“
But, of course, it isn't really Good-bye, because the Forest will always be there... and anybody who is Friendly with Bears can find it.
”
”
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
“
Love is the kind of thing that's already happening by the time you notice it, that's how it works, and no matter how old you get, that doesn't change. Except that you can break it up into two entirely distinct types -- love where there's an end in sight and love where there isn't.
”
”
Banana Yoshimoto (Goodbye Tsugumi)
“
This isn't goodbye, okay. There are no goodbyes... not between us.
”
”
S.C. Stephens (Effortless (Thoughtless, #2))
“
Brave isn't something you are. It's something you do.
”
”
Cynthia Hand (The Last Time We Say Goodbye)
“
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta.
"Oh, she meant you," I say with a wave of dismissal.
"She said, 'She's a survivor, that one.' She is," says Peeta.
That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying.
Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
But there's a difference, isn't there? Between saying goodbye and death.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
Maybe the world isn't full of signs so much as it's full of people trying to use whatever evidence they can find to convince themselves of what they hope to be true.
”
”
Jennifer E. Smith (Hello, Goodbye, and Everything in Between)
“
I got you here, like I promised I would. I wish...I wish I could've seen your Eden, but this place isn't for me. It never was. I have to find my own place in the world."
Bending down, I brushed my lips to his. "Goodbye, Ezekiel,
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
Walking away from my desert companions feels like cutting off a limb. How does one say good-bye to an arm? One doesn't, I suppose. One pretends it isn't happening.
”
”
Rae Carson (The Girl of Fire and Thorns (Fire and Thorns, #1))
“
But that is the dual gift of love, isn’t it? The joy of greeting and the sorrow of good-bye.
”
”
Patricia Briggs (Dead Heat (Alpha & Omega, #4))
“
Saying goodbye to the people you love isn't easy
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
sometimes life isn’t worth the pain. i’m going for a swim. goodbye, my love.
”
”
Jake Vander-Ark (Lighthouse Nights)
“
It's interesting, isn't it? . . . the chandelier . . . it reminds me of mushroom soup.
”
”
Tennessee Williams
“
Life is where you sleep and what you see when you wake up in the morning, and who you tell about your weird dream, and what you eat for breakfast and who you eat it with. Life isn’t something that happens to you. It’s something you make yourself, all the time.
”
”
Rebecca Stead (Goodbye Stranger)
“
The truth is, the one you love isn't a wizard. Just a regular person who can't read your mind at all.
”
”
Arini Putri (Goodbye Happiness)
“
You can't outrun sadness because sadness is already everywhere. Sadness isn't the visitor, you are.
”
”
Jonny Sun (Goodbye, Again: Essays, Reflections, and Illustrations)
“
I realized that the worst part of someone you love dying suddenly isn't the saying good-bye part. It's the part where you hope you said and did enough good stuff to make up for the bad stuff. It's the part where there are no second chances, no going back, no more opportunities to tell them how you feel about them.
”
”
Jennifer Brown (Torn Away)
“
There are some people
who would rather be right than happy,
as though making a point
was more fun than having a good time
These are the people
who will risk their lives to get the last laugh
even when it isn't funny
”
”
Merrit Malloy (The People Who Didn't Say Goodbye)
“
Love will find you again, And you can never, ever change yourself for anyone or change yourself to fix the relationship. So if it isn't healthy, say good-bye.
”
”
Lily Collins (Unfiltered: No Shame, No Regrets, Just Me)
“
For you she learned to wear a short black slip
and red lipstick,
how to order a glass of red wine
and finish it. She learned to reach out
as if to touch your arm and then not
touch it, changing the subject.
Didn't you think, she'd begin, or
Weren't you sorry. . . .
To call your best friends
by their schoolboy names
and give them kisses good-bye,
to look away when they say
Your wife! So your confidence grows.
She doesn't ask what you want
because she knows.
Isn't that what you think?
When actually she was only waiting
to be told Take off your dress---
to be stunned, and then do this,
never rehearsed, but perfectly obvious:
in one motion up, over, and gone,
the X of her arms crossing and uncrossing,
her face flashing away from you in the fabric
so that you couldn't say if she was
appearing or disappearing.
”
”
Deborah Garrison (A Working Girl Can't Win)
“
Goodbye,” Mort said, and was surprised to find a lump in his throat. “It’s such an unpleasant word, isn’t it?” QUITE SO. Death grinned because, as has so often been remarked, he didn’t have much option. But possibly he meant it, this time. I PREFER AU REVOIR, he said.
”
”
Terry Pratchett (Mort (Discworld, #4; Death, #1))
“
True love isn’t just expressed in passionately whispered words or
an intimate kiss or an embrace; before two people are married, love is
expressed in self-control, patience, even words left unsaid.
”
”
Joshua Harris (I Kissed Dating Goodbye)
“
...even saying good-bye isn’t enough. There’s always one more thing you should have had the time to say, or do, or ask. There’s always going to be that one missing piece.
”
”
Mira Grant (Deadline (Newsflesh, #2))
“
You should eat. It’s going to be a rough day for you. Finding out the world isn’t all sunshine and roses takes a lot out of you
”
”
Pam Logan (How Do You Say Goodbye)
“
Love will find you again. And you can never, ever change yourself for anyone or change yourself to fix the relationship. So if it isn't healthy say good-bye.
”
”
Lily Collins
“
(Actually now I’m remembering that the goodbye chow isn’t spelled that way. It’s ciao or something weird like that. It’s Italian, right? But I’m not an Italian gypsy, I’m a hungry gypsy. So spelling it chow makes total sense.)
”
”
Wendelin Van Draanen (Runaway)
“
Why are you crying? This isn't the end. Death isn't goodbye forever.
”
”
Julie Kagawa (Night of the Dragon (Shadow of the Fox, #3))
“
The Doctor: Amy, what are you doing?
Amy: That gravestone, Rory's, there's room for one more name isn't there?
The Doctor: What are you talking about? Back away from the Angel. Come back to the TARDIS, we'll figure something out.
Amy: The Angel, would it send me back to the same time, to him?
The Doctor: I don't know. Nobody knows.
Amy: But it's my best shot, yeah?
The Doctor: No!
River: Doctor, shut up! Yes, yes, it is!
The Doctor: Amy—
Amy: Well then. I just have to blink, right?
The Doctor: No!
Amy: It'll be fine. I know it will. I'll be with him like I should be. Me and Rory together. {calling River over} Melody.
The Doctor: Stop it! Just, just, stop it!
Amy: You look after him. And you be a good girl and you look after him.
The Doctor: You are creating fixed time. I will never be able to see you again.
Amy: I'll be fine. I'll be with him.
The Doctor: Amy. Please. Just come back into the TARDIS, Come along, Pond. Please.
Amy: Raggedy Man, goodbye.
-Doctor Who
”
”
Steven Moffat
“
Stop it. Seriously. This isn't funny.'
'You're right.' A pause. 'It's pathetic.
”
”
Sarah Dessen (What Happened to Goodbye)
“
Letting go doesn’t mean forgetting. It just means goodbye for now.
