Thirteen Moons Quotes

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It is a bad idea to live too long. Few carry it off well.
Charles Frazier (Thirteen Moons)
You never know when somebody will pull you to them.
Charles Frazier (Thirteen Moons)
But I believe the words entered me and changed me and still work in me. The words eat me and sustain me. And when I'm dead and in a box in the dark dark ground, and all my various souls have died and I am nothing but insensible bones, something in the marrow will still feel yearning, desire persisting beyond flesh.
Charles Frazier
My opinion was that if hogs are biting you so often that you have to stop and make up a specific word for it, maybe lack of vocabulary is not your most pressing problem.
Charles Frazier (Thirteen Moons)
That's the way it is at some point in life. An inevitable consequence of living. A lot of things begin falling away.
Charles Frazier (Thirteen Moons)
What I wanted to do was slap him down a bit with wit and words. Grammar and vocabulary as a weapon. But what kind of world would it be if we all took every opportunity presented to us to assault the weak?
Charles Frazier (Thirteen Moons)
Survive long enough and you get to a far point in life where nothing else of particular interest is going to happen. After that, if you don’t watch out, you can spend all your time tallying your losses and gains in endless narrative. All you love has fled or been taken away. Everything fallen from you except the possibility of jolting and unforewarned memory springing out of the dark, rushing over you with the velocity of heartbreak. May walking down the hall humming an old song—“The Girl I Left Behind Me”—or the mere fragrance of clove in spiced tea can set you weeping and howling when all you’ve been for weeks on end is numb.
Charles Frazier (Thirteen Moons)
Or maybe it is only that we are so habitually inattentive that when some rare but simple geometry grabs us by the shoulders and shakes us into consciousness, we call our response sacred.
Charles Frazier (Thirteen Moons)
...I had always believed prayer ought to be conducted on our feet rather than on our knees, since God seems in all other departments of life to require us to stand upright and account for ourselves.
Charles Frazier (Thirteen Moons)
I won't go into it any further, other than to say that year by year the world darkens down and things are always going away.
Charles Frazier (Thirteen Moons)
In the end, he said he judged the Bible to be a sound book. Nevertheless, he wondered why the white people were not better than they are, having had it for so long. He promised that just as soon as white people achieved Christianity, he would recommend it to his own folks.
Charles Frazier (Thirteen Moons)
Shall I tell her? Shall I be a kind and merciful narrator and take our girl aside? Shall I touch her new, red heart and make her understand that she is no longer one of the tribe of heartless children, nor even the owner of the wild and infant heart of thirteen-year-old girls and boys? Oh, September! Hearts, once you have them locked up in your chest, are a fantastic heap of tender and terrible wonders - but they must be trained. Beatrice could have told her all about it. A heart can learn ever so many tricks, and what sort of beast it becomes depends greatly upon whether it has been taught to sit up or to lie down, to speak or to beg, to roll over or to sound alarm, to guard or to attack, to find or to stay. But the trick most folk are so awfully fond of learning, the absolute second they've got hold of a heart, is to pretend they don't have one at all. It is the very first danger of the hearted. Shall I give fair warning, as neither you nor I was given?
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
It is best not to study too much on who gets what they deserve. It can lead to an overly complicated interpretation of God’s personal attributes.
Charles Frazier (Thirteen Moons)
Literacy: Blessing? Or curse?
Charles Frazier (Thirteen Moons)
If you are in the mountains alone for some time, many days at minimum, & it helps if you are fasting. The forest grows tired of its weariness towards you; it resumes its inner life and allows you to see it. Near dusk the faces in tree bark cease hiding, and stare out at you. The welcoming ones and also the malevolent, open in their curiosity. In your camp at night you are able to pick out a distinct word now and then from the muddled voices in creek water, sometimes an entire sentence of deep import. The ghosts of animals reveal themselves to you without prejudice to your humanity. You see them receding before you as you walk the trail their shapes beautiful and sad.
Charles Frazier
Days of yore when America was no more than a strip of land stretching a couple hundred miles west of the Atlantic and the rest was just a very compelling idea.
Charles Frazier
our inner selves can’t help but come along
Charles Frazier (Thirteen Moons)
We all reach a point where we would like to draw a line across time and declare everything on the far side null. Shed
Charles Frazier (Thirteen Moons)
History in the making, at least on the personal level, is almost exclusively pathetic. People suffer and die in ignorance and delusion.
