Smile In The Midst Of The Storm Quotes

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You’ve been here the whole time!” I could see it clearly.    The calm, glowing One smiled, and all of a sudden, I knew. It hadn’t been fear telling me not to get on the boat, scaring me away from the fun. It was Jesus trying to spare me the agony of this trip because . . . because He loves me? Yes, He loves me!    And there I’d stood, as if I’d had my hand on His chest, pushing Him away. What was I doing? Seeing Him now, I realized we’d been stuck in this pose a long time. I hadn’t wanted Him to go in case I needed Him, but I hadn’t wanted Him to come inside and control me.    Ever so patiently—suspended in time, but oh-so-very present—Jesus held out His hand and invited me to dance.    “Yes,” I yielded, and something so much more peaceful than peace settled inside even though the storm still raged, and the circumstances hadn’t budged. “Let’s dance.”    Embraced in His arms, I fell asleep—even in the midst of those crazy waves. 
Elizabeth Bristol (Mary Me: One Woman’s Incredible Adventure with God)
Rejoice and thank God in the midst of your storms. For those people who have been through hell and back but continue to have smiles on their faces, they are the examples of God’s grace and mercy
Latorria Freeman (Turn My Life Around Discovering Your Purpose)
The reason why I smile even in the midst of the storm, is because I know that Jesus Christ will carry me through.
Gift Gugu Mona
It wasn’t about me anymore. I had a child. A husband who needed me to be there for him in the midst of what was turning out to be a terrible time to be making a living in agriculture. I didn’t have time to get mired in the angst of my own circumstances anymore. I didn’t have time for the past. My family--my new family--was all that mattered to me. My child. And always and forever, Marlboro Man. And then he appeared--walking down the basement steps in his Wranglers and rain-drenched boots. He stepped into the basement, a warm, gentle smile on his face. It was Marlboro Man. He was there. “Hey, Mama…,” he called. “It’s all fine.” The storm had passed us by, the funnel cloud dissipating before it could do any damage. “Hey, Daddy,” I answered. It was the first time I’d ever called him that. Looking on the ground at the water bottles and granola bars, he asked, “What’s all this for?” I shrugged. “I wasn’t sure how long I’d be down here.” He laughed. “You’re funny,” he said as he scooped our sleeping baby from my arms and threw the blanket over his shoulder. “Let’s go eat. I’m hungry.” We walked across the yard to our cozy little white house, where we ate pot roast with mashed potatoes and watched The Big Country with Gregory Peck…and spent the night listening to a blessed September thunderstorm send rain falling from the sky.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I might disagree with them, but accept that they have some purpose to play in God’s larger plan, Then Iluvatar arose, and the Ainur perceived that he smiled; and he lifted up his left hand, and a new theme began amid the storm, like and yet unlike to the former theme, and it gathered power and had new beauty. But the discord of Melkor rose in uproar and contended with it, and again there was a war of sound more violent than before, until many of the Ainur were dismayed and sang no longer, and Melkor had the mastery. Then again Ilu´ vatar arose, and the Ainur perceived that his countenance was stern; and he lifted up his right hand, and behold! a third theme grew amid the confusion, and it was unlike the others. For it seemed at first soft and sweet, a mere rippling of gentle sounds in delicate melodies; but it could not be quenched, and it took to itself power and profundity. And it seemed at last that there were two musics progressing at one time before the seat of Iluvatar, and they were utterly at variance. The one was deep and wide and beautiful, but slow and blended with an immeasurable sorrow, from which its beauty chiefly came. The other had now achieved a unity of its own; but it was loud, and vain, and endlessly repeated; and it had little harmony, but rather a clamorous unison as of many trumpets braying upon a few notes. And it essayed to drown the other music by the violence of its voice, but it seemed that its most triumphant notes were taken by the other and woven into its own solemn pattern. In the midst of this strife, whereat the halls of Iluvatar shook and a tremor ran out into the silences yet unmoved, Ilu´ vatar arose a third time, and his face was terrible to behold. Then he raised up both his hands, and in one chord, deeper than the Abyss, higher than the Firmament, piercing as the light of the eye of Iluvatar, the Music ceased. Then Ilu´ vatar spoke, and he said: ‘Mighty are the Ainur, and mightiest among them is Melkor; but that he may know, and all the Ainur, that I am Iluvatar, those things that ye have sung, I will show them forth, that ye may see what ye have done. And thou, Melkor, shalt see that no theme may be played that hath not its uttermost source in me, nor can any alter the music in my despite. For he that attempteth this shall prove but mine instrument in the devising of things more wonderful, which he himself hath not imagined.’ Then the Ainur were afraid, and they did not yet comprehend the words that were said to them; and Melkor was filled with shame, of which came secret anger. But Iluvatar arose in splendour, and he went forth from the fair regions that he had made for the Ainur; and the Ainur followed him.
J.R.R. Tolkien (The Silmarillion)
Celaena panted through her bared teeth as she yanked the pickax out of the overseer’s stomach. The man gurgled blood, clutching at his gut as he looked to the slaves in supplication. But one glance from Celaena, one flash of eyes that showed she had gone beyond the edge, kept the slaves at bay. She merely smiled down at the overseer as she swung the ax into his face. His blood sprayed her legs. The slaves still stayed far away when she brought down the ax upon the shackles that bound her ankles to the rest of them. She didn’t offer to free them, and they didn’t ask; they knew how useless it would be. The woman at the end of the chain gang was unconscious. Her back poured blood, split open by the iron-tipped whip of the dead overseer. She would die by tomorrow if her wounds were not treated. Even if they were, she’d probably die from infection. Endovier amused itself like that. Celaena turned from the woman. She had work to do, and four overseers had to pay a debt before she was done. She stalked from the mine shaft, pickax dangling from her hand. The two guards at the end of the tunnel were dead before they realized what was happening. Blood soaked her clothes and her bare arms, and Celaena wiped it from her face as she stormed down to the chamber where she knew the four overseers worked. She had marked their faces the day they’d dragged that young Eyllwe woman behind the building, marked every detail about them as they used her, then slit her throat from ear to ear. Celaena could have taken the swords from the fallen guards, but for these four men, it had to be the ax. She wanted them to know what Endovier felt like. She reached the entrance to their section of the mines. The first two overseers died when she heaved the ax into their necks, slashing back and forth between them. Their slaves screamed, backing against the walls as she raged past them. When she reached the other two overseers, she let them see her, let them try to draw their blades. She knew it wasn’t the weapon in her hands that made them stupid with panic, but rather her eyes—eyes that told them they had been tricked these past few months, that cutting her hair and whipping her hadn’t been enough, that she had been baiting them into forgetting that Adarlan’s Assassin was in their midst.
Sarah J. Maas (Throne of Glass)