectly seriously, “I’ve fallen in love with you.” My stomach muscles contracted as if I’d had a shock. But it was joy. “Really?” “Yes, really!” In the light of the torch I saw Gideon smile. “I do realize we’ve known each other for less than a week, and at first I thought you were rather . . . childish, and I probably behaved badly to you. But you’re terribly complicated, I never know what you’ll do next, and in some ways you really are terrifyingly . . . er. . . naïve. Sometimes I just want to shake you.” “Okay, I can see you were right about having no practice in making declarations of love,” I agreed. “But then you’re so amusing, and clever, and amazingly sweet,” Gideon went on, as if he hadn’t heard me. “And the worst of it is, you only have to be in the same room and I need to touch you and kiss you . . .” “Yes, that’s really too bad,” I whispered, and my heart turned over as Gideon took the hatpin out of my hair, tossed the feathered monstrosity into the air to fall on the floor, draw me close, and kissed me. About three minutes later, I was leaning against the wall, totally breathless, making an effort to stay upright. “Hey, Gwyneth, try breathing in and out in the normal way,” said Gideon, amused. I gave him a little push. “Stop that! I can’t believe how conceited you are!” “Sorry. It’s just such a . . . a heady feeling to think you’d forget to breathe on my account.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
It's a trick question, Aquilla. A Mask is not made. She is remade. First she is destroyed. Stripped down to the trembling child that lives at her core. It doesn't matter how strong she thinks she is. Blackcliff diminishes, humiliates, and humbles her." "But if she survives, she is reborn. She rises from the shadow world of failure and despair so that she might become as fearful as that which destroyed her. So that she might know darkness and use it as her scim and shield in her mission to serve the Empire.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Life isn't just about passing on your genes. We can leave behind much more than just DNA. Through speech, music, literature and movies...what we've seen, heard, felt...anger, joy and sorrow...these are the things I will pass on. That's what I live for. We need to pass the torch, and let our children read our messy and sad history by its light.We have all the magic of the digital age to do that with. The human race will probably come to an end some time, and new species may rule over this planet. Earth may not be forever, but we still have the responsibility to leave what traces of life we can. Building the future and keeping the past alive are one and the same thing.
Solid Snake
Perhaps not to be is to be without your being, without your going, that cuts noon light like a blue flower, without your passing later through fog and stones, without the torch you lift in your hand that others may not see as golden, that perhaps no one believed blossomed the glowing origin of the rose, without, in the end, your being, your coming suddenly, inspiringly, to know my life, blaze of the rose-tree, wheat of the breeze: and it follows that I am, because you are: it follows from ‘you are’, that I am, and we: and, because of love, you will, I will, We will, come to be.
Pablo Neruda
It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know. . . . Mean we think of phenomenal change as being the very essence of time, when it's not at all. Time is something which defies spring and water, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no 'I,' and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstasy.
Donna Tartt
Taking the line of least resistance, we lump the most different people together under the same heading. Taking the line of least resistance, we ascribe to them collective crimes, collective acts and opinions. "The Serbs have massacred…", "The English have devastated…", "The Jews have confiscated…", "The Blacks have torched", "The Arabs refuse…". We blithely express sweeping judgments on whole peoples, calling them "hardworking" and "ingenious", or "lazy", "touchy", "sly", "proud", or "obstinate". And sometimes this ends in bloodshed." – Amin Maalouf "On Identity
Amin Maalouf
Torch strode over and stared at the fiver "What's this?" "Some change for you. Buy your flunkies some decent clothes." I dipped my fingers into the jar and smeared think fragrant paste on my face. Torch frowned, mirroring the expression on my aunt's face. "Change?" Oh, for crying out loud. "It's money. We don't use coins as currency now, we use paper money." He stared at me. "I'm insulting you! I'm saying your poor, like a beggar, because your undead are in rags. I'm offering to clothe your servants for you, because you can't provide for them. Come on, how thick do you have to be?" He jerked his hand up. A jet of flame erupted from his fingers, sliding against the ward. I jerked back from the windows on instinct. The fire died. I leaned forward. "Do you understand now?" More fire. "What's the matter? Was that not enough money?
