“
By the way, my name's Rose Hathaway. I'm seventeen years old, training to protect and kill vampires, in love with a completely unsuitable guy, and have a best friend whose weird magic could drive her crazy.
Hey, no one said high school was easy.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
Don't exist.
Live.
Get out, explore.
Thrive.
Challenge authority. Challenge yourself.
Evolve.
Change forever.
Become who you say you always will. Keep moving. Don't stop. Start the revolution. Become a freedom fighter. Become a superhero. Just because everyone doesn't know your name doesn't mean you dont matter.
Are you happy? Have you ever been happy? What have you done today to matter? Did you exist or did you live? How did you thrive?
Become a chameleon-fit in anywhere. Be a rockstar-stand out everywhere. Do nothing, do everything. Forget everything, remember everyone. Care, don't just pretend to. Listen to everyone. Love everyone and nothing at the same time. Its impossible to be everything,but you can't stop trying to do it all.
All I know is that I have no idea where I am right now. I feel like I am in training for something, making progress with every step I take. I fear standing still. It is my greatest weakness.
I talk big, but often don't follow through. That's my biggest problem. I don't even know what to think right now. It's about time I start to take a jump. Fuck starting to take. Just jump-over everything. Leap.
It's time to be aggressive. You've started to speak your mind, now keep going with it, but not with the intention of sparking controversy or picking a germane fight. Get your gloves on, it's time for rebirth. There IS no room for the nice guys in the history books.
THIS IS THE START OF A REVOLUTION. THE REVOLUTION IS YOUR LIFE. THE GOAL IS IMMORTALITY. LET'S LIVE, BABY. LET'S FEEL ALIVE AT ALL TIMES. TAKE NO PRISONERS. HOLD NO SOUL UNACCOUNTABLE, ESPECIALLY NOT YOUR OWN. IF SOMETHING DOESN'T HAPPEN, IT'S YOUR FAULT.
Make this moment your reckoning. Your head has been held under water for too long and now it is time to rise up and take your first true breath.
Do everything with exact calculation, nothing without meaning. Do not make careful your words, but make no excuses for what you say. Fuck em' all. Set a goal for everyday and never be tired.
”
”
Brian Krans (A Constant Suicide)
“
When you're in an extreme situation you tend to avoid facing it by getting caught up in little details. Like a guy who's decided to commit suicide and boards a train only to become obsessed with whether he remembered to lock the door when he left home.
”
”
Ryū Murakami (In the Miso Soup)
“
I know you have it in you, Guy," Anne said suddenly at the end of a silence, "the capacity to be terribly happy.
”
”
Patricia Highsmith (Strangers on a Train)
“
I went to college. Got a master’s degree. Went to Quantico for training. Been chasing down bad guys.”
She gave her grandmother a wry look. “You know, the usual girly stuff.
”
”
Kerrelyn Sparks (The Vampire and the Virgin (Love at Stake, #8))
“
There's the guy who trained me, you sexy son-of-a-bitch. I knew you could do this. I told the assistant, I said, 'Do you even know who you're dealing with here? Pfft. Pfft.'"
"You definitely didn't say that."
"Nope. I sure as hell didn't...
”
”
Victoria Scott (The Collector (Dante Walker, #1))
“
The guy’s smile faltered just a little, and I saw him blink in surprise. His eye’s didn’t glaze over in the same way Lissa’s victims did, but Christian had done enough to briefly enthrall him. Unfortunately, I could tell right then and there that it wouldn’t be enough to make him forget. Fortunately, I’d been trained to compel people without the use of magic.
Sitting near his post was an enormous Maglite, two feet long and easily seven pounds. I grabbed the Maglite and clocked him on the back of the head. He grunted and crumpled to the ground. He’d barely seen me coming, and despite the horribleness of what I’d just done, I kind of wished one of my instructors had been there to grade me one my awesome performance.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
All that five thousand kids lived in those five thousand houses, owned by guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
Oh. My. God. You're Rose Hathaway aren't you?"
"Yeah." I said with surprise. "Do you know me?"
"Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath.
"Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch.
Her pale green eyes—if possible—grew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her.
"What's your name?" I asked.
"Jillian—Jill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me."
"Right." I said, hiding a smile. "I figured it out."
"I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape.
"I don't know." I said. "You should talk to Christian Ozera."
She gaped. "Would he talk to me?"
"If you bring up fighting the establishment, yeah he'll talk to you."
"Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly.
"Yeah."
I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?"
"Yeah." I wondered where he was. Talking to Jill was exhausting.
"Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?"
"Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties.
"I knew it! I can't even imagine that—I'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'"
I laughed in spite of myself. "I think you're giving me more credit than I deserve."
"No way. And I don't believe any of those stories, you know."
"Um, stories?"
"Yeah about you beating up Christian Ozera."
"Thanks." I said.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
To the train yard,' she says and pushes on the pedals. We don't move.
`Anytime,' I tell her. `You know. While we're still young and beautiful.'
She pushes hard again.
`You weigh a tonne.'
`You need me to drive?'
`I need momentum, that's all. Get off.'
`You're very charming, but you must hear that all the time.'
`Get off,' she says.`I'll ride and you run after me and jump on the bike.'
`Do many guys ask you out twice?'
`Only the ones with balls.
”
”
Cath Crowley (Graffiti Moon)
“
You're not the guy at the train station. You're my Blake.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Johnny Cash had all of the same talents and problems as Elvis - a poor upbringing in the rural South exposure to gospel music throughout his childhood a penchant for drug abuse...they had the same sort of influencing experiences but Johnny' Cash's problematic relationship was with his father not his mother. If he had had the mommy issues that Elvis had instead of a compelling need to prove himself to his father, he wouldn't have been the badass man in black, the guy in Folsom Prison watching the train roll by. Elvis was a lot of things but even with the karate and the gunplay he was more unstable than badass.
”
”
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
“
I like to imagine that library school was started because of some sort of silly bar bet where a guy got really plastered and told his buddy that he could convince people that librarians needed to be trained in the art of librarianship. Sadly, this is not the case; its roots are a bit more academic.
”
”
Scott Douglas
“
I trace his face with my fingers, 'Let me see. A guy tells me that he would have thrown himself in front of a train if it wasn't for me and then drives seven hours straight, without whingeing once, on a wild-goose chase in search of my mother with absolutely no clue where to start. He is, in all probability, going to get court-martialled because of me, has put up with my moodiness all day long, and knows exactly what to order me for breakfast. It doesn't get any more romantic than that, Jonah.
”
”
Melina Marchetta (On the Jellicoe Road)
“
He checked out his surrounding. More books. A drinking fountain. A poster showing a guy slam-dunking a basketball with one hand and holding a book in the other, urging kids to READ! Weird, thought Steve. How can he even see the hoop?
...
You see, Steven, Librarians are the most elite, best trained secret force in the United States of America. Probably in the world."
"No way."
"Yes way."
"What about the FBI?"
"Featherweights."
"The CIA?"
Mackintosh snorted. "Don't make me laugh. Those guys can't even dunk a basketball andd read a book at the same time.
”
”
Mac Barnett (The Case of the Case of Mistaken Identity (Brixton Brothers, #1))
“
The more distractions we have from which to choose, the more effectively we will be able to derail the ruminative train of thoughts that plague us.
”
”
Guy Winch (Emotional First Aid: Practical Strategies for Treating Failure, Rejection, Guilt, and Other Everyday Psychological Injuries)
“
So who's this Kermit guy?"
"A singing frog puppet."
"That's bizarre."
"Hey. I saw a tiny cow fly by your window this morning. A cow."
"They're called pegamoos. It was someone's pet. They're notorious little escape artists."
"I want a pegamoo."
"You don't."
"I do."
"You can't house-train them."
"They fly."
"They bite."
"They fly."
"What if I told you they breathed fire?"
"They. Fly. Plus, I don't believe you.
”
”
Karen Akins (Loop (Loop #1))
“
Stories help you understand your life,
she’d say. Stories can heal. And I think she’s right, because why do old guys back from the war tell their experiences again and again? Why did people of long ago make up elaborate tales of mythical beings? Why do people sit in a room and reveal the pieces of their life to doctors trained to listen, and why are they cured by doing that? Why
libraries? Come on, all those stories, pieces of life told again and again. We need them. Stories are a ritual that put all the crazy shit about life into a form that makes sense. We’re all like the little kids that need to be read the same story over and over again.
”
”
Deb Caletti (The Story of Us)
“
Even the brightest human minds require a mentor to guide them. The assumption that an AI can teach itself by simply absorbing random information is ludicrous. If we want a computer to think like a human, we should train them as one.
”
”
Guy Morris (Swarm)
“
What you g-g-gonna do, tough guy? Tickle Toothless to d-d-death?
”
”
Cressida Cowell (How to Speak Dragonese (How to Train Your Dragon, #3))
“
Anyway, the point is that you guys really need to get out more.
”
”
Hitori Nakano (Train Man)
“
Private, everything is mind over matter, If you don’t mind, it don’t matter.
”
”
Joseph Perry Grassi (The Little Guy (or The Motor Scooter): The story of a diminutive soldier in the rear with the gear)
“
What you need to remember, with these guys, is that they don't know they're con men. They're wildly overconfident. Omnipotence, omniscience--that's part of the mythology that surrounds the Special Forces....Your guy can walk in the door and promise training in something he personally doesn't know how to do, and not even realize he's bullshitting about his own capabilities. It's a special kind of gullibility....
”
”
William Gibson (Zero History (Blue Ant, #3))
“
A racist cop pulls over a black driver for little reason other than the fact that the driver is black and a recent robbery was committed by a couple of young black guys in a white community. The cop quickly realizes the driver is not one of the robbery suspects. He sees a man with a wife and two small children. They are not a couple of young punks. Still,he persists. Why?
