Thomas Lynch The Undertaking Quotes

The flush toilet, more than any single invention, has 'civilized' us in a way that religion and law could never accomplish.

Whatever’s there to feel, feel it – the riddance, the relief, the fright and freedom, the fear of forgetting, the dull ache of your own mortality. Get with someone you can trust with tears, with anger, and wonderment and utter silence. Get that part done – the sooner the better. The only way around these things is through them.

The advance of our technology is coincidental with the loss of our appetite for ethical questions that ought to attend the implications of these new powers. . . In the name of diversity, any idea is regarded as worthy as any other; any nonsense is entitled to a forum, a full hearing, and equal time.

Sometimes I stand among the stones and wonder. Sometimes I laugh, sometimes I weep. Sometimes nothing at all much happens. Life goes on. The dead are everywhere.

They understood that the meaning of life is connected, inextricably, to the meaning of death; that mourning is a romance in reverse, and if you love, you grieve and there are no exceptions-- only those who do it well and those who don't. And if death is regarded as an embarrassment or an inconvenience, if the dead are regarded as a nuisance from whom we seek a hurried riddance, then life and the living are in for like treatment.

I think maybe Gladstone had it right. I think my father did. They understood that the meaning of life is connected, inextricably, to the meaning of death; that mourning is a romance in reverse, and if you love, you grieve and there are no exceptions---only those who do it well and those who don't.

The realization that God could be female required the consideration that the Devil could be also.

When we bury the old, we bury the known past, the past we imagine sometimes better than it was, but the past all the same, a portion of which we inhabited. Memory is the overwhelming theme, the eventual comfort. But burying infants, we bury the future, unwieldy and unknown, full of promise and possibilities, outcomes punctuated by our rosy hopes. The grief has no borders, no limits, no known ends, and the little infant graves that edge the corners and fencerows of every cemetery are never quite big enough to contain that grief. Some sadnesses are permanent. Dead babies do not give us memories. They give us dreams.

I had this theory. It was based loosely on the unremarkable observation that the old are always looking back with longing while the young, with the same longing, look ahead. One man remembers what the other imagines.

The bodies of the newly dead are not debris nor remnant, nor are they entirely icon or essence. They are, rather, changelings, incubates, hatchlings of a new reality that bear our names and dates, our image and likenesses, as surely in the eyes and ears of our children and grandchildren as did word of our birth in the ears of our parents and their parents. It is wise to treat such new things tenderly, carefully, with honor.

The living have to live with it. You don’t. Theirs is the grief or the gladness of your death, theirs is the loss or gain of it. Theirs is the pain and the pleasure of memory.

I will, I do, Amen, Here Here, Let's eat, drink and be merry. Marriage is the public spectacle of private parts: cheque-books and genitals, house-wares, fainthearts, all doubts becalmed by kissing aunt, a priest's safe homily, those tinkling glasses tightening those ties that truly bind us together forever, dressed to the nines. Darling, I reckon maybe thirty years, given our ages and expectancies. Barring the tragic or untimely, say, ten thousand mornings, ten thousand evenings, please God, ten thousand moistened nights like this, when, mindless of these vows, our opposites, nonetheless, attract. Thus, love's subtactraction: the timeless from the ordinary times -- nine thousand nine hundred ninety-nine.

Watching my parents, I watched the meaning change, of what it was that undertakers do: From something done with the dead, to something done for the living, to something done by the living—everyone of us.

When we bury the old, we bury the known past, the past we imagine sometimes better than it was, but the past all the same, a portion of which is inhabited. Memory is the overwhelming theme, the eventual comfort.

The girl who climbed up the water tower. We would have counted her an accident until the medical examiner found breaks and fractures from her hips to her heels. "You fall head first," he said. "Feet first's a jump.

Walking upright between the past and future, a tightrope walk across our times, became, for me, a way of living: trying to maintain a balance between the competing gravities of birth and death, hope and regret, sex and mortality, love and grief, all those opposites or nearly opposites that become, after a while, the rocks and hard places, synonymous forces between which we navigate, like salmon balanced in the current, damned some times if we do or don't.

Wary of being caught unawares, we planned our parenthood, committed to trial marriages with pre-nuptials, and pre-arranged our parents’ funerals—convinced we could pre-feel the feelings that we have heard attend new life, true love, and death.

There are those, too, who are ethnically predisposed in favor of funerals, who recognize among the black drapes and dirges an emotionally potent and spiritually stimulating intersection of the living and the dead. In death and its rituals, they see the leveled playing field so elusive in life. Whether we bury our dead in Wilbert Vaults, leave them in trees to be eaten by birds, burn them or beam them into space; whether choir or cantor, piper or jazz band, casket or coffin or winding sheet, ours is the species that keeps track of our dead and knows that we are always outnumbered by them.

Once she even successfully argued on behalf of my older brother, Dan, getting a BBGun, a weapon which he promptly turned against his younger siblings, outfitting us in helmet and leather jacket and instructing us to run across Eaton Park while he practiced his marksmanship. Today he is a colonel in the army and the rest of us are gun-shy.

Revision and prediction seem like wastes of time. As much as I'd like to have a handle on the past and future, the moment I live in is the one I have. Here is how the moment instructs me: clouds float in front of the moon's face, lights flicker in the carved heads of pumpkins, leaves rise in the wind at random, saints go nameless, love comforts, souls sing beyond the reach of bodies.

Still, I wasn’t as certain as I tried to sound. And I wondered why it wasn’t underputter—you know, for the one who puts them underground. Surely to take them seemed a bit excessive. I mean if they were dead. They wouldn’t need the company on the way. Like you would take your sister to the drug store but you would put your bike in the garage. I loved the play of words and the meanings of them.

Dead children do not give us memories, they give us dreams.” Thomas Lynch, The Undertaking   I