β
Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming "Wow! What a Ride!
β
β
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
β
A man who procrastinates in his choosing will inevitably have his choice made for him by circumstance.
β
β
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
β
I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they've always worked for me.
β
β
Hunter S. Thompson
β
MS. THOMPSON, it said in heavy block letters, PLEASE KEEP YOUR FELINE OFF MY PROPERTY. IF I SEE IT AGAIN, I WILL EAT IT.
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
So we shall let the reader answer this question for himself: who is the happier man, he who has braved the storm of life and lived or he who has stayed securely on shore and merely existed?
β
β
Hunter S. Thompson
β
Sex without love is as hollow and ridiculous as love without sex.
β
β
Hunter S. Thompson
β
Life has become immeasurably better since I have been forced to stop taking it seriously.
β
β
Hunter S. Thompson
β
The Edge... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over.
β
β
Hunter S. Thompson (Hell's Angels)
β
We are all alone, born alone, die alone, andβin spite of True Romance magazinesβwe shall all someday look back on our lives and see that, in spite of our company, we were alone the whole way. I do not say lonelyβat least, not all the timeβbut essentially, and finally, alone. This is what makes your self-respect so important, and I don't see how you can respect yourself if you must look in the hearts and minds of others for your happiness.
β
β
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
β
Some people are like Slinkies. They aren't really good for anything, but they still bring a smile to my face when I push them down a flight of stairs.
β
β
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
β
No sympathy for the devil; keep that in mind. Buy the ticket, take the ride...and if it occasionally gets a little heavier than what you had in mind, well...maybe chalk it up to forced consciousness expansion: Tune in, freak out, get beaten.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
If you're going to be crazy, you have to get paid for it or else you're going to be locked up.
β
β
Hunter S. Thompson
β
Too weird to live, too rare to die!
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
In a closed society where everybody's guilty, the only crime is getting caught. In a world of thieves, the only final sin is stupidity.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
Some may never live, but the crazy never die.
β
β
Hunter S. Thompson
β
When the going gets weird, the weird turn professional.
β
β
Hunter S. Thompson (Fear and Loathing: On the Campaign Trail '72)
β
Let us toast to animal pleasures, to escapism, to rain on the roof and instant coffee, to unemployment insurance and library cards, to absinthe and good-hearted landlords, to music and warm bodies and contraceptives... and to the "good life", whatever it is and wherever it happens to be.
β
β
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman (Fear & Loathing Letters, #1))
β
It never got weird enough for me.
β
β
Hunter S. Thompson
β
I have a theory that the truth is never told during the nine-to-five hours.
β
β
Hunter S. Thompson
β
Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.
β
β
Hunter S. Thompson
β
We cannot expect people to have respect for law and order until we teach respect to those we have entrusted to enforce those laws.
β
β
Hunter S. Thompson
β
I was not proud of what I had learned but I never doubted that it was worth knowing.
β
β
Hunter S. Thompson (The Rum Diary)
β
All my life, my heart has sought a thing I cannot name.
Remembered line from a long-
forgotten poem
β
β
Hunter S. Thompson (Hell's Angels)
β
Good people drink good beer.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
Freedom is something that dies unless it's used.
β
β
Hunter S. Thompson
β
We can't stop here, this is bat country!
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
I don't like it when I outweigh my men.
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
Maybe it meant something. Maybe not, in the long run, but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
Yesterday's weirdness is tomorrow's reason why.
β
β
Hunter S. Thompson (The Curse of Lono)
β
Why is it that all cars are women?" he asked.
"Because they're fussy and demanding," answered Zee.
"Because if they were men, they'd sit around and complain instead of getting the job done," I told him.
β
β
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
β
It was obvious that he was a man who marched through life to the rhythms of some drum I would never hear.
β
β
Hunter S. Thompson (Hell's Angels)
β
Never trust a mechanic who drives new cars. They're either charging too much money for their work, or they can't keep an old car running - maybe both.
β
β
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
β
Walk tall, kick ass, learn to speak Arabic, love music and never forget you come from a long line of truth seekers, lovers and warriors.
β
β
Hunter S. Thompson
β
You better take care of me Lord, if you don't you're gonna have me on your hands.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
America...just a nation of two hundred million used car salesmen with all the money we need to buy guns and no qualms about killing anybody else in the world who tries to make us uncomfortable
β
β
Hunter S. Thompson
β
Weird behavior is natural in smart children, like curiosity is to a kitten.
β
β
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
β
Love thy enemies, it says in the scriptures. My foster mother always added, "At the very least, you will be polite to them.