“He asks to see the driver’s license and registration. While locating the appropriate documents, the black driver respectfully volunteers that he is legally carrying a handgun. The cop panics—is it the image of a black man with a gun? He barks out conflicting orders and then shoots the man
to death, in front of his family. Why? “Is it because the cop is an insensitive racist? Maybe he wasn’t trained or taught any better? Perhaps he lived a completely different life in a completely different world than that of the black man. In this cop’s world, were all black men potential criminals, people to be watched, people to be feared?
”
”
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
“
I look back on my life the way one watches a badly scripted action flick, sitting at the edge of the seat, bursting out, "No, no, don't open that door! The bad guy is in there and he'll grab you and put his hand over your mouth and tie you up and then you'll miss the train and everything will fall apart!" Except there is no bad guy in this tale. The person who jumped through the door and grabbed me and tied me up was, unfortunately, me. My double image, the evil skinny chick who hisses, Don't eat. I'm not going to let you eat. I'll let you go as soon as you're thin, I swear I will. Everything will be okay when you're thin.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
The taste of Scotch, though Guy didn’t much care for it, was pleasant because it reminded him of Anne. She drank Scotch, when she drank. It was like her, golden, full of light, made with careful art.
”
”
Patricia Highsmith (Strangers on a Train)
“
Leteo will make me forget my relationship with Collin. My insides can stop burning me alive with how much I miss him. I won’t ever get jumped on the train again for liking another guy. My friends will stop being suspicious of what I’m doing when I’m not hanging with them. We’re going to kill that part of me that’s ruined everything. I’m going to be straight, just like how my father would’ve wanted.
”
”
Adam Silvera (More Happy Than Not)
“
I learned one important thing over those years. If a guy like me was going to get respect, he had to be five times better than the others. He had to train ten times harder. Otherwise, he didn't have a chance. Especially if he had been a bike thief.
”
”
Zlatan Ibrahimović (Jag är Zlatan: Zlatans egen berättelse)
“
Going back to the basis, the phrase ‘Fight Like A Girl’, and we’ve all heard that growing up. And by that they mean that you’re some kind of weakling and have no skills as a male. It’s said to little boys when they can’t fight yet, and it ridicules us. By the time we were born, the most of us hear things which program you to accept and know that you are less than your male counter part. It comes apparent in the way you’re paid for your job, it comes apparent when yóu are not allowed to go outside after a certain hour because you stand a good chance of getting raped while no one says that to your boyfriend. While women, anywhere, live in some kind of fear, there is no equality and that is mathematically impossible. We cannot see that change or solved in our lifetimes, but we have to do everything that we can. We should remind ourselves that we are fifty-one percent. Everyone should know that fighting like a girl is a positive thing and that there is not inherently anything wrong with us by the fact that we are born like ladies. That is a beautiful thing that we should never be put down because of. Being compared to a woman should only make a man feel stronger. It should be a compliment. In this world we’re creating it actually is.
I remember this one guy who came to our show in Texas or something and he had painted his shirt “real men fight like a girl”, and I cried, because he was going away in the army next day. He bought my book because he wanted something he could read over there. I just hoped that this men, fully straight and fully male can maintain and retain all of those things that make him understand us, and what makes him so beautiful. A lot of military training is step one: you take all those guys and put them in front of bunch of hardcore videogames where you kill a bunch of people and become desensitised. But that is NOT power! I will not do that. I will not become less of a human being and I refuse to give up my femininity because that’s bullshit. I’m not going to have to shave my head and become all buff and all that to be able to say “now I’m powerful” because that’s bullshit. All of this, all of us, we are power. You don’t have to change anything to be strong.
”
”
Emilie Autumn
“
What did you think was going to ensue when you chose Hagan's big ass to train me? That guy is wicked fierce and a total badass.
”
”
J.L. McCoy (Sins of the Father (Skye Morrison, #2))
“
I forced myself not to run to the train station, because running away in front of the same guy twice in one day was beyond the acceptable level of weirdness. Even for me.
”
”
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
“
Wait, this guy has a kid?” Elliot gasped over the phone. “What hot mess have you gotten yourself into, girl?”
“Shut up, Elliot. Like you haven’t slept with a load of hairy daddies in your time.”
“But they weren’t, like, actual daddies.
”
”
Leta Blake (Training Season (Training Season, #1))
“
There were more of them out there. More walkers. And I was being asked to step up and be... what? Some kind of Captain Heroism who would lead the boys in the Red, White, and Blue to victory? What was I getting myself into? This wasn't task force duty, this wasn't even SWAT-team level. I'd never even smelled anything this big before and now I was expected to train and lead a black ops team? How frigging insane was this? Why were they asking me? I'm just a cop. Where are the guys who actually do this for a living? How come none of them were here? Where's James Bond and Jack Bauer? Why me, of all people?
”
”
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
“
From watching Shadi's love life, I knew how relationship-phobes like Gus Everett reacted when boundaries broke down, when things go from friendly to intimate, or from sexual to romantic. Guys like Gus were never the ones to pump the brakes when the emotional-entanglement train started moving, and they were always the ones to jump out and roll clear of the tracks once they realized they’d reached top speed.
”
”
Emily Henry (Beach Read)
“
Number 198 was wonderful too. Blake had watched a good-looking and ridiculously pretentious guy hit on Livia. The fancy man dropped expensive name after name as he showed her all his accessories. When he finally pulled out his wallet to show her a “highly desirable luxury credit card” Livia had rolled her eyes in Blake’s direction with smile number 198. He’d had to swallow a snicker when he heard her tell the fancy man she was debt free and didn’t even have credit cards.
Blake knew that was a lie because he’d seen her pay for tickets with a card at the train station. That made number 198 a secret joke between just the two of them.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
She points at two big steps on the back of her bike.
"You have training... somethings? What are they?"
"Feet platforms. My dad made them for my cousin to use. Step on."
"But I don't have a cool helmet with a lightning bolt."
"Your head is hard enough."
"Funny." I steady myself without touching her.
"To the train yard," she says and pushes on the pedals. We don't move.
"Anytime," I tell her.
'You know. While we're still young and beautiful."
She pushes hard again. "You weight a ton."
"You need me to drive?"
"I need momentum, that's all. Get off."
"You're very charming, but you must hear that all the time."
"Get off," she says. "I'll ride, and you run after me and jump on the bike."
"Do many guys ask you out twice?"
"Only the ones with balls.
”
”
Cath Crowley (Graffiti Moon)
“
My name is Parker Black. I sometimes work as BlackDawn. My employer is Titan, and my training is from both the Marines and MIT.” “I know.” “But you don’t know what that means. I will kill to protect you. I will hunt what follows you,” he said through clenched teeth. “I will seek out anything that has its sights on you, and I will destroy it. I’m not a muscle hound with a hard-on for electronics. I’m a mercenary for the good guys, an analyst of life-and-death situations, and I will, I swear to Christ, maim, harm, and kill anything that wants what I care about.
”
”
Cristin Harber (Black Dawn (Titan, #6))
“
I don’t want the same shit you guys want. I’m not looking for anything else. I’m going to do the same shit I’ve been doing,” he says, “only I’m going to do it better.
”
”
Jesse Itzler (Living with a SEAL: 31 Days Training with the Toughest Man on the Planet)
“
Why are you so upset? You were almost late to the Olympics, and this isn’t even close to as important,” Rob said.
“Don’t throw the Olympics in my face, bitch.”
“I’m not your bitch,” Rob countered as he stepped on the gas. “I’m pretty sure you’re my bitch.”
“Sure, eat some come from a guy’s ass, and he’s all, ‘you’re my bitch now.’ Wouldn’t my mother be proud?
”
”
Leta Blake (Training Season (Training Season, #1))
“
Women hate each other in science. You know why? Because the few that are around were trained by men. They survived by being twice as good and twice as competitive and twice as badass as the guys.
”
”
Allegra Goodman (Intuition)
“
A military policeman deals with military lawbreakers. Those lawbreakers are service guys. Highly trained in weapons, sabotage, unarmed combat. Rangers, Green Berets, marines. Not just killers. Trained killers. Extremely well trained, at huge public expense. So the military policeman is trained even better. Better with weapons. Better unarmed.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
My advice to any young girls playing soccer is, stay with the boys as long as you can. A 12-year-old boy is always going to be faster, quicker and stronger. It's a totally different game and it requires more from you. I see young girls who train with us and I say to them, 'You guys think you're working hard, but you've gotta give 10 times more.' They've been playing with other girls the same age as them their whole lives.
”
”
Sam Kerr
“
Raza : “ The bow and arrow was once the pinnacle of weapons technology. It allowed the great Genghis Khan to rule from the Pacific to the Ukraine.
Today-- whoever has the latest Stark weapons rules these lands. Soon it will be my turn “
End of scene
Today picture Fortune 500 CEOs whispering to their top men “ Today – whoever has the latest sales weapons rules the world . Soon it will be our turn – thanks to Invisible Selling - Behavioural Economics & More . Get that Rai bloke to train all our guys
”
”
Dharmendra Rai (Corporate Invisible Selling Behavioural Economics & More)
“
The point is, it didn’t even look like my face. It was the face of any twenty-four-year-old guy who might have been sitting across the way on the commuter train.
My face, my self, what would they mean to anybody? Just another stiff. So this self of mine passes some other’s self on the street – what do weh ave to say to each other? Hey there! Hi ya!That’s about it. Nobody raises a hand. No one turns around to take another look.
”
”
Haruki Murakami (Pinball, 1973 (The Rat, #2))
“
Angels and demons, heaven and hell, God, morality, law and language. It’s all metaphor. Scaffolding to handle the areas where base reality won’t cut it for you guys, where it’s too cold for humans to live without something made up. We codify our hopes and fears and wants, and then build whole societies on the code. And then forget it ever was code and treat it like fact. Act like the universe gives a shit about it. Go to war over it, string men and women up by the neck for it. Firebomb trains and skyscrapers in the name of it.