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
The god of Delos, proud in victory, Saw Cupid draw his bow's taut arc, and said: 'Mischievous boy, what are a brave man's arms To you? That gear becomes my shoulders best. My aim is sure; I wound my enemies, I wound wild beasts; my countless arrows slew But now the bloated Python, whose vast coils Across so many acres spread their blight. You and your loves! You have your torch to light them!Let that content you; never claim my fame!' And Venus' son replied: 'Your bow, Apollo, May vanquish all, but mine shall vanquish you. As every creature yields to power divine, So likewise shall your glory yield to mine.
Ovid (Metamorphoses)
What is much harder to handle is the sense that you have to live up to the mark someone else has set for you. The grades become too important, the competition too frantic, the fear of disappointing those who believe in you turns into an overwhelming nightmare. And it is desperately unfair to the boy. He cannot live his parents' life over again for them. He cannot make up for their own lacks, their own unfulfillments. He cannot carry their torch -- only his own.
Sydney J. Harris (The Best of Sydney J. Harris)
It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy ... we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a pack of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared – she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.
Tom Stoppard (The Real Thing)
The decision-making part of the brain of an individual who has been using crystal meth is very interesting. When Carly and Andy were in their apartment, they ran out of drugs. They sold every single thing they had except two things: a couch and a blow torch. They had to make a decision because something had to be sold to buy more drugs. A normal person would automatically think, Sell the blow torch. But Andy and Carly sat on the couch, looking at the couch and looking at the blow torch, and the choice brought intense confusion. The couch? The blow torch? I mean, we may not need the blow torch today, but what about tomorrow? If we sell the couch, we can still sit wherever we want. But the blow torch? A blow torch is a very specific item. If you’re doing a project and you need a blow torch, you can’t substitute something else for it. You would have to have a blow torch, right? In the end, they sold the couch.
Dina Kucera (Everything I Never Wanted to Be: A Memoir of Alcoholism and Addiction, Faith and Family, Hope and Humor)
However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie. All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.
Virginia Woolf (A Room of One’s Own)
Perseus Jackson, I do expect you to refrain from causing any more trouble. " "Trouble?" I demanded. Dionysus snapped his fingers. A newspaper appeared on the table-the front page of today's New York Post, There was my yearbook picture from Meriwether Prep. It was hard for me to make out the headline, but I had a pretty good guess what it said. Something like: ...Perseus Jackson, I do expect you to refrain from causing any more trouble. " "Trouble?" I demanded. Dionysus snapped his fingers. A newspaper appeared on the table-the front page of today's New York Post, There was my yearbook picture from Meriwether Prep. It was hard for me to make out the headline, but I had a pretty good guess what it said. Something like: Thirteen- Year-Old Lunatic Torches Gymnasium.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
In mine, in space, in city and sky, we have lived our lives in fear. Fear of death. Fear of pain. Today, fear only that we fail. We cannot. We stand upon the edge of darkness holding the lone torch left to man. That torch will not go out. Not while I draw breath. Not while your hearts beat in your chests. Not while our ships yet have menace in them. Let others dream. Let others sing. We chosen few are the fire of our people." I beat my chest. "We are not Red, not Blue or Gold or Gray or Obsidian. We are humanity. We are the tide. And today we reclaim the lives that have been stolen from us. We build the future we were promised.
Pierce Brown (Morning Star (Red Rising Saga, #3))
The world soon to be largely populated by men who would eat your children in front of your eyes and the cities themselves held by cores of blackened looters who tunneled among the ruins and crawled from the rubble white of tooth and eye carrying charred and anynymous tins of food in nylon nets like shoppers in the commissaries of hell. The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes. Out on the roads the pilgrims sank down and fell over and died and the bleak and shrouded earth went trundling past the sun and returned again as trackless and as unremarked as the path of any nameless sisterworld in the ancient dark beyond.
Cormac McCarthy (The Road)
I knew a man once,” Al Sorna continued, “who loved a woman very much. But he had a duty to perform, a duty he knew would cost him his life, and hers too if she stayed with him. And so he tricked her and had her taken far away. Sometimes that man tries to cast his thoughts across the ocean, to see if the love they shared has turned to hate, but he finds only distant echoes of her fierce compassion, a life saved here, a kindness done there, like smoke trailing after a blazing torch. And so he wonders, does she hate me? For she has much to forgive, and between lovers,” his gaze switched from her to me, “betrayal is always the worst sin.