Charles Frazier (Thirteen Moons)
All I can say is that we are mistaken to gouge such a deep rift in history that the things old men and old women know have become so useless as to be not worth passing on to grandchildren.
Charles Frazier (Thirteen Moons)
Ten good lines out of four hundred, Emily—comparatively good, that is—and all the rest balderdash—balderdash, Emily." "I—suppose so," said Emily faintly. Her eyes brimmed with tears—her lips quivered. She could not help it. Pride was hopelessly submerged in the bitterness of her disappointment. She felt exactly like a candle that somebody had blown out. "What are you crying for? demanded Mr. Carpenter. Emily blinked away tears and tried to laugh. "I—I'm sorry—you think it's no good—" she said. Mr. Carpenter gave the desk a mighty thump. "No good! Didn't I tell you there were ten good lines? Jade, for ten righteous men Sodom had been spared." "Do you mean—that—after all—" The candle was being relighted again. "Of course, I mean. If at thirteen you can write ten good lines, at twenty you'll write ten times ten—if the gods are kind. Stop messing over months, though—and don't imagine you're a genius, either, if you have written ten decent lines. I think there's something trying to speak through you—but you'll have to make yourself a fit instrument for it. You've got to work hard and sacrifice—by gad, girl, you've chosen a jealous goddess. And she never lets her votaries go—not even when she shuts her ears forever to their plea.
L.M. Montgomery (Emily of New Moon (Emily, #1))
Yet he hadn’t asked for anything that he hadn’t been willing to give himself. - Mahri
Kathryne Kennedy (Beneath the Thirteen Moons)
almost nothing in life is epic or tragic at the moment of its enactment. History in the making, at least on the personal level, is almost exclusively pathetic. People suffer and die in ignorance and delusion.
Charles Frazier (Thirteen Moons)
From Charles Frazier's Thirteen Moons, Featherstone to Will, p. 316: "You're making a young man's mistake. You need to let your anger fall away. It won't get you where you want to be. It's poison. But it will rise from you like smoke from a fire if you let it go. And anger is not a becoming features as you grow older.
Charles Frazier (Thirteen Moons)
Its entry is free, its paths are protected, and anything you fear will have been brought with you.
Marian Green (A Witch Alone: Thirteen moons to master natural magic)
We all go about burdened with the reality that we are the broken-off ends of true people.
Charles Frazier (Thirteen Moons)
wonders of domination can be accomplished by the overwhelming and single-minded application of force,
Charles Frazier (Thirteen Moons)
In the end, he said he judged the Bible to be a sound book. Nevertheless,
Charles Frazier (Thirteen Moons)
A Swedish minister having assembled the chiefs of the Susquehanna Indians, made a sermon to them, acquainting them with the principal historical facts on which our religion is founded — such as the fall of our first parents by eating an apple, the coming of Christ to repair the mischief, his miracles and suffering, etc. When he had finished an Indian orator stood up to thank him. ‘What you have told us,’ says he, ‘is all very good. It is indeed bad to eat apples. It is better to make them all into cider. We are much obliged by your kindness in coming so far to tell us those things which you have heard from your mothers. In return, I will tell you some of those we have heard from ours. ‘In the beginning, our fathers had only the flesh of animals to subsist on, and if their hunting was unsuccessful they were starving. Two of our young hunters, having killed a deer, made a fire in the woods to boil some parts of it. When they were about to satisfy their hunger, they beheld a beautiful young woman descend from the clouds and seat herself on that hill which you see yonder among the Blue Mountains. ‘They said to each other, “It is a spirit that perhaps has smelt our broiling venison and wishes to eat of it; let us offer some to her.” They presented her with the tongue; she was pleased with the taste of it and said: “Your kindness shall be rewarded; come to this place after thirteen moons, and you will find something that will be of great benefit in nourishing you and your children to the latest generations.” They did so, and to their surprise found plants they had never seen before, but which from that ancient time have been constantly cultivated among us to our great advantage. Where her right hand had touched the ground they found maize; where her left had touched it they found kidney-beans; and where her backside had sat on it they found tobacco.’ The good missionary, disgusted with this idle tale, said: ‘What I delivered to you were sacred truths; but what you tell me is mere fable, fiction, and falsehood.’ The Indian, offended, replied: ‘My brother, it seems your friends have not done you justice in your education; they have not well instructed you in the rules of common civility. You saw that we, who understand and practise those rules, believed all your stories; why do you refuse to believe ours?