”
”
Richard K. Morgan (Thirteen)
“
Every martial art, from T’ai Chi Chuan to the nuclear deterrent, is based on a doctrine—an idea of how combat works.
”
”
Guy Windsor (The Medieval Longsword: A Training Manual)
“
Being the highly trained investment mogul that I am, I could certainly find places to put that money where it would earn more. Or would it? Remember, personal finance is personal. I have come to realize that Sharon’s peace of mind bought with the oversized emergency fund is a great return on investment. Guys, this can be a wonderful gift to your wife. An Emergency Fund Can
”
”
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
“
And right then I felt my heart soften to Toby, because I knew exactly what he meant. I understood how just about anything in the world could remind you of Finn. Trains, or New York City, or plants, or books, or soft sweet black-and-white cookies, or some guy in Central Park playing a polka on the harmonica and the violin at the same time. Things you'd never even seen with Finn could remind you of him, because he was the one person you'd want to show. "Look at that," you'd want to say, because you knew he would find a way to think it was wonderful. To make you feel like the most observant person in the world for spotting it.
”
”
Carol Rifka Brunt (Tell the Wolves I'm Home)
“
My instructor was a skinny guy in his midtwenties who had a shaved head that was always peeling from sunburns and who could only have smelled more like marijuana if he'd been made of it. The training vehicle was a mid- '80s tan Nissan that had working breaks on the passenger side; He often got his jollies slamming them on for no reason and then between wheezing laughs saying 'You were all like 'I'm in control of the car' and then I hit the brakes and shit and you were all like 'whaaaat?
”
”
Justin Halpern (I Suck at Girls)
“
There is also the ceaseless outpouring of books on toilet training, separating one sibling's fist from another sibling's eye socket, expressing breast milk while reading a legal brief, helping preschoolers to "own" their feelings, getting Joshua to do his homework, and raising teenage boys so they become Sensitive New Age Guys instead of rooftop snipers or Chippendale dancers. Over eight hundred books on motherhood were published between 1970 and 2000; only twenty-seven of these came out between 1970 and 1980, so the real avalanch happened in the past twenty years. We've learned about the perils of "the hurried child" and "hyperparenting," in which we schedule our kids with so many enriching activities that they make the secretary of state look like a couch spud. But the unhurried child probably plays too much Nintendo and is out in the garage building pipe bombs, so you can't underschedule them either. Then there's the Martha Stewartization of America, in which we are meant to sculpt the carrots we put in our kids' lunches into the shape of peonies and build funhouses for them in the backyard; this has raised the bar to even more ridiculous levels than during the June Cleaver era.
”
”
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
“
Zombie nerds. They probably had the flyers already made up for this. There was nobody creepier than the zombie nerds, college guys who not only watched zombie movies and read zombie novels and played zombie video games, but actually formed clubs and collected zombie-killing weapons. Gun shops around there actually stocked zombie targets, and special zombie bullets with glow-in-the-dark tips. Not toy bullets, mind you. These guys would go out in the woods and train and shoot and defend to the death their right to stay in childhood until age thirty-five.
”
”
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
“
Who has control in a conversation, the guy listening or the guy talking? The listener, of course. That’s because the talker is revealing information while the listener, if he’s trained well, is directing the conversation toward his own goals. He’s harnessing the talker’s energy for his own ends.
”
”
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
“
Speed is more than just how fast you can thrust your foot into the other guy’s stomach. Whether you’re punching, kicking, blocking, or moving your entire body, other factors are of equal importance, and they too must be trained. ~Perception speed ~Reaction speed ~Movement speed ~Recovery speed
”
”
Loren W. Christensen (Solo Training 3: 50 And Older)
“
This actually did happen to a real person, and the real person is me. I had gone to catch a train. This was April 1976, in Cambridge, U.K. I was a bit early for the train. I’d gotten the time of the train wrong. I went to get myself a newspaper to do the crossword, and a cup of coffee and a packet of cookies. I went and sat at a table. I want you to picture the scene. It’s very important that you get this very clear in your mind. Here’s the table, newspaper, cup of coffee, packet of cookies. There’s a guy sitting opposite me, perfectly ordinary-looking guy wearing a business suit, carrying a briefcase. It didn’t look like he was going to do anything weird. What he did was this: he suddenly leaned across, picked up the packet of cookies, tore it open, took one out, and ate it.
Now this, I have to say, is the sort of thing the British are very bad at dealing with. There’s nothing in our background, upbringing, or education that teaches you how to deal with someone who in broad daylight has just stolen your cookies. You know what would happen if this had been South Central Los Angeles. There would have very quickly been gunfire, helicopters coming in, CNN, you know… But in the end, I did what any red-blooded Englishman would do: I ignored it. And I stared at the newspaper, took a sip of coffee, tried to do a clue in the newspaper, couldn’t do anything, and thought, What am I going to do?
In the end I thought Nothing for it, I’ll just have to go for it, and I tried very hard not to notice the fact that the packet was already mysteriously opened. I took out a cookie for myself. I thought, That settled him. But it hadn’t because a moment or two later he did it again. He took another cookie. Having not mentioned it the first time, it was somehow even harder to raise the subject the second time around. “Excuse me, I couldn’t help but notice…” I mean, it doesn’t really work.
We went through the whole packet like this. When I say the whole packet, I mean there were only about eight cookies, but it felt like a lifetime. He took one, I took one, he took one, I took one. Finally, when we got to the end, he stood up and walked away. Well, we exchanged meaningful looks, then he walked away, and I breathed a sigh of relief and st back.
A moment or two later the train was coming in, so I tossed back the rest of my coffee, stood up, picked up the newspaper, and underneath the newspaper were my cookies. The thing I like particularly about this story is the sensation that somewhere in England there has been wandering around for the last quarter-century a perfectly ordinary guy who’s had the same exact story, only he doesn’t have the punch line.
”
”
Douglas Adams
“
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...]
"So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits."
"I see it perfectly."
"What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me."
"What's he like?"
"Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird."
"Ah. I know the type. What did he do?"
"He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ."
"What?"
"Ate it."
"What?"
"He ate it."
Fenchurch looked at him in astonishment. "What on earth did you do?"
"Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it."
"What? Why?"
"Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits."
"Well, you could. . ." Fenchurch thought about it.
"I must say I'm not sure what I would have done either. So what happened?"
"I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ."
"But you're fighting back, taking a tough line."
"After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten."
"So what did he do?"
"Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground."
Fenchurch stirred uncomfortably.
"And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .'
Doesn't work. No, I ignored it with, if anything, even more vigor than previously."
"My man..."
"Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ."
"What?"
"I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met."
"Like this?"
"Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time."
"I can imagine."”
"We went through the whole packet like this. Him, me, him, me . . ."
"The whole packet?"
"Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time."
"Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling."
"There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course.
"As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ."
"Yes?"
"Were my biscuits."
"What?" said Fenchurch. "What?"
"True."
"No!
”
”
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
“
When asked about his silence during meetings, Rockefeller often recited a poem: A wise old owl lived in an oak,
The more he saw the less he spoke,
The less he spoke, the more he heard,
Why aren’t we all like that wise old bird? Rockefeller was a strange guy. But he figured out something that now applies to tens of millions of workers. Rockefeller’s job wasn’t to drill wells, load trains, or move barrels. It was to think and make good decisions. Rockefeller’s product—his deliverable—wasn’t what he did with his hands, or even his words. It was what he figured out inside his head. So that’s where
”
”
Morgan Housel (The Psychology of Money)
“
What do you think you know about me!? This is all I am! I have high hopes even though I'm powerless; I have all these dreams even though I'm dumb; I keep trying even though I can't do anything! I hate myself! I'm always nothing but talk! I'm worse than useless, but I'm still a world-class complainer! Who the hell do I think I am?! How dare I live such a shameful life this long?! I'm empty. I've got nothing inside me. Until I came here, until I met all of you, do you know what I was doing?! I wasn't doing anything. I didn't do anything... I didn't do one little thing! With all that time to do it! With all that freedom! I should have done lots of stuff, but I didn't do any of it! And this is the result! The man I am now is the result! I'm powerless, talentless, and all of it, all of it, is because of my rotten personality! I want to achieve something when I haven't done anything before--conceited doesn't even begin to describe it... I was lazy and imposed on other people; I wasted my whole life away; I killed you. I thought I could live here, but not a single thing's changed about me. That old man saw right through me, didn't he? During those days of training, the old man had spoken of those who wield the sword, but he had shaken his head and said, 'There is little point lecturing someone about what it takes to become stronger when he has already abandoned the choice to do so.' It's not like I really thought I'd get stronger or I'd be able to do anything... I just went through the motions. I was just a poser trying to justify myself. I wanted to say, I couldn't help it! I wanted other people to say it couldn't be helped! That's all it was! That's the only reason I pretended to put myself on the line like that! Even when you were helping me study, I was just putting on a show to cover up the embarrassment! I'm a small, underhanded, filthy guy down to the bone, always worrying about what other people think of me, and none of that's ever changed!
”
”
Tappei Nagatsuki (Re:ゼロから始める異世界生活 6 [Re:Zero Kara Hajimeru Isekai Seikatsu, Vol. 6] (Re:Zero Light Novels, #6))
“
This is probably a pretty good time to point out that while it may appear that I was lurking—I wasn’t. Lurking is what creepy guys with random facial hair and stains on their shirts do. Geniuses with three years of top secret spy training don’t lurk—we surveil. (Okay, I might have been lurking—a little.)
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come.
St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks.
"All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same.
This is the moment we're supposed to hug. For some reason,I can't do it.
"Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay."