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
No More Games. No More Bombs. No More Walking. No More Fun. No More Swimming. 67. That is 17 years past 50. 17 more than I needed or wanted. Boring. I am always bitchy. No Fun β for anybody. 67. You are getting Greedy. Act your old age. Relax β This won't hurt
β
β
Hunter S. Thompson
β
For every moment of triumph, for every instance of beauty, many souls must be trampled.
β
β
Hunter S. Thompson
β
Mine," he said.
Adam's eyes narrowed. "I don't think so. She is mine."
It would have been flattering, I thought, except that at least one of them was talking about dinner and I wasn't certain about the other.
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
The greatest mania of all is passion: and I am a natural slave to passion: the balance between my brain and my soul and my body is as wild and delicate as the skin of a Ming vase.
β
β
Hunter S. Thompson (The Curse of Lono)
β
One of the oddest things about being grown-up was looking back at something you thought you knew and finding out the truth of it was completely different from what you had always believed.
β
β
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
β
Every now and then when your life gets complicated and the weasels start closing in, the only cure is to load up on heinous chemicals and then drive like a bastard from Hollywood to Las Vegas ... with the music at top volume and at least a pint of ether.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas)
β
I feel the same way about disco as I do about herpes.
β
β
Hunter S. Thompson
β
Buy the ticket, take the ride.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
It was one of those fine little love stories that can make you smile in your sleep at night.
β
β
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
β
Thatβs a pretty lame superhero name,β I told him.
βScooby-Doo is already taken,β he said with dignity. βAnything else sounds lame in comparison.
β
β
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
β
Anything worth doing, is worth doing right.
β
β
Hunter S. Thompson
β
How satisfying it is to leave a mark on a blank surface. To make a map of my movement - no matter how temporary.
β
β
Craig Thompson (Blankets)
β
Nothing says you're sorry like a dead bunny.
β
β
Patricia Briggs (River Marked (Mercy Thompson, #6))
β
We had two bags of grass, seventy-five pellets of mescaline, five sheets of high powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls.
Not that we needed all that for the trip, but once you get locked into a serious drug collection, the tendency is to push it as far as you can.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
I have no taste for either poverty or honest labor, so writing is the only recourse left for me.
β
β
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
β
Some people are boys longer than others.
β
β
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
β
With the truth so dull and depressing, the only working alternative is wild bursts of madness and filigree.
β
β
Hunter S. Thompson (Fear and Loathing: On the Campaign Trail '72)
β
Dance when the moon sings, and don't cry about troubles that haven't yet come.
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
It gave me a strange feeling, and the rest of that night I didnβt say much, but merely sat there and drank, trying to decide if I was getting older and wiser, or just plain old.
β
β
Hunter S. Thompson (The Rum Diary)
β
Life is a bucket of shit with a barbed wire handle.
β
β
Jim Thompson
β
As things stand now, I am going to be a writer. I'm not sure that I'm going to be a good one or even a self-supporting one, but until the dark thumb of fate presses me to the dust and says 'you are nothing', I will be a writer.
β
β
Hunter S. Thompson (Gonzo)
β
I've always considered writing the most hateful kind of work. I suspect it's a bit like fucking, which is only fun for amateurs. Old whores don't do much giggling.
β
β
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
β
There are times, however, and this is one of them, when even being right feels wrong. What do you say, for instance, about a generation that has been taught that rain is poison and sex is death? If making love might be fatal and if a cool spring breeze on any summer afternoon can turn a crystal blue lake into a puddle of black poison right in front of your eyes, there is not much left except TV and relentless masturbation. It's a strange world. Some people get rich and others eat shit and die.
β
β
Hunter S. Thompson (Generation of Swine: Tales of Shame and Degradation in the '80's)
β
Sleep late, have fun, get wild, drink whiskey and drive fast on empty streets with nothing in mind but falling in love and not getting arrested.
β
β
Hunter S. Thompson
β
Hard truths can be dealt with, triumphed over, but lies will destroy your soul.
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
Maybe there is no Heaven. Or maybe this is all pure gibberishβa product of the demented imagination of a lazy drunken hillbilly with a heart full of hate who has found a way to live out where the real winds blowβto sleep late, have fun, get wild, drink whisky, and drive fast on empty streets with nothing in mind except falling in love and not getting arrested . . . Res ipsa loquitur. Let the good times roll.
β
β
Hunter S. Thompson (Generation of Swine: Tales of Shame and Degradation in the '80's)
β
A werewolf tossed me against a giant packing crate while I was trying to rescue a frightened young girl who'd been kidnapped by an evil witch and a drug lord.
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
On my tombstone they will carve, "IT NEVER GOT FAST ENOUGH FOR ME.
β
β
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
β
Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise...
β
β
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
β
A word to the wise is infuriating.
β
β
Hunter S. Thompson
β
It was like falling down an elevator shaft and landing in a pool full of mermaids.