Anthony Ryan (Blood Song (Raven's Shadow, #1))
Wilt thou be gone? it is not yet near day: It was the nightingale, and not the lark, That pierc'd the fearful hollow of thine ear; Nightly she sings on yon pomegranate tree: Believe me, love, it was the nightingale. Rom. It was the lark, the herald of the morn, No nightingale: look, love, what envious streaks Do lace the severing clouds in yonder east: Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops: I must be gone and live, or stay and die. Jul. Yon light is not daylight, I know it, I: It is some meteor that the sun exhales, To be to thee this night a torch-bearer, And light thee on thy way to Mantua: Therefore stay yet; thou need'st not to be gone, Rom. Let me be ta'en,, let me be put to death; I am content, so thou wilt have it so. I'll say yon grey is not the morning's eye, 'T is but the pale reflex of Cynthia's brow; Nor that is not the lark, whose notes do beat The vaulty heaven so high above our heads: I have more care to stay than will to go: Come, death, and welcome! Juliet wills it so, How is't my soul? let's talk; it is not day. Jul. It is, it is; hie hence, be gone, away! It is the lark that sings so out of tune, Straining harsh discords and unpleasing sharps. Some say the lark makes sweet division; This doth not so, for she divideth us: Some say the lark and loathed toad change eyes; O! now I would they had changed voices too, Since arm from arm that voice doth us affray, Hunting thee hence with hunt's up to the day. O! now be gone; more light and light it grows. Rom. More light and light; more dark and dark our woes.
William Shakespeare (Romeo and Juliet)
Fire and hope are connected, just so you know. The way the Greek told it, Zeus put Prometheus and Epimetheus in charge of creating life on earth. Epimetheus made the animals, giving out bonuses like swiftness and strenght and fur and wings. By the time Prometheus made man, all the best qualities had been given out. He settled for making them walk upright, and he gave them fire. Zeus, pissed off, took it away. But prometheus saw his pride and joy shivering and unable to cook. He lit a torch from the sun and brought it to man again. To punish Prometheus, Zeus had him chained to a rock, where an eagle fed on his liver. To punish man, Zeus created the first woman-Pandora-and gave her a gift, a box she was forbidden to open. Pandora's curiosity got the best of her, and one day she opened that box. Out came plagues and misery and mischief. She managed to shut the lid tight before hope escaped. It's the only weapon we have left to fight the others.
Jodi Picoult (Allt för min syster)
You and I have been happy; we haven’t been happy just once, we’ve been happy a thousand times. The chances that spring, that’s for everyone, like in the popular songs, may belong to us too – the chances are pretty bright at this time because as usual, I can carry most of contemporary literary opinion, liquidated, in the hollow of my hand – and when I do, I see the swan floating on it and – I find it to be you and you only…. Forget the past – what you can of it, and turn about and swim back home to me, to your haven for ever and ever – even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you – turn gently in the waters through which you move and sail back…
F. Scott Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
A sad fact widely known The most impassionate song To a lonely soul Is so easily outgrown But dont forget the songs That made you smile And the songs that made you cry When you lay in awe On the bedroom floor And said : oh, oh, smother me mother... No ... Rubber ring, rubber ring, rubber ring, rubber ring La ... The passing of time And all of its crimes Is making me sad again The passing of time And all of its sickening crimes Is making me sad again But dont forget the songs That made you cry And the songs that saved your life Yes, youre older now And youre a clever swine But they were the only ones who ever stood by you The passing of time leaves empty lives Waiting to be filled (the passing ...) The passing of time Leaves empty lives Waiting to be filled Im here with the cause Im holding the torch In the corner of your room Can you hear me ? And when youre dancing and laughing And finally living Hear my voice in your head And think of me kindly
Morrissey
Karl Marx famously called religion 'the opiate of the masses'. Buddhism, particularly as it is popularly practiced, promises improvement through karma. Islam and Christianity promise eternal life to the faithful. And that is a powerful opiate, certainly, the hope of a better life to come. But there's a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe'a al-Adiwiyah, a great woman saint of Sufism, was seen running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, 'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.
John Green
This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being thoroughly worn out before you are thrown on the scrap heap; the being a force of Nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy. I am of the opinion that my life belongs to the community, and as long as I live, it is my privilege to do for it whatever I can. I want to be thoroughly used up when I die, for the harder I work, the more I live. Life is no ‘brief candle’ to me. It ia a sort of splendid torch which I have got hold of for a moment, and I want to make it burn as brightly as possible before handing it on to the future generations.