”
”
J.C. Cervantes (Always Isn't Forever)
“
No, you don't understand because it isn't happening to you, and no one can understand but me. I don't blame you. You've got your job to do, and your Ph.D. to get, and-oh, yes don't tell me, I know you're in this largely out of love of humanity, but you've got your life to live and we don't happen to belong on the same level. I passed your floor on the way up, nad now I'm passing it on the way down, and I don't think I'll be taking this elevator again. So let's just say good-bye here and now.
”
”
Daniel Keyes (Flowers for Algernon)
“
Good-bye, Maven,' Cal says, his voice broken. He isn't really speaking to me.
The farewell is for another boy, lost years ago, before he became what I am now. Cal lets go of him, the Maven I was. The Maven I still am, somewhere inside, unable or unwilling to step into the light.
Despite all our difference between us, we have this in common. We use our pain to destroy.
'Good-bye Cal,' I say to no one.
Weakness, my mother answers.
”
”
Victoria Aveyard (Broken Throne (Red Queen, #4.5))
“
Clare's been called a lot of things- smart and funny, driven and talented- but memorable certainly isn't one of them. The most important things about her- the ones she's most proud of- are apparent only once you get to know her.
”
”
Jennifer E. Smith (Hello, Goodbye, and Everything in Between)
“
Listen Zeke, i have to go. There's something i have to do, someone i have to find. i owe him a lot, and he's in trouble now. i just wanted to say goodbye."
Zeke slept on. i put my hand on his uninjured arm, squeezing gently. My eyes burned, but i ignored them. "you probably won't see me again," i murmured, feeling something hot slide down my cheek. "i got you here, like i promised i would. i wish... i wish i could've seen your Eden, but this place isn't for me. it never was. i have to find my own place in the world.
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
That isn’t your real motivation. I know your type. You have a secret passion for justice. Why don’t you admit it?” “I have a secret passion for mercy,” I said. “But justice is what keeps happening to people.
”
”
Ross Macdonald (The Goodbye Look (Lew Archer #15))
“
Even if love always ends in goodbye, we have a choice, a choice whether to allow it in, to change us, to drive us toward a better part of ourselves…even if it means breaking open.
Even if it means letting go.
”
”
J.C. Cervantes (Always Isn't Forever)
“
The students adore your father,' a perfumed woman said to me. 'Aren't you lucky to live with such a charming man!'
'He's even more charming at home,' Mom said. 'Isn't he, Bea? He rides a unicycle through the house -'
'- even up and down the stairs,' I added.
'He juggles eggs as he makes breakfast every morning -'
'- which he serves to us in bed of course,' I said.
'- and pulls fragrant bouquets out of his ass,' Mom finished.
'He's just a joy.
”
”
Natalie Standiford (How to Say Goodbye in Robot)
“
Em: I'm falling apart. That's what I'm trying to tell you
Bridge: You're not falling apart. You're scared.
Em: Isn't that the same thing?
Bridge: No
”
”
Rebecca Stead (Goodbye Stranger)
“
Thank you for showing me that bending backwards for someone isn’t always enough to keep them around, and that people will leave if that’s what they want, no matter what you do.
”
”
Paolo Cruz
“
Pareidolia. One of my favorite words. It's when your mind sees a pattern you recognize where there isn't one. Like seeing a face in the moon. or shapes in the clouds."
Dr. Mendez smiles and says, mostly to himself, "Pareidolia. What a beautiful word."
"For something that isn't always beautiful."
"For something that isn't always beautiful.
”
”
Jeff Zentner (Goodbye Days)
“
Persistence can (sometimes) make things last
but it doesn't always make things work.
The muscle will harden wherever you give it exercise, but
Endurance isn't always enough...Because
Practice can make anything perfect
...even grief can become an art
”
”
Merrit Malloy (The People Who Didn't Say Goodbye)
“
I love you too much to say goodbye.” “It isn’t goodbye.” He gave her one last angelic kiss and embraced her so tightly she could hear his steady heartbeat, overlapping her own. “It’s until we meet again.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
I know what you’re thinking and you’re wrong. This isn’t goodbye, Kitten. I didn’t survive over two hundred years to find you only to lose you within five months. I want you, but I’m not saying goodbye to you, because we will get through this.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
It’s often said that cleaning your house is like polishing yourself. I think that this is a golden rule. It isn’t just dust and dirt that accumulate in our homes. It’s also the shadows of our past selves that let that dust and dirt continue to build. Cleaning the grime is certainly unpleasant, but more than that, it’s the need to face our own past deeds that makes it so tough. But when we have fewer material possessions and cleaning becomes an easy habit, the shadows we now face will be of our daily accomplishments.
”
”
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
“
Life isn’t something that happens to you. It’s something you make yourself, all the time.
”
”
Rebecca Stead (Goodbye Stranger)
“
You love me," Abby says, smiling.
Jess leans forward. "Yeah, I really do. This isn't our Romeo and Juliet moment. You're going to be okay. No one is dying.
"No, it's the end. I want a goodbye kiss.
”
”
C.B. Lee (Not Your Sidekick (Sidekick Squad, #1))
“
This may be hard to believe, coming from a black man, but I’ve never stolen anything. Never cheated on my taxes or at cards. Never snuck into the movies or failed to give back the extra change to a drugstore cashier indifferent to the ways of mercantilism and minimum-wage expectations. I’ve never burgled a house. Held up a liquor store. Never boarded a crowded bus or subway car, sat in a seat reserved for the elderly, pulled out my gigantic penis and masturbated to satisfaction with a perverted, yet somehow crestfallen, look on my face. But here I am, in the cavernous chambers of the Supreme Court of the United States of America, my car illegally and somewhat ironically parked on Constitution Avenue, my hands cuffed and crossed behind my back, my right to remain silent long since waived and said goodbye to as I sit in a thickly padded chair that, much like this country, isn’t quite as comfortable as it looks.
”
”
Paul Beatty (The Sellout)
“
I remember the first time I saw you,” Allie said.
“I thought you smelled me first.”
“Right,” said Allie. “The chocolate. But then I saw you as I sat up in the dead forest, thinking I knew you. At the time, I thought I must have seen you through the windshield when our cars crashed…. But that wasn’t it. I think, way back then, I was seeing you as you are now. Isn’t that funny?”
“Not as funny as the way I always complained, and the way you always bossed me around!”
They embraced and held each other for a long time.
“Don’t forget me,” Nick said. “No matter where your life goes, no matter how old you get. And if you ever get the feeling that someone is looking over your shoulder, but there’s nobody there, maybe it’ll be me.”
“I’ll write to you,” said Allie, and Nick laughed. “No really. I’ll write the letter then burn it, and if I care just enough it will cross into Everlost.”
“And,” added Nick, “it will show up as a dead letter at that the post office Milos made cross into San Antonio!”
Allie could have stood there saying good-bye forever, because it was more than Nick she was saying good-bye to. She was leaving behind four years of half-life in a world that was both stunningly beautiful, and hauntingly dark. And she was saying good-bye to Mikey. I’ll be waiting for you, he had said…. Well, if he was, maybe she wasn’t saying good-bye at all.
Nick hefted the backpack on his shoulder. “Shouldn’t you be heading off to Memphis?” he said. “You’d better hit the road…. Jack.” Then he chuckled by his own joke, and walked off.