He smiles softly. "Thanks.I'll tell her."
"Call me?"
"Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim....no...nationality."
I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs.
"Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear.
I rub my shins. "It's okay, we're in the way. I should go."
Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens.
We pull apart. "Have fun at the show tonight" he says.
"I will.Have a good flight."
"Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down.
He's lost from view.
I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
A racist cop pulls over a black driver for little reason other than the fact that the driver is black and a recent robbery was committed by a couple of young black guys in a white community. The cop quickly realizes the driver is not one of the robbery suspects. He sees a man with a wife and two small children. They are not a couple of young punks. Still,he persists. Why?
“He asks to see the driver’s license and registration. While locating the appropriate documents, the black driver respectfully volunteers that he is legally carrying a handgun. The cop panics—is it the image of a black man with a gun? He barks out conflicting orders and then shoots the man to death, in front of his family. Why? “Is it because the cop is an insensitive racist? Maybe he wasn’t trained or taught any better? Perhaps he lived a completely different life in a completely different world than that of the black man. In this cop’s world, were all black men potential criminals, people to be watched, people to be feared?
”
”
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
“
In many ways, humans aren't much different from pets. People often behave the way they have been trained to behave. For example, if a person gives his dog a treat when he pisses on the carpet, the dog will keep pissing on the carpet. The same is true for humans. If the Nice Guy reinforces his partner's undesirable behaviors, she will keep behaving in undesirable ways.
”
”
Robert A. Glover (No More Mr. Nice Guy)
“
Tell me the story," said Fenchurch firmly. "You arrived at the station."
"I was about twenty minutes early. I'd got the time of the train wrong."
"Get on with it." Fenchurch laughed.
"So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee."
"You do the crossword?"
"Yes."
"Which one?"
"The Guardian usually."
"I think it tries to be too cute. I prefer The Times. Did you solve it?"
"What?"
"The crossword in the Guardian."
"I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee."
"All right then. Buy the coffee."
"I'm buying it. I am also," said Arthur, "buying some biscuits."
"What sort?"
"Rich Tea."
"Good Choice."
"I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round."
"All right."
"So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits."
"I see it perfectly."
"What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me."
"What's he look like?"
"Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird."
"Ah. I know the type. What did he do?"
"He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..."
"What?"
"Ate it."
"What?"
"He ate it."
Fenchurch looked at him in astonishment. "What on earth did you do?"
"Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it."
"What? Why?"
"Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits."
"Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?"
"I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..."
"But you're fighting back, taking a tough line."
"After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten."
"So what did he do?"
"Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground."
Fenchurch stirred uncomfortably.
"And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously."
"My man..."
"Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..."
"What?"
"I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met."
"Like this?"
"Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time."
"I can imagine.
”
”
Douglas Adams
“
During my training, a supervisor once told me, “There’s something likable in everyone,” and to my great surprise, I found that she was right. It’s impossible to get to know people deeply and not come to like them. We should take the world’s enemies, get them in a room to share their histories and formative experiences, their fears and their struggles, and global adversaries would suddenly get along. I’ve found something likable in literally everyone I’ve seen as a therapist, including the guy who attempted murder. (Beneath his rage, he turned out to be a real sweetheart.)
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
Maybe he knows noting. Maybe it's that he feels it all, but whatever is happening to him, he understands that he lived before. He lived other lives, in different times. And why not? It's something he has often wondered about, sitting on the train in the morning, looking from the corner of his eye at the other commuter, wondering why.
Why am I not living that person's live? That man, there, with the sharp suit and the slightly stupid tie? Or that scruffy guy with the headphones? Or that woman, a little pregnant?
Often, as he sat fiddling with OneDegree, he has wondered why this life is the one he's had, and not one of the thousands of contacts passing through his device, or one of the countless others that could have been his.
Now he knows. He has been others.
”
”
Marcus Sedgwick (Midwinterblood)
“
You might jump in at this point and say: Hey. Guy. (It's Mark.) Okay, Mark. If the same day is repeating over and over again, if every morning it just goes back to the beginning automatically, with everything exactly the way it was, then you could basically do whatever you want, am I right? I mean, sure, you could go to the library, but you could go to the library naked and it wouldn't even matter, because it would all be erased the next day like a shaken Etch A Sketch. You could, I don't know, rob a bank or hop a freight train or tell everybody what you really think of them. You could do anything you wanted.
Which was, yes, theoretically true. But honestly, in this heat, who has the energy? What I wanted was to sit on my ass somewhere air-conditioned and read books.
”
”
Lev Grossman (Summer Days and Summer Nights: Twelve Love Stories)
“
Once—and this would have been in the mid 1950s—Weisberg took the train to New York to attend, on a whim,the Science Fiction Writers Convention, where she met a young writer by the name of Arthur C. Clarke. Clarke took a shine to Weisberg, and next time he was in Chicago he called her up. “He was at a pay phone,” Weisberg recalls. “He said, is there anyone in Chicago I should meet. I told him to come over to my house.” Weisberg has a low, raspy voice, baked hard by half a century of nicotine, and she pauses between sentences to give herself the opportunity for a quick puff. Even when she’s not smoking, she pauses anyway, as if to keep in practice for those moments when she is. “I called Bob Hughes. Bob Hughes was one of the people who wrote for my paper.” Pause. “I said, do you know anyone in Chicago interested in talking to Arthur Clarke. He said, yeah, Isaac Asimov is in town. And this guy Robert, Robert—Robert Heinlein. So they all came over and sat in my study.” Pause. “Then they called over to me and they said, Lois...I can’t remember the word they used. They had some word for me. It was something about how I was the kind of person who brings people together.
”
”
Malcolm Gladwell (The Tipping Point: How Little Things Can Make a Big Difference)
“
The guys were taking bets on the winner. Half were betting on the old woman.” Yasha nodded in agreement. “The babushka is a biter.” “Though nice style points there with the hat,” Calvin added. “We’ve never considered using hats as weapons. Maybe we should add it to our training.” “I’d break every bone in my hand if I punched you,” I said. “You realize that’s the only thing saving you, right?
”
”
Lisa Shearin (The Grendel Affair (SPI Files #1))
“
For the hundredth time, he examined his face in the bathroom mirror, patiently touched every scratch with the styptic pencil, and repowdered them. He ministered to his face and hands objectively, as if they were not a part of himself. When his eyes met the staring eyes in the mirror, they slipped away as they must have slipped away, Guy thought, that first afternoon on the train, when he had tried to avoid Bruno’s eyes.
”
”
Patricia Highsmith
“
Tabula Rasa can make you feel like you’ve taken a train to Bizarro world. I remember my very first night here—and this is goin’ on fifteen years ago—I was takin’ a walk downtown, tryin’ to get a feel for the place. And I’m walkin’ through a construction site—and it was all construction sites back then, you understand—and I come across this hole in the ground, ’bout ten feet in diameter. I look down and I can’t see a bottom, so I pull a quarter out of my pocket and toss it down, and listen for a clink or a splash. Nothin’. Coin just tumbles into the darkness and disappears. So now I’m real curious, and I look around for somethin’ else to throw down there. And teeterin’ right on the edge of the hole is an old refrigerator. So, I circle around and I give it a good kick and it tumbles down into the hole. I hear it bang off the side a few times but once again, there’s no crash, no splash, like it just kept fallin’ forever. It was the strangest thing. So I figure this is the first of this city’s many unknowable mysteries and I start to go on about my way. But then I see the second strange thing—this goat, it goes flying past me, in midair. Like it was fired from a cannon. And now I think I’m losin’ my mind, like maybe it’s not just tobacco in my cigar, if you know what I’m sayin’. So I walk along and I come across a guy sittin’ on the curb and I say, ‘Holy cow, partner, did you see that goat?’ And the fella says, ‘Well, that’s my goat.’ And I say, ‘Well, I hate to tell ya, but I think it’s gone. It took off flyin’.’ And the fella says, ‘That’s impossible. I had him chained to a refrigerator.’” Zoey stared for a moment, then snorted a laugh that almost caused her to choke on her sandwich.
”
”
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
“
Much to the scientists’ surprise, the men, after seeing an emotional face for just one fifth of a second—so briefly that it was still unconscious—were more emotionally reactive than the women. But it’s what happened to the men’s facial muscles next that helped me explain Neil’s guy face to Danielle. As the experiment proceeded, at 2.5 seconds, well into the range of conscious processing, the men’s facial muscles became less emotionally responsive than the women’s. The researchers concluded that the men consciously—or at least semiconsciously—suppressed showing their emotions on their faces. Meanwhile, the women’s facial muscles became more emotionally responsive after 2.5 seconds. According to the researchers, this suggests that men have trained themselves, perhaps since childhood, to automatically turn off or disguise facial emotions. The females’ expressions not only continued to mirror the emotion they were seeing on the face in the photo, but they automatically exaggerated it, from a grin to a big smile or from a subtle frown to a pout. They, too, had been practicing this since childhood.
”
”
Louann Brizendine (The Male Brain: A Breakthrough Understanding of How Men and Boys Think)
“
about his origins from the holographic ghost of his own long-dead father. But now I was thinking of a young Jedi-in-training named Luke Skywalker, looking into the mouth of that cave on Dagobah while Master Yoda told him about today’s activity lesson: Strong with the Dark Side of the Force that place is. In you must go, mofo. So in I went. When I unlocked the front door of our house and stepped into the living room, Muffit, our ancient beagle, glanced up at me sleepily from where he was stretched out on the rug. A few years earlier he would have been waiting for me just inside the door, yapping like a madman. But the poor guy had now grown so old and deaf that my arrival barely
”
”
Ernest Cline (Armada)
“
Lana left, and a guy named Norm came in to replace her. He spent the next three hours talking about a hangout he had with Lana that may or may not have been a date, not that he was worried about it, but what did I think and had Lana mentioned him?