George Bernard Shaw
You realize I had half my guard out searching for you?” Eddard Stark said when they were alone. “Septa Mordane is beside herself with fear. She’s in the sept praying for your safe return. Arya, you know you are never to go beyond the castle gates without my leave.” “I didn’t go out the gates,” she blurted. “Well, I didn’t mean to. I was down in the dungeons, only they turned into this tunnel. It was all dark, and I didn’t have a torch or a candle to see by, so I had to follow. I couldn’t go back the way I came on account of the monsters. Father, they were talking about killing you! Not the monsters, the two men. They didn’t see me, I was being still as stone and quiet as a shadow, but I heard them. They said you had a book and a bastard and if one Hand could die, why not a second? Is that the book? Jon’s the bastard, I bet.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
J.R.R. Tolkien (The Lord of the Rings)
All now took leave of the Lord of the City and went to rest while they still could. Outside there was a starless blackness as Gandalf, with Pippin beside him bearing a small torch, made his way to their lodging. They did not speak until they were behind closed doors. Then at last Pippin took Gandalf's hand. 'Tell me,' he said, 'is there any hope? For Frodo, I mean; or at least mostly for Frodo.' Gandalf put his hand on Pippin's head. 'There never was much hope,' he answered. 'Just a fool's hope, as I have been told. And when I heard of Cirith Ungol--' He broke off and strode to the window, as if his eyes could pierce the night in the East. 'Cirith Ungol!' he muttered. 'Why that way, I wonder?' He turned. 'Just now, Pippin, my heart almost failed me, hearing that name. And yet in truth I believe that the news that Faramir brings has some hope in it. For it seems clear that the Enemy has opened his war at last and made the first move when Frodo was still free. So now for many days he will have his eye turned this way and that, away from his own land. And yet, Pippin, I feel from afar his haste and fear. He has begun sooner than he would. Something has happened to stir him.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
To Selene (Moon) Hear, Goddess queen, diffusing silver light, bull-horn'd and wand'ring thro' the gloom of Night. With stars surrounded, and with circuit wide Night's torch extending, thro' the heav'ns you ride: Female and Male with borrow'd rays you shine, and now full-orb'd, now tending to decline. Mother of ages, fruit-producing Moon [Mene], whose amber orb makes Night's reflected noon: Lover of horses, splendid, queen of Night, all-seeing pow'r bedeck'd with starry light. Lover of vigilance, the foe of strife, in peace rejoicing, and a prudent life: Fair lamp of Night, its ornament and friend, who giv'st to Nature's works their destin'd end. Queen of the stars, all-wife Diana hail! Deck'd with a graceful robe and shining veil; Come, blessed Goddess, prudent, starry, bright, come moony-lamp with chaste and splendid light, Shine on these sacred rites with prosp'rous rays, and pleas'd accept thy suppliant's mystic praise.
Orpheus
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll
The fervor and single-mindedness of this deification probably have no precedent in history. It's not like Duvalier or Assad passing the torch to the son and heir. It surpasses anything I have read about the Roman or Babylonian or even Pharaonic excesses. An estimated $2.68 billion was spent on ceremonies and monuments in the aftermath of Kim Il Sung's death. The concept is not that his son is his successor, but that his son is his reincarnation. North Korea has an equivalent of Mount Fuji—a mountain sacred to all Koreans. It's called Mount Paekdu, a beautiful peak with a deep blue lake, on the Chinese border. Here, according to the new mythology, Kim Jong Il was born on February 16, 1942. His birth was attended by a double rainbow and by songs of praise (in human voice) uttered by the local birds. In fact, in February 1942 his father and mother were hiding under Stalin's protection in the dank Russian city of Khabarovsk, but as with all miraculous births it's considered best not to allow the facts to get in the way of a good story.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
I never knew I never knew that everything was falling through That everyone I knew was waiting on a cue To turn and run when all I needed was the truth But that's how it's got to be It's coming down to nothing more than apathy I'd rather run the other way than stay and see The smoke and who's still standing when it clears Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind Let's rearrange I wish you were a stranger I could disengage Just say that we agree and then never change Soften a bit until we all just get along But that's disregard Find another friend and you discard As you lose the argument in a cable car Hanging above as the canyon comes between Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your ... And suddenly I become a part of your past I'm becoming the part that don't last I'm losing you and its effortless Without a sound we lose sight of the ground In the throw around Never thought that you wanted to bring it down I won't let it go down till we torch it ourselves And everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind Everyone knows She's on your mind Everyone knows I'm in over my head I'm in over my head I'm over my... Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind.