”
”
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
“
He sits on the bed and pulls me into his arms. When his strong arms wrap around me and the comfort that always comes when he’s near sinks into my skin, I only cry more. “This isn’t goodbye,” he vows. “Never goodb-b-bye,” I stutter. “It’s ‘see you soon’,” he whispers. “Every time I close my eyes,” I promise.
”
”
Harper Sloan (Unexpected Fate (Hope Town, #1))
“
How do you say goodbye to someone who isn't exactly gone.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Good-bye isn't the worst thing in the world. Sometimes it's simply time to go.
”
”
Cynthia Lord (Half a Chance)
“
Having the chance to say goodbye before you die is an incredible opportunity, but isn’t that time better spent actually living?
”
”
Adam Silvera (They Both Die at the End (Death-Cast, #1))
“
Pray don’t waste time mourning over me. There’s enough sorrow in the world, isn’t there, without trying to invent it. Good-bye.
”
”
E.M. Forster (A Room with a View)
“
Fucking Christ, Grace this isn't good-bye. This is 'see you later.' Tell me you can handle that, please. Say that you can handle that
”
”
Renee Carlino (Before We Were Strangers)
“
The voice boomed from the Throne. "One more goodbye."
Together, Luce and Daniel turned to acknowledge the Throne, but the second their eyes fell upon it, the stately figure of the woman blazed into white-hot glory, and they had to shield their eyes.
The Throne was indiscernible again, a gathering of light too brilliant to be gazed upon by angels.
"Hey, guys." Arriane sniffed. "I think she meant for you two to say goodbye to each other."
"Oh," Luce said, turning to Daniel, suddenly panicked. "Right now? We have to-"
He took her hand. His wings brushed hers. He kissed the centers of her cheeks.
"I'm afraid," she whispered.
"What did I tell you?"
She sifted through the million exchanges she and Daniel had ever shared-the good, the sad, the ugly. One rose above the clouds of her mind.
She was shaking. "That you will always find me."
"Yes. Always. No matter what."
"Daniel-"
"I can't wait to make you the love of my mortal life."
"But you won't know me. You won't remember. Everything will be different."
He wiped away her tear with his thumb. "And you think that will stop me?"
She closed her eyes. "I love you too much to say goodbye."
"It isn't goodbye." He gave her one last angelic kiss and embraced her so tightly she could hear his steady heartbeat, overlapping her own. "It's until we meet again.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
He chose to love us. He chose to lay down His life for us. The danger of believing that you “fall in love” is that it also means you can “fall out of love” just as unexpectedly. Aren’t you glad that God’s love for us isn’t as unpredictable?
”
”
Joshua Harris (I Kissed Dating Goodbye: A New Attitude Toward Relationships and Romance)
“
I’m not saying goodbye,” he says as he shoves his hands in his pockets. “Because this isn’t over. One day, fate’s going to fix this. Bring us back together. I believe that.
”
”
Leisa Rayven (Wicked Heart (Starcrossed, #3))
“
The person who continues to break your heart isn’t in a place to properly care for your heart.
”
”
Lysa TerKeurst (Good Boundaries and Goodbyes: Loving Others Without Losing the Best of Who You Are)
“
Sam’s voice comes through the phone. “Hey—so, I’m not sure if I should do this … Or if it will even work. I probably should have said this to you over the phone, but we ran out of time. Or maybe, the truth is, I was scared you would think of me differently … That is, if you knew why I picked up the phone that first time—” He pauses. “Before we hung up, you said something that made me feel a bit guilty. You said I picked up your call that night because you needed me. I guess part of that is true. But that isn’t the reason I answered.” A long pause. “The truth is … I picked up because—because I needed you. I needed to hear your voice again, Julie. Because I wanted to make sure you didn’t forget me. You see, I took you to all those places—like the fields, to see the stars that night—so that you’d always remember. So that whenever you looked up at the sky at night, you’d think of me. Because I didn’t want to let you go yet. I never wanted to say good-bye, Jules. And I[…]”
Excerpt From
You've Reached Sam
Dustin Thao
This material may be protected by copyright.
”
”
Dustin Thao (You've Reached Sam (You've Reached Sam, #1))
“
True love isn’t just expressed in passionately whispered words or an intimate kiss or an embrace; before two people are married, love is expressed in self-control, patience, even words left unsaid.
”
”
Joshua Harris (I Kissed Dating Goodbye: A New Attitude Toward Relationships and Romance)
“
The qualities I look for in the things I buy are (1) the item has a minimalist type of shape, and is easy to clean; (2) its color isn’t too loud; (3) I’ll be able to use it for a long time; (4) it has a simple structure; (5) it’s lightweight and compact; and (6) it has multiple uses.
”
”
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
“
I wish I could report that it's getting better, but unfortunately it isn't. It's hard, too, because we've started school again, and I can't go to the places where I used to go. And it can't be like it was. And I wasn't ready to say good-bye just yet.
To tell you the truth, I've just been avoiding everything.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
It’s this thing I have. I’m sorry if it scared you. I feel other people’s feelings. I imagine crumbling insides and splitting hearts, goodbyes that hang in the air before they break into tiny pieces. I hear words that aren’t said, the echoes of lonely hallways and hollow footsteps. I hear sobs that soak pillowcases when all the lights are out and the world is sleeping. I carry this inside of me, all of it.
I knew you paced the floor at night, trying to walk over all the things you didn’t want me to know. But I felt every wound you ever endured when I rested against you. I felt the ache that I have, deep inside of me, on your lips. Every time we kissed, I tasted a lifetime of tangled paths and bumpy roads woven with joined hands. Love isn’t blind, you see. I felt everything you were and could be, if only you stopped hiding in the same darkness you sheltered me from. I knew who you could become if someone loved you just right.
I’m sorry if that scared you.
Just in case you were wondering, I still love you and I'll keep the lights dim.
Come home.
”
”
Jacqueline Simon Gunn
“
…I think maybe saying goodbye isn’t all bad. Maybe it means I’m making room for someone new.
”
”
Stephanie Perkins (Summer Days and Summer Nights: Twelve Love Stories)
“
Good-bye. I’m sorry,” I said.
“Don’t be sorry.” He stood straight, his chin proud and his shoulders relaxed. “This isn’t over.
”
”
C.D. Reiss (Control (Songs of Submission, #4))
“
Happiness isn’t a state that we win by accomplishing certain criteria. Happiness is something that can only be felt in this moment. You
”
”
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
“
You’ll still see me in your dreams. This isn’t a goodbye.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
I’m not saying goodbye. There isn’t any goodbye, unless gravity, which is lying in wait for me, pulls me down entirely. But how could it, since you are alive.
”
”
Franz Kafka (Letters to Milena)
“
You’re very impatient,” Violet said, facing the door. “You always have been.”
“I know,” Eloise said, wondering if this was a scolding, and if so, why was her mother choosing to do it now?
“I always loved that about you,” Violet said. “I always loved everything about you, of course, but for some reason I always found your impatience especially charming. It was never because you wanted more, it was because you wanted everything.”
Eloise wasn’t so sure that sounded like such a good trait.