I gave him non-committal answers until I finally cracked. " Jesus Christ, Norm. This is the 'move on with your life' dance." I did a dance like I was imitating a train. "There, did that work? Lana's literally never said your name in my presence."
The injured look on his face gave me a flush of dark satisfaction. "Damn, Alice, that's cold." He took off his hat, folded the brim to make it more pretentious, and re-perched it on his head.
”
”
Melissa Albert (The Hazel Wood (The Hazel Wood, #1))
“
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies.
I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony.
And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
”
”
Sloane Crosley (I Was Told There'd Be Cake: Essays)
“
But if you’re two guys like us, riding the Bronx tracks, you better make sure you hide any sign of affection if you want to fly under the radar. I’ve known this for the longest—I just hoped it wouldn’t matter. Someone whistles at us and I instantly knew I was wrong. These two guys who were competing in a pull-up contest a few minutes ago walk up to us. The taller one with his jeans leg rolled up asks, “Yo. You two homos faggots?” We both tell him no. His friend, who smells like straight-up armpits, presses his middle finger between Collin’s eyes. He sucks his teeth. “They lying. I bet their little dicks are getting hard right now.” Collin smacks the dude’s hand, which is just as big a mistake as my mom trying to save me from being thrown out the house last night. “Fuck you.” Nightmare after nightmare. One slams my head into the railing, and the other hammers Collin with punches. I try punching the first guy in his nose, but I’m too dizzy and miss. I have no idea how many times he punches me or at what point I end up on the sticky floor with Collin trying to shield me before he’s kicked to the side. Collin turns to me, crying these involuntary tears from shock and pain. His kind brown eyes roll back when he’s kicked in the head. I cry out for help but no one fucking breaks up the fight. No one fucking does the right thing. The train stops and the doors open but there’s no chance for escape. For us, at least.
”
”
Adam Silvera (More Happy Than Not)
“
The air of Paris is quite different from any other. There's something about it which thrills and excites and intoxicates you, and in some strange way makes you want to dance and do all sorts of other silly things. As soon as I get out of the train, it's just as if I had drunk a bottle of champagne. What a time one could have surrounded by artists! How happy those lucky people must be, the great men who have made a name in a city like Paris! What a wonderful life they have!
”
”
Guy de Maupassant (Boule de Suif (21 contes))
“
Those four effects described above—shaping a male-dominant view of sexuality, initiating victims, contributing to difficulty in separating sexual fantasy and reality, and providing a training manual for abusers—are at work just as much with men who have not engaged in activities that meet the legal definition of rape. Here we have to let go of a comforting illusion—that there is some clear line between men who rape and men who don't, between the bad guys and the good guys.
”
”
Robert Jensen (Getting Off: Pornography and the End of Masculinity)
“
That was some shady shit out there, Rome,” Braeden said once the total chaos of winning the game had gone down to a considerable roar.
We were finally in the locker room, and I was stripping off my sweat and grass-stained gear.
“Total douche move.” I agreed.
It wasn’t the first time a team had tried to take me out of a game. It was pretty much common practice, especially when something like a title and championship was at stake. Still, I’d never quite had anyone come at me like that before.
The play was already in progress. Sacking me wouldn’t have changed the touchdown I’d just thrown. Except of course to keep me from throwing another one.
That guy deliberately came in like a freight train and plowed me down. I lay there stunned for long moments, waiting for the air to come back in my lungs and for my body to process the shock of the hit.
Thankfully, he wasn’t that good at tackling and it did nothing more than stun me.
And it got him thrown out of the game.
It really hadn’t been a big deal. Like I said, it happened a lot. But it was the first time it happened in front of Rimmel.
I couldn’t help but notice how the large screen on the field had zeroed in on the girl in number twenty-four’s hoodie, who was climbing over the railing and preparing to leap down onto the field.
The security guard was yelling at her, but she barely noticed him. Her eyes were trained out on the field, where I was.
It was almost laughable that her tiny ass was going to rush out onto a field full of men more than double her size to make sure I was okay.
G**damn. I loved her even more just then.
When the guard put his hand on her ankle, trying to stop her from going back to her seat, something happened.
Something that never had in my entire life of playing football.
The game faded away.
For once, I was out on the field and unable to focus on only the game. It took a backseat to the girl teetering on the edge of the railing.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
I know “professional” historians like to talk about how Yonkers represented a “catastrophic failure of the modern military apparatus,” how it proved the old adage that armies perfect the art of fighting the last war just in time for the next one. Personally, I think that’s a big ’ole sack of it. Sure, we were unprepared, our tools, our training, everything I just talked about, all one class-A, gold-standard clusterfuck, but the weapon that really failed wasn’t something that rolled off an assembly line. It’s as old as…I don’t know, I guess as old as war. It’s fear, dude, just fear and you don’t have to be Sun freakin Tzu to know that real fighting isn’t about killing or even hurting the other guy, it’s about scaring him enough to call it a day. Break their spirit, that’s what every successful army goes for, from tribal face paint to the “blitzkrieg” to…what did we call the first round of Gulf War Two, “Shock and Awe”? Perfect name, “Shock and Awe”! But what if the enemy can’t be shocked and awed? Not just won’t, but biologically can’t! That’s what happened that day outside New York City, that’s the failure that almost lost us the whole damn war. The fact that we couldn’t shock and awe Zack boomeranged right back in our faces and actually allowed Zack to shock and awe us! They’re not afraid! No matter what we do, no matter how many we kill, they will never, ever be afraid!
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
J’allais ouvrir la bouche et aborder cette fille , quand quelqu’un me toucha l’épaule. Je me retournai, surpris, et j’aperçus un homme d’aspect ordinaire, ni jeune ni vieux, qui me regardait d’un air triste.
— Je voudrais vous parler, dit-il.
Je fis une grimace qu’il vit sans doute, car il ajouta :
— « C’est important. »
Je me levai et le suivis à l’autre bout du bateau :
— « Monsieur, reprit-il, quand l’hiver approche avec les froids, la pluie et la neige, votre médecin vous dit chaque jour : « Tenez-vous les pieds bien chauds, gardez-vous des refroidissements, des rhumes, des bronchites, des pleurésies. » Alors vous prenez mille précautions, vous portez de la flanelle, des pardessus épais, des gros souliers, ce qui ne vous empêche pas toujours de passer deux mois au lit. Mais quand revient le printemps avec ses feuilles et ses fleurs, ses brises chaudes et amollissantes, ses exhalaisons des champs qui vous apportent des troubles vagues, des attendrissements sans cause, il n’est personne qui vienne vous dire : « Monsieur, prenez garde à l’amour ! Il est embusqué partout ; il vous guette à tous les coins ; toutes ses ruses sont tendues, toutes ses armes aiguisées, toutes ses perfidies préparées ! Prenez garde à l’amour !… Prenez garde à l’amour ! Il est plus dangereux que le rhume, la bronchite et la pleurésie ! Il ne pardonne pas, et fait commettre à tout le monde des bêtises irréparables. » Oui, monsieur, je dis que, chaque année, le gouvernement devrait faire mettre sur les murs de grandes affiches avec ces mots : « Retour du printemps. Citoyens français, prenez garde à l’amour ; » de même qu’on écrit sur la porte des maisons : « Prenez garde à la peinture ! » — Eh bien, puisque le gouvernement ne le fait pas, moi je le remplace, et je vous dis : « Prenez garde à l’amour ; il est en train de vous pincer, et j’ai le devoir de vous prévenir comme on prévient, en Russie, un passant dont le nez gèle. »
Je demeurai stupéfait devant cet étrange particulier, et, prenant un air digne :
— « Enfin, monsieur, vous me paraissez vous mêler de ce qui ne vous regarde guère. »
Il fit un mouvement brusque, et répondit :
— « Oh ! monsieur ! monsieur ! si je m’aperçois qu’un homme va se noyer dans un endroit dangereux, il faut donc le laisser périr ?
”
”
Guy de Maupassant
“
The word “marriage” lingered in Guy’s ears, too. It was a solemn word to him. It had the primordial solemnity of holy, love, sin. It was Miriam’s round terra cotta-coloured mouth saying, “Why should I put myself out for you?” and it was Anne’s eyes as she pushed her hair back and looked up at him on the lawn of her house where she planted crocuses. It was Miriam turning from the tall thin window in the room in Chicago, lifting her freckled, shield-shaped face directly up to his as she always did before she told a lie, and Steve’s long dark head, insolently smiling.
”
”
Patricia Highsmith (Strangers on a Train)
“
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building.
Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked.
“Have you seen Aiden?”
“Aiden?”
Were there really that many Aidens? “Graves.”
“Can I ask what you need him for?”
I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.”
It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal.
Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did.
I couldn’t help but crack a little smile at his grumpiness. “Ready?”
He did his form of a nod, a tip of his chin.
I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably.
He glared down at me. “What are you smiling at?”
I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.”
He mouthed ‘sunshine’ as his gaze strayed to the ceiling.
We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked.
He eyed me as he buckled in, and I slanted him a look. “What?”
With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out.
All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me.
When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned.
“For me?” I asked like an idiot.
He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.”
Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
One time during Indoc while we were out on night run, one of the instructors actually climbed up the outside of a building, came through an open window, and absolutely trashed a guy’s room, threw everything everywhere, emptied detergent over his bed gear. He went back out the way he’d come in, waited for everyone to return, and then tapped on the poor guy’s door and demanded a room inspection. The guy couldn’t work out whether to be furious or heartbroken, but he spent most of the night cleaning up and still had to be in the showers at 0430 with the rest of us. I asked Reno about this weeks later, and he told me, “Marcus, the body can take damn near anything. It’s the mind that needs training. The question that guy was being asked involved mental strength. Can you handle such injustice? Can you cope with that kind of unfairness, that much of a setback? And still come back with your jaw set, still determined, swearing to God you will never quit? That’s what we’re looking for.