The Fray
That a work of the imagination has to be “really” about some problem is, again, an heir of Socialist Realism. To write a story for the sake of storytelling is frivolous, not to say reactionary. The demand that stories must be “about” something is from Communist thinking and, further back, from religious thinking, with its desire for self-improvement books as simple-minded as the messages on samplers. The phrase “political correctness” was born as Communism was collapsing. I do not think this was chance. I am not suggesting that the torch of Communism has been handed on to the political correctors. I am suggesting that habits of mind have been absorbed, often without knowing it. There is obviously something very attractive about telling other people what to do: I am putting it in this nursery way rather than in more intellectual language because I see it as nursery behavior. Art — the arts generally — are always unpredictable, maverick, and tend to be, at their best, uncomfortable. Literature, in particular, has always inspired the House committees, the Zhdanovs, the fits of moralizing, but, at worst, persecution. It troubles me that political correctness does not seem to know what its exemplars and predecessors are; it troubles me more that it may know and does not care. Does political correctness have a good side? Yes, it does, for it makes us re-examine attitudes, and that is always useful. The trouble is that, with all popular movements, the lunatic fringe so quickly ceases to be a fringe; the tail begins to wag the dog. For every woman or man who is quietly and sensibly using the idea to examine our assumptions, there are 20 rabble-rousers whose real motive is desire for power over others, no less rabble-rousers because they see themselves as anti-racists or feminists or whatever.
Doris Lessing
I lay awake listening to the rain, and at first it was as pleasant to my ear and my mind as it had long been desired; but before I fell asleep it had become a majestic and finally a terrible thing, instead of a sweet sound and symbol. It was accusing and trying me and passing judgment. Long I lay still under the sentence, listening to the rain, and then at last listening to words which seemed to be spoken by a ghostly double beside me. He was muttering: The all-night rain puts out summer like a torch. In the heavy, black rain falling straight from invisible, dark sky to invisible, dark earth the heat of summer is annihilated, the splendour is dead, the summer is gone. The midnight rain buries it away where it has buried all sound but its own. I am alone in the dark still night, and my ear listens to the rain piping in the gutters and roaring softly in the trees of the world. Even so will the rain fall darkly upon the grass over the grave when my ears can hear it no more… The summer is gone, and never can it return. There will never be any summer any more, and I am weary of everything… I am alone. The truth is that the rain falls for ever and I am melting into it. Black and monotonously sounding is the midnight and solitude of the rain. In a little while or in an age – for it is all one – I shall know the full truth of the words I used to love, I knew not why, in my days of nature, in the days before the rain: ‘Blessed are the dead that the rain rains on.
Edward Thomas
For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.
Anthony Powell (A Question of Upbringing (A Dance to the Music of Time, #1))
I say, Théoden King: shall we have peace and friendship, you and I? It is ours to command." "We will have peace," said Théoden at last thickly and with an effort. Several of the Riders cried out gladly. Théoden held up his hand. "Yes, we will have peace," he said now in a clear voice, "we will have peace, when you and all your works have perished--and the works of your dark master to whom you would deliver us. You are a liar, Saruman, and a corrupter a men's hearts. You hold out your hand it to me, and I perceive only a finger of the claw of Mordor. Cruel and cold! Even if your war on me was just--as it was not, for were you ten times as wise you would have no right to rule me and mine for your own profit as you desired--even so, what will you say of your torches in Westfold and the children that lie dead there? And they hewed Háma's body before the gates of the Hornburg, after he was dead. When you hang from a gibbet at your window for the sport of your own crows, I will have peace with you and Orthanic. So much for the house of Eorl. A lesser son of great sires am I, but I do not need to lick your fingers. Turn elsewhither. But I fear your voice has lost its charm.