“You wanted everything for everyone, and you wanted to know it all and learn it all, and . . .”
For a moment Eloise thought her mother might be done, but then Violet turned around and added, “You’ve never been satisfied with second-best, and that’s good, Eloise. I’m glad you never married any of those men who proposed in London. None of them would have made you happy. Content, maybe, but not happy.”
Eloise felt her eyes widen with surprise.
“But don’t let your impatience become all that you are,” Violet said softly. “Because it isn’t, you know. There’s a great deal more to you, but I think sometimes you forget that.” She smiled, the gentle, wise smile of a mother saying goodbye to her daughter.
”
”
Julia Quinn (To Sir Phillip, With Love (Bridgertons, #5))
“
Why do you decry the world we live in? There are good people in it. Isn't muddle a better breeding ground for kindliness and individuality than a world order that's imposed, a world order that may be right today and wrong tomorrow? I would rather have a world of kindly, faulty, human beings, than a world of superior robots who've said goodbye to pity and understanding and sympathy.
”
”
Agatha Christie (Destination Unknown)
“
In books, in songs, in stories, love is floating thing. A falling thing. A flying thing. A good-bye to all your little earthbound worries, as you soar heart-first toward a light pink sky and your dangling feet forget the feel of the ground.
Only I know, now: it isn't like that at all.
Love is a sense of place. It's effortless balance, no stumbling, no stammering. It's your own voice, quiet but strong, and the sense that you can open your mouth, speak your mind, and never feel afraid. A known quantity, a perfect fit. It's the thing that holds you tight to the earth, fast and solid, and sure. You feel it, and feel that it's right and true, and you know exactly where you are:
Here.
”
”
Kat Rosenfield (Inland)
“
Peter tucked the glasses into the front pocket of Jordan’s jacket. “I kind of like knowing you’re
taking care of them,” he said. “And there isn’t all that much I really want to see.”
Jordan nodded. He walked out of the holding cell and said good-bye to the deputies. Then he
headed toward the lobby, where Selena was waiting.
As he approached her, he put on Peter’s glasses. “What’s up with those?” she asked.
“I kind of like them.”
“You have perfect vision,” Selena pointed out.
Jordan considered the way the lenses made the world curve in at the ends, so that he had to move
more gingerly through it. “Not always,” he said.
”
”
Jodi Picoult (Nineteen Minutes)
“
weren't we all the same as children?" eiko asked. "all of us, destined to become beautiful brides in fluffy white dresses!" she giggled to herself. "where did we go wrong?"
isn't that what keeps life interesting?" i replied. "and who knows? next year you could be somebody's wife. no one knows what will happen."
sometimes i think it would be wonderful just to stay the way i am forever, just kick back and space out during the afternoon thinking about all the exciting things that the night will bring, all the naughty things i might take part in." she snickered again.
well," i said, "aren't you the happy one."
she squinted her tiny nose and laughed.
dawn was breaking as we said good-bye. i saw her off by watching her small body disappear into the background, her high heels clapping along, echoing in the early morning city.
my drunkenness, the sunrise, the bright sky, and a friend who was leaving.
if i had died in my fall i would have missed that morning - that splendid sunrise over tokyo.
”
”
Banana Yoshimoto
“
A man like you who is supposed to know his way around. The law isn’t justice. It’s a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
one thing that I can honestly say now is that there isn’t really a need to accomplish something or build an ambitious future. We can begin to be content with ourselves and feel plenty of happiness by simply going about our daily lives, appreciating the present moment. When
”
”
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
“
My job is not to worry about what everyone else thinks about me but to discover what I think. If I actually want to know what someone else thinks, my job is then to ask that person. More often than not, however, it isn’t important to know. It’s okay if people are mad at me, and it’s okay if people think I’m a complete idiot—as long as I’m doing my best. Just because certain people might have judgments about me, it does not mean they have authority over me. To truly form my own life, I had to ask questions like ‘What are my needs? And ‘What are my thoughts?’ I had to acknowledge both my strengths and my weaknesses. I had to form my own opinions based on my reality instead of someone else’s.
”
”
Jenni Schaefer (Goodbye Ed, Hello Me: Recover from Your Eating Disorder and Fall in Love with Life)
“
Then he stands up and starts to head out, the way he came. And it’s then that he says the one thing that only he would say to me. “The could-have-been boys still love you,” Owen says. He isn’t looking at me when he says it, his voice low. The way you say hello. The way you say goodbye.
”
”
Laura Dave (The Last Thing He Told Me)
“
No one needs a relationship. What you need is the basic cop-on to figure that out, in the face of all the media bullshit screaming that you're nothing on your own and you're a dangerous freak if you disagree. The truth is, if you don't exist without someone else, you don't exist at all. And that doesn't just go for romance. I love my ma, I love my friends, I love the bones of them. If any of them wanted me to donate a kidney or crack a few heads, I'd do it, no questions asked. And if they all waved goodbye and walked out of my life tomorrow, I'd still be the same person I am today.
I live inside my own skin. Anything that happens outside it doesn't change who I am. This isn't something I'm proud of; as far as I'm concerned, it's a bare minimum baseline requirement for calling yourself an adult human being, somewhere around the level of knowing how to do your own washing or change a toilet roll. All those idiots on the websites, begging for other people to pull their sagging puppet-strings, turn them real: they make me want to spit.
”
”
Tana French (The Trespasser (Dublin Murder Squad, #6))
“
IN THE ORIGINAL STORY, the little mermaid endures unspeakable pain to gain her human legs. The Sea Witch warns her that her new feet will feel as if she is walking on whetted blades, but she will be able to dance like no human has ever danced before. And so she drinks the witch’s potion, which slices through her body like a sword.
What I want to say, is that she danced divinely with her beautiful legs, even through the pain of a thousand knives. She was able to walk and run and stay close to her beloved prince, and even when things didn’t work out with him, that wasn’t the point.
And in the end, after she said goodbye to her prince and flung herself into the sea, expecting to disintegrate into sea foam, she was carried away by the children of light and air.
ISN’T THAT a beautiful story?
”
”
Frances Cha (If I Had Your Face)
“
We kiss good-bye. It's our typical morning good-bye kiss. A quick peck. A well-intentioned habit. I look down and notice Lucy's round, blue eyes paying close attention. I flash to studying my own parents kissing when I was little... I promised myself that when I got married someday, I would have kisses that meant something. Kisses that would make me weak in the knees. Kisses that would embarrass the kids. Kisses like Han Solo kissing Princess Leia...
Now I get it. we aren't living in some George Lucas blockbuster adventure. Our morning kiss good-bye isn't romantic, and it certainly isn't sexual. It's a routine kiss, but I'm glad we do it. It does mean something. It's enough. And it's all we have time for.
”
”
Lisa Genova (Left Neglected)
“
I didn't plan it," she said. "I hoped that we would both just know when it was time... That we'd have one of those moments. Like in the movies, foreign movies, when something small happens, something almost imperceptible, and it changes everything. Like there's a man and a woman having breakfast... and the man reaches for the jam, and the woman says, "I thought you didn't like jam," and the man says, "I didn't. Once."