”
”
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
“
Office Peone looked at John and wondered what mental illness he had. The Seattle streets were filled with the mostly-crazy, half-crazy, nearly crazy, and soon-to-be crazy. Indian, white, Chicano, Asian, men, women, children. The social workers did not have anywhere near enough money, training, or time to help them. The city government hated the crazies because they were a threat to the public image of the urban core. Private citizens ignored them at all times of the year except the few charitable days leading up to and following Christmas. In the end, the police had to do most of the work. Police did crisis counseling, transporting them howling to detox, the dangerous to jail, racing the sick to the hospitals, to a safer place. At the academy, Officer Peone figured he would be fighting bad guys. He did not imagine he would spend most of his time taking care of the refuse of the world. Peone found it easier when the refuse were all nuts or dumb-ass drunks, harder when they were just regular folks struggling to find their way off the streets.
”
”
Sherman Alexie (Indian Killer)
“
Tell me, is it possible to love someone who is not as smart as you are?” Caravaggio, in a belligerent morphine rush, wanted the mood of argument. “This is something that has concerned me most of my sexual life—which began late, I must announce to this select company. In the same way the sexual pleasure of conversation came to me only after I was married. I had never thought words erotic. Sometimes I really do like to talk more than fuck. Sentences. Buckets of this buckets of that and then buckets of this again. The trouble with words is that you can really talk yourself into a corner. Whereas you can’t fuck yourself into a corner.” “That’s a man talking,” muttered Hana. “Well, I haven’t,” Caravaggio continued, “maybe you have, Kip, when you came down to Bombay from the hills, when you came to England for military training. Has anyone, I wonder, fucked themselves into a corner. How old are you, Kip?” “Twenty-six.” “Older than I am.” “Older than Hana. Could you fall in love with her if she wasn’t smarter than you? I mean, she may not be smarter than you. But isn’t it important for you to think she is smarter than you in order to fall in love? Think now. She can be obsessed by the Englishman because he knows more. We’re in a huge field when we talk to that guy. We don’t even know if he’s English. He’s probably not. You see, I think it is easier to fall in love with him than with you. Why is that? Because we want to know things, how the pieces fit. Talkers seduce, words direct us into corners. We want more than anything to grow and change. Brave new world.
”
”
Michael Ondaatje (The English Patient)
“
Rockefeller was a strange guy. But he figured out something that now applies to tens of millions of workers. Rockefeller’s job wasn’t to drill wells, load trains, or move barrels. It was to think and make good decisions. Rockefeller’s product—his deliverable—wasn’t what he did with his hands, or even his words. It was what he figured out inside his head. So that’s where he spent most of his time and energy. Despite sitting quietly most of the day in what might have looked like free time or leisure hours to most people, he was constantly working in his mind, thinking problems through. This was unique in his day. Almost all jobs during Rockefeller’s time required doing things with your hands. In 1870, 46% of jobs were in agriculture, and 35% were in crafts or manufacturing, according to economist Robert Gordon. Few professions relied on a worker’s brain. You didn’t think; you labored, without interruption, and your work was visible and tangible. Today, that’s flipped. Thirty-eight percent of jobs are now designated as “managers, officials, and professionals.” These are decision-making jobs. Another 41% are service jobs that often rely on your thoughts as much as your actions.
”
”
Morgan Housel (The Psychology of Money)
“
MAN: Mr. Chomsky, I’m wondering what specific qualifications you have to be able to speak all around the country about world affairs?
None whatsoever. I mean, the qualifications that I have to speak on world affairs are exactly the same ones Henry Kissinger has, and Walt Rostow has, or anybody in the Political Science Department, professional historians—none, none that you don’t have. The only difference is, I don’t pretend to have qualifications, nor do I pretend that qualifications are needed. I mean, if somebody were to ask me to give a talk on quantum physics, I’d refuse—because I don’t understand enough. But world affairs are trivial: there’s nothing in the social sciences or history or whatever that is beyond the intellectual capacities of an ordinary fifteen-year-old. You have to do a little work, you have to do some reading, you have to be able to think, but there’s nothing deep—if there are any theories around that require some special kind of training to understand, then they’ve been kept a carefully guarded secret.
In fact, I think the idea that you’re supposed to have special qualifications to talk about world affairs is just another scam—it’s kind of like Leninism [position that socialist revolution should be led by a “vanguard” party]: it’s just another technique for making the population feel that they don’t know anything, and they’d better just stay out of it and let us smart guys run it. In order to do that, what you pretend is that there’s some esoteric discipline, and you’ve got to have some letters after your name before you can say anything about it. The fact is, that’s a joke.
MAN: But don’t you also use that system too, because of your name-recognition and the fact that you’re a famous linguist? I mean, would I be invited to go somewhere and give talks?
You think I was invited here because people know me as a linguist? Okay, if that was the reason, then it was a bad mistake. But there are plenty of other linguists around, and they aren’t getting invited to places like this—so I don’t really think that can be the reason. I assumed that the reason is that these are topics that I’ve written a lot about, and I’ve spoken a lot about, and I’ve demonstrated a lot about, and I’ve gone to jail about, and so on and so forth—I assumed that’s the reason. If it’s not, well, then it’s a bad mistake. If anybody thinks that you should listen to me because I’m a professor at M.I.T., that’s nonsense. You should decide whether something makes sense by its content, not by the letters after the name of the person who says it. And the idea that you’re supposed to have special qualifications to talk about things that are common sense, that’s just another scam—it’s another way to try to marginalize people, and you shouldn’t fall for it.
”
”
Noam Chomsky (Understanding Power: The Indispensable Chomsky)
“
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
”
”
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
“
I looked over at the others. "Anyone have tree-climbing issues?"
Obviously Ash and I didn't. Daniel, Hayley, and Corey said they'd be fine. Chloe hoped she would—she had gymnastics training. Mr. Bae joked that it would be his first time in a couple of decades. Derek said nothing.
"Derek?"
"It looks like I'll be the guy doing the distracting. I'm not trusting a tree branch to hold me."
"You're not playing decoy," Chloe said. She turned to us. "I'm sorry. I know that sounds like a cop-out, but he really can't. The last time we were in a fight against the St. Clouds, the orders were to tranq all of us except Derek. For him, it was shoot to kill. They don't trust werewolves."
"I think they've calmed down," Derek said. "They've been watching us for months and haven't tried to assassinate me yet."
Chloe put her hands on her hips. "And that's your definition of acceptance? Not going out of their way to kill you?"
”
”
Kelley Armstrong (The Rising (Darkness Rising, #3))
“
When you’re climbing up a rock face, your hands are not more than a few inches from your eyes, but when you’re coming down, your feet are never less than five feet below you, which means that when you look down you’ve far more chance of losing your balance. Got the idea?’ George laughed. ‘Ignore my friend,’ he said. ‘And not just because he’s a hide-bound Tory, but he’s also a lackey of the capitalist system.’ ‘True enough,’ said Guy without shame. ‘So what clubs have you signed up for?’ asked Brooke, turning his attention to Guy. ‘Apart from cricket, the Union, the Disraeli Society and the Officers’ Training Corps,’ replied Guy. ‘Good heavens,’ said Brooke. ‘Is there no hope for the man?’ ‘None whatsoever,’ admitted Guy. Turning to George, he added, ‘But at least I’ve found what you’ve been looking for, so the time has come for you to follow me.’ George raised his mortar board to Brooke, who returned the compliment. Guy led the way to the next row of stalls, where he pointed triumphantly at a white awning that read CUMC, founded 1904. George slapped his friend on the back. He began to study a display of photographs showing past and present undergraduates standing on the Great St Bernard Pass, and on the summits of Mont Vélan and Monte Rosa. Another board on the far side of the table displayed a large photograph of Mont Blanc, on which was written the words Join us in Italy next year if you want
”
”
Jeffrey Archer (Paths of Glory)
“
To the untrained eye, the Wall Street people who rode from the Connecticut suburbs to Grand Central were an undifferentiated mass, but within that mass Danny noted many small and important distinctions. If they were on their BlackBerrys, they were probably hedge fund guys, checking their profits and losses in the Asian markets. If they slept on the train they were probably sell-side people—brokers, who had no skin in the game. Anyone carrying a briefcase or a bag was probably not employed on the sell side, as the only reason you’d carry a bag was to haul around brokerage research, and the brokers didn’t read their own reports—at least not in their spare time. Anyone carrying a copy of the New York Times was probably a lawyer or a back-office person or someone who worked in the financial markets without actually being in the markets. Their clothes told you a lot, too. The guys who ran money dressed as if they were going to a Yankees game. Their financial performance was supposed to be all that mattered about them, and so it caused suspicion if they dressed too well. If you saw a buy-side guy in a suit, it usually meant that he was in trouble, or scheduled to meet with someone who had given him money, or both. Beyond that, it was hard to tell much about a buy-side person from what he was wearing. The sell side, on the other hand, might as well have been wearing their business cards: The guy in the blazer and khakis was a broker at a second-tier firm; the guy in the three-thousand-dollar suit and the hair just so was an investment banker at J.P. Morgan or someplace like that. Danny could guess where people worked by where they sat on the train. The Goldman Sachs, Deutsche Bank, and Merrill Lynch people, who were headed downtown, edged to the front—though when Danny thought about it, few Goldman people actually rode the train anymore. They all had private cars. Hedge fund guys such as himself worked uptown and so exited Grand Central to the north, where taxis appeared haphazardly and out of nowhere to meet them, like farm trout rising to corn kernels. The Lehman and Bear Stearns people used to head for the same exit as he did, but they were done. One reason why, on September 18, 2008, there weren’t nearly as many people on the northeast corner of Forty-seventh Street and Madison Avenue at 6:40 in the morning as there had been on September 18, 2007.