β
β
Hunter S. Thompson
β
He was like Superman, but with fangs and oddly impaired morals.
β
β
Patricia Briggs (River Marked (Mercy Thompson, #6))
β
In a nation run by swine, all pigs are upward-mobile and the rest of us are fucked until we can put our acts together: not necessarily to win, but mainly to keep from losing completely.
β
β
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
β
Faster, Faster, until the thrill of speed overcomes the fear of death.
β
β
Hunter S. Thompson
β
Just the knowledge that a good book is awaiting one at the end of a long day makes that day happier.
β
β
Kathleen Thompson Norris (Hands Full of Living)
β
Like most others, I was a seeker, a mover, a malcontent, and at times a stupid hell-raiser. I was never idle long enough to do much thinking, but I felt somehow that some of us were making real progress, that we had taken an honest road, and that the best of us would inevitably make it over the top. At the same time, I shared a dark suspicion that the life we were leading was a lost cause, that we were all actors, kidding ourselves along on a senseless odyssey. It was the tension between these two poles - a restless idealism on one hand and a sense of impending doom on the other - that kept me going.
β
β
Hunter S. Thompson (The Rum Diary)
β
No, this is not a good town for psychedelic drugs. Reality itself is too twisted.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
Morality is temporary, wisdom is permanent.
β
β
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
β
You can't miss what you never had.
β
β
Hunter S. Thompson (Polo Is My Life)
β
We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
Some people will tell you that slow is good β but Iβm here to tell you that fast is better. Iβve always believed this, in spite of the trouble itβs caused me. Being shot out of a cannon will always be better than being squeezed out of a tube. That is why God made fast motorcycles, Bubbaβ¦
β
β
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
β
There was an awful suspicion in my mind that I'd finally gone over the hump, and the worst thing about it was that I didn't feel tragic at all, but only weary, and sort of comfortably detached.
β
β
Hunter S. Thompson (The Rum Diary)
β
I felt a tremendous distance between myself and everything real.
β
β
Hunter S. Thompson (The Rum Diary)
β
In riding a horse, we borrow freedom
β
β
Helen Thompson
β
I wanted to punch him and understand him at the same time.
β
β
Shannon A. Thompson (Take Me Tomorrow)
β
I understand that fear is my friend, but not always. Never turn your back on Fear. It should always be in front of you, like a thing that might have to be killed. My father taught me that, along with a few other things that have kept my life interesting.
β
β
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
β
Cβest moi, cβest moi,βtis I,' I told him. It seemed appropriately melodramatic, though I didnβt know if heβd catch the reference. I shouldnβt have worried.
Unexpectedly, he laughed. βTrust you to quote Lancelot rather than Guinevere.
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
1) Never trust a cop in a raincoat.
2) Beware of enthusiasm and of love, both are temporary and quick to sway.
3) If asked if you care about the world's problems, look deep into the eyes of he who asks, he will never ask you again.
4) Never give your real name.
5) If ever asked to look at yourself, don't look.
6) Never do anything the person standing in front of you can't understand.
7) Never create anything, it will be misinterpreted, it will chain you and follow you for the rest of your life.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
The highways are crowded with people who drive as if their sole purpose in getting behind the wheel is to avenge every wrong done them by man, beast or fate. The only thing that keeps them in line is their fear of death, jail and lawsuits.
β
β
Hunter S. Thompson (Hell's Angels)
β
I knew he would never leave me, never let me down-because the man had never abandoned anything in his long life. If I hadnβt taken the gold rope of our bond, I knew Adam would have sat on me and hog-tied me with it. I liked that. A lot.
β
β
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
β
The press is a gang of cruel faggots. Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfitsβa false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
His heart's occupied elsewhere," said Ben from behind me. "And even if it weren't he's not interested in your kind. But, I'm available and ready."
"You don't have a heart," I told him. "Just a gaping hole where it should have been."
"All the more reason for you to give me yours."
I pounded my forehead against Warren 's back. "Tell me Ben's not flirting with me."
"Hey," said Ben sounding hurt. "I was talking cannibalism, not romance.
β
β
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
β
For Adam, screwed-up bonding thing or not, Iβd wait forever.
βReally?β he asked in a tone Iβd never heard from him before. Softer. Vulnerable. Adam didnβt do vulnerable.
βReally what?β I asked.
βDespite the way our bond scares you, despite the way someone in the pack played you, youβd still have me?β
He'd been listening to my thoughts. This time it didn't bother me.
βAdam,β I told him, βIβd walk barefoot over hot coals for you.
β
β
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
β
Reluctantly, I pulled out my necklace and showed it to them.
Samuel frowned. The little figure was stylized; I suppose he couldn't tell what it was at first.