"Or maybe it isn’t even obvious. Maybe he reaches for the jam, and she just looks at him like she doesn't know him anymore. Like, in the moment he reached for that jar, she couldn't recognize him.
"After breakfast, he'll go for a walk, and she'll go to their room and pack a slim brown suitcase. She'll stop on the sidewalk and wonder whether she should say good-bye, whether she should leave a note. But she won't. She'll just get into the taxi and go.
"He knows as soon as he turns onto their walk that she's gone. But he doesn't turn back. He doesn't regret a single day they spent together, including this one. Maybe he finds one of her ribbons on the stairs...
”
”
Rainbow Rowell (Attachments)
“
Ya live your life like it's a coma
So won't you tell me why we'd wanna
With all the reasons you give it's
It's kinda hard to believe
But who am I to tell you that I've
Seen any reason why you should stay
Matbe we'd be better off
Without you anyway
You got a one way ticket
On your last chance ride
Gotta one way ticket
To your suicide
Gotta one way ticket
An there's no way out alive
An all this crass communication
That has left you in the cold
Isn't much for consolation
When you feel so weak and old
But is home is where the heart is
Then there's stories to be told
No you don't need a doctor
No one else can heal your soul
Got your mind in submission
Got your life on the line
But nobody pulled the trigger
They just stepped aside
They be down by the water
While you watch 'em waving goodbye
They be callin' in the morning
They be hangin' on the phone
They be waiting for an answer
When you know nobody's home
And when the bell's stopped ringing
It was nobody's fault but your own
There were always ample warnings
There were always subtle signs
And you would have seen it comin'
But we gave you too much time
And when you said
That no one's listening
Why'd your best friend drop a dime
Sometimes we get so tired of waiting
For a way to spend our time
An "It's so easy" to be social
"It's so easy" to be cool
Yeah it's easy to be hungry
When you ain't got shit to lose
And I wish that I could help you
With what you hope to find
But I'm still out here waiting
Watching reruns of my life
When you reach the point of breaking
Know it's gonna take some time
To heal the broken memories
That another man would need
Just to survive
Guns N’ Roses, “Coma” (1991)
”
”
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))
“
Look," Steven said, pointing at the sky.
The stars were out in droves. One, far in the distance, was particularly bright. It flickered, then seemed to go out altogether before returning even brighter than before.
"That's them, isn't it?" she said. "The Fall?"
"Yes," Francesca said. "That's it. It looks just like the old texts say it would."
"It was just"-Luce furrowed her brow, squinting-"I can only see it when I-"
"Concentrate," Cam ordered.
"What's happening to it?" Luce asked.
"It is coming into being in this world," Daniel said. "It wasn't the physical transit from Heaven to Earth that took nine days. It was the shift from a Heavenly realm to an Earthly one. When we landed here, our bodies were...different. We became different. That took time."
"Now time is taking us," Roland said, looking at the golden pocket watch that Dee must have given him before she died.
"Then it is time for us to go," Daniel said to Luce.
"Up there?"
"Yes, we must soar up to meet them. We will fly right up to the limits of the Fall, and then you-"
"I have to stop him?"
"Yes."
She closed her eyes thought back to the way Lucifer had looked at her in the Meadow. He looked like he wanted to crush every speck of tenderness there was. "I think I know how."
"I told you she would say that!" Arriane whooped.
Daniel pulled her close. "Are you sure?"
She kissed him, never surer. "I just got my wings back, Daniel. I'm not going to let Lucifer take them away."
So Luce and Daniel said goodbye to their friends, reached for each other's hands, and took off into the night. They flew upward forever, through the thinnest outer skin of the atmosphere, through a film of light at the edge of space.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Going to miss this,” he said as he kissed my cheeks, my jaw, my eyelids. “The way you taste.” He set his lips to the hollow beneath my ear. “The way you smell.” His hands slid up my back. “The way you feel.” My breath hitched as his hips settled against mine.
Then he drew back, searching my eyes. “I wanted more for you,” he said. “A white veil in your hair. Vows we could keep.”
“A proper wedding night? Just tell me this isn’t goodbye. That’s the only vow I need.”
“I love you, Alina.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that.
Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place.
You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them.
Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers.
Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah.
Your conscience is the measure of the honesty of your selfishness. Listen to it carefully.
The simplest questions are the most profound.
Where were you born?
Where is your home?
Where are you going?
What are you doing?
Think about these once in awhile, and watch your answers change.
Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years.
The bond that links your true family is not one of blood, but of respect and joy in each other's life.
Rarely do members of one family grow up under the same roof.
There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts.
Imagine the universe beautiful and just and perfect.
Then be sure of one thing:
The Is has imagined it quite a bit better than you have.
The original sin is to limit the Is. Don't.
A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now.
But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons.
You are never given a wish without being given the power to make it true. You may have to work for it, however.
Argue for your limitations, and sure enough, they're yours.
If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
The world is your exercise-book, the pages on which you do your sums.
It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages.
Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you.
In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice.
The best way to avoid responsibility is to say, "I've got responsibilities."
The truth you speak has no past and no future. It is, and that's all it needs to be.
Here is a test to find whether your mission on earth is finished: If you're alive, it isn't.
Don't be dismayed at good-byes. A farewell is necessary before you can meet again.
And meeting again, after moments or lifetimes, is certain for those who are friends.
The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly.
You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind.
Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy.
Everything above may be wrong!
”
”
Richard Bach
“
reining yourself in because why ruin a good thing? why make it weird? and then you say goodbye, with a hug, with a snarky remark, and head home. you climb into bed and imagine them with you. you think about how their hair falls in their face, about how they breathe when they sleep. you think about them waking up and nudging you into consciousness with soft kisses down your torso. you sit in bed and think of all the ways you could make their soul dance. how you know their quirks and it all feels so right, but why? why is this happening? why can’t you just be content with what you have now? except even now you have to control the urge to kiss them, even though it is in your nature, even just on the cheek, because what if it breaks the relationship apart at the seams? you may not even mean it sexually or romantically, but what if? and there’s always the chance they have felt this way too. but it’s only a chance. and why risk it? so you lay there in bed and twist the sheets around your legs and text them back about another person they have feelings toward and coax them into something healthy. you put their happiness before your own. you watch as they stumble and help them rise mightily. you gush over them and try to snuff out the selfishness that builds whenever you see them with someone else. it wouldn’t be fair to them to impose your own wants on them and take away a good friendship. it isn’t always about you. and yet here you are, writing this. writing this and thinking of someone specific the entire time.
”
”
Taylor Rhodes (calloused: a field journal)
“
Daphne turned to Simon with an amused expression. “I can’t quite decide if she is being terribly polite or exquisitely rude.”
“Exquisitely polite, perhaps?” Simon asked mildly.
She shook her head. “Oh, definitely not that.”
“The alternative, of course, is—”
“Terribly rude?” Daphne grinned and watched as her mother looped her arm through Lord Railmont’s, pointed him toward Daphne so that he could nod his good-bye, and led him from the room.
And then, as if by magic, the remaining beaux murmured their hasty farewells and followed suit.
“Remarkably efficient, isn’t she?” Daphne murmured.
“Your mother? She’s a marvel.”
“She’ll be back, of course.”