J.R.R. Tolkien
There are six canons of conservative thought: 1) Belief in a transcendent order, or body of natural law, which rules society as well as conscience. Political problems, at bottom, are religious and moral problems. A narrow rationality, what Coleridge called the Understanding, cannot of itself satisfy human needs. "Every Tory is a realist," says Keith Feiling: "he knows that there are great forces in heaven and earth that man's philosophy cannot plumb or fathom." True politics is the art of apprehending and applying the Justice which ought to prevail in a community of souls. 2) Affection for the proliferating variety and mystery of human existence, as opposed to the narrowing uniformity, egalitarianism, and utilitarian aims of most radical systems; conservatives resist what Robert Graves calls "Logicalism" in society. This prejudice has been called "the conservatism of enjoyment"--a sense that life is worth living, according to Walter Bagehot "the proper source of an animated Conservatism." 3) Conviction that civilized society requires orders and classes, as against the notion of a "classless society." With reason, conservatives have been called "the party of order." If natural distinctions are effaced among men, oligarchs fill the vacuum. Ultimate equality in the judgment of God, and equality before courts of law, are recognized by conservatives; but equality of condition, they think, means equality in servitude and boredom. 4) Persuasion that freedom and property are closely linked: separate property from private possession, and Leviathan becomes master of all. Economic levelling, they maintain, is not economic progress. 5) Faith in prescription and distrust of "sophisters, calculators, and economists" who would reconstruct society upon abstract designs. Custom, convention, and old prescription are checks both upon man's anarchic impulse and upon the innovator's lust for power. 6) Recognition that change may not be salutary reform: hasty innovation may be a devouring conflagration, rather than a torch of progress. Society must alter, for prudent change is the means of social preservation; but a statesman must take Providence into his calculations, and a statesman's chief virtue, according to Plato and Burke, is prudence.
Russell Kirk (The Conservative Mind: From Burke to Eliot)
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
Just to say evil Islamics did it, that's so lame, and we know it. We see those official close-ups on the screen. The shifty liar's look, the twelve-stepper's gleam in the eye. One look at these faces and we know they're guilty of the worst crimes we can imagine. But who's in any hurry to imagine? To make the awful connection? Any more than Germans were back in 1933, when Nazis torched Reichstag within a month of Hitler becoming chancellor. Which of course is not to suggest that Bush and his people have actually gone out and staged the events of 11 September. It would take a mind hopelessly diseased with paranoia, indeed a screamingly anti-American nutcase, even to allow to cross her mind the possibility that that terrible day would have deliberately been engineered as a pretext to impose some endless Orwellian 'war' and the emergency decrees we will soon be living under. Nah, nah, perish that thought. "But there's still always the other thing. Our yearning. Our deep need for it to be true. Somewhere, down at some shameful dark recess of the national soul, we need to feel betrayed, even guilty. As if it was us who created Bush and his gang, Cheney and Rove and Rumsfeld and Feith and the rest of them--we who called down the sacred lightning of 'democracy' and then the fascist majority on the Supreme Court threw the switches, and Bush rose from the slab and began his rampage. And whatever happened then is on our ticket.
Thomas Pynchon (Bleeding Edge)
I have that old sinking feeling. I've been overly available, sickeningly sweet and forever enabling all in the name of being 'liked.' I've compromised myself. I've suffered fools, idiots and dullards. I've gone on far too many dates with men because I felt guilty that they liked me more than I liked them. I've fallen deeply and madly I'm love with men I've never met just because I thought they looked 'deep.' I've built whole futures with men I hardly knew; I've planned weddings and named invisible children based on a side glance. I've made chemistry where there was none. I've forced intimacy while building higher Walls. I've been alone in a two year relationship. I've faked more orgasms than I can count while being comfortable with no affection at all. I realise I have to make a decision right here and now. Do I go back to the sliver of a person I was before or do I, despite whatever bullshit happened tonight, hold on to this... This authenticity? If I go back to the the way I was before tonight, I'll have to compromise myself, follow rules with men who have none, hold my tongue, be quiet and laugh at shitty jokes. I have to never be challenged, yet be called challenging when I have an opinion or, really, speak at all. I'll never be torched by someone and get goosebumps again. I'll never be outside of myself. I'll never let go. I'll never lose myself. I'll never know what real love is - both for someone else and for me. I'll look back on this life and wish I could do it all over again. I finally see the consequences of that life. The path more travelled only led to someone else's life: an idealised, saturated world of White picket fences and gingham tablecloths. A life where the real me is locked away. Sure i had a plus-one but at what price? No. No matter how awkward and painful this gets, I can't go back.
Liza Palmer (More Like Her)
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.
W.B. Yeats (The Secret Rose and Rosa Alchemica)
Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
Margaret Atwood (Morning in the Burned House: Poems)
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)