"A dog?" asked Zee, staring at my necklace.
"A lamb," I said defensively, tucking it safely back under my shirt. "Because one of Christ's names is 'The Lamb of God.'"
Samuel's shoulders shook slightly. "I can see it now, Mercy holding a roomful of vampire at bay with her glowing sheep."
I gave his shoulder a hard push, aware of the heat climbing to my cheeks, but it didn't help. He sang in a soft taunting voice, "Mercy had a little lamb...
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
A second floor window opened, and Kyle stuck his head and shoulders out so he could look down at us. βIf you two are finished playing Cowboy and Indian out there, some of us would like to get their beauty sleep.β
I looked at Warren. βYou heard βum Kemo Sabe. Me go to my little wigwam and get βum shut-eye.β
βHow come you always get to play the Indian?β whined Warren, deadpan.
βCause sheβs the Indian, white boy,β said Kyle.
β
β
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
β
It's only fair to warn you that you sealed your fate tonight. When you knew you were in trouble, you came to me. That makes twice, Mercy, and twice is almost as good as a declaration. You are mine now.... Ben says you might run. If you do, I will find you and bring you back. Every time you run, Mercy. I won't force you, but. .. No more excuses, Mercy. You are mine, and I am keeping you.
β
β
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
β
Happy," I muttered, trying to pin the word down. But it is one of those words, like Love, that I have never quite understood. Most people who deal in words donβt have much faith in them and I am no exception β especially the big ones like Happy and Love and Honest and Strong. They are too elusive and far to relative when you compare them to sharp, mean little words like Punk and Cheap and Phony. I feel at home with these, because theyβre scrawny and easy to pin, but the big ones are tough and it takes either a priest or a fool to use them with any confidence.
β
β
Hunter S. Thompson (The Rum Diary)
β
Hallucinations are bad enough. But after awhile you learn to cope with things like seeing your dead grandmother crawling up your leg with a knife in her teeth. Most acid fanciers can handle this sort of thing. But nobody can handle that other trip-the possibility that any freak with $1.98 can walk into the Circus-Circus and suddenly appear in the sky over downtown Las Vegas twelve times the size of God, howling anything that comes into his head. No, this is not a good town for psychedelic drugs.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
I have never seen much point in getting heavy with stupid people or Jesus freaks, just as long as they don't bother me. In a world as weird and cruel as this one we have made for ourselves, I figure anybody who can find peace and personal happiness without ripping off somebody else deserves to be left alone. They will not inherit the earth, but then neither will I... And I have learned to live, as it were, with the idea that I will never find peace and happiness, either. But as long as I know there's a pretty good chance I can get my hands on either one of them every once in a while, I do the best I can between high spots.
β
β
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
β
We are going to punish somebody for this attack, but just who or where will be blown to smithereens for it is hard to say. Maybe Afghanistan, maybe Pakistan or Iraq, or possibly all three at once. Who knows? Not even the Generals in what remains of the Pentagon or the New York papers calling for war seem to know who did it or where to look for them.
This is going to be a very expensive war, and Victory is not guaranteed--for anyone, and certainly not for a baffled little creep like George W. Bush. All he knows is that his father started the war a long time ago, and that he, the goofy child President, has been chosen by Fate and the global Oil industry to finish it off.
β
β
Hunter S. Thompson
β
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Eraβthe kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .
History is hard to know, because of all the hired bullshit, but even without being sure of βhistoryβ it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the timeβand which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nightsβor very early morningsβwhen I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handleβthat sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didnβt need that. Our energy would simply prevail. There was no point in fightingβon our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water markβthat place where the wave finally broke and rolled back.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
Breakfast is the only meal of the day that I tend to view with the same kind of traditionalized reverence that most people associate with Lunch and Dinner. I like to eat breakfast alone, and almost never before noon; anybody with a terminally jangled lifestyle needs at least one psychic anchor every twenty-four hours, and mine is breakfast. In Hong Kong, Dallas or at home β and regardless of whether or not I have been to bed β breakfast is a personal ritual that can only be properly observed alone, and in a spirit of genuine excess. The food factor should always be massive: four Bloody Marys, two grapefruits, a pot of coffee, Rangoon crepes, a half-pound of either sausage, bacon, or corned beef hash with diced chiles, a Spanish omelette or eggs Benedict, a quart of milk, a chopped lemon for random seasoning, and something like a slice of Key lime pie, two margaritas, and six lines of the best cocaine for dessertβ¦ Right, and there should also be two or three newspapers, all mail and messages, a telephone, a notebook for planning the next twenty-four hours and at least one source of good musicβ¦ All of which should be dealt with outside, in the warmth of a hot sun, and preferably stone naked.
β
β
Hunter S. Thompson