Benjamin Franklin (Remarks Concerning the Savages)
Most of the travel was purposeless, carried out in exactly the desperate spirit of fleeing from pursuers. It was romantic, in a certain sense. Especially if you’re not the one doing it.
Charles Frazier (Thirteen Moons)
I decided that many of Bear’s stories and comments shared a general drift. They advised against fearing all of creation. But not because it is always benign, for it is not. It will, with certainty, consume us all. We are made to be destroyed. We are kindling for the fire, and our lives will stand as naught against the onrush of time. Bear’s position, if I understood it, was that refusal to fear these general terms of existence is an honorable act of defiance.
Charles Frazier (Thirteen Moons)
There are thirteen moons every calendar year. They measure time differently on the moon. The moon orbits the earth once every 28 days As though she's looking for something she lost. A long time ago.
Jeanette Winterson (The Gap of Time)
It is tempting to look back at Bear’s people from the perspective of this modern world and see them as changeless and pure, authentic people in ways impossible for anybody to be anymore. We need Noble Savages for our own purposes. Our happy imaginings about them and the pure world they occupied do us good when incoherent change overwhelms us. But even in those early days when I was first getting to know Bear and his people, I could see that change and brutal loss had been all they had experienced for two centuries.
Charles Frazier (Thirteen Moons)
Words, when they've been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they've passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin strippd from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless.
Charles Frazier
We all reach a point where we would like to draw a line across time and declare everything on the far side null. Shed our past life like a pair of wet and muddy trousers, just roll their heavy clinging fabric down our legs and step away. We also reach a point where we would give the rest of our withering days for the month of July in our seventeenth year. But no thread of Ariadne exists to lead us back there.
Charles Frazier (Thirteen Moons)
many of Bear’s stories and comments shared a general drift. They advised against fearing all of creation. But not because it is always benign, for it is not. It will, with certainty, consume us all. We are made to be destroyed. We are kindling for the fire, and our lives will stand as naught against the onrush of time. Bear’s position, if I understood it, was that refusal to fear these general terms of existence is an honorable act of defiance.
Charles Frazier (Thirteen Moons)
Mother inexhaustible and incorruptible, creatures, born the first, engendered by thyself and by thyself conceived, issue of thyself alone and seeking joy within thyself, Astarte! Oh! Perpetually fertilized, virgin and nurse of all that is, chaste and lascivious, pure and revelling, ineffable, nocturnal, sweet, breather of fire, foam of the sea! Thou who accordest grace in secret, thou who unites, thou who lovest, thou who seizes with furious desire the multiplied races of savage beasts and the couplets the sexes in the wood. Oh, irresistible Astarte! hear me, take me, possess me, oh, Moon! and thirteen times each year draw from my womb the sweet libation of my blood!
Pierre Louÿs (The Songs of Bilitis)
the earth, in the sense intended, is not only thirteen, but forty-nine times larger than the moon.
Edgar Allan Poe (The Complete Short Stories)
Desire abides. It is all people have that stands proof against time. Everything else rots.
Charles Frazier (Thirteen Moons)
That’s the way it is at some point in life. An inevitable consequence of living. A lot of things begin falling away.
Charles Frazier (Thirteen Moons)
I have three copies of the first edition, which sold in double figures, speaking loosely; there was a moment when Blond's 'Lord Malquist and Mr Moon' sold 67 copies, or some such number, in Venezuela - a mystery I never solved. I have never been to Venezuela. I remember going into Foyles' bookshop in 1966 and being gratified to see a stack of Malquist-and-Moons on the New Fiction table. I counted them; there were twelve. A week or two later I went in again; there they were. I counted them again; there were thirteen! I saw at once what was happening. People were leaving my book at bookshops.
Tom Stoppard (Lord Malquist and Mr. Moon)
I passed out cigars to the men, and we lit them with a twig caught alight in the fire and passed the bottle around. Charley was doing most of the talking, telling a hunting story from the days of elk and bison, neither of which anyone in attendance except Charley had ever seen. He made them epic animals in his story, inhabitants of an old and better world not to come around again. He then told of his lost farmstead at the old mound village of Cowee, before one of the many disastrous treaties had driven him and his family west to Nantayale. At Cowee, he has been noted for his success with apple trees, which over the years he had planted at spots where his outhouses had stood. Apples grew on his trees huge as dreams of apples. That Cowee house was old, from the time when they still buried dead loved ones in the dirt floor.