“Pity. And here I thought I had you well and truly in my clutches.”
Daphne laughed. “I don’t know how anyone considered you a rake. Your sense of humor is far too superb.”
“And here we rakes thought we were so wickedly droll.”
“A rake’s humor,” Daphne stated, “is essentially cruel.”
Her comment surprised him. He stared at her intently, searching her brown eyes, and yet not really knowing what it was he was looking for.
There was a narrow ring of green just outside her pupils, the color as deep and rich as moss. He’d never seen her in the daylight before, he realized.
“Your grace?” Daphne’s quiet voice snapped him out of his daze.
Simon blinked. “I beg your pardon.”
“You looked a thousand miles away,” she said, her brow wrinkling.
“I’ve been a thousand miles away.” He fought the urge to return his gaze to her eyes. “This is entirely different.”
Daphne let out a little laugh, the sound positively musical. “You have, haven’t you? And here I’ve never even been past Lancashire. What a provincial I must seem.”
He brushed aside her remark. “You must forgive my woolgathering. We were discussing my lack of humor, I believe?”
“We were not, and you well know it.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
I am nine.
We are bored
and Karen is dying.
We drove to Austin
that summer
so Sarah's dad-
who described Karen as
/the great and impossible love/
of his life, who taught us
the word /lymphoma/ and then,
the concept of the prefix,
how it explains where the tumor lives-
could say goodbye.
The house is a rind
spooned out by the onset of death,
what's left in the medicine cabinet
full of razors & we are hungry
& alone & sitting
on the living room floor
where the light
from a naked window
slices the hardwood
like a melon, brandishes
each, individualfuzz
on my scabbed calf
a field of erect, yellow poppies
& we have been alive as girls
long enough to know
to scowl at this reveal
& what better time
than now to practice removal.
Once, I watched my mother
skin a potato in six
perfect strokes
I remember this
as Sarah teaches me
to prop up my leg
on the side of the tub
and runs the blade
along my thing, /See?/
she says, /Isn't that so much better?/
Before we left Albuquerque
her father warned us,
/She will have no hair/
a trait
we have just
begun to admire
except, of course
for the hair he is talking about
we hold against our necks,
that which will get us
compliments
or scouted in a mall,
eventually cut off
by our envious sisters
while we sleep.
”
”
Olivia Gatwood (New American Best Friend)
“
Max can’t help it,” Eddie says. “The teenaged brain isn’t wired for empathy. It’s designed to look forward.” “If you heard him, why didn’t you say something?” “Nothing to be gained. There are articles about it.” Eddie pours himself a cup of coffee. “Think of Max as a butterfly emerging from his cocoon. At this point in its development, the butterfly is too busy to think of anything but emerging. It’s an all-consuming task. It can’t develop other skills until later. Max will learn sympathy later on.” “I see. He’ll become a caring human being once he’s stopped emerging?” “Exactly.” “Or else he’ll turn into a serial killer by the age of twenty.
”
”
Ellyn Bache (The Art of Saying Goodbye)
“
I have spent most of my life outside, but for the last three years, I have been walking five miles a day, minimum, wherever I am, urban or rural, and can attest to the magnitude of the natural beauty that is left. Beauty worth seeing, worth singing, worth saving, whatever that word can mean now. There is beauty in a desert, even one that is expanding. There is beauty in the ocean, even one that is on the rise. And even if the jig is up, even if it is really game over, what better time to sing about the earth than when it is critically, even fatally wounded at our hands.
Aren’t we more complex, more interesting, more multifaceted people if we do? What good has the hollow chuckle ever done anyone? Do we really keep ourselves from being hurt when we sneer instead of sob? If we pretend not to see the tenuous beauty that is still all around us, will it keep our hearts from breaking as we watch another mountain be clear-cut, as we watch North Dakota, as beautiful a state as there ever was, be poisoned for all time by hydraulic fracturing?
If we abandon all hope right now, does that in some way protect us from some bigger pain later? If we never go for a walk in the beetle-killed forest, if we don’t take a swim in the algae-choked ocean, if we lock grandmother in a room for the last ten years of her life so we can practice and somehow accomplish the survival of her loss in advance, in what ways does it make our lives easier? In what ways does it impoverish us? We are all dying, and because of us, so is the earth. That’s the most terrible, the most painful in my entire repertoire of self-torturing thoughts. But it isn’t dead yet and neither are we. Are we going to drop the earth off at the vet, say goodbye at the door, and leave her to die in the hands of strangers? We can decide, even now, not to turn our backs on her in her illness. We can still decide not to let her die alone.
”
”
Pam Houston
“
Bring Cecily home,” he said curtly. “I won’t have her at risk, even in the slightest way.”
“I’ll take care of Cecily,” came the terse reply. “She’s better off without you in her life.”
Tate’s eyes widened. “I beg your pardon?” he asked, affronted.
“You know what I mean,” Holden said. “Let her heal. She’s too young to consign herself to spinsterhood over a man who doesn’t even see her.”
“Infatuation dies,” Tate said.
Holden nodded. “Yes, it does. Goodbye.”
“So does hero worship,” he continued, laboring the point.
“And that’s why after eight years, Cecily has had one raging affair after the other,” he said facetiously.
The words had power. They wounded.
“You fool,” Holden said in a soft tone. “Do you really think she’d let any man touch her except you?” He went to his office door and gestured toward the desk. “Don’t forget your gadget,” he added quietly.
“Wait!”
Holden paused with his hand on the doorknob and turned. “What?”
Tate held the device in his hands, watching the lights flicker on it. “Mixing two cultures when one of them is all but extinct is a selfish thing,” he said after a minute. “It has nothing to do with personal feelings. It’s a matter of necessity.”
Holden let go of the doorknob and moved to stand directly in front of Tate. “If I had a son,” he said, almost choking on the word, “I’d tell him that there are things even more important than lofty principles. I’d tell him…that love is a rare and precious thing, and that substitutes are notoriously unfulfilling.”
Tate searched the older man’s eyes. “You’re a fine one to talk.”
Holden’s face fell. “Yes, that’s true.” He turned away.
Why should he feel guilty? But he did. “I didn’t mean to say that,” Tate said, irritated by his remorse and the other man’s defeated posture. “I can’t help the way I feel about my culture.”
“If it weren’t for the cultural difference, how would you feel about Cecily?”
Tate hesitated. “It wouldn’t change anything. She’s been my responsibility. I’ve taken care of her. It would be gratitude on her part, even a little hero worship, nothing more. I couldn’t take advantage of that. Besides, she’s involved with Colby.”
“And you couldn’t live with being the second man.”
Tate’s face hardened. His eyes flashed.
Holden shook his head. “You’re just brimming over with excuses, aren’t you? It isn’t the race thing, it isn’t the culture thing, it isn’t even the guardian-ward thing. You’re afraid.”
Tate’s mouth made a thin line. He didn’t reply.