”
”
Michael Lewis (The Big Short)
“
The most vital weapons at the disposal of a special forces soldier are his intellect and his mental toughness. Sometimes it all comes down to 'who wants it most', i.e. whoever is more willing to keep fighting and trying to survive. Being able to keep your head and look for advantages or escape routes is a big plus too.
Getting into 'survival mode' requires shifting mental gears when you need to. Good training helps with this as well as giving you the skills you need, but ultimately the will that drives your bid to survive is yours.
If you give in to fear or go into denial, pretending that it is not happening, then you will fail. Instead you must accept that it IS really happening and deal with it. So if you find yourself thinking, "What's he going to do to me?', you have to force yourself to answer, 'Nothing. I'm not going to let him.'
If you have done all you can to avoid trouble and it finds you anyway, then it is down to you to make a way out of the situation with as little harm to yourself as possible. Yes, you will be scared. Yes, you might indeed get hurt. Yes, it is possible that you could fail to defend yourself... but not for lack of trying. If the bad guy will not let you withdraw or de-escalate the situation, if he insists on fighting then he has decided that someone is going to get hurt. But it is you, not him, that gets to decide who.
”
”
Martin J. Dougherty (Special Forces Unarmed Combat Guide: Hand-to-Hand Fighting Skills From The World's Most Elite Military Units)
“
So you don’t trust me: the guy who taught you everything you know. I’m guessing if you have her”—he jerked his thumb at Rae—“that’s no accident. Luke’s buddies sent her to trap you, and she thought she was doing the right thing, because, duh, she’s already proven she’s kinda gullible that way.”
“Hey!” Rae said.
“You are. Own it. Fix it. Now, you guys have her, which means you escaped whoever sent her after you. You didn’t escape without a fight, given that bruise I see rising on Daniel’s jaw and the scrapes on Derek’s knuckles. But you escaped, and you came back here, and you captured me. Who taught you all that?”
“Daniel and I had already started learning,” Maya said, “during those weeks you were chasing us.”
“Trial by fire,” he said. “Followed by hardcore, hands-on tactical training. You got away scot-free from these guys because of my lessons. And yet now you don’t trust I’m on your side?”
“Nope,” Derek said.
“Sorry,” Daniel said.
Maya crossed her arms and shook her head. I shrugged.
Moreno broke into a grin. “You guys do me proud. I’d give you all a hug, if that wasn’t a little creepy. And if I was the hugging sort. But if you survive the rest of this, I’ll take you all out for beer and ice cream.”
“You don’t need to be sarcastic,” Rae muttered.
“Oh, but I’m not, and they know it. This is exactly what I trained them for. Trust no one except one another. Excluding you, kid, because I don’t know you, and you have a bad habit of screwing up. But these guys are doing the right thing. Next step?”
Turn the tables,” I said. “Capture someone who’s behind this and get them to talk.”
“Mmm, yes. That would work. But even better?”
“Stop them,” Derek said. “Don’t just take down one. Take them all down.”
“Without running to the Nasts for help,” Daniel said. “Because in another year, some of us will be off to college, and we need to be able to look after ourselves.”
“Starting with proving we can look after ourselves,” Maya said.
Moreno beamed. “You guys are ace. See, this is what I told Sean. The best time to train operatives is when they’re still young and malleable. None of that shit about waiting until they’re eighteen and legally old enough to consent.”
Maya shook her head. “I suppose you’d also suggest he have the Cabal terrorize them for weeks first, so they’re properly motivated.”
“Exactly. Personal rights and freedoms are vastly overrated. And there’s nothing wrong with a little PTSD. I’ve always found mine useful. Keeps me on my toes.”
Rae stared at him.
“I’m kidding,” he said to her. “Mostly. Don’t you joke around like this with your instructors? Oh, wait. You don’t have any. Which is why you got tricked—again. And got captured by these guys.”
“Can we tie him up now?” Rae said. “And gag him?”
“Doesn’t do any good,” Derek said.
“We could try.
”
”
Kelley Armstrong (Atoning (Darkness Rising #3.1))
“
In Uprooting Racism, Paul Kivel makes a useful comparison between the rhetoric abusive men employ to justify beating up their girlfriends, wives, or children and the publicly traded justifications for widespread racism. He writes: During the first few years that I worked with men who are violent I was continually perplexed by their inability to see the effects of their actions and their ability to deny the violence they had done to their partners or children. I only slowly became aware of the complex set of tactics that men use to make violence against women invisible and to avoid taking responsibility for their actions. These tactics are listed below in the rough order that men employ them.… (1) Denial: “I didn’t hit her.” (2) Minimization: “It was only a slap.” (3) Blame: “She asked for it.” (4) Redefinition: “It was mutual combat.” (5) Unintentionality: “Things got out of hand.” (6) It’s over now: “I’ll never do it again.” (7) It’s only a few men: “Most men wouldn’t hurt a woman.” (8) Counterattack: “She controls everything.” (9) Competing victimization: “Everybody is against men.” Kivel goes on to detail the ways these nine tactics are used to excuse (or deny) institutionalized racism. Each of these tactics also has its police analogy, both as applied to individual cases and in regard to the general issue of police brutality. Here are a few examples: (1) Denial. “The professionalism and restraint … was nothing short of outstanding.” “America does not have a human-rights problem.” (2) Minimization. Injuries were “of a minor nature.” “Police use force infrequently.” (3) Blame. “This guy isn’t Mr. Innocent Citizen, either. Not by a long shot.” “They died because they were criminals.” (4) Redefinition. It was “mutual combat.” “Resisting arrest.” “The use of force is necessary to protect yourself.” (5) Unintentionality. “[O]fficers have no choice but to use deadly force against an assailant who is deliberately trying to kill them.…” (6) It’s over now. “We’re making changes.” “We will change our training; we will do everything in our power to make sure it never happens again.” (7) It’s only a few men. “A small proportion of officers are disproportionately involved in use-of-force incidents.” “Even if we determine that the officers were out of line … it is an aberration.” (8) Counterattack. “The only thing they understand is physical force and pain.” “People make complaints to get out of trouble.” (9) Competing victimization. The police are “in constant danger.” “[L]iberals are prejudiced against police, much as many white police are biased against Negroes.” The police are “the most downtrodden, oppressed, dislocated minority in America.” Another commonly invoked rationale for justifying police violence is: (10) The Hero Defense. “These guys are heroes.” “The police routinely do what the rest of us don’t: They risk their lives to keep the peace. For that selfless bravery, they deserve glory, laud and honor.” “[W]ithout the police … anarchy would be rife in this country, and the civilization now existing on this hemisphere would perish.” “[T]hey alone stand guard at the upstairs door of Hell.
”
”
Kristian Williams (Our Enemies in Blue: Police and Power in America)
“
When everyone is seated, Galen uses a pot holder to remove the lid from the huge speckled pan in the center of the table. And I almost upchuck. Fish. Crabs. And...is that squid hair? Before I can think of a polite version of the truth-I'd rather eat my own pinky finger than seafood-Galen plops the biggest piece of fish on my plate, then scoops a mixture of crabmeat and scallops on top of it. As the steam wafts its way to my nose, my chances of staying polite dwindle. The only think I can think of is to make it look like I'm hiccupping instead of gagging. What did I smell earlier that almost had me salivating? It couldn't have been this.
I fork the fillet and twist, but it feels like twisting my own gut. Mush it, dice it, mix it all up. No matter what I do, how it looks, I can't bring it near my mouth. A promise is a promise, dream or no dream. Even if real fish didn't save me in Granny's pond, the fake ones my imagination conjured up sure comforted me until help arrived. And now I'm expected to eat their cousins? No can do.
I set the fork down and sip some water. I sense Galen is watching. Out of my peripheral, I see the others shoveling the chum into their faces. But not Galen. He sits still, head tilted, waiting for me to take a bite first.
Of all the times to be a gentleman! What happened to the guy who sprawled me over his lap like a three-year-old just a few minutes ago? Still, I can't do it. And they don't even have a dog for me to feed under the table, which used to be my go-to plan at Chloe's grandmother's house. One time Chloe even started a food fight to get me out of it. I glance around the table, but Rayna's the only person I'd aim this slop at. Plus, I'd risk getting the stuff on me, which is almost as bad as in me.
Galen nudges me with his elbow. "Aren't you hungry? You're not feeling bad again, are you?"
This gets the others' attention. The commotion of eating stops. Everyone stares. Rayna, irritated that her gluttony has been interrupted. Toraf smirking like I've done something funny. Galen's mom wearing the same concerned look he is. Can I lie? Should I lie? What if I'm invited over again, and they fix seafood because I lied about it just this once? Telling Galen my head hurts doesn't get me out of future seafood buffets. And telling him I'm not hungry would be pointless since my stomach keeps gurgling like an emptying drain.
No, I can't lie. Not if I ever want to come back here. Which I do. I sigh and set the fork down. "I hate seafood," I tell him. Toraf's sudden cough startles me. The sound of him choking reminds me of a cat struggling with a hair ball.
I train my eyes on Galen, who has stiffened to a near statue. Jeez, is this all his mom knows how to make? Or have I just shunned the Forza family's prize-winning recipe for grouper?
"You...you mean you don't like this kind of fish, Emma?" Galen says diplomatically.
I desperately want to nod, to say, "Yes, that's it, not this kind of fish"-but that doesn't get me out of eating the crabmeat-and-scallop mountain on my plate. I shake my head. "No. Not just this kind of fish. I hate it all. I can't eat any of it. Can hardly stand to smell it."