Charles Frazier (Thirteen Moons)
If at thirteen you can write ten good lines, at twenty you'll write ten times ten-if the gods are kind. I think there's something trying to speak through you- but you'll have to make yourself a fit instrument for it.
L.M. Montgomery (Emily of New Moon: Emily #1)
Identity, though, is a difficult matter to tease out, especially in a time of flux. How to tell a spaniel from a retriever when all dogs have become middle-sized and brown? Should we go by some arbitrary blood quantum wherein half makes an Indian and forty-nine percent makes something else? Certainly forty-nine percent does not a whiteman make, at least not by the laws then prevailing in our state and most others. Or do we go by the old ways, the clans and the mothers, blood degree be damned? Or by what language someone dreams in or prays in or curses in? Or whether they cook bean bread and still tell the tales of Spearfinger and Uktena by the winter fire and go to water when they’re sick? And what if they did all those things but were blond and square-headed as Norsemen? Or do we just hold a dry oak leaf to their cheeks and cull by whether they are darker or lighter?
Charles Frazier (Thirteen Moons)
I CANNOT DECIDE WHETHER IT IS AN ILLNESS OR A SIN, THE NEED TO write things down and fix the flowing world in one rigid form. Bear believed writing dulled the spirit, stilled some holy breath. Smothered it. Words, when they’ve been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they’ve passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin stripped from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless. Bear recognized that all writing memorializes a momentary line of thought as if
Charles Frazier (Thirteen Moons)
A quotation from the Bible came to my lips, but I held my tongue, for I know that clergymen think it a little blasphemous when the laity poach upon their preserves. My Uncle Henry, for twenty-seven years Vicar of Whitstable, was on these occasions in the habit of saying that the devil could always quote scripture to his purpose. He remembered the days when you could get thirteen Royal Natives for a shilling.
W. Somerset Maugham (The Moon and Sixpence)
That mental strength under pressure is absolutely critical for the long, deep dives that Rick and John tackle. When you are hundreds of yards into a sump, you are so isolated from the basic needs of survival that you may as well be on the surface of the moon. It’s no wonder, then, that sump divers seem to possess the same qualities as astronauts: the ability to prepare thoroughly, solve problems quickly, and keep cool in an emergency.
Christina Soontornvat (All Thirteen: The Incredible Cave Rescue of the Thai Boys' Soccer Team (Newbery Honor Book))
It was the Kojagar full moon, and I was slowly pacing the riverside conversing with myself. It could hardly be called a conversation, as I was doing all the talking and my imaginary companion all the listening. The poor fellow had no chance of speaking up for himself, for was not mine the power to compel him helplessly to answer like a fool? But what a night it was! How often have I tried to write of such, but never got it done! There was not a line of ripple on the river; and from away over there, where the farthest shore of the distant main stream is seen beyond the other edge of the midway belt of sand, right up to this shore, glimmers a broad band of moonlight. Not a human being, not a boat in sight; not a tree, nor blade of grass on the fresh-formed island sand-bank. It seemed as though a desolate moon was rising upon a devastated earth; a random river wandering through a lifeless solitude; a long-drawn fairy-tale coming to a close over a deserted world,—all the kings and the princesses, their ministers and friends and their golden castles vanished, leaving the Seven Seas and Thirteen Rivers and the Unending Moor, over which the adventurous princes fared forth, wanly gleaming in the pale moonlight. I was pacing up and down like the last pulse-beats of this dying world. Every one else seemed to be on the opposite shore—the shore of life—where the British Government and the Nineteenth Century hold sway, and tea and cigarettes.
Rabindranath Tagore
I reach over and grab his hand, and lock my fingers around his, and he locks back, and I am comforted in knowing that tonight he feels the exact same way, and there is no distance between us. We spread a blanket out and lie side by side. The moon looks like a glacier in the navy night. So far I don’t see anything out of the ordinary. It looks like the normal night sky to me. “Maybe we should’ve gone to the mountains,” Peter says, turning his face to look at me. “No, this is perfect,” I say. “Anyway, I read that stargazing is a waiting game no matter where you are.” “We have all night,” he says, pulling me closer. Sometimes I wish we’d met when we were twenty-seven. Twenty-seven sounds like a good age to meet the person you’re going to spend the rest of your life with. At twenty-seven, you are still young, but hopefully you are well on your way to being the you you want to be. But then I think, no, I wouldn’t give up twelve, thirteen, sixteen, seventeen with Peter for the world. My first kiss, my first fake boyfriend, my first real boyfriend. The first boy who ever bought me a piece of jewelry. Stormy would say that that is the most monumental moment of all. She told me that that’s how a boy lets you know that you’re his. I think for us it was the opposite. It’s how I knew he was mine. I don’t want to forget any of this. The way he’s looking at me at this very moment. How, when he kisses me, I still get shivers down my back, every time. I want to hold on to everything so tight.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Featherstone’s letter, which I read while Bushyhead sat drinking coffee by the fireplace of the store, stated the obvious. There are offenses of such galling nature that one would rather die than let them pass unanswered. And he wrote that since I put so much stock in the ways of Charleston and suchlike places, he wanted to deal with me as a gentleman would do rather than just gut me out by the roadside as I clearly deserved. He said he would abide by any published code duello I cared to name. But after studying the matter, he wanted to recommend that we adopt the Irish rules, including the Galway addendum. He had discovered that according to those rules, it is well established that blows cannot be answered with words. So just an apology was out of the question.
Charles Frazier (Thirteen Moons)
I told one of the writers that our fields were so nearly vertical that we planted our corn with a shotgun and had to breed a race of mules with legs shorter on one side than the other for plowing. And when he asked how we transported the corn down off the mountain, I said, in a jug. He appeared to believe me, so I was encouraged to go on and tell him that every church in that corner of the state, except our Indian congregation, either conducted services speaking entirely in tongues or else took up serpents as recommended by Jesus. Both the writer and I had taken a few rounds of Scotch at the time. The story appeared as fact in a well-known national periodical, along with the obligatory descriptions of the beauty and ruggedness and unmatched remoteness and mystery of our mountains.
Charles Frazier (Thirteen Moons)
Preparing a Mirror for Magic It’s best to perform some type of short ritual before using any mirror for magical purposes. Since mirrors are ruled by the element of water, we’ll use water to purify them. The process is simple. Do this ritual at night. You’ll need a vessel of some kind that’s larger than the mirror (a bucket, a large bowl, a bathtub, even a pond, river, or the ocean). Dip the mirror into the water. As you do this, say: What was here . . . Lift the mirror from the water. Say: I wash away. Do this thirteen times, each time completely submersing the mirror, then completely removing it from the water. If the moon is visible in the sky, hold the mirror up to receive its rays for a few moments. Dry the mirror. Holding it in your hands, say these or similar words: You are now a tool of magic. Assist me in my rites! Next, wrap the mirror in blue or white cloth and store in some special place until you have need of it.
Scott Cunningham (Earth, Air, Fire & Water: More Techniques of Natural Magic (Llewellyn's Practical Magick Series))
Throughout the Old Testament, the number fourteen is associated with sacrifice. During the first day of the Feast of Tabernacles, thirteen rams, two bullocks, and fourteen lambs are required to be sacrificed. Every month for thousands of years, the moon has testified to those who have followed its cycles. From first visible light, the moon waxes for thirteen or fourteen days, reaching its maximum, and then for thirteen or fourteen more days it wanes. These two sets of thirteen or fourteen days are in every month. How incredible is that! The biggest lighted billboard in the world reminding us, ‘and night unto night sheweth knowledge. There is no speech nor language, where their voice is not heard.
William Struse (The 13th Enumeration)
For the first day of the feast there were 13 + 2 +14 for a total of 29 sacrifices. The bullock sacrifices were in descending order or one less every day for seven days. Zane had made a point that the biblical religious calendar was based on the cycle of the moon. The early Israelites watched the waxing light for thirteen or fourteen days and then watched it wane for thirteen or fourteen more days. The total lunar cycle was 29.53 days long. David looked at the first seven numbers of pi again. Then he wrote the numbers in reverse, separating them into three groups:   295 14 13
William Struse (The 13th Enumeration)
• He literally died on the cross. (Mark 15:22–32; Matthew 27:33–44; Luke 23:33–43; John 19:17–24) • He literally was buried in a borrowed grave. (Matthew 27:57–61; Mark 15:42–47; Luke 23:50–56; John 19:38–42) • He literally rose from the dead and was seen by five hundred plus people in thirteen different places. (John 21:14; Mark 16:14; Acts 1:1–13) • He literally sits at the right hand of God the Father. (Hebrews 12:2; 1 Peter 3:22) • We are literally going to rise to meet Him in the air in the twinkling of an eye. (1 Corinthians 15:52)
John Hagee (Four Blood Moons: Something Is About to Change)
One of the fatal mistakes the man has done to himself is dividing the period between two sunrises into twenty-four units. He did not just stop there, he went on cutting it further into smaller pieces called minutes and seconds. Then, suddenly, he imagined a larger disaster, and combined thirteen full moons and name that catastrophe a year. Finally, instead of our mind, we are governed by a clock that ticks every second distracting us keeping us stuck in the snare of time, for a timeless, infinite and eternal period, till the man extinct on the face of the earth".