“When you love someone, you give up control of yourself,” he continued quietly. “You have to consider the other person’s needs, wants, fears. What you do affects the other person. There’s a certain loss of freedom as well.” He moved a step closer. “The point I’m making is that Cecily already fills that place in your life. You’re still protecting her, and it doesn’t matter that there’s another man. Because you can’t stop looking out for her. Everything you said in this office proves that.” He searched Tate’s turbulent eyes. “You don’t like Colby Lane, and it isn’t because you think Cecily’s involved with him. It’s because he’s been tied to one woman so tight that he can’t struggle free of his love for her, even after years of divorce. That’s how you feel, isn’t it, Tate? You can’t get free of Cecily, either. But Colby’s always around and she indulges him. She might marry him in an act of desperation. And then what will you do? Will your noble excuses matter a damn then?
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
When Ash said nothing, Lila growled, “You broke her heart, you know. The least you can do is talk to her.”
“I have talked to her. I tried, anyway. I told her up front that I wasn’t looking for a long-term sweetheart. I thought we both agreed to that.”
“Did you make her sign a bloody contract?” Lila laughed, but there was a bitter edge to it. “‘I promise that I won’t fall in love with the moody, mysterious Ash Hanson. I will enjoy his rangy body, his broad shoulders, and shapely leg, all the while knowing it’s a lease, not a buy.’”
“Shapely leg?” Ash thrust out his leg, pretending to examine it, hoping to interrupt the litany of his physical gifts.
But Lila was on a roll. “‘I will not fall into those blue-green eyes, deep as twin mountain pools, nor succumb to the lure of his full lips. Well, I will succumb, but for a limited time only. And the stubble—have I mentioned the stubble?’”
Ash’s patience had run out. Lila was far too fluent in Fellsian for his liking. “Shut up, Lila.”
“Isn’t there anyone who meets your standards?”
“At least I have standards.” He raised an eyebrow.
“Ouch!” Lila clutched her shoulder. “A fair hit, sir. A fair hit.” Her smile faded. “The problem is, hope is the thing that can’t be reined in by rules or pinned down by bitter experience. It’s a blessing and curse.”
For a long moment, Ash stared at her. He would have been less surprised to hear his pony reciting poetry.
“Who knew you were a philosopher?” he said finally. “Now. If you’re staying, let’s talk about something else. Where’s your posting this term?”
“I’m going back to the Shivering Fens,” Lila said, “where the taverns are as rare as a day without rain. Where you have to keep moving or grow a crop of moss on your ass.”
Good-bye, poetry, Ash thought. “Sounds lovely.
”
”
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
“
There isn’t a word for walking out of the grocery store
with a gallon jug of milk in a plastic sack
that should have been bagged in double layers
—so that before you are even out the door
you feel the weight of the jug dragging
the bag down, stretching the thin
plastic handles longer and longer
and you know it’s only a matter of time until
bottom suddenly splits.
There is no single, unimpeachable word
for that vague sensation of something
moving away from you
as it exceeds its elastic capacity
—which is too bad, because that is the word
I would like to use to describe standing on the street
chatting with an old friend
as the awareness grows in me that he is
no longer a friend, but only an acquaintance,
a person with whom I never made the effort—
until this moment, when as we say goodbye
I think we share a feeling of relief,
a recognition that we have reached
the end of a pretense,
though to tell the truth
what I already am thinking about
is my gratitude for language—
how it will stretch just so much and no farther;
how there are some holes it will not cover up;
how it will move, if not inside, then
around the circumference of almost anything—
how, over the years, it has given me
back all the hours and days, all the
plodding love and faith, all the
misunderstandings and secrets
I have willingly poured into it.
”
”
Tony Hoagland
“
Bitch"
Now, when he and I meet, after all these years,
I say to the bitch inside me, don’t start growling.
He isn’t a trespasser anymore,
Just an old acquaintance tipping his hat.
My voice says, “Nice to see you,”
As the bitch starts to bark hysterically.
He isn’t an enemy now,
Where are your manners, I say, as I say,
“How are the children? They must be growing up.”
At a kind word from him, a look like the old days,
The bitch changes her tone; she begins to whimper.
She wants to snuggle up to him, to cringe.
Down, girl! Keep your distance
Or I’ll give you a taste of the choke-chain.
“Fine, I’m just fine,” I tell him.
She slobbers and grovels.
After all, I am her mistress. She is basically loyal.
It’s just that she remembers how she came running
Each evening, when she heard his step;
How she lay at his feet and looked up adoringly
Though he was absorbed in his paper;
Or, bored with her devotion, ordered her to the kitchen
Until he was ready to play.
But the small careless kindnesses
When he’d had a good day, or a couple of drinks,
Come back to her now, seem more important
Than the casual cruelties, the ultimate dismissal.
“It’s nice to know you are doing so well,” I say.
He couldn’t have taken you with him;
You were too demonstrative, too clumsy,
Not like the well-groomed pets of his new friends.
“Give my regards to your wife,” I say. You gag
As I drag you off by the scruff,
Saying, “Goodbye! Goodbye! Nice to have seen you again.
”
”
Carolyn Kizer
“
To love is to lose, Sam. Unfortunately, it’s just that simple. Maybe not today but someday. Maybe not when she’s too young and you’re too young, but you see that being old doesn’t help. Maybe not your wife or your girlfriend or your mother, but you see that friends die, too. I could not spare you this any more than I could spare you puberty. It is the inevitable condition of humanity. It is exacerbated by loving but also simply by leaving your front door, by seeing what’s out there in the world, by inventing computer programs that help people. You are afraid of time, Sam. Some sadness has no remedy. Some sadness you can’t make better.” “So what the hell do I do?” “Be sad.” “For how long?” “Forever.” “But then why isn’t everyone walking around miserable all the time?” “Because ice cream still tastes good. And sunny and seventy-five is still a lovely day. And funny movies make you laugh, and work is sometimes fulfilling, and a beer with a friend is nice. And other people love you too.” “And that’s enough?” “There is no enough. You are the paragon of animals, my love. You aspire to such greatness, to miracle, to newness and wonder. And that’s great. I’m so proud of you. But you forgot about the part that’s been around for time immemorial. Love, death, loss. You’ve run up against it. And there’s no getting around or over it. You stop and build your life right there at the base of that wall. But it’s okay. That’s where everyone else is too. Everyone else is either there or on their way. There is no other side, but there’s plenty of space there to build a life and plenty of company. Welcome to the wall, Sam.
”
”
Laurie Frankel (Goodbye for Now)
“
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years.
Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest.
“Cecily said it was Colby,” Leta said unsteadily.
“Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.”
“That doesn’t sound like the life of a playboy widower,” Leta said caustically.
“My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.”
“I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.”
“It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?”
She shrugged. “Pick a reason.”
He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily.
“He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks.
“I’ll punch him for that,” Matt said darkly.
“Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.”
“You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…”
He turned back to Cecily and grimaced. “Good God, what did you do that for?”
“Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!”
“I hope you never get mad at me,” Matt said.
“Fat chance.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
So began my love affair with books. Years later, as a college student, I remember having a choice between a few slices of pizza that would have held me over for a day or a copy of On the Road. I bought the book. I would have forgotten what the pizza tasted like, but I still remember Kerouac.