Way to go for the jugular there, stupid! Couldn't I just say I don't care for it? Did I have to say I hate it? Hate even the smell of it? And why am I blushing? It's not a crime to gag on seafood. And for God's sakes, I won't eat anything that still has its eyeballs.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all
new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
”
”
Fiona Cole (Lovers (Voyeur, #2))
“
He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?”
He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.”
Confused, Tom stepped past him into the bunk. Then he gawked, too.
Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW?
Tom began to laugh.
“She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.”
That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved.
He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games.
“My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe.
Just then, Vik’s new roommate bustled into the bunk.
He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory:
NAME: Giuseppe Nichols
RANK: USIF, Grade IV Middle, Alexander Division
ORIGIN: New York, NY
ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition
IP: 2053:db7:lj71::291:ll3:6e8
SECURITY STATUS: Top Secret LANDLOCK-4
Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.”
Tom smothered his laughter. “Wow. He already has your number, man.”
Vik shot him a look of death as Tom backed out of the bunk.
”
”
S.J. Kincaid
“
When I come down the stairs, Peter is sitting on the couch with his mom. He is shaking his knee up and down, which is how I know he’s nervous too. As soon as he sees me, he stands up.
He raises his eyebrows. “You look--wow.” For the past week, he’s been asking for details on what my dress looks like, and I held him at bay for the surprise, which I’m glad I did, because it was worth it to see the look on his face.
“You look wow too.” His tux fits him so nicely, you’d think it was custom, but it’s not; it’s a rental from After Hours Formal Wear. I wonder if Mrs. Kavinsky made a few sly adjustments. She’s a marvel with a needle and thread. I wish guys could wear tuxedos more often, though I suppose that would take some of the thrill away.
Peter slides my corsage on my wrist; it is white ranunculus and baby’s breath, and it’s the exact corsage I would have picked for myself. I’m already thinking of how I’ll hang it over my bed so it dries just so.
Kitty is dressed up too; she has on her favorite dress, so she can be in the pictures. When Peter pins a daisy corsage on her, her face goes pink with pleasure, and he winks at me. We take a picture of me and her, one of me and Peter and her, and then she says in her bossy way, “Now just one of me and Peter,” and I’m pushed off to the side with Trina, who laughs.
“The boys her age are in for it,” she says to me and Peter’s mom, who is smiling too.
“Why am I not in any of these pictures?” Daddy wonders, so of course we do a round with him too, and a few with Trina and Mrs. Kavinsky.
Then we take pictures outside, by the dogwood tree, by Peter’s car, on the front steps, until Peter says, “Enough pictures! We’re going to miss the whole thing.” When we go to his car, he opens the door for me gallantly.
On the way over, he keeps looking at me. I keep my eyes trained straight ahead, but I can see him in my periphery. I’ve never felt so admired. This must be how Stormy felt all the time.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
I can hardly believe that our nation’s policy is to seek peace by going to war. It seems that President Donald J. Trump has done everything in his power to divert our attention away from the fact that the FBI is investigating his association with Russia during his campaign for office. For several weeks now he has been sabre rattling and taking an extremely controversial stance, first with Syria and Afghanistan and now with North Korea. The rhetoric has been the same, accusing others for our failed policy and threatening to take autonomous military action to attain peace in our time.
This gunboat diplomacy is wrong. There is no doubt that Secretaries Kelly, Mattis, and other retired military personnel in the Trump Administration are personally tough. However, most people who have served in the military are not eager to send our young men and women to fight, if it is not necessary. Despite what may have been said to the contrary, our military leaders, active or retired, are most often the ones most respectful of international law. Although the military is the tip of the spear for our country, and the forces of civilization, it should not be the first tool to be used. Bloodshed should only be considered as a last resort and definitely never used as the first option. As the leader of the free world, we should stand our ground but be prepared to seek peace through restraint. This is not the time to exercise false pride!
Unfortunately the Trump administration informed four top State Department management officials that their services were no longer needed as part of an effort to "clean house." Patrick Kennedy, served for nine years as the “Undersecretary for Management,” “Assistant Secretaries for Administration and Consular Affairs” Joyce Anne Barr and Michele Bond, as well as “Ambassador” Gentry Smith, director of the Office for Foreign Missions. Most of the United States Ambassadors to foreign countries have also been dismissed, including the ones to South Korea and Japan. This leaves the United States without the means of exercising diplomacy rapidly, when needed. These positions are political appointments, and require the President’s nomination and the Senate’s confirmation. This has not happened! Moreover, diplomatically our country is severely handicapped at a time when tensions are as hot as any time since the Cold War.
Without following expert advice or consent and the necessary input from the Unites States Congress, the decisions are all being made by a man who claims to know more than the generals do, yet he has only the military experience of a cadet at “New York Military Academy.” A private school he attended as a high school student, from 1959 to 1964. At that time, he received educational and medical deferments from the Vietnam War draft. Trump said that the school provided him with “more training than a lot of the guys that go into the military.” His counterpart the unhinged Kim Jong-un has played with what he considers his country’s military toys, since April 11th of 2012. To think that these are the two world leaders, protecting the planet from a nuclear holocaust….
”
”
Hank Bracker
“
I was soon discharged from the rehab center and sent back to the SAS. But the doctor’s professional opinion was that I shouldn’t military parachute again. It was too risky. One dodgy landing, at night, in full kit, and my patched-up spine could crumple.
He didn’t even mention the long route marches carrying huge weights on our backs.
Every SF soldier knows that a weak back is not a good opener for life in an SAS squadron.
It is also a cliché just how many SAS soldiers’ backs and knees are plated and pinned together, after years of marches and jumps. Deep down I knew the odds weren’t looking great for me in the squadron, and that was a very hard pill to swallow.
But it was a decision that, sooner or later, I would have to face up to. The doctors could give me their strong recommendations, but ultimately I had to make the call.
A familiar story. Life is all about our decisions. And big decisions can often be hard to make.
So I thought I would buy myself some time before I made it.
In the meantime, at the squadron, I took on the role of teaching survival to other units. I also helped the intelligence guys while my old team were out on the ground training.
But it was agony for me. Not physically, but mentally: watching the guys go out, fired up, tight, together, doing the job and getting back excited and exhausted. That was what I should have been doing.
I hated sitting in an ops room making tea for intelligence officers.
I tried to embrace it, but deep down I knew this was not what I had signed up for.
I had spent an amazing few years with the SAS, I had trained with the best, and been trained by the best, but if I couldn’t do the job fully, I didn’t want to do it at all.
The regiment is like that. To keep its edge, it has to keep focused on where it is strongest. Unable to parachute and carry the huge weights for long distances, I was dead weight. That hurt.
That is not how I had vowed to live my life, after my accident. I had vowed to be bold and follow my dreams, wherever that road should lead.
So I went to see the colonel of the regiment and told him my decision. He understood, and true to his word, he assured me that the SAS family would always be there when I needed it.
My squadron gave me a great piss-up, and a little bronze statue of service. (It sits on my mantelpiece, and my boys play soldiers with it nowadays.) And I packed my kit and left 21 SAS forever.
I fully admit to getting very drunk that night.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
10. A wounded person might be saved but a
wounded person wouldn't heal that easily. ch 173 Pg 1999
11. s. I could hear a slight
creaking sound from Yoo Joonghyuk's body. His body was already at the
limit. Even so, Yoo Joonghyuk didn't give up. PG 2059
12. There is no magic that will heal all wounds just because
someone else has a deep wound as well. PG 2089
13. I will pull all of you down from that fucking heaven. PG 2192 CH 190
14. In a place they couldn't see, the story that was going to destroy them had
just begun PG2226
15. The most dangerous enemy is always the closest ally PG 2265
16. "Don't regard past failures as scriptures. There will be no change if you
don't do anything. PG 2299
17. Fight, fight and fight again PG2365
18.Fight, fight again and keep moving forward. It was the best mourning
possible for this guy's past. PG 2623
19. If that happens, I will destroy all the worlds that caused that Fate. PG 2676
20. "The scenario is a small destruction to prevent a greater destruction." PG 2802
21. This was Yoo Joonghyuk. He didn't give up on his goal even if he gave up his life.
22. "I felt it while living… life is supposed to be like this. There are times when nothing can be done and times when things don't work out. PG 2824
23. "I know that things don't work out well. Not everything will flow as you wish. Even so, don't dwell on it too much and let your heart lead you." PG 2827
24. In order to hold that spear, Yoo Joonghyuk trained with a single focus for decades.PG 3470
25.Don't be fooled by what you see! Believe in yourself, not the myths already recorded! Pg 3685
26.there is no good or evil. There is only our desire to see the story pg 3690
27. Are all failed stories meaningless? Even if you know you will fail, isn't the story of those who have fought to the end worth it? PG3706
28. It
was a dependable tone. I really wanted a father like this. 3719
29. Then I looked around and saw Han Sooyoung dangling her
legs while sucking candy.
I scolded Han Sooyoung, "Is it delicious?"
"Strangely, I've been craving something sweet lately. Do you want to eat?"
Han Sooyoung didn't wait for my answer and shoved the candy she was
holding into my mouth.
It had a lemon flavour. I ate the candy and Han Sooyoung looked at me
quietly. "By the way, that's what I was eating."
"So?"
"…You are really no fun." Pg 3734
30. 'Yoo Joonghyuk' of the other rounds were watching us. Some looked
envious while others had gloomy expressions. Finally, there was one with
an expression of intrigue. Pg 3747
31. Sometimes the thing that looks like a road isn't a road pg3767
32. "Kim Dokja, you know you aren't a godlike person."
I smelt lemon candy from the grumbling voice. Han Sooyoung took the
brush from my hand in a frustrated manner.
"There are some things in the world you don't know about, you idiot. pg3792
33. [I think it will be hard to just send you away.]
[What bullshit is that?]
[If you are a demon king, you should be worthy. Isn't that right? pg 3844
”
”
shing shong