Pramudith D. Rupasinghe (Termites)
For billions and billions of years, while the planet Earth was spinning through space, the process of evolution took place. There were minerals, then plants, then animals, all formed from atoms created in the stars. The planet had been floating in space for 4.5 billion years before modern humans showed up. It is worth noting that before humans showed up, life on Earth for the other species stayed pretty much the same. Food, shelter, and survival were the name of the game. Things haven’t really changed that much for them. The monkeys lived in trees for tens of millions of years, just as they do now. The fish swam in the waters for hundreds of millions of years, just as they do now. Everything on Earth stayed pretty much the same until you humans showed up with your human mind. You discovered electricity and made the nighttime bright. You built giant skyscrapers and machinery that never existed before. You even dug into the earth, extracted minerals, and developed advanced materials like silicon chips. Then you built a rocket ship, got in, and flew to the moon. Compare that to what any other animals have done. They are living exactly the same as they did a thousand years ago, a hundred thousand years ago, a million years ago. You’re not. You used to live in caves; now you’re planning to live on Mars. What did that? Did God hide a rocket ship, and you found it somewhere? No, your mind did that. Your mind figured out everything was made of atoms, then you figured out how to split the atom. The human mind actually figured out how the universe was made, all the way down to the quantum level. Your mind put up the Hubble Space Telescope that can see back to the beginning of creation. The Hubble can pick up light that has been traveling through space for more than thirteen billion years. This allows us to see what was happening thirteen billion years ago. Can you even think about that? The fact is you can because you have a human mind.
Michael A. Singer (Living Untethered: Beyond the Human Predicament)
A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.
Peter Bogdanovich (Paper Moon)
KANSAS CITY, March 28, 1963—If all goes as it should—and in space, that is no sure thing—then sometime today, thirteen brave voyagers will cross a Rubicon that no man ever has: the halfway point between our home planet and Mars.
Mary Robinette Kowal (The Relentless Moon (Lady Astronaut Universe #3))
The Answer by Maisie Aletha Smikle What's the question They ain’t got none What's the answer There is but one The answer is quick The answer is fast The answer is the remedy The answer is the solution for the unask question What's the answer Tax it What's the answer Tax it There goes a ghost Is it walking? Yes Tax it There is a stone Formed from limestone Cost it and ahh... ahh.. Tax it Cost all rocks, stones and pebbles From North to South From East to West Not a grain of pebble must be left Rain snow or hail Any buyers Yes Tax it We want more We must store We must take Even the dirt Ocean front Ocean back Ocean side All sides Lake front Lake back Lake side Every side Beach side Beach back Beach front Beach rear we don't care Water back Water front Water side River side Gully side Any side Cost it We must tax it Oh look. .the desert The forest What's the cost For us it's nil For them it's a mil Tax on nil is a nil But a mil We shan't be still Ours is nil Theirs' is a mil It's a thrill Tax the ant on the mill So we can get our mil For we shan't get rich taxing nil The cost of land must never fall It must grow tree tall Or else We shan't be able to have a Ball Rocky smooth soggy or muddy If only we could tax the sea and ocean too Ahh...ahh.. .who owns it For us it's nil for them it's a mil We shall tax the animals and fishes too All that are kept in the zoo When the zoo is full Our pockets are full Enact a fee just to look at the zoo The circus cinema or fair To hunt or fish Whether you caught or miss Add a fee for every flush Number one or number two For every act you do We must make a buck or two Anyone who protests And put our pockets to the test We shall arrest For unlawful unrest We go to the moon but . What we really want is heaven To cost it And tax it Then we'd go Sailing on cloud nine Skiing on cloud ten Golfing on cloud eleven Foreclose on cloud twelve For the owner we can't find Aha Parachute off cloud thirteen Practice Yoga and Ballet on cloud fourteen On cloud fifteen we’d parade Impromptu Balls We’ll call a piece of land a Park So we can tax the trees and tax the plants We’ll tax all creation visible and invisible and call it a Tax Revolution
Maisie Aletha Smikle
Ava stomps and snarls in the shallows; she’s still wearing her low-tops, her socks full of pond, water squishing between her toes. She is Frankenstein’s monster. She is a vampire queen. She is newly thirteen. hollowed out and filled back up with venom and dust-cloud dreams. She throws her head back and howls and howls at the sun, pretending it’s a strange, burning moon, and that there is no other world than this one where she and Kiera are.