The world was mine for the reading. I traveled with my books. I was there on a tramp steamer in the North Atlantic with the Hardy Boys, piecing together an unsolvable crime. I rode into the Valley of Death with the six hundred and I stood at the graves of Uncas and Cora and listened to the mournful song of the Lenni Linape. Although I braved a frozen death at Valley Forge and felt the spin of a hundred bullets at Shiloh, I was never afraid. I was there as much as you are where you are, right this second. I smelled the gunsmoke and tasted the frost. And it was good to be there. No one could harm me there. No one could punch me, slap me, call me stupid, or pretend I wasn’t in the room. The other kids raced through books so they could get the completion stamp on their library card. I didn’t care about that stupid completion stamp. I didn’t want to race through books. I wanted books to walk slowly through me, stop, and touch my brain and my memory. If a book couldn’t do that, it probably wasn’t a very good book. Besides, it isn’t how much you read, it’s what you read.
What I learned from books, from young Ben Franklin’s anger at his brother to Anne Frank’s longing for the way her life used to be, was that I wasn’t alone in my pain. All that caused me such anguish affected others, too, and that connected me to them and that connected me to my books. I loved everything about books. I loved that odd sensation of turning the final page, realizing the story had ended, and feeling that I was saying a last goodbye to a new friend.
”
”
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
“
Perhaps we should wait outside in the hall, Dedalus,” murmured Hestia. She clearly felt that it would be tactless for them to remain in the room while Harry and the Dursleys exchanged loving, possibly tearful farewells.
“There’s no need,” Harry muttered, but Uncle Vernon made any further explanation unnecessary by saying loudly,
“Well, this is good-bye, then, boy.”
He swung his right arm upward to shake Harry’s hand, but at the last moment seemed unable to face it, and merely closed his fist and began swinging it backward and forward like a metronome.
“Ready, Diddy?” asked Aunt Petunia, fussily checking the clasp of her handbag so as to avoid looking at Harry altogether.
Dudley did not answer, but stood there with his mouth slightly ajar, reminding Harry a little of the giant, Grawp.
“Come along, then,” said Uncle Vernon.
He had already reached the living room door when Dudley mumbled, “I don’t understand.”
“What don’t you understand, popkin?” asked Aunt Petunia, looking up at her son.
Dudley raised a large, hamlike hand to point at Harry.
“Why isn’t he coming with us?”
Uncle Vernon and Aunt Petunia froze where they stood, staring at Dudley as though he had just expressed a desire to become a ballerina.
“What?” said Uncle Vernon loudly.
“Why isn’t he coming too?” asked Dudley.
“Well, he--he doesn’t want to,” said Uncle Vernon, turning to glare at Harry and adding, “You don’t want to, do you?”
“Not in the slightest,” said Harry.
“There you are,” Uncle Vernon told Dudley. “Now come on, we’re off.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
He seemed to be drinking in her face, looking at her instead of into her.
“Stop. Stop that. This isn’t goodbye.”
Blake pulled her left hand to his mouth and kissed her ring finger. “I’m still glad it’s empty. He never deserved you. Of that, I’m very sure.”
Livia saw moisture in his eyes. “You’re saying goodbye. No. Here’s what I’m sure of. I’ll walk away from this house right now, wearing only what I have on my back and be happy. With you I can taste forever—it’s right here.” Livia pointed at her lips and then kissed his.
Blake allowed the kiss, but mumbled a question as well, “How many shotguns does he have?”
“Not enough to get me away from you.” Livia traced his jaw.
Blake took her hand and kissed her palm, then her forehead, “Livia, go in there and let him talk to you. He’s a father. I’d want to talk to my daughter at a moment like this. Let’s give him that respect.”
“I will not go in there. Where will you go?”
Livia felt a gentle tug on her heart. She was torn. She wanted to comfort her dad and get him to understand who Blake was, but in as little time as possible so she could get back to Blake.
“My inamorata, you know where I’ll be: where I’ll always be. Waiting. For you.” Blake began putting the mask on.
Livia looked around wildly, feeling close to irrational. “I don’t want you to go.” These words were inadequate to express her need.
Blake smoothed her hair away from her face. “I’ve often wished I had a father. Let me help him be that. He needs you to himself for a just a little while.”
Livia’s love for her dad gave her the strength to step back and nod. She stood on the porch and watched Blake’s retreating form. Every once in a while he turned to wave, and just before he reached the end of her street, he stopped to look at her. Neither of them waved this time.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
With our desire to have more, we find ourselves spending more and more time and energy to manage and maintain everything we have. We try so hard to do this that the things that were supposed to help us end up ruling us.
We eventually get used to the new state where our wishes have been fulfilled. We start taking those things for granted and there comes a time when we start getting tired of what we have.
We're desperate to convey our own worth, our own value to others. We use objects to tell people just how valuable we are. The objects that are supposed to represent our qualities become our qualities themselves.
There are more things to gain from eliminating excess than you might imagine: time, space, freedom and energy.
When people say something is impossible, they have already decided that they don't want to do it.
Differentiate between things you want and things you need.
Leave your unused space empty. These open areas are incredibly useful. They bring us a sense of freedom and keep our minds open to the more important things in life.
Memories are wonderful but you won't have room to develop if your attachment to the past is too strong. It's better to cut some of those ties so you can focus on what's important today.
Don't get creative when you are trying to discard things.
There's no need to stock up.
An item chosen with passion represents perfection to us. Things we just happen to pick up, however, are easy candidates for disposal or replacement.
As long as we stick to owning things that we really love, we aren't likely to want more.
Our homes aren't museum, they don't need collections.
When you aren't sure that you really want to part with something, try stowing it away for a while.
Larger furniture items with bold colors will in time trigger visual fatigue and then boredom.
Discarding things can be wasteful. But the guilt that keeps you from minimizing is the true waste. The real waste is the psychological damage that you accrue from hanging on to things you don't use or need.
We find our originality when we own less.
When you think about it, it's experience that builds our unique characteristics, not material objects.
I've lowered my bar for happiness simply by switching to a tenugui. When even a regular bath towel can make you happy, you'll be able to find happiness almost everywhere.
For the minimalist, the objective isn't to reduce, it's to eliminate distractions so they can focus on the things that are truly important. Minimalism is just the beginning. It's a tool. Once you've gone ahead and minimized, it's time to find out what those important things are.
Minimalism is built around the idea that there's nothing that you're lacking. You'll spend less time being pushed around by something that you think may be missing.
The qualities I look for in the things that I buy are:
- the item has a minimalistic kind of shape and is easy to clean
- it's color isn't too loud
- I'll be able to use it for a long time
- it has a simple structure
- it's lightweight and compact
- it has multiple uses
A relaxed moment is not without meaning, it's an important time for reflection.
It wasn't the fallen leaves that the lady had been tidying up, it was her own laziness that she had been sweeping away.
We are what we repeatedly do. Excellence, then, is not an act but a habit.
With daily cleaning, the reward may be the sense of accomplishment and calmness we feel afterward.
Cleaning your house is like polishing yourself.
Simply by living an organized life, you'll be more invigorated, more confident and like yourself better.
Having parted with the bulk of my belongings, I feel true contentment with my day-to-day life. The very act of living brings me joy.
When you become a minimalist, you free yourself from all the materialist messages that surround us. All the creative marketing and annoying ads no longer have an effect on you.
”
”
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)