Dantiel W. Moniz (Milk Blood Heat)
The swamp goblins were difficult to find, she told Glenna, for they moved their kingdom once every thirteen moons by riding the currents of underground rivers ‘til they found a blooming hawthorn tree. There they lived deep beneath its roots, sapping the tree’s life force until it withered. When spring came, the kingdom dislodged in search of another hawthorn. Upon finding a new tree, the earth cracked open to reveal their foul waters for one day, the perfect time to snatch the goblet.
T. Rae Mitchell (Fate's Fables Collection (Fate's Fables #1-8))
And yet, that day back when Tom told me about all those different laws, he had a thirteen-year-old’s spotty understanding of the way the world works but he sure was right about one thing. What matters most are the laws made by the people close to you, the ones you depend on. Now that’s Mary. I reach for the ax.
Jeannette Walls (Hang the Moon)
Thirteen hundred years ago, an ancient Tantric text, the Shiva Swarodaya, described how one nostril will open to let breath in as the other will softly close throughout the day. Some days, the right nostril yawns awake to greet the sun; other days, the left awakens to the fullness of the moon. According to the text, these rhythms are the same throughout every month and they’re shared by all humanity. It’s a method our bodies use to stay balanced and grounded to the rhythms of the cosmos, and each other. In 2004, an Indian surgeon named Dr. Ananda Balayogi Bhavanani attempted to scientifically test the Shiva Swarodaya patterns on an international group of subjects. Over the course of a month, he found that when the influence of the sun and moon on the Earth was at its strongest—during a full or new moon—the students consistently shared the Shiva Swarodaya pattern. Bhavanani admitted the data were anecdotal and much more research would be needed to prove that all humans shared in this pattern. Still, scientists have known for more than a century that the nostrils do pulse to their own beat, that they do open and close like flowers throughout the day and night.
James Nestor (Breath: The New Science of a Lost Art)
We’re really going to do this, aren’t we?” The statement was vague, but Ilya understood. “Yes. If you want to try this, I will do what I need to do.” “I will too. Anything. I want this. I want us.” Ilya brushed Shane’s hair out of his eyes. “Then I am moving to Ottawa, I think.” “And we’re starting a charity.” “And we will become friends.” “And we’ll see each other all the time. As much as possible. And spend the summers together. Here.” “Yes.” They kissed again. Ilya couldn’t believe they had solved this impossible problem. Maybe it wouldn’t go as smoothly as they imagined, but it was a plan. “And when I retire,” Ilya said, “after I have won twelve Stanley Cups and thirteen MVP awards—” “The hell you will.” “And you have been retired for, like, eight years already because you got very bad at hockey...” Shane laughed. “Okay.” “Then I will bring you to that dock out there. I will have hundreds of candles all over it...” “That sounds like a fire hazard.” “Is on the water, Hollander. Fucking relax. Will be beautiful, you will love it. The candles. The lake. The full moon.” “Oh, is it a clear night?” “Yes. Of course. And I will get on one knee—” “Ilya—” “And I will say, ‘Shane Hollander, will you please marry me so I can become Canadian citizen faster?’” Shane burst out laughing, and shoved him. “You’re such an asshole.” “And you will say yes, because you are a nice, helpful guy.” “No,” Shane said, taking his hands. “I will say yes because I will still be madly in love with you. And I’ll want to spend the rest of my life with you.
Rachel Reid (Game Changers Volume 2 (Game Changers #4-6))
We’re really going to do this, aren’t we?” The statement was vague, but Ilya understood. “Yes. If you want to try this, I will do what I need to do.” “I will too. Anything. I want this. I want us.” Ilya brushed Shane’s hair out of his eyes. “Then I am moving to Ottawa, I think.” “And we’re starting a charity.” “And we will become friends.” “And we’ll see each other all the time. As much as possible. And spend the summers together. Here.” “Yes.” They kissed again. Ilya couldn’t believe they had solved this impossible problem. Maybe it wouldn’t go as smoothly as they imagined, but it was a plan. “And when I retire,” Ilya said, “after I have won twelve Stanley Cups and thirteen MVP awards—” “The hell you will.” “And you have been retired for, like, eight years already because you got very bad at hockey...” Shane laughed. “Okay.” “Then I will bring you to that dock out there. I will have hundreds of candles all over it...” “That sounds like a fire hazard.” “Is on the water, Hollander. Fucking relax. Will be beautiful, you will love it. The candles. The lake. The full moon.” “Oh, is it a clear night?” “Yes. Of course. And I will get on one knee—” “Ilya—” “And I will say, ‘Shane Hollander, will you please marry me so I can become Canadian citizen faster?’” Shane burst out laughing, and shoved him. “You’re such an asshole.” “And you will say yes, because you are a nice, helpful guy.” “No,” Shane said, taking his hands. “I will say yes because I will still be madly in love with you. And I’ll want to spend the rest of my life with you.” - Rachel Reid, Heated Rivalry
Rachel Reid
Reckon none of us live past thirteen without something we wish we’d lived better.
Joy Jordan-Lake (Under a Gilded Moon)
She’d waxed and waned like some consumptive moon for years, chasing normal life just like a cat after a string. (Daddy Used to Drink Too Much)
Michael G. Williams (Wrapped in Red: Thirteen Tales of Vampiric Horror)
Damian was like Pluto: too distant to see in detail, a speck of light on the outer reaches of our galaxy, always moving. A planet of extremes, its light as hard to penetrate as its darkness. Rock and ice — tough stuff Pluto's made of. It helped to think of Damian that way, a match for any city street. It helped me survive the winter without him.
Germaine Shames, from her stage play YEAR of THIRTEEN MOONS
Opinions, therefore, have become the one unchallenged god of this era. You have them, and therefore you are. You have a right to them, the airing of them is seen as more important than kindness and peace, they are the last thing no one can take from you, they define your identity and identity is the last field of control offered over our lives. You might not have a right to privacy or to opt out of the social contract with society, but you have the right to your opinions, god damn it! The modern ego is pretty much composed of what we support and oppose, a startling amount of what we hold opinions on have nothing at all to do with us, and probably impact us only in the most tangential of ways, yet we will fight for our right to tell everyone about them nonetheless. Social media seems to encourage us to do this belligerently by emboldening the uninformed to believe their opinions are equal to those who are more informed.
Lee Morgan (Standing and Not Falling: A Sorcerous Primer in Thirteen Moons)
One day a man said to God, ‘God, I would like to know what Heaven and Hell are like.’ God showed the man two doors. Inside the first one, in the middle of the room, was a large round table with a large pot of stew. It smelled delicious and made the man’s mouth water, but the people sitting around the table were thin and sickly. They appeared to be famished. They were holding spoons with very long handles and each found it possible to reach into the pot of stew and take a spoonful, but because the handle was longer than their arms, they could not get the spoons back into their mouths. The man shuddered at the sight of their misery and suffering. God said, ‘You have seen Hell.’ Behind the second door, the room appeared exactly the same. There was the large round table with the large pot of wonderful stew that made the man’s mouth water. The people had the same long-handled spoons, but they were well nourished and plump, laughing and talking. The man said, ‘I don’t understand.’ God smiled. ‘It is simple,’ he said, ‘Love only requires one skill. These people learned early on to share and feed one another.’ (Traditional Fable)
Lee Morgan (Standing and Not Falling: A Sorcerous Primer in Thirteen Moons)
As I mentioned earlier, the sun governs the tonal. It was assigned the number 13 because a single rotation of the solar equator takes approximately 26 Earth days. So the sun, Tonatiuh, shows one of his two faces to the Earth every 13 days, and this became known as a solar wave or trecena (a period of 13 days). Thirteen was such an important number in ancient cultures that one of God’s names in the Kabbalah is the number 13 in Hebrew. According to tradition, the nahual is governed by the Pleiades, together with the moon and Venus. The Pleiades reach the same position in the sky on a particular day in November every 52 years and on that day the ceremony of the new fire is celebrated in Mexico City, at El Cerro de la Estrella. 5 Fire is the governing element of sleep, hence new fire equals new dream. That’s why the nahual was assigned the number 52.
Sergio Magaña (El secreto tolteca: Prácticas ancestrales para comprender el poder de los sueños (Spanish